Yamaha MU100R User Manual
TABLE OF CONTENTS
mEFFECT
A/D Input Preset
Effect Type List
Effect LSB/MSB List
Effect Parameter List
Effect Data Assign Table
mMIDI
MIDI Data Format
MIDI Implementation Chart
mVOICE
XG Voice List
VL-XG Voice List
VL Voice List
TG300B Voice List
2
3
6
9
24
27
70
72
100
102
108
About the 128 GM Sounds
C/M Voice List
XG Drum Map
TG300B Drum Map
C/M Drum Map
Performance List
mAbout the MU100R DISK
116
118
119
124
125
126
129
1
A/D Input Preset
A/D Input Preset
A/D1
BANK
Source
Preset Name
0
MIC
input gain
var type
Preset Name
GUITAR
1
input gain
(Note 1)
var type
Preset Name
KEYBOARD
2
input gain
var type
Preset Name
AUDIO
3
input gain
(Note 2)
var type
Preset Name
STEREO
18
19
input gain
KEYBOARD
var type
(Note 3)
Preset Name
STEREO
input gain
AUDIO
var type
(Note 3)
(Note 1) Depending on the guitar, the input may be distorted. Adjust the A/D INPUT
(Note 2) AUDIO sets PAN to Lch for A/D1 and Rch for A/D2.
(Note 3) The Stereo setting can be selected only for A/D1.
A/D2
PGM CNG# = 0
Off
mic
Off
mic
Off
line
Off
line
Off
line
Off
line
-
VOLUME or the volume of your guitar.
The A/D1 and A/D2 inputs will be handled as the Lch and Rch respectively of a
stereo signal.
Thus, when you select Stereo, the bank number and program number of part A2
will be displayed as "***" and cannot be set.
1
Mic
mic
Guitar
mic
Keyboard
line
Audio
line
Keyboard
line
Audio
line
-
2
Reverb
mic
Reverb
mic
Reverb
line
Reverb
line
Reverb
line
Reverb
line
-
3
4
Chorus
Chorus+Reverb
mic
mic
-
-
Chorus
Chorus+Reverb
mic
mic
-
-
Chorus
Chorus+Reverb
line
line
-
-
Chorus
Chorus+Reverb
line
line
-
-
Chorus
Chorus+Reverb
line
line
-
-
Chorus
Chorus+Reverb
line
line
-
-
5
Karaoke1
mic
Karaoke1
Tube
mic
Amp Sim.
Phaser EP
line
Phaser
Phaser EP
line
Phaser
6
Karaoke2
mic
Karaoke2
Stack
mic
Amp Sim.
Pan EP
line
Auto Pan
Pan EP
line
Auto Pan
7
Karaoke3
mic
Karaoke3
Flang Gtr
mic
Flanger
Wah Clavi
line
Touch Wah
Wah Clavi
line
Touch Wah
8
Echo
mic
Echo
Clean Gtr
mic
Celeste
Rotary Orgn
line
Rotary Speaker
Rotary Orgn
line
Rotary Speaker
9
Vocal
mic
Stage1
Funk Gtr
mic
Touch Wah
Synth Str
line
Symphonic
Synth Str
line
Symphonic
10
Studio
mic
Exciter
Tremolo
mic
Tremolo
Synth Pad
line
Flanger2
Synth Pad
line
Flanger2
11
Oct Up
mic
Pitch Change
Phaser
mic
Phaser
Synth Lead
line
Delay LCR
Synth Lead
line
Delay LCR
12
Oct Down
mic
Pitch Change
5th Guitar
mic
Pitch Change
SFX
line
Pitch Change
SFX
line
Pitch Change
2
EFFECT
Effect Type List
REVERB
0
1
2
3
4
5
6
7
8
9
MSB
00H
01H
01H
02H
02H
02H
03H
03H
04H
10H
11H
12H
13H
MSB
00H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
48H
Effect Type
LSB
NO EFFECT
00H
HALL 1
00H
HALL 2
01H
ROOM 1
00H
ROOM 2
01H
ROOM 3
02H
STAGE 1
00H
STAGE 2
01H
PLATE
00H
WHITE ROOM
00H
TUNNEL
00H
CANYON
00H
BASEMENT
00H
LSB
00H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
Effect Type
NO EFFECT
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
PHASER 1
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
CHORUS
No.
10
11
12
13
14
Effect Type List
Remarks
Turn off the effect.
Reverb simulating the acoustics of a hall.
˝
Reverb simulating the acoustics of a room.
˝
˝
Reverb appropriate for a solo instrument.
˝
Reverb simulating a metal plate reverb device.
Unique short reverb with a slight initial delay.
Simulation of a cylindrical space extending to left and right.
A hypothetical acoustic space which extends without limit.
Reverb with distinctive resonance following a slight initial delay.
Remarks
Turn off the effect.
A standard chorus effect, adding natural spaciousness to the sound.
˝
˝
˝
An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.
˝
˝
˝
An effect reminiscent of a jet airplane taking off and landing.
˝
˝
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Cyclically changes the phase to modulate the sound.
EFFECT
3
Effect Type List
VARIATION
No.
MSB
LSB
0
00H
00H
1
01H
00H
2
01H
01H
3
02H
00H
4
02H
01H
5
02H
02H
6
03H
00H
7
03H
01H
8
04H
00H
9
10H
00H
10
11H
00H
11
12H
00H
12
13H
00H
13
05H
00H
14
06H
00H
15
07H
00H
16
08H
00H
17
09H
00H
18
09H
01H
19
00H
0AH
20
00H
0BH
21
00H
14H
22
01H
14H
23
02H
14H
24
00H
41H
25
01H
41H
26
02H
41H
27
08H
41H
28
00H
42H
29
01H
42H
30
02H
42H
31
08H
42H
32
00H
43H
33
01H
43H
34
08H
43H
35
00H
44H
36
00H
57H
37
00H
58H
38
00H
45H
39
00H
56H
40
00H
46H
41
00H
47H
42
00H
48H
43
08H
48H
44
00H
49H
45
01H
49H
46
00H
4AH
47
00H
4BH
48
00H
4CH
49
00H
4DH
50
00H
4EH
51
01H
4EH
52
02H
4EH
53
00H
52H
54
01H
52H
55
02H
52H
56
08H
52H
57
00H
50H
58
01H
50H
59
00H
51H
60
00H
53H
61
00H
54H
62
00H
55H
63
00H
5DH
64
00H
5EH
65
00H
5FH
66
01H
5FH
67
00H
60H
68
01H
60H
69
00H
61H
70
01H
61H
71
00H
40H
Effect Type
NO EFFECT
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
ER 1
ER 2
GATE REVERB
REVERSE GATE
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
AMBIENCE
ROTARY SPEAKER
2WAY ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
PHASER 2
DISTORTION
COMP+DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
AUTO WAH+DIST
AUTO WAH+ODRV
TOUCH WAH 1
TOUCH WAH 2
TOUCH WAH+DIST
TOUCH WAH+ODRV
PITCH CHANGE 1
PITCH CHANGE 2
AURAL EXCITER
COMPRESSOR
NOISE GATE
VOICE CANCEL
TALKING MODULATOR
LO-FI
DIST+DELAY
OVERDRIVE+DELAY
COMP+DIST+DELAY
COMP+OVERDRIVE+DELAY
WAH+DIST+DELAY
WAH+OVERDRIVE+DELAY
THRU
®
Remarks
Turns off the effect.
Reverb simulating the acoustics of a hall.
˝
Reverb simulating the acoustics of a room.
˝
˝
Reverb appropriate for a solo instrument.
˝
Reverb simulating a metal plate reverb device.
Distinctive short reverb with a slight initial delay.
Simulation of a cylindrical space extending to left and right.
A hypothetical acoustic space which extends without limit.
Reverb with distinctive resonance following a slight initial delay.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
This effect isolates only the early reflection components of the reverb.
˝
Simulation of gated reverb.
Simulation of gated reverb played back in reverse.
Echo for karaoke.
˝
˝
Conventional chorus effect which gives natural spaciousness to the sound.
˝
˝
˝
A three-phase LFO is used to give modulation and spaciousness to the sound.
˝
˝
˝
An effect reminiscent of a jet airplane taking off and landing.
˝
˝
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
An effect which adds spatial breadth by blurring the location of the sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
˝
Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well.
Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.
Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well.
Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way.
Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect changes the pitch of the input signal.
˝
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Attenuates the vocal part from sources such as CDs.
Adds a vowel sound to the input signal.
Degrades the audio quality of the input signal.
DISTORTION and DELAY are connected in series.
OVERDRIVE and DELAY are connected in series.
COMPRESSOR, DISTORTION and DELAY are connected in series.
COMPRESSOR, OVERDRIVE and DELAY are connected in series.
TOUCH WAH, DISTORTION and DELAY are connected in series.
TOUCH WAH, OVERDRIVE and DELAY are connected in series.
Bypass without applying an effect.
Aural Exciter® is a registered trademark of Aphex Corporation.
