TC-Helicon VoiceLive Rack Full User Manual

USER’S MANUAL

v1.0

Safety

Safety Instructions

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings.

8 Install in accordance with the manufacturer’s

instructions.

9 Do not install near heat sources such as radia-

tors, heat registers, stoves, or other apparatus

(including ampliers) that produce heat.

10 Only use attachments/accessories specied by

the manufacturer.

11 Refer all servicing to qualied service person-

nel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

Warning!

• To reduce the risk of re or electrical shock,

do not expose this equipment to dripping or

splashing and ensure that no objects lled with

liquids, such as vases, are placed on the equipment.

Caution

You are cautioned that any change or modications not expressly approved in this manual could void your warranty.

EMC/EMI

This equipment has been tested and found to

comply with the limits for a Class B Digital device, pursuant to part 15 of the FCC rules.

These limits are designed to provide reasonable

protection against harmful interference in residen-

tial installations. This equipment generates, uses

and can radiate radio frequency energy and – if not installed and used in accordance with the instructions – may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception – which can be determined by turning the equipment off and on –, the user is encouraged to try correcting the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equip-

ment and the receiver.

• Connect the equipment to an outlet on a

circuit different from the one to which the receiver is connected.

• Consult the dealer or an experienced radio/ TV technician for help.

• Do not install in a conned space.

Service

All service must be performed by qualied personnel.

For Customers in Canada:

This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

Introduction

Before You Get Started

1. Check to see if this manual has been updated click the following link:

www.tc-helicon.com/products/voicelive-rack/suppor t/

2. Download VoiceSupport.

Get the latest rmware for your product, tips

and tricks, and videos. Click the following link to

download and install VoiceSupport

www.tc-helicon.com/voicesupport.

3. Register Your Product in VoiceSupport.

Click on the ACCOUNT button within the Voice-

Support application.

Thank You

VoiceLive Rack Features

• High quality, dedicated vocal channel and effects processor

• 8 fully editable effect blocks

• Total recall of mic preamp and Setup menu parameters in up to 10 user proles

• Unique touch interface on front panel

• Large, bright LCD screen

• Wizard feature to help users nd presets

• Up to 4 intervals of NaturalPlay harmony

available

• Harmony reference can be guitar, MIDI or

MP3 input

• Global adaptive tone and auto-chromatic pitch

correction effects

• Mic Control feature allows remote effects control with included MP-75 mic

Thank you for purchasing VoiceLive Rack, a

complete, programmable mic channel and vo-

cal effects processor. This product is the result of

input from customers like you who requested

the premium features of VoiceLive 2 in a 19” rack

chassis. We hope you enjoy making your music

sound even better with VoiceLive Rack.

About TC-Helicon

TC-Helicon is the only pro audio company 100%

dedicated to providing creativity and control to singers. We are a dedicated group of engineers, researchers and product specialists based in

Victoria BC, Canada, who spend every waking

moment of their working lives listening, talking, singing, and interacting with singers and those who have passion for the singing voice.

• 400 user presets

• USB for audio streaming, updates, and backup

to computer

• Discrete guitar mixing and effects to main

output

MP-75 Mic

Warranty

To view the general warranty for TC-Helicon

products click below or visit:

www.tc-helicon.com/support/warranty/

Table of Contents

SAFETY. . . . . . . . . . . . . . . . . . . . 1

INTRODUCTION . . . . . . . . . . . . . . 2

Warranty ..........................................2

FRONT PANEL. . . . . . . . . . . . . . . . 7

BACK PANEL . . . . . . . . . . . . . . . . 9

QUICK START . . . . . . . . . . . . . . . .10

BASIC OPERATION . . . . . . . . . . . . .11

Selecting presets.................................. 11

Searching for presets using tags ..................... 11

Modifying presets .................................12

Changing the global mix ........................... 12

Adjusting the Guitar features .......................12

Phantom, Mono, MIDI etc. - the Setup menu .......... 13

Adjusting the Tone settings ......................... 13

Preset chaining with the Step feature ................ 13

Performing a global reset........................... 13

Restoring individual presets to factory settings......... 14

Mic-Control and Footswitch assignments .............14

THE TONE BUTTON . . . . . . . . . . . .15

Tone Overview................................... 15

The TONE Tab ................................... 15

The ADAPTIVE Check Boxes....................... 15

SHAPE .......................................... 15

COMPRESS...................................... 16

DE-ESS.......................................... 16

GATE ........................................... 17

EQ Tab Overview...................... 18

EQ Tab With ADAPTIVE On ....................... 18

SHAPE .......................................... 18

WARMTH....................................... 18

EQ Tab With ADAPTIVE Off ....................... 18

LOW GAIN ..................................... 18

LOW FREQ ..................................... 18

HIGH GAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

HIGH FREQ ..................................... 19

PARA GAIN ..................................... 19

PARA FREQ ..................................... 19

PARA WIDTH ................................... 19

COMPRESS Tab Overview............... 20

COMPRESS Tab With ADAPTIVE ON ............... 20

COMPRESS...................................... 20

COMPRESS Tab With ADAPTIVE OFF ...............20

THRESHOLD .................................... 20

RATIO ..........................................20

GATE Tab Overview.................... 21

GATE .......................................... 21

LEAD ATTEN .................................... 21

HARM ATTEN ................................... 21

THRESHOLD (MANUAL Gate Only) ...............21

THE PITCH BUTTON . . . . . . . . . . . .22

Pitch Button Overview ............................ 22

AUTO-CHROMATIC AMOUNT ...................22

THE TAP BUTTON . . . . . . . . . . . . . .23

Tap Button Overview ............................. 23

THE BYPASS BUTTON . . . . . . . . . . .24

Bypass Button Overview ........................... 24

DETAILED OPERATION . . . . . . . . . . .25

Overview........................................ 25

Harmony and Hardtune Guided by a Guitar .......... 25

Acoustic guitar ................................... 25

Electric guitar..................................... 25

Guitar performance tips ........................... 25

Harmony and Hardtune Guided by a MIDI Keyboard .. 25

MIDI hookup and channel selection.................. 26

MIDI IN and USB .................................26

MIDI-controlled Harmony and Hardtune .............26

MIDI performance tips............................. 26

Alternate Harmony and Hardtune Methods .......... 26

Using a xed key (aka “Scale”) ...................... 26

Singing to Music Playback ..........................28

“Borrowing” from Another Player ...................28

Steps Overview ....................... 29

External Control Overview.............. 30

The MP-75 Mic Switch ............................ 30

The Switch3 Footswitch ........................... 30

MIDI Remote Control ............................. 31

The USB Computer Connection.......... 32

The VoiceSupport Application ...................... 32

VoiceLive Rack and Digital Audio.................... 32

Digital Input Notes:................................ 33

Digital Output Notes: ............................. 33

Audio Device Name .............................. 34

USB and MIDI Control ............................ 34

THE INPUT GAIN BUTTON . . . . . . . .35

Overview........................................ 35

Manual Gain Adjustment ........................... 35

Automatic Gain Adjustment ........................ 35

TC Helicon Vocal Technologies Ltd.

