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User Manual
SINGTHING
All-In-One Vocal Processor with Speaker, Microphone and Cables
A50-XXXXX-XXXXX
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2 SINGTHING User Manual
Table of Contents
Important Safety Instructions ...................................... 3
Legal Disclaimer ............................................................. 3
Limited warranty ............................................................ 3
1. Welcome to the Big Show! ........................................ 4
2. Set Up – where should my SingThing live? .............. 4
3. Inputs & Outputs .......................................................5
4. The Front Panel .......................................................... 6
5. Menu Buttons............................................................. 6
5.1 Home ....................................................................................... 6
5.2 Mix ........................................................................................... 7
5.3 Store ........................................................................................ 7
5.4 Genre ....................................................................................... 8
6. Eects ......................................................................... 8
6.1 Harmony ................................................................................ 8
6.2 Double .................................................................................... 8
6.3 Reverb ..................................................................................... 9
6.4 SFX ........................................................................................... 9
6.5 Pitch ......................................................................................... 9
6.6 Delay ..................................................................................... 10
7. Control Buttons ........................................................ 10
8. Looper ...................................................................... 10
9. Support and Updates .............................................. 10
9.1 VoiceSupport & Firmware Updates ............................ 10
9.2 Factory Reset ...................................................................... 10
9.3 Social Media ....................................................................... 10
10. MIDI ......................................................................... 11
11. Technical Specications ........................................ 11
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9. Do not defeat the safety purpose of the polarized
20. Please keep the environmental aspects of battery
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of sucient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modication should be performed only
by qualiedpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be sucient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
qualied personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by qualied service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualied
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampliers) that produce heat.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories specied by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table specied by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
17. Correct disposal of this
product: This symbol indicates
that this product must not be
disposed of with household
waste, according to the WEEE
Directive (2012/19/EU) and
your national law. This product
should be taken to a collection center licensed for the
recycling of waste electrical and electronic equipment
(EEE). The mishandling of this type of waste could have
a possible negative impact on the environment and
human health due to potentially hazardous substances
that are generally associated with EEE. At the same time,
your cooperation in the correct disposal of this product
will contribute to the ecient use of natural resources.
For more information about where you can take your
waste equipment for recycling, please contact your local
city oce, or your household waste collection service.
18. Do not install in a conned space, such as a book
case or similar unit.
19. Do not place naked ame sources, such as lighted
candles, on the apparatus.
disposal in mind. Batteries must be disposed-of at a
battery collection point.
21. Use this apparatus in tropical and/or
moderate climates.
LEGAL DISCLAIMER
MUSIC Group accepts no liability for any loss
which may be suered by any person who relies
either wholly or in part upon any description,
photograph, or statement contained herein.
Technical specications, appearances and other
information are subject to change without notice.
All trademarks are the property of their respective
owners. MIDAS, KLARK TEKNIK, LAB GRUPPEN, LAKE,
TANNOY, TURBOSOUND, TC ELECTRONIC, TC HELICON,
BEHRINGER, BUGERA and COOLAUDIO are trademarks
or registered trademarks of MUSIC Group IP Ltd.
© MUSIC Group IP Ltd. 2018 All rights reserved.
LIMITED WARRANTY
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
music-group.com/warranty.
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1. Welcome to the Big Show!
Thank you for purchasing your very own SingThing! We’ve packed a lot of creative
potential into this Thing, and we’re condent that you’ll enjoy exploring its many
capabilities. SingThing is the denitive singer’s toolbox, loaded with eects,
instrument inputs, and a premium lightweight powered speaker system that’s
just as happy on your bedroom oor as the lighted stage. Your SingThing can help
you to explore your creative voice, experiment with great sounding eects, and
most importantly, have fun. Keep reading to nd out how!
2. Line up the mic stand pole with the indents in the brackets.
3. Twist the speaker so the top rotates toward you and the bottom rotates
toward the mic stand. This will lock the speaker into place and give the
brackets a rm grip on the stand.
Quick Start Guide
If you haven’t read the Quick Start Guide that came in the box, please check it out
now. It’ll show you how to get up and running with all the basic connections.
All set? Ok! Moving on…
2. Set Up – where should my
SingThing live?
Step one: gure out where you’re going to put the SingThing. You’ve got a few
options, depending on your situation.
Option 1: Mic Stand Mount
This is our preferred location. It’s nice and close-at-hand for adjustments and
creates a great angle for crystal clear sound.
