Figure 4.5: Clock keys and indicators .............................................................14
Table of Figures
TASCAM FW-1082 Setup Guide 3
1 – Introduction
About the FW-1082
The FW-1082 provides your computer with highquality audio facilities: eight channels of analog
input and two of output, with two channels of digital
audio I/O through coaxial connections—all at up to
96 kHz 24-bit, two physical MIDI input and two
physical output ports, together with virtual control
MIDI I/O and two virtual OUTs, and a control surface with motorized touch-sensitive faders, rotary
encoders, transport keys and dedicated digital audio
workstation function control keys.
It is connected to the host computer using a single 6pin to 6-pin IEEE 1394 cable (supplied) that carries
audio, MIDI and control information back and forth
between the FW-1082 and the computer. See “The
IEEE 1394 standard and the FW-1082” on page 6 for
details.
The control surface can pass information to the host
DAW application through the IEEE 1394 interface,
using MIDI protocol.
NOTE
Before using the FW-1082 with a computer, you must
install the necessary drivers and utility software on your
computer. See “Installation (Windows 2000 and Windows XP)” on page 8, and “Installation (Mac OS X
10.2.8 and above)” on page 11 for details of how to do
this.
There are three main surface modes; accessed
through the mode keys as shown here (
MIDICTRL and MONMIX).
Figure 1.1: Mode selection keys
COMPUTER,
Pressing one of these keys will light it, and put the
FW-1082 into the appropriate mode.
Although there are only eight physical channel modules fitted to the FW-1082, the
BANK keys can be
used to access different fader and module banks.
The FW-1082 can also act as a standalone dedicated
10–2 monitor mixer in one of its main modes (see
“MON MIX (monitor mix) surface mode” on page 5
for full details).
COMPUTER surface mode
In this surface mode, operating the surface controls
sends messages to the DAW software on the host
computer through the control MIDI port using the
IEEE 1394 connection.
For operations carried out in this mode to have any
effect, the FW-1082 should be connected to a host
computer with the DAW software running, and configured to accept messages from the FW-1082 control MIDI port.
Figure 1.2: Bank selection keys
Note that the banks accessed by the
BANK keys have
different meanings depending on the surface mode
selected (
COMPUTER mode); see the sections on these modes
MONMIX mode, or MIDICTRL mode, or
for details.
The FW-1082 operates by default in its Native Mode,
typically used with dedicated control surface plugins. For those applications that do not have such a
plug-in, it can emulate the Mackie Control or HUI
protocols. The operating mode is selectable through
the software Control Panel.
See the Application Guide for full details of how to
operate the FW-1082 with your DAW software.
4 TASCAM FW-1082 Setup Guide
1 – Introduction
Two analog and/or two S/PDIF outputs are available
for output, depending on the DAW software
configuration.
MIDI CTRL (control) surface mode
In the MIDI control surface mode (MIDICTRL), the
surface controls are mapped to MIDI control messages. The
BANK keys and indicators are used to
select up to four banks (that is, 32 modules), and the
controls can be set to transmit a different MIDI message in each bank.
This mapping of controls to messages is set up in the
FW-1082 Control Panel of the host computer, and the
process is fully described in the User’s Guide.
MIDI messages may be transmitted from the physical MIDI OUT ports, or from the virtual MIDI OUT
MON MIX (monitor mix) surface mode
In this surface mode, the FW-1082 acts as a standalone mixer, mixing up to eight analog signals
together with the two digital signals received at the
coaxial digital input.
The physical MIDI ports are usable by the DAW
application for transmitting and receiving MIDI data
to and from external MIDI equipment.
ports to the host computer (through the FireWire
cable).
When a control is mapped to a physical MIDI output
port in this mode, when the control is operated, the
appropriate
OUT indicator lights as the MIDI data is
transmitted from the FW-1082.
Note that you do not need to connect the FW-1082 to
a host computer to operate the unit in this mode with
the physical terminals—you only need to connect a
computer when you set up and map the MIDI messages.
Use the master fader to control the master stereo
level, and the
MONITOR control to adjust the level of
the signal sent to the control room monitoring system
MONITOR L and R).
(
The FW-1082 provides level, pan, mute and solo
capabilities for these input channels, mixing them
into two outputs
MONITOR (BAL) L and R.
It is also possible to monitor the signals output from
the computer DAW software, either independently, or
together with, the input signals.
Two banks are available using the
analog (
ANLG), and the stereo digital input (D IN)
BANK keys: the
banks. In the second of these, only the first two modules are active, corresponding to the stereo S/PDIF
input channels.
When mixing analog signals, the
TRIM controls can
be used to adjust the signal input levels, which can be
monitored with the overload (
tion (
SIGNAL) indicators on each module.
NOTE
When mixing digital audio, there should be one, and
only one word clock in the system. Follow the instructions in “Clock source setting” on page 14 to set the
word clock for the system.
OL) and signal detec-
When the FW-1082 is in this mode, the three keys
shown in Figure 1.3 are used for selecting the signals
to be monitored:
Figure 1.3: Monitor selection keys
•
COMPUTER selects the signals from the DAW
passed through the FireWire connection. The level
of the signals from the computer is set using the
master output control of the DAW software and the
two analog outputs may be selected (using the software Control Panel) for output of these signals.
•
INPUTS selects the analog and coaxial signals for
monitoring.
•
BOTH allows the computer signals to be monitored
alongside the input signals
TASCAM FW-1082 Setup Guide 5
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