www.tc-helicon.com

User’s Manual revision 1.0 VoiceLive Rack

English Version

Table of Contents

THE WIZARD BUTTON . . . . . . . . . . .36

Overview........................................ 36

The FIND tab ....................................36

The TAG tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

THE SETUP BUTTON . . . . . . . . . . . .38

Overview........................................ 38

Resetting Setup (Initializing) ........................ 38

The I/O Tab .......................... 39

IN GAIN ........................................ 39

PHANTOM...................................... 39

AUX LEVEL......................................39

OUTPUT........................................ 39

DIGITAL IN...................................... 39

DIGITAL OUT ................................... 39

LEAD MUTE..................................... 39

LEAD DLY....................................... 40

OUTPUT LEVEL RANGE.......................... 40

GUITAR MUTE................................... 40

PAN ............................................ 40

MIC/LINE PHASE................................. 40

The MIDI Tab ......................... 41

CHANNEL ......................................41

FILTER .......................................... 41

CC CHAN ...................................... 41

TRANSPOSE .................................... 41

SPLITDIR ........................................ 41

SPLITNOTE...................................... 41

SYSEXID ........................................41

VIBBOOST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

PBRANGE....................................... 41

The SYSTEM Tab ...................... 42

LCD CONTRAST ................................42

USB CONTROL .................................42

GLOBAL NATURALPLAY ......................... 42

GLOBAL KEY/SCALE ............................. 42

GLOBAL TAP TEMPO ............................. 42

TUNEREF ....................................... 42

GUITAR Tab Overview ................. 43

REVERB STYLE................................... 43

REVERB LEVEL ................................... 43

UMOD STYLE ................................... 43

UMOD LEVEL ................................... 43

EQ LOW GAIN .................................44

EQ LOW FREQ(uency) ........................... 44

EQ HIGH GAIN.................................. 44

EQ HIGH FREQ.................................. 44

EQ PARA GAIN.................................. 44

EQ PARA FREQ ..................................44

EQ PARA WIDTH ................................ 44

COMPRESSION THRESH(old) ..................... 44

COMPRESSION RATIO ...........................44

REVERB Tab Overview.................. 45

GLOBAL REVERB ENABLE ........................ 45

STYLE ..........................................45

LEVEL........................................... 45

WIDTH ........................................ 45

DECAY ......................................... 45

LO COLOR / HI COLOR ......................... 45

HI FACTOR......................................45

EARLY REFLECTIONS / TAIL LEVEL................. 45

DUCKING....................................... 45

DIFFUSE ........................................ 45

PRE DLY ........................................ 46

SPEED .......................................... 46

DEPTH ......................................... 46

DUCKING AMOUNT ............................ 46

DUCKING TIME .................................. 46

LEAD to REV .................................... 46

HARM to REV ................................... 46

DEL to REV...................................... 46

LEAD LEVEL..................................... 46

MIC-CONTROL Tab Overview........... 47

CONTROL...................................... 47

GLOBAL MIC-CONTROL......................... 47

MIC-CONTROL button ...........................47

SWITCH3 Tab Overview ................ 48

SWITCH 1 FUNCTION ........................... 48

SWITCH 2 FUNCTION ........................... 48

SWITCH 3 FUNCTION ........................... 48

GLOBAL ........................................48

THE STORE BUTTON . . . . . . . . . . . .49

STORE Tab Overview ............................. 49

CURSOR........................................ 49

LETTER ......................................... 49

INS > < DEL .................................... 49

STORE TO....................................... 49

MANAGE PRESET Tab ............................ 50

SEND PRESET TO MIDI SYSEX..................... 50

ERASE USER PRESET ............................. 50

CLEAN PRESET BANK ............................ 50

STORE SETUP Overview ..........................51

CURSOR........................................ 51

LETTER ......................................... 51

INS > < DEL .................................... 51

STORE TO....................................... 51

LOAD SETUP Tab Overview ....................... 52

MANAGE SETUP Tab Overview .................... 53

Table of Contents

EDITING . . . . . . . . . . . . . . . . . . .54

Editing Overview ................................. 54

Navigation ......................................54

Saving Changes ...................................54

THE EDIT BUTTON . . . . . . . . . . . . .55

µMOD Tab Overview .................. 55

STYLE .......................................... 55

LEVEL........................................... 55

WIDTH ......................................... 55

DETUNE LEFT / DETUNE RIGHT ..................55

SPEED .......................................... 55

DEPTH-L / DEPTH-R ............................. 55

OUT PHASE..................................... 55

DLY L / DLY R ................................... 55

FEEDBACK L / FEEDBACK R....................... 55

PHASE ......................................... 55

WAVE .......................................... 56

XFB L / XFB R ................................... 56

LOWCUT L / LOWCUT R & HICUT L / HICUT R.... 56

LEAD To UMOD ................................. 56

HARM To UMOD ................................ 56

LEAD LEVEL..................................... 56

DELAY Tab Overview................... 57

STYLE .......................................... 57

LEVEL........................................... 57

WIDTH ........................................ 57

SOURCE ........................................ 57

TEMPO ......................................... 57

DUCKING....................................... 57

DIV L / DIV R .................................... 57

TIME L / TIME R .................................. 57

FEEDBACK L / FEEDBACK R ......................58

XFB R TO L / XFB L TO R ......................... 58

LOCUT L / LOCUT R & HICUT L / HICUT R ........ 58

DUCKING AMOUNT ............................ 58

DUCKING TIME .................................. 58

