Line 6 POD xt Pro, Vetta II Combo, Vetta II HD, POD X3, POD X3 Live Reference Manual

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MIDI Co n t I n u o u s Co n t r o l l e r re f e r e n C e

For Line 6 Hardware & GearBox Software

Mac® OS X, Windows® XP® & Windows® Vista

Table of Contents

Line 6 Products and MIDI .....................................................................1•1

What’s MIDI? .................................................................................................................. 1•2

MIDI In & Out ............................................................................................................... 1•2

USB ................................................................................................................................. 1•2

MIDI Channel ................................................................................................................ 1•2

Making the connection .................................................................................................. 1•2

GearBox SysEx Control .................................................................................................. 1•6

GuitarPort Online Player Transport Control ................................................................. 1•7

MIDI Channel Selection ................................................................................................ 1•7

MIDI CC Reference Tables ......................................................................2•1

Line 6 Hardware MIDI CC Reference Table ................................................................. 2•2

GearBox Software MIDI CC Reference Table ............................................................. 2•14

MIDI CC Range Reference - Model Tables .............................................3•1

Pocket POD Model Tables ............................................................................................. 3•1

Floor POD Model Tables ............................................................................................... 3•3

POD 2.0 Model Tables.................................................................................................... 3•5

PODx t Model Tables ...................................................................................................... 3•7

Bass PODx t Model Tables ............................................................................................ 3•11

POD X3 Model Tables .................................................................................................. 3•13

Flextone III Model Tables............................................................................................. 3•17

HD 147 Model Tables ................................................................................................... 3•19

Vetta II Model Tables ................................................................................................... 3•21

GearBox Software Model Tables .................................................................................. 3•23

Effects Model Tables (All Line 6 Products) ................................................................. 3•29

Line 6, POD, POD 2.0, Bass PODxt, POD X3, PODxt, Vetta, Flextone, HD 147, GuitarPort Online and GearBox are trademarks of Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners, which are in no way associated or afﬁliated with Line 6.

MIDI CC Reference - Line 6 Products & MIDI

lI n e 6 Pr o D u C t s a n D MIDI

This document describes the setup of Line 6 devices for MIDI communication and includes reference tables for the products’ MIDI controllers. Many Line 6 products allow their parameters to be tweaked remotely by 3rd party, external MIDI controller hardware units, and/or software MIDI sequencers. These items communicate with Line 6 products by sending MIDI Continuous Controller (MIDI CC), Program Change and/ or MIDI System Exclusive (SysEx) commands. A MIDI CC is the most common type of message used for this task, and what is used for accessing most functions on Line 6 products. A MIDI CC message consists of a “controller” number followed by a data value. When you access a button, slider, knob or pedal on your MIDI controller device, or when you conﬁgure your MIDI sequencing software to output MIDI control data, this MIDI CC command is what is transmitted, which makes it possible to do things such as remotely control the Volume or other parameters of your Line 6 hardware or software in real-time! Likewise, some Line 6 products’ functions, (such as Monitor levels in the Line 6 GearBox software), can be remotely accessed using MIDI SysEx commands. Additionally, these same Line 6 products are also capable of transmitting MIDI control data. This makes it possible to control another software or hardware device’s parameters in real-time via your Line 6 product.

The key to all this communication is the MIDI CC and SysEx mapping. The following pages include MIDI CC master tables for both Line 6 hardware and GearBoxTM software, as well as model tables for each product to serve as a reference document of MIDI assignments for the parameters of several Line 6 products. With this information you can set the MIDI CC values for your controller device to match the Line 6 parameters to be controlled. References for MIDI SysEx commands can be found in the GearBox SysEx Control section. The Line 6 products included in this reference are:

Pocket POD•

Floor POD•

POD•

Bass POD•

POD•

Flextone•

HD147•

Vetta•

TonePort•

POD Studio•

GearBox•

, Firmware Version 1.x

Plus, Firmware Version 1.x

2.0, POD® Pro, Firmware Version 2.3 and later

x t , POD® x t Pro & POD® x t Live, USB Firmware Version 1.12, Flash Memory Version 3.01

x t , Bass POD® x t Pro & Bass POD® x t Live, Firmware Version 2.14

X3 Live, POD® X3 Pro, USB Firmware Version 1.02, Flash Memory Version 1.15

III, Firmware Version 1.10

, Firmware Version 1.x

II & VettaTM II HD, Firmware Version 2.5

UX1, UX2, UX8, KB37, GX, D.I.

UX1, UX2, UX8, KB37

Software, Version 3.5 and later (please visit the line6.com Software Downloads page to get the latest GearBox version)

1•1

MIDI CC Reference - Line 6 Products & MIDI

What’s MIDI?

MIDI (Musical Instrument Digital Interface) is a communications protocol designed to allow various music-making machines exchange information. It allows one device to control another, and several devices to all be used together in coordination. To follow are details on the MIDI connections for your Line 6 Device.

MIDI In & Out

Hardware devices commonly use standard 5-pin MIDI cables, which are always connected from the MIDI Out jack of the sending device to the MIDI In jack of the receiving device. Each connection is a one-way street: information ﬂows from the OUT of one device to the IN of another device. To allow information to ﬂow back, you must connect a second cable, from IN to OUT. Several of the Line 6 hardware devices include MIDI jacks and can be connected to other MIDI devices in this manner.

