Page 1
MIDI Implementation
Model： FP-30X
Date： Aug. 1. 2021
Version： 1.00
1.Receive Data
■Channel Voice Messages
●Note Off
Status 2nd byte 3rd byte
8nH kkH vvH
9nH kkH 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
kk = note number: 00H–7FH (0–127)
vv = note off velocity: 00H–7FH (0–127)
* For the drum part, this message is not received by certain instruments.
●Note On
Status 2nd byte 3rd byte
9nH kkH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
kk = note number: 00H–7FH (0–127)
vv = note on velocity: 01H–7FH (1–127)
●Control Change
* The value specified by a Control Change message will not be reset even by a Program Change, etc.
○Bank Select (Controller Number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm, ll = Bank number: 00H, 00H–7FH, 7FH (bank.1–bank.16384),
Initial Value = 00 00H (bank.1)
* If “GM1 System On” is received, Bank Select is not received.
* Bank Select is transmitted at power-on and when “GM2 System On” is received.
* Bank Select processing will be suspended until a Program Change message is received.
○Modulation (Controller Number 1)
Status 2nd byte 3rd byte
BnH 01H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Modulation depth: 00H–7FH (0–127)
* The resulting effect is determined by System Exclusive messages. With the initial settings, this is Pitch Modulation Depth.
○Portamento Time (Controller Number 5)
Status 2nd byte 3rd byte
BnH 05H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Portamento Time: 00H–7FH (0–127), Initial value = 00H (0)
* This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the
fastest change.
○Data Entry (Controller Number 6, 38)
Status 2nd byte 3rd byte
BnH 06H mmH
BnH 26H llH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm, ll = the value of the parameter specified by RPN
mm = MSB, ll = LSB
○Volume (Controller Number 7)
Status 2nd byte 3rd byte
BnH 07H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Volume: 00H–7FH (0–127), Initial Value = 64H (100)
* Volume messages are used to adjust the volume balance of each Part.
○Pan (Controller Number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = pan: 00H–40H–7FH (Left–Center–Right),
Initial Value = 40H (Center)
* For Rhythm Parts, this is a relative adjustment of each Instrument’s pan setting.
* Some Tones might not be capable of being panned all the way to the left or right, or might not be able to respond to this message.
○Expression (Controller Number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Expression: 00H–7FH (0–127), Initial Value = 7FH (127)
* This adjusts the volume of a Part. It can be used independently from Volume messages. Expression messages are used for musical
expression within a performance; e.g., expression pedal movements, crescendo and decrescendo.
○Hold 1 (Controller Number 64)
Status 2nd byte 3rd byte
BnH 40H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
○Portamento (Controller Number 65)
Status 2nd byte 3rd byte
BnH 41H vvH
1
Page 2
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
0–63 = OFF, 64–127 = ON
○Sostenuto (Controller Number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
0–63 = OFF, 64–127 = ON
○Soft (Controller Number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
* Some Tones will not exhibit any change.
○Resonance (Controller Number 71)
Status 2nd byte 3rd byte
BnH 47H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv= Resonance value (relative change): 00H–7FH(-64–0–+63),
Initial value = 40H (no change)
* Some Tones will not exhibit any change.
○Release Time (Controller Number 72)
Status 2nd byte 3rd byte
BnH 48H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Release Time value (relative change): 00H–7FH(-64–0–+63),
Initial value = 40H (no change)
* Some Tones will not exhibit any change.
○Attack Time (Controller Number 73)
Status 2nd byte 3rd byte
BnH 49H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Attack time value (relative change): 00H–7FH(-64–0–+63),
Initial value=40H (no change)
* Some Tones will not exhibit any change.
○Cutoff (Controller Number 74)
Status 2nd byte 3rd byte
BnH 4AH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Cutoff value (relative change): 00H–7FH(-64–0–+63),
Initial value = 40H (no change)
* Some Tones will not exhibit any change.
○Decay Time (Controller Number 75)
Status 2nd byte 3rd byte
BnH 4BH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Decay Time value (relative change): 00H–7FH(-64–0–+63),
Initial value = 40H (no change)
* Some Tones will not exhibit any change.
○Vibrato Rate (Controller Number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Vibrato Rate value (relative change): 00H–7FH(-64–0–+63),
Initial value = 40H (no change)
* Some Tones will not exhibit any change.
○Vibrato Depth (Controller Number 77)
Status 2nd byte 3rd byte
BnH 4DH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Vibrato Depth Value (relative change): 00H–7FH(-64–0–+63),
Initial Value = 40H (no change)
* Some Tones will not exhibit any change.
○Vibrato Delay (Controller Number 78)
Status 2nd byte 3rd byte
BnH 4EH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Vibrato Delay value (relative change): 00H–7FH(-64–0–+63),
Initial value=40H (no change)
* Some Tones will not exhibit any change.
○Effect 1 (Reverb Send Level) (Controller Number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127), Initial Value = 28H (40)
* This message adjusts the Reverb Send Level of each Part.
○Effect 3 (Chorus Send Level) (Controller Number 93)
Status 2nd byte 3rd byte
BnH 5DH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127), Initial Value = 00H (0)
* This message adjusts the Chorus Send Level of each Part.
○RPN MSB/LSB (Controller Number 100, 101)
2
Page 3
Status 2nd byte 3rd byte
BnH 65H mmH
BnH 64H llH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm = upper byte (MSB) of parameter number specified by RPN
ll = lower byte (LSB) of parameter number specified by RPN
* The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller.
**RPN**
The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI
Standard.
To use these messages, you must first use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data
Entry messages to specify the value of the specified parameter. Once an RPN parameter has been specified, all Data Entry messages
received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN
Number = 7FH 7FH) when you have finished setting the value of the desired parameter. Refer to Section 4. “Examples of actual MIDI
messages” <Example 4>
On this instrument, RPN can be used to modify the following parameters.
RPN Data entry
MSB LSB MSB LSB Explanation
00H 00H mmH --- Pitch Bend Sensitivity
mm: 00H–18H (0–24 semitones),
Initial Value = 02H (2 semitones)
ll: ignored (processed as 00h)
specify up to 2 octaves in semitone steps
00H 01H mmH llH Master Fine Tuning
mm, ll: 00 00H–40 00H–7F 7FH
(-100–0–+99.99 cents),
Refer to 4. Supplementary Material,
“About Tuning”
00H 02H mmH --- Master Coarse Tuning
mm: 00H–40H–7FH
(-64–0–+63 semitones),
ll: ignored (processed as 00h)
00H 05H mmH llH Modulation Depth Range
mm: 00H–04H (0–4 semitones)
ll: 00H–7FH (0–100 cents)
100/128 Cent/Value
7FH 7FH --- --- RPN null
Set a condition in which RPN is not
specified. The data entry messages
after set RPN null will be ignored.
(No Data entry messages are required
after RPN null).
Settings already made will not change.
mm, ll: ignored
●Program Change
Status 2nd byte
CnH ppH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
pp = Program number: 00H–7FH (prog.1–prog.128)
* The sound will change beginning with the next note-on after the Program Change is received.
●Channel Pressure
Status 2nd byte
DnH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Channel Pressure: 00H–7FH (0–127)
* The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect.
●Pitch Bend Change
Status 2nd byte 3rd byte
EnH llH mmH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm, ll = Pitch Bend value: 00 00H–40 00H–7F 7FH
(-8192–0–+8191)
* The resulting effect is determined by System Exclusive messages. With the initial settings the effect is Pitch Bend.
■Channel Mode Messages
●All Sounds Off (Controller Number 120)
Status 2nd byte 3rd byte
BnH 78H 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When this message is received, all currently-sounding notes on the corresponding channel will be turned off immediately.
●Reset All Controllers (Controller Number 121)
Status 2nd byte 3rd byte
BnH 79H 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When this message is received, the following controllers will be set to their reset values.