To mount SingThing to your mic stand:
1. Slide the mic stand pole in between the brackets on the back of the speaker.
4. That’s it! SingThing is now securely mounted to your mic stand and
ready to rock!
Some mic stands have a thinner top post that’s too narrow for the
brackets. If this is the case for you, the ideal mounting location for your
SingThing is directly on top of the “chuck”, or tightening mechanism, between
your lower and upper mic stand sections.
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Option 2: On the oor
If you don’t like to hang with your SingThing, you can rest it on its back between
the legs of your microphone stand (or anywhere else). The angled back is
designed to point the speaker directly up at your face for the best clarity and
volume. This is a good position if you like to play and sing while sitting down, but
it also makes accessing the controls a bit more challenging. May we recommend a
Switch-3 or Switch-6 for foot control? Footswitch control is discussed later in this
manual, so read on!
3. Inputs & Outputs
On the back of your SingThing you’ll nd a panel with all of the connections for
your mic, instrument(s), music player, headphones and power.
(1)
(2) (3)
(4)
(5)
(6)
(7)
Option 3: Tabletop
On a tabletop, SingThing can be positioned either on its 45° or 90° back faces.
Choose the angle that gives you the most direct monitoring for your location.
(8)
(9)
(1) MIC Combo Input – Your SingThing comes conveniently packaged with all
the cables you’ll need. This jack is where the 3 pin XLR cable goes. Connect
the male end of the cable to the MIC input, and the female end to the
microphone. A ¼" (6.35 mm) balanced TRS (Tip-Ring-Sleeve) microphone
cable will also work in this handy combo-jack.
(2) GUITAR Input – Connect your acoustic guitar here. SingThing’s eects
are best suited for acoustic guitar if you’re plugging in directly from your
instrument, but it’s possible to use an electric guitar as well. If you want
distortion and other electric guitar-style eects, we suggest putting your
eects pedals between your electric guitar and this input.
(3) SWITCH Pedal Input – Connect an optional Switch-3 or Switch-6
pedal here.
NOTE: Be sure to use either the cable that came with your switch or a similar
TRS cable; a standard guitar cable will not work properly!
(4) AUX/KEYS Input – This is where you can plug in a 1/8" (3.5 mm) stereo
cable from your smartphone, tablet, or laptop to add backing tracks or
software instruments to your stunning vocal performance. With the correct
adapter cable, you can also send the output from keyboards and other digital
instruments like samplers or drum machines to this jack.
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(5) OUT jack – Use this output to connect SingThing to an audio mixer for larger
venues that have a PA system. All of the inputs (voice, instrument, and aux)
are mixed together and sent out as a mono signal via this output.
(6) MIDI Input – This input gives you the ability to control parameters from a
MIDI controller or MIDI keyboard.
(7) Headphone Output – Plug in a ⁄" (3.5 mm) stereo headphone jack here.
(8) USB – This is how you connect SingThing to your computer. SingThing, like
all of our products, works in concert with VoiceSupport to manage your
presets and keep your products updated with our latest rmware. Download
it here: TC-HELICON.com/products/voicesupport
(9) Power Jack & Power Switch – Plug your SingThing’s power supply into the
lower left jack. Do NOT substitute any other power supply or you will likely
damage your SingThing. Sad!
Toggle your SingThing on and o with the Power Switch to the right of the
Power Jack.
4. The Front Panel
Knobs & Buttons
The front panel of your SingThing is the control interface you’ll use to create
interesting new sounds and manipulate your voice in ways that you’ve never
heard before. There’s a lot of potential for exploration here, so have fun with it!
This section will give you a quick overview of the front panel features, then we’ll
dive into the specics in later sections.
(2) Control Knob – This knob is your master control tool. Use it to scroll
through presets, adjust level settings, control eects parameters, and more!
Press the knob while on the home screen to select the displayed preset as
one of your favourites.
(3) Navigation Buttons – Here we have your left/right navigation buttons to
switch between presets or change menu pages.
(4) Menu Buttons – These buttons, from left to right, will get you back to the
home screen, allow you to change mix volume and system settings, save
presets, and navigate presets by genre.
(5) Eects – Press these buttons to hear what almost 20 years of “hey, wouldn’t
it be cool if…” sounds like when it’s applied to technology for your voice.
There are six styles to choose from! Press and hold an eect button to bring
up a simple editing menu for that eect.