4
EFFECT
INSERTION1,2
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
Effect Type
MSB
LSB
THRU
00H
40H
HALL 1
00H
01H
HALL 2
01H
01H
ROOM 1
00H
02H
ROOM 2
01H
02H
ROOM 3
02H
02H
STAGE 1
00H
03H
STAGE 2
01H
03H
PLATE
00H
04H
DELAY L,C,R
00H
05H
DELAY L,R
00H
06H
ECHO
00H
07H
CROSS DELAY
00H
08H
KARAOKE 1
00H
14H
KARAOKE 2
01H
14H
KARAOKE 3
02H
14H
CHORUS 1
00H
41H
CHORUS 2
01H
41H
CHORUS 3
02H
41H
CHORUS 4
08H
41H
CELESTE 1
00H
42H
CELESTE 2
01H
42H
CELESTE 3
02H
42H
CELESTE 4
08H
42H
FLANGER 1
00H
43H
FLANGER 2
01H
43H
FLANGER 3
08H
43H
SYMPHONIC
00H
44H
ENSEMBLE DETUNE
00H
57H
ROTARY SPEAKER
00H
45H
TREMOLO
00H
46H
AUTO PAN
00H
47H
PHASER 1
00H
48H
DISTORTION
00H
49H
OVER DRIVE
00H
4AH
AMP SIMULATOR
00H
4BH
3BAND EQ(MONO)
00H
4CH
2BAND EQ(STEREO)
00H
4DH
AUTO WAH(LFO)
00H
4EH
TOUCH WAH 1
00H
52H
TOUCH WAH 2
08H
52H
AURAL EXCITER
00H
51H
00H
53H
COMPRESSOR
00H
54H
NOISE GATE
Effect Type List
Remarks
Bypass without applying an effect.
Reverb simulating the acoustics of a hall.
˝
Reverb simulating the acoustics of a room.
˝
˝
Reverb appropriate for a solo instrument.
˝
Reverb simulating a metal plate reverb device.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
Echo for karaoke.
˝
˝
Conventional chorus effect which gives natural spaciousness to the sound.
˝
˝
˝
A three-phase LFO is used to give modulation and spaciousness to the sound.
˝
˝
˝
An effect reminiscent of a jet airplane taking off and landing.
˝
˝
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
®
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Aural Exciter® is a registered trademark of Aphex Corporation.
EFFECT
5
Effect LSB/MSB List
Effect LSB/MSB List
REVERB TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 NO EFFECT
: : :
015 F NO EFFECT
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 NO EFFECT
: : :
127 7F NO EFFECT
NO EFFECT Same as basic effects (LSB=00)
CHORUS TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 NO EFFECT
: : :
064 40 NO EFFECT
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 NO EFFECT
: : :
071 47 NO EFFECT
072 48 PHASER 1
073 49 NO EFFECT
: : :
086 56 NO EFFECT
087 57 ENSEMBLE DETUNE
088 58 NO EFFECT
: : :
127 7F NO EFFECT
NO EFFECT Same as basic effects (LSB=00)
6
EFFECT
Effect LSB/MSB List
VARIATION TYPE (MSB=0 - 63)
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 NO EFFECT
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 ER 1 ER 2
010 A GATE REVERB
011 B REVERSE GATE
012 C NO EFFECT or THRU
: : :
015 F NO EFFECT or THR U
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 NO EFFECT or THRU
: : :
063 3F NO EFFECT or THRU
NO EFFECT (for SYS) or THRU (for INS) Same as basic effects (LSB=00)
VARIATION TYPE (MSB=64 - 127)
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
064 40 THRU
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1 PHASER 2
073 49 DISTORTION COMP+DIST OR TION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3-BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO) AUTO W AH+DIST
079 4F THRU
080 50 PITCH CHANGE1 PITCH CHANGE2
081 51 AURAL EXCITER
082 52 TOUCH WAH 1 TOUCH WAH+DIST
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 VOICE CANCEL
086 56 2
087 57
088 58 AMBIENCE
089 59 THRU
: : :
092 5C THRU
093 5D
094 5E LO-FI
095 5F DIST+DELAY
096 60
097 61 WAH+DIST+DELAY
098 62 THRU
: : :
127 7F THRU
Aural Exciter
®
is a registered trademark of Aphex Corporation.
WA Y RO TARY SPEAKER
ENSEMBLE DETUNE
T ALKING MODULAT OR
COMP+DIST+DELAY
®
OVERDRIVE+DELAY
COMP+OVERDRIVE+DELA Y
WAH+OVERDRIVE+DELAY
AUTO W AH+OVERDRIVE
TOUCH WAH+O VERDRIVE
THRU
TOUCH WAH 2
Same as basic effects (LSB=00)
EFFECT
7
Effect LSB/MSB List
INSERTION TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 THRU
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 THRU
: : :
019 13 THRU
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 THRU
: : :
063 3F THRU
064 40 THRU
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1
073 49 DISTORTION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO)
079 4F THRU
080 50 THRU
081 51 AURAL EXCITER
082 52 TOUCH WAH 1 TOUCH WAH 2
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 THRU
086 56 THRU
087 57
088 58 THRU
: : :
127 7F THRU
Aural Exciter
®
is a registered trademark of Aphex Corporation.
ENSEMBLE DETUNE
®
THRU
Same as basic effects (LSB=00)
UNIQUE INSERTION EFFECT (HARMONY) TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
000 0 THRU
: : :
088 58 THRU
089 59
090 5A
091 5B
092 5C
093 5D THRU
: : :
127 7F THRU
8
VOCODER HARMONY
CHORDAL HARMONY
DETUNE HARMONY
CHROMATIC HARMONY
EFFECT
THRU
Same as basic effects (LSB=00)
Effect Parameter List
Effect Parameter List
Note
• Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However , this is valid only for a Variation effect (when selected for Inser tion) and for Insertion effects 1/2.
• Dry/W et is valid only for a V ariation effect (when selected for Insertion) and for Insertion effects
1/2.
• Parameters 1 - 5 can be edited from the front panel of the MU100R.
• Abbreviations used in the effect block diagrams
LPF = Low Pass Filter
HPF = High Pass Filter
LSF = Low Shelving Filter
HSF = High Shelving Filter
PDF = Peak Dip Filter
EF = Envelope Follower
ER = Early Reflection
● HALL1, 2
ROOM1, 2, 3
STAGE1, 2
PLATE (Reverb, Variation, Insertion1, 2 block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Dry/Wet
Rev Delay
Density
Er/Rev Balance
High Damp
Feedback Level
Display
0.3 – 30.0s
0 – 10
0 – 63
Thru – 8.0kHz
1.0k – Thru
D63>W – D=W – D<W63
0 – 63
0 – 4 (reverb, variation block)
0 – 2 (insertion1,2 block)
E63>R – E=R – E<R63
0.1 – 1.0
-63 – +63
0-69
0-10
0-63
0-52
34-60
1-127
0-63
1-127
1-10
1-127
See Table
table#4
table#5
table#3
table#3
table#5
0-4
0-2
WHITE ROOM
TUNNEL
CANYON
BASEMENT (Reverb, Variation block)
ControlValue
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Heigt
Depth
Wall Vary
Dry/Wet
Rev Delay
Density
Er/Rev Balance
High Damp
Feedback Level
Display
0.3 – 30.0s
0 – 10
0 – 63
Thru – 8.0kHz
1.0k – Thru
0.5 – 10.2m
0.5 – 20.2m
0.5 – 30.2m
0 – 30
D63>W – D=W – D<W63
0 – 63
0 – 4
E63>R – E=R – E<R63
0.1 – 1.0
-63 – +63
0-69
0-10
0-63
0-52
34-60
0-37
0-73
0-104
0-30
1-127
0-63
0-4
1-127
1-10
1-127
See Table
table#4
table#5
table#3
table#3
table#11
table#11
table#11
table#5
ControlValue
Reverb Block
L
HPF LPF
HPF LPF
DELAY/ER
DELAY/ER
+
REV
R
L
+
+
R
Variation, Insertion Block
L
dry (L)
L
+
EFFECT
+
HPF LPF
R
DELAY/ER
REV
dry (R)
+
R
9
Effect Parameter List
● DELAY L, C, R
(Variation, Insertion 1, 2 block)
No.
Parameter
1
Lch Delay
2
Rch Delay
3
Cch Delay
4
Feedback Delay
5
Feedback Level
6
Cch Level
7
High Damp
8
9
10
Dry/Wet
11
12
13
EQ Low Frequency
14
EQ Low Gain
15
EQ High Frequency
16
EQ High Gain
L
R
LSF HSF
LSF HSF
Display
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
-63 – +63
0 – 127
0.1 – 1.0
D63>W – D=W – D<W63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
+
DELAY
LPF
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
0-127
1-10
1-127
4-40
52-76
28-58
52-76
See Table
table#3
table#3
dry (L)
L
R
dry (R)
ControlValue
L
C
R
● DELAY L, R (Variation, Insertion 1, 2 block)
No.
Parameter
1
Lch Delay
2
Rch Delay
3
Feedback Delay 1
4
Feedback Delay 2
5
Feedback Level
6
High Damp
7
8
9
10
Dry/Wet
11
12
13
EQ Low Frequency
14
EQ Low Gain
15
EQ High Frequency
16
EQ High Gain
L
R
LSF HSF
LSF HSF
Display
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
0.1 – 1486.0ms (variation block)
0.1 – 742.9ms (insertion1,2 block)
-63 – +63
0.1 – 1.0
D63>W – D=W – D<W63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
+
DELAY
LPF
LPF
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
1-10
1-127
4-40
52-76
28-58
52-76
See Table
table#3
table#3
dry (L)
L
R
dry (R)
ControlValue
L
R
● ECHO (Variation, Insertion 1, 2 block)
No.