Controller Reset value
Pitch Bend Change ±0 (Center)
Channel Pressure 0 (off)
Modulation 0 (off)
Expression 127 (max)
Hold 1 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft 0 (off)
RPN unset; previously set data will not change
●All Notes Off (Controller Number 123)
3
Page 4
Status 2nd byte 3rd byte
BnH 7BH 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When All Notes Off is received, all notes on the corresponding channel will be turned off.
However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.
●OMNI OFF (Controller Number 124)
Status 2nd byte 3rd byte
BnH 7CH 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* The same processing will be carried out as when All Notes Off is received.
●OMNI ON (Controller Number 125)
Status 2nd byte 3rd byte
BnH 7DH 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* OMNI ON is only recognized as “All notes off”; the Mode doesn’t change (OMNI OFF remains).
●MONO (Controller Number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm = mono number: 01H (1)
* The same processing will be carried out as when All Notes Off is received, and the corresponding channel will be set to Mode 4
(M=1). Only M=1 is supported.
●POLY (Controller Number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* The same processing will be carried out as when All Notes Off is received, and the corresponding channel will be set to Mode 3.
■System Exclusive Message
Status Data byte Status
F0H iiH, ddH, ......, eeH F7H
F0H: System Exclusive Message status
ii = ID number: An ID number (manufacturer ID) to indicate the
manufacturer whose Exclusive message this is.
Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the
MIDI standard; Universal Non-realtime Messages
(7EH) and Universal Realtime Messages (7FH).
dd,...,ee = data: 00H–7FH (0–127)
F7H: EOX (End Of Exclusive)
The System Exclusive Messages received by this instrument are; messages related to mode settings, Universal Realtime System Exclusive
messages, and Universal Non-realtime System Exclusive messages.
●System Exclusive Messages Related to Mode Settings
These messages are used to initialize a device to GM mode.
When creating performance data, you should insert “GM1 System On” at the beginning of a GM1 score, or “GM2 System On” at the
beginning of a GM2 score. However, each song should contain only the single mode message that is appropriate for that song. (Do not
insert multiple mode setting messages in the same song.)
“GM System On” uses Universal Non-realtime Message format.
○GM1 System On
This is a command message that resets the internal settings of the unit to the General MIDI initial state (General MIDI System-Level
1). After receiving this message, this instrument will automatically be set to the proper condition for correctly playing a GM1
score.
Status Data byte Status
F0H 7EH, 7FH, 09H, 01H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
01H Sub ID#2 (General MIDI 1 On)
F7H EOX (End Of Exclusive)
* Once this message is received, Bank Select is no longer received.
* There must be an interval of at least 50 ms between this message and the next.
○GM2 System On
This is a command message that resets the internal settings of the unit to the General MIDI initial state (General MIDI System-Level
2). After receiving this message, this instrument will automatically be set to the proper condition for correctly playing a GM2
score.
Status Data byte Status
F0H 7EH 7FH 09H 03H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
03H Sub ID#2 (General MIDI 2 On)
F7H EOX (End Of Exclusive)
* When this message is received, this instrument will be able to receive the messages specified by General MIDI 2, and use the
General MIDI 2 soundmap.
* There must be an interval of at least 50 ms between this message and the next.
●Universal Realtime System Exclusive Messages
○Master Volume
4
Page 5
Status Data byte Status
F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control messages)
01H Sub ID#2 (Master Volume)
llH Master volume lower byte
mmH Master volume upper byte
F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H)
mmH: 00H–7FH 0–127
* The lower byte (llH) of Master Volume will be handled as 00H.
○Master Fine Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
03H Sub ID#2 (Master Fine Tuning)
llH Master Fine Tuning LSB
mmH Master Fine Tuning MSB
F7H EOX (End Of Exclusive)
llH, mmH: 00 00H–40 00H–7F 7FH (-100–0–+99.9 [cents])
○Master Coarse Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 04H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
04H Sub ID#2 (Master Coarse Tuning)
llH Master Coarse Tuning LSB
mmH Master Coarse Tuning MSB
F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H)
mmH: 28H–40H–58H (-24–0–+24 [semitones])
●Global Parameter Control
Parameters of the Global Parameter Control are newly provided for the General MIDI 2.
○Reverb Parameters
Status Data byte Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
01H, 01H, 01H, ppH, vvH
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter ID width
01H Value width
01H Slot path MSB
01H Slot path LSB (Effect 0101: Reverb)
ppH Parameter to be controlled.
vvH Value for the parameter.
F7H EOX (End Of Exclusive)
pp=0 Reverb Type
vv = 00H Small Room (Room1)
vv = 01H Medium Room (Room2)
vv = 02H Large Room (Room3)
vv = 03H Medium Hall (Hall1)
vv = 04H Large Hall (Hall2)
vv = 08H Plate (Plate)
pp=1 Reverb Time
vv = 00H–7FH 0–127
○Chorus Parameters
Status Data byte Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
01H, 01H, 02H, ppH, vvH
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter ID width
5
Page 6
01H Value width
01H Slot path MSB
02H Slot path LSB (Effect 0102: Chorus)
ppH Parameter to be controlled.
vvH Value for the parameter.
F7H EOX (End Of Exclusive)
pp=0 Chorus Type
vv = 00H Chorus1
vv = 01H Chorus2
vv = 02H Chorus3
vv = 03H Chorus4
vv = 04H FB Chorus
vv = 05H Flanger
pp=1 Mod Rate
vv = 00H–7FH 0–127
pp=2 Mod Depth
vv = 00H–7FH 0–127
pp=3 Feedback
vv = 00H–7FH 0–127
pp=4 Send To Reverb
vv = 00H–7FH 0–127
○Channel Pressure
Status Data byte Status
F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
01H Sub ID#2 (Channel Pressure)
0nH MIDI Channel (00H–0FH)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)
pp=0 Pitch Control
rr = 28H–58H -24–+24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H–7FH -9600–+9450 [cents]
pp=2 Amplitude Control
rr = 00H–7FH 0–200 [%]
pp=3 LFO Pitch Depth
rr = 00H–7FH 0–600 [cents]
pp=4 LFO Filter Depth
rr = 00H–7FH 0–2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H–7FH 0–100 [%]
○Controller
Status Data byte Status
F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, F7H
ppH, rrH
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
03H Sub ID#2 (Control Change)
0nH MIDI Channel (00H–0FH)
ccH Controller number (00–1FH, 40–5FH)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)
pp=0 Pitch Control
rr = 28H–58H -24–+24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H–7FH -9600–+9450 [cents]
pp=2 Amplitude Control
rr = 00H–7FH 0–200 [%]
pp=3 LFO Pitch Depth
rr = 00H–7FH 0–600 [cents]
pp=4 LFO Filter Depth
rr = 00H–7FH 0–2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H–7FH 0–100 [%]
○Scale/Octave Tuning Adjust
Status Data byte Status
F0H 7EH, 7FH, 08H, 08H, ffH, ggH, F7H
hhH, ssH...
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
08H Sub ID#1 (MIDI Tuning Standard)
08H Sub ID#2 (scale/octave tuning 1-byte form)
ffH Channel/Option byte1
bits 0 to 1 = channel 15 to 16
bits 2 to 6 = Undefined
ggH Channel byte2
6
Page 7
bits 0 to 6 = channel 8 to 14
hhH Channel byte3
bits 0 to 6 = channel 1 to 7
ssH 12 byte tuning offset of 12 semitones from C to B
00H = -64 [cents]
40H = 0 [cents] (equal temperament)
7FH = +63 [cents]
F7H EOX (End Of Exclusive)
○Key-Based Instrument Controllers
Status Data byte Status
F0H 7FH, 7FH, 0AH, 01H, 0nH, F7H
kkH, nnH, vvH...
