DEUTSCHFür Erlauterungen in Deutsch, konsultieren Sie bitte die mitgelieferte CD-ROM.
FRANÇAISPour des explications on français, veuillez vous reporter au CD-ROM fourni.
ITALIANOPer le istruzioni in italiano, vedere il CD-ROM in dotazione.
ESPAÑOLPara la explicacion en español, consulte el CD-ROM uministrado.
Before operating this product, please read the instructions carefully and save this manual for future use.
0000000000-0
Printed in Japan
ENGLISH
VQT1G18-0
Read this first!
WARNING:
● TO REDUCE THE RISK OF FIRE OR
SHOCK HAZARD, DO NOT EXPOSE
THIS EQUIPMENT TO RAIN OR
MOISTURE.
● TO REDUCE THE RISK OF FIRE
OR SHOCK HAZARD, KEEP
THIS EQUIPMENT AWAY FROM
ALL LIQUIDS. USE AND STORE
ONLY IN LOCATIONS WHICH ARE
NOT EXPOSED TO THE RISK OF
DRIPPING OR SPLASHING LIQUIDS,
AND DO NOT PLACE ANY LIQUID
CONTAINERS ON TOP OF THE
EQUIPMENT.
CAUTIONS:
TO REDUCE THE RISK OF FIRE OR
SHOCK HAZARD AND ANNOYING
INTERFERENCE, USE THE
RECOMMENDED ACCESSORIES ONLY.
CAUTION:
In order to maintain adequate
ventilation, do not install or place this
unit in a bookcase, built-in cabinet or
any other confined space. To prevent
risk of electric shock or fire hazard due
to overheating, ensure that curtains and
any other materials do not obstruct the
ventilation.
FCC Note:
This equipment has been tested and found
to comply with the limits for a class A digital
device, pursuant to Part 15 of the FCC
Rules. These limits are designed to provide
reasonable protection against harmful
interference when the equipment is operated
in a commercial environment. This equipment
generates, uses, and can radiate radio
frequency energy, and if not installed and used
in accordance with the instruction manual,
may cause harmful interference to radio
communications. Operation of this equipment
in a residential area is likely to cause harmful
interference in which case the user will be
required to correct the interference at his own
expense.
Warning:
To assure continued FCC emission limit
compliance, the user must use only shielded
interface cables when connecting to external
units. Also, any unauthorized changes or
modifications to this equipment could void the
user’s authority to operate it.
Caution:
● The interior of this product contains
high-voltage components. Do not
disassemble the product.
● Do not point the eyepiece directly at
the sun.
Read this first!
2
indicates safety information.
Read this first!
<For USA and Canada>
A rechargeable battery that is recyclable powers the product you have purchased.
<For USA-California Only>
This product contains a CR Coin Cell Lithium Battery which contains Perchlorate Material — special handling
may apply.
See www.dtsc.ca/gov/hazardouswaste.perchlorate.
Attention/Attentie
ENGLISH
● Batteries are used for the main power source and memory back-up in the product.
At the end of their useful life, you should not throw them away.
Instead, hand them in as small chemical waste.
NETHERLANDS
● Voor de primaire voeding en het reservegeheugen van het apparaat wordt
gebruikgemaakt van een batterij.
Wanneer de batterij is uitgeput, mag u deze niet gewoon weggooien, maar dient u
deze als klein chemisch afval weg te doen.
TO REMOVE BATTERY
Main Power Battery (Ni-Cd / Ni-MH / Li-ion Battery)
● To detach the battery, please proceed in the reverse order of the installation method described in this manual.
● If a battery made by any other manufacturer is to be used, check the Operating Instructions accompanying the
battery.
Back-up Battery (Lithium Battery)
● For the removal of the battery for disposal at the end of its service life, please consult your dealer.
Read this first!
3
Precautions for Use
Caution regarding laser beams
The CCD may be damaged if it is subjected to light from a laser beam.
When using the camera-recorder in locations where laser irradiation equipment is used, be careful not to allow
the laser beam to shine directly on the lens.
PLEASE NOTE:
● When preparing to record important images, always shoot some advance test footage, to verify that both
pictures and sound are being recorded normally.
● Should video or audio recording fail due to a malfunction of this camera-recorder or the P2 cards used, we
will not assume liability for such failure.
Disposing and transferring ownership of memory card devices
Formatting or deleting a memory card device in this camera or a PC will only change file management data
and leave data on the card intact. It is recommended that the card either be physically destroyed or that
commercially sold software be used to completely delete any data on the card. Note that managing card data is
the owner’s responsibility.
Information on software for this product
1. Included with this product is software licensed under the GNU General Public License (GPL) and GNU
Lesser General Public License (LGPL), and users are hereby informed that they have the right to obtain,
change and redistribute the source codes of this software.
Details on GPL and LGPL can be found on the installation CD provided with the unit. Refer to the folder
called “LDOC”.
(Details are given in the original (English-language) text.)
To obtain the source codes, go to the following home page:
http://panasonic.biz/sav/.
The manufacturer asks users to refrain from directing inquiries concerning the source codes they have
obtained and other details to its representatives.
2. Included with this product is software which is licensed under MIT-License.
Details on MIT-License can be found on the installation CD provided with the unit. Refer to the folder called
“LDOC”.
(Details are given in the original (English-language) text.)
Trademarks
● SD logo is a trademark.
● Unislot is a trademark of Ikegami Tsushinki Co., Ltd.
● Apple, Macintosh, Mac OS are registered trademarks or trademarks of Apple, Inc. in the United States and /or
other countries.
● Windows is a registered trademark or trademark of Microsoft Corporation in the United States and/or other
countries.
● Other names of companies and products are trademarks or registered trademarks of the respective
companies.