(6) Control – With the Mic Set button, you can automatically set the input level
on your microphone so that it’s just right for your voice. Tap Tempo lets you
tap in time to the beat, causing all of the time-based eects in SingThing
(echoes and delays) to sync up to this tempo.
(7) Looper – One of our favourite things to do at the TC HELICON HQ is play
around with vocal loops. Now you can, too! This simple one-track looper is
easy to use and a lot of fun.
(8) Volume – This is the master output level control. Play it loud!
5. Menu Buttons
5.1 Home
(1)
(3)
(2)
(4)
(5)
(6)
(7)
(8)
(1) LCD Display – The LCD Display shows the currently-selected preset’s name
and number, along with some other useful details like the preset ’s genre.
The Home button does what you might imagine. Press once to jump back to the
home screen, which will show you the current preset and information about that
preset, including its genre and whether or not it’s one of your favourites. Just a
reminder, you can make any preset a favourite by pressing the Control Knob while
that preset is displayed on the home screen.
If you press and hold the Home button, it will ash white and the LCD will show
you the Switch Learn Mode screen. Switch Learning is a simple and intuitive way
to set up footswitch or mic control on your SingThing. You may have noticed that
the MP-75 microphone that came in the box has a button – did you know you can
use that button to control the features on your SingThing? True fact. You can use
Mic Control (or a Switch-3 or Switch-6, sold separately) to turn eects on and o,
start and stop the looper, or scroll through presets!
Switch Control
To start from a blank slate, make sure no eects are turned on when you
enter Switch Learn Mode. Here’s how to teach your SingThing a new trick with
your switches:
1. Press and hold the Home button.
2. Press a Mic Control button on your MP-75 or MP-76 microphone, or one of
the footswitches on a Switch-3 or Switch-6. SingThing will recognize your
microphone or switch and prompt you to choose the functions you want to
control with the specic button or switch you pressed.
3. Select from any of the white-lit buttons – you can control a single eec t,
or several things at once, even Setup features! For example, there’s a guitar
tuner in the Setup menu; if you navigate to the guitar tuner before entering
Switch Learn Mode, then choose Mix as the feature for your switch, you can
turn the guitar tuner on and o with your footswitch or mic. Neat!
4. Repeat steps 2-3 to assign controls for all the buttons on your microphone or
footswitch. In addition to the MP-75 and MP-76 microphones, SingThing also
supports the Sennheiser E835FX.
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5.2 Mix
The Mix button gives you control over the balance between the dierent
elements of your sound. You can change the volume on your Headphones, Guitar,
Guitar Reverb, Aux/Keys Input, and Looper relative to one another. Use the Left/
Right Navigation buttons to choose what you’re adjusting, and turn the Control
Knob to change the level. The obvious next step is to add Mix Master to your job
description or business card.
Setup
The Mix button’s secondary feature, as you may have guessed from the helpful
“Hold for Setup” tex t on the button, is the system Setup menu. You can switch
Setup pages using the Left/Right buttons, and change the settings by turning the
Control Knob. The Setup menu has 11 pages:
1. Mic Type
There are 5 Mic Types to choose from:
a) Dynamic – this is the most common type of vocal microphone. Most
industry standard vocal mics like the Shure SM58 are dynamic microphones.
b) Condenser – more common in the studio, condenser mics tend to be more
sensitive than dynamic mics. Condenser mics also need a power source,
which is turned on automatically when you select Condenser as your mic
type. If you plug in a mic and can’t hear anything coming out of the speaker
on the Dynamic mic setting, your microphone is probably a condenser,
or broken.
c) MP-75 – we put one of these in the box for you! A dynamic microphone with
Mic Control.
d) E835FX – a premium-quality Sennheiser microphone with Mic Control.
If you happen to own one, lucky you!
e) MP-76 – the upgraded MP-75; same great sound, 4 extra buttons for
enhanced control.
4. Guitar Bodyrez
Bodyrez enhances the sound of your acoustic guitar by boosting the warmth and
resonance that’s lost through your guitar’s pickups. It makes the amplied signal
sound more like your guitar when it’s unplugged.
5. Loop Input
Use this feature to change which inputs are captured by the looper. You can loop
your voice, guitar, aux input, or all three.
6. LCD Contrast
You can increase or decrease the text/background contrast to suit the brightness
of your performance space.
7. Global Key
When you turn on Global Key, the harmony setting for all of your presets will be
derived from the same key.