Byte Explanation
F0H Exclusive status
7FH ID number (Universal Realtime Message)
7FH Device ID (Broadcast)
0AH Sub ID#1 (Key-Based Instrument Control)
01H Sub ID#2 (Controller)
0nH MIDI Channel (00–0FH)
kkH Key Number
nnH Controller Number
vvH Value
F7H EOX (End Of Exclusive)
nn=07H Level
vv = 00H–7FH 0–200 [%] (Relative)
nn=0AH Pan
vv = 00H–7FH Left–Right (Absolute)
nn=5BH Reverb Send
vv = 00H–7FH 0–127 (Absolute)
nn=5DH Chorus Send
vv = 00H–7FH 0–127 (Absolute)
* This parameter effects drum instruments only.
●Universal Non-realtime System Exclusive Messages
○Identity Request Message
Status Data byte Status
F0H 7EH, 10H, 06H, 01H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
10H Device ID
06H Sub ID#1 (General Information)
01H Sub ID#2 (Identity Request)
F7H EOX (End Of Exclusive)
* Device ID = 10H or 7FH
2.Transmit Data
■Channel Voice Messages
●Note Off
Status 2nd byte 3rd byte
8nH kkH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
kk = note number: 00H–7FH (0–127)
vv = note off velocity: 00H–7FH (0–127)
●Note On
Status 2nd byte 3rd byte
9nH kkH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
kk = note number: 00H–7FH (0–127)
vv = note on velocity: 01H–7FH (1–127)
●Control Change
○Bank Select (Controller Number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
mm, ll = Bank number: 00H, 00H–7FH, 7FH (bank.1–bank.16384)
○Volume (Controller Number 7)
Status 2nd byte 3rd byte
BnH 07H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Volume: 00H–7FH (0–127), Initial Value = 64H (100)
○Expression (Controller Number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Expression: 00H–7FH (0–127), Initial Value = 7FH (127)
○Hold 1 (Controller Number 64)
Status 2nd byte 3rd byte
BnH 40H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
7
Page 8
vv = Control value: 00H–7FH (0–127)
○Sostenuto (Controller Number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H-7FH (0-127)
0 = OFF, 127 = ON
○Soft (Controller Number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
○Effect 1 (Reverb Send Level) (Controller Number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
vv = Control value: 00H–7FH (0–127)
●Program Change
Status 2nd byte
CnH ppH
n = MIDI channel number: 0H–FH (ch.1–ch.16)
pp = Program number: 00H–7FH (prog.1–prog.128)
■System Exclusive Messages
○Identity Reply
Status Data byte Status
F0H 7EH, 10H, 06H, 02H, 41H, 19H, 03H, F7H
00H, 00H, 1CH, 01H, 00H, 00H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
10H Device ID
06H Sub ID#1 (General Information)
02H Sub ID#2 (Identity Reply)
41H ID number (Roland)
19H Device family code (LSB)
03H Device family code (MSB)
00H Device family number code (LSB)
00H Device family number code (MSB)
1CH Software revision level
01H Software revision level
00H Software revision level
00H Software revision level
F7H EOX (End of Exclusive)
3.Supplementary Material
●Decimal and Hexadecimal Table
In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7
bits.
The following table shows how these correspond to decimal numbers.
+------+------++------+------++------+------++------+------+
| D | H || D | H || D | H || D | H |
+------+------++------+------++------+------++------+------+
| 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H |
| 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H |
| 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H |
| 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H |
| 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H |
| 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H |
| 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H |
| 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H |
| 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H |
| 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H |
| 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH |
| 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH |
| 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH |
| 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH |
| 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH |
| 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH |
| 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H |
| 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H |
| 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H |
| 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H |
| 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H |
| 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H |
| 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H |
| 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H |
| 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H |
| 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H |
| 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH |
| 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH |
| 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH |
| 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH |
| 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH |
| 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH |
8
Page 9
+------+------++------+------++------+------++------+------+
D: decimal
H: hexadecimal
* Decimal values such as MIDI channel, bank select, and program change are listed as one (1) greater than the values given in the
above table.
* A 7-bits byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more
bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bits bytes would indicate a value of aa x 128 + bb.
* In the case of values which have a ± sign, 00H = -64, 40H = ±0, and 7FH = +63, so that the decimal expression would be 64 less
than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = ±0, and 7F 7FH = +8191. For example if
aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x 128.
* Data marked “nibbled” is expressed in hexadecimal in 4-bits units. A value expressed as a 2-byte nibble 0a 0bH has the value of a
x 16 + b.
<Example 1>
What is the decimal expression of 5AH?
>From the preceding table, 5AH = 90
<Example 2>
What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?
>From the preceding table, since 12H = 18 and 34H = 52
18 x 128 + 52 = 2356
<Example 3>
What is the decimal expression of the nibbled value 0A 03 09 0D?
>From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885
<Example 4>
What is the nibbled expression of the decimal value 1258?
16) 1258
16) 78... 10
16) 4... 14
---------------
0... 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E 0AH.
●Examples of Actual MIDI Messages
<Example 1> 92 3E 5F
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI
CH = 3, note number 62 (note name is D4), and velocity 95.
<Example 2> CE 49
CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with
MIDI CH = 15, program number 74 (Flute in GS).
<Example 3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40)
is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is 28 00H
- 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change 200 cents, so in this case -200 x
(-3072) / (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.
<Example 4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the controller number, and
the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision
called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages
have the following meaning.
B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H
(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH
(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH
In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN
parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets
the maximum pitch bend range to +/- 12 semitones (1 octave). (On GS sound sources the LSB of Pitch Bend Sensitivity is ignored, but
the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.)
Once the parameter number has been specified for RPN, all Data Entry messages transmitted on that same channel will be valid, so
after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is
the reason for the (B3) 64 7F (B3) 65 7F at the end.
It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in
<Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able
to transmit the correct status, and the sound source will then misinterpret the data. Take care to give each event its own status.
It is also necessary that the RPN parameter number setting and the value setting be done in the proper order. On some sequencers,
events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were
received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks
for TPQN = 480).
* TPQN: Ticks Per Quarter Note
●About Tuning
In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the appropriate MIDI channel.
In MIDI, all parts can be tuned by sending RPN#1 to each of the MIDI channels that you are using.
RPN#1 allows you to specify the tuning with an accuracy of approximately 0.012 cents (to be precise, 100/8192 cents).
One cent is 1/100th of a semitone.
9
Page 10
Frequently used tuning values are given in the following table for your reference. Values are in hexadecimal (decimal in
parentheses).
+----------+--------+---------------+
| Hz in A4 | cent | RPN #1 |
+----------+--------+---------------+
| 445.0 | +19.56 | 4C 43 (+1603) |
| 444.0 | +15.67 | 4A 03 (+1283) |
| 443.0 | +11.76 | 47 44 (+ 964) |
| 442.0 | +7.85 | 45 03 (+ 643) |
| 441.0 | +3.93 | 42 42 (+ 322) |
| 440.0 | 0.00 | 40 00 ( 0) |
| 439.0 | -3.94 | 3D 3D (- 323) |
| 438.0 | -7.89 | 3A 7A (- 646) |
+----------+--------+---------------+
<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz
Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.
