Soundcraft UREI BROCHURE

DJ MIXERS

The original Urei 1620 rotary fader DJ mixer set 1970s dancefloors alight with its
fat bottom end, smooth midrange and ultra-sweet highs. Considered by many to
be the best-sounding DJ mixer of all time, Urei remains to this day THE authentic
sound of dance music.

And now it’s back.

After careful consideration, highly respected mixing technology specialist
Soundcraft has re-created the 1620 for the 21st Century. Remaining faithful to
every detail of the original design, a limited edition of new 1620LEs enables a

new generation of DJs to enjoy the unique sound, feel and facilities of this
legendary mixer.

At the same time, a new generation of Urei – the digital 1601 series and the
1603 and 1605 club mixers – combine the unmistakable Urei sound with the
features demanded by modern DJs to deliver sonic and creative possibilities that
the pioneering DJs of previous decades could never have imagined.

And that other mixer manufacturers can only dream about.

THE AUTHENTIC SOUND OF DANCE MUSIC

1620: THE LEGEND IS
REBORN

When was the last time you worked with a DJ mixer that truly inspired you?
A mixer that actually made dance music sound the way you always knew it could?

The Urei 1620 was born in a golden age when great sound really mattered, and
where an uncluttered, intuitive control surface freed up the DJ to really connect
with both the music and the dancefloor. The new,limited edition 1620LE holds
true to all those Urei traditions, using the same circuit designs and components as
the original to deliver the fat, smooth and detailed sound that no other DJ mixer
has ever come close to.

KEY FEATURES

• Six stereo channels with legendary Urei sound quality

• Individual L/R balance control on every channel

• Authentic and responsive rotary faders on all channels

• Channels 1 and 2 feature RCA phono inputs, allowing

the easy integration of twin decks

• Auxes 1, 2 and 3 feature line level preamps, for direct

connection of external sources

• Optional preamp cards allow Auxes 1-4 to carry Mic,

Line or Phono level inputs

• Aux 4 carries a dedicated mic preamp, allowing instant

connection of an external microphone

• Five extra aux inputs (A-E) can each be routed to auxes

1 to 4, giving unrivalled user flexibility

• Master Booth and House outputs, each with a

dedicated level control

• Master mono House output

• Master bass and treble controls give +/-10dB of

sweetening on all main outputs

• Sophisticated headphone section can be fed from any

of the six channels, or the main program output

• Front panel illuminated headphone socket with

dedicated level control

• Dual stereo recording outputs

• Master send-and-return FX loop

• Internal engineer set-up controls

• Durable construction for total reliability

• 3U 19" rack mounting format

With six channels and flexible routing,the 1620LE has more than enough
connectivity to handle sophisticated system configurations or installations.
And when the dancefloor is packed, you’ll love the instant, spontaneous and
intuitive feel of the 1620LE’s controls.

One look at the feature set will tell you that the 1620LE is all about the music.
Classic rotary level & balance controls, great source flexibility,separate House and
Booth outputs, a beautifully elegant headphone section and true balanced
connections put performance where it really counts.

And we’ve ensured that today’s 1620LE continues Urei’s hard-earned tradition for
reliability. Ruggedly engineered and manufactured to exacting tolerances, this mixer
will keep you working,night after night,in the most demanding of environments.

Welcome to the new Urei 1620LE. The legend is reborn.

CHANNEL INPUTS

Phono 1 & 2: Stereo RCA phono inputs for direct turntable connection.
Auxes 1 - 3: Stereo RCA inputs for connection of line level sources
such as CD, MP-3,tape etc. Optional preamp cards for Phono/Mic level
connections.
Aux 4: Balanced XLR input for connection of mic level source. Optional preamp
cards for Phono/Line level connections.

AUXES

Auxes A - E : Stereo RCA inputs for connection of external line level sources.
These can be routed to any of the Aux inputs 1-4 (channels 3-6),allowing an
extra level of input flexibility.

BOOTH OUTPUT

Stereo output, supplied on both isolated balanced XLR and unbalanced RCA
connectors. Controlled by the master Booth level setting.

