Yamaha MU50E2, MU50 User Manual
TONE GENERATOR
MU50
SOUND LIST & MIDI DATA
MU50 Effect Type List
REVERB
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 1 0 HALL1 Reverb simulating the resonance of a hall.
2 1 1 HALL2 Reverb simulating the resonance of a hall.
3 2 0 ROOM1 Reverb simulating the resonance of a room.
4 2 1 ROOM2 Reverb simulating the resonance of a room.
5 2 2 ROOM3 Reverb simulating the resonance of a room.
6 3 0 STAGE1 Reverb appropriate for a solo instrument.
7 3 1 STAGE2 Reverb appropriate for a solo instrument.
8 4 0 PLATE Reverb simulating a metal plate reverb unit.
9 10 0 WHITE ROOM A unique short reverb with a bit of initial delay.
10 11 0 TUNNEL Simulation of a tunnel space expanding to left and right.
11 13 0 BASEMENT A bit of initial delay followed by reverb with a unique resonance.
CHORUS
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 41 0 CHORUS1 Conventional chorus program that adds natural spaciousness.
2 41 1 CHORUS2 Conventional chorus program that adds natural spaciousness.
3 41 2 CHORUS3 Conventional chorus program that adds natural spaciousness.
4 41 8 CHORUS4 Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
5 42 0 CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
6 42 1 CELESTE2 A 4-phase LFO adds modulation and spaciousness to the sound.
7 42 2 CELESTE3 A 5-phase LFO adds modulation and spaciousness to the sound.
8 42 8 CELESTE4 CELESTE with stereo input. The pan setting specified for the Part will also apply to the effect sound.
9 43 0 FLANGER1 Adds a jet-airplane effect to the sound.
10 43 1 FLANGER2 Adds a jet-airplane effect to the sound.
11 43 8 FLANGER3 Adds a jet-airplane effect to the sound.
VARIATION
No. Exclusive Effect Type Description
msb lsb
0 0 0 NO EFFECT Effect turned off.
1 1 0 HALL1 Reverb simulating the resonance of a hall.
2 1 1 HALL2 Reverb simulating the resonance of a hall.
3 2 0 ROOM1 Reverb simulating the resonance of a room.
4 2 1 ROOM2 Reverb simulating the resonance of a room.
5 2 2 ROOM3 Reverb simulating the resonance of a room.
6 3 0 STAGE1 Reverb appropriate for a solo instrument.
7 3 1 STAGE2 Reverb appropriate for a solo instrument.
8 4 0 PLATE Reverb simulating a metal plate reverb unit.
9 5 0 DELAY L,C,R A program that creates three delay sounds; L, R, and C (center).
10 6 0 DELAY L,R A program that creates two delay sounds; L and R. Two feedback delays are provided.
11 7 0 ECHO Two delays (L and R) and independent feedback delays for L and R.
12 8 0 CROSS DELAY A program that crosses the feedback of two delays.
13 9 0 ER1 An effect that produces only the early reflection component of reverb.
14 9 1 ER2 An effect that produces only the early reflection component of reverb.
15 A 0 GATE REVERB A simulation of gated reverb.
16 B 0 REVERSE GATE A program that simulates gated reverb played backwards.
17 14 0 KARAOKE 1 A delay with feedback of the same type as used for karaoke reverb.
18 14 1 KARAOKE 2 A delay with feedback of the same type as used for karaoke reverb.
19 14 2 KARAOKE 3 A delay with feedback of the same type as used for karaoke reverb.
20 41 0 CHORUS1 A conventional chorus program, providing natural spaciousness.
21 41 1 CHORUS2 A conventional chorus program, providing natural spaciousness.
22 41 2 CHORUS3 A conventional chorus program, providing natural spaciousness.
23 41 8 CHORUS4 Chorus with stereo input.
24 42 0 CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
25 42 1 CELESTE2 A 4-phase LFO adds modulation and spaciousness to the sound.
26 42 2 CELESTE3 A 5-phase LFO adds modulation and spaciousness to the sound.
27 42 8 CELESTE4 Celeste with stereo input.
28 43 0 FLANGER1 Adds a jet-airplane effect to the sound.
29 43 1 FLANGER2 Adds a jet-airplane effect to the sound.
30 43 8 FLANGER3 Adds a jet-airplane effect to the sound.
31 44 0 SYMPHONIC A multi-phase version of CELESTE.
32 45 0 ROTARY SPEAKER A simulation of a rotary speaker. You can use an AC1 (assignable controller) etc. to control the speed of rotation.
33 46 0 TREMOLO An effect that cyclically modulates the volume.
34 47 0 AUTO PAN A program that cyclically moves the sound image to left and right, front and back.
35 48 0 PHASER1 Cyclically changes the phase to add modulation to the sound.
36 48 8 PHASER2 Phaser with stereo input.
37 49 0 DISTORTION Adds a sharp-edged distortion to the sound.
38 4A 0 OVER DRIVE Adds mild distortion to the sound.
39 4B 0 AMP SIMULATOR A simulation of a guitar amp.