Precautions for Use
4
Contents
Precautions for Use ...........................................................................................4
Chapter 1
Introduction
Chapter 2
Parts and their
Functions
Chapter 3
Recording and
Playback
Camera Unit Features ........................................................................................8
Recording and Playback Features .................................................................10
Outline of operations .......................................................................................12
Flow of shooting, playing and saving .........................................................12
Saving and editing on external devices .....................................................13
System Configuration ......................................................................................14
Power Supply and Accessory Mounting Section .......................................15
Audio (input) Function Section ...................................................................16
Audio (output) Function Section ................................................................18
Shooting and Recording/Playback Functions Section ..............................19
Menu Operation Section ............................................................................24
Time Code Section ....................................................................................25
Warning and Status Display Functions ......................................................26
Connector signal description .......................................................................139
Contents
7
Chapter1Introduction
Chapter 1 Introduction
The AG-HPX500P/E P2 memory card camera-recorder is equipped with a 2/3-inch
lens mount system that enables use of high-performance interchangeable lenses, and
comes with a 50 Hz/59.94 Hz selector function to permit use of a multitude of HD and SD
formats. Also equipped with a variable frame rate feature for cinematic expression and
effects. All these features make possible recording of high-quality image content.
Four P2 card slots enable extended HD recording and deliver the reliability, speed and IT
functionality that only P2 media is capable of revolutionizing the workflow of recording and
editing.
Camera Unit Features
■2/3-inch interchangeable lens system
The 2/3-inch bayonet mount for interchangeable lenses provides access to a broad lineup
of broadcast and industrial 2/3-inch zoom lenses from a number of manufacturers.
■Progressive 3CCD
The 2/3-inch progressive 3CCD combines a large light-receiving area with high
sensitivity. 3CCD pixel-shift technology (1/2 pixel) and advanced digital processing
produce a high-resolution CCD. The camera unit provides high resolution and high rate
scanning at 1080/60p (or 50p) at all times. This high-resolution native progressive video
is used as a source to produce a vertical resolution with a superior HD/SD image quality
that an interlace CCD simply cannot match.
■14-bit digital circuit
The high-performance DSP (Digital Signal Processor) in the camera uses 14-bit A/D
conversion and 19-bit inner processing to adjust the gamma settings for each of the R, G
and B channels of 1080/60p (50p) video, and convert to a variety of HD and SD formats
(P/I conversion, line conversion and down conversion). This produces high-quality images
in all video formats.
■Multiple HD/SD formats
The camera supports recording in 20 HD and SD image formats making it ready for
news gathering, program production, film making and other applications anywhere in the
world. 1080i/720p HD recording uses the DVCPRO HD codec for broadcast use while SD
recording is performed in DVCPRO50/DVCPRO DV multi-codec.
■ Variable frame rate makes speed effects possible (when 720P format is
selected)
This camera comes with the variable frame rate feature developed for the VariCam HD
Cinema camera. In 720p mode*, the camera enables selection between 11 frame rates
between 12P to 60p (50p). This puts features such as undercranking (dropping frames)
and overcranking (high frame rate) for quick motion and slow motion cine-like effects at
the disposal of the camera crew.
* In 1080 and 480 mode, the camera records at a fixed frame rate of 24p/30p (25p in 1086
and 576 mode, at 50 Hz mode).
■Native mode/Over 60p (50p) mode selectable
● 720PN (native) mode*: Recording is performed at the frame rate set in the camera.
Playing back a recording made at a frame rate set in the camera at the normal rate
provides speed effects without using a frame rate converter. Native mode also extends
the recording time.
● 720/P over 60p (or 50p) mode: This lets you produce a backup copy by recording the
DVCPRO HD stream output from the IEEE1394 connector on a hard disk recorder such
as the AJ-HD1400 DVCPRO HD recorder or the FOCUS FS-100 HDD recorder.
* In 720PN (native) mode, the IEEE1394 connector cannot output a DVCPRO HD stream.
Camera Unit Features
8
■1080/480 24p advance mode
In 59.94Hz mode, recording at 1080/24p or 480/24p allows you to select 24pA (advance)
mode. Using 2:3:3:2 pulldown, the 24pA mode performs 60i conversion to enable
nonlinear editing* maintaining an image quality that is better than normal 24p (2:3
pulldown). Recording at 30p or 25p (50 Hz mode) applies a 2:2 pulldown.
* For details on compatible systems, visit our website at:
http://panasonic.biz/sav/ieee1394
* 24p, 30p and 60p/60i indicate recording at 23.98p, 29.97p and 59.94i, respectively.
■Eight gamma curves, including cine-like gamma
The DSP provides Panasonic’s proprietary selectable gamma feature. To expand camera
capabilities, the camera offers eight gamma modes including cine-like gamma to give the
characteristic warm tone of film recordings and a news gamma curve for newsgathering.
■Slow, synchro and high speed shutter
The shutter speed can be set in a range between 1/12 s to a maximum speed of 1/2000
s. Combined with the variable frame rate functions, this function allows you to create
a blurring effect or an undercranking effect. The camera also features a synchro scan
function for capturing screen shots from a computer monitor.
■Scene file dial
This dial allows you to instantly retrieve settings that suit shooting conditions. Six preset
files are provided, and you can change the file names and their settings as desired. You
can also save up to 4 files to an SD memory card and load the files from the card.
Chapter 1 Introduction
■Shooting assist functions
●User buttons: Three user buttons each of which can be assigned a frequently used
function for immediate access.
●Focus assist: Displays a frequency distribution graph of the video signal as an aid in
focusing.
● Eight files for correcting lens aberration and four files for correcting shading for
interchangeable lenses are provided.
● Variable color temperature: Fine adjustment is possible after setting the white balance.
●REC review: Quick check of recorded results.
●4-position optical ND filter provided.
■Chromatic aberration compensation (CAC)
This function automatically corrects the slight chromatic aberration that the lens cannot
compensate for to minimize color bleeding into surrounding image areas.