HOUSE OUTPUT

Stereo output, supplied on both balanced XLR and unbalanced RCA phono
connectors. Controlled by the master House level setting.
For lighting controllers, a mono summed House output is also provided on
unbalanced jack, and is independent of the Master house level control.

TAPE OUTS

For recording purposes, two stereo tape outs are supplied on unbalanced RCA
connectors.

1620: technical

FX LOOP

A stereo FX loop is provided on unbalanced RCA connectors, in a ‘Send & Return’
format. This allows an external FX device to be patched into the main House &
Booth signal paths.

HEADPHONE OUTPUT

Accessed via the front panel, the illuminated headphone output is supplied on a
1/4" stereo jack.

POWER SUPPLY

The high quality internal power supply is an integral part of the 1620LE’s sound.
An IEC power inlet is provided, along with a mains voltage selector switch ­meaning that wherever you travel,your 1620LE can go with you.

TECHNICAL SPECIFICATION

FREQUENCY RESPONSE

Headphone Output . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz (+/-1.5dB)

All Other Outputs . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz (+0/-1dB)

TOTAL HARMONIC DISTORTION

Balanced House Output . . . . . <0.1%,30Hz-20kHz, +20dBu, 10k Ohms

Unbalanced House Output . . <0.05%, 20Hz-20kHz,+20dBu, 10k Ohms

Booth Output . . . . . . . . . . . .<0.05%,20Hz-20kHz,+20dBu,10k Ohms

Tape & FX Loop Outputs . . . .<0.05%, 20Hz-20kHz, +20dBu,10k Ohms

Headphone Output . . . . . .<0.3%, 20Hz-20kHz,+20dBu, 200 Ohm load

IMPEDANCES (INPUT AND OUTPUT)

Phono 1&2 Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47k Ohms

Microphone Input . . . . . . . . . . . . . . . . . Optimised for 150 Ohm sources

Aux Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10k Ohm nominal

FX Loop Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10k Ohms

Balanced House Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . <50 Ohms

Unbalanced House Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Ohms

Booth Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 Ohms

Headphone Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<50 Ohms

Mono Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5k Ohms

Tape & FX Loop Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Ohms

MAXIMUM OUTPUT LEVELS

Balanced House Output . . . . . . . . . . . . . . . . . . +25dBu into 600 Ohms

Unbalanced House Output . . . . . . . . . . . . . . . . +20dBu into 600 Ohms

Booth Output . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu into 10k Ohms

Mono Output . . . . . . . . . . . . . . . . . . . . . . . . . . . +14dBu into 5k Ohms

Tape & FX Loop Outputs . . . . . . . . . . . . . . . . . . +22dBu into 10k Ohms

POWER SUPPLY

Selectable 100-125/200-250V AC,50/60Hz. Consumption 20W max.

DIMENSIONS/WEIGHT

133(H)x483(W)x203(D)mm / 5.25(H)x19(W)x8(D) inches 6kg/13.2lbs

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Pictured: UREI 1601S Sampler Mixer

1601 sERIES: THE FUTURE

A lot has changed in dance music since the original Urei 1620 was launched back in
the 80s. That’s why we’ve developed three new digital mixers that bring the Urei
sound bang up to date for the latest generation of performance-oriented DJs.

The 1601 Series embodies all the core values of the 1620 – great sound, logical
and intuitive layout and real bulletproof durability.

Of course you get two channels with tough,longlife faders, sweet and smooth 3

band EQ and super-responsive LED metering. But that’s just the start.

Check out the brilliant Aux/FX section with its flexible

routing options, the built-in Exciter with frequency and mix

controls and the easy-to-access front panel headphone

monitoring facilities.

If you're into house, breaks or drum‘n’bass then you’ll love

the onboard sampling features of the 1601S – a fully spec’d

2 bank 32 beat sampler packed with record and playback

possibilities.

For those who love to shape sounds

and create unique mixes, the 1601E’s

Effects section delivers a wide variety of incredible
sounds all easily added to the mix thanks to our powerful
auto-sync bpm engine. Five preset effects (flange,cutter,
filter,delay and pan),along with 25 combination presets
and three band isolator give you incredibly creative
possibilities making your set stand out from the crowd.