B2 64 01 MIDI ch.3, lower byte of RPN parameter number: 01H
(B2) 65 00 (MIDI ch.3) upper byte of RPN parameter number: 00H
(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H
(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H
(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH
(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH
4.Tone List
Piano
No.|Name |MSB|LSB|PC
--------------------------------------------
1 |Concert Piano | 0| 68| 1
2 |Ballad Piano | 16| 67| 1
3 |Mellow Piano | 4| 64| 1
4 |Bright Piano | 8| 66| 2
5 |Upright Piano | 16| 64| 1
6 |Mellow Upright | 1| 65| 1
7 |Bright Upright | 1| 66| 1
8 |Rock Piano | 8| 64| 3
9 |Ragtime Piano | 0| 64| 4
10 |Magical Piano | 47| 65| 3
11 |Harpsichord | 0| 67| 7
12 |Harpsi 8'+4' | 8| 67| 7
E.Piano
No.|Name|MSB|LSB|PC
--------------------------------------------
1 |1976SuitCase | 8| 71| 5
2 |Wurly 200 | 25| 64| 5
3 |Phase EP Mix | 8| 68| 5
4 |80's FM EP | 0| 68| 6
5 |Clav. |121| 0| 8
6 |Vibraphone |121| 0| 12
7 |Celesta |121| 0| 9
8 |B.Organ Slow | 1| 65| 19
9 |Combo Jz.Org | 0| 70| 19
10 |Ballad Organ | 0| 69| 19
11 |Gospel Spin | 0| 71| 17
12 |Full Stops | 0| 69| 17
13 |Mellow Bars | 32| 68| 17
14 |Lower Organ | 0| 66| 17
15 |Light Organ | 32| 69| 17
16 |Pipe Organ | 8| 70| 20
17 |Nason Flt 8' | 16| 66| 20
18 |ChurchOrgan1 | 0| 66| 20
19 |ChurchOrgan2 | 8| 69| 20
20 |Accordion |121| 0| 22
Other
No.|Name|MSB|LSB|PC
--------------------------------------------
1 |Epic Strings | 1| 67| 49
2 |Rich Strings | 0| 71| 50
3 |SymphonicStr1 | 1| 67| 50
4 |SymphonicStr2 | 1| 65| 50
5 |Orchestra | 8| 66| 49
6 |String Trio | 0| 64| 41
7 |Harpiness | 0| 70| 47
8 |OrchestraBrs | 1| 66| 61
9 |Super SynPad | 1| 71| 90
10 |Choir Aahs 1 | 8| 71| 53
11 |Choir Aahs 2 | 8| 72| 53
12 |D50 StackPad | 1| 64| 89
13 |JP8 Strings | 0| 68| 51
14 |Soft Pad | 0| 64| 90
15 |Solina | 0| 66| 51
16 |Super Saw | 8| 67| 82
17 |Trancy Synth | 1| 65| 91
18 |Flip Pad | 1| 64| 91
19 |Jazz Scat | 0| 65| 55
20 |Comp'd JBass | 0| 66| 34
21 |Nylon-str.Gt |121| 0| 25
22 |Steel-str.Gt |121| 0| 26
10
Page 11
23 |AcousticBass |121| 0| 33
24 |A.Bass+Cymbl | 0| 66| 33
Drums
No.|Name|MSB|LSB|PC
--------------------------------------------
1 |Standard Set |120| 0| 1
2 |Room Set |120| 0| 9
3 |Power Set |120| 0| 17
4 |Electric Set |120| 0| 25
5 |Analog Set |120| 0| 26
6 |Jazz Set |120| 0| 33
7 |Brush Set |120| 0| 41
8 |Orchestra Set |120| 0| 49
9 |SFX Set |120| 0| 57
GM2
No.|Name|MSB|LSB|PC
--------------------------------------------
1 |Piano 1 |121| 0| 1
2 |Piano 1w |121| 1| 1
3 |Piano 1d |121| 2| 1
4 |Piano 2 |121| 0| 2
5 |Piano 2w |121| 1| 2
6 |Piano 3 |121| 0| 3
7 |Piano 3w |121| 1| 3
8 |Honky-tonk |121| 0| 4
9 |Honky-tonk w |121| 1| 4
10 |E.Piano 1 |121| 0| 5
11 |Detuned EP 1 |121| 1| 5
12 |Vintage EP |121| 2| 5
13 |60's E.Piano |121| 3| 5
14 |E.Piano 2 |121| 0| 6
15 |Detuned EP 2 |121| 1| 6
16 |St.FM EP |121| 2| 6
17 |EP Legend |121| 3| 6
18 |EP Phaser |121| 4| 6
19 |Harpsi. |121| 0| 7
20 |Coupled Hps. |121| 1| 7
21 |Harpsi.w |121| 2| 7
22 |Harpsi.o |121| 3| 7
23 |Clav. |121| 0| 8
24 |Pulse Clav. |121| 1| 8
25 |Celesta |121| 0| 9
26 |Glockenspiel |121| 0| 10
27 |Music Box |121| 0| 11
28 |Vibraphone |121| 0| 12
29 |Vibraphone w |121| 1| 12
30 |Marimba |121| 0| 13
31 |Marimba w |121| 1| 13
32 |Xylophone |121| 0| 14
33 |TubularBells |121| 0| 15
34 |Church Bell |121| 1| 15
35 |Carillon |121| 2| 15
36 |Santur |121| 0| 16
37 |Organ 1 |121| 0| 17
38 |TremoloOrgan |121| 1| 17
39 |60's Organ |121| 2| 17
40 |Organ 2 |121| 3| 17
41 |Perc.Organ 1 |121| 0| 18
42 |Chorus Organ |121| 1| 18
43 |Perc.Organ 2 |121| 2| 18
44 |Rock Organ |121| 0| 19
45 |Church Org.1 |121| 0| 20
46 |Church Org.2 |121| 1| 20
47 |Church Org.3 |121| 2| 20
48 |Reed Organ |121| 0| 21
49 |Puff Organ |121| 1| 21
50 |Accordion 1 |121| 0| 22
51 |Accordion 2 |121| 1| 22
52 |Harmonica |121| 0| 23
53 |Bandoneon |121| 0| 24
54 |Nylon-str.Gt |121| 0| 25
55 |Ukulele |121| 1| 25
56 |Nylon Gt o |121| 2| 25
57 |Nylon Gt 2 |121| 3| 25
58 |Steel-str.Gt |121| 0| 26
59 |12-str.Gt |121| 1| 26
60 |Mandolin |121| 2| 26
61 |Steel+Body |121| 3| 26
62 |Jazz Guitar |121| 0| 27
63 |Hawaiian Gt |121| 1| 27
64 |Clean Guitar |121| 0| 28
65 |Chorus Gt 1 |121| 1| 28
66 |Mid Tone Gt |121| 2| 28
67 |Muted Guitar |121| 0| 29
68 |Funk Guitar1 |121| 1| 29
69 |Funk Guitar2 |121| 2| 29
70 |Chorus Gt 2 |121| 3| 29
71 |Overdrive Gt |121| 0| 30
72 |Guitar Pinch |121| 1| 30
73 |DistortionGt |121| 0| 31
74 |Gt Feedback1 |121| 1| 31
75 |Dist.Rhy Gt |121| 2| 31
76 |Gt Harmonics |121| 0| 32
77 |Gt Feedback2 |121| 1| 32
78 |AcousticBass |121| 0| 33
11
Page 12
79 |FingeredBass |121| 0| 34
80 |Finger Slap |121| 1| 34
81 |Picked Bass |121| 0| 35
82 |FretlessBass |121| 0| 36
83 |Slap Bass 1 |121| 0| 37
84 |Slap Bass 2 |121| 0| 38
85 |Synth Bass 1 |121| 0| 39
86 |WarmSyn.Bass |121| 1| 39
87 |Synth Bass 3 |121| 2| 39
88 |Clav.Bass |121| 3| 39
89 |Hammer Bass |121| 4| 39
90 |Synth Bass 2 |121| 0| 40
91 |Synth Bass 4 |121| 1| 40
92 |RubberSyn.Bs |121| 2| 40
93 |Attack Pulse |121| 3| 40
94 |Violin |121| 0| 41
95 |Slow Violin |121| 1| 41
96 |Viola |121| 0| 42
97 |Cello |121| 0| 43
98 |Contrabass |121| 0| 44
99 |Tremolo Str. |121| 0| 45