■Remote control support
The camera supports the AJ-RC10G (optional accessory) remote control unit. The
remote control allows you to adjust camera image and recording controls at a distance
while viewing what you are shooting.
Camera Unit Features
9
Chapter 1 Introduction
Recording and Playback Features
■A variety of interfaces
The AG-HPX500P/E can record 48 kHz/16-bit uncompressed high-quality digital audio
in all formats. The 4-channel audio capability makes both microphone and line input
possible on up to four channels. HD-SDI output, time code input and output, GEN lock
input and USB 2.0 connector are also provided. Also part of standard equipment is an
IEEE1394 interface (6-pin) for transfer of all HD/SD signal formats without degradation.
This interface allows you to transfer video data for nonlinear editing on a Windows® PC
or Macintosh® with DVCPRO HD compliant software or for backing up on a connected
DVCPRO HD digital VTR (AJ-HD1400) or FOCUS FS-100 HDD recorder.
■P2 cards for high capacity, high speed and high reliability
Comprising four SD memory cards, a P2 card is a broadcast industry standard memory
card with four times the capacity and transfer rate of a conventional SD memory card in
a compact and lightweight (45 g) design. In addition to exceptional resistance to shock,
vibration and temperature fluctuations, this semiconductor memory has a reliability that
guarantees long-term repeated recording/initialization that a tape or hard disk system with
their moving parts could never match. The connectors are professional grade to withstand
long-term continual insertion and removal.
AV data is recorded on a P2 card as a single file that is immediately accessible for
nonlinear editing or transfer over a network without digitizing. Transfer speeds far
surpassing those of hard disks also help to speed up production processes. The P2 card
complies with PCMCIA standards and can be directly plugged into the P2 card slot on a
notebook P2*.
The four P2 card slots allow continuous recording on four P2 cards and also offer the
following recording capabilities in a memory card camera-recorder.
●Card selection: A card in any slot can be instantly selected (switched to) in standby
mode. Recorded content can be quickly passed on to editing or
transferred to minimize interruptions in recording making it far more
efficient than systems where tapes or disks have to be exchanged.
●Hot-swap recording: Cards can be replaced during recording. A full memory card can
be replaced while recording is made on another card. Successively
swapping cards in this way gives you virtually unlimited recording
capacity.
●Loop recording: Setting the camera for consecutive overwriting, you can repeatedly
rerecord on the inserted P2 cards, always maintaining a recording of
the most recent, specific period of time.
Recording and Playback Features
10
* This requires the installation of a P2 card driver (provided with each device). The P2
card driver runs under Windows® Vista, Windows® XP or Windows® 2000.
■Immediate startup and reliable data protection
When you press the REC button in standby mode, the camera instantly finds a blank area
on the P2 card and begins recording. Unlike a VTR system, there is no need to locate a
blank section before recording. It can begin recording immediately even when you are
using it to preview video. In normal use, there is no chance of accidentally deleting a
recording. Recordings will not be erased unless you intentionally delete a file or initialize
the card.
■Other features
●Pre-rec: This function provides a way to capture moments you otherwise would have
missed. In the standby mode, the camera will record video and audio for up
to 3 seconds in HD and 7 seconds in SD. Starting the recording operation will
record the preset duration of video and audio already memorized in standby.
● One-shot REC: Convenient for producing animation, this mode records for a set time
(from 1 frame to 1 second) each time you press the START button.
● Interval REC: Recording one frame at a time at set intervals (from 2 frames to 10
minutes), this mode is useful for monitoring, supervision and special ultra
undercranking effects.
■Clip thumbnail preview
The camera records each cut as a clip (file) and automatically attaches a thumbnail image
and file information to it. To preview a clip on the LCD monitor or to check clip data, simply
choose the clip you want from the list of thumbnails. These thumbnails and the file data
can be viewed on a PC (P2 Viewer *) or processed in a nonlinear editing program *.
* “P2 Viewer” is a Windows® PC viewing software that can be downloaded free of charge
by P2 card users.
■Shot marker and text memo
If desired, you can add a simple OK/reject shot marker to each clip either during or after
recording. When a P2 card is mounted in a PC (P2 Viewer), the PC will display only
marked clips.
A text memo function is also provided. Pressing the USER button to which the text memo
function has been assigned anywhere in a clip during recording or in preview mode allows
you to attach empty post-it like text memos (up to 100) that can later be filled with text on
a PC (P2 Viewer).
■SD memory card slot
The camera provides an SD memory card slot for saving and loading scene files and user
settings. A metadata upload file (created using P2 Viewer) containing the name of the
person who shot the video, the name of the reporter, the shooting location or a text memo
and other information can be saved to an SD memory card. This data file can be loaded
as clip metadata.
■HD/SD SDI output and downconverter supported
Video line outputs (both BNC) are provided as standard. These outputs can flexibly
handle both monitor and line recording. A down-converter is also built-in. Aspect mode
can also be selected.
●SDI OUT (HD/SD): The HD-SDI output allows you to make backups on an external
VTR (with HD-SDI input) in synch with REC START/STOP button
operation. SD-SDI can also down convert and output HD content.
●VIDEO OUT: Outputs down converted SD video (composite video).
Chapter 1 Introduction
■Fine adjustment of sound recording level
The camera features a front-mounted control for fine adjustment of the sound recording
level. This control is particularly useful for adjusting the sound level when you have to
control both video and audio recording. The control can be disabled.
Recording and Playback Features
11
Chapter 1 Introduction
The setting values such as the user file
are saved to and read from the
SD memory card.
P2 card
You can use the following features:
• HD (High Definition) recordin
g
• Multi format recording
• Variable frame rate
s
Slow & quick motion recordin
g
• Maximum 4 channel uncompressed
digital audio recording
P2 mode shooting and playback
(Pages XX and XX)
Outline of operations
This unit is compatible with P2 (Professional Plug-in) cards. Excelling at high transfer speeds, the P2 card enables
high vision recording and smooth editing and dubbing.