Then there’s the classic Urei attention to detail that’s so vital when you’re up in the
booth working that dancefloor. An open, uncluttered battle area around the main
faders, an anodised top panel that means the legending won’t fade away,and
beautifully tactile controls that’ll respond to your every move.

Introducing the 1601 Series. Welcome to the future of DJ mixing.

KEY FEATURES

• Two stereo channels with both phono and line level input,trim control and input clip LED

• 3 band EQ (Low,Mid, Hi) on both channels providing full cut through to +6dB boost

• Separate mic/line input with dedicated insert point and 2 band EQ

• Input fader slope control and reverse facility

• Comprehensive Aux/FX section with separate send/return levels and select options

• Dedicated Booth and House outputs, provided on both balanced XLR and unbalanced RCA phono

connectors

• Output Protection Limiter which prevents Booth, Master and Headphone outputs from clipping

• Mono/stereo switching on both Booth and Master outs

• Send-and-return FX loop

• 80Hz HPF for removing turntable rumble

• 10 segment input/output metering with peak hold

• Exciter section with frequency and mix controls

• High quality 45mm user-replaceable cross and line faders with reverse and rotary curve control

• 25mm user-replaceable monitor crossfader

• Flexible headphone monitoring section, with level, EQ and master/cue switching

• Session In & Out facility to enable daisy chaining of mixers

(all 1601 models)

SAMPLER SECTION
(1601S ONLY)

• 2 bank 32 beat facility with 24bit/96kHz

performance

• Playback assignable to both channels

• Write from Cue,Channels 1/2 or Master

• 1-shot, loop and reverse playback modes

• 25mm faders to control level and trigger

playback

• BPM lock indicator and backlit sample

buttons

• Footswitch option controls both sample

banks

EFFECTS SECTION
(1601E ONLY)

• Five preset effects (flange, cutter,filter,

delay and pan), and 5 banks of 5 effects
combinations (25 presets)

• Automatic or manual (tap) effects bpm

synchronisation

• X-Y Modulation Controls

• Bpmfx cross-fader for wet/dry balance

• 3-band isolator for bandpass in effects

channel

• Selectable effects speed

• Digital, tape and vintage delay types

• Triangle, rise and fall LFO wave-forms

• Bpm lock indicator

1601 SERIES: TECHNICAL

CHANNEL INPUTS

Stereo line and phono inputs are provided on unbalanced RCA phono connectors.
A front panel mic/line input is supplied via a balanced XLR/jack combi connector,
while a separate stereo line input is also available via rear panel unbalanced RCA
phono connectors.
An unbalanced insert point on 1/4" jack allows an external FX processor to be
patched into the mic/line signal path.

BOOTH OUTPUT

The Booth output is provided on both balanced XLR and unbalanced RCA phono
connectors, and is controlled by the master Booth level control. A ‘Mic Defeat’
switch mutes the signal from the mic to the booth output to avoid feedback.

MASTER OUTPUT

The Master output is provided on both balanced XLR and unbalanced RCA phono
connectors, and is controlled by the Master level control.

FX LOOP

The send-and-return FX loop is supplied on unbalanced RCA phono connectors,
and works in conjunction with the top panel Aux/FX level and routing controls.

PHONES SECTION

The front panel illuminated headphone output is supplied on both 1/4" jack and
mini-jack connectors for total flexibility.

POWER SUPPLY

The high quality internal PSU is fed via an IEC mains inlet, allowing a detachable
mains cable to be used. A cable retaining clip provides total cable security.

SAMPLER FOOTSWITCH FACILITY (1601S ONLY)

Both sample banks can be triggered via external footswitches,connected to the
1601S via the supplied 1/4" jack sockets.