40 4C 0 3-BAND EQ(MONO) A mono EQ with adjustable LOW, MID, and HIGH equalizing.
41 4D 0 2-BAND EQ(STEREO) A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
42 4E 0 AUTO WAH(LFO) Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
43 40 0 THRU Bypass without applying an effect.
1
MU50 Effect Parameter List
parameter 1~10 = required parameters
BASIC EFFECT TYPE
No. Parameter Display Value See Table MU80 MU50 Control
CHORUS1,2,3,4
CELESTE1,2,3,4
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO PM Depth 0~127 0-63 • T 0-127
3 Feedback Level -63~+63 1-127 ••
4 Delay Offset 0~127 0-127 table#2 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO AM Depth 0~127 0-127 •
15 Input Mode mono/stereo 0-1 •
16
FLANGER1,2,3
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Feedback Level -63~+63 1-127 ••
4 Delay Offset 0~63 0-63 table#2 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO Phase Difference -180~+180deg 4-124 resolution = 30deg. • T resolution = 3deg.
15
16
SYMPHONIC
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Delay Offset 0~127 0-127 table#2 ••
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
ROTARY SPEAKER
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 LFO Depth 0~127 0-127 ••
3
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
TREMOLO
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 AM Depth 0~127 0-127 ••
3 PM Depth 0~127 0-127 ••
4
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
parameter 11~16 = optional parameters
2
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
13 EQ Mid Width 1.0~12.0 10-120 •
14 LFO Phase Difference -180~+180deg 4-124 resolution = 30deg. • T resolution = 3deg.
15 Input Mode mono/stereo 0-1 •
16
AUTO PAN
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 •••
2 L/R Depth 0~127 0-127 ••
3 F/R Depth 0~127 0-127 ••
4 PAN Direction
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
PHASER1,PHASER2
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Phase Shift Offset 0~127 0-127 ••
4 Feedback Level -63~+63 1-127 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Stage 3~10 3-10 ▲ 4,6,8, ▲
12 Diffusion Mono/Stereo 0-1 ••
13 LFO Phase Difference -180~+180deg. 4-124 resolution = 3deg. • phaser2 only
14
15
16
DISTORTION
OVERDRIVE
1 Drive 0~127 0-127 •••
2 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 • 4-40 32Hz~2.0kHz •
3 EQ Low Gain -12~+12dB 52-76 ••
4 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
5 Output Level 0~127 0-127 ••
6
7 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3 T 14-54100Hz~10.0kHz •
8 EQ Mid Gain -12~+12dB 52-76 ••
9 EQ Mid Width 1.0~12.0 10-120 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Edge(Clip Curve) 0~127 0-127 mild~sharp •
12
13
14
15
16
GUITAR AMP SIMULATOR
1 Drive 0~127 0-127 •••
2 AMP Type Off,Stack,Combo,Tube 0-3 ••
3 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
4 Output Level 0~127 0-127 ••
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Edge(Clip Curve) 0~127 0-127 mild~sharp •
12
13
14
15
16
3-BAND EQ
1 EQ Low Gain -12~+12dB 52-76 ••
2 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3 T 14-54100Hz~10.0kHz •
3 EQ Mid Gain -12~+12dB 52-76 ••
4 EQ Mid Width 1.0~12.0 10-120 ••
5 EQ High Gain -12~+12dB 52-76 ••
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
8
9
10
11
12
L<->R,L->R,L<-R,Lturn,Rturn,L/R
0-5 ••
6~10(phaser1) / 3~5(phaser2)
3
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
13
14
15
16
2-BAND EQ
1 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
2 EQ Low Gain -12~+12dB 52-76 ••
3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
4 EQ High Gain -12~+12dB 52-76 ••
5
6
7
8
9
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 •
12 EQ Mid Gain -12~+12dB 52-76 •
13 EQ Mid Width 1.0~12.0 10-120 •
14
15
16
AUTO WAH
1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ••
2 LFO Depth 0~127 0-127 ••
3 Cutoff Frequency Offset 0~127 0-127 •••
4 Resonance 1.0~12.0 10-120 ••
5
6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 T 4-40 32Hz~2.0kHz •
7 EQ Low Gain -12~+12dB 52-76 ••
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 ••
9 EQ High Gain -12~+12dB 52-76 ••