100|PizzicatoStr |121| 0| 46
101|Harp |121| 0| 47
102|Yang Qin |121| 1| 47
103|Timpani |121| 0| 48
104|Strings |121| 0| 49
105|Orchestra |121| 1| 49
106|60's Strings |121| 2| 49
107|Slow Strings |121| 0| 50
108|Syn.Strings1 |121| 0| 51
109|Syn.Strings3 |121| 1| 51
110|Syn.Strings2 |121| 0| 52
111|Choir 1 |121| 0| 53
112|Choir 2 |121| 1| 53
113|Voice |121| 0| 54
114|Humming |121| 1| 54
115|Synth Voice |121| 0| 55
116|Analog Voice |121| 1| 55
117|OrchestraHit |121| 0| 56
118|Bass Hit |121| 1| 56
119|6th Hit |121| 2| 56
120|Euro Hit |121| 3| 56
121|Trumpet |121| 0| 57
122|Dark Trumpet |121| 1| 57
123|Trombone 1 |121| 0| 58
124|Trombone 2 |121| 1| 58
125|Bright Tb |121| 2| 58
126|Tuba |121| 0| 59
127|MuteTrumpet1 |121| 0| 60
128|MuteTrumpet2 |121| 1| 60
129|French Horn1 |121| 0| 61
130|French Horn2 |121| 1| 61
131|Brass 1 |121| 0| 62
132|Brass 2 |121| 1| 62
133|Synth Brass1 |121| 0| 63
134|Synth Brass3 |121| 1| 63
135|AnalogBrass1 |121| 2| 63
136|Jump Brass |121| 3| 63
137|Synth Brass2 |121| 0| 64
138|Synth Brass4 |121| 1| 64
139|AnalogBrass2 |121| 2| 64
140|Soprano Sax |121| 0| 65
141|Alto Sax |121| 0| 66
142|Tenor Sax |121| 0| 67
143|Baritone Sax |121| 0| 68
144|Oboe |121| 0| 69
145|English Horn |121| 0| 70
146|Bassoon |121| 0| 71
147|Clarinet |121| 0| 72
148|Piccolo |121| 0| 73
149|Flute |121| 0| 74
150|Recorder |121| 0| 75
151|Pan Flute |121| 0| 76
152|Bottle Blow |121| 0| 77
153|Shakuhachi |121| 0| 78
154|Whistle |121| 0| 79
155|Ocarina |121| 0| 80
156|Square Lead1 |121| 0| 81
157|Square Lead2 |121| 1| 81
158|Sine Lead |121| 2| 81
159|Saw Lead 1 |121| 0| 82
160|Saw Lead 2 |121| 1| 82
161|Doctor Solo |121| 2| 82
162|Natural Lead |121| 3| 82
163|SequencedSaw |121| 4| 82
164|Syn.Calliope |121| 0| 83
165|Chiffer Lead |121| 0| 84
166|Charang |121| 0| 85
167|Wire Lead |121| 1| 85
168|Solo Vox |121| 0| 86
169|5th Saw Lead |121| 0| 87
170|Bass+Lead |121| 0| 88
171|Delayed Lead |121| 1| 88
172|Fantasia |121| 0| 89
173|Warm Pad |121| 0| 90
174|Sine Pad |121| 1| 90
175|Polysynth |121| 0| 91
12
Page 13
176|Space Voice |121| 0| 92
177|Itopia |121| 1| 92
178|Bowed Glass |121| 0| 93
179|Metallic Pad |121| 0| 94
180|Halo Pad |121| 0| 95
181|Sweep Pad |121| 0| 96
182|Ice Rain |121| 0| 97
183|Soundtrack |121| 0| 98
184|Crystal |121| 0| 99
185|Synth Mallet |121| 1| 99
186|Atmosphere |121| 0|100
187|Brightness |121| 0|101
188|Goblins |121| 0|102
189|Echo Drops |121| 0|103
190|Echo Bell |121| 1|103
191|Echo Pan |121| 2|103
192|Star Theme |121| 0|104
193|Sitar 1 |121| 0|105
194|Sitar 2 |121| 1|105
195|Banjo |121| 0|106
196|Shamisen |121| 0|107
197|Koto |121| 0|108
198|Taisho Koto |121| 1|108
199|Kalimba |121| 0|109
200|Bagpipe |121| 0|110
201|Fiddle |121| 0|111
202|Shanai |121| 0|112
203|Tinkle Bell |121| 0|113
204|Agogo |121| 0|114
205|Steel Drums |121| 0|115
206|Woodblock |121| 0|116
207|Castanets |121| 1|116
208|Taiko |121| 0|117
209|Concert BD |121| 1|117
210|Melodic Tom1 |121| 0|118
211|Melodic Tom2 |121| 1|118
212|Synth Drum |121| 0|119
213|TR-808 Tom |121| 1|119
214|Elec.Perc. |121| 2|119
215|Reverse Cym. |121| 0|120
216|Gt FretNoise |121| 0|121
217|Gt Cut Noise |121| 1|121
218|BsStringSlap |121| 2|121
219|Breath Noise |121| 0|122
220|Fl.Key Click |121| 1|122
221|Seashore |121| 0|123
222|Rain |121| 1|123
223|Thunder |121| 2|123
224|Wind |121| 3|123
225|Stream |121| 4|123
226|Bubble |121| 5|123
227|Bird 1 |121| 0|124
228|Dog |121| 1|124
229|Horse Gallop |121| 2|124
230|Bird 2 |121| 3|124
231|Telephone 1 |121| 0|125
232|Telephone 2 |121| 1|125
233|DoorCreaking |121| 2|125
234|Door |121| 3|125
235|Scratch |121| 4|125
236|Wind Chimes |121| 5|125
237|Helicopter |121| 0|126
238|Car Engine |121| 1|126
239|Car Stop |121| 2|126
240|Car Pass |121| 3|126
241|Car Crash |121| 4|126
242|Siren |121| 5|126
243|Train |121| 6|126
244|Jetplane |121| 7|126
245|Starship |121| 8|126
246|Burst Noise |121| 9|126
247|Applause |121| 0|127
248|Laughing |121| 1|127
249|Screaming |121| 2|127
250|Punch |121| 3|127
251|Heart Beat |121| 4|127
252|Footsteps |121| 5|127
253|Gun Shot |121| 0|128
254|Machine Gun |121| 1|128
255|Laser Gun |121| 2|128
256|Explosion |121| 3|128
5.Rhythm Set List
| |Standard Set |Room Set |Power Set |Electric Set
----+----+----------------------------+----------------------------+----------------------------+----------------------------
A0 |21 |TR-808 Kick 1aP |TR-808 Kick 1aP |TR-808 Kick 1aP |TR-808 Kick 1aP
A#0 |22 |Pop Kick 2 |Pop Kick 2 |Pop Kick 2 |Pop Kick 2
B0 |23 |Pop Kick 1 |Pop Kick 1 |Pop Kick 1 |Pop Kick 1
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C1 |24 |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P
C#1 |25 |TM-2 Kick |TM-2 Kick |TM-2 Kick |TM-2 Kick
D1 |26 |TR-909 Kick 4 |TR-909 Kick 4 |TR-909 Kick 4 |TR-909 Kick 4
D#1 |27 |High Q |High Q |High Q |High Q
13
Page 14
E1 |28 |Elec Slap |Elec Slap |Elec Slap |Elec Slap
F1 |29 |Scratch Push |Scratch Push |Scratch Push |Scratch Push
F#1 |30 |Scratch Pull |Scratch Pull |Scratch Pull |Scratch Pull
G1 |31 |Side Stick 2 |Side Stick 2 |Side Stick 2 |Side Stick 2
G#1 |32 |Square Click |Square Click |Square Click |Square Click
A1 |33 |Metronome Click |Metronome Click |Metronome Click |Metronome Click