Pictured: 1601

TOTAL HARMONIC DISTORTION/CROSSTALK

THD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <0.02%

Crosstalk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB

AUDIO INPUTS (LEVEL/IMPEDANCE)

CD/Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -12dBu/22k Ohms

Phono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -52dBu/47k Ohms

Mic[Line] . . . . . . . . . . . . . . . . . .-52dBu/3k Ohms [-12dBu/22k Ohms]

Aux/FX Return . . . . . . . . . . . . . . . . . . . . . . . . . . . . -12dBu/22k Ohms

AUDIO OUTPUTS (LEVEL/IMPEDANCE)

Master (Balanced) . . . . . . . . . . . . . . . . . . . . . . . . . . +2dBu/600 Ohms

Master (Unbalanced) . . . . . . . . . . . . . . . . . . . . . . . . . +2dBu/1k Ohms

Booth Monitor,Mic Insert, FX Send . . . . . . . . . . . . . . . +2dBu/1k Ohms

Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -2dBu/22 Ohms

DIGITAL AUDIO (SAMPLE/CONVERSION RATES)

96kHz/24bit

POWER SUPPLY

Internal universal voltage switched mode supply

DIMENSIONS/WEIGHT

90(H)x280(W)x395(D)mm / 3.5(H)x11(W)x15.5(D) inches 4kg/8.8lbs

TECHNICAL SPECIFICATION

FREQUENCY RESPONSE

CD/Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz (+/-0.5dB)

Phono . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz (+/-1.5dB/RIAA)

Mic [Line] . . . . . . . . . 20Hz-20kHz (+/-2dB) [20Hz-20kHz (+/-0.5dB)]

Aux/FX Return . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz (+/-0.5dB)

SIGNAL/NOISE RATIO

CD/Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90dB

Phono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75dB

Mic [Line] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70dB [90dB]

Aux/FX Return . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90dB

1603/1605: INSTALLATION/CLUB MIXERS

its own return input conveniently located on the top panel to maximise
connectivity.

And full connectivity options are provided on the outputs too, with both balanced
XLR connectors and unbalanced RCA connectors for both Booth and Master
outputs.

For installers, optional internal links on the Line inputs allow either a 10dB reduction
in gain or +14dB gain increase, to allow for connection of MP3 players etc.

Other features include a tri-colour channel LED to indicate signal, beat (tempo) and
peak warning, a 10-segment output meter and EQ on the Booth outputs.

The UREI 1603 and 1605 — Club Sound will never be the same again.

Pictured: UREI 1603

The UREI 1603 and 1605 Installation Music Mixers provide a fully-featured
control centre for Clubs and Performing DJs.With the legendary UREI sound
quality,stunning looks and Soundcraft’s exacting manufacturing construction,they
are set to become the new standard in clubs worldwide. No club mixer has been
designed to allow such total integration with the club sound system.

Employing unique functionality such as a rotateable connector
panel so that connections may be made to the rear
or underside of the mixer (for portable or
fixed use), the UREI 1603 and 1605 have a
rich feature set to match the requirements
of today’s DJs.

Much thought has gone into the design of the UREI 1603 and 1605 to ensure it
has the right features for club installation.

For example, there is an external MUTE interface that when
triggered, mutes all music channels leaving
only the announcement/safety mic channel
open for public address.

A comprehensive monitoring system allows not only monitoring of
CUE channels and the MIX output, but also the Aux Send and Return
signals.With the ability to split CUE monitoring between CUE and MIX
signals with adjustable balance and a FLIP function which allows the split
signals to be flipped in the earpieces along with EQ on the headphone output, the
1603/1605’s monitoring is second to none.

Input connectivity and flexibility is maximized – each channel has connections for
a Microphone (XLR), Deck (RIAA on RCA/Phono) and Line level (RCA Phono)
sockets, with the RIAA inputs switchable to be line level, giving the 1605 a total
of 7 Mic and 14 line level input connections. Furthermore,the Aux (FX) output has

KEY FEATURES

• 4 Full-function stereo channels (1603)

• 7 Full-function stereo channels (1605)

• Each has inputs selectable from Mic, Phono and Line connections

• Phono inputs are switchable to become Line level, individually

• Mic insert on channel 1 for ease of connecting external processing

• Rotateable rear panel allows connectors to be located on the rear of or underneath the console

(for best cable access)

