Roland FP-4 User Manual

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Introduction

Thank you, and congratulations on your choice of the FP-4. To ensure that you obtain the maximum enjoyment and take full advantage of the FP-4’s functionality, please read this owner’s manual carefully.

About the Manual

You should first read the “Before You Play” (p. 15) section of the owner’s manual (this document). This explains how to connect the AC adaptor and turn on the power.

The owner’s manual explains basic operations you’ll need to know in order to master the FP-4’s performance functions, as well as more advanced operations, such as using the FP-4 to record a song.

Conventions in this Manual

In order to explain the operations as clearly as possible, this manual uses the following conventions.

• Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the [Display] button.

• Lines that begin with or an asterisk * are cautionary statements that you must be sure to read.

• The numbers of pages that you can turn to for additional, related information are given like this: (p. **).

• This document uses screen shots for explanatory purposes. Please be aware that the settings in these explanatory screen shots may not match the actual factory settings (Tone names, etc.).

NOTE

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 7), and

“Important Notes” (p. 10). These sections provide important information concerning the proper

operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every

feature provided by your new unit, owner’s manual should be read in its entirety. The manual should

be saved and kept on hand as a convenient reference.

without the written permission of ROLAND CORPORATION.

Main Features

Serious piano performance

The FP-4 provides the sounds of a high-quality concert grand piano coupled with the PHA alpha II keyboard, which delivers a more piano-like touch, where the low range is heavier and the high range is lighter. It provides three pedal jacks, and is shipped with a pedal that supports half-damper operation, allowing you to adjust the depth of the lingering resonances so that you can enjoy the subtle nuances of serious piano performance.

High-quality speakers and piano sounds

The FP-4 features 88-key multi-sampled piano sounds. Every note of an 88-key grand piano has been sampled to faithfully reproduce its tonal character and allow for dynamic expression of the full range of sonic nuances, from delicate pianissimo to powerful fortissimo. The rich resonances and lifelike presence of these sounds are faithfully reproduced through the highquality speakers of the FP-4.

“Session Partner” lets you enjoy session-style playing

You can play the piano along with realistic “rhythms” to enjoy session-style performances. Since suitable chord progressions are assigned to each rhythm, simply selecting a rhythm will automatically choose the appropriate chord progression.

“Registrations” let you store favorite performance settings

Your performance settings such as sound selections, settings for Session Partner, and keyboard touch settings can be stored as a “registration” for instant recall when desired.

Sounds that cover a wide range of styles, plus high-quality effects

In addition to piano sounds, the FP-4 contains more than 300 different sounds that can be used in a wide range of musical genres. You can also use the keyboard to play drum sets. You can also apply sixty-two types of high-quality effects for even greater expressive potential.

Contents

Introduction ................................................ 3

About the Manual.......................................................3

Conventions in this Manual......................................3

Main Features............................................. 4

USING THE UNIT SAFELY ............................. 7

Important Notes........................................ 10

Names of Things and What They Do .......... 12

Before You Play ........................................ 15

Getting Ready to Play ...............................................15

Connecting the AC Adaptor...................................15

Turning the Power On/Off.....................................16

Adjusting the Volume ............................................17

Attaching the Music Rest........................................17

Connecting the Pedals...............................................18

Listening through Headphones....................................19

Listening to Songs ..................................... 20

Transposing the Key of the Keyboard (Key Transpose) ..39

Performing with the Metronome.................................. 40

Changing the Tempo ............................................41

Changing the Volume ...........................................41

Adding Liveliness to the Sound (Sound Control)............42

Changing the Tonal Quality (Equalizer)....................... 43

Changing the Equalizer Type.................................43

Playing Along with Rhythms....................... 44

What is Session Partner?...........................................44

Performing Along with Session Partner ........................ 45

Changing the Volume of the Session Partner

Performance ........................................................ 47

Selecting Parts .....................................................47

Selecting a Rhythm ...................................................48

Changing a Rhythm’s Tempo .....................................49

Selecting a Rhythm’s Chord Progression...................... 50

Performing with the Chord Progression Specified

in the Left Hand (Chord Progression Off) .....................51

Changing the Rhythm Pattern (Original/Variation)........ 53

Recording the Chord Progression ...............................54

Changing the Number of Measures of the Chord

Progression You Record ........................................55

Listening to Demo Songs............................................20

Listening to Internal Songs..........................................22

Changing the Volume of the Song ..........................23

Playing Back All Songs Continuously (All Song Play).24

Listening to Each Part Separately (Track Mute)..........25

Determining the Volume of a Muted Track ...............26

Listening to Songs Saved in Internal Memory................27

Performing................................................ 28

Performing with a Variety of Sounds ...........................28

Performing with Two Layered Tones (Dual Play)............29

Changing the Tone Variations................................30

Performing with Different Tones in the Left and

Right Sides of the Keyboard (Split Play) .......................31

Switching Tone Groups and Tone Variations............32

Changing the Keyboard’s Split Point.......................33

Changing the Volume Balance for Dual Play and

Split Play .................................................................34

Adjusting the Keyboard Sensitivity (Key Touch).............35

Adding Reverberation to Sounds (Reverb Effect) ...........36

Changing the Depth of Reverb Effect.......................36

Adding a Variety Effects to the Sound (Effects)..............37

Adding a Spinning Sound to Organ Tones

(Rotary Effect)...........................................................38

Saving Your Favorite Performance Settings. 56

About the Performance Settings (Registration)............... 56

Storing Your Performance Settings (Registration)...........57

Recalling a Registration.............................................59

Saving a Registration Set........................................... 60

Loading a Registration Set You Saved......................... 62

Deleting a Registration Set You Saved......................... 63

Using a Pedal to Switch Registrations..........................64

Recording.................................................. 65

Recording a New Song............................................. 66

Recording Your Playing Along with a Song .................68

Recording Your Performance with Session Partner ........70

Recording Selected Track Buttons ...............................72

Erasing Recorded Performances .................................75

Saving a Performance................................ 76

Saving the Songs You Record ....................................76

Deleting a Saved Song .............................................77

Contents

Settings .................................................... 78

Tuning Settings.........................................................79

Matching the Pitch with Other Instruments

(Master Tuning) ....................................................79

Adjusting the Tuning (Temperament)........................80

Pedal Settings ..........................................................81

Changing How the Pedal Effects Are Applied ..........81

Changing How the Pedals Work ............................82

Effect Settings...........................................................83

Changing the Effect Type.......................................83

Setting the Part to Which Effects Are Added.............84

System Settings.........................................................84

Specifying the Sound Control Setting at Power-on.....84

Specifying the Equalizer Setting at Power-on............84

Adjusting the Volume (Master Gain)........................85

Equalizer Settings .....................................................85

Changing the Equalizer Settings.............................85

Keyboard Settings ....................................................86

Changing the Keyboard Touch (Key Touch) .............86

Changing the Velocity When the Key Touch is Set to

“OFF” .................................................................87

Changing the Pitch of the Lower Tone in Octave Steps

(Octave Shift).......................................................87

Session Partner Settings.............................................88

Setting the Intro and Ending On or Off....................88

Selecting a Chord Progression Pattern.....................88

Selecting the Root Note of the Chord Progression.....89

Fixing a Set Chord Progression ..............................89

Setting the Chord Display On or Off.......................90

Initializing (Formatting) Memory .................................90

Initializing Internal Memory ...................................90

Metronome Setting....................................................91

Changing the Beat of Metronome...........................91

Other Settings ..........................................................91

Restoring the Factory-set Condition (Factory Reset) ....91

Disabling the Buttons (Panel Lock)...........................92

Using the V-LINK Function......................................92

Connecting to a Computer......................................... 98

Connecting to a Computer via the USB (MIDI)

Connector ...........................................................98

Connecting to MIDI Devices.......................................99

What’s MIDI? ......................................................99

Making the Connections........................................ 99

Using the FP-4 to Play Another MIDI Sound Module.. 100

MIDI Settings .....................................................100

Appendices

Troubleshooting...................................................... 106

Error Messages ...................................................... 110

Tone List................................................................ 111

Rhythm List............................................................. 116

Chord Progression Pattern List ..................................117

Chord Fingering List................................................ 120

Internal Song List .................................................... 124

Registration List ......................................................125

Effects List..............................................................126

Stored Settings....................................................... 128

MIDI Implementation Chart ......................................129

Specifications ........................................................130

Index ....................................................................132

Connecting Other Equipment ..................... 93

Connecting Audio Equipment.....................................94

Sending the Sound to External Speakers..................94

Listening to a CD from the FP-4’s Speakers...............95

Recording an FP-4 Performance to an External Device...96

Recording an FP-4 Performance to a CD or Cassette

Tape, etc.............................................................96

Using Your Computer to Create a CD .....................97

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

Do not disassemble or modify

002c

Do not open (or modify in any way) the unit or its AC adaptor.

......................................................................................

Do not repair or replace parts

003

Never attempt to repair this device or replace parts. If repair or part replacement should become necessary, you must contact your dealer or a Roland service center.

......................................................................................

Do not use or store in the following types of locations

004

• Locations of extremely high temperature (such as in direct sunlight, near heating equipment, or on a device that generates heat)

• Near moisture (such as in a bathroom, near a sink, or on a wet floor) or in locations of high humidity

• Locations exposed to rain

• Locations of excessive dust

• Locations subject to heavy vibration

......................................................................................

Use only a stand that is recommended

005

This unit should be used only with a stand that is recommended by Roland.

......................................................................................

Do not place in an unstable location

006

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

......................................................................................

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

Connect the AC adaptor to an outlet of the correct voltage

008c

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock

......................................................................................

Use only the included power cord

008e

You must use only the power cord included with the device. Do not use the included power cord with any other device.

......................................................................................

Do not bend the power cord or place heavy objects on it

009

Do not bend the power cord excessively, or place heavy objects on the power cord. Doing so will damage the power cord, and may cause short circuits or faulty connections, possibly resulting in fire or electrical shock.

......................................................................................

Do not share an outlet with an unreasonable number of other devices

015

Do not connect excessive numbers of electrical devices to a single power outlet. In particular, when using a power strip, exceeding the rated capacity (watts/amps) of the power strip may cause heat to be generated, possibly melting the cable.

......................................................................................

USING THE UNIT SAFELY

Avoid extended use at high volume

010

This device, either by itself or used in conjunction with headphones, amps, and/or speakers, is capable of producing volume levels that can cause permanent hearing damage. If you experience impaired hearing or ringing in your ears, immediately stop using the device and consult a medical specialist.

......................................................................................

Do not insert foreign objects

011

Never allow foreign objects (flammable objects, coins, wires, etc.) to enter this device. This can cause short circuits or other malfunctions.

......................................................................................

Turn off the power if an abnormality or malfunction occurs

012b

Immediately turn the power off, remove the AC adaptor from the outlet, and contact your dealer or a service center to have the device serviced.

• The AC adaptor, the power-supply cord, or the plug has been damaged

• The device produces smoke or an unusual smell

• A foreign object enters the device, or liquid spills into the device

• The device becomes wet (by rain, etc.)

• An abnormality or malfunction occurs in the device

......................................................................................

Do not allow children to use without supervision

013

In households with children, take particular care against tampering. If children are to use this device, they must be supervised or guided by an adult.

......................................................................................

Do not drop or subject to strong impact

014

Do not drop this device or subject it to strong impact.

......................................................................................

Do not use overseas

016

If you wish to use this device overseas, please contact your dealer or a service center.

......................................................................................

Do not place containers of water on the device

026

Do not place containers of water (such as a flower vase) or drinks on the device. Nor should you place containers of insecticide, perfume, alcoholic liquids, nail polish, or spray cans on the device. Liquids that spill into the device may cause it to malfunction, and may cause short circuits or faulty operation.

......................................................................................

Place in a well ventilated location

101b

When using this device and AC adaptor, ensure that it is placed in a well ventilated location.

..........................................................................................................

Grasp the plug when connecting or disconnecting the power cord

102c

Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

Periodically wipe the dust off the AC adaptor plug

103b

At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

..........................................................................................................

Manage cables for safety

104

Ensure that the connected cables are organized and managed in a safe manner. In particular, place the cables out of reach of children.

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Do not stand or place heavy objects on this device

106

Do not stand on this device, or place heavy objects on it.

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Do not connect or disconnect the AC adaptor with wet hands

107c

Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

Cautions when moving this device

108d: Selection

When moving this device, please check the following cautions. Then, make sure that at least two persons work together in lifting and carrying the device, all the while making sure to keep it level. When doing so, be careful not to pinch your hands or drop the device on your feet.

• Check whether the knob bolts fastening the device to its stand have become loose. If they are loose, tighten them firmly.

• Disconnect the power cord.

• Disconnect external devices.

• Remove the music rest.

......................................................................................

Unplug the AC adaptor from the AC outlet before cleaning

109b

Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 15).

..........................................................................................................

If there is a possibility of lightning strike, disconnect the AC adaptor from the AC outlet

110b

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

..........................................................................................................

Keep small items out of the reach of children

118c

To prevent small items such as the following from being swallowed accidentally, keep them out of the reach of children.

• Included items

• Music rest attachment screws

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Don’t touch parts that get hot

119

The area near the power switch may become hot; be careful to avoid burns.

USING THE UNIT SAFELY

..........................................................................................................

Important Notes

In addition to the “USING THE UNIT SAFELY” listed on page 7, please observe the following cautions.

Power Supply

301

• Do not connect this device to the same electrical outlet as an inverter-controlled device such as a refrigerator, microwave oven, or air conditioner, or a device that contains an electric motor. Depending on how the other device is used, power supply noise could cause this device to malfunction or produce noise. If it is not practical to use a separate electrical outlet, please connect this device via a power supply noise filter.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before you make connections, you must switch off the power on all devices to prevent malfunction and/or speaker damage.

Location

351

• If this device is placed near devices that contain large transformers, such as power amps, hum may be induced in this device. If this occurs, move this device farther away or change its orientation.

352a

• If this device is operated near a television or radio, color distortion may be seen in the television screen or noise may be heard from the radio. If this occurs, move this device farther away.

352b

• Keep your cell phone powered off or at a sufficient distance from this device. If a cell phone is nearby, noise may be heard when a call is received or initiated, or during conversation.

354b

• Do not leave this device in direct sunlight, near devices that produce heat, or in a closed-up automobile. Do not allow illumination devices operated in close proximity (such as a piano light) or powerful spotlights to shine on the same location on this device for an extended time. This can cause deformation or color change.