A#1 |34 |Metronome Bell |Metronome Bell |Metronome Bell |Metronome Bell
B1 |35 |Kick Drum 1 |Kick Drum 4 |Kick Drum 5 |Kick Drum 8
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C2 |36 |Kick Drum 2 |Kick Drum 3 |Kick Drum 9 |Elec.Kick
C#2 |37 |Side Stick 1 |Side Stick 1 |Side Stick 1 |Side Stick 1
D2 |38 |Reg.Snr 1 |Room Snr 1 |Elec Snr 4 |Elec Snr 2
D#2 |39 |TR-808 Clap 1 |TR-808 Clap 1 |TR-808 Clap 1 |TR-808 Clap 1
E2 |40 |Reg.Snr 3 |Room Snr 3 |Elec Snr 5 |Elec Snr 3
F2 |41 |Low Tom 1 |Room LowTom 2 |PowerLowTom 1 |Deep Tom 2
F#2 |42 |Closed Hi-hat 1 |Closed Hi-hat 1 |Closed Hi-hat 1 |Closed Hi-hat 1
G2 |43 |Low Tom 4 |Room LowTom 1 |PowerLowTom 2 |Deep Tom 1
G#2 |44 |Pedal Hi-hat 1 |Pedal Hi-hat 1 |Pedal Hi-hat 1 |Pedal Hi-hat 1
A2 |45 |Mid Tom 1 |Room MidTom 1 |PowerMidTom 1 |Deep Tom 3
A#2 |46 |Open Hi-hat 1 |Open Hi-hat 1 |Open Hi-hat 1 |Open Hi-hat 1
B2 |47 |Mid Tom 5 |Room MidTom 2 |PowerMidTom 3 |Deep Tom 4
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C3 |48 |High Tom 1 |Room Hi Tom 1 |Power HiTom 1 |Deep Tom 6
C#3 |49 |Crash Cym 1 |Crash Cym 1 |Crash Cym 1 |Crash Cym 1
D3 |50 |High Tom 5 |Room Hi Tom 2 |Power HiTom 2 |Deep Tom 5
D#3 |51 |Ride Cymbal 2 |Ride Cymbal 2 |Ride Cymbal 2 |Ride Cymbal 2
E3 |52 |China Cym 1 |China Cym 1 |China Cym 1 |Reverse Cym
F3 |53 |Ride Bell |Ride Bell |Ride Bell |Ride Bell
F#3 |54 |Tamborine 3 |Tamborine 3 |Tamborine 3 |Tamborine 3
G3 |55 |SplashCymbal 1 |SplashCymbal 1 |SplashCymbal 1 |SplashCymbal 1
G#3 |56 |Cowbell 2 |Cowbell 2 |Cowbell 2 |Cowbell 2
A3 |57 |Crash Cym 3 |Crash Cym 3 |Crash Cym 3 |Crash Cym 3
A#3 |58 |Vibra-slap |Vibra-slap |Vibra-slap |Vibra-slap
B3 |59 |Ride Cymbal 3 |Ride Cymbal 3 |Ride Cymbal 3 |Ride Cymbal 3
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C4 |60 |High Bongo |High Bongo |High Bongo |High Bongo
C#4 |61 |Low Bongo |Low Bongo |Low Bongo |Low Bongo
D4 |62 |Conga Hi Mt 1 |Conga Hi Mt 1 |Conga Hi Mt 1 |Conga Hi Mt 1
D#4 |63 |Conga Hi Op 2 |Conga Hi Op 2 |Conga Hi Op 2 |Conga Hi Op 2
E4 |64 |Conga Lo Op 2 |Conga Lo Op 2 |Conga Lo Op 2 |Conga Lo Op 2
F4 |65 |High Timbale 2 |High Timbale 2 |High Timbale 2 |High Timbale 2
F#4 |66 |Low Timbale 2 |Low Timbale 2 |Low Timbale 2 |Low Timbale 2
G4 |67 |Agogo Hi |Agogo Hi |Agogo Hi |Agogo Hi
G#4 |68 |Agogo Lo |Agogo Lo |Agogo Lo |Agogo Lo
A4 |69 |Cabasa 1 |Cabasa 1 |Cabasa 1 |Cabasa 1
A#4 |70 |Maracas 1 |Maracas 1 |Maracas 1 |Maracas 1
B4 |71 |Short Whistle |Short Whistle |Short Whistle |Short Whistle
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C5 |72 |Long Whistle |Long Whistle |Long Whistle |Long Whistle
C#5 |73 |Guiro 1 |Guiro 1 |Guiro 1 |Guiro 1
D5 |74 |Guiro 2 |Guiro 2 |Guiro 2 |Guiro 2
D#5 |75 |Claves 2 |Claves 2 |Claves 2 |Claves 2
E5 |76 |Wood Block Hi |Wood Block Hi |Wood Block Hi |Wood Block Hi
F5 |77 |Wood Block Lo |Wood Block Lo |Wood Block Lo |Wood Block Lo
F#5 |78 |Cuica Hi |Cuica Hi |Cuica Hi |Cuica Hi
G5 |79 |Cuica Lo |Cuica Lo |Cuica Lo |Cuica Lo
G#5 |80 |Triangle Mt 1 |Triangle Mt 1 |Triangle Mt 1 |Triangle Mt 1
A5 |81 |Triangle Op |Triangle Op |Triangle Op |Triangle Op
A#5 |82 |Shaker 1 |Shaker 1 |Shaker 1 |Shaker 1
B5 |83 |Jingle Bell 1 |Jingle Bell 1 |Jingle Bell 1 |Jingle Bell 1
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C6 |84 |Bell Tree |Bell Tree |Bell Tree |Bell Tree
C#6 |85 |Castanets 1 |Castanets 1 |Castanets 1 |Castanets 1
D6 |86 |Mute Surdo |Mute Surdo |Mute Surdo |Mute Surdo
D#6 |87 |Open Surdo |Open Surdo |Open Surdo |Open Surdo
E6 |88 |Applause |Applause |Applause |Applause
F6 |89 |Studio Clap |Studio Clap |Studio Clap |Studio Clap
F#6 |90 |Real Clap |Real Clap |Real Clap |Real Clap
G6 |91 |R8 Clap 2 |R8 Clap 2 |R8 Clap 2 |R8 Clap 2
G#6 |92 |Club FinSnap w |Club FinSnap w |Club FinSnap w |Club FinSnap w
A6 |93 |El.Bass Nz 1 w |El.Bass Nz 1 w |El.Bass Nz 1 w |El.Bass Nz 1 w
A#6 |94 |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv
B6 |95 |El.Bass Nz 2 w |El.Bass Nz 2 w |El.Bass Nz 2 w |El.Bass Nz 2 w
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C7 |96 |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv
C#7 |97 |SteelGtrNz 5 w |SteelGtrNz 5 w |SteelGtrNz 5 w |SteelGtrNz 5 w
D7 |98 |Jingle Bell 2 |Jingle Bell 2 |Jingle Bell 2 |Jingle Bell 2
D#7 |99 |TR-626 Shaker w |TR-626 Shaker w |TR-626 Shaker w |TR-626 Shaker w
E7 |100 |Shaker w |Shaker w |Shaker w |Shaker w
F7 |101 |Pop Nz 1 |Pop Nz 1 |Pop Nz 1 |Pop Nz 1
F#7 |102 |Pop Nz 3 |Pop Nz 3 |Pop Nz 3 |Pop Nz 3
G7 |103 |Pop Nz 6 |Pop Nz 6 |Pop Nz 6 |Pop Nz 6
G#7 |104 |MG Nz Rev Cym |MG Nz Rev Cym |MG Nz Rev Cym |MG Nz Rev Cym
A7 |105 |TR-909 Ride Rev2 |TR-909 Ride Rev2 |TR-909 Ride Rev2 |TR-909 Ride Rev2
A#7 |106 |White Nz 3 |White Nz 3 |White Nz 3 |White Nz 3
B7 |107 |White Nz 2 |White Nz 2 |White Nz 2 |White Nz 2
----+----+----------------------------+----------------------------+----------------------------+----------------------------
C8 |108 |White Nz 4 |White Nz 4 |White Nz 4 |White Nz 4
| |Analog Set |Jazz Set |Brush Set |Orchestra Set
----+----+----------------------------|----------------------------|----------------------------|----------------------------
A0 |21 |TR-808 Kick 1aP |TR-808 Kick 1aP |TR-808 Kick 1aP |TR-808 Kick 1aP