LEAD TO DELAY ................................. 58

HARM TO DELAY ................................ 58

UMOD TO DELAY ............................... 58

LEAD LEVEL..................................... 58

REVERB Tab Overview.................. 59

STYLE ..........................................59

LEVEL........................................... 59

WIDTH ........................................ 59

DECAY ......................................... 59

LO COLOR / HI COLOR ......................... 59

HI FACTOR......................................59

EARLY REFLECTIONS / TAIL LEVEL................. 59

DUCKING....................................... 59

DIFFUSE ........................................ 59

PRE DLY ........................................ 60

SPEED .......................................... 60

DEPTH ......................................... 60

DUCKING AMOUNT ............................ 60

DUCKING TIME .................................. 60

LEAD to REV .................................... 60

HARM to REV ................................... 60

DEL to REV...................................... 60

LEAD LEVEL..................................... 60

HARDTUNE Tab ...................... 61

HARDTUNE KEY ................................ 61

HARDTUNE RATE ............................... 61

HARDTUNE AMOUNT........................... 61

HARDTUNE SHIFT............................... 61

HARDTUNE WINDOW ..........................61

KEY & SCALE ................................... 61

NOTE & ENABLED ............................... 62

DOUBLE Tab Overview ........................... 63

STYLE ..........................................63

LEVEL........................................... 63

HUMANIZE STYLE ............................... 63

HUMANIZE AMOUNT ...........................63

V1 to V4 PAN.................................... 63

V1 to V4 LEVEL .................................. 63

V1 to V4 PORTA ................................. 63

V1 to V4 SMOOTHING ...........................63

V1 to V4 GENDER................................ 63

LEAD LEVEL..................................... 64

CHOIR.......................................... 64

HARMONY Tab Overview .............. 65

STYLE ..........................................65

LEVEL........................................... 65

V1 to V4 VOICING................................65

V1 to V4 LEVEL .................................. 65

V1 to V4 GENDER................................ 65

V1 to V4 PAN.................................... 65

DOUBLING and DOUBLE LEVEL .................. 65

CHOIR, CHOIR LEV and CHOIR STYLE ............. 65

HUMANIZE STYLE ............................... 66

HUMANIZE AMOUNT ...........................66

VIBRATO STYLE ................................. 66

VIBRATO AMOUNT.............................. 66

V1 to V4 PORTA ................................. 66

V1 to V5 SMOOTHING ...........................66

GUITAR CHORDS ............................... 67

HOLD RELEASE ................................. 67

TUNING ........................................ 67

HARMONY EQ .................................. 67

LEAD LEVEL..................................... 67

NATURALPLAY .................................. 68

NATURALPLAY Settings and Parameter Changes ..... 69

NATURALPLAY = SCALE Mode ................... 69

KEY & SCALE .................................... 69

Table of Contents

V1 to V4 VOICING................................69

MAP IN SOURCE / MAP IN NOTE ................. 69

V1 to V4 MAP OUT .............................. 69

NATURALPLAY = SHIFT Mode .................... 69

V1 to V4 VOICING................................69

NATURALPLAY = MIDI NOTES, MIDI NOTES 4 CHAN

Modes .......................................... 70

DOUBLING ..................................... 70

ATTACK & RELEASE .............................. 70

NOTES EXTENSION ............................. 70

NATURALPLAY = MIDI NOTES Mode Only ......... 70

PAN, GENDER, PORTA, SMOOTH, and Individual Voice

LEVEL........................................... 70

TRANSDUCER Tab Overview ...................... 71

TRANSDUCER STYLE ............................ 71

ROUTING: ...................................... 71

LOW CUT and HIGH CUT........................ 71

GATE THRESHOLD .............................. 71

DISTORTION TYPE and DISTORTION AMOUNT .... 71

TRANSDUCER IN and OUT GAIN ................. 72

PRESENCE GAIN, PRES FREQ and PRES WIDTH .....72

RHYTHMIC Tab Overview ......................... 73

Using the Rhythmic Features........................73

STYLE .......................................... 73

MODE .......................................... 73

MODE = RHYTHM............................... 73

DEPTH ......................................... 73

TARGET ........................................ 73

DIVISION ....................................... 73

TYPE ........................................... 73

MODE = SAMPLE ..................... 74

SAMPLE LOOP DIVISION ......................... 74

SAMPLE LOOP CAPTURE ........................ 74

SAMPLE DIRECTION ............................. 74

PATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

MIC-CONTROL Tab Overview........... 75

CONTROL...................................... 75

FUNCTION ..................................... 75

MIC-CONTROL BUTTON ........................ 75

SWITCH3 Tab Overview ................ 76

SWITCH 1 FUNCTION ........................... 76

SWITCH 2 FUNCTION ........................... 76

SWITCH 3 FUNCTION ........................... 76

PRESET Tab........................... 77

LEAD LEVEL .................................... 77

LEAD PAN ...................................... 77

LEAD EFFECT SENDS ............................ 77

MIDI IMPLEMENTATION . . . . . . . . . .78

PRESET LIST . . . . . . . . . . . . . . . . .81

SCALES DIAGRAM. . . . . . . . . . . . . .84

FREQUENTLY ASKED QUESTIONS (FAQ) .85

SPECIFICATIONS . . . . . . . . . . . . . .86

Front Panel

Touch to access input

gain adjustment screen or hold to enter auto input gain feature.

Push in to apply power.

Connect headphones to monitor main output mix.

Touch to access Setup

menu and parameters.

Touch Home to exit.

Touch to browse

presets based on tags or to load presets on demand.

Touch to access Store

menu for presets and setups as well as management features.

Touch Home to exit

any menu and set screen to show main preset display.

Touch to access Edit

menu and parameters or touch Home to exit.

Displays preset name and number in Home mode or all edit parameters in edit modes.

In Home screen, turning Mix knobs 1 detent will temporarily display 4 global mix values then allow adjustment.

Displays preset steps

if any (Count) and

current step in Home mode.

In all edit modes Mix knobs are used to adjust parameter values.