8. Global Tempo
When you turn on Global Tempo, all of the eects that use a tempo (echoes,
delays, etc.) will use the same tempo, which you can adjust with the Tap
Tempo button.
9. Bass Extend
Why have less bass when you could have more bass? Turn on Bass Extend to feel
some more low-end in your mix.
10. Guitar Tuner
Pretty self-explanatory: plug in your guitar, strum a string, and adjust until the
tuning needle points straight up!
11. Product Info
This page displays your current rmware version, serial number, and the date
your SingThing was brought into the world.
2. Tone Style
We’ve built a vocal producer into SingThing to help your voice sound its very best.
The Tone feature adds compression, EQ, de-essing, and gating to your voice, all
features to give your voice the clarity, warmth, and denition that it deserves. We
recommend leaving Tone on all the time! There are 8 Tone Styles to choose from:
a) Normal
b) Less Bright
c) Normal + Warmth
d) More Compression
e) Normal – No Gate
f) Less Bright – No Gate
g) Warmth – No Gate
h) More Compression – No Gate
3. Global Pitch Correct
Pitch correction gives your voice a little bit of a nudge to the note closest to what
you’re singing. It can be subtle or an extremely obvious Auto-Tune style as you
increase the level towards 100%. Some presets have pitch correction built-in;
when you turn on Global Pitch Correct, it will be active in the background all
the time.
5.3 Store
When you’ve crafted the perfect mix of eects for your song, the Store button
allows you to save your special sonic recipe and recall it whenever you want.
You can overwrite an existing preset, or save to one of the blank slots starting
at Preset #235. There are 500 total slots available, and we’ll be mad impressed
if you manage to ll all of them. Remember, you can also download packs
of professionally crafted presets from VoiceSupport and sync them to your
SingThing by plugging it into your computer with the supplied USB cable.
Press the Store button to bring up the Preset Storage screen. Press the Genre
button to switch between Preset Naming and Preset Slot selection. When you’re
in Naming mode, use the Left/Right navigation buttons to jump between letters
or spaces, and use the Control Knob to choose a letter or character. Once you’ve
chosen a name for your preset, press Genre again and use the Control Knob to
select a Preset Slot. Blank slots begin at #235. Finally, press Store to save your
artfully named preset to the chosen slot.
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5.4 Genre
The Genre button lets you lter your Preset selections by organizing them into
groups of sounds that t a particular genre or style. There are 18 genres to
choose from:
1. All
2. Favourite
3. Showcase
4. Songs & Artists
5. Pop
6. Rock
7. Alternative
8. Country
9. Hip Hop/Rap
We’ve done our best to organize these genres in a sensible fashion, but the best
way to nd the ones you like quickly and easily is to add them to your Favorites,
which you can do with any preset by pressing the Control Knob while that preset
is displayed on the Home screen.
10. Dance
11. Echo
12. Doubling
13. Reverb
14. Harmony
15. Hardtune
16. Megaphone
17. Extreme
18. Character
6. Eects
6.1 Harmony
We can’t all aord to hire backup singers, but we here at TC HELICON couldn’t
bear the thought of you singing by yourself, so we designed some sof tware that
creates one or two additional voices to harmonize with you. The Harmony eect
has four parameters: style, level, key, and scale. Press and hold the Harmony
button to see these parameters.
Style
Level
The level parameter controls how loud the harmonies will be in the mix relative
to your lead vocal. You can adjust the level by turning the Control Knob.
Key
To unlock the secret to amazing vocals, you must rst choose the appropriate
key. Get it right and things sound amazing… get it wrong and they sound, well,
unusual at best.
There are two Key modes:
1. Auto – This is the one to pick if you don’t know anything about music
theory. SingThing will set the key for you based on what it hears coming in
through the Guitar or Aux/Keys inputs – pretty clever, if you ask us. If you
have a guitar plugged in and tracks playing via the Aux in, the system will
read key/scale from the guitar rst. If you stop playing guitar and the Aux
signal continues, the system will look to the Aux input for chord information.
2. Key – This mode allows you to explicitly choose any of the 12 keys
(A through G and their sharps/ats) in western music.
Scale
When you switch from Auto to a dened Key in the previous set ting, it unlocks
the Scale feature. Use the Scale to match the particular needs of your song. Bold
and triumphant? Try one of the Major scales. Dark and brooding? A Minor scale
will probably suit you best. There are six scale types: three Major scales and three
Minor scales.