A#0 |22 |Pop Kick 2 |Pop Kick 2 |Pop Kick 2 |Pop Kick 2
B0 |23 |Pop Kick 1 |Pop Kick 1 |Pop Kick 1 |Pop Kick 1
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C1 |24 |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P |Lo-Bit Kick 1 P
14
Page 15
C#1 |25 |TM-2 Kick |TM-2 Kick |TM-2 Kick |TM-2 Kick
D1 |26 |TR-909 Kick 4 |TR-909 Kick 4 |TR-909 Kick 4 |TR-909 Kick 4
D#1 |27 |High Q |High Q |High Q |Closed Hi-hat 1
E1 |28 |Elec Slap |Elec Slap |Elec Slap |Pedal Hi-hat 1
F1 |29 |Scratch Push |Scratch Push |Scratch Push |Open Hi-hat 1
F#1 |30 |Scratch Pull |Scratch Pull |Scratch Pull |Ride Cymbal 2
G1 |31 |Side Stick 2 |Side Stick 2 |Side Stick 2 |Side Stick 2
G#1 |32 |Square Click |Square Click |Square Click |Square Click
A1 |33 |Metronome Click |Metronome Click |Metronome Click |Metronome Click
A#1 |34 |Metronome Bell |Metronome Bell |Metronome Bell |Metronome Bell
B1 |35 |Kick Drum 11 |Kick Drum 6 |Kick Drum 7 |Concert BD 2
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C2 |36 |Kick Drum 10 |Jazz Kick 1 |Jazz Kick 2 |Concert BD 1
C#2 |37 |Elec Stick 5 |Side Stick 1 |Side Stick 1 |Side Stick 1
D2 |38 |Elec Snr 1 |Jazz Snr 2 |Brush Swish |Concert SD 1
D#2 |39 |TR-808 Clap 1 |TR-808 Clap 1 |Brush Tap |Castanets 2
E2 |40 |Elec Snr 6 |Jazz Snr 1 |Swish&Turn |Concert SD 2
F2 |41 |Elec Tom 1 |Low Tom 2 |Low Tom 3 |Timpani F
F#2 |42 |TR-808 ClHH 4 |Closed Hi-hat 1 |Closed Hi-hat 2 |Timpani F#
G2 |43 |Elec Tom 2 |Low Tom 4 |Low Tom 5 |Timpani G
G#2 |44 |Elec PHH 2 |Pedal Hi-hat 1 |Pedal Hi-hat 1 |Timpani G#
A2 |45 |Elec Tom 3 |Mid Tom 2 |Mid Tom 3 |Timpani A
A#2 |46 |Elec OpHH 2 |Open Hi-hat 1 |Open Hi-hat 2 |Timpani A#
B2 |47 |Elec Tom 4 |Mid Tom 5 |Mid Tom 6 |Timpani B
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C3 |48 |Elec Tom 5 |High Tom 3 |High Tom 4 |Timpani c
C#3 |49 |TR-808 Cymbal 7 |Crash Cym 1 |Crash Cym 2 |Timpani c#
D3 |50 |Elec Tom 6 |High Tom 7 |High Tom 8 |Timpani d
D#3 |51 |Ride Cymbal 2 |Ride Cymbal 2 |Ride Cymbal 4 |Timpani d#
E3 |52 |China Cym 1 |China Cym 1 |China Cym 2 |Timpani e
F3 |53 |Ride Bell |Ride Bell |Ride Cymbal 6 |Timpani f
F#3 |54 |Tamborine 3 |Tamborine 3 |Tamborine 3 |Tamborine 3
G3 |55 |SplashCymbal 1 |SplashCymbal 1 |SplashCymbal 2 |SplashCymbal 3
G#3 |56 |TR-808 Cowbell 2 |Cowbell 2 |Cowbell 2 |Cowbell 2
A3 |57 |Crash Cym 3 |Crash Cym 3 |Crash Cym 4 |Concert Cym2
A#3 |58 |Vibra-slap |Vibra-slap |Vibra-slap |Vibra-slap
B3 |59 |Ride Cymbal 3 |Ride Cymbal 3 |Ride Cymbal 5 |Concert Cym1
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C4 |60 |High Bongo |High Bongo |High Bongo |High Bongo
C#4 |61 |Low Bongo |Low Bongo |Low Bongo |Low Bongo
D4 |62 |Elec Conga 3 |Conga Hi Mt 1 |Conga Hi Mt 1 |Conga Hi Mt 1
D#4 |63 |Elec Conga 2 |Conga Hi Op 2 |Conga Hi Op 2 |Conga Hi Op 2
E4 |64 |Elec Conga 1 |Conga Lo Op 2 |Conga Lo Op 2 |Conga Lo Op 2
F4 |65 |High Timbale 2 |High Timbale 2 |High Timbale 2 |High Timbale 2
F#4 |66 |Low Timbale 2 |Low Timbale 2 |Low Timbale 2 |Low Timbale 2
G4 |67 |Agogo Hi |Agogo Hi |Agogo Hi |Agogo Hi
G#4 |68 |Agogo Lo |Agogo Lo |Agogo Lo |Agogo Lo
A4 |69 |Cabasa 1 |Cabasa 1 |Cabasa 1 |Cabasa 1
A#4 |70 |Maracas 2 |Maracas 1 |Maracas 1 |Maracas 1
B4 |71 |Short Whistle |Short Whistle |Short Whistle |Short Whistle
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C5 |72 |Long Whistle |Long Whistle |Long Whistle |Long Whistle
C#5 |73 |Guiro 1 |Guiro 1 |Guiro 1 |Guiro 1
D5 |74 |Guiro 2 |Guiro 2 |Guiro 2 |Guiro 2
D#5 |75 |Claves 1 |Claves 2 |Claves 2 |Claves 2
E5 |76 |Wood Block Hi |Wood Block Hi |Wood Block Hi |Wood Block Hi
F5 |77 |Wood Block Lo |Wood Block Lo |Wood Block Lo |Wood Block Lo
F#5 |78 |Cuica Hi |Cuica Hi |Cuica Hi |Cuica Hi
G5 |79 |Cuica Lo |Cuica Lo |Cuica Lo |Cuica Lo
G#5 |80 |Triangle Mt 1 |Triangle Mt 1 |Triangle Mt 1 |Triangle Mt 1
A5 |81 |Triangle Op |Triangle Op |Triangle Op |Triangle Op
A#5 |82 |Shaker 1 |Shaker 1 |Shaker 1 |Shaker 1
B5 |83 |Jingle Bell 1 |Jingle Bell 1 |Jingle Bell 1 |Jingle Bell 1
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C6 |84 |Bell Tree |Bell Tree |Bell Tree |Bell Tree
C#6 |85 |Castanets 1 |Castanets 1 |Castanets 1 |Castanets 1
D6 |86 |Mute Surdo |Mute Surdo |Mute Surdo |Mute Surdo
D#6 |87 |Open Surdo |Open Surdo |Open Surdo |Open Surdo
E6 |88 |Applause |Applause |Applause |Applause
F6 |89 |Studio Clap |Studio Clap |Studio Clap |Studio Clap
F#6 |90 |Real Clap |Real Clap |Real Clap |Real Clap
G6 |91 |R8 Clap 2 |R8 Clap 2 |R8 Clap 2 |R8 Clap 2
G#6 |92 |Club FinSnap w |Club FinSnap w |Club FinSnap w |Club FinSnap w
A6 |93 |El.Bass Nz 1 w |El.Bass Nz 1 w |El.Bass Nz 1 w |El.Bass Nz 1 w
A#6 |94 |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv |El.Bass Nz 1 wRv
B6 |95 |El.Bass Nz 2 w |El.Bass Nz 2 w |El.Bass Nz 2 w |El.Bass Nz 2 w
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C7 |96 |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv |El.Bass Nz 2 wRv
C#7 |97 |SteelGtrNz 5 w |SteelGtrNz 5 w |SteelGtrNz 5 w |SteelGtrNz 5 w
D7 |98 |Jingle Bell 2 |Jingle Bell 2 |Jingle Bell 2 |Jingle Bell 2
D#7 |99 |TR-626 Shaker w |TR-626 Shaker w |TR-626 Shaker w |TR-626 Shaker w
E7 |100 |Shaker w |Shaker w |Shaker w |Shaker w