Displays parameter remote controlled by Mic-control feature using optional MP-75 mic.

Tab/Step arrows cycle

through preset step

chain (if any) and allow

management of step chains in Home mode.

Main wheel locates presets in Home mode and selects rows in edit modes.

Navigate arrows will increment/decrement presets by 1 in Home mode or select rows in edit modes.

Tab/Step arrows cycle

through tabs in edit modes.

Front Panel

Touch any to engage

effects or hold to jump directly to the effect’s edit menu.

Duplicates the switch on an MP-75 mic to activate switched parameters.

Touch to activate adaptive EQ, compression, de-ess and gate or hold to edit.

Tap at song tempo to

set delay time in Home mode.

Touch to activate auto-

chromatic pitch correction or hold to edit correction settings.

Mutes all processing

except Tone when Tone is active.

Back Panel

Connect dynamic or condenser mic here. Input gain and phantom power on/off located in Setup menu.

Attachment port for Kensington

lock

Connect TRS balanced

or unbalanced cable from mixer here.

Passes dry guitar signal

to an amplier or PA.

Connection here will remove guitar from the main mix.

A guitar connected here can guide Harmony and Hardtune

effects. If Thru is not connected,

guitar is mixed to main outputs with dedicated effects.

Auxiliary input from mp3 player can be mixed to outputs and be used to guide Harmony and Hardtune.

If ground buzz is heard in

your PA, push the Ground

Lift in. Otherwise leave

it out.

Main outputs are balanced and default output is stereo. Mono and

dual mono modes are congured in

Setup menu.

S/PDIF output always

available. Full Mix or Vocal & Guitar (LR) cong-

ured in Setup menu.

S/PDIF digital input can be fed dry to analog mix outs or used as vocal and

instrument (LR) inputs for

effect processing.

Hardware MIDI ports allow remote harmony and preset control from MIDI keyboards etc. Ensure USB Control is set to Off in Setup menu to use this input.

Connect optional TC-Helicon

Switch 3 footswitch here for additional control per preset or globally.

USB I/O connects to a computer for audio I/O and system functions such as preset backup and version updates.

Connect supplied AC adaptor here.

AC cable strain

relief minimizes

shutdowns due to cable pulling.

Quick Start

f a. Connections

1. Turn down your mixer channel or main PA

volume.

2. Connect a Mic or Line level input from the mixer to the respective input jack on VoiceLive

Rack.

3. Connect the XLR or TRS stereo outputs to

your mixer/PA.

4. Connect the supplied AC adaptor to the unit and press the POWER button in.

f b. Set input level

1. Touch the Bypass button so it ashes.

2. Touch the Input Gain button.

3. Sing or start playback while watching the IN meter in the display

4. Adjust the IN GAIN setting with the knob

below the onscreen parameter until no CLIP

message occurs.

5. Touch Home to exit Input Gain setup.

f c. First audio

1. Select preset 6: BRIGHT DOUBLE with the

large wheel or the Navigate up/down arrows.

2. Sing or start dry vocal playback then raise your

monitors/PA level until you hear the VoiceLive

Rack output at a comfortable volume.

3. Touch the Bypass button to hear the effect

programmed into the current preset.

4. Now you can select different presets and/or touch the effect blocks (µMod, Delay, Reverb etc) to turn them on and off within the current preset.

Basic Operation

f Selecting presets

There are over 200 factory programmed presets in VoiceLive Rack. Presets are loaded as soon as the name appears in the LCD window.

To select presets:

1. Ensure the Home button LED is lit.

2. Turn the large encoder wheel. Detents in this

wheel allow increment and decrement by 1 or;

3. Touch the Navigate up or down arrows to

browse by single presets.

f Searching for presets using tags

The Wizard function organizes the presets by user-selected tag lters and alphabetically so you can search more effectively for them. The Wizard

also allows you to locate but not automatically load a new preset while another is currently ac-

tive.

To search for presets using the Wizard:

1. Connect an accompaniment instrument or

music player to VoiceLive Rack. This can be

either:

• A guitar connected to the GUITAR IN

• A MIDI keyboard (channel=1) connected to

the MIDI IN

• An MP3 player connected to the AUX IN

2. Select a harmony-based preset such as 1: Sixth Encore.

3. Play the accompaniment instrument or track

while singing into VoiceLive Rack. The harmony

intervals will follow the changing chords of the music.

By default, the GUITAR and AUX inputs are

routed to the main mix output. Their levels can be muted or adjusted in the GUITAR and I/O

tabs of the Setup menu respectively.

f Using Harmony or Hardtune presets

without a connected instrument or track

1. Touch the Wizard button

2. Use the Mix knobs to select the Sort function and/or to choose up to 3 tag criteria.

3. Turn the large encoder to view the ltered

results.