Flow of shooting, playing and saving
Outline of operations
12
Saving and editing on external devices
Computer/
Memory card recorder
External hard disk
Computer
P2 card
Component
video cable
USB2.0 (Windows
®
)
IEEE1394 (SBP-2*) (Macintosh
®
)
IEEE1394 (SBP-2
*
)
IEEE1394
(Windows
®
/Macintosh®)
*Serial Bus Protocol-2
The data (file) is transferred for nonlinear
editing on your computer or other unit
.
The unit directly controls the external hard
disk drive, and transfers the data (file) to it.
The contents can be transferred as
a data stream (digital dubbing).
Connecting external devices via
the USB connector (Page XX)
Connecting external devices via
the IEEE1394 connector (Page XX)
Video equipment/
Television
Chapter 1 Introduction
Outline of operations
13
Chapter 1 Introduction
AC adapter
NP-L7
Remote control cable:
AJ-C10050G
LCD monitor
BT-LH80W
USB2.0 compatible devices
Remote Control Unit:
AJ-RC10G
ENDURA7/10
BP-GL65/95
Lens:
(Bayonet type)
Fujinon, Canon
DIONIC90/160
HYTRON50/100/140
PROPAC14, TRIMPAC14
SD Memory cards
*
2
P2 Cards
*
2
:
Stereo microphone:
*
1
AG-MC200G
AJ-MC700P
Phantom +48 V
NP-1 typ
e
Battery mount
V mount typ
e
Battery plate
Viewfinder:
AJ-VF15BP/BE
AJ-VF20WBP/BE
AG-VF11G
Tripod adapter:
SHAN-TM700
Hard carrying
case:
AJ-HT901G
Rain cover:
SHAN-RC700
Soft carrying
case:
AJ-SC900
AG-HPX500P/E
System Configuration
*1 To install a stereo microphone, an extra modification is required. For more information, contact your distributor or designated
*2 For the latest information on P2 cards and SD memory cards not available in the operating Instructions, visit the P2 Support
service provider.
Desk at the following Web sites.
https://eww.pavc.panasonic.co.jp/pro-av/
14
System Configuration
Parts and their
Chapter
2
Functions
Power Supply and Accessory Mounting Section
5
1
4
3
13
2
15
10
5
12
Chapter 2 Parts and their Functions
6
11
14
7
8
9
1
POWER switch
Used to turn on/off the power.
2
Battery mount
A battery pack from Anton /Bauer is mounted
here.
3
DC IN (external power input) socket (XLR,
4P)
This unit is connected to an external DC power
supply (DC12 V).
4
BREAKER switch
When an excessive amount of current is fed
through the video camera-recorder, due to any
abnormal event, the breaker automatically turns
off the power in order to protect the device.
After the interior of the video camera-recorder
has been checked and/or repaired, this button
must be depressed. If there is no unusual
reaction, the unit can be powered-up.
5
Light shoe
A video light or similar accessory can be attached
here.
6
Shoulder strap fittings
The shoulder strap is attached here.
7
Lens mount (bayonet type)
The lens is attached here.
8
Lens lever
Lower this lever to lock the lens to the lens mount.
9
Lens mount cap
To remove the cap, raise the lens lever.
When the lens is not mounted, replace the cap.
10
Lens cable/microphone cable clamp
This clamp secures the lens and microphone
cables.
11
Tripod mount
When you want to mount the AG-HPX500P/E
on a tripod, the optional tripod adapter (SHANTM700) is attached here.
12
LENS jack (12-pin)
The lens connection cord is connected here.
For a detailed description of your lens, see the
relevant manufacturer’s instruction manual.
13
Release lever
Pull down the release lever to release the battery
pack.
14
Viewfinder left-right positioning ring
For details, see [Adjusting Viewfinder Right-Left
Position] .
15
Light control switch
For details, refer to [Power Supply].
15
Audio (input) Function Section
Chapter 2 Parts and their Functions
9
1
1
MIC IN (microphone input) jacks
FRONT1/FRONT2 (XLR, 3-pin)
Connect microphones (optional accessories) to
these jacks. Power for the microphone comes
from this jack.
A phantom-powered microphone may be
connected. To use a phantom-powered
microphone, set the menu option F.MIC
POWER1/F.MIC POWER2 to ON in the <AUDIO
SETUP> screen.
2
AUDIO LEVEL CH1/CH2 (audio channel 1
& 2 recording level adjustment) controls
With the AUDIO SELECT CH1/CH2 switch
positioned to [MAN], these controls can be used
to adjust the recording levels for Audio Channels
1/2.
Note that the controls are designed to be locked.
For adjustment, each control must be depressed
while turning.
Set the menu option AUTO LEVEL CH3/AUTO
LEVEL CH4 to OFF in the <AUDIO SETUP>
screen to use these controls to adjust the
recording level of audio channels 3 and 4.
5
AUDIO IN (audio input selector) switch
Use this switch to select the signals recorded
through Audio Channels 1 - 4.
FRONT: Signal from the microphone connected
to the MIC IN jack is recorded.
REAR: Signal from the audio device connected
to the REAR 1/REAR 2 connector is
recorded.
CH1InputCH2Input
FRONT1 FRONT1 jackFRONTFRONT2 jack
FRONT2 FRONT2 jackREARREAR2 jack
REARREAR1 jack——
CH2InputCH4Input
FRONTFRONT1 jackFRONTFRONT2 jack
REARREAR1 jackREARREAR2 jack
6
REAR 1/REAR 2 (audio input channel 1 &
2) connectors (XLR, 3-pin)
Audio devices or a microphone may be
connected here.
7
16
7
LINE/MIC/+48V (line input/mic input/mic
input + 48V) selector switch
Used to select the audio signal input from the
AUDIO IN CH1/CH2 connectors.
LINE: Audio signal line-input from the audio
device is input.