355b

• If you move this device between locations of radically different temperature or humidity, water droplets (condensation) may form inside the device. Using the device in this condition will cause malfunctions, so please allow several hours for the condensation to disappear before you use the device.

356

• Do not allow items made of rubber or vinyl to remain on top of this device for an extended time. This can cause deformation or color change.

358

• Do not leave objects on top of the keyboard. This can cause malfunctions such as failure to sound.

359

• Do not affix adhesive labels to this device. The exterior finish may be damaged when you remove the labels.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Care

401b

• For everyday care, wipe with a soft dry cloth, or remove stubborn dirt using a tightly wrung-out cloth. If this device contains wooden components, wipe the entire area following the direction of the grain. The finish may be damaged if you continue strongly rubbing a single location.

Addition

• If water droplets should adhere to this device, immediately wipe them off using a soft dry cloth.

402

• Do not use solvents such as benzene, thinner, or alcohol, since these can cause deformation or color change.

Servicing

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Other Cautions

551

• Stored content may be lost due to a malfunction of the device or because of inadvertent operation. You should back up important content on another MIDI device (e.g., a sequencer) as a safeguard against such loss.

552

• We cannot accept responsibility for the recovery of any content lost from internal memory, or for the consequences of such loss.

553

• Do not apply excessive force to the buttons, knobs, or input/output jacks, since this may cause malfunctions.

556

• When connecting or disconnecting cables, grasp the plug (not the cable) to prevent short circuits or broken connections.

557

• This device may produce a certain amount of heat, but this is not a malfunction.

558a

• Please enjoy your music in ways that do not inconvenience other people nearby, and pay particular attention to the volume at nighttime. Using headphones will allow you to enjoy music without having to be concerned about others.

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

560

• If using the music rest, do not apply excessive force to it.

561

• Use only the specified expression pedal (EV-5; available separately). Connecting a pedal made by a different manufacturer may cause this device to malfunction.

562

• Some connection cables contain a resistor. Do not connect such cables to this device. Doing so may make the volume extremely low or inaudible. Please use connection cables not containing a resistor.

Important Notes

203

* GS ( ) is a registered trademark of Roland

Corporation.

Add

* XG lite ( ) is a registered trademark of Yamaha

Corporation.

204

* Microsoft and Windows are registered trademarks of

Microsoft Corporation.

206j

* Windows® is known officially as: ”Microsoft®

Windows® operating system.”

207

* Apple and Macintosh are registered trademarks of

Apple Computer, Inc.

209

* Mac OS is a trademark of Apple Computer, Inc.

220

* All product names mentioned in this document are

trademarks or registered trademarks of their respective owners.

Names of Things and What They Do

678910

Front Panel

[Volume] Knob

Adjusts the overall volume of the FP-4 (p. 17). If headphones are connected, this adjusts the

headphone volume (p. 19).

[Balance] Knob

Adjusts the volume balance of the Upper and Lower Tones in Dual Play and Split Play (p. 34).

[Function] Button

This button lets you make various settings. By holding down this button and pressing the

[Transpose] button, you can listen to the demo song (p.

20).

3 4 5 6 10987

Track Buttons

These buttons switch the performance part when playing a song (p. 25). These buttons also switch Session Partner’s performance parts, chord progression patterns, and rhythm patterns (p. 47, p. 50, p. 53).

[Play] Button

Starts and stops playback of internal songs and recorded performances (p. 22).

Used for starting recording of performances (p. 65).

[Rec] Button

You can record your own playing into the FP-4 (p. 65).

[Transpose] Button

This button lets you transpose the keyboard or (p. 39).By holding down this button and pressing the [Function] button, you can listen to the demo song (p. 20).

[Session Partner] Button

This button switches on/off the Session Partner function (p. 45). By switching Session Partner on, you can produce an rhythm in a variety of styles.

[Metronome] Button

Turns the internal metronome on and off (p. 40).

Display

This shows information such as tone numbers, song numbers, rhythm numbers, tempo, and the values of various settings.

151617

14 15

Names of Things and What They Do

11 12

[Display] Button

Press this button when you want to change the tone, the song to play back, the rhythm, or the tempo. Each time you press this button, the display will alternate between showing the tone number, song number, rhythm number, and tempo.

[-] [+] Buttons

These two buttons are used to modify the values of a variety of settings. Pressing both the [-] and [+] buttons simultaneously returns the setting of a particular item or function to its original value.

If you’re playing the song while the song select screen is displayed, you can hold down these buttons to rewind or fast-forward.

Tone Buttons

They are used to choose the kinds of sounds (Tone Groups) played by the keyboard (p. 28).

While the [Registration] button is lit, Tone buttons [1]–[6] can be used to select registrations.

[Registration] Button

This button lets you store your favorite performance settings, such as those for the selection of tones, Session Partner (p. 56).

17 18

[Split] Button

Allows you to play different tones in the left and right sides of the keyboard (p. 31).

[Multi Effects] Button

This button lets you apply various effects to the sound (p.

37).

[Reverb] Button

You can use this to add the characteristic reverberation of a concert hall to what you play (p. 36).

[Sound Control] Button

This button gives the sound more expressive range (p.

42). By holding down this button and pressing the [Equalizer]

button, you can turn V-LINK on and off (p. 92).

[Equalizer] Button

Switches the equalizer on or off (p. 43). You can use the equalizer to adjust the tonal character by boosting or cutting just the low or high frequency regions.

By holding down this button and pressing the [Sound Control] button, you can turn V-LINK on and off (p. 92).

Names of Things and What They Do

2526272829

20 27 28

Rear Panel

These connectors are located at the rear panel.

USB (MIDI) Connector

You can connect this to your computer for transferring performance data (p. 98).

MIDI Connector

You can connect these to external MIDI devices to transfer performance data (p. 99).

Pedal Jacks

Accepts connection of the supplied pedal (DP Series), or other suitable pedals (p. 18).

Input Jacks

Here you can connect an audio device or another electronic musical instrument, and listen to the connected device through the FP-4’s speakers (p. 95).

24 25

Speaker Switch

This switch turns the internal speaker on/off (p. 94).

[Power] Switch

Turns the power on/off (p. 16).

DC In Jack

Connect the supplied AC adaptor here (p. 15).

Cord Hook

Use this to fix in place the cord from the supplied AC adaptor (p. 15).

Phones Jacks

Here you can connect headphones. The FP-4 lets you use two sets of headphones simultaneously (p. 19).

Output Jacks

You can connect external speakers here to reproduce the FP-4’s sound (p. 94, p. 96).

Before You Play

Getting Ready to Play

Connecting the AC Adaptor

Make sure that the [Power] switch located at

the rear of the keyboard is off (in the upper position).

fig.PowerOn.eps

Upper

Position

Off

Turn the [Volume] knob all the way toward the left to minimize the volume.

Connect the supplied Power Cord to the

supplied AC adaptor.

Ground Terminal Cord Hook

(AC Adaptor)

Power Cord

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

Even if the cord is fastened, strong tension applied to the cord may cause it to be damaged or broken. Be careful not to pull the cord accidentally, or to apply strong pressure to it.

AC Adaptor

Connect the AC adaptor to the FP-4’s DC In

Power Cord

jack, and plug the power cord into an electrical outlet.

Loop the AC adaptor cord around the cord

hook to fasten it in place.

AC Outlet

Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

Before You Play

Turning the Power On/Off

NOTE

Turning the Power On

fig.VolumeMin.eps

Once you’ve got everything connected properly, you can turn on the power using the following procedure. If you fail to perform these steps in the correct order, you risk causing a malfunction or damaging the speakers.

Turn the [Volume] knob all the way toward the left to minimize the volume.

Turning the Power Off

Turn the [Volume] knob all the way toward the

left to minimize the volume.

fig.VolumeMin.eps

Press the [Power] switch.

The screen goes blank and the power is turned off.

ig.PowerOn.eps

Press the [Power] switch.

fig.PowerOn.eps

Lower

Position

The power will turn on, and the [Piano] and other buttons will light.

Use the [Volume] knob to adjust the volume (p.

17).

The unit becomes operable and playing the keyboard produces sound.

Upper

Position

Off

NOTE

Due to a circuitry protection feature, this unit requires a few moments after power is turned on before it is ready for normal operation.

Before You Play

Adjusting the Volume

Here’s how to adjust the volume when you’re playing the keyboard, or when you’re playing back internal preset songs or internal memory songs.

If headphones are connected, use the [Volume] knob to adjust the headphone volume.

Turn the [Volume] knob to adjust the overall volume.

Adjust the volume while you play the keyboard to produce sound.

Rotating the knob clockwise increases the volume; counterclockwise rotation decreases it.

fig.MasterVolume.eps

Attaching the Music Rest

Here’s how to attach the included music rest.

Install the included screws into the back of the instrument (two locations) as shown in the

illustration.

fig.MusicRest.eps

Place the music rest between the screws and

the chassis.

fig.MusicRestScrew.eps

While using one hand to support the music rest, tighten the screws (two locations) to

fasten the music rest firmly in place.

fig.MusicRest.eps

When attaching the music rest, you must use your hand to support it firmly so that it does not fall. Be careful not to pinch your hand.

To remove the music rest, support it with one hand while you loosen the screws. Remove the music rest, and then securely retighten the screws.

NOTE

Don’t apply excessive force to the installed music rest.

You must use the included screws to attach the music rest.

Before You Play

Connecting the Pedals

Connect the included pedal to one of the Pedal jacks. The operation of the pedal will differ depending on the jack to

which it’s connected.

fig.pedals-e.eps

Damper Pedal

Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an

extended time even if you release your fingers from the keyboard.

The pedal included with the FP-4 functions as a half-damper pedal, which allows you to adjust the amount of resonance.

On an acoustic piano, holding down the damper pedal will cause the strings for notes other than the ones you actually play to vibrate in sympathy with what you’ve played, producing a rich resonance. The FP-4 simulates this sympathetic vibration (damper resonance).

Set the switch on the included pedal to “Continuous” when the pedal is connected.

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will be sustained.

Connected jack

Damper jack

Sostenuto / (FC1) jack

Soft / (FC2) jack

NOTE

Unplugging a pedal cord from the unit while the power is on may cause the pedal’s effect to be applied without stopping. The power of the FP-4 must be turned off before inserting or removing a pedal cord.

By obtaining a second and third pedal, you can then use three pedals simultaneously. If you wish to purchase the optional pedal (DP series), please contact the dealer where you purchased the FP-4.

Pedal

Operation

The pedal will operate as a damper pedal.

The pedal will operate as a sostenuto pedal. Alternatively, you can assign a different function (p. 64, p. 82).

The pedal will operate as a soft pedal. Alternatively, you can assign a different function (p. 64, p. 82).

With the pedal connected to the Sostenuto / (FC1) jack, it can be assigned other functions as well. Refer to “Changing How the Pedals Work” (p. 82), “Using a Pedal to Switch Registrations” (p. 64).

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is

not as strong as when otherwise played with the equivalent strength. This is the same function as the left pedal of an acoustic piano.

The softness of the tone can be varied subtly by the depth to which you press the pedal.

With the pedal connected to the Soft / (FC2) jack, it can be assigned other functions as well. Refer to “Changing How the Pedals Work” (p. 82), “Using a Pedal to Switch Registrations” (p. 64).

NOTE

You can connect an expression pedal to the Sostenuto (FC 1) jack or Soft (FC 2) jack and use it to adjust the FP-4’s volume.

Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Listening through Headphones

You can use headphones to enjoy the FP-4 without disturbing those around you, such as at night. Since the FP-4 has two headphone jacks, two people can also use headphones simultaneously.

If you’re using only one set of headphones, you may connect them to either of the two headphone jacks.

fig.Headphones.eps

Before You Play

Headphones

Plug the headphones into the Phones jack.

If headphones are connected, no sound will be output from the FP-4’s speakers.

Use the FP-4’s [Volume] knob (p. 17) to adjust the headphone volume.

Cautions when Using Headphones

• To prevent damage to the cord’s internal conductors, avoid rough handling. When using headphones, mainly try to handle either the plug or the headset.

• Your headphones may be damaged if the volume of a device is already turned up when you plug them in. Minimize the volume before you plug in the headphones.

• Excessive input will not only damage your hearing, but may also strain the headphones. Please enjoy music at an appropriate volume.

• Use headphones that have a stereo 1/4” phone plug.

Listening to Songs

Listening to Demo Songs

Now, try listening to demo songs. The FP-4 comes with eight demo songs. The six Tone buttons, the [Session Partner] button, and the [Play] button are each

assigned one demo song.

Button

Piano

E.Piano

Organ

Strings/Pad

Guitar/Bass

Voice/GM2

Session Partner

Play

Indication Composer/Copyright

fig.Panel-Demo.eps

NOTE

No MIDI data for the music that is played will be output.

fig.d-dEM.eps

Listening to Songs

Hold down the [Function] button and press the [Transpose] button.

The indicators for the six Tone and [Function], [Transpose], [Session Partner] and [Play] buttons flash.

The following appears in the display.

fig.d-Pno.eps

NOTE

Press one of the six Tone buttons, the [Session Partner] button, or the [Play]

You can’t play back the demo songs if your recorded performance has not been saved. Either erase your performance (p. 26), or save your recorded performance (p. 76).

button.

The songs will play consecutively, starting with the demo song you selected. The button for the song currently being played back flashes on and off.

When playback of the last song is reached, playback continues by returning to the first song and playing that again.

The display will show the name of the currently playing demo song.

To stop playback, press the flashing button.

Press the [Function] button or the [Transpose] button to exit Demo mode.

The indicators return to their previous state.

A demo song will not play if you press an unlit button.

Listening to Songs

Listening to Internal Songs

The FP-4 contains 65 built-in songs. Here’s how to select and play back one of these songs.

About the name of the internal song, refer to “Internal Song List” (p. 124).

fig.Panel-Internal.eps

Selecting a Song

Press the [Display] button several times so it’s lit in green.

The following appears in the display.

fig.d-USr.eps

Each time you press the [Display] button, the display will alternate between showing the currently selected tone number, the currently selected song number (a “U” or “P” is shown before the number), the currently selected rhythm number (an “r” is shown before the number), and tempo.

If you press the [Display] button while using Session Partner, the rhythm number, tempo, and tone number will be alternately shown.