4. Press the Wizard button to load the highlighted preset.

f Using Harmony or Hardtune presets

with a connected instrument or music track

Presets that have the Harmony or Hardtune buttons lit require a musical reference in order to sound musically correct. VoiceLive Rack automatically senses which input is connected (see follow-

ing) in order to use it as a reference.

This method, which uses a single key and scale

generally throughout an entire song, will produce useful musical results for many songs but not all. Experimentation in a rehearsal setting is essential before using this method before an audience.

1. An accompaniment is required so the singer

can sing relative to a key and scale. This can be

a piano, acoustic guitar, playback etc.

2. Touch the Setup button and navigate to the SYSTEM tab using the TAB/STEP arrows.

3. Set GLOBAL NATURALPLAY to SCALE and GLOBAL KEY/SCALE to ON.

4. Touch the Edit button and navigate to the

HARMONY tab.

5. Set the KEY and SCALE* parameters to match the song accompaniment. This is often the rst or last chord in the song.

Basic Operation

6. Sing while the accompaniment plays.

* There are 3 major scales and 3 minor scales;

generally Major 2 and Minor 2 will work for more songs. See the Scales Diagram at the end of this manual for details.

Touch Home to exit and try different presets, all

of which are set to the same key by the Setup parameters changed in step 3.

f Modifying presets

The effect block buttons, the arrow buttons and

tabbed menus allow you to make changes to the current preset quickly.

To modify a preset by enabling and disabling effect blocks:

1. Touch any one or a group of effect blocks to reverse their on or off state. The buttons’ LEDs

will show their status.

To edit effect block parameters including preset mix:

1. There are two ways to enter the effects editing menu -

f Changing the global mix

There are 4 global mix levels adjustable with the

front panel Mix knobs. When you adjust these controls at the Home level, the mix screen will

show values for the controls as well as Mic/Line

input, Guitar input and main output levels.

• Voices - Combined level of the Harmony and

Doubling voices.

• Delay/Reverb - Combined level of the Delay

and Reverb effects.

• Guitar - If a guitar is connected to the Guitar input and no Guitar Thru connection is made,

this control varies the level of the guitar in the main output mix.

• Output - Adjusts the overall output level to

the main outputs and the Headphone output.

f Adjusting the Guitar features

The Guitar input has its own Reverb and µMod

processors, 3 band EQ and compressor. As long

as the Guitar Thru has no jack inser ted, the guitar

will be routed to the main output mix with these effects added.

a. Hold any effect block button for 1 second. This

will present its editing menu. The on/off status

of the effect will not change however.

b. Touch the Edit button and use the Tab/Step

arrow buttons to locate the tab of effect you want to edit.

2. Adjust parameter values on the highlighted row with the Mix knobs.

3. Select another row with the wheel or the Navigate up/down arrows.

4. To nish, either touch Store twice to save your

changes or touch the Home button to allow further preset navigation without saving.

To adjust the Guitar effects:

1. Touch the Setup button.

2. Use the Tab/Step arrow buttons to navigate to the GUITAR tab.

3. Select and adjust parameters within the GUI-

TAR tab using the Navigate arrows and the

Mix knobs.

All changes are recalled automatically the next time the unit is powered.

Basic Operation

f Phantom, Mono, MIDI etc. - the

Setup menu

Global parameters are adjusted in the Setup menu. Changes made in this menu are automatically stored as they are made. Note that some

settings of parameters such as DIGITAL IN and LEAD MUTE can result in unexpected sound (or lack thereof) from the unit.

To adjust global setup parameters:

1. Touch the Setup button to enter the Setup

menu.

2. Use the Tab/Step and Navigate arrow buttons

to locate parameters then make changes with the Mix knobs.

3. Touch Home to exit.

f Adjusting the Tone settings

The goal of the single Tone button, with its adapting Shape EQ, compression, de-essing and gate is that adjustment is done automatically. If, however, you want to make manual adjustments, they are easy to perform.

To change the Tone settings:

1. Hold the Tone button to reveal its menu in the

display.

2. In the rst TONE tab, sing while you make

general adjustments such as adjusting brightness and bass rolloff via the SHAPE control or increasing or reducing compression amount with the COMPRESS control.

3. Use the Tab/Step arrows to tab over to the individual effects and disable the ADAPTIVE parameter if desired. This will reveal additional

manual adjustment settings.

f Preset chaining with the Step feature

Each preset can consist of up to 10 steps that

you can step through using the Tab/Step arrow

buttons or a footswitch. Steps can be edits of the starting preset or other presets copied into the slots.

To add a step to a preset:

1. Locate the desired starting preset and hold

the right Step arrow button.