Parameter
1
Lch Delay1
2
Lch Feedback Level
3
Rch Delay1
4
Rch Feedback Level
5
High Damp
6
Lch Delay2
7
Rch Delay2
8
Delay2 Level
9
10
Dry/Wet
11
12
13
EQ Low Frequency
14
EQ Low Gain
15
EQ High Frequency
16
EQ High Gain
L
R
LSF HSF
LSF HSF
Display
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
-63 – +63
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
-63 – +63
0.1 – 1.0
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
0 – 127
D63>W – D=W – D<W63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
+
DELAY
LPF
LPF
+
DELAY
1-7430
1-3714
1-127
1-7430
1-3714
1-127
1-10
1-7430
1-3714
1-7430
1-3714
0-127
1-127
4-40
52-76
28-58
52-76
See Table
table#3
table#3
dry (L)
dry (R)
● CROSS DELAY
(Variation, Insertion 1, 2 block)
No.
Parameter
1
L->R Delay
2
R->L Delay
3
Feedback Level
4
Input Select
5
High Damp
6
7
8
9
10
Dry/Wet
11
12
13
EQ Low Frequency
14
EQ Low Gain
15
EQ High Frequency
16
EQ High Gain
L
R
LSF HSF
LSF HSF
Display
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
0.1 – 743.0ms (variation block)
0.1 – 371.4ms (insertion1,2 block)
-63 – +63
L,R,L&R
0.1 – 1.0
D63>W – D=W – D<W63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
+
DELAY
LPF
LPF
+
DELAY
1-7430
1-3714
1-7430
1-3714
1-127
0-2
1-10
1-127
4-40
52-76
28-58
52-76
See Table
table#3
table#3
dry (L)
dry (R)
ControlValue
L
R
ControlValue
L
R
10
EFFECT
Effect Parameter List
● EARLY REF 1, 2 (Variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Liveness
Density
High Damp
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1 – 7.0
0 – 10
0 – 63
-63 – +63
Thru – 8.0kHz
1.0k – Thru
D63>W – D=W – D<W63
0 – 10
0 – 3
0.1 – 1.0
0-5
0-44
0-10
0-63
1-127
0-52
34-60
1-127
0-10
0-3
1-10
GATE REVERB
REVERSE GATE (Variation block)
No.
10
11
12
13
14
15
16
L
R
Parameter
1
Type
2
Room Size
3
Diffusion
4
Initial Delay
5
Feedback Level
6
HPF Cutoff
7
LPF Cutoff
8
9
Dry/Wet
Liveness
Density
High Damp
+
Display
TypeA,TypeB
0.1 – 20.0
0 – 10
0 – 127
-63 – +63
Thru – 8.0kHz
1.0k – Thru
D63>W – D=W – D<W63
0 – 10
0 – 3
0.1 – 1.0
HPF LPF
ER
0-127
0-10
0-127
1-127
0-52
34-60
1-127
0-10
1-10
0-1
0-3
dry (L)
dry (R)
See Table
table#6
table#5
table#3
table#3
See Table
table#6
table#5
table#3
table#3
● CHORUS 1, 2, 3, 4
ControlValue
CELESTE 1, 2, 3, 4 (Chorus, Variation,
Insertion 1, 2 block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Feedback Level
4
Delay Offset
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
EQ Mid Frequency
12
EQ Mid Gain
13
EQ Mid Width
14
15
Input Mode
16
ControlValue
Chorus Block: when input mode = "mono"
L
LSF HSF
R
LSF HSF
Display
0.00Hz – 39.7Hz
0 – 127
-63 – +63
0 – 127
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
mono/stereo
+
CHORUS
0-127
0-127
1-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
0-1
See Table
table#1
table#2
table#3
table#3
table#3
ControlValue
L
R
Chorus Block: when input mode = "stereo"
L
L
LSF HSF
CHORUS
R
R
LSF HSF
CHORUS
L
R
● KARAOKE1, 2, 3 (Variation, Insertion 1, 2
block)
No.
10
11
12
13
14
15
16
L
R
Parameter
1
Delay Time
2
Feedback Level
3
HPF Cutoff
4
LPF Cutoff
5
6
7
8
9
Dry/Wet
+
Display
0 – 127
-63 – +63
Thru – 8.0kHz
1.0k – Thru
D63>W – D=W – D<W63
HPF LPF
KARAOKE
0-127
1-127
0-52
34-60
1-127
dry (L)
dry (R)
See Table
table#7
table#3
table#3
ControlValue
L
R
EFFECT
Variation, Insertion Block: when input mode
= "mono"
L
R
LSF HSF
LSF HSF
+
CHORUS
dry (L)
dry (R)
Variation, Insertion Block: when input mode
= "stereo"
L
R
LSF HSF
CHORUS
CHORUS
LSF HSF
dry (L)
dry (R)
L
R
L
R
11
Effect Parameter List
● FLANGER 1, 2, 3
(Chorus, Variation, Insertion 1, 2 block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Feedback Level
4
Delay Offset
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
EQ Mid Frequency
12
EQ Mid Gain
13
EQ Mid Width
14
LFO Phase Difference
15
16
Display
0.00Hz – 39.7Hz
0 – 127
-63 – +63
0 – 63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
-180 – +180deg
0-127
0-127
1-127
0-63
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
4-124
Chorus Block
L
LSF HSF
FLANGER
FLANGER
R
LSF HSF
Variation, Insertion Block
L
LSF HSF
FLANGER
FLANGER
R
LSF HSF
See Table
table#1
table#2
table#3
table#3
table#3
resolution=3deg.
dry (L)
dry (R)
Variation, Insertion Block
L
R
LSF HSF
LSF HSF
+
SYMPHONIC
ControlValue
dry (L)
dry (R)
L
R
● ENSEMBLE DETUNE
(Chorus, Variation, Insertion 1, 2 block)
No.
Parameter
1
L
R
L
Detune
2
Lch Init Delay
3
Rch Init Delay
4
5
6
7
8
9
10
Dry/Wet
11
EQ Low Frequency
12
EQ Low Gain
13
EQ High Frequency
14
EQ High Gain
15
16
Chorus Block
L
R
R
Display
-50 – +50cent
0 – 127
0 – 127
D63>W – D=W – D<W63
32Hz – 2.0kHz (variation, insertion1,2 block)
-12 – +12dB (variation, insertion1,2 block)
500Hz – 16.0kHz (variation, insertion1,2 block)
-12 – +12dB (variation, insertion1,2 block)
PITCH CHANGE
PITCH CHANGE
14-114
L
R
0-127
0-127
1-127
4-40
52-76
28-58
52-76
See Table
table#2
table#2
table#3
table#3
ControlValue
● SYMPHONIC
(Chorus, Variation, Insertion 1, 2 block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Delay Offset
4
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
EQ Mid Frequency
12
EQ Mid Gain
13
EQ Mid Width
14
15
16
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
0-127
0-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
Chorus Block
L
LSF HSF
+
SYMPHONIC
R
LSF HSF
12
See Table
table#1
table#2
table#3
table#3
table#3
ControlValue
L
R
Variation, Insertion Block
L
LSF HSF
R
LSF HSF
● AMBIENCE (Variation block)
EFFECT
No.
Parameter
1
Delay Time
2
Output Phase
3
4
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
12
13
14
15
16
Display
0 – 127
normal/invers
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
PITCH CHANGE
PITCH CHANGE
0-127
0-1
4-40
52-76
28-58
52-76
1-127
dry (L)
dry (R)
See Table
table#2
table#3
table#3
L
R
ControlValue
Effect Parameter List
L
LSF HSF
+
AMBIENCE
R
LSF HSF
● ROTARY SPEAKER
(Variation, Insertion 1, 2 block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
L
R
Parameter
LFO Frequency
LFO Depth
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
LSF HSF
LSF HSF
Display
0.00Hz – 39.7Hz
0 – 127
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
+
ROTARY SP.
0-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
dry (L)
dry (R)
See Table
table#1
table#3
table#3
table#3
dry (L)
dry (R)
● TREMOLO (Variation, Insertion 1, 2 block)
L
No.
Parameter
1
LFO Frequency
2
AM Depth
3
PM Depth
4
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
R
EQ High Gain
10
11
EQ Mid Frequency
12
EQ Mid Gain
13
EQ Mid Width
14
LFO Phase Difference
15
Input Mode
16
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
-180 – +180deg
mono/stereo
0-127
0-127
0-127
4-40
52-76
28-58
52-76
14-54
52-76
10-120
4-124
0-1
See Table
table#1
table#3
table#3
table#3
resolution=3deg.
ControlValue
When input mode="mono"
ControlValue
L
R
LSF HSF
LSF HSF
+
TREMOLO
L
R
When input mode="stereo"
L
L
LSF HSF
TOREMOLO
TOREMOLO
R
R
LSF HSF
L
R
● 2WAY ROTARY SPEAKER
(Variation block)
No.
Parameter
1
Rotor Speed
2
Drive Low
3
Drive High
4
Low/High
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
11
Crossover Frequency
12
Mic L-R Angle
13
14
15
16
L
R
+
High
Low
Display
0.0Hz – 39.7Hz
0 – 127
0 – 127
L63>H – L=H – L<H63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
100Hz – 10.0kHz
0deg – 180deg
HSF
LSF
HORN
ROTOR
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
14-54
0-60
See Table
table#1
table#3
table#3
table#3
resolution=3deg.
+
+
● AUTO PAN (Variation, Insertion 1, 2 block)
No.