Unlit

Green

Red

Orange

Button

Display

Tone Number Song Number Rhythm Number Tempo

fig.d-P01.eps

Press the [-] or [+] button to select the song.

The character “P” is shown before internal (preset) song numbers.

Playing the Song

Press the [Play] button.

The selected song will play. The selected song is played to the end, and then playback stops.

To stop playback, press the [Play] button once more. The next time you press the [Play] button, playback will resume from the point at which you

stopped. If playback has stopped at the end of the song, playback will start from the beginning of the song. If the song select screen is displayed, pressing the [-] button will return you to the beginning of the

song. Pressing the [-] button once again will return you to the preceding song.

About the Song Select Display

Listening to Songs

If a song is playing while the song select screen is displayed, you can rewind the song by holding down the [-] button, or fast-forward the song by holding down the [+] button. The display will indicate the measure number during fast-forward or rewind.

The song select display will change as follows.

fig.SongDisplay-e.eps

The song you’re newly recording

By holding down the [Display] button and pressing the [-] [+] buttons, you can quickly select the first song in the song group (i.e., “first song in internal memory,” or “first builtin preset song”).

NOTE

“U.**” will not appear if there is no song in internal memory.

Changing the Volume of the Song

Here’s how to adjust the volume when song is playing back.

While holding down the [Play] button, press the [-] or [+] button.

fig.d-SPvolume.eps

Song of the Internal memory

Internal Song

The song volume can be set to any value from 0 to 127.

While you hold down the [Play] button, the display will show the volume of the song.

NOTE

You can not change the volume of the demo song.

You can also adjust the volume of the song by turning the [Balance] knob while you hold down the [Play] button.

Listening to Songs

Playing Back All Songs Continuously (All Song Play)

The internal songs and the songs in internal memory can be played repeatedly in succession. This function is called “All Song Play.”

fig.Panel-AllSong.eps

Specifying the First Song

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

Playing Back the Songs Successively

While holding down the [Display] button, press the [Play] button.

The [Play] button will blink.

fig.d-P01.eps

The songs will play back successively, starting with the selected song. When the last song finishes playing, the instrument will return to the first song and playback will

continue. If you selected an internal song, it will return to internal song number 1. If you selected an internal memory song, it will return to internal memory number 1.

To Stop Playback

Press the [Play] button so its illumination is turned off.

All Song Play is exited when the performance is stopped. The next time you press the [Play] button, playback will resume from the point at which you

stopped.

Listening to Each Part Separately (Track Mute)

With the internal songs, you can select the performance part that is to be played back. You can also practice each hand separately while playing along with the song.

fig.Panel-TrackMute.eps

Listening to Songs

fig.TrackButtons-e.eps

The performance data is assigned to the Track buttons as shown below. In the internal songs, the left-hand performance is

assigned to the Track [1] button and the right-hand performance is assigned to the Track [2] button.

Other performance is assigned to the Track [R] button. “Tracks” are areas in which music data is held, and

buttons [1], [2], and [R] are referred to as the “track buttons.”

Rhythm Part

Right-hand PartAccompaniment/

Left-hand Part

Select the song that you want to play (p. 22, p. 27).

Press the [Play] button to play the song.

Select the part that you don’t want to play back.

Press the Track [1] button, the Track [2] button, or the [R] button. The button you pressed will go out, and the corresponding part will no longer be heard. Temporarily silencing a specific part in this way is called “muting.”

For example, if you want to practice the right-hand part, press the Track [2] button so its illumination is turned off. When you play back the song, the right-hand part will not play.

If you again press the button you selected in step 3, so the button is lit, the sound of that part will be heard.

Even while the song is stopped, you can press the track buttons to mute or un-mute the sound.

Press the [Play] button to stop playback.

NOTE

Mute settings will be cleared when you switch songs.

Listening to Songs

NOTE

Internal songs 6–65 do not contain a performance in the rhythm/accompaniment part (Track [R] button). If you press a track button that does not contain a performance, it will not light.

When the following appears in the display

If there is the performance you recorded but have not yet saved, the following display will appear if you attempt to select a song.

fig.d-dEL.eps

You cannot play back an internal preset song if memory contains an unsaved song. If you want to delete your performance and play back the internal preset song, press the

[Rec] button. If you don’t want to delete your performance, press the [Play] button. If you want to save your recorded performance, refer to “Saving the Songs You Record” (p. 76).

Determining the Volume of a Muted Track

Here’s how to adjust the volume that a part will have after you’ve pressed a track button to mute the playback while playing back a song.

fig.d-Guide30.eps

The FP-4 lets you play back a specific part at a reduced volume so you can use that part as a “guide” for your own playing.

Select the song that you want to play (p. 22, p. 27).

Hold down a track button and use the [-] [+] buttons to specify the volume that the track will have when its playback is muted.

The volume for when the playback is muted will be shown while you hold down the track button.

The track mute volume can be set to any value from 0 to 80.

NOTE

When you turn off the power, the track mute volume setting will return to “0.”

You can also adjust the track mute volume by turning the [Balance] knob while you hold down the track button.

Listening to Songs Saved in Internal Memory

Here’s how to play back songs that you’ve saved in internal memory.

You can save the internal (built-in) songs and the songs (user songs) you’ve recorded to internal memory. For details, refer to “Saving the Songs You Record” (p. 76).

fig.Panel-Internal.eps

Listening to Songs

Selecting a Song

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

If a song you’ve saved in internal memory is selected, the display will indicate “U.**” (user).

fig.d-U01.eps

NOTE

Playing the Song

Press the [Play] button.

The selected song will play. The selected song is played to the end, and then playback stops.

If you have not saved any songs in internal memory, the “U.**” indication will not appear.

To stop playback, press the [Play] button once more. The next time you press the [Play] button, playback will resume from the point at which you stopped.

If playback has stopped at the end of the song, playback will start from the beginning of the song. If the song select screen is displayed, pressing the [-] button will return you to the beginning of the

song. Pressing the [-] button once again will return you to the preceding song.

Performing

Performing with a Variety of Sounds

The FP-4 features over 300 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music.

These onboard sounds are called “Tones.” The Tones are divided into six different groups, each of which is assigned to a different Tone button.

The Tone “Grand Piano 1” is selected when the instrument’s power is turned on.

fig.Panel-ToneSelect.eps

fig.d-1.eps

fig.d-12.eps

When the [Registration] button is lit, Tone buttons ([1]–[6]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light.

Press a Tone button to select a tone group.

Try fingering the keyboard. You’ll hear a tone of the selected tone group. The display will indicate the number of the currently selected tone.

Use the [-] [+] buttons to select a variation tone from the tone group.

The Tone you’ve selected is heard when you finger the keyboard. The next time you select this Tone button, you’ll hear the tone you selected here.

About the Tone name, refer to “Tone List” (p. 111).

Performing with Two Layered Tones (Dual Play)

You can play two different tones from a single key at the same time. This method of performance is called “Dual Play.”

As an example, let’s try layering piano and strings sounds.

fig.Panel-ToneSelect.eps

Performing

When the [Registration] button is lit, Tone buttons ([1]–[6]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light.

Hold down the [Piano] button and press the [Strings/Pad] button.

The indicators for both buttons light. Try fingering the keyboard. Both the piano and strings sounds play.

Pressing two Tone buttons at the same time in this manner activates Dual Play. Of these two selected tones, the one for the Tone button you pressed first is called the “Upper

Tone,” and the one for the Tone button you pressed after that is called the “Lower Tone.” The display will show the tone number of the upper tone.

fig.d-1.eps

Here, the piano tone is the Upper Tone and the strings tone is the Lower Tone.

Turning Off Dual Play

Press any one of the Tone buttons.

Now you’ll hear only the tone of the button you pressed.

You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 87).

You can vary the volume-level balance of the two tones. Take a look at “Changing the Volume Balance for Dual Play and Split Play” (p. 34).

You can select the part that will take priority for effects if the Upper tone and Lower tone have different effect settings when you’re using Dual play. Refer to “Setting the Part to Which Effects Are Added” (p. 84).

Performing

You can change the part to which the function assigned to the pedal will apply. Refer to “Changing How the Pedal Effects Are Applied” (p. 81).

If you’re using Split play, pressing two Tone buttons won’t switch you to Dual play.

Changing the Tone Variations

Changing the Upper Tone

Press the [-] or [+] button.

Changing the Lower Tone

Hold down the Tone button for the Lower Tone, and press the [-] or [+]

button.

The display will show the tone number of the lower tone.

Performing

Performing with Different Tones in the Left and Right Sides of the Keyboard (Split Play)

Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “Split Point.”

In Split Play, you can have a different tone sound in the left and right sides. When the instrument is turned on, the split point is set to “F 3.” The split point key is

included in the left side. While in Split Play, a sound played in the right side is called an “Upper Tone,” and the

sound played in the left side is called a “Lower Tone.”

fig.SplitPoint-e.eps

Spilit Point (Power-up default: F 3)

C1 D1 E1 F1 G1 A1 B1A0 B0 C2 C3 C4 C5 C8B7

fig.Panel-Split-4.eps

Lower Tone Upper Tone

As an example, here’s how to play the tone of the [Piano] button as part of a Split play.

When the [Registration] button is lit, Tone buttons ([1]–[6]) can be pressed to select registrations. If you want to select a tone, press the [Registration] button to turn off its light.

Press the [Piano] button.

Now, the piano tone is selected.

Press the [Split] button, getting its indicator to light.

The keyboard will be divided into left and right sides. The F 3 key forms the division between the left and right sides of the keyboard.

The right-hand section of the keyboard plays piano tone, and the left-hand section plays “A. Bass+Cymbal” tone.

You can play a tone for the right side (the Upper Tone) before splitting the keyboard.

Performing

Turning Off Split Play

Press the [Split] button so its illumination is turned off.

The [Split] button’s indicator light goes out and the upper tone becomes the tone for the entire keyboard.

You can vary the volume-level balance of the two tones. Take a look at “Changing the Volume Balance for Dual Play and Split Play” (p. 34).

When you switch from Dual Play (p. 29) to Split Play, the Upper Tone used in Dual Play is selected as the Upper Tone for Split Play.

You can specify which part is to have priority when the effects assigned to the Upper Tone and Lower Tone differ. Refer to “Setting the Part to Which Effects Are Added” (p.

84).

Switching Tone Groups and Tone Variations

Changing the Upper Tone

Press the Tone button to choose a tone group.

Press the [-] or [+] button to select a variation tone.

Changing the Lower Tone

Hold down the [Split] button and press the Tone button to choose a tone

group.

Hold down the [Split] button and press the [-] or [+] button to select a

variation tone.

You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 87).

Changing the Keyboard’s Split Point

Display

Key

CCCCd

EEFFFFG

You can change the split point (the key at which the keyboard is divided). The split point can be set to any value from B1 through B6. This is set to “F 3” when the instrument is turned on. This setting remains in effect until you turn off the power.

fig.SplitPoint-3-e.eps_77

Split Point (Power-up default: F 3)

C1 B1 B6A0 C2 C3 C4 C5 C6 C7 C8

Range in which you can specify the split point (B1–B6)

fig.Panel-Split-4.eps

Performing

fig.d-spltpoint.eps

Hold down the [Split] button and press a key set as the split point.

The key you pressed becomes the split point, and appears in the display.

The key being used as the split point belongs to the left-hand section of the keyboard.

The name of the key acting as the split point is indicated in the display, as shown below.

fig.Chart-note.eps

The number of the lower tone is displayed while you hold down the [Split] button.

Performing

Changing the Volume Balance for Dual Play and Split Play

You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 29) and Split Play (p. 31).

fig.Panel-Balance.eps

Use the [Balance] knob to adjust the volume balance.

Turning the knob toward the left (toward “Lower”) increases the volume of the Lower tone. Turning the knob toward the right (toward “Upper”) increases the volume of the Upper tone.

Adjusting the Keyboard Sensitivity (Key Touch)

You can change the touch sensitivity, or response of the keys. You can adjust the keyboard touch as appropriate for the playing strength of the person who is performing.

fig.Panel-KeyTouch.eps

Performing

fig.d-M-.eps

Hold down the [Reverb] button and press the [Sound Control] button.

The currently selected keyboard touch appears in the display.

Press the [-] or [+] buttons to select the keyboard touch.

Setting

(OFF)

(Light)

(Medium)

(Heavy)

The sound plays at one set volume, regardless of the force used to play the keys.

You can achieve fortissimo (ff) play with a less forceful touch than usual, so the keyboard feels lighter. This setting makes it easy to play, even for children.

This sets the standard keyboard touch. You can play with the most natural touch. This is the closest to the touch of an acoustic piano.

You have to finger the keyboard more forcefully than usual in order to play fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering adds even more feeling to what you play.

Description

Hold down the [Reverb] button and press the [Sound Control] button.

You can specify the loudness at which each note will sound when the “OFF” keyboard touch is selected. Refer to “Changing the Velocity When the Key Touch is Set to “OFF”” (p. 87).

You can adjust the keyboard touch sensitivity in the Function screen (p. 86).

Performing

Adding Reverberation to Sounds (Reverb Effect)

You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect, you obtain a pleasant reverberation, making it sound as if you were performing in a concert hall or similar space.

fig.Panel-Reverb.eps

Press the [Reverb] button so it’s lit.

Try fingering the keyboard. The reverb effect is applied to the entire tone.

Turning Off the Reverb Effect

Press the [Reverb] button so its light is turned off.

Changing the Depth of Reverb Effect

You can select from ten levels of depth for the reverb effect.

Hold down the [Reverb] button and press the [-] or [+] button.

The depth for the reverb effect appears in the display.

fig.d-2.eps

NOTE

You cannot make separate reverb effect depth settings for each individual tone. The same depth of reverb effect will apply to all sounds.

You cannot change reverb effect depth of Session Partner, Demo songs, and Internal song.

Adding a Variety Effects to the Sound (Effects)

In addition to reverb, you can apply a variety of effects to the FP-4’s sounds. These are referred to as “effects.” With the FP-4, you can select from 62 different effect

types. With the factory settings, an effect suitable for each tone is selected.

fig.Panel-Effects.eps

Performing

Press the [Multi Effects] button so it’s lit.

Try fingering the keyboard. The effect is applied to the currently selected tone.

Some tones initially have effect applied. Selecting such a tone makes the [Multi Effects] button light up automatically.