6.2 Double
The Double eect creates a sense that one or two additional vocalists are singing
along with you. The eec t is a “thicker” or fuller sounding vocal track. Almost
100% of all modern recorded music has double-tracked vocals because, well,
it sounds good. We thought we’d oer you the tools to create that same eect,
because we’re decent people and it gives us the warm fuzzies when your vocal
performance sounds awesome.
The style parameter determines the number of harmony voices and the way
those voices relate to your lead vocal. A simple acoustic ballad may call for a
single high or low voice; a big ol’ sing-along might sound that much better with
and octave up and down, and some doubling, to really thicken up that big chorus.
Much like ice cream, harmony comes in many avours – try them all! There are 28
styles to choose from:
1. High
2. Higher
3. Low
4. Lower
5. Octave Up
6. Octave Down
7. High & Low
8. High & Higher
9. High & Lower
10. Higher & Lower
11. Higher & Low
12. Lower & Low
13. Oct Down & Up
15. Oct Down & High
16. Oct Down & Low
17. Oct Down & Lower
18. Oct Up & Higher
19. Oct Up & High
20. Oct Up & Low
21. Oct Up & Lower
22. +7 Semitones
23. -5 Semitones
24. +7 & -5 Semitones
25. +12 & +7 Semitones
26. +12 & -5 Semitones
27. -12 & +7 Semitones
Double has two parameters: level and style.
Style
This parameter determines the number of voices, their timing, and their pitch
relative to your voice. There are 10 styles to choose from:
1. Voice Tight
2. 1 Voice Loose
3. 2 Voices Tight
4. 2 Voices Loose
5. Shout
Tight and Loose refer to how precisely the doubled voice lines up with your
lead vocal. Tight means that the voice comes in almost perfectly in time with
yours, while Loose means that it’s slightly delayed. Have a listen to the various
styles and see what suits your music best, we think you’ll nd something that
complements you beautifully.
Level
This parameter makes the doubled voices louder or quieter relative to your
lead voice.
6. 1 Voice Oct Up
7. 1 Voice Oct Down
8. 2 Voices Oct Up
9. 2 Voices Oct Down
10. Oct Up & Oct Down
14. Oct Down & Higher
28. -12 & -5 semitones
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6.3 Reverb
Reverb means that we make your voice sound like it’s bouncing around a room.
You can choose to have yourself in all kinds of simulated spaces, from a cozy
library to a large arena. As the size and composition of the simulated room
changes, it gives your voice a sense of depth, space, and distance. It’s a bit like
virtual reality for your voice!
Reverb has three adjustable parameters: style, level, and decay.
Style
What kind of room would you like to use for your performance? Get stylish with
it. The Style parameter determines the size of the simulated space and type of
simulated material used to create the space.
There are 28 styles to choose from:
1. Smooth Plate
2. Reection Plate
3. Thin Plate
4. Bright Plate
5. Real Plate
6. Real Plate Long
7. Jazz Plate
8. Quick Plate
9. Soft Hall
10. Amsterdam Hall
11. Broadway Hall
12. Snappy Room
13. Library
14. Dark Room
Level
Use this control to have more or less reverb in your life.
Decay
15. Music Club
16. Studio Room
17. Bouncy Room
18. Cozy Corner
19. Bright Chamber
20. Wooden Chamber
21. St. Joseph Church
22. Dome Chapel
23. Hockey Arena
24. Museum
25. Indoor Arena
26. Warehouse
27. Thin Spring
28. Full Spring
Style
When you nally decide that you don’t want to be an alien all the time, you can
choose from any of these exciting styles. There are ve transducer styles and six
oscillator styles:
1. Transducer
2. Megaphone
3. Radio
4. Overdrive
5. Combo
Drive
You can increase the level of distortion on the transducer eects with this setting.
As you increase the level towards 100, your voice gets increasingly fuzzy and
harsh.
Filter
This sets the lter level.
Level
This parameter increases the level of the oscillator eects. If you could have
more alien voice in your life, you’d have that, right? This is how you add more
alien voice.
Speed
While Reverb adds a sense of spaciousness to your voice, our oscillator SFX adds
a sense of wobbliness. Speed control changes the frequency of the wobble; it’s
measured in Hertz (Hz), which means the number of wobbles per second. Choose
from a lethargic 0.05 Hz, 20 seconds to complete a single wobble, all the way up
to an invading squadron of UFOs at 10 Hz or 10 wobbles per second.