Parameter
1
ControlValue
L
R
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
L
R
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
LSF HSF
LSF HSF
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
L<->R,L->R,L<-R,Lturn,Rturn,L/R
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
100Hz – 10.0kHz (variation block)
-12 – +12dB (variation block)
1.0 – 12.0 (variation block)
+
AUTO PAN
0-127
0-127
0-127
0-5
4-40
52-76
28-58
52-76
14-54
52-76
10-120
See Table
table#1
table#3
table#3
table#3
ControlValue
L
R
EFFECT
13
Effect Parameter List
● PHASER 1
(Chorus, Variation, Insertion 1, 2 block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Phase Shift Offset
4
Feedback Level
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Stage
12
Diffusion
13
14
15
16
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
-63 – +63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
4,5,6 (chorus, insertion1,2 block)
4 – 12 (variation block)
mono/stereo
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
1-127
4-6
4-12
0-1
Chorus Block
L
LSF HSF
+
PHASER
R
LSF HSF
Variation, Insertion Block
L
LSF HSF
+
PHASER
See Table
table#1
table#3
table#3
dry (L)
● DISTORTION
OVERDRIVE (Variation, Insertion 1, 2 block)
ControlValue
No.
Parameter
1
Drive
2
EQ Low Frequency
3
EQ Low Gain
4
LPF Cutoff
5
Output Level
6
7
EQ Mid Frequency
8
EQ Mid Gain
9
EQ Mid Width
10
Dry/Wet
11
Edge(Clip Curve)
12
13
14
15
16
Display
0 – 127
32Hz – 2.0kHz
-12 – +12dB
1.0k – Thru
0 – 127
100Hz – 10.0kHz
-12 – +12dB
1.0 – 12.0
D63>W – D=W – D<W63
0 – 127
0-127
4-40
52-76
34-60
0-127
14-54
52-76
10-120
1-127
0-127
See Table
table#3
table#3
table#3
mild to sharp
ControlValue
AMP SIMULATOR
(Variation, Insertion 1, 2 block)
No.
L
R
L
Parameter
1
Drive
2
AMP Type
3
LPF Cutoff
4
Output Level
5
6
7
8
9
10
Dry/Wet
11
Edge(Clip Curve)
12
13
14
15
16
Variation Block
Display
0 – 127
Off,Stack,Combo,Tube
1.0k – Thru
0 – 127
D63>W – D=W – D<W63
0 – 127
L
0-127
0-3
34-60
0-127
1-127
0-127
See Table
table#3
mild to sharp
dry (L)
ControlValue
L
R
LSF HSF
● PHASER 2 (Variation block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Phase Shift Offset
4
Feedback Level
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Stage
12
13
LFO Phase Difference
14
15
16
L
R
LSF HSF
LSF HSF
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
-63 – +63
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
3,4,5,6
-180deg – +180deg
PHASER
PHASER
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
1-127
3-6
4-124
dry (R)
See Table
table#1
table#3
table#3
resolution=3deg.
dry (L)
dry (R)
R
+
GATE
DISTORTION
EF
R
ControlValue
Insertion Block
L
+
R
dry (L)
DISTORTION
dry (R)
dry (R)
L
R
R
L
R
14
EFFECT
Effect Parameter List
● COMP+DIST (Variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
L
R
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
Edge(Clip Curve)
Attack
Release
Threshold
Ratio
+
Display
0 – 127
32Hz – 2.0kHz
-12 – +12dB
1.0k – Thru
0 – 127
100Hz – 10.0kHz
-12 – +12dB
1.0 – 12.0
D63>W – D=W – D<W63
0 – 127
1ms – 40ms
10ms – 680ms
-48dB – -6dB
1.0 – 20.0
COMP
EF
DISTORTION
● 3BAND EQ (MONO)
(Variation, Insertion 1, 2 block)
No.
Parameter
1
EQ Low Gain
2
EQ Mid Frequency
3
EQ Mid Gain
4
EQ Mid Width
5
EQ High Gain
6
EQ Low Frequency
7
EQ High Frequency
8
9
10
11
12
13
14
15
Input Mode
16
Display
-12 – +12dB
100Hz – 10.0kHz
-12 – +12dB
1.0 – 12.0
-12 – +12dB
50Hz – 2.0kHz
500Hz – 16.0kHz
mono/stereo
When input mode="mono"
L
+
LSF PDF HSF
R
When input mode="stereo"
0-127
4-40
52-76
34-60
0-127
14-54
52-76
10-120
1-127
0-127
0-19
0-15
79-121
0-7
52-76
14-54
52-76
10-120
52-76
8-40
28-58
0-1
L
R
See Table
table#3
table#3
table#3
mild to sharp
table#8
table#9
table#10
dry (L)
dry (R)
See Table
table#3
table#3
table#3
● 2BAND EQ (STEREO)
ControlValue
L
R
ControlValue
(Variation, Insertion 1, 2 block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
L
R
Parameter
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
LSF HSF
LSF HSF
Display
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
L
R
4-40
52-76
28-58
52-76
See Table
table#3
table#3
ControlValue
● AUTO WAH (Variation, Insertion 1, 2 block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Cutoff Frequency Offset
4
Resonance
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Drive (Variation block)
12
13
14
15
16
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
1.0 – 12.0
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
0 – 127
0-127
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
See Table
table#1
table#3
table#3
ControlValue
Variation Block
L
R
LSF HSF
LSF HSF
AUTO WAH
AUTO WAH
dry (L)
dry (R)
+
DISTORTION
dry (L)
dry (R)
L
R
Insertion Block
L
LSF HSF
dry (L)
L
L
R
LSF PDF
LSF PDF
HSF
HSF
L
AUTO WAH
AUTO WAH
R
LSF HSF
dry (R)
R
R
EFFECT
15
Effect Parameter List
● AUTO WAH+DIST
AUTO WAH+ODRV (Variation block)
No.
Parameter
1
LFO Frequency
2
LFO Depth
3
Cutoff Frequency Offset
4
Resonance
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Drive
12
EQ Low Gain(distortion)
13
EQ Mid Gain(distortion)
14
LPF Cutoff
15
Output Level
16
L
LSF HSF
R
LSF HSF
Display
0.00Hz – 39.7Hz
0 – 127
0 – 127
1.0 – 12.0
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
0 – 127
-12 – +12dB
-12 – +12dB
1.0kHz – thru
0 – 127
dry (L)
AUTO WAH
AUTO WAH
dry (R)
0-127
0-127
0-127
10-120
52-76
28-58
52-76
1-127
0-127
52-76
52-76
34-60
0-127
+
DISTORTION
4-40
See Table
table#1
table#3
table#3
table#3
dry (L)
dry (R)
● TOUCH WAH 1
(Variation, Insertion 1, 2 block)
ControlValue
L
TOUCH WAH+DIST (Variation block)
No.
Parameter
1
Sensitive
2
Cutoff Frequency Offset
3
Resonance
4
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Drive (Variation block)
12
13
14
15
16
Display
0 – 127
0 – 127
1.0 – 12.0
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
0 – 127
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
See Table
table#3
table#3
ControlValue
Variation Block: TOUCH WAH 1
dry (L)
dry (R)
L
R
TOUCH WAH
TOUCH WAH
dry (L)
dry (R)
+
DISTORTION
L
LSF HSF
R
R
LSF HSF
+
EF
Insertion Block: TOUCH WAH 1
L
LSF HSF
EF
TOUCH WAH
TOUCH WAH
+
dry (L)
L
R
LSF HSF
Variation Block: TOUCH WAH+DIST
TOUCH WAH
TOUCH WAH
dry (L)
dry (R)
+
DISTORTION
L
R
LSF HSF
LSF HSF
+
EF
dry (R)
dry (L)
dry (R)
R
L
R
16
EFFECT
R
R
Effect Parameter List
● TOUCH WAH 2
(Variation, Insertion 1, 2 block)
TOUCH WAH+ODRV (Variation block)
No.
Parameter
1
Sensitive
2
Cutoff Frequency Offset
3
Resonance
4
5
6
EQ Low Frequency
7
EQ Low Gain
8
EQ High Frequency
9
EQ High Gain
10
Dry/Wet
11
Drive
12
EQ Low Gain(distortion)
13
EQ Mid Gain(distortion)
14
LPF Cutoff
15
Output Level
16
Release
Display
0 – 127
0 – 127
1.0 – 12.0
32Hz – 2.0kHz
-12 – +12dB
500Hz – 16.0kHz
-12 – +12dB
D63>W – D=W – D<W63
0 – 127
-12 – +12dB
-12 – +12dB
1.0kHz – thru
0 – 127
10 – 680ms
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
52-76
52-76
34-60
0-127
52-67
Variation Block: TOUCH WAH 2
L
R
LSF HSF
LSF HSF
TOUCH WAH
+
EF
TOUCH WAH
dry (L)
dry (R)
+
DISTORTION
Insertion Block: TOUCH WAH 2
L
LSF HSF
EF
TOUCH WAH
TOUCH WAH
+
See Table
table#3
table#3
table#3
dry (L)
dry (L)
dry (R)
● PITCH CHANGE 1 (Variation block)
No.
Parameter
1
Pitch
2
Initial Delay
3
Fine 1
4
Fine 2
5
ControlValue
Feedback Level
6
7
8
9
10
Dry/Wet
11
Pan 1
12
Output Level 1
13
Pan 2
14
Output Level 2
15
16
Display
-24 – +24
0 – 127
-50 – +50
-50 – +50
-99 – +99%
D63>W – D=W – D<W63
L63 – R63
0 – 127
L63 – R63
0 – 127
40-88
0-127
14-114
14-114
1-127
1-127
1-127
0-127
1-127
0-127
See Table
table#7
ControlValue
PITCH CHANGE 2 (Variation block)
No.