You can change the effect type. Refer to “Changing the Effect Type” (p. 83).

Editing the Effect Settings in Detail

You can make detailed changes for each effect, such as adjusting the effect depth.

Hold down the [Multi Effects] button and use the [-] [+] buttons to edit the

setting.

The value of the effect setting applied to the currently selected sound is displayed.

Turning Off the Effects

Press the [Multi Effects] button so its light is turned off.

You can specify which part is to have priority when the effects assigned to the Upper Tone and the Lower Tone differ. Refer to “Setting the Part to Which Effects Are Added” (p. 84).

Performing

Adding a Spinning Sound to Organ Tones (Rotary Effect)

The Rotary effect is applied to some Organ tones you can select with the [Organ] button. When one of these tones is selected, you can use the [Multi Effects] button to change the speed of the rotary effect.

What’s the Rotary Effect?

What the rotary effect does is to add a “spinning” effect similar to the sound of an organ using a rotating speaker.

In most rotary speakers, the high-frequency speaker and low-frequency speaker rotate at different speeds. The FP-4 can simulate this complex type of modulation.

fig.Panel-Rotaty.eps

Press the [Organ] button and select the organ tone.

When a tone that has the Rotary effect added is selected, the [Multi Effects] button flashes or blinks.

Each time pressing the [Multi Effects] button, switch the speed of the rotary

effect between rapid and slow rotation.

Pressing the [Multi Effects] button toggles the rotary effect between fast and slow rotation. If the [Multi Effects] button is blinking rapidly, the rotary effect is being applied with the fast

rotational speed. If the [Multi Effects] button is blinking slowly, the rotary effect is being applied with the slow rotational speed.

NOTE

If you don’t want the rotary effect to be applied, select an effect type other than the rotary effect (p. 83), then turn off the effect (p. 37).

Transposing the Key of the Keyboard (Key Transpose)

You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” This lets you take a song in a difficult key with lots of sharps ( ) and flats ( ) and play it in a key with fingering that’s easier for you. This is handy when playing accompaniment to a song, to match what you play to the pitch of the singer’s voice.

fig.Panel-Transpose.eps

Performing

Hold down the [Transpose] button and press the key corresponding to the

tonic of the desired key.

The Key Transpose settings value continues to appear in the display while the [Transpose] button

fig.d--3.eps

is held down.

With the [Transpose] button held down, you can change the value, even by pressing the [-] or [+] button.

The available range is -6–0–5. If the Key Transpose value is not “0,” you can use the [Transpose] button to turn the Key Transpose function on/off. When you release the [Transpose] button, you return to the previous screen.

By holding down the [Transpose] button and pressing both the [-] and [+] buttons simultaneously, the setting returns to its original value (0).

Example: Playing a Song in the Key of E Major After Transposition to C Major

Hold down the [Transpose] button and press the E key (since E is the tonic). Counting from C as a reference point, one moves up four keys, including the black keys, to reach

fig.d-4.eps/fig.Transpose.eps

E, thus “4” appears in the display.

If you play C E G It will sound E G# B

Performing

Performing with the Metronome

You can perform while the metronome sounds. The FP-4 provides a versatile Metronome function. You can also change the volume and

time signature of the metronome. If a song is playing, the metronome will sound at the tempo and time signature of that

song. If a rhythm is playing, the metronome will sound at the tempo and time signature of that rhythm.

fig.Panel-Metronome.eps

Press the [Metronome] button so it’s lit.

The [Metronome] button flashes in red and green in time with the beat selected at that time. The indicator lights in red on the downbeats, and in green on weak beats.

Stopping the Metronome Function

Press the [Metronome] button so its light is turned off.

You can change the beat of metronome. Please refer to the “Changing the Beat of Metronome” (p. 91).

Changing the Tempo

Press the [Display] button several times so it’s lit in orange.

The tempo is displayed.

fig.d-Tempo.eps

Press the [-] or [+] button to adjust the tempo.

The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up to 500.

If you press the [Display] button while using Session Partner, the rhythm number, tempo, and tone number will be alternately shown.

Performing

Button

Unlit

Green

Red

Orange

Changing the Volume

The volume of the metronome can be adjusted, with ten volume levels available. This is set to “5” when the instrument is turned on.

While holding down the [Metronome] button, press the [-] or [+] button to

adjust the volume.

The display will indicate the metronome volume.

fig.d-MetroVol.eps

Display

Tone Number Song Number Rhythm Number Tempo

NOTE

When the metronome volume is set to “0,” the metronome sound does not play.

You can also adjust the volume of the metronome by turning the [Balance] knob while you hold down the [Metronome] button.

Performing

Adding Liveliness to the Sound (Sound Control)

You can add liveliness to the sound to give it superb clarity and distinctness.

fig.Panel-SoundControl.eps

Press the [Sound Control] button so it’s lit.

The Sound Control function is switched on, enlivening the sound.

While holding down the [Sound Control] button, press the [-] or [+] button

to change the type.

fig.d-1.eps

Setting

1 Sharp

Type Description

Clear

Power

Turning Off Sound Control

Press the [Sound Control] button so its light is turned off.

Creates a sound with boosted bass and treble. Produces a sound with chords in the low registers that are clear and distinct. Creates a sound with boosted bass.

NOTE

You can have the FP-4 remember whether the [Sound Control] button should be on or off when you turn on the power (p. 84).

For some sounds, this may cause distortion. If the sound distorts, refer to “Adjusting the Volume (Master Gain)” (p. 85).

The Sound Control function is not applied to the sounds of external devices connected to the Input jacks.

Changing the Tonal Quality (Equalizer)

You can use the equalizer to adjust the tonal quality. This allows you to adjust the tonal character by boosting or decreasing the low-frequency

or high-frequency portions.

fig.Panel-Equalizer.eps

Performing

Press the [Equalizer] button so it’s lit.

The equalizer will be turned on, and the tonal character will change.

Turning Off the Equalizer

Press the [Equalizer] button so its light is turned off.

Changing the Equalizer Type

You can switch the equalizer settings to apply different changes to the tonal character. The FP-4 provides four equalizer settings.

While holding down the [Equalizer] button, press the [-] or [+] button to

select the equalizer type.

fig.d-1.eps

Setting

You can make more exacting changes to the equalizer settings. Please refer to the “Changing the Equalizer Settings” (p. 85).

The high frequencies will be boosted, producing a bright, sparkling sound. The high frequencies will be restrained, producing a more mellow sound. The low-mid frequencies will be boosted, producing a powerful sound. This setting is suitable for piano solos.

Description

Playing Along with Rhythms

What is Session Partner?

“Session Partner” Lets You Enjoy Playing with a Session-Like Feel

“Session Partner” is an easy-to-use function that plays accompaniment in a variety of musical styles. Playing along with this accompaniment, with its realistic sounds, gives you the feel that you are playing live with a band backing you.

For example, playing with “Session Partner” instead of using the metronome always lets you practice the piano with something different.

You can also change the accompaniment as you like to suit whatever you are playing. By changing the chords and Rhythms, even while playing the same melody, you can

easily create all kinds of new arrangements. We encourage you to enjoy the variety of performance options open to you by using the

“Session Partner” feature.

What You Can Do with “Session Partner”

“Session Partner” lets you mainly do the following things.

• Play piano with a session-like feel along with Rhythms while the chord progression continues automatically (p. 45).

• Play the piano to provide your own accompaniment as you specify chords with the left hand (the left part of the keyboard) (p. 51).

• Enjoy freer piano performances using your own original chord progressions (p. 54).

“Session Partner” lets you add accompaniment with the “rhythms” and performance parts you select.

You can play intros, endings, and fill-ins (short phrases inserted at transition points in the song) by pressing buttons as you play the keyboard.

What are the FP-4’s “Rhythms?”

The FP-4 features internal “Rhythms” complementing Pops, Jazz, and other various musical genres.

“Rhythms,” or combinations of elements from a musical genre that recreate the mood or signature sound of a particular style, form the foundation of the accompaniment used in “Session Partner.”

A “Rhythm” is composed from the following three items.

Drums Part Bass Part Accompaniment Part (except drum and bass part)

Performing Along with Session Partner

Now, let’s try performing along with Session Partner. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits

the song you are performing.

Please refer to “Selecting a Rhythm” (p. 48).

fig.Panel-Session-1.eps

Playing Along with Rhythms

fig.d-C.eps

Press the [Session Partner] button.

The [Session Partner] button will light, and the performance will begin from the intro. During the intro, the Track [R] button will blink. The chord is shown in the display. The chord progression advances automatically, freeing you up to play the melody.

The chord name will blink slightly before the chord changes.

NOTE

When you press the [Session Partner] button to make the Session Partner play, the chords will be shown as the chord progression continues, so the setting that had been shown until then will no longer be visible.

You can set the Chord display on or off. Refer to “Setting the Chord Display On or Off” (p. 90).

Playing Along with Rhythms

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner will stop.

The Track [R] button will blink while the ending is playing. When Session Partner stops, the [Session Partner] button and Track button will go out.

If you press the [Session Partner] button once again during the intro or ending, the performance will stop immediately.

You can change the rhythm that will sound. → “Rhythm List” (p. 116)

You can set the Chord display on or off. ➝ “Setting the Chord Display On or Off” (p. 90)

You can also specify the chords to be played in a Rhythm. ➝ “Performing with the Chord Progression Specified in the Left Hand (Chord Progression

Off)” (p. 51)

You can change the chord progression patterns. ➝ “Selecting a Rhythm’s Chord Progression” (p. 50)

You can perform without adding an intro or ending. ➝ “Setting the Intro and Ending On or Off” (p. 88)

Changing the Volume of the Session Partner Performance

Here’s how to adjust the volume when Session Partner is playing.

While holding down the [Session Partner] button, press the [-] or [+]

button.

fig.d-SPvolume.eps

While you hold down the [Session Partner] button, the display will show the volume of Session Partner.

You can also adjust the volume of the Session Partner by turning the [Balance] knob while you hold down the [Session Partner] button.

Playing Along with Rhythms

Selecting Parts

You can select the part to be played.

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [1].

The part or group of parts enabled for performance changes each time you press the Track [1] button, as shown below.

Track [1] button

Lit in red

Lit in orange

Lit in green

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner will stop.

Drums, Bass, Accompaniment Drums, Bass Drums

The parts that will play

Playing Along with Rhythms

Selecting a Rhythm

Now, try changing the Rhythm being performed. Let’s try changing the rhythm to suit the song you want to play.

fig.Panel-Session-2.eps

Press the [Display] button, getting its indicator to light in red.

The Rhythm number is displayed. Rhythm numbers are indicated by an “r” before the number.

fig.d-r01.eps

Press the [-] or [+] button to select the Rhythm.

For more information on the different Rhythm type, refer to “Rhythm List” (p. 116).

Changing Rhythms As You Perform

If you change Rhythms while a Rhythm is being played, the selected Rhythm begins after the fill-in is played.

What’s a “Fill In”?

A short improvisational phrase inserted at the bar line is called a “Fill In.” The phrase best suited to the selected Rhythm is played.

The Track [R] button will blink while the fill-in is playing.

Changing a Rhythm’s Tempo

The FP-4 has an optimal tempo for each Rhythm. You can change the tempo of the selected Rhythm.

Furthermore, you can change the tempo as the Rhythm is being played.

fig.Panel-Session-2.eps

Playing Along with Rhythms

fig.d-Tempo.eps

Press the [Display] button, getting its indicator to light in orange.

The tempo is displayed.

Press the [-] or [+] buttons to adjust the tempo.

The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up to 500.

When the [Session Partner] button is pressed, the Rhythm is played at the selected tempo.

NOTE

If you change the Rhythm during Session Partner play, the tempo won’t change. At such times, you can set it to the optimal tempo by getting the tempo to appear in the display, then pressing the [-] and [+] buttons at the same time.

Playing Along with Rhythms

Selecting a Rhythm’s Chord Progression

The FP-4 has an optimal chord progression pattern for each Rhythm. You can change the chord progression pattern if you want.

For more information on chord progression patterns, refer to the “Chord Progression Pattern List” (p. 117).

fig.Panel-Session-3.eps

Press the [Session Partner] button so Session Partner starts playing.

Hold down the Track [2] button and press the [-] or [+] button to change

the chord progression pattern.

The pattern number of the currently selected chord progression will be displayed while you hold down the Track [2] button.

fig.d-12.eps

If you change the chord progression pattern during the performance, a fill-in will be played, and then the performance will begin using the selected chord progression.

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner will stop.

You can change the root note of the chord. Refer to “Selecting the Root Note of the Chord Progression” (p. 89).

Recorded chord progression patterns are saved to “ .” You can select “ ” patterns by pressing the [-] button when pattern number 1 is displayed.

Playing Along with Rhythms

Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)

Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play.” While in Split Play, you can use the left side to specify chords instead of using it to play the Lower Tone.

fig.Panel-Session-4.eps

NOTE

When specifying the chords in the left part of the keyboard, Dual Play (p. 29) is disabled in the right part.

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [2] button so its light is turned off.

The [Split] button lights up. The left side of the keyboard will no longer produce sound.

fig.ChordProgOff.eps

Use the left side of the keyboard to specify a chord, and play a melody in the right side.

Split Point * You can change the split point.

C1 B1 B6A0 C2 C3 C4 C5 C6 C7 C8

Region for specifying chords

It is not necessary to continue holding down the keys for chords in the left side. Even after you release the key, the same chord continues until the next chord is played.

You can specify chords simply with your finger, even without playing the keys for all the chords’ constituent notes. For more information about chord fingering, refer to the “Chord Fingering List” (p. 120).

Playing Along with Rhythms

The point at which the keyboard is divided is called the “split point”; you can also change this split point. For more information, take a look at “Changing the Keyboard’s Split Point” (p. 33).

n the left side of the keyboard, you can specify chords while playing the Lower tone. Press the [Split] button to turn off its light, then press the [Split] button once again so it’s lit. The Lower tone will sound when you play the left side of the keyboard.

Returning to Automatic Chord Progression Switching

Press the Track [2] button so it’s lit.

You’ll be returned to the setting for automatic chord progression switching.

Stopping the Session Partner Performance

Press the [Session Partner] button.

After the ending, the performance will stop. The [Session Partner] button will go out.

You can change the performance settings by using your left hand to specify a chord before Session Partner begins playing.