MIC: Audio signal from a self-powered (active)
microphone is input. (The main unit
does not supply power to the remote
microphone).
+ 48V: Audio signal from a passive microphone
is input. (The unit supplies power to the
remote microphone).
8
F. AUDIO LEVEL (audio recording level
adjustment) control
This control adjusts the recording level of Audio
Channels 1 and 2. Level adjustment does not
depend on the position of the AUDIO SELECT
switch.
Use the menu options FRONT VR CH1 and
FRONT VR CH2 in the <AUDIO SETUP> screen
to select whether this control will be used for
controlling input from AUDIO CHANNEL 1 or 2.
The MONITOR SELECT switch is synchronised with the audio signal output to the speakers and earphones,
and from the AUDIO OUT connector.
MONITOR SELECT SWITCH (Left)
MONITOR SELECT
3
MONITOR/ALARM (volume) control
Used to control the volume of sound output from the monitor speakers and earphones.
It also adjusts the alarm sound volume.
4
Speakers
The speakers output EE sound during recording, and reproduced sound during playback. The speakers emit
an alarm sound when the warning lamp blinks and/or the indicator activates. EE sound and playback sound
are not output during alarm sound output.
When the PHONES jack is connected with earphones, sound from the speaker is automatically muted.
5
PHONES (earphones) jack (mini jack)
This connector is designed for audio monitoring (stereo) earphones. When earphones are connected, sound
from the speakers is automatically muted.
6
DC OUT (DC power supply) output socket
This output socket is designed for 12-VDC. It provides a maximum current of 1.5 A.
7
AUDIO OUT connector
This connector outputs audio signals recorded on Channels 1/2 or 3/4.
Output signals are selected with the MONITOR SELECT CH1/2 / CH3/4 selector switch.
1
6
5
2
MONITOR SELECT SWITCH (Right)
CH1/3Audio Channel 1Audio Channel 3
ST
CH2/4Audio Channel 2Audio Channel 4
Audio Channels 1 and 2
CH1/2CH3/4
Stereo signals from
7
Stereo signals from
Audio Channels 3 and 4
18
Shooting and Recording/Playback Functions Section
Chapter 2 Parts and their Functions
1
3
4
8
2
5
6
7
Shooting and Recording (camera unit)
1
ND FILTER (filter switching) control
This control adjusts the amount of light entering
the CCD. Use this control in strong outdoor
lighting.
Control
position
2
USER MAIN, USER 1 and USER 2 buttons
These buttons can be assigned user-selected
functions, using a menu option. Each button,
when pressed, performs the assigned function.
For more information, see [Assigning Functions to
USER MAIN, USER1 and USER2 Buttons].
3
SHUTTER switch
Used to enable or disable the electronic shutter.
OFF: Electronic shutter disabled.
ON: Electronic shutter enabled.
SEL: Used to change the speed of the electronic
This dial switch returns to its original position.
Each turn of the switch alters the shutter speed.
For more information, see [Setting the Electronic
Shutter].
SettingDescription
1OFF Do not use the ND filter.
21/4
31/16
41/64
Reduces the amount of light
entering the CCD to 1/4.
Reduces the amount of light
entering the CCD to 1/16.
Reduces the amount of light
entering the CCD to 1/64.
shutter.
9
4
AUTO W/B (white/black) BAL switch
Automatically adjusts the white balance.
Set the WHITE BAL switch on the side to
[A] or [B] and use this switch to adjust the
AWB
ABBBack balance is automatically adjusted.
5
GAIN selector switch
white balance, which takes a few seconds.
The adjusted value is stored in memory.
Note that auto white balance adjustment is
not available when the WHITE BAL switch
is set to [PRST].
This switch adjusts video amplifier gain to suit
ambient lighting conditions at the time of the
shooting.
Use the menu options MID GAIN and HIGH
GAIN in the <SW MODE> screen to set the M /H
position gain values.
The factory settings for L, M and H are 0 dB,
6 dB, and 12 dB, respectively.
<Note>
The camera is locked to 0 dB gain regardless of
GAIN switch position and setting when the FRAME
RATE is 22 fps (59.94 Hz) or less than 23 fps (50 Hz)
and the slow shutter is set to 1/15 (59.94 Hz) or 1/12
(50 Hz/59.94 Hz).
19
6
OUTPUT/AUTO KNEE selector switch
This switch selects the video signals sent from
the camera unit to the memory card recorder unit,
Chapter 2 Parts and their Functions
viewfinder and video monitor.
Video being recorded through the camera
CAM.
AUTO
KNEE ON
CAM.
AUTO
KNEE OFF
BARS
<Note>
This switch does not work in the MCR mode.
■AUTO KNEE function
Usually, when you adjust levels to shoot people
or scenery against a strongly lit background,
the background will be totally whited-out, with
buildings and other objects blurred.
In this case, the AUTO KNEE function reproduces
the background clearly.
This function is effective when:
• The subject is a person positioned in the shade
under a clear sky.
• The subject is a person inside a car or building,
and you also want to capture the background
visible through a window.
• The subject is a high-contrast scene.
7
WHITE BAL (white balance memory
is output with the AUTO KNEE circuit
activated. The compression level (KNEE
point) of the video signal is automatically
changed according to the received signal.
Video being recorded through the camera
is output with the AUTO KNEE circuit
turned off. The KNEE point is locked to
the level set in the menu.
Color bar signals are output with the
AUTO KNEE circuit turned off.
9
MODE button
This button toggles between the CAMERA mode
and MCR mode at each press.
Holding down this button for 2 seconds or longer
in the MCR mode will engage the PC mode.
Since this button does not work in the PC mode,
power off the camera to exit the PC mode and
switch to another mode. The camera will start
up in the CAMERA mode when powered up next
time.
Use the mode LED (Page XX) to check current
mode.
selector) switch
Used to select the white balance adjustment
method.
PRST: Use this when you have no time to adjust
the white balance.