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Drive 0~127 0-127 •
12
13
14
15
16
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE
1 Reverb Time 0.3~30.0s 0-69 table#4 ••
2 Diffusion 0~10 0-10 ••
3 Initial Delay 0~63 0-63 table#5 ••
4 HPF Cutoff Thru~8.0kHz 0-52 table#3 ••
5 LPF Cutoff 1.0k~Thru 34-60 table#3 ••
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Rev Delay 0~63 0-63 table#5 ••
12 Density 0~3 0-3 T 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 ••
14 High Damp 0.1~1.0 1-10 •
15 Feedback Level -63~+63 1-127 •
16
DELAY L,C,R
1 Lch Delay 0.1~715.0ms 1-7150 ••
2 Rch Delay 0.1~715.0ms 1-7150 ••
3 Cch Delay 0.1~715.0ms 1-7150 ••
4 Feedback Delay 0.1~715.0ms 1-7150 ••
5 Feedback Level -63~+63 1-127 ••
6 Cch Level 0~127 0-127 ••
7 High Damp 0.1~1.0 1-10 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
DELAY L,R
1 Lch Delay 0.1~715.0ms 1-7150 ••
2 Rch Delay 0.1~715.0ms 1-7150 ••
3 Feedback Delay 1 0.1~715.0ms 1-7150 ••
4 Feedback Delay 2 0.1~715.0ms 1-7150 ••
5 Feedback Level -63~+63 1-127 ••
6 High Damp 0.1~1.0 1-10 ••
*REV(0-4),VAR(0-3)
•
4
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
ECHO
1 Lch Delay1 0.1~355.0ms 1-3550 ••
2 Lch Feedback Level -63~+63 1-127 ••
3 Rch Delay1 0.1~355.0ms 1-3550 ••
4 Rch Feedback Level -63~+63 1-127 ••
5 High Damp 0.1~1.0 1-10 ••
6 Lch Delay2 0.1~355.0ms 1-3550 ••
7 Rch Delay2 0.1~355.0ms 1-3550 ••
8 Delay2 Level 0~127 0-127 ••
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
CROSS DELAY
1 L->R Delay 0.1~355.0ms 1-3550 ••
2 R->L Delay 0.1~355.0ms 1-3550 ••
3 Feedback Level -63~+63 1-127 ••
4 Input Select L,R,L&R 0-2 ••
5 High Damp 0.1~1.0 1-10 ••
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 HPF Cutoff Thru~8.0kHz 0-52 table#3 •
12 LPF Cutoff 1.0k~Thru 34-60 table#3 •
13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 •
14 EQ Low Gain -12~+12dB 52-76 •
15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
16 EQ High Gain -12~+12dB 52-76 •
EARLY REF1,EARLY REF2
1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 ••
2 Room Size 0.1~7.0 0-44 table#6 ••
3 Diffusion 0~10 0-10 ••
4 Initial Delay 0~63 0-63 table#5 ••
5 Feedback Level -63~+63 1-127 ••
6 HPF Cutoff Thru~8.0kHz 0-52 ••
7 LPF Cutoff 1.0k~Thru 34-60 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Liveness 0~10 0-10 ••
12 Density 0~3 0-3 ••
13 High Damp 0.1~1.0 1-10 ••
14
15
16
GATE REVERB
REVERSE GATE
1 Type TypeA,TypeB 0-1 ••
2 Room Size 0.1~7.0 0-44 table#6 ••
3 Diffusion 0~10 0-10 ••
4 Initial Delay 0~63 0-63 table#5 ••
5 Feedback Level -63~+63 1-127 ••
6 HPF Cutoff Thru~8.0kHz 0-52 ••
7 LPF Cutoff 1.0k~Thru 34-60 ••
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •••
11 Liveness 0~10 0-10 ••
12 Density 0~3 0-3 ••
13 High Damp 0.1~1.0 1-10 ••
14
15
16
OPTION EFFECT TYPE
PITCH CHANGE
1 Pitch -24~+24 40-88 •
2 Initial Delay 0~127 0-127 table#7 •
5
MU50 Effect Parameter List
No. Parameter Display Value See Table MU80 MU50 Control
3 Fine 1 -50~+50 14-114 •
4 Fine 2 -50~+50 14-114 •
5 Feedback Gain -99~+99% 1-127 •
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ••
11 Pan 1 L63~R63 1-127 •
12 Output Level 1 0~127 0-127 •
13 Pan 2 L63~R63 1-127 •
14 Output Level 2 0~127 0-127 •
15
16
AURAL EXICETER
1 HPF cutoff 500Hz~16.0kHz 28-58 •
2 Drive 0~127 0-127 •
3 Mix Level 0~127 0-127 •
4
5
6
7
8
9
10
11
12
13
14
15
16
TOUCH WAH,WAH+DIST
1 Sensitive 0~127 0-127 •
2 Cutoff Frequency Offset 0~127 0-127 ••
3 Resonance 1.0~12.0 10-120 •
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 •
7 EQ Low Gain -12~+12dB 52-76 •
8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 •
9 EQ High Gain -12~+12dB 52-76 •
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Drive 0~127 0-127 •
12
13
14
15
16
COMPRESSOR
1 Attack 1~40ms 0-19 table#8 •
2 Release 10~680ms 0-15 table#9 •
3 Threshold -48~-6dB 79-121 •
4 Ratio 1.0~20.0 0-7 table#10 •
5 Output Level 0~127 0-127 •
6
7
8
9
10
11
12
13
14
15
16
NOISE GATE
1 Attack 1~40ms 0-19 table#8 •
2 Release 10~680ms 0-15 table#9 •
3 Threshold -72~-30dB 55-97 •
4 Output Level 0~127 0-127 •
5
6
7
8
9
10
11 Ratio 1.0~5.0 0-7
12
13
14
15
16
6
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