1. While holding down the [Session Partner] button, press the Track [2] button so the Track [2] button’s illumination is turned off.

The [Split] button will light. The [Session Partner] button will blink, and the instrument will wait for the performance to begin.

2. Use the left side of the keyboard to specify a chord, and play a melody in the right side.

3. Press the [Session Partner] button to stop the playback.

When you press the [Session Partner] button, an ending will be played and then Session Partner will stop.

The [Session Partner] button will blink, and the instrument will wait for the performance to begin.

To defeat the setting for using your left hand to specify the chords while you play, hold down the [Session Partner] button once again and press the Track [2] button so its indicator is turned on.

Playing Along with Rhythms

Changing the Rhythm Pattern (Original/Variation)

Each rhythm has two varieties of accompaniment patterns; the original accompaniment pattern, and a slightly more colorful variation of that pattern.

A fill-in (short phrase) will be inserted between changes of the accompaniment pattern, adding contrast to the song.

For example, it is effective to use the quiet Original pattern for the first half of the song, and then switch to the Variation pattern for the second half when you want to build excitement.

fig.Panel-Session-5.eps

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [R] button to make it light or go out.

Track [R] button

Unlit

Lit

The Track [R] button will blink while the fill-in is playing.

The original accompaniment pattern will play. The variation accompaniment pattern will play.

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner will stop.

Description

Playing Along with Rhythms

Recording the Chord Progression

You can save a chord progression you’ve specified using the left-hand section of the keyboard.

ffig.Panel-Session-6.eps

fig.d-UserChordProg.eps

Hold down the [Session Partner] button and press the [Rec] button.

The [Session Partner] and the [Rec] buttons flash, and the FP-4 is put into recording standby. The “UCP (User Chord Progression)” appears in the display.

Press the [Session Partner] button or the [Rec] button to exit from recording standby.

Use the left side of the keyboard to specify a chord and begin recording the chord progression.

The display will show the chord you played. The intro will not play at this time. You can store up to sixteen chords.

Press the [Session Partner] button to stop recording the chord progression.

Recorded chord progression patterns are saved to “ .” You can select “ ” patterns by pressing the [-] button when pattern number 1 is displayed.

You can record a chord progression of up to sixteen measures. However, when the instrument is shipped from the factory, this is set so that eight measures can be recorded. Recording will stop automatically when you reach the specified number of measures. You can store up to sixteen chords. If you want to change the number of measures for which you can record a chord progression, refer to “Changing the Number of Measures of the Chord Progression You Record” (p. 55).

You can make settings so that the chord progression pattern won’t change when you change the rhythm. Refer to “Fixing a Set Chord Progression” (p. 89).

Playing Along with Rhythms

The song may not play back correctly if the performance is played with a different beat than the one used in recording the original chord progression.

The recorded chord progression will be discarded as soon as the power is turned off. If you want to keep it, you’ll need to save registration (p. 57).

Changing the Number of Measures of the Chord Progression You Record

When creating your own chord progression pattern, you can specify the number of measures for the chord progression.

When you turn on the power, this is set to eight measures.

fig.Panel-Session-7.eps

fig.d-UserChordProg.eps

fig.d-RhythmMeasure.eps

Hold down the [Session Partner] button and press the [Rec] button.

The “UCP (User Chord Progression)” appears in the display.

Press the [+] button.

The display will show the number of measures for which you will record a chord progression.

Use the [-] [+] buttons to select the desired number of measures.

You can choose 4, 8, 12, or 16 measures.

Use the left side of the keyboard to specify a chord and begin recording.

Press the [Session Partner] button to stop recording.

Saving Your Favorite Performance Settings

About the Performance Settings (Registration)

You can save your favorite combinations of performance settings, including the tone selection, the dual/split play setting, and Session Partner settings as “Registrations.”

You can use the [Registration] button to store twenty-four sets of your favorite performance settings. These twenty-four registrations are collectively called a “registration set.”

The registrations are assigned to the six buttons from [Piano/1] to [Voice/GM2 / 6], with four registrations assigned to each button for a total of twenty-four registrations.

The registration set can be saved in the FP-4’s internal memory.

fig.Registration.eps

Registration

(Favorite Performance Settings)

Tone setting, Session Partner setting, etc.

Write

Registrations you can

access with buttons

FP-4

Internal Memory

1-1 2-1 3-1 4-1 5-1 6-1

1-2 2-2 3-2 4-2 5-2 6-2

1-1 2-1 3-1 4-1 5-1 6-1

1-2 2-2 3-2 4-2 5-2 6-2

1-1 2-1 3-1 4-1 5-1 6-1

1-2 2-2 3-2 4-2 5-2 6-2

1-3 2-3 3-3 4-3 5-3 6-3

1-2 2-2 3-2 4-2 5-2 6-2

1-3 2-3 3-3 4-3 5-3 6-3

1-2 2-2 3-2 4-2 5-2 6-2

1-3 2-3 3-3 4-3 5-3 6-3

1-4 2-4 3-4 4-4 5-4 6-4

1-3 2-3 3-3 4-3 5-3 6-3

1-4 2-4 3-4 4-4 5-4 6-4

1-3 2-3 3-3 4-3 5-3 6-3

1-4 2-4 3-4 4-4 5-4 6-4

Registration Sets

You can save up to 25 sets

Variation

1-1 2-1 3-1 4-1 5-1 6-1 1-2 2-2 3-2 4-2 5-2 6-2 1-3 2-3 3-3 4-3 5-3 6-3

Load

Save

1-4 2-4 3-4 4-4 5-4 6-4

24 Registrations

1 Registration Set

.....

For details on the settings that are saved as a registration, refer to “Settings Stored in a Registration” (p. 128).

Saving Your Favorite Performance Settings

Storing Your Performance Settings (Registration)

You can use the [Registration] button to store the currently selected buttons and Session Partner settings. You can also use the [Registration] button and [1]–[6] buttons to recall the settings you’ve stored. If you have certain combinations of Session Partner settings and tones that you use frequently, you will find it convenient to save them as registrations.

The FP-4 lets you store twenty-four different sets of performance settings. The recommended settings were stored in the FP-4 when it shipped from the factory.

Registration from 6-1 to 6-4 include the “Basic Registration.” Use this when creating registration from scratch.

For details on the settings that are saved as a registration, refer to “Settings Stored in a Registration” (p. 128).

fig.Panel-RegistSave.eps

Specifying the Storage Destination for the Registration

Make the desired Session Partner settings and tone settings.

While holding down the [Registration] button, press the button to which

you want to store the registration (button [1]–[6]).

Keep holding down the [Registration] button.

fig.d-Regist.eps

Continuing to hold down the [Registration] button, use the [-] [+] buttons to

select a variation.

fig.d-RegistVar.eps

Saving Your Favorite Performance Settings

Storing the Registration

Release the [Registration] button.

Your performance settings will be saved. The [Registration] button will change from blinking to lit.

NOTE

To select the performance settings you saved, refer to “Recalling a Registration” (p. 59).

Never turn off the power while settings are being saved. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable.

You can return the content saved at a [Registration] button to the factory-set condition. Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 91).

Recalling a Registration

Settings you’ve stored with the [Registration] button can be recalled instantly. The recommended settings were stored in the instrument when it shipped from the factory.

Registration from 6-1 to 6-4 include the “Basic Registration.” Use this when creating registration from scratch.

For details on the settings that are saved as a registration, refer to “Settings Stored in a Registration” (p. 128).

fig.Panel-RegistSave.eps

Saving Your Favorite Performance Settings

fig.d-RegistVar.eps

fig.d-RegistVar2.eps

Press the [Registration] button.

Press one of the buttons from [1] to [6] to select the button at which you saved the desired registration.

Use the [-] [+] buttons to select the registration variation.

The performance settings will change accordingly.

Saving Your Favorite Performance Settings

Saving a Registration Set

Here’s how the twenty-four registrations stored with the [Registration] button can be saved in internal memory as a single set.

fig.Panel-RegistLoad.eps

Press the [Function] button.

Press the Track [R] button.

While holding down the Track [R] button, use the [-] [+] buttons to get the

following indication.

fig.d-Registsave.eps

Selecting a Place to Store the Registration Set

Use the [-] [+] buttons to select the storage destination.

A dot “.” is displayed following numbers in which a registration set has already been saved, as shown below.

fig.d-001+.eps

If you select a number in which a registration set has already been saved, the previously saved registration set will be erased. If you don’t want to delete the previously saved registration set, select a number for which a dot “.” is not displayed after the save-destination registration number.

Saving the Registration Set

Press the [Rec] button.

The registration set will be saved.

Saving Your Favorite Performance Settings

NOTE

Never turn off the power while settings are being saved. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable.

You can return the content saved at a [Registration] button to the factory-set condition. Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 91).

To recall the saved performance settings, refer to “Loading a Registration Set You Saved” (p. 62).

Saving Your Favorite Performance Settings

Loading a Registration Set You Saved

Here’s how an entire set of registrations you saved in internal memory can be loaded back to the [Registration] button.

fig.Panel-RegistLoad.eps

NOTE

Note that when you load a registration set, all of the settings that were stored at the [Registration] button will be overwritten and lost.

Press the [Function] button.

Press the Track [R] button.

While holding down the Track [R] button, use the [-] [+] buttons to get the

following indication.

fig.d-Registload.eps

Use the [-] [+] buttons to select the number of the registration set that you

want to load.

NOTE

If no registration set has been saved in internal memory, “- - -” is shown in the display.

Loading the Registration Set

Press the [Rec] button.

The registration set will be loaded to the [Registration] button.

NOTE

Never turn off the power while settings are being loaded. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable.

Deleting a Registration Set You Saved

Here’s how to delete an entire registration set that’s been saved in internal memory.

fig.Panel-RegistLoad.eps

Saving Your Favorite Performance Settings

Press the [Function] button.

Press the Track [R] button.

While holding down the Track [R] button, use the [-] [+] buttons to get the

following indication.

fig.d-Registdel.eps

Use the [-] [+] buttons to select the number of the registration set that you

want to delete.

NOTE

If no registration set has been saved in internal memory, “- - -” is shown in the display.

Deleting the Registration Set

Press the [Rec] button.

The registration set you selected will be deleted.

NOTE

Never turn off the power while settings are being deleted. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable.

Saving Your Favorite Performance Settings

Using a Pedal to Switch Registrations

You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration.

Before a concert or other performance, you can save the appropriate registrations in the order in which you’ll use them, and then step smoothly through the registrations while you play.

fig.Panel-RegistPedal.eps

fig.d-RegistShift.eps

Press the [Function] button.

Press the [Registration] button.

While holding down the [Registration] button, use the [-] [+] buttons to get the following indication.

Use the [-] [+] buttons to change the setting.

Setting

Pressing a pedal connected to the FC2 connector or FC1 connector will not switch registrations. The functions assigned to the FC2 jack and FC1 jack will be available for use (p. 82).

The pedal connected to the FC2 jack can be used only for switching registrations. In this case, the function assigned to the FC2 jack cannot be used.

Description

The pedal connected to the FC1 jack can be used only for switching registrations. In this case, the function assigned to the FC1 jack cannot be used.

Recording

You can easily record your performances. You can play back a performance you have recorded to check what and how you

played, and play melodies on the keyboard along with prerecorded accompaniment using the Rhythm.

Memo

• The song you record will disappear when you turn off the power of the FP-4. If you want to preserve your performance, you must save it to internal memory. ➝ “Saving the Songs You Record” (p. 76)

• With second or later recordings, the previously recorded song is erased as the new material is recorded. When recording a new performance, it is probably a good idea to erase the previously recorded performance first (p. 75).

• About the Track Buttons

Track buttons Description

fig.d-dEL.eps

The performance will be recorded.

Blinking

Lit

Unlit

If performance data already exists, the existing performance will be erased and replaced as the new recording proceeds.

The performance will not be recorded. During recording, the performance located at this track button will play back.

The performance will not be recorded. This track does not contain performance data.

If the Following Display Appears

If you attempt to select another song before saving a performance you’ve recorded, a screen like the following will appear.

You can’t play back an internal (built-in) song if there is an unsaved (user) song. If it is OK to delete the song, press the [Rec] button. If you don’t want to delete the song, press the [Play] button to save your song to internal

memory (p. 76).

Recording

Recording a New Song

Here’s how to record just your own keyboard performance without using Session Partner or an internal song.

fig.Panel-RecNew.eps

Settings for Recording

If there is already a recorded song, delete the recorded song before you proceed (p. 75).

Press the [Display] button several times so it’s lit in green.

Press the [-] button several times to get the following display.

fig.d-USr.eps

Press the [Rec] button.

The [Rec] button lights, the [Play] button begins flashing, and the FP-4 is put into recording standby. If you decide not to record, press the [Rec] button once again.

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins. Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded. When recording begins, the [Rec] button and [Play] button will light.

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

Stopping Recording

Press the [Play] button.

Recording will stop. The “USr” indication will change to “USr.” when you stop recording. The dot “.” in the lower right

fig.disp.eps

of the display indicates that a previously recorded performance exists.

Listening to the Recorded Performance

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

Recording

NOTE

The recorded performance will disappear when you turn off the power. If you want to keep the performance you recorded, you must save it in internal memory. Refer to “Saving the Songs You Record” (p. 76).

You can save your recorded songs on an external sequencer or computer. Refer to “Connecting to MIDI Devices” (p. 99) and “Connecting to a Computer via the USB (MIDI) Connector” (p. 98).

You can change the tone used in recording. → “Performing with a Variety of Sounds” (p. 28)

You can change the tempo and set the beat for the song.

➝ “Changing the Tempo” (p. 41) ➝ “Changing the Beat of Metronome” (p. 91)

You can use the FP-4’s metronome function. In this case, the metronome sound is not recorded.

➝ “Performing with the Metronome” (p. 40)

Track Button Assignments for the Recorded Performance

When you record only a keyboard performance, the performance will be assigned to the track buttons as follows.

Performance recorded Track button

Normal performance (playing a single sound from the entire keyboard)

Dual performance (p. 29) The performance is recorded to the Track [2] button.

Split performance (p. 31)

The performance is recorded to the Track [2] button.

The Lower Tone is recorded to the Track [1] button, and the Upper Tone to the Track [2] button.