• The value for the white balance is
factory-set to 3200 K.
• It can be changed to any color
temperature using a menu option. For
more information, see [Setting Color
Temperature Manually].
A or B: Pressing the AUTO W/B BAL Switch
toward [AWB] automatically adjusts the
white balance, saving the adjusted value
in Memory A or B. For more information,
see [Adjusting the White Balance].
8
DISP/MODE CHECK button
Press this button to turn off the LCD monitor and
viewfinder display. (The time code indication
stays on.)
A second press of the button turns the display
back on and holding it down displays shooting
conditions and functions assigned to USER
switches.
It also serves to turn off the alarm sound.
20
25
26
Chapter 2 Parts and their Functions
19
10
32
18
11
16
151317 14
22
33
24
31
21
20
12
27
30
292328
21
Shooting and Recording/Playback
Function Section (recording)
10
Chapter 2 Parts and their Functions
REC START/STOP button
Pressing this button starts recording, pressing
again stops recording.
This button has the same function as the REC
button on the handle and the VTR button at the
lens.
When pressed in the MCR mode, the camera
automatically switches to the CAMERA mode and
starts recording.
11
SAVE switch
This switch selects the power saving mode.
ON: Forcibly turns off the LCD.
OFF: LCD is on.
The operating status display goes off when the
SAVE switch is set to ON.
But it remains on during special recording.
12
OUT PUT CHARACTER switch
This switch controls the superimposition of
characters onto the video output (VIDEO OUT,
COMPONENT OUT and SDI OUT) from the
VIDEO OUT connector to indicate status or
menus.
ON: Superimposes characters.
OFF: Does not superimpose characters.
13
REW (fast-reverse) button
During pause, this button performs fast-reverse
playback. (MCR mode)
During playback, it fast-reverses playback at
about 4× normal speed.
If this button is pressed when playback is paused,
the beginning of the clip being played is located in
pause mode (cue-up mode).
14
FF (fast forward) button
During pause, this button performs fast playback.
(MCR mode)
During playback, it performs fast playback at
about 4× normal speed.
If this button is pressed when playback is paused,
the beginning of the next clip is located in pause
mode (cue-up mode).
15
■STOP button
This button stops playback. (MCR mode)
The menu cursor moves in the thumbnail display.
16
PLAY button
This button is used to view playback using the
viewfinder screen or a color video monitor. (MCR
mode)
17
STILL (pause) button
Press to pause playback. (MCR mode)
18
REC buttons (red and white)
Press the red and white buttons simultaneously
to start recording the 1394 input signal and press
the STOP button to stop recording. This function
is available only in the MCR mode.
19
P2 CARD ACCESS LED
This LED indicates the recording and playback
status of each card.
20
Slide lock button
Used to open the slide-out door for inserting P2
cards. While depressing this button, slide the
door to the left.
21
USB 2.0 connector
Connect a USB 2.0 cable to this connector.
Select USB DEVICE under the menu option PC
MODE in the <OTHER FUNCTIONS> screen to
send data via the USB 2.0 connector. The camera
cannot be used for recording, playback or clip
operations when this function is used. For details,
see [Connecting to External Devices Using
USB2.0 Port].
22
GENLOCK IN connector
This connector inputs a reference signal when the
camera unit is gen-locked, or when the time code
is externally locked.
<Note>
The reference input signal must be an HD3 SYNC
(at 1080/ 60i, 720/ 60p, 1080/50i or 720 /50p) or an
SD2 SYNC (at 480/ 60i or 576 /50i).
23
REMOTE (remote control) connector
The extension control unit AJ-RC10G (optional
accessory) is connected here.
24
VIDEO OUT (video signal output)
connector
This connector outputs video signals. The video
signals linked to the setting of the OUTPUT SEL
switch are output from here.
25
SD memory card insertion slot
Insert an SD memory card (optional accessory) in
this slot. It is used for uploading meta data as well
as for reading and writing USER files and SCENE
files.
<Note>
■SD memory card precautions
• Use only cards that conform to the SD card
standard or the SDHC standard in this camera.
• Multimedia cards cannot be used. (Use of such
cards may prevent recording.)
• Be sure to use mini SD and mini SDHC card
adapters only when using mini SD and mini SDHC
cards. Note that this camera will not operate
normally when a mini SD or mini SDHC adapter is
installed without also inserting a card. Be sure to
insert a card when an adapter is installed.)
• Use of Panasonic SD memory cards and mini
SD/mini SDHC cards is recommended. Be sure to
format such cards in this camera.
• To format a memory card on a PC, use the
following software that can be downloaded from
the support site listed below.
https://eww.pavc.panasonic.co.jp/pro-av/
• This camera supports 8 MB, 16 MB, 32 MB, 64 MB,
128 MB, 256 MB, 512 MB, 1 GB and 2 GB SD
memory cards and 4 GB SDHC memory cards.
• For the latest information not available in the
Operating Instructions, visit the P2 Support site at
the above Web site.
■About SD and SDHC memory cards
• SD logo is a trademark.
• The SDHC (SD High Capacity) card is a new
standard, established by the SD Card Association
in 2006, for large-scale memory cards with
capacities above 2 GB.
• Multi Media Card (MMC) is a registered trademark
of Infineon Technologies AG.
22
26 BUSY (operation mode display) lamp
This lamp indicates the active status of the SD
memory card.
It stays illuminated when the card is active.
<Note>
While the lamp is on, do not insert or remove the
card.
27
R-SIDE P2 card access LED
This LED indicates access status for all four P2
card slots. It blinks when any of the inserted
P2 cards is accessed and lights when a card is
inserted.
28
COMPONENT OUT connector (D4
connector)
This connector outputs component video signals.
Use the menu option CMPNT/SDI SEL in the
setting menu <OUTPUT SEL> screen to select
720P, 1080i, 480i, or 576i. This connector does
not support up-conversion.