2. Follow the onscreen prompts to insert and delete steps in your chain.

Note that inserted steps are automatically stored.

See “Restoring...” below to return the preset to its

original state.

f Performing a global reset

This can be performed to initialize all presets and

system parameters back to their factory defaults.

To perform a global reset:

1. Power up the unit.

2. When the rst text is displayed in the LCD

window, hold the 4 buttons listed below and continue to hold until the reset prompt is displayed:

• µMod

• Delay

• Reverb

• Tone

This procedure can take up to 2 minutes.

Basic Operation

f Restoring individual presets to

factory settings

To reset a preset to its original settings:

1. Locate the Manage Preset tab in the Store

menu.

2. Use Erase User Preset to select the preset to

restore and set Conrm to Yes.

3. Touch the Store button.

f Mic-Control and Footswitch

assignments

External control of parameters via the MP-75 microphone and Switch 3 footswitch can be assigned uniquely per preset or globally.

To set Mic-control and Footswitch assignments:

1. Locate the Mic-Control and/or Switch3 tabs in either the Setup menu (for global assignment) or in the Edit menu (unique per preset).

2. Make the changes required.

3. If you have made a preset assignment it will need to be stored with the preset. Global assignment does not require storing.

The Tone Button

Tone Overview

The Tone button activates what we call the “Live Engineer Effects”. These are different from stan-

dard vocal processing effects in that they adjust their settings to your particular voice and the way you sing at different times of your performance just like a professional audio engineer will. All EQ and compression enhancements applied here will affect the overall sound of VoiceLive Rack including Harmony, Doubling, Reverb etc.

The suite of effects that make up Tone are:

• Adaptive Shape EQ

• Adaptive Compression

• De-Ess

• Adaptive Gate

The TONE Tab

knobs below the LCD and listening to the results. You can also cycle the Tone button on and off

while editing to hear the difference between your effected and non-effected voice.

Note that there is a slight lag between adjusting the Adaptive effects and hearing the effect as the algorithm re-assesses your voice input.

f The ADAPTIVE Check Boxes

These show whether the automatically-adjusting

Adaptive feature is enabled for the SHAPE or COMPRESS controls.

NOTE: If either or both ADAPTIVE check boxes

is unchecked, the associated control is set to

MANUAL. Manual adjustment is possible by using

the Navigate buttons to go to the edit tab associated with it and changing the controls on that tab.

f SHAPE

Press and hold the Tone button to enter this

screen and make adjustments or view settings. This will present the TONE tab allowing convenient control of these four processors in one screen. At any time you can exit the tab menus by pressing the Home button.

The factory settings for the Tone button are:

• SHAPE

ADAPTIVE=X(On), SHAPE=50%

• COMPRESS

ADAPTIVE=X(On), COMPRESS=50%

• DE-ESS

DE-ESS=50%

• GATE

ADAPTIVE

These settings are intended to apply to a broad

range of singers’ tastes and PA equipment. Making adjustments consists of turning the Mix/Edit

“Shape” is the name given to the automatically adjusting EQ that is activated by the ADAPTIVE

check box. When the Adaptive feature is activated, Shape processing offers an EQ curve that

adds an airy brightness, or “sizzle” to your voice while reducing “mud” due to the proximity effect

from singing closely into a cardioid microphone.

Adjusting the control from 0% to 50% reduces

mud while increasing brightness to a useful range

for your voice. Turning from 50% up to 100%

adds more brightness.

Reducing Mud:

For singers who have a voice with less bass

frequencies, the “mud” reduction may be less and perhaps not noticeable at all. This is a good

thing - your voice is nicely balanced regarding bass frequencies. For the average male singer or women who sing closely on their mic, the re-

duction in bass will be noticeable and benecial.

When voices have too much bass, they tend to become lost in the other instruments that occupy

The Tone Button

those frequencies resulting in sonic clutter. Reduc-

ing bass has the natural effect of emphasizing mid

and upper frequencies which allow the voice to cut through dense instrumentation.

Lastly, the term “proximity effect” and “cardioid” need to be claried as they can cause bass build up. The typical microphone used by singers has a pickup pattern called “cardioid” or heart-like,

because it picks up less sound at the rear than at the front. This intends to reduce other instruments or sounds from getting into the front of the mic. A side effect of this that singing closely on a cardioid mic adds more bass frequencies

than your voice actually has. This is called “proximity effect” because it is caused by closeness to the mic. The adaptive Shape feature of VoiceLive Rack

listens continually to your voice through your mic and adjusts to make your voice sound like it is professionally produced and balanced.