Recording

Recording Your Playing Along with a Song

Here’s how you can play along with an internal song and record your performance. The song being played back will be recorded together with the performance you play on

the keyboard. The FP-4 is able to record your playing along with an internal piano song. For example, you could listen to the left-hand part while you record the right-hand part.

If you select a track button and then record, the sound of the selected track button will not be heard during recording.

fig.Panel-RecSong.eps

Performance Settings

Select a song.

For details on how to select a song, refer to “Listening to Internal Songs” (p. 22). You can change the tone used in performances (p. 28) and change the tempo at which songs are played back (p. 41). You can also play the metronome sound while recording (p. 40).

Settings for Recording

Press the [Rec] button.

If you decide not to record, press the [Rec] button once again.

Press the button of the track you want to record, so the button is blinking.

Track buttons

Blinking

Lit

Description

The performance will be recorded. If performance data already exists, the existing performance will be erased and replaced as the new recording proceeds.

The performance will not be recorded. During recording, the performance located at this track button will play back.

Unlit

The performance will not be recorded. This track does not contain performance data.

How the track buttons correspond to an internal song’s performance parts

Recording

Track button

Track [1] button

Track [2] button

Track [R] button

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording standby mode. This setting lets you record while listening to the selected song.

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins. Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded. When recording begins, the [Rec] button and [Play] button will light.

Performance part

Left-hand part Right-hand part For internal song numbers 1–5, this track contains performance data other than

the right-hand part and left-hand part. For internal song numbers 6–65, this track does not contain performance data.

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

Stopping Recording

Press the [Play] button.

Recording will stop.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

NOTE

You can save your recorded songs on an external sequencer or computer. Refer to “Connecting to MIDI Devices” (p. 99) and “Connecting to a Computer via the USB (MIDI) Connector” (p. 98).

NOTE

The tempo of the performance you recorded will be stored as the tempo of the song you selected when recording. If you record your performance while playing along with a song, it will be recorded with the time signature of that song.

Recording

Recording Your Performance with Session Partner

You can easily record session performances to the session partner.

fig.Panel-RecSession.eps

The Session Partner performance can be recorded only to the Track [R] button.

Performance Settings

Select the Tone to be played (p. 28).

Make the desired settings for Session Partner (p. 44).

Settings for Recording

If there is already a recorded song, delete the recorded song before you proceed (p. 75).

Press the [Display] button several times so it’s lit in green.

Press the [-] button several times to get the following display.

fig.d-USr.eps

Press the [Rec] button.

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording standby mode. If you decide not to record, press the [Rec] button once again.

Starting Recording

Start the Session Partner performance (p. 45, p. 51).

The Rhythm starts to play, while simultaneously recording begins. When recording begins, the [Rec] button and [Play] button will light.

Stopping Recording

Press the [Play] button.

Recording will stop. The “USr” indication will change to “USr.” when you stop recording. The dot “.” in the lower right

fig.disp.eps

of the display indicates that a previously recorded performance exists.

Recording

For more information on the different Rhythm and Chord progression pattern, refer to the “Rhythm List” (p. 116) and “Chord Progression Pattern List” (p. 117).

If you’ll be specifying chord progressions while you record (p. 51), recording will begin when you specify a chord in the left-hand region of the keyboard.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

10.

NOTE

You can save your recorded songs on an external sequencer or computer. Refer to “Connecting to MIDI Devices” (p. 99) and “Connecting to a Computer via the USB (MIDI) Connector” (p. 98).

Track Button Assignments for the Recorded Performance

Performance recorded Track button

Session Partner performance The performance is recorded to the Track [R] button. Normal performance (playing a single

sound from the entire keyboard) Dual performance (p. 29) The performance is recorded to the Track [2] button.

Split performance (p. 31)

The performance is recorded to the Track [2] button.

The Lower Tone is recorded to the Track [1] button, and the Upper Tone to the Track [2] button.

Recording

Recording Selected Track Buttons

FP-4’s Recorder has three Track buttons. When you press the [Rec] button, all Track buttons are set to be recorded, but by

selecting Track buttons that are not to be recorded, you can then record only on the specific Track buttons you want.

You can play each hand of your performance separately, for example recording the lefthand part on the Track [1] button and the right-hand part on the Track [2] button. You can also re-record just a specific part of a previously recorded performance.

fig.Panel-RecTrack.eps

If you’re recording a new song, select “USr” as described in steps 1–2 of “Recording a New Song” (p. 66). If you decide to re-record an existing song, select that song.

Performance Settings

Press the [Rec] button.

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording standby mode.

If you decide not to record, press the [Rec] button once again.

Press the button of the track you want to record, so the button is blinking.

Track buttons

Blinking

Lit

Unlit

Description

The performance will be recorded. If performance data already exists, the existing performance will be erased and replaced as the new recording proceeds.

The performance will not be recorded. During recording, the performance located at this track button will play back.

The performance will not be recorded. This track does not contain performance data.

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins. Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded. When recording begins, the [Rec] button and [Play] button will light.

Stopping Recording

Press the [Play] button.

Recording will stop.

Recording

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

NOTE

If you record without erasing the existing song, the song tempo, time signature, and metronome settings will remain as they were for the first recording.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

NOTE

You can save your recorded songs on an external sequencer or computer. Refer to “Connecting to MIDI Devices” (p. 99) and “Connecting to a Computer via the USB (MIDI) Connector” (p. 98).

Recording

Correspondence Between Recorded Performance and Track Buttons

A recorded performance will be assigned to the Track buttons as follows.

●Session Partner performances, and Upper and Lower tones during Split performance

Track button Performance recorded

Track [R] button Session Partner (p. 44) Track [1] button Lower Tone in Split play (p. 31) Track [2] button Upper Tone in Split play (p. 31)

●Normal performance (playing a single sound from the entire keyboard) and Dual

performance

• When you record without specifying a recording track If none of the track buttons ([R] [1] [2] buttons) has performance data, the data will be

recorded to button [2]. If any of the track buttons have performance data, the data will be recorded in the order of button [2] → button [1] → button [R].

• When you record with a specified recording track Your performance will be recorded on the track you’ve specified.

Erasing Recorded Performances

You can erase recorded performances.

fig.Panel-DeleteSong.eps

Hold down the [Display] button and press the [Rec] button.

A confirmation message appears in the display.

fig.d-dEL.eps

Recording

If you decide not to delete the song, press the [Play] button.

Press the [Rec] button.

The recorded performance is erased.

After playing back a song, you can hold down one of the track buttons and press the [Rec] button to erase the performance of only that track. At this time, the display will indicate “USr.” If you erase the performance from all tracks, the display will indicate “USr”.

A performance you recorded will be deleted automatically when you turn off the power.

Saving a Performance

Saving the Songs You Record

A song you’ve recorded can be saved in internal memory. If you record a song and then turn off the power of the FP-4 without saving the song, your

recorded song will disappear. Songs that you’ve saved in internal memory will not disappear

fig.Panel-RegistLoad.eps

even if you turn off the power; if you want to keep a song, you should save it in internal memory.

fig.d-Songsave.eps

fig.d-001+.eps

Record your performance (p. 66, p. 68, p. 70, p. 72).

Press the [Function] button.

Press the Track [1] button.

Hold down the Track [1] button and use the [-] [+] buttons to get the

following display.

Use the [-] [+] buttons to select the save-destination song number.

As shown below, a dot “.” is shown following numbers in which a song has already been saved.

If you select a number in which a song has already been saved, and then save your new song, the previously saved song will be overwritten and lost. If you don’t want to delete the previously saved song, select a number for which a dot “.” is not displayed.

Saving the Song

Press the [Rec] button.

The song will be saved.

NOTE

Never turn off the power while data is being saved. If you do so, the internal memory will be destroyed, rendering it unusable.

Deleting a Saved Song

Here’s how to delete a song you’ve saved in internal memory.

fig.Panel-RegistLoad.eps

Saving a Performance

Press the [Function] button.

Press the Track [1] button.

Hold down the Track [1] button and use the [-] [+] buttons to get the

following display.

fig.d-Songdel.eps

Use the [-] [+] buttons to select the song number that you want to delete.

Deleting the Song

Press the [Rec] button.

The selected song will be deleted.

NOTE

Never turn off the power while a song is being deleted. If you do so, the FP-4’s internal memory will be destroyed, rendering it unusable.

Settings

You can make a variety of performance- and recording-related settings in “Function Mode.”

Function

Master Tuning

Storing the Master Tuning Setting

Temperament, Keynote

FC2 Part E.Piano p. 81

FC1 Part Organ p. 81

Damper Pedal Part Strings/Pad p. 81

FC2 Function Guitar/Bass p. 82

FC1 Function Voice/GM2 p. 83

Pedal Shift

Bank Select MSB p. 103

Bank Select LSB p. 103

Program Change p. 103

MIDI Transmit Channel

Bulk Dump p. 104

Octave Shift Split p. 87

Effect Type

Part to which the Effect will Apply

Sound Control Setting at Power-on

Equalizer Setting at Power-on

Master Gain p. 85

Display Button Page

p. 79

Piano

Registration

Multi Effects

Reverb

p. 79

p. 80

p. 64

p. 104

p. 83

p. 84

Function

Low Gain

Low Freq p. 85

Low Mid Gain p. 85

Low Mid Freq p. 85

Low Mid. Q p. 85

High Mid Gain p. 85

High Mid Freq p. 86

High Mid Q p. 86

High Gain p. 86

High Freq p. 86

Key Touch

Velocity when Key Touch is “OFF”

Intro/Ending On/Off

Chord Pattern p. 88

Chord Root p. 89

Automatic Chord Progression On/Off

Chord Display On/Off

Registration Load

Registration Save p. 60

Display Button Page

p. 85

Equalizer

p. 86

Transpose

p. 87

p. 88

Session Partner

p. 89

p. 90

p. 62

Track R

USB Driver p. 98

Upper Transmit Channel

Lower Transmit Channel

Send PC p. 102

Local Control p. 101

Transmit the Recorded Performance

Sound Control

p. 100

p. 102

Registration Delete p. 63

Song Save

Track 1

Song Delete p. 77

Initializing the Internal Memory

Metronome Beat Metronome p. 91

Track 2 p. 90

p. 76

Settings

Tuning Settings

Matching the Pitch with Other Instruments (Master Tuning)

When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument.

The standard pitch generally refers to the pitch of the note that’s played when you finger the middle A key. For a cleaner ensemble sound while performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

Press the [Function] button.

Press the [Piano] button.

Hold down the [Piano] button and use the [-]

[+] buttons to get “tun” to appear in the display.

fig.d-Tuning.eps

Storing the Master Tuning Setting in Internal Memory

After adjusting the master tuning setting, you can store that setting to internal memory.

If you’ve stored the master tuning setting, it will be preserved even when the power is turned off.

Hold down the [Piano] button and use the [-]

[+] buttons to get “bUP” to appear in the display.

fig.d-backup.eps

When you take your finger off the [Piano] button, a confirmation message will appear.

fig.d-BackupSure.eps

If you press the [Play] button once again, you will return to the previous screen without storing the master tuning setting.

Use the [-] [+] buttons to change the setting.

fig.d-MasterTune.eps

Setting

15.3–40.0–66.2 (415.3 Hz–440.0 Hz–466.2 Hz)

When the instrument is shipped from the factory, this is set to “40.0 (440.0 Hz).”

Press the [Rec] button.

The master tuning setting will be stored to internal memory.

Settings

Adjusting the Tuning (Temperament)

You can play classical music such as baroque pieces using their original tuning.

Most modern songs are composed and played with the assumption that equal temperament (the most common tuning in use today) will be used, but when classical music was composed, there were a wide variety of other tuning systems in existence. Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended.

Press the [Function] button.

Press the [Piano] button.

Hold down the [Piano] button and use the [-] [+] buttons to get “tmP” to appear in the

display.

fig.d-Temperament.eps

Use the [-] [+] buttons to change the temperament setting.

fig.d-TempKey-e.eps

Display

Temperament Description

This is an improvement of the Mean Tone and Just tunings that provides a

Kirnberger

Mean Tone

Pythagorean

Werckmeister

high degree of freedom of modulation. Performances are possible in all keys (third method).

This scale makes some compromises in just intonation, enabling transposition to other keys.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fifths. Dissonance is produced by thirdinterval chords, but melodies are euphonious.

This temperament combines the Mean Tone and Pythagorean tunings. Performances are possible in all keys (first method, number three).

Specifying the Keynote

When playing with tuning other than equal temperament, you need to specify the keynote for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key).

If you choose an equal temperament, there’s no need to select a keynote.

Temperament

You can choose from among the seven tunings described below.

Display

Temperament Description

1 Equal

Just Major

Just Minor

Keynote

In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of slight dissonance. This setting is in effect when you turn on the power.

This tuning eliminates ambiguities in the fifths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

The Just tunings differ from major and minor keys. You can get the same effect with the minor scale as with the major scale.

Hold down the [Piano] button and use the [-]

[+] buttons to get “tmP” to appear in the display.

fig.d-Temperament.eps

While holding down the [Piano] button, press

the key that you want to specify as the keynote.

fig.d-TempKey-e.eps

fig.Chart-note.eps

Display

Key

NOTE

Temperament

CCCCd

When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the FP-4 to the fundamental pitch of the other instruments.

Keynote

EEFFFFG

Pedal Settings

Changing How the Pedal Effects Are Applied

Settings

How the Sostenuto Pedal (FC1) Effects are Applied

Press the [Function] button.

When the pedal is pressed in Dual Play (p. 29) or Split Play (p. 31), the pedal’s effect is applied to both the Upper Tone and the Lower Tone, but you can change the settings for the tone to which the effect is applied.

Setting

All enabled

(Upper&Lower)

Applied only to the Upper Tone

(Upper)

Applied only to the Lower Tone

(Lower)

Description

How the Soft Pedal (FC2) Effects are Applied

Press the [Organ] button.

fig.d-FC1.eps

Use the [-] [+] buttons to specify the part(s) to which the pedal will apply.

How the Damper Pedal Effects are Applied

Press the [Function] button.

Press the [Strings/Pad] button.

fig.d-dPr.eps

Press the [Function] button.

Press the [E.Piano] button.

fig.d-FC2.eps

Use the [-] [+] buttons to specify the part(s) to which the pedal will apply.

Use the [-] [+] buttons to specify the part(s) to

which the pedal will apply.