Parameter
1
Pitch
2
Initial Delay
3
Fine 1
4
Fine 2
5
Feedback Level
6
L
7
8
9
10
Dry/Wet
11
Pan 1
12
Output Level 1
13
Pan 2
14
Output Level 2
15
16
L
L
Display
-24 – +24
0 – 127
-50 – +50cent
-50 – +50cent
-99 – +99%
D63>W – D=W – D<W63
L63 – R63
0 – 127
L63 – R63
0 – 127
PITCH CHANGE
+
dry (L)
PITCH CHANGE
40-88
0-127
14-114
14-114
1-127
1-127
1-127
0-127
1-127
0-127
L
See Table
table#7
ControlValue
R
LSF HSF
Variation Block: TOUCH WAH+ODRV
L
R
LSF HSF
LSF HSF
TOUCH WAH
+
EF
TOUCH WAH
dry (L)
dry (R)
+
DISTORTION
dry (R)
dry (L)
dry (R)
R
R
dry (R)
R
L
EFFECT
17
Effect Parameter List
● AURAL EXCITER
®
(Variation, Insertion 1, 2 block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
HPF Cutoff
Drive
Mix Level
Display
500Hz – 16.0kHz
0 – 127
0 – 127
Aural Exciter® is a registered trademark of Aphex Corporation.
28-58
0-127
0-127
See Table
table#3
Variation Block
L
EF
EXCITER
+
EXCITER
R
+
L
+
R
Insertion Block
L
+
EXCITER
EF
R
+
L
+
R
● COMPRESSOR
(Variation, Insertion 1, 2 block)
ControlValue
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Attack
Release
Threshold
Ratio
Output Level
Display
1 – 40ms
10 – 680ms
-48 – -6dB
1.0 – 20.0
0 – 127
0-19
0-15
79-121
0-7
0-127
See Table
table#8
table#9
table#10
ControlValue
Variation Block
L
EF
COMP
+
COMP
R
L
R
Insertion Block
L
+
COMP
EF
R
L
R
18
EFFECT
Effect Parameter List
● NOISE GATE (Variation, Insertion 1, 2 block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Attack
Release
Threshold
Output Level
Display
1 – 40ms
10 – 680ms
-72 – -30dB
0 – 127
0-19
0-15
55-97
0-127
See Table
table#8
table#9
ControlValue
Variation Block
L
+
GATE
EF
GATE
R
L
R
Insertion Block
L
+
GATE
EF
R
L
R
● VOICE CANCEL (Variation block)
No.
Parameter
1
2
3
4
5
6
7
8
9
10
11
Low Adjust
12
High Adjust
13
14
15
16
L
Display
0 – 26
0 – 26
ControlValue
See Table
0-26
0-26
+
L
VOICE CANCEL
VOICE CANCEL
R
+
R
● TALKING MODULATOR (Variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Vowel
Move speed
Drive
Output level
Display
a,i,u,e,o
1 – 62
0 – 127
0 – 127
0-4
1-62
0-127
0-127
See Table
ControlValue
EFFECT
L
+
+
TALK MOD.EXCITER
L
EF
R
R
19
L
R
Effect Parameter List
● LO-FI (Variation block)
No.
Parameter
1
sampling freq control
2
word length
3
output gain
4
LPF Cutoff
5
filter type
6
LPF resonance
7
bit assign
8
emphasis
9
10
Dry/Wet
11
12
13
14
15
Input Mode
16
Display
44.1kHz – 345Hz
1 – 127
-6 – +12dB
63Hz – thru
Thru,PowerBass,Radio,Telephone,Clean,Low
1.0 – 12.0
0 – 6
off/on
D63>W – D=W – D<W63
mono/stereo
When input mode="mono"
L
+
Lo-Fi
R
dry (L)
dry (R)
When input mode="stereo"
L
Lo-Fi
Lo-Fi
R
dry (L)
dry (R)
L
R
L
R
0-127
1-127
0-18
10-60
0-5
10-120
0-6
0-1
1-127
0-1
See Table
● COMP+DIST+DELAY (Variation block)
ControlValue
COMP+ODRV+DELAY (Variation block)
No.
Parameter
1
Delay Time
2
Delay Feedback Level
3
Delay Mix
4
Dist Drive
5
Dist Output Level
6
Dist EQ Low Gain
7
Dist EQ Mid Gain
8
9
10
Dry/Wet
11
Comp. Attack
12
Comp. Release
13
Comp. Threshold
14
Comp. Ratio
15
16
Display
0.1 – 1486.0ms
-63 – +63
0 – 127
0 – 127
0 – 127
-12 – +12dB
-12 – +12dB
D63>W – D=W – D<W63
1ms – 40ms
10ms – 680ms
-48dB – -6dB
1.0 – 20.0
L
+ +
COMP
DISTORTION DELAY
EF
R
dry (L)
dry (R)
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
0-19
0-15
79-121
0-7
See Table
table#8
table#9
table#10
LPF
ControlValue
+
L
+
R
● WAH+DIST+DELAY (Variation block)
WAH+ODRV+DELAY (Variation block)
No.
Parameter
1
Delay Time
2
Delay Feedback Level
3
Delay Mix
4
Dist Drive
5
Dist Output Level
6
Dist EQ Low Gain
7
Dist EQ Mid Gain
8
9
10
Dry/Wet
11
Wah Sensitive
12
Wah Cutoff Freq Offset
13
Wah Resonance
14
Wah Release
15
16
Display
0.1 – 1486.0ms
-63 – +63
0 – 127
0 – 127
0 – 127
-12 – +12dB
-12 – +12dB
D63>W – D=W – D<W63
0 – 127
0 – 127
1.0 – 12.0
10 – 680ms
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
0-127
0-127
10-120
52-67
See Table
ControlValue
● DIST+DELAY (Variation block)
OVERDRIVE+DELAY (Variation block)
No.
Parameter
1
Lch Delay Time
2
Rch Delay Time
3
Delay Feedback Time
4
Delay Feedback Level
5
Delay Mix
6
Dist Drive
7
Dist Output Level
8
Dist EQ Low Gain
9
Dist EQ Mid Gain
10
Dry/Wet
11
12
13
14
15
16
L
+ +
R
EF
Display
0.1 – 1486.0ms
0.1 – 1486.0ms
0.1 – 1486.0ms
-63 – +63
0 – 127
0 – 127
0 – 127
-12 – +12dB
-12 – +12dB
D63>W – D=W – D<W63
dry (L)
GATE
DISTORTION DELAY
dry (R)
1-14860
1-14860
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
See Table
LPF
TOUCH WAH
dry (L)
+
dry (R)
L
+ +
ControlValue
EF
R
dry (L)
DISTORTION DELAY
LPF
dry (R)
+
L
+
R
+
L
R
+
20
EFFECT
● Vocoder Harmony ● Chromatic Harmony
No.
Parameter
1
Mode
2
Harmony Gender Type
3
Lead Gender Type
4
Lead Gender Depth
5
Lead Pitch Correction
6
Auto Upper Gender Threshold
7
Auto Lower Gender Threshold
8
Upper Gender Depth
9
Lower Gender Depth
10
Lead/Harmony
11
Vibrato depth
12
Vibrato rate
13
Vibrato delay
14
15
16
Display
1: no trans, 2: auto trans
3: -3 oct trns, 4: -2 oct trns
5: -1 oct trns, 6: +1 oct trans
7: +2 oct trns, 8: +3 oct trns.
off, auto
off, unis, male, fem.
-64 – +63
off, on
0 – 12
0 – 12
-64 – +63
-64 – +63
L63>H – (L=H) – L<H63
0 – 127
0 – 127
0 – 127
0-7
0-1
0-3
0-127
0-1
0-12
0-12
0-127
0-127
0-127
0-127
0-127
0-127
See Table
ControlValue
No.
Parameter
1
Mode
2
Harmony Gender Type
3
Lead Gender Type
4
Lead Gender Depth
5
Lead Pitch Correction
6
Auto Upper Gender Threshold
7
Auto Lower Gender Threshold
8
Upper Gender Depth
9
Lower Gender Depth
10
Lead/Harmony
11
Vibrato depth
12
Vibrato rate
13
Vibrato delay
14
15
16
Display
1: oct below 2: 3rd below
3: 5th below 4: unison
5: 3rd above 6: 5th above
7: oct above
off, auto
off, unis, male, fem.
-64 – +63 0 – 127
off, on
0 – 12
0 – 12
-64 – +63
-64 – +63
L63>H – (L=H) – L<H63
0 – 127
0 – 127
0 – 127
● Chordal Harmony
No.
Parameter
1
Mode
2
Harmony Gender Type
3
Lead Gender Type
4
Lead Gender Depth
5
Lead Pitch Correction
6
Auto Upper Gender Threshold
7
Auto Lower Gender Threshold
8
Upper Gender Depth
9
Lower Gender Depth
10
Lead/Harmony
11
Vibrato depth
12
Vibrato rate
13
Vibrato delay
14
15
16
Display
1: duet above 2: duet below
3: duet abv+b 4: trio above
5: trio a&b 6: trio below
7: trio a&b+b 8: quar above
9: quar a&b 10: quar below
off, auto
off, unis, male, fem.
-64 – +63
off, on
0 – 12
0 – 12
-64 – +63
-64 – +63
L63>H – (L=H) – L<H63
0 – 127
0 – 127
0 – 127
0-9
0-1
0-3
0-127
0-1
0-12
0-12
0-127
0-127
0-127
0-127
0-127
0-127
See Table
ControlValue
Effect Parameter List
See Table
0-6
0-1
0-3
64
0-1
0-12
0-12
0-127
0-127
0-127
0-127
0-127
0-127
ControlValue
● Detune Harmony
No.