Adding Highs

The other facet of the Shape feature is that it adds high frequencies, also known as “air” or “presence” without making your voice sound “tinny”. The vocal sounds we hear on CDs and

the radio are not typically what you hear when you listen to a singer acoustically. Commercial vocal sounds are more of a hyper-reality designed

to atter the voice or voices and make them cut

through a group of instruments and thus make

a larger impression on the listener. The Shape

feature, used at moderate settings, emulates this sound through the average microphone and PA system.

When making Shape adjustments, it’s important to sing while listening to the PA system your audience will hear rather than only judging by your monitor sound.

f COMPRESS

With the ADAPTIVE control activated, the

COMPRESS control reduces the amount of range between louder and softer singing to produce more even-sounding vocals. It does so by listening

to your singing over time (less than 30 seconds)

and adjusting accordingly.

Typical compressors require multiple controls,

knowledge and experience, and time spent test-

ing and rening over a performance. With TC-

Helicon’s Adaptive Compress feature, these are not required.

The factory setting of 50% strikes a good balance

between moderating dynamics in your singing without incurring feedback, a side effect of compression used in a live mic setting. If you have a high quality monitoring/PA setup with a at frequency response and you want more compression, by all means add more with the COMPRESS control. Be aware though, that average quality systems have frequency peaks that may cause feedback with lots of compression combined with Adaptive Shape EQ.

• Note that, in order for the Adaptive Compression feature to work properly, you must have your mic gain set properly either with by using auto MIC GAIN or by setting it manually.

f DE-ESS

There is a side effect that comes from adding

high frequencies and compression to your voice, and that’s excessive sibilance. Sibilance can be de-

scribed as the brief whistle that accompanies “S”, “T” and “D” syllables in your vocal performance.

Again, when singing acoustically, there is no issue with these sounds. It’s when you amplify and combine with boosted highs and compression that they can become piercing.

VoiceLive Rack’s DE-ESS control monitors the

level of sibilance and, when it is detected, will

quickly and transparently reduce it. Typically, it’s

The Tone Button

only briey required and it then gets out of the

way allowing the silky brightness to remain on the voiced portion of your singing.

There is only the single DE-ESS control; no other manual adjustment settings are required. The factory setting of 50% gently reduces sibilance

without becoming obvious. Higher settings of compression and Shape or a bright, sibilant voice may require a higher setting.

f GATE

When set to the factory default of ADAPTIVE, the GATE control on the Tone Edit screen helps

in two very important ways by:

1. Minimizing feedback

2. Reducing the amount of audible effects processing on sounds entering the mic other than your voice.

A typical, xed gate works by shutting off, or

reducing the level of any signal below a threshold that you set. When you sing louder than that threshold, the gate will open and your vocal will come through the PA. When you aren’t singing, the gate will close and block sounds around you.

The Adaptive Gate in VoiceLive Rack works automatically with your singing style to provide the optimum balance between how loud you have to sing to open the gate and how much other noises are reduced.

For troublesome audio environments, or for those who are familiar with setting manual gate

parameters, there is also a MANUAL setting on

this page.

The Tone Button

EQ Tab Overview

The EQ tab is where you control the tone shaping of your voice. It is where you can turn the

ADAPTIVE feature on and off for the SHAPE EQ.

EQ Tab With ADAPTIVE On

When the ADAPTIVE control is set to ON (the factory default), most of the adjustment is done

automatically so fewer controls are required.

These are:

• ADAPTIVE ON/OFF

• SHAPE AMOUNT

• WARMTH ON/OFF

• ADAPTIVE ON/OFF

This activates the automatic EQ algorithm and

changes the control set for the EQ tab. When set

to ON, this places an X in the ADAPTIVE check box in the TONE tab and allows editing of the

SHAPE control in that tab. When set to OFF, this presents the manual parametric EQ controls, and

removes the check in the ADAPTIVE box on the TONE tab.

EQ Tab With ADAPTIVE Off

Turning ADAPTIVE off presents manual parametric EQ controls for users who understand this

type of equalization. There are 3 bands of control:

• Low band shelving

• All band fully parametric peak/dip control

• High band shelving

The two “Shelving” EQs boost or cut all frequen-

cies below or above the frequencies set by the

LOW FREQ and HIGH FREQ controls respectively. These are most like the common Bass and Treble controls on a stereo system.

The “Parametric” EQ boosts or cuts the frequencies within a selected band that is dened by a center frequency (PARA FREQ) and a width control (PARA WIDTH). For vocals, the gain of

a narrow parametric band is typically reduced to overcome room or voice resonances and smooth the sound although experienced users may boost a band felt to be missing in a particular voice as well.

The three GAIN controls allow +/- 12 dB of adjustment. The 3 FREQ controls range from 20 Hz to 20 kHz.