29
1394 connector
Connect an IEEE1394 cable to this connector.
Select 1394 DEVICE or 1394 HOST under
the menu option PC MODE in the <OTHER
FUNCTIONS> screen to send data via the
1394 connector. For details, see [Connecting to
External Devices Using USB2.0 Port] .
30
SDI OUT connector
This connector outputs SDI signals.
Use the menu option CMPNT/SDI SEL in the
setting menu <OUTPUT SEL> screen to select
720P, 1080i, 480i, or 576i. This connector does
not support up-conversion.
31
SCENE FILE dial
This dial allows you to load and set the shooting
conditions for a scene file already recorded with
the conditions corresponding to the dial position.
<Note>
During recording, selecting a position with a
different frame rate will not change the frame rate
until the camera is set to recording standby mode.
32
PAGE/VAR button
In the thumbnail display, press this button to turn
pages; during variable speed playback press it to
change playback speed and in still mode, press it
to start frame-by-frame playback.
33
FOCUS ASSIST button
This button turns focus assist on and off.
Turning on the focus assist function displays
a frequency distribution graph in the top right
corner of the viewfinder and LCD display.
Turn the focus ring on the lens to place the graph
further to the right.
Chapter 2 Parts and their Functions
When the image is out of
focus
The white area moves
to the right as the image
comes into focus.
23
Menu Operation Section
Chapter 2 Parts and their Functions
6
1
5
1
MENU button
Press this button to display the setting menu and
press it again to return to the previous image.
This button is not available in the thumbnail
display.
<NOTE>
Use the SET button or the JOG dial button to go
between menus and select items. For details, see
section [Viewfinder and LCD menus].
2
Thumbnail button
In MCR mode, press this button to open the
thumbnail screen.
Note that this switchover is not performed during
recording or playback.
3
Thumbnail menu button
In thumbnail display mode, use this button to
access thumbnail menu functions to delete clips,
for example.
Pressing this button when thumbnail is not shown
in camera mode or MCR mode displays the
camera menu or MCR menu.
<Note>
Use the CURSOR and SET buttons to select
thumbnails and access menu functions. For details,
see [Manipulating Clips with Thumbnails].
4
CURSOR and SET buttons
Use these buttons to manipulate menus, the
menu bar and thumbnails.
The four triangular buttons are CURSOR buttons
and the square center button is the SET button.
5
PAGE/VAR button
Pressing this button during thumbnail display
scrolls thumbnail pages forwards and backwards
in page units.
2
34
6
JOG dial button
Use this button to go between menu pages and
to select and set items in open setting menus
(camera menu or MCR menu).
In a setting menu, turning the JOG dial
downwards moves the menu cursor downwards
and turning it upwards moves the menu cursor
upwards.
Press the JOG dial button to confirm made
settings.
24
Time Code Section
2
Chapter 2 Parts and their Functions
6
4
5
3
1
1
GENLOCK IN connector (BNC)
This connector is used to input a reference signal
before the camera unit is gen-locked, or before
the time code is externally locked.
2
TC IN connector (BNC)
This connector is used to input a reference time
code when you externally lock the time code.
3
TC OUT connector (BNC)
When you inter-lock the time code of the AGHPX500P/E with that of an external device this
must be connected with the time code input (TC
IN) connector of the external device.
4
HOLD button
Pressing this button freezes the time data
indication on the counter. Note that time code
generation continues. Pressing the button again
reactivates the counter.
This function is used to ascertain the time code or
CTL count of a particular recorded scene.
5
RESET button
Use this button to reset the counter value on the
time code display to 00:00:00.
When the TCG switch is positioned at [SET] and
the setting menus TC PRESET screen and UB
PRESET screen are open, press this button to
reset all set values to 0 and press the SET button
to preset.
7
8
6
COUNTER (counter display selector)
button
The LCD monitor and the viewfinder show the
counter value, time code, user bit and frame rate
data depending on how this switch and the TCG
switch are set.
7
TCG (time code selector) switch
This switch is used to specify the stepping mode
for the built-in time code generator.
Select this position to continuously
advance the time code independently of
F-RUN
SET
R-RUN
8
CURSOR and SET buttons
Use these buttons to set the time code and user
bits.
The four triangular buttons are the CURSOR
buttons, and the center rectangular one is the
SET button.
For guidance in setting the time code and user
bits, see [Setting Time Data].
the P2 card recording status. Use this
mode to synchronise the time code with
the time of day, or to externally lock the
time code.
Select this position to set the time code
and/or user bits.
Select this position to advance the time
code only during recording. The time code
is continuously recorded during normal
recording. But deleting clips and continue
recording of clips at a frame rate of 24P
or 24PA that have been recorded at any
other frame rate may break the sequence
of time code recording.
25
Warning and Status Display
Chapter 2 Parts and their Functions
Functions
1
2
3
LCD Monitor
5
1
Back tally lamp
When the BACK TALLY switch is set to [ON], the
lamp behaves in the same way as the front tally
lamp at the viewfinder.
2
BACK TALLY switch
This switch controls the action of the back and
rear tally lamps.
ON: Back and rear tally lamps enabled.
OFF: Back and rear tally lamps disabled.
3
WARNING lamp
This lamp starts blinking or lights up if something
unusual occurs in the memory.
4
Rear tally lamp
When the BACK TALLY switch is set on [ON], the
rear tally lamp behaves in the same way as the
back tally lamp.
5
Mode LED
Shows the camera unit mode.
CAM: Lights in CAMERA mode.
MCR: Lights in MCR mode.
PC: Lights in PC mode.
4
1
1
LCD monitor
The LCD monitor displays the video in the
viewfinder.
Alternatively, it can show clips on the P2 card in a
thumbnail format.
In thumbnail display mode, you can use the
thumbnail menu buttons, CURSOR and SET
buttons to manipulate or delete clips, or format P2
cards.