Parameter
1
Mode
2
3
Lead Gender Type
4
Lead Gender Depth
5
6
7
8
9
10
Lead/Harmony
11
Vibrato depth
12
Vibrato rate
13
Vibrato delay
14
15
16
Display
1: low 2: mid-low
3: mid-high 4: high
off, unis, male, fem.
-64 – +63
L63>H – (L=H) – L<H63
0 – 127
0 – 127
0 – 127
0-3
0-3
0-127
1-127
0-127
0-12
0-12
See Table
ControlValue
EFFECT
21
Effect Parameter List
Explanation of effect parameters
Parameter name
AM Depth
AMP Type
Attack
Bit Assign
Cch Delay
Cch Level
Crossover Frequency
Cutoff Frequency Offset
Delay Mix
Delay Offset
Delay Time
Delay2 Level
Density
Depth
Detune
Diffusion
Drive
Drive High
Drive Low
Dry/Wet
Edge(Clip Curve)
Emphasis
EQ High Frequency
EQ High Gain
EQ Low Frequency
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Er/Rev Balance
F/R Depth
Feedback Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
Filter Type
Fine 1
Fine 2
Height
High Adjust
High Damp
HPF Cutoff
Initial Delay
Input Mode
Input Select
L/R Depth
L->R Delay
Lch Delay
Lch Delay1
Lch Delay2
Lch Feedback Level
Lch Init Delay
LFO Depth
LFO Frequency
Effect types in which the parameter exists
TREMOLO
AMP SIMULATOR
COMPRESSOR type
NOISE GATE
LO-FI
DELAY L,C,R
DELAY L,C,R
2WAY ROTARY SPEAKER
WAH type
DIST+DELAY,OVERDRIVE+DELAY,
COMP+DIST+DELAY,COMP+ODRV+DELAY,
WAH+DIST+DELAY,WAH+ODRV+DELAY
CHORUS type
KARAOKE1,2,3
AMBIENCE
ECHO
REVERB type, EARLY REF type
REVERB type
ENSEMBLE DETUNE
REVERB type, EARLY REF type, PHASER
DISTORTION type
AURAL EXCITER
TALKING MODULATION
2WAY ROTARY SPEAKER
2WAY ROTARY SPEAKER
All types
DISTORTION type
LO-FI
All types
All types
All types
All types
All types
All types
All types
REVERB type
AUTO PAN
DELAY L,C,R
DELAY L,R
DELAY L,R
REVERB type
DELAY type,EARLY REF type,PITCH CHANGE type
KARAOKE type
CHORUS type, FLANGER type
PHASER type
LO-FI
PITCH CHANGE type
PITCH CHANGE type
REVERB type
VOICE CANCELAR
REVERB type,DELAY type,EARLY REF type
REVERB type,EARLY REF type,KARAOKE type,AURAL EXCITER
REVERB type
EARLY REF type
PITCH CHANGE type
All types
CROSS DELAY
AUTO PAN
CROSS DELAY
DELAY type
ECHO
ECHO
ECHO
ENSEMBLE DETUNE
CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
PHASER type
WAH type
CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER type
WAH type
®
Explanation of parameter
Depth of volume modulation
Select the type of amp to be simulated
Time until the compressor effect begins to apply
Time until the gate begins to open
Adjust the word length of the audio data
Length of the center channel delay
Volume of the center channel
Crossover frequency between the high-range and low-range speakers
Frequency offset value that will control the wah filter
Mixing amount of delay sound
Offset value of delay modulation
Spacing of reflections for karaoke echo
Delay length
Volume of second delay
Density of reflections. Higher values produce closer spacing
Depth of the simulated room
Amount of pitch shift
Control the spaciousness
Depth of distortion
Depth at which the exciter effect is applied
Depth at which the exciter effect is applied
Depth of modulation caused by rotation of the low-range speaker
Depth of modulation caused by rotation of the high-range speaker
Balance between dry sound and effect sound
Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)
Modify the character of the high range
Frequency at which the EQ will boost/cut the high range
Gain amount by which the EQ will boost/cut the high range
Frequency at which the EQ will boost/cut the low range
Gain amount by which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the mid range
Gain amount by which the EQ will boost/cut the mid range
Width of the area boosted/cut by the mid-range EQ
Level balance between the early reflections and the reverberation
Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)
Length of feedback delay
Length of feedback delay 1
Length of feedback delay 2
Feedback amount of initial delay
Feedback amount
Setting for repeated reflections
Level at which delay output is again returned to the input (negative values invert the phase)
Level at which phaser output is again returned to the input (negative values insert the phase)
Select the type of tonal effect
Fine adjustment to pitch of first sound
Fine adjustment to pitch of second sound
Height of simulated room
Adjust the upper limit of the mid-frequency range that will be attenuated
Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)
®
Frequency at which the high pass filter will cut the low range
Delay time until the early reflections
Delay length until ER (GateReverb) sounds
Delay length
Mono/stereo switch for input
Input select
Depth of left/right panning
Delay time from left (input) to right (output)
Length of left channel delay
Length of first left channel delay
Length of second left channel delay
Amount of left channel feedback
Length of left channel delay
Depth of delay modulation
Depth of modulation caused by speaker rotation
Depth of phase modulation
Depth at which the wah filter will be controlled
Frequency of delay modulation
Frequency at which the speaker will rotate
Modulation frequency
Autopan frequency
Phase modulation frequency
Frequency at which wah filter will be controlled
Aural Exciter® is a registered trademark of Aphex Corporation.
22
EFFECT
Effect Parameter List
LFO Phase Difference
Liveness
Low Adjust
Low/High
LPF Cutoff
LPF Resonance
Mic L-R Angle
Mix Level
Move Speed
Output Gain
Output Level
Output Level 1
Output Level 2
Output Phase
Pan 1
Pan 2
PAN Direction
Phase Shift Offset
Pitch
PM Depth
R->L Delay
Ratio
Rch Delay
Rch Delay1
Rch Delay2
Rch Feedback Level
Rch Init Delay
Release
Resonance
Rev Delay
Reverb Time
Room Size
Rotor Speed
Sampling Freq Control
Sensitive
Stage
Threshold
Type
Vowel
Wah Release
Wall Vary
Width
Word Length
PHASER type,FLANGER type
EARLY REF type
VOICE CANCEL
2WAY ROTARY SPEAKER
All types
LO-FI
2WAY ROTARY SPEAKER
AURAL EXCITER
TALKING MODULATOR
LO-FI
All types
PITCH CHANGE type
PITCH CHANGE type
AMBIENCE
PITCH CHANGE type
PITCH CHANGE type
AUTO PAN
PHASER type
PITCH CHANGE type
TREMOLO
CROSS DELAY
COMPRESSOR type
DELAY type
ECHO
ECHO
ECHO
ENSEMBLE DETUNE
COMPRESSOR type
NOISE GATE
TOUCH WAH2, TOUCH WAH+ODRV
WAH type
REVERB type
REVERB type
EARLY REF type
2WAY ROTARY SPEAKER
LO-FI
WAH type
PHASER type
COMPRESSOR type
NOISE GATE
EARLY REF type
TALKING MODULATOR
WAH+DIST+DELAY,WAH+ODRV+DELAY
REVERB type
REVERB type
LO-FI
®
L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)
ER decay. Lower values cause faster decay.
Adjust the lower frequency limit of the mid-range that will be attenuated
Volume balance between the high-range and low-range speakers
Frequency at which the low pass filter will cut the high frequency range
Add character to the low pass filter of the input
L/R angle of the mic that picks up the output
Level of the effect sound that is mixed into the dry sound
Time over which the sound specified by Vowel is reached
Output gain
Output level
Output level for first unit
Output level for second unit
Swap phase of the effect sound between L/R
Pan of first unit
Pan of second unit
Autopan type (L<->R is sine wave, L/R is square wave)
Offset value for phase modulation
Pitch setting in semitones
Depth of delay modulation
Delay time from right (input) to left (output)
Compression ratio of the compressor
Length of right channel delay
Length of first right channel delay
Length of second right channel delay
Amount of right channel feedback
Length of right channel delay
Time until the sound is released from the compressor effect
Time until the gate closes
Time until the center frequency of the wah filter returns to normal
Bandwidth of the wah filter
Delay time between the early reflections and the reverberation
Length of reverb
Size of room. Increasing this value will lengthen ER.
Frequency at which the speaker rotates
Sampling frequency control
Sensitivity with which the wah filter will change in response to changes in the input
Number of steps for the phase shifter
Input level at which compression will begin
Input level at which the gate will begin to open
Type selection
Vowel selection
Time until the center frequency of the wah filter returns to normal
Condition of the walls of the simulated room (higher values produce more random reflections)
Width of the simulated room
Specify the roughness of the sound
Aural Exciter® is a registered trademark of Aphex Corporation.
Additional note: In the preceding pages, indication of effect types such as REVERB-type respectively
include the following effect types.