F7 |101 |Pop Nz 1 |Pop Nz 1 |Pop Nz 1 |Pop Nz 1
F#7 |102 |Pop Nz 3 |Pop Nz 3 |Pop Nz 3 |Pop Nz 3
G7 |103 |Pop Nz 6 |Pop Nz 6 |Pop Nz 6 |Pop Nz 6
G#7 |104 |MG Nz Rev Cym |MG Nz Rev Cym |MG Nz Rev Cym |MG Nz Rev Cym
A7 |105 |TR-909 Ride Rev2 |TR-909 Ride Rev2 |TR-909 Ride Rev2 |TR-909 Ride Rev2
A#7 |106 |White Nz 3 |White Nz 3 |White Nz 3 |White Nz 3
B7 |107 |White Nz 2 |White Nz 2 |White Nz 2 |White Nz 2
----+----+----------------------------|----------------------------|----------------------------|----------------------------
C8 |108 |White Nz 4 |White Nz 4 |White Nz 4 |White Nz 4
* -----: No sound.
| |SFX Set
----+----+----------------------------
15
Page 16
A0 |21 |-----
A#0 |22 |-----
B0 |23 |-----
----+----+----------------------------
C1 |24 |-----
C#1 |25 |-----
D1 |26 |-----
D#1 |27 |-----
E1 |28 |-----
F1 |29 |-----
F#1 |30 |-----
G1 |31 |-----
G#1 |32 |-----
A1 |33 |-----
A#1 |34 |-----
B1 |35 |-----
----+----+----------------------------
C2 |36 |-----
C#2 |37 |-----
D2 |38 |-----
D#2 |39 |High Q
E2 |40 |Elec Slap
F2 |41 |Scratch Push
F#2 |42 |Scratch Pull
G2 |43 |Side Stick 2
G#2 |44 |Square Click
A2 |45 |Metronome Click
A#2 |46 |Metronome Bell
B2 |47 |GtFret Noise
----+----+----------------------------
C3 |48 |Cut Noise Up
C#3 |49 |Cut Noise Dw
D3 |50 |Slap St.Bass
D#3 |51 |Fl.Key Click
E3 |52 |Laughing
F3 |53 |Scream
F#3 |54 |Punch
G3 |55 |Heart Beat
G#3 |56 |Footsteps 1
A3 |57 |Footsteps 2
A#3 |58 |Applause
B3 |59 |Door Creak
----+----+----------------------------
C4 |60 |Door
C#4 |61 |Scratch 1
D4 |62 |Wind Chimes
D#4 |63 |Car Engine
E4 |64 |Car Stop
F4 |65 |Car Pass
F#4 |66 |Car Crash
G4 |67 |Siren
G#4 |68 |Train
A4 |69 |Jetplane
A#4 |70 |Helicopter
B4 |71 |Starship
----+----+----------------------------
C5 |72 |Gun Shot
C#5 |73 |Machine Gun
D5 |74 |Lasergun
D#5 |75 |Explosion
E5 |76 |Dog
F5 |77 |Horse Gallop
F#5 |78 |Birds
G5 |79 |Rain
G#5 |80 |Thunder
A5 |81 |Wind
A#5 |82 |Seashore
B5 |83 |Stream
----+----+----------------------------
C6 |84 |Bubble
C#6 |85 |-----
D6 |86 |-----
D#6 |87 |-----
E6 |88 |-----
F6 |89 |-----
F#6 |90 |-----
G6 |91 |-----
G#6 |92 |-----
A6 |93 |-----
A#6 |94 |-----
B6 |95 |-----
----+----+----------------------------
C7 |96 |-----
C#7 |97 |-----
D7 |98 |-----
D#7 |99 |-----
E7 |100 |-----
F7 |101 |-----
F#7 |102 |-----
G7 |103 |-----
G#7 |104 |-----
A7 |105 |-----
A#7 |106 |-----
B7 |107 |-----
----+----+----------------------------
C8 |108 |-----
16
Page 17
Digital Piano MIDI Implementation Chart Date: Aug. 1. 2021
Model：FP-30X Version：1.00
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Function... | Transmitted | Recognized | Remarks |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Basic Channel Default | 1 | 1–16 | |
| Changed | 1–16 | 1–16 | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Mode Default | Mode 3 | Mode 3 | *1 |
| Messages | X | Mode 3,4 (M = 1) | |
| Altered | ************** | | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Note Number : | 15–113 | 0–127 | |
| True Voice | ************** | 0–127 | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Velocity Note On | O | O | |
| Note Off | O | O | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| After Touch Key’s | X | X | |
| Channel’s | X | O | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Pitch Bend | X | O | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Control Change 0,32 | O | O | Bank select |
| 1 | X | O | Modulation |
| 5 | X | O | Portamento time |
| 6,38 | X | O | Data entry |
| 7 | X | O | Volume |
| 10 | X | O | Panpot |
| 11 | X | O | Expression |
| 64 | O | O | Hold 1 |
| 65 | X | O | Portamento |
| 66 | O | O | Sostenuto |
| 67 | O | O | Soft |
| 71 | X | O | Resonance |
| 72 | X | O | Release time |
| 73 | X | O | Attack time |
| 74 | X | O | Cutoff |
| 75 | X | O | Decay time |
| 76 | X | O | Vibrato rate |
| 77 | X | O | Vibrato depth |
| 78 | X | O | Vibrato delay |
| 84 | X | O | Portamento control |
| 91 | O | O (Reverb) | General purpose effects 1 depth |
| 93 | X | O (Chorus) | General purpose effects 3 depth |
| 100,101 | X | O | RPN LSB, MSB |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Program Change | O | O | |
| : True Number | ************** | 0–127 | Program No. 1–128 |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| System Exclusive | O | O | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| System Common : Song Position | X | X | |
| : Song Select | X | X | |
| : Tune Request | X | X | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| System Real Time : Clock | X | X | |
| : Commands | X | X | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Aux Messages : All Sound Off | X | O | |
| : Reset All Controllers | X | O | |
| : Local On/Off | O | X | |
| : All Notes Off | X | O (123–127) | |
| : Active Sensing | X | X | |
| : System Reset | X | X | |
+------------------------------------------+-------------------+--------------------+---------------------------------+
| Notes | *1 Only M=1 is supported |
+------------------------------------------+--------------------------------------------------------------------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
17
Loading...