Settings

Changing How the Pedals Work

A pedal connected to the Soft/(FC2) jack normally functions as a soft pedal (p. 18). A pedal connected to the Sostenuto/ (FC1) jack normally functions as a sostenuto pedal (p. 18).

It can also be set to function as an another works.

You can select from the following pedal functions.

Setting

(Damper)

(Soft)

(Sostenuto)

(Expression)

(Start/Stop)

(Leading Bass)

Sets function to damper pedal.

Sets function to soft pedal.

Sets function to sostenuto pedal.

Allows control of the volume. Connect a separately available expression pedal (EV-5). You cannot change volume level of session partner and recorder.

You can start/stop Session Partner by pressing the pedal instead of pressing [Session Partner] button.

Allows control the on/off of leading bass function*. It is turned on while having stepped on the pedal.

Description

NOTE

With certain sounds, the function may not work.

Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

This may not work correctly if you connect a pedal other than an expression pedal or a half-damper compatible pedal.

Be sure to switch off the power to the unit before attempting to disconnect or connect a pedal cord.

If a pedal connected to the FP-4 is assigned to switch registrations, that pedal will operate only to switch registrations. The function assigned to the pedal will not operate.

Changing the Works of the Soft Pedal (FC2)

When the instrument is turned on, this is set to function as a soft pedal.

Press the [Function] button.

Press the [Guitar/Bass] button.

fig.d-FC2.eps

Effects can be switched on/off by pressing the pedal instead of pressing the [Multi Effects] button.

(On/Off of Effects)

(Bend Up)

(Bend Down)

(Modulation)

When effect type is rotary, you can control the slow/fast of spinning.

Pitch rises by pressing the pedal.

Pitch lowers by pressing the pedal.

Vivrato is added by pressing the pedal.

* What is the leading bass function?

The function that sounds the lowest note of a fingered chord as the bass tone is called “Leading Bass.”

Use the [-] [+] buttons to select the pedal function.

fig.d-dmp.eps

Changing the Works of the Sostenuto Pedal (FC1)

Settings

Effect Settings

When the instrument is turned on, this is set to function as a sostenuto pedal.

Press the [Function] button.

Press the [Voice/GM2] button.

fig.d-FC1.eps

Use the [-] [+] buttons to select the pedal

function.

fig.d-SFt.eps

Changing the Effect Type

Here’s how to select the effect that will be applied when you press the [Multi Effects] button.

Press the [Function] button.

Press the [Multi Effects] button.

Hold down the [Multi Effects] button and use

the [-] [+] buttons to get “E.ty” to appear in the display.

fig.d-EfxType.eps

Use the [-] [+] buttons to select the effect type.

fig.d-60.eps

For details on the effect types and the settings for each effect, refer to “Effects List” (p. 126).

Settings

Setting the Part to Which Effects Are Added

This specifies which part is to have priority when the effects assigned to the Upper Tone and Lower Tone differ in Dual Play (p. 29) or Split Play (p. 31).

Press the [Function] button.

Press the [Multi Effects] button.

Hold down the [Multi Effects] button and use

the [-] [+] buttons to get “E.Pt” to appear in the display.

fig.d-EfxPart.eps

Use the [-] [+] buttons to select the part to which you want to apply effects.

Setting

(Upper)

(Lower)

The effect will be preferentially applied to the Upper tone.

The effect will be preferentially applied to the Lower tone.

If same effects are assigned to the Upper Tone and Lower Tone, the same effects are added to both of Tones.

Description

System Settings

Specifying the Sound Control Setting at Power-on

You can change the Sound Control type that is selected when you turn on the power of the FP-4. You can also specify that Sound Control be off when you turn on the power.

Press the [Function] button.

Press the [Reverb] button.

Hold down the [Reverb] button and use the [-] [+]

buttons to get “S.Ct” to appear in the display.

fig.d-SndCtrl.eps

Use the [-] [+] buttons to change the setting.

Setting

When you turn on the power, the [Sound Control] button will be on, and the Type 1 Sound Control setting will be selected.

When you turn on the power, the [Sound Control] button will be on, and the Type 2 Sound Control setting will be selected.

When you turn on the power, the [Sound Control] button will be on, and the Type 3 Sound Control setting will be selected.

When you turn on the power, the [Sound Control] button will be off.

Description

Specifying the Equalizer Setting at Power-on

You can specify that the equalizer be on when you turn on the power.

You can also specify the equalizer type that will be selected if the equalizer is on when you turn on the power of the FP-4.

Press the [Function] button.

Press the [Reverb] button.

Hold down the [Reverb] button and use the [-] [+] buttons to get “Eq” to appear in the display.

fig.d-SndCtrl.eps

Settings

Equalizer Settings

Use the [-] [+] buttons to change the setting.

Setting Description

When you turn on the power, the [Equalizer] button will be on, and the Type 1 Equalizer setting will be selected.

When you turn on the power, the [Equalizer] button will be on, and the Type 2 Equalizer setting will be selected.

When you turn on the power, the [Equalizer] button will be on, and the Type 3 Equalizer setting will be selected.

When you turn on the power, the [Equalizer] button will be on, and the Type 4 Equalizer setting will be selected.

When you turn on the power, the [Equalizer] button will be off.

Adjusting the Volume (Master Gain)

If you’ve connected an external device to the Input jacks and want to listen to the sound from it, the sound from the external device may not be loud enough even if you’ve turned the FP4’s volume knob to the maximum position. In such cases, you can adjust the master gain setting as follows.

Adjusting the master gain will also affect the volume of the internal speakers and headphones.

NOTE

fig.d-Mas.eps

The sound may distort if you increase the volume excessively.

Press the [Function] button.

Press the [Reverb] button.

Hold down the [Reverb] button and use the [-] [+] buttons to get “MAS” to appear in the display.

Changing the Equalizer Settings

You can make fine, detailed changes to the equalizer settings. Before you make detailed adjustments to the equalizer

settings, select the equalizer type that you want to edit (p. 43).

Press the [Function] button.

Press the [Equalizer] button.

Hold down the [Equalizer] button, and press the [-] or [+] button to select item.

Use the [-] [+] buttons to change the setting.

Indication

(Low Gain)

(Low Freq)

(Low Mid Gain)

(Low Mid Freq)

Setting Description

-12–12 (dB)

100, 200, 400 (Hz)

-12–12 (dB)

200, 250, 315, 400, 500, 630, 800 (Hz),

1.00, 1.25,

1.60, 2.00,

2.50, 3.15,

4.00, 5.00,

6.30, 8.00 (KHz)

Adjusts the level of the lowfrequency range.

Frequency point in the lowfrequency range. Generally, this changes the level at and below this frequency.

Adjusts the level of the lowfrequency range to midrange.

Frequency point in the lowfrequency range to midrange. This changes the level of the specified bandwidth centered on this frequency.

Use the [-] [+] buttons to change the setting.

Setting

-10–10

(Low Mid Q)

0.5, 1.0,

2.0, 4.0, 8.0

Changes the bandwidth of the low-frequency range to midrange. The bandwidth affected by the controls narrows as the value increases.

Settings

Indication

(High Mid Gain)

(High Mid Freq)

(High Mid Q)

Setting Description

-12–12 (dB)

200, 250, 315, 400, 500, 630, 800 (Hz),

1.00, 1.25,

1.60, 2.00,

2.50, 3.15,

4.00, 5.00,

6.30, 8.00 (KHz)

0.5, 1.0,

2.0, 4.0, 8.0

Adjusts the level of the midto high-frequency range.

Frequency point in the midto high-frequency range to midrange. This changes the level of the specified bandwidth centered on this frequency.

Changes the bandwidth of the mid- to high-frequency range. The bandwidth affected by the controls narrows as the value increases.

Keyboard Settings

Changing the Keyboard Touch (Key Touch)

You can adjust the sensitivity with which the keyboard responds to your playing.

Press the [Function] button.

Press the [Transpose] button.

Hold down the [Transpose] button and use the

[-] [+] buttons to get “tch” to appear in the display.

fig.d-KeyTch.eps

(High Gain)

(High Freq)

NOTE

Sounds may become distorted as the Gain level increases.

The equalizer will be turned on when you access the Equalizer screen.

The FP-4 remembers the settings even while its power is turned off.

-12–12 (dB)

2.00, 4.00,

8.00 (KHz)

Adjusts the level of the highfrequency range.

Frequency point in the highfrequency range. Generally, this changes the level at and over this frequency.

Use the [-] [+] buttons to change the setting.

Setting

(OFF)

(Light)

(Medium)

(Heavy)

With this setting, all notes will sound at a fixed volume regardless of how strongly you play the keyboard.

This setting allows you to produce fortissimo (ff) sounds without having to play so strongly, giving you the sensation that the keyboard is lighter. A child whose hand strength is not yet developed will find it easy to play using this setting.

This setting offers the most natural-feeling touch, and is closest to the sensitivity of an acoustic piano.

This setting requires that you play more strongly in order to produce fortissimo (ff) sounds, giving you the sensation that the keyboard is heavier. With this setting, you’ll have greater expressive range when you play dynamically.

Description

You can specify the loudness at which each note will sound when the “OFF” keyboard touch is selected. Refer to “Changing the Velocity When the Key Touch is Set to “OFF”” (p. 87).

Settings

Changing the Velocity When the Key Touch is Set to “OFF”

This sets the velocity the sound will have when the keyboard touch is set to “OFF.”

If you turn the keyboard’s touch sensitivity “OFF,” all notes will sound at a fixed loudness regardless of how strongly you play the keyboard. The setting described below specifies the loudness in this case.

Press the [Function] button.

Press the [Transpose] button.

Hold down the [Transpose] button and use the

[-] [+] buttons to get “vEL” to appear in the display.

fig.d-vELosity.eps

Use the [-] [+] buttons to change the setting.

Setting

1–127

Changing the Pitch of the Lower Tone in Octave Steps (Octave Shift)

You can change the pitch of the Lower Tone in Dual Play (p.

29) and Split Play (p. 31) an octave at a time. Altering the pitch in one-octave units in this way is called

“Octave Shift.” For example, you can raise the pitch of the Lower Tone to the

same pitch of the Upper Tone in Split Play.

Press the [Function] button.

Press the [Split] button.

fig.d-OctShft.eps

Use the [-] [+] buttons to specify the pitch of the

notes.

The range of available pitch change spans from two octaves higher to two octaves lower.

The pitch is lowered one octave each time the [-] button is pressed, while each press of the [+] button raises the pitch by one octave.

To return to the original pitch, press the [-] and [+] buttons simultaneously.

-2–0–2

Setting

Settings

Session Partner Settings

Setting the Intro and Ending On or Off

This sets session partner Intro and Ending on or off. When set to “OFF,” pressing the [Session Partner] button causes the Intro and Ending not to be played.

Press the [Function] button.

Press the [Session Partner] button.

Hold down the [Session Partner] button and use the [-] [+] buttons to get “Itr” to appear in

the display.

fig.d-Intro.eps

Use the [-] [+] buttons to change the setting.

Selecting a Chord Progression Pattern

Here’s how to select the chord progression pattern for the currently selected rhythm used when Session Partner plays.

Press the [Function] button.

Press the [Session Partner] button.

Hold down the [Session Partner] button and use the [-] [+] buttons to get “Ptn” to appear in

the display.

fig.d-Ptn.eps

Use the [-] [+] buttons to change the setting.

Setting

(USr), 1–56

Setting

Description

Pressing the [Session Partner] button causes the Intro and Ending to be played.

Pressing the [Session Partner] button causes the Intro and Ending not to be played.

“USr” is displayed if there is a chord progression you yourself created (p. 54).

Settings

Selecting the Root Note of the Chord Progression

Here’s how to specify the root note of the first chord of currently Session Partner’s chord progression.

Press the [Function] button.

Press the [Session Partner] button.

Hold down the [Session Partner] button and use the [-] [+] buttons to get “rot” to appear in

the display.

fig.d-root.eps

Press the [-] [+] buttons or the key

corresponding to the root note of the first chord.

fig.Chart-note.eps

Display

Key

CCCCd

EEFFFFG

Fixing a Set Chord Progression

Session Partner contains chord progression pattern data that is suitable for each rhythm.

Here you can specify whether a chord progression suitable for the rhythm will be automatically selected when you switch the rhythm of the Session Partner function.

Press the [Function] button.

Press the [Session Partner] button.

Hold down the [Session Partner] button and

use the [-] [+] buttons to get “ACP” to appear in the display.

fig.d-ACP.eps

Use the [-] [+] buttons to change the setting.

Setting

When you change rhythms, the chord progression pattern will switch to the pattern that is most suitable for the selected rhythm.

Description

When the rhythm changes, the chord progression pattern does not change.

Settings

Setting the Chord Display On or Off

This setting determines whether or not the chords are indicated in the display during performances using Session Partner.

Press the [Function] button.

Press the [Session Partner] button.

Hold down the [Session Partner] button and use the [-] [+] buttons to get “chd” to appear in

the display.

fig.d-chd.eps

Use the [-] [+] buttons to change the setting.

Setting

Description

Initializing (Formatting) Memory

Initializing Internal Memory

The FP-4 contains a storage area in which you can save your recorded performances or your registration sets. This area is called “internal memory.”

If you want to erase the entire contents of internal memory and restore it to the factory-set condition, execute the following procedure.

Press the [Function] button.

Press the Track [2] button.

While you hold down the Track [2] button, the display will indicate “FMt.”

fig.d-Format.eps

Chords are displayed.

Chords are not displayed.

When you take your finger off the Track [2] button, a confirmation message will appear.

fig.d-Sure.eps

If you press the [Play] button once again, you will return to the previous screen without initializing.

Press the [Rec] button.

Initialization will begin. The entire contents of internal memory will be erased.

* Never turn off the power before the screen indicates

“End.” Doing so may destroy the FP-4’s memory, rendering it unusable.

NOTE

This operation will not initialize any settings other than the contents of internal memory. If you want to return settings other than internal memory to the factory-set state, please execute Factory Reset (p.

91).

Settings

Metronome Setting

Changing the Beat of Metronome

You can specify the time signature at which the metronome will sound.

When you record your own performance, it will be recorded with the time signature you specify here.

Press the [Function] button.

Press the [Metronome] button.

fig.d-bEat.eps

When you release your finger from the button, the currently selected time signature will be displayed.