• External mute function mutes all channels except mic channel 1 to allow PA announcements

but mutes music

• 3-band EQ on Channel 1 (Mic) ±12dB

• 3-band ISOLATOR EQ on channels 2-7, isolating from full cut to +6dB

• 1 Aux send per channel: Channel sends switchable pre/post fader individually; Aux Return

conveniently located on top panel and can be assigned to crossfader

• Comprehensive CUE/Monitoring system: Aux send can be CUE’d to headphones; Aux Return can

be CUE’d to headphones

• VCA-based crossfader reduces fader noise and allows fully variable control curves for total

control of crossfade mixing style

• Headphone Output on 1/4” and Mini-jack connectors

• EQ on headphone output

• Booth and Master Outputs on XLR, balanced and RCA, unbalanced

• Comprehensive booth controls – EQ, mute function and L/R/Stereo output selector

• Separate master mono output

• High Pass filter on Master and booth outputs eliminates stage or turntable rumble

• Balance control on Master output

• Master Output Mono switching

• DJ Mic (channel 1 only) to booth output defeat switch

• Tri-colour LED shows Signal/Beat/Peak metering

• Split Cue Headphone switch

• Flip function switches Cue and Mix in headphones (L and R)

• 10-segment Blue/White/Red LED output metering, which can read Left/Right or Split Cue/Mix

• Integral rack ears for easy desktop/rack mounting

• Individual channel gain structure controls (boost +14dB or reduce -10dB)

• Master output attanuator pads (engineer only -10dB and +20dB)

Pictured: UREI 1605

1603/1605: TECHNICAL

CHANNEL INPUTS

Mic inputs are on balanced XLR connectors, while RIAA and Line inputs are
provided on unbalanced RCA phono connectors.A 1/4" TRS Insert jack is provided
in the Mic path of Channel 1 to allow connection of external processing.

.

BOOTH OUTPUT

The Booth output is provided on both balanced XLR and unbalanced RCA phono
connectors, and is controlled by the master Booth level control.A ‘Mic Defeat’
switch mutes the signal from the mic to the booth output to avoid feedback.

MASTER OUTPUT

The Master output is provided on both balanced XLR and unbalanced RCA phono
connectors, and is controlled by the Master level control.A separate 1/4" jack
feeds a balanced mono sum of the booth output signal.

AUX/FX LOOP

The send-and-return Aux/FX loop is supplied on unbalanced RCA phono
connectors, and works in conjunction with the top panel Aux/FX level and routing
controls.

PHONES SECTION

The front panel illuminated headphone output is supplied on both 1/4” jack and

3.5mm mini-jack connectors for total flexibility.

EXTERNAL MUTE FUNCTION

This contact port will mute all music channels except Mic input 1, to allow PA
announcements. Useful for fire alarm systems.

POWER SUPPLY

The high quality internal PSU is fed via an IEC mains inlet, allowing a detachable
mains cable to be used.A cable retaining clip provides total cable security.
Universal power supply 100V-240V AC.Consumption 50W max.

mono output

Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 ohms

Recommended load . . . . . . . . . . . . . . . . . . . . . . . . . 2k ohms or greater

Frequency response . . . . . . . . . . . . . . . . . . . . . . . . ±1dB,20Hz-20kHz

Distortion . . . . . . . . . . . . . . . . . <0.05% THD,20Hz-20kHz @ +16dBu

Max. output . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 2k ohms

effects loop output

Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75k ohms

Recommended load . . . . . . . . . . . . . . . . . . . . . . . . 5 k ohms or greater

Frequency response . . . . . . . . . . . . . . . . . . . . . . . . ±1dB,20Hz-20kHz

Distortion . . . . . . . . . . . . . . . . . <0.05% THD,20Hz-20kHz @ +16dBu

Max. output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dB into 2k ohms

noise

All channels routed at unity,mix at unity . . . . . . . . . . . . . . . . . <-85dB

Crosstalk (@ 1kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <-85db

channel mute

Fader Cut-off (rel. 0 Mark) . . . . . . . . . . . . . . . . . . . . . . . . . . . . <-95dB