CHORUS type
COMPRESSOR type
DELAY type
DISTORTION type
EARLY REF type
FLANGER type
KARAOKE type
PHASER type
PITCH CHANGE type
REVERB type
WAH type
CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4
COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY
DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,
COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,
COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER1,FLANGER2, FLANGER3
KARAOKE1, KARAOKE2, KARAOKE3
PHASER1, PHASER2
PITCH CHANGE1, PITCH CHANGE2
HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,
WHITE ROOM,TUNNEL,CANYON,BASEMENT
AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
EFFECT
23
Effect Data Assign Table
Effect Data Assign Table
Table#1
LFO Frequency
Data Value Data Value Data Value Data Value
0
0.00
32
1.34
64
2.69
1
0.08
33
1.43
2
0.08
0.16
0.16
0.25
0.25
0.33
0.33
0.42
0.42
0.50
0.50
0.58
0.58
0.67
0.67
0.75
0.75
0.84
0.84
0.92
0.92
1.00
1.00
1.09
1.09
1.17
1.17
1.26
1.26
1.34
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
1.43
1.51
1.51
1.59
1.59
1.68
1.68
1.76
1.76
1.85
1.85
1.93
1.93
2.01
2.01
2.10
2.10
2.18
2.18
2.27
2.27
2.35
2.35
2.43
2.43
2.52
2.52
2.60
2.60
2.69
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
2.77
2.86
2.94
3.02
3.11
3.19
3.28
3.36
3.44
3.53
3.61
3.70
3.86
4.03
4.20
4.37
4.54
4.71
4.87
5.04
5.21
5.38
5.55
5.72
6.05
6.39
6.72
7.06
7.40
7.73
8.07
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
8.41
8.74
9.08
9.42
9.75
10.0
10.7
11.4
12.1
12.7
13.4
14.1
14.8
15.4
16.1
16.8
17.4
18.1
19.5
20.8
22.2
23.5
24.8
26.2
27.5
28.9
30.2
31.6
32.9
34.3
37.0
39.7
Table#2
Modulation Delay Offset
Data Value Data Value Data Value Data Value
0
0.0
32
3.2
64
6.4
1
0.1
33
3.3
2
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
3.4
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
6.0
6.1
6.2
6.3
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
6.5
6.6
6.7
6.8
6.9
7.0
7.1
7.2
7.3
7.4
7.5
7.6
7.7
7.8
7.9
8.0
8.1
8.2
8.3
8.4
8.5
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
9.6
9.7
9.8
9.9
10.0
11.1
12.2
13.3
14.4
15.5
17.1
18.6
20.2
21.8
23.3
24.9
26.5
28.0
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
24
EFFECT
Effect Data Assign Table
Table#3
EQ Frequency
Data Value Data Value
0
THRU(20)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
100
110
125
140
160
180
200
225
250
280
315
355
400
450
500
560
630
700
32
22
33
25
34
28
35
32
36
36
37
40
38
45
39
50
40
56
41
63
42
70
43
80
44
90
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
THRU(20.0k)
60
800
900
1.0k
1.1k
1.2k
1.4k
1.6k
1.8k
2.0k
2.2k
2.5k
2.8k
3.2k
3.6k
4.0k
4.5k
5.0k
5.6k
6.3k
7.0k
8.0k
9.0k
10.0k
11.0k
12.0k
14.0k
16.0k
18.0k
T able#5
Delay Time(200.0ms)
Data Value Data Value Data Value Data Value
0
0.1
32
50.5
64
1
1.7
33
2
3.2
3
4.8
4
6.4
5
8.0
6
9.5
7
11.1
8
12.7
9
14.3
10
15.8
11
17.4
12
19.0
13
20.6
14
22.1
15
23.7
16
25.3
17
26.9
18
28.4
19
30.0
20
31.6
21
33.2
22
34.7
23
36.3
24
37.9
25
39.5
26
41.0
27
42.6
28
44.2
29
45.7
30
47.3
31
48.9
52.0
34
53.6
35
55.2
36
56.8
37
58.3
38
59.9
39
61.5
40
63.1
41
64.6
42
66.2
43
67.8
44
69.4
45
70.9
46
72.5
47
74.1
48
75.7
49
77.2
50
78.8
51
80.4
52
81.9
53
83.5
54
85.1
55
86.7
56
88.2
57
89.8
58
91.4
59
93.0
60
94.5
61
96.1
62
97.7
63
99.3
100.8
65
102.4
66
104.0
67
105.6
68
107.1
69
108.7
70
110.3
71
111.9
72
113.4
73
115.0
74
116.6
75
118.2
76
119.7
77
121.3
78
122.9
79
124.4
80
126.0
81
127.6
82
129.2
83
130.7
84
132.3
85
133.9
86
135.5
87
137.0
88
138.6
89
140.2
90
141.8
91
143.3
92
144.9
93
146.5
94
148.1
95
149.6
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
151.2
152.8
154.4
155.9
157.5
159.1
160.6
162.2
163.8
165.4
166.9
168.5
170.1
171.7
173.2
174.8
176.4
178.0
179.5
181.1
182.7
184.3
185.8
187.4
189.0
190.6
192.1
193.7
195.3
196.9
198.4
200.0
Table#4
Reverb time
Data Value Data Value Data Value
0
0.3
32
3.5
1
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.5
6.0
6.5
7.0
7.5
8.0
8.5
9.0
9.5
10.0
11.0
12.0
13.0
14.0
15.0
16.0
64
65
66
67
68
69
17.0
18.0
19.0
20.0
25.0
30.0
Table#6
Room Size
Data Value Data Value
0
0.1
0.3
0.4
0.6
0.7
0.9
1.0
1.2
1.4
1.5
1.7
1.8
2.0
2.1
2.3
2.5
2.6
2.8
2.9
3.1
3.2
3.4
3.5
3.7
3.9
4.0
4.2
4.3
4.5
4.6
4.8
5.0
32
33
34
35
36
37
38
39
40
41
42
43
44
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
5.1
5.3
5.4
5.6
5.7
5.9
6.1
6.2
6.4
6.5
6.7
6.8
7.0
EFFECT
25
Effect Data Assign Table
T able#7
Delay Time (400.0ms)
Data Value Data Value Data Value Data Value
0
0.1
32
1
3.2
2
6.4
3
9.5
4
12.7
5
15.8
6
19.0
7
22.1
8
25.3
9
28.4
10
31.6
11
34.7
12
37.9
13
41.0
14
44.2
15
47.3
16
50.5
17
53.6
18
56.8
19
59.9
20
63.1
21
66.2
22
69.4
23
72.5
24
75.7
25
78.8
26
82.0
27
85.1
28
88.3
29
91.4
30
94.6
31
97.7
100.9
33
104.0
34
107.2
35
110.3
36
113.5
37
116.6
38
119.8
39
122.9
40
126.1
41
129.2
42
132.4
43
135.5
44
138.6
45
141.8
46
144.9
47
148.1
48
151.2
49
154.4
50
157.5
51
160.7
52
163.8
53
167.0
54
170.1
55
173.3
56
176.4
57
179.6
58
182.7
59
185.9
60
189.0
61
192.2
62
195.3
63
198.5
64
201.6
65
204.8
66
207.9
67
211.1
68
214.2
69
217.4
70
220.5
71
223.7
72
226.8
73
230.0
74
233.1
75
236.3
76
239.4
77
242.6
78
245.7
79
248.9
80
252.0
81
255.2
82
258.3
83
261.5
84
264.6
85
267.7
86
270.9
87
274.0
88
277.2
89
280.3
90
283.5
91
286.6
92
289.8
93
292.9
94
296.1
95
299.2
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
96
302.4
97
305.5
98
308.7
99
311.8
315.0
318.1
321.3
324.4
327.6
330.7
333.9
337.0
340.2
343.3
346.5
349.6
352.8
355.9
359.1
362.2
365.4
368.5
371.7
374.8
378.0
381.1
384.3
387.4
390.6
393.7
396.9
400.0
Table#11
Reverb Width; Depth; Height
Data Value Data Value Data Value Data Value
0
0.5
32
8.8
64
17.6
1
0.8
33
9.1
2
1.0
1.3
1.5
1.8
2.0
2.3
2.6
2.8
3.1
3.3
3.6
3.9
4.1
4.4
4.6
4.9
5.2
5.4
5.7
5.9
6.2
6.5
6.7
7.0
7.2
7.5
7.8
8.0
8.3
8.6
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
9.4
9.6
9.9
10.2
10.4
10.7
11.0
11.2
11.5
11.8
12.1
12.3
12.6
12.9
13.1
13.4
13.7
14.0
14.2
14.5
14.8
15.1
15.4
15.6
15.9
16.2
16.5
16.8
17.1
17.3
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
17.9
18.2
18.5
18.8
19.1
19.4
19.7
20.0
20.2
20.5
20.8
21.1
21.4
21.7
22.0
22.4
22.7
23.0
23.3
23.6
23.9
24.2
24.5
24.9
25.2
25.5
25.8
26.1
26.5
26.8
27.1
96
97
98
99
100
101
102
103
104
27.5
27.8
28.1
28.5
28.8
29.2
29.5
29.9
30.2
T able#8
Compressor Attack Time
Data Value
0 1
1 2
2 3
3 4
4 5
5 6
6 7
7 8
8 9
9 10
10 12
11 14
12 16
13 18
14 20
15 23
16 26
17 30
18 35
19 40
Table#9
Compressor Release Time
Data Value
0 10
1 15
2 25
3 35
4 45
5 55
6 65
7 75
8 85
9 100
10 115
11 140
12 170
13 230
14 340
15 680
Table#10
Compressor Ratio
Data Value
0 1.0
1 1.5
2 2.0
3 3.0
4 5.0
5 7.0
6 10.0
7 20.0
26
EFFECT
MIDI data format
MIDI data format
1. Channel messages
1.1 Note on/note off
These messages convey keyboard performance data.
Note-on is transmitted when a note is pressed, and note-off is
transmitted when a note is released.
These messages contain a "note number" which indicates the key that
was played, and a "velocity" which indicates how strongly it was
played.