Press the [-] [+] buttons to select the beat.

fig.d-beatValue.eps

Other Settings

Restoring the Factory-set Condition (Factory Reset)

You can restore the settings you’ve changed on the FP-4 to their factory-set condition. This operation is called “Factory Reset.”

NOTE

When you perform a Factory Reset, all the settings you have stored will be erased, and the FP-4 will return to the factory-set condition. This operation will not restore the contents of internal memory to the factory-set condition.

Refer to “Initializing Internal Memory” (p. 90). Executing “Factory Reset” results in deletion of the

registration settings. If you want to keep any data you have stored, use the “Bulk Dump” operation to save the data to an external sequencer (p. 104).

Turn the volume to the minimum, and press the [Power] switch to turn off the power.

Indication

When you change the rhythm or the Internal song, the beat of metronome is changed.

Beat Indication Beat

2/2 6/4

Weak beats only 7/4

2/4 3/8

3/4 6/8

4/4 9/8

5/4 12/8

Hold down the [Function] button, and press the

[Power] switch to turn on the power.

Continue holding down the [Function] button until “Fct” appears in the display.

fig.d-FctryRst.eps

“Fct” appears in the display. Then, the screen goes back to normal.

NOTE

You cannot change the metronome beat while a song or Rhythm is being played.

Settings

Disabling the Buttons (Panel Lock)

If you activate the Panel Lock function, buttons will not operate when they are pressed. You can use this to prevent children from inadvertently changing the settings by pressing buttons.

Hold down the [Function] button and press the

[Equalizer] button.

The Panel Lock function will be turned on. The following display appears.

fig.d_---.eps

Releasing the Panel Lock

Hold down the [Function] button and press the [Equalizer] button.

The “- - -” indication will disappear from the screen.

If you have pressed a Tone button to select a tone before you activate Panel Lock, you’ll be able to play the specified tone. You can’t change tone while Panel Lock is active, so you’ll need to select a tone before you activate Panel Lock.

Using the V-LINK Function

Connecting the FP-4 to a V-LINK compatible image device allows you to control the images with the FP-4.

NOTE

V-LINK

V-LINK ( ) is functionality promoted by Roland that allows linked performance of music and visual material. By using V-LINK-compatible video equipment, visual effects can be easily liked to, and made part of the expressive elements of a performance.

How to Use the V-LINK

fig.d_VLink.eps

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Hold down the [Sound Control] button and press the [Equalizer] button.

The lower part of the display will show “. . .” to indicate that video control mode is active.

You can control images using the twelve keys at the left end of the keyboard.

fig.V-Link.eps

A0–A 1 (lowest twelve keys)

NOTE

While V-LINK is switched on, no sound is produced when you press any of the twelve keys at the left end of the keyboard.

To deactivate the V-LINK function, hold down the [Sound Control] button and press the [Equalizer] button.

Connecting Other

Equipment

Connecting Audio Equipment................................................................ 94

Sending the Sound to External Speakers................................................................ 94

Listening to a CD from the FP-4’s Speakers............................................................. 95

Recording an FP-4 Performance to an External Device........................... 96

Recording an FP-4 Performance to a CD or Cassette Tape, etc. ................................ 96

Using Your Computer to Create a CD ................................................................... 97

Connecting to a Computer.................................................................... 98

Connecting to a Computer via the USB (MIDI) Connector......................................... 98

Connecting to MIDI Devices .................................................................. 99

What’s MIDI?..................................................................................................... 99

Making the Connections...................................................................................... 99

Using the FP-4 to Play Another MIDI Sound Module .............................................. 100

MIDI Settings.................................................................................................... 100

Connecting Audio Equipment

By connecting audio equipment to the FP-4, you can listen to its sound from the speakers of your audio system, or listen to sound from your audio system via the FP-4’s speakers.

To make connections, use an audio cable with 1/4” phone plugs.

NOTE

Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Sending the Sound to External Speakers

If you’ll be playing the FP-4 in a larger space, such as in a concert, you can connect amplified speakers to make the sound louder.

Make connections as shown below.

fig.cnct-speaker1.eps

Output jacks Speaker switch

Amplified Speakers, etc.

Input (Line In) jacks

• Sound will still be heard from the FP-4’s internal speakers even if you connect external speakers. If you don’t want to hear the internal speakers, turn the [Speaker switch “Off” so that sound will be heard only from the external speakers.

* If headphones are connected, no sound will emanate from the FP-4’s speakers even if the

[Speaker] switch is in the “On” position.

* If you connect the FP-4 to an external device (such as an external speaker) in monaural, it

may sound differently than when using a stereo connection.

Listening to a CD from the FP-4’s Speakers

If you connect your CD player or cassette tape player to the FP-4 so that the sound is heard from the FP-4’s speakers, you can perform on the FP-4 while you listen to the accompaniment provided by the song of the tape cassette or CD.

Make connections as shown below.

fig.cnct-speaker2.eps

Input jacks

Connecting Audio Equipment

CD Player, etc.

Output (Line Out) jacks

* If you need to change the volume of the CD, adjust the volume on the connected CD

player.

Recording an FP-4 Performance to an External Device

NOTE

Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Recording an FP-4 Performance to a CD or Cassette Tape, etc.

Using the Roland CD-2 or Other Dedicated Unit to Create a CD

By using a Roland CD-2, you can record your FP-4 performance directly to a CD without using a computer.

fig.cnct-rec2.eps

Output jacks

Recording an FP-4 Performance to an Cassette Tape

You can record an FP-4 performance on cassette tape. This is a convenient way for you to check the results of your practicing or to let a friend hear your performance.

Make connections as shown below.

fig.cnct-rec1.eps

Output jacks

Cassette Tape recorder, etc.

Input (Line In) jacks

Roland CD-2, etc.

Input (LINE IN) jacks

Recording an FP-4 Performance to an External Device

Using Your Computer to Create a CD

In order to use your computer to record a performance from the FP-4, you’ll need a drive that can write CDs, and software such as “Windows Media Player” (in Windows) or “iTunes” (in Mac OS).

fig.cnct-rec4.eps

NOTE

These requirements are met by most computers today, but some versions are unable to create a CD. For details, refer to the owner’s manual or online help for your software.

FP-4 Output

FP-4

jacks

Output

jacks

Input

jacks

LIne IN

jacks

(UA-1EX, etc.)

R-09

Transmit the audio file (.WAV) from the R-09 to your computer via the USB connection.

USB Audio

Interface

Computer

Use audio recording software to create “.wav files.”

Computer

Use software such as “Windows Media Player,”

“iTunes,” etc. on

your computer to write the files to a CD.

Use software such as “Windows Media Player,”

“iTunes,” etc. on

your computer to write the files to a CD.

Connecting to a Computer

Connecting to a Computer via the USB (MIDI) Connector

If you use a USB cable (commercially available) to connect the USB (MIDI) connector located on the FP-4’s rear panel to the USB connector of your computer, you’ll be able to do the following things.

• Use the FP-4 to play SMF music files played back by MIDIcompatible software.

• By transferring MIDI data between the FP-4 and your sequencer software, you’ll be able to enjoy a wide range of possibilities for music production and editing.

Connect the FP-4 to your computer as shown below.

fig.cnct-usb2.eps

Caution

• To avoid the risk of malfunction and/or speaker damage, always make sure to turn the volume all the way down and turn off the power on all equipment before you make any connections.

• Only MIDI data can be transmitted and received via USB.

• A USB cable is not included. If you need to obtain one, ask the dealer where you purchased the FP-4.

• Switch on power to the FP-4 before you start up the MIDI application on your computer. Don’t turn the FP-4’s power on/off while your MIDI application is running.

Changing the USB Driver Settings

Press the [Function] button.

USB cable

USB connector

Computer

* Refer to the Roland website for system requirements.

Roland website: http://www.roland.com/

If connection to your computer is unsuccessful...

Normally, you don’t need to install a driver in order to connect the FP-4 to your computer. However, if some problem occurs, or if the performance is poor, using the Roland original driver may solve the problem.

For details on downloading and installing the Roland original driver, refer to the Roland website.

Roland website:http://www.roland.com/

Specify the USB driver you want to use, and then install the driver. For details, refer to “Changing the USB Driver Settings” (p. 98).

Press the [Reverb] button.

While holding down the [Reverb] button, use

the [-] [+] buttons to make the display indicate “USb.”

Press the [-] or [+] button to select the USB driver you want to use.

Setting

(Generic)

(Original)

Choose this if you want to use the standard USB driver that was included with your computer. Normally, you should use this mode.

Choose this if you want to use a USB driver downloaded from the Roland website.

Description

Turn the power off, then on again.

Connecting to MIDI Devices

The FP-4 provides MIDI connectors so that performance data can be transferred between it and other devices. By using these connectors to connect other devices with the FP-4, you can take advantage of a wide range of possibilities.

What’s MIDI?

“MIDI” stands for “Musical Instrument Digital Interface.” It is a universal standard that allows performance data to be exchanged among electronic musical instruments and computers.

The FP-4 contains a General MIDI 2 compatible sound generator.

Making the Connections

To prevent malfunction and/or damage to speakers

NOTE

or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

MIDI cables are not included. Consult your Roland dealer if you need to purchase.

Turn the volume all the way down on the FP-4 and the device you’re about to connect.

General MIDI

The General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meets the General MIDI standard bears the General MIDI logo. Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance.

General MIDI 2

The upwardly compatible General MIDI 2 recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility. Issues that were not covered by the original General MIDI recommendations, such as how sounds are to be edited, and how effects should be handled, have now been precisely defined. Moreover, the available sounds have been expanded. General MIDI 2 compliant sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo.

In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as “General MIDI 1” as a way of distinguishing it from General MIDI 2.

Turn off the power to the FP-4 and the device

being connected.

Connect a MIDI cable (sold separately) between the MIDI connectors on each device.

Switch on the power to the FP-4 and the connected device.

Adjust the volume level on the FP-4 and the connected device.

You should also set the MIDI settings as needed.

You may need to set things such as the MIDI transmit channel (p. 100) and the Local on/off setting (p. 101).

Connectors

fig.cnct-midi1.eps

MIDI Out Connector

Sends data about what is being played on the keyboard and other performance data.

Connect to the MIDI In connector on the external MIDI device.

MIDI In Connector

Receives messages sent from external MIDI devices. Connect to the MIDI Out connector on the external MIDI

device.

Connecting to MIDI Devices

Using the FP-4 to Play Another MIDI Sound Module

You can use the FP-4 to play sounds on another connected MIDI sound generating device (a sound module or instrument that supports the MIDI specification). This lets you layer sounds to create a richer performance, or play sounds on an external sound module that does not have a keyboard.

In order to use this type of connection, you must set the FP-4’s transmit channel to match the receive channel of your external MIDI equipment (p. 100).

Connection Example: Connection to a MIDI Sound Module

fig.cnct-midi2.eps

MIDI Out connector

MIDI cable

MIDI Settings

Matching the Channels of the FP-4 and the Connected Device (MIDI Transmit Channel)

This setting specifies the MIDI channel on which the transmit.

MIDI uses sixteen “MIDI channels,” which are numbered 1 through 16. By connecting MIDI devices and specifying the appropriate MIDI channel for each device, you can play or select sounds on those devices.

The FP-4 will receive all sixteen channels (1–16).

Press the [Function] button.

Press the [Sound Control] button.

Hold down the [Sound Control] button, and press the [-] or [+] button so [U.Ch] or [L.Ch] is

displayed.

FP-4

will

MIDI

THRU OUT

MIDI Sound Module

MIDI IN connector

Item

MIDI transmit channel of the Upper tone

MIDI transmit channel of the Lower tone

Press the [-] or [+] button to select the

Description

transmission channel.

Setting (Channel)

OFF

, 1–16

NOTE

If you choose the “OFF” setting, MIDI data will not be transmitted.

For details on connecting MIDI devices, refer to “Making the Connections” (p. 99).

100

Roland FP-4 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Introduction

About the Manual

Conventions in this Manual

Main Features

USING THE UNIT SAFELY

Important Notes

Names of Things and What They Do

Before You Play

Getting Ready to Play

Connecting the AC Adaptor

Turning the Power On/Off

Adjusting the Volume

Attaching the Music Rest

Connecting the Pedals

Listening through Headphones

Listening to Songs

Listening to Demo Songs

Listening to Internal Songs

Changing the Volume of the Song

Playing Back All Songs Continuously (All Song Play)

Listening to Each Part Separately (Track Mute)

Determining the Volume of a Muted Track

Listening to Songs Saved in Internal Memory

Performing

Performing with a Variety of Sounds

Performing with Two Layered Tones (Dual Play)

Changing the Tone Variations

Performing with Different Tones in the Left and Right Sides of the Keyboard (Split Play)

Switching Tone Groups and Tone Variations

Changing the Keyboard’s Split Point

Changing the Volume Balance for Dual Play and Split Play

Adjusting the Keyboard Sensitivity (Key Touch)

Adding Reverberation to Sounds (Reverb Effect)

Changing the Depth of Reverb Effect

Adding a Variety Effects to the Sound (Effects)

Adding a Spinning Sound to Organ Tones (Rotary Effect)

Transposing the Key of the Keyboard (Key Transpose)

Performing with the Metronome

Changing the Tempo

Changing the Volume

Adding Liveliness to the Sound (Sound Control)

Changing the Tonal Quality (Equalizer)

Changing the Equalizer Type

Playing Along with Rhythms

What is Session Partner?

Performing Along with Session Partner

Changing the Volume of the Session Partner Performance

Selecting Parts

Selecting a Rhythm

Changing a Rhythm’s Tempo

Selecting a Rhythm’s Chord Progression

Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)

Changing the Rhythm Pattern (Original/Variation)

Recording the Chord Progression

Changing the Number of Measures of the Chord Progression You Record

Saving Your Favorite Performance Settings

About the Performance Settings (Registration)

Storing Your Performance Settings (Registration)

Recalling a Registration

Saving a Registration Set

Loading a Registration Set You Saved

Deleting a Registration Set You Saved

Using a Pedal to Switch Registrations

Recording

Recording a New Song

Recording Your Playing Along with a Song

Recording Your Performance with Session Partner

Recording Selected Track Buttons

Erasing Recorded Performances

Saving a Performance

Saving the Songs You Record

Deleting a Saved Song

Settings

Tuning Settings

Matching the Pitch with Other Instruments (Master Tuning)

Adjusting the Tuning (Temperament)