FX Sends offness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <-90dB

input and output impedance

Mic input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2k ohms

Line input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45k ohms

Stereo input (Unbalanced RCA Phono) . . . . . . . . . . . . . . . . . . 30k ohms

Mix output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 ohms

Aux output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 ohms

Headphones output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 ohms

maximum output levels

Insert Send output . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 2k ohms

Mix output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 600 ohm

Aux output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 2k ohms

Booth output . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 600 ohms

Headphones output . . . . . . . . . . . . . . . . . . . . . . +20dBu into 300 ohms

Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . 190mW into 150 ohms

dimensions/weight

1603

Without rack ears (mm) . . . . . . . . . . . . . . . 87.6(H) x 338(W) x 400(D)

With rack ears (mm) . . . . . . . . . . . . . . . . . 87.6(H) x 381(W) x 400(D)

Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.5kgs/16.5lbs

1605

Without rack ears (mm) . . . . . . . . . . . . . . . 87.6(H) x 440(W) x 400(D)

With rack ears (mm) . . . . . . . . . . . . . . . . . 87.6(H) x 483(W) x 400(D)

Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.7kgs/19.1lbs

TECHNICAL SPECIFICATION

input and output levels
XLR INPUT (electronically balanced) mic

Gain range . . . . . . . . . . . . +22 - +54db with +20dB/-12dB gain trim

Max. Input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -14dBu

Input impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 kohms

insert send (unbalanced, CH 1 only)

Nominal level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0dBu

Max. output level . . . . . . . . . . . . . . . . . . . . . . . . +20dBu into 2 kohms

Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 ohms

insert return (unblanced, Ch 1 only)

Max. input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu

Input impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . >50 k ohms

phono/line input (unbalanced)

Nominal level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0dBu

Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +12/-20dBu

Max. input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dBu

Input impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 kohms

rear panel connector connections
XLR input and output (3 pin female XLR)

Pin 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ground

Pin 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Signal Hot

Pin 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Signal Cold

INsert send and return (1/4"TSR Jack)
MIC 1 and 2 only

Tip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Send

Ring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Return

Sleeve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ground

phono and 1/4" Jacks

Tip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hot

Sleeve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Screen

High Pass Filter . . . . . . . . . . . . . . . . . . . . . . . . . 18dB/Octave @ 63Hz

master/booth output

Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 ohms

Recommended load . . . . . . . . . . . . . . . . . . . . . . . . 600 ohms or greater

Frequency Response . . . . . . . . . . . . . . . . . . . . . . . ± 1dB,20Hz-20kHz

Distortion . . . . . . . . . . . . . . . . . <0.05% THD,20Hz-20kHz @ +16dBu

Max. output . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20dB into 600 ohms

headphone output

Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <40 ohms

Recommended load . . . . . . . . . . . . . . . . . . . . . . . . 150 ohms or greater

Frequency response . . . . . . . . +0, -1dB,20Hz-20kHz into 200 ohm load

Distortion . . . . . . . . . . . . . . . . . <0.05% THD,20Hz-20kHz @ +16dBu

Max. output . . . . . . . . . . . . . . . . . . . . . . . . . . . 190mW into 150 ohms

Soundcraft Registered Community Trade Mark/RTM No.000557827

SOUNDCRAFT

HARMAN INTERNATIONAL INDUSTRIES LTD.,
CRANBORNE HOUSE, CRANBORNE ROAD
POTTERS BAR, HERTS, EN6 3JN,UK
T:[phone]
F: [phone]
E: [e-mail]

SOUNDCRAFT USA

8500 BALBOA BLVD.
NORTHRIDGE,CA 91329, USA
T:[phone]
F: [phone]
E: [e-mail]

www.ureidj.com

Soundcraft reserves the right to improve or otherwise alter any
information or specifications supplied in this document or any other
documentation supplied hereafter. E&OE 01/05
This equipment complies with the EMC Directive 89/336/EEC

Part No:ZL0632
Issue 4

Soundcraft recommends AKG professional DJ headphones for use
with Urei DJ mixers

www.akg.com/dj