2
OPEN button
Used to open the LCD monitor.
2
26
Viewfinder
Chapter 2 Parts and their Functions
7
8
11
13
6
4
2
1
Viewfinder (supplied accessory)
During recording or playback, the viewfinder
displays the video image in monochrome. It also
displays warnings, messages, zebra patterns,
markers (safety zone and center markers), etc.
2
ZEBRA (zebra pattern) switch
This switch is used to display the zebra pattern in
the viewfinder.
ON: Zebra pattern displayed.
OFF: No zebra pattern displayed.
3
TALLY switch
Used to control the front tally lamp.
ON: Tally lamp goes on.
OFF: Tally lamp goes out.
4
PEAKING control
Used to adjust the outlines of the video image
in the viewfinder for easier focusing. Recorded
video and output camera signals are not affected.
5
CONTRAST control
Used to adjust the contrast of the video image
in the viewfinder. Recorded video and output
camera signals are not affected.
6
BRIGHT control
Used to adjust the brightness of the video image
in the viewfinder. Recorded video and output
camera signals are not affected.
3
5
10
9
1
7
8
9
10
11
12
13
12
Front tally lamp
This lamp goes on during recording when
the TALLY switch is set to [ON]. It also blinks
in synchronisation with the REC lamp in the
viewfinder, and provides alerts.
Viewfinder securing screw
Used to attach or remove the viewfinder.
Eyepiece
Diopter adjustment lever
Use this to make adjustments in line with your
diopter, in order to obtain optimum clarity in the
viewfinder image.
Connecting plug
Locking button
Microphone holder
27
Recording and
PUSH MENU TO RETURN
LANGUAGE
GL SELECT
GL PHASE
H PHASE
SYSEM FREQ
+ 9:00
ENGLISH
SDI
OFF
0
59.94Hz
TIME ZONE
OTHER FUNC T I O N S
PUSH MENU TO RETURN
1394 CONTROL
1394 CMD SEL
PC MODE
ACCESS LED
ALARM
SAVE LED
CLOCK SET
OTHER FUNC T I O N S
OFF
REC_P
1394DEVICE
OFF
OFF
SAVE
YES
USER FILE
Chapter
3
Playback
Setting Date and Time of Internal Clock
Chapter 3 Recording and Playback
The CLOCK SET value is recorded in the contents
(clip), and affects the sequence of playback of the
thumbnails. Before carrying out recording, be sure to
check and set CLOCK SET and TIME ZONE.
• This shows you how to adjust the calendar to
5:20 PM on December 25, 2007.
Set the POWER switch to ON.
1
Press the MENU button.
2
Use the JOG dial button to select
3
setting menu OTHER FUNCTIONS, then
press the JOG dial button to open the
OTHER FUNCTIONS screen.
Use the JOG dial button to select TIME
4
ZONE, then press the JOG dial button.
In the setup menus, OTHER
5
FUNCTIONS screen, TIME ZONE, set
the time difference from Greenwich
Mean Time using the JOG dial button.
• Check what time zone you are in and set
accordingly.
■Time zone
Time
difference
-00:00Greenwich-00:30
-01:00Azores Islands-01:30
-02:00Mid-Atlantic-02:30
-03:00Buenos Aires-03:30
-04:00Halifax-04:30
-05:00New York-05:30
-06:00Chicago-06:30
-07:00Denver-07:30
-08:00Los Angeles-08:30
-09:00Alaska-09:30 Marquesas Islands
-10:00Hawaii-10:30
-11:00Midway Island-11:30
-12:00Kwajalein+11:30Norfolk Island
+13:00+10:30Lord Howe Island
+12:00New Zealand+09 :30Darwin
• The clock is accurate to within about ±30 seconds a
month with the power turned off.
• Check and set the time when accurate time is required.
After setting the time, change the setting menu TIME
ZONE item and the display and the recorded local time
will be reset accordingly.
Area
Time
difference
Area
Newfoundland
Island
Setting Date and Time of Internal Clock
28
In the setup menus, OTHER
6
FUNCTIONS screen, CLOCK SET,
select YES.
• The CLOCK SET screen appears.
Turn the JOG dial button to select
PUSH MENU TO RETURN
2007
MONTHMAY
DAY
1
HOUR13
MIN7
YEAR
CLOCK SET
PUSH MENU TO RETURN
2007
MONTH DECEMBER
DAY25
HOUR17
MIN20
YEAR
CLOCK SET
7
YEAR, then press the JOG dial.
Turn the JOG dial button to set YEAR to
8
2007, then press the JOG dial button.
• A year between 2000 to 2030 can be set.
Turn the JOG dial button to select
9
MONTH, then press the JOG dial
button.
Chapter 3 Recording and Playback
Turn the JOG dial button to set MONTH
10
to DEC, then press the JOG dial button.
Set DAY, HOUR and MIN in the same
11
way as setting YEAR and MONTH.
• This is a 24-hour clock.
Press the setting menu button to exit
12
the menu mode.
Setting Date and Time of Internal Clock
29
P2 Cards
Chapter 3 Recording and Playback
Inserting P2 Cards
<Note>
When using the camera-recorder for the first time, be
sure to set the time data beforehand. On how the time
data is set, see [Setting Date and Time of Internal Clock].
Turn on the POWER switch.
1
While pressing the slide lock button,
2
move the slide-out door to the left.
• The door opens.
Insert a P2 card in a P2 card slot.
3
• Press in the card until the eject button pops
up.
EJECT button
Slide lock button
Slide-out door
The card must be
inserted with the logo
right way up.
Tilt up the popped-up EJECT button.
4
P2 CARD ACCESS LED
Insert a P2 card into the AG-HPX500P/
5
E. The P2 CARD ACCESS LED for the
appropriate slot indicates the status of
the P2 card.
For how the P2 card status is indicated, see
[P2 CARD ACCESS LED and status of P2
cards].
30
P2 Cards
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