6. Oscillator
7. Fast Rotor
8. Flanger
9. Auto Wah
10. Cylon Mono
11. Alien Voiceover
6.5 Pitch
The Pitch eect tunes your voice so that it matches the notes in a regular 12 note
scale more precisely. You can use the Pitch eect to sound more like a robot or
techno-pop star, and to change the perceived gender of your voice. Pitch has
three parameters: style, shift, and gender.
Reverb decay is the time it takes for the reverb to fade out. You can choose
anywhere from 10 milliseconds, which is barely audible, to 20 seconds of decay.
Longer decay times generally sound like large spaces, while shorter times sound
like small spaces. Each Style has its own decay time, but you can adjust each one
to suit your needs.
6.4 SFX
You’ve reached the Special Eects (SFX) department of the SingThing operation.
Your call is important to us. Please listen carefully as our menu options have
changed. SFX provides a range of transducer (simulated loudspeaker) eects
to put some distortion and heavy ltering on your voice, and sci--inspired
oscillator eects to send your voice into outer space. You can adjust the Drive and
Filter on the transducer eects and the Level and Speed on the oscillator eects.
Style
Use the Styles to give your voice a bit of that modern pop sheen, or tune it up to
sound extremely processed and robotic. There are seven styles to choose from:
1. Pop
2. Country Gliss
3. Robot
4. Correct Natural
5. Correct Chromatic
6. Drone
7. Gender Bender
The Correct Natural and Correct Chromatic styles will use either the Global Key or
Harmony Key to pitch-correct your voice to the appropriate note.
Shift
Use the Shift feature to push your voice up or down by up to 36 semitones.
When you’re on the Robot style, the Shift feature lets you pick the note for your
robot voice.
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Gender
You can sound more gentlemanly, or more ladylike, by changing the Gender
parameter. The range goes from -50 to +50, or Barry White to Mariah Carey, if
you like.
6.6 Delay
The Delay eect plays your voice back to you in a repeating, rhythmic series.
You decide how quickly the repetitions come, and how long they last. You can
also switch on a lter that adds a vintage radio kind of feel to your sound. Delay
has four parameters: style, level, feedback, and lter.
Style
The Style determines the delay’s rhythm as it’s playing back. There are 18 Styles
to choose from:
1. Quarter
2. Eighth
3. Trip let
4. Dotted 1/8th
5. Dotted ¼
6. ¼ Triplet
7. Sixteenth
8. Ping Pong 1
9. Ping Pong 2
Level
Increase the level to add more of the delayed signal to your overall mix.
10. Ping Pong 3
11. Multitap 1
12. Multitap 2
13. Multitap 3
14. Multitap 4
15. Multitap 5
16. Multitap 6
17. Classic Slap
18. Set Time
8. Looper
We think that loopers are a whole bunch of fun! This simple two-button looper
gives you the ability to record up to 30 seconds of audio, then loop it back and
layer it up with an unlimited number of overdubs.
Rec/Play
When you press Rec/Play, the looper immediately starts recording whichever
inputs you have selected in the Settings -> Loop Input menu. You’ll know that it’s
in Recording mode because the LED behind the button will turn red. When you
press the button again, the LED will turn green and your loop will start playing
back. Press Rec/Play again to record an overdub on top of your loop. The LED
turns orange in Overdub mode, and the text beside the Loop progress bar says
“O-D ub.”
Stop/Clear
Press this button once to stop loop playback. Press and hold to erase your loop
and start recording a new one from scratch. When you erase a loop it ’s gone
forever, so make sure that you really want to erase the whole thing before you
press and hold.
9. Support and Updates
9.1 VoiceSupport & Firmware Updates
TC HELICON’s VoiceSupport 2 application connects you to rmware updates, new
presets, and all the tools you need to save and load your customized SingThing
preset packs. Head to http://tc-helicon.com/en/products/voicesupport-2/ to
download VoiceSupport. Once it’s up and running, power up SingThing and plug
it in to your computer via the supplied USB cable to access all the support and
upgrade features for your product.
Feedback
The Feedback parameter determines how much of the delayed signal is recycled
back into the mix for additional delay. The more feedback you add, the fuller and
noisier the delay signal becomes.
Filter
Filter goes on, lter goes o. This low frequency lter will help you switch
between a more “modern” and “vintage” feeling delay sound.