When a note-on of velocity "0" is received, it has the same effect as a
note-off.
Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)
Velocity range = 1...127 (Velocity is received only
for note-on)
When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that
part will not receive these messages.
For a drum part*, key-off is not received if the DrumSetup parameter
Rcv NOTE OFF = OFF.
For a drum part, key-on is not received if the DrumSetup parameter
Rcv NOTE ON = OFF.
* Drum Part indicates that the Multi Part parameter PART
MODE is "set to DRUM or DRUMS1...4."
1.2 Control changes
These messages control volume or pan etc.
Their functions are differentiated by the control number (Ctrl#).
If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that
part will not receive control changes.
1.2.1 Bank Select
This voice selects the voice bank.
The voice bank is selected by the combination of two control
change messages: MSB and LSB.
The function of the MSB and LSB will differ depending on
the sound module mode.
In the case of "XG," the MSB value will specify the major
division of voices, and the LSB value will specify the detailed
division.
In the case of "TG300B," the LSB value is fixed, and only
the MSB value will specify the detailed voice division.
In the case of "C/M," Bank Select is not received.
Control# Parameter Data Range
0 Bank Select MSB 0...127
32 Bank Select LSB 0...127
The Bank Select data will be processed only after a Program
Change is received, and then voice bank will change at that
time.
If you wish to change the voice bank as well as the voice,
you must transmit Bank Select and Program Change
messages as a set, in the order of Bank Select MSB, LSB,
and Program Change.
1.2.2 Modulation
This message is used primarily to control the depth of vibrato,
but the depth of the following 7 types of effect can be
controlled.
The effect of this message can be changed by the following
parameters.
• Multi Part Parameter
1. MW PITCH CONTROL
2. MW FILTER CONTROL
3. MW AMPLITUDE CONTROL
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH
6. MW LFO AMOD DEPTH
• Effect1 Parameter
7. MW VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as
Insertion)
By default, an LFO Pitch Modulation (PMOD) effect will
apply.
Control# Parameter Data Range
1 Modulation 0...127
If the Multi Part parameter Rcv MODULATION = OFF,
that part will not receive Modulation.
If the receive channel is a drum part, effects 5 and 6 will not
apply.
1.2.3 Breath Controller
Control# Parameter Data Range
2 Breath Controller 0...127
Valid only when a VL sound is selected.
1.2.4 Foot Controller
Control# Parameter Data Range
4 Foot Controller 0...127
Valid only when a VL sound is selected.
1.2.5 Portamento Time
This message controls the degree of Portamento (refer to
1.2.11).
Control# Parameter Data Range
5 Portamento Time 0...127
When Portamento (control number 065) is ON, this regulates
the speed of the pitch change.
A value of 0 is the shortest portamento time, and 127 is the
longest portamento time.
If the receive channel is a drum part, Portamento Time is
not received.
MIDI
27
MIDI data format
1.2.6 Data Entry
This message sets the value of the parameter which was
specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/
LSB (see 1.2.21).
Control# Parameter Data Range
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127
1.2.7 Main Volume
This message controls the volume of each part.
This is used to adjust the volume balance between parts.
Control# Parameter Data Range
7 Main Volume 0...127
When the Multi Part parameter Rcv VOLUME = OFF, that
part will not receive Main Volume.
With a value of 0 there will be no sound, and a value of 127
will be the maximum volume.
1.2.8 Panpot
This message control the panning (stereo location) of each
part.
This will be the location of the sound when heard in stereo.
Control# Parameter Data Range
10 Pan 0...64...127
When the Multi Part parameter Rcv PAN = OFF, that part
will not receive Panpot.
0 is left, 64 is center, and 127 is right.
For data of 0...63 the sustain pedal will be OFF (released),
and for data of 64...127 it will be on (pressed).
When this is ON, currently-sounding notes will continue to
sound even if note-off messages are received.
If the Multi Part parameter Rcv HOLD1 = OFF, that part
will not receive Hold1.
1.2.12 Portamento
This message controls portamento on/off.
When the pedal is pressed, a portamento effect will be
applied.
Control# Parameter Data Range
65 Portamento 0...63, 64...127
(OFF, ON)
For data of 0...63 the portamento pedal will be OFF
(released), and for 64...127 it will be ON (pressed).
When this is ON, the pitch will change smoothly between
notes. The time over which the pitch changes is adjusted by
Portamento Time (see 1.2.3). Also, when the Multi Part
parameter MONO/POLY MODE = MONO, the tone will
also change smoothly (legato) if Portamento = ON.
If any of the following Multi Part parameter settings apply,
that part will not receive Portamento.
• Rcv PORTAMENTO = OFF
• PART MODE = DRUM, DRUMS1...4
1.2.13 Sostenuto
This message controls sostenuto pedal on/off.
Notes which were already pressed when the pedal was
pressed will be sustained.
1.2.9 Expression
This message controls expression (dynamics within a
musical line) for each part.
It is used to create volume changes during a song.
Control# Parameter Data Range
11 Expression 0...127
If the Multi Part parameter Rcv EXPRESSION = OFF, that
part will not receive Expression.
With a value of 0 there will be no sound, and with a value of
127 the volume will be maximum.
1.2.10 Control Change13
Control# Parameter Data Range
13 Control Change13 0...127
Valid only when a VL sound is selected.
1.2.11 Hold1
This message controls sustain pedal on/off.
The notes that are sounding while the pedal is pressed will
be sustained.
Control# Parameter Data Range
64 Hold1 0...63,64...127
(OFF, ON)
Control# Parameter Data Range
66 Sostenuto 0...63,64...127
(OFF, ON)
For data of 0...63, the sostenuto pedal will be OFF (released),
and for 64...127 it will be ON (pressed).
If sostenuto is turned on while a note is sounding, that note
will be sustained until sostenuto is turned OFF.
If the Multi Part parameter Rcv SOSTENUTO = OFF, that
part will not receive Sostenuto.
Has no effect on VL sounds.
1.2.14 Soft Pedal
This message controls soft pedal on/off.
The sound will become more mellow while the pedal is
pressed.
Control# Parameter Data Range
67 Soft Pedal 0...63, 64...127
(OFF, ON)
For data of 0...63, the soft pedal is OFF (released), and for
64...127 it is ON (pressed).
If any of the following Multi Part parameter settings apply,
that part will not receive the Soft Pedal.
• Rcv SOFT PEDAL = OFF
• PART MODE = DRUM, DRUM1...4
28
MIDI
MIDI data format
1.2.15 Harmonic Content
This message adjusts the resonance of the filter that is
specified for the sound.
The value of 0~127 is taken as -64~+63, and added as an
offset value to the original sound data to modify the
resonance.
Control# Parameter Data Range
71 Harmonic Content 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies a boost
or cut relative to 64.
Higher values will produce a more distinctive sound.
For some sounds, the effective range may be less than the
possible range of settings.
1.2.16 Release Time
This message adjusts the EG release time that was specified
by the sound data.
The value of 0~127 is taken as -64~+63, and added to the
original sound data as an offset value to modify the release
time.
Control# Parameter Data Range
72 Release Time 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an
increase or decrease relative to 64.
Increasing this value will lengthen the release that follows a
note-off.
Since this is a relative change parameter, it specifies an
increase or decrease relative to 64.
Lower values will produce a more mellow sound.
For some sounds, the effective range may be less than the
possible range of settings.
1.2.19 Portamento Control
This message specifies the portamento source key number
(the key number at which portamento will begin).
Data of 0...127 specifies the portamento source key.
When Portamento Control is received, the currentlysounding pitch will change at a Portamento Time of 0 to the
key of the next-received note-on of the same channel.
Control# Parameter Data Range
84 Portamento Control 0...127
(C-2...G8)
This is received even if Rcv PORTAMENTO = OFF.
Has no effect on VL sounds.
1.2.20 Effect1 Depth(Reverb Send Level)
This message specifies the send level for the reverb effect.
Control# Parameter Data Range
91 Effect1 Depth 0...127
Increasing this value will produce a richer reverb. The effect
of the value will depend on the state of the reverb effect.
1.2.21 Effect3 Depth(Chorus Send Level)
This message specifies the send level for the chorus effect.
1.2.17 Attack Time
This message adjusts the EG attack time that was specified
by the sound data.
The value of 0~127 is taken as -64~+63, and added to the
original sound data as an offset value to modify the attack
time.
Control# Parameter Data Range
73 Attack Time 0...64...127
(-64...0...+63)
Since this a relative change parameter, it specifies an increase
or decrease relative to 64.
Increasing this value will make the attack more gradual, and
decreasing this value will make the attack sharper.
1.2.18 Brightness
This message adjusts the cutoff frequency of the low pass
filter specified by the sound data.
The value of 0~127 is taken as -64~+63, and added to the
original sound data as an offset value to modify the cutoff
frequency.
Control# Parameter Data Range
74 Brightness 0...64...127
(-64...0...+63)
Control# Parameter Data Range
93 Effect3 Depth 0...127
Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the
chorus effect.
1.2.22 Effect4 Depth (Variation Effect Send
Level)
This message specifies the send level for the variation effect.
Control# Parameter Data Range
94 Effect4 Depth 0...127
However, this is not received if the Variation Effect
parameter Variation Connection = 0 (Insertion).
1.2.23 Data Increment/Decrement (for RPN)
After RPN (see 1.2.22) is used to specify a parameter such
as Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this
message is used to increment or decrement the respective
parameter value in steps of 1.
Control# Parameter Data Range
96 RPN Increment -97 RPN Decrement --
The data byte is ignored.
MIDI
29
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