7. Control Buttons
Your SingThing comes equipped with two dedicated Control buttons: one to
adjust your microphone input level, the other to change the system tempo.
Mic Set
SingThing comes equipped with an automatic level control for your mic input.
Press and hold Mic Set, then sing your heart out into the microphone. The system
will adjust the input level to match your vocal level so that it won’t cause any
unwanted distortion when you’re belting it out.
Tap Te mpo
Press the Tap Tempo button to bring up the current system tempo and turn the
Control Knob to change the tempo. The Global Tempo, which you can enable or
disable in the Settings, will use this tempo. You can also tap the button in time to
the music to set the tempo. If you press and hold the button, it will revert back to
your last tempo setting.
9.2 Factory Reset
Preset Reset: Hold the “Store” and “Genre” buttons while powering on.
This restores factory presets, deleting user-made presets.
Settings Reset: Hold the “Store” and “Genre” and “Mix” buttons while
powering on. This restores settings in the “Setup” menu to their factory defaults.
Factory Reset: Hold the “Mix” and “Harmony” buttons while powering on.
This performs a full factor y reset including settings and presets.
9.3 Social Media
Stay in touch with us on Facebook, Instagram, Twitter, and YouTube, we’d love to
hear from you! Make a video with your SingThing and tag us on social media and
we’ll share your creations with other TC HELICON users!
http://support.tc-helicon.com
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11 SINGTHING User Manual
10. MIDI
Perhaps you noticed the 5-pin MIDI input on the back panel? If you’re so
inclined, you can control many of your SingThing’s functions using MIDI control
commands (CCs). If this is an entirely new concept to you, don’t worry, it’s pretty
straightforward. Musical Instrument Digital Inter face (MIDI) is a standard that
allows cross-platform communication between all kinds of digital instruments.
Part of the MIDI standard is designed to allow controllers (keyboards, buttons,
sliders, knobs, etc) to send messages to devices under control. Some of the CCs
are pre-dened by the MIDI standard, and some are left deliberately open to
allow manufacturers to choose CCs that are specic to certain functions on their
products – SingThing uses both to allow MIDI control over most of its parameters.
The table below shows the MIDI CCs to which SingThing is responsive. If you’d like
to learn more about MIDI CCs, or anything else to do with the MIDI standard, the
good people at TweakHeadz Lab have written one of the best guides we’ve found
so far: http://tweakheadz.com/midi-controllers/
SingThing MIDI Chart
Group Name Instance CC Number
Hit Harmony 21
Hit Delay 22
Hit Reverb 23
Hit Double 24
Hit Correct 25
Hit Sfx 26
Mixer_LW Level Voc_ Delay 71
Mixer_LW Level Voc_Reverb 73
Mixer_L_HD Level Doubling 75
Correct Lead_Gender 72
Reverb D ecay 91
Mixer_LW Level Voc_uMod 93
Delay FeedbackControl 10
Harmony VibratoBoost 1
Mixer_L_HD Level Harmony 11
Harmony
Harmony Notes_Gender 17
Harmony
Harmony Attack 29
Harmony Release 31
Harmony HumanAmount 76
Harmony VibratoAmount 77
Harmony Hold_Release 78
Harmony Hold 80
Correct Shift 85
Transducer Filter 86
Doubling HumanAmount 87
Notes_
Smoothing
Notes_
Portam ento
16
18
11. Technical Specications
Eects Harmony, Double, Reverb, SFX
Pitch, Delay
Control Keys Scroll Encoder, Left/Right menu buttons
Home, Mix/Setup, Store, Genre
Construction Ridged, very low resonance
high impact polystyrene
Output connector 2 Standard ¼" jacks – mono/TS with
automatic mono/stereo sensing
One-click Fric tion Grip mic-stand
mounting system
Analog Inputs XLR/TRS combo jack
¼" guitar input
¼" pedal input
⁄" stereo aux input
Analog Outputs XLR mix output
Other USB, MIDI, Mic Control (TC HELICON MP-75/
76, Sennheiser E835FX)
Loudspeaker Full range 6.5" TANNOY 2-way coaxial
ICT Driver
Amplier 150W Class-D
150W Smart Power compensation and
cooperation
Power Power supply (supplied) 42.5V, 1.5A
Dimensions (H x W x D) 210 x 286 x 184 mm (8.25 x 11.25 x 7.25")
Weight 3 kg (6.6 lbs)
EMC: Complies with EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
Safety: Certied to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065,
UL6500 and CSA
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