USB

If you are using a Windows® or Mac® computer in your setup, then you can exchange MIDI data via USB rather than via a 5-pin MIDI cable connection. Many computer-based Line 6 products such as PODx t , BASS PODx t , TonePort, and POD Studio devices include drivers that establish Line 6 USB MIDI “ports” on your computer, allowing them to be connected to the MIDI ports of other computer-based hardware and MIDI software. Pocket POD needs no drivers to establish MIDI “ports” on your computer.

MIDI Channel

MIDI allows sixteen different channels of information to be transmitted and received through one MIDI port. (The MIDI channel is independent of, and has nothing to do with, your Line 6 device’s channels for storing individual Tones). You tune your Line 6 POD, Ampliﬁer or GearBox software in to listen to a particular MIDI channel (like choosing a channel on a TV or a station on a radio), and make sure the device that you want your Line 6 device to listen to is transmitting on that same MIDI Channel.

Making the connection

To follow are details for connecting your Line 6 product to other devices for MIDI communication.

POD X3 Live/Pro, Floor POD Plus, POD 2.0, POD Pro, Flextone III, HD 147 and Vetta II

Each of these Line 6 devices includes two MIDI cable connections: MIDI In & MIDI Out. You connect to other MIDI devices by plugging MIDI cables to these In & Out jacks. As mentioned above, be sure to use two MIDI cables, and connect between the MIDI Out of one device

1•2

MIDI CC Reference - Line 6 Products & MIDI

to the MIDI In of the other, and vice-versa. If you are connecting a 3rd party external MIDI Controller device to your Line 6 POD or Ampliﬁer, then you can typically connect the controller directly to the Line 6 device with two MIDI cables this way. If you are connecting to a computer, then you’ll need a MIDI Interface device that offers at least one physical MIDI port (one MIDI In and one MIDI Out jack). Then go into the MIDI software’s MIDI Preferences or Control Panel dialog and choose the 3rd party MIDI Interface’s MIDI In and MIDI Out port to allow the software to communicate to your connected Line 6 device. MIDI Interface units are relatively inexpensive and can be found at most music shops. Most modern MIDI Interface units connect to your computer via USB.

Connecting to a computer MIDI Interface with MIDI cables

Pod X3, PODx t , Bass PODx t , TonePort, POD Studio & Pocket POD

POD X3 Live & Pro devices include 5-Pin MIDI In and Out jacks, and it is necessary for you to use these connections to recieve and send MIDI data. (The POD X3 bean, Live & Pro USB connections do not carry MIDI data). POD X3 Live and Pro can be controlled by receiving MIDI messages coming into the 5-Pin MIDI Input. POD X3 Live and Pro also transmits MIDI data out through the 5-Pin MIDI Output jack, allowing you to control or communicate other MIDI hardware and software.

All PODx t and Bass PODx t family devices include both USB and 5-pin MIDI jacks. It is recommended to use the USB connection for your MIDI connectivity with these devices when connecting to your computer. Alternatively, you can use a 5-Pin MIDI cable connection as described above if it is the only way to connect to your other MIDI device.

1•3

MIDI CC Reference - Line 6 Products & MIDI

TonePort & POD Studio family devices include a USB MIDI driver that allows other Windows® or Mac® software applications to access “virtual” USB Line 6 MIDI In and Out ports. This allows you to send and receive MIDI control data between Line 6 GearBox and 3rd party MIDI software.

Pocket POD has a mini USB jack, which provides MIDI connectivity to your computer.

When connected to your computer via USB cable, the Line 6 driver will expose “virtual” MIDI ports that are accessible to other computerconnected MIDI hardware and MIDI software. Pocket POD requires no drivers to expose its “virtual” MIDI ports. For example, if you are using a MIDI sequencing software, you should be able to go into that software’s MIDI control panel and access the Line 6 MIDI In and PODxt MIDI out ports, such as within the Ableton Live Lite Line 6 Edition’s MIDI Preferences dialog shown here:

The MIDI Preferences panel window in Ableton Live. The Line 6 MIDI “ports” are selectable for any of Live’s MIDI In or Out functions

Once the Line 6 MIDI port is conﬁgured in the MIDI software, you can then choose it for any MIDI track and/or MIDI control options within your sequencing projects in the software. This allows you to use your POD’s on-board knobs & pedal to control parameters in the software. Or, this also allows you to have existing MIDI control data within a MIDI track of the sequencer send that data out to your POD to control one of its parameters. Check your sequencing software’s documentation fore more speciﬁcs on its MIDI capabilities.

Note that if you are connecting your Line 6 device to your computer using MIDI cables to and from a MIDI Interface (such as an M-Audio MIDISport, MOTU Express, etc.) then the MIDI Interface is the “MIDI Device” that will be visibly selectable in your MIDI software’s control panel. However, your Line 6 device will transmit and receive MIDI data through this device and allow you to use it to control the software, or to be controlled from the software.

1•4

MIDI CC Reference - Line 6 Products & MIDI

Line 6 GearBox Software

Much like the Line 6 hardware devices discussed above, the Line 6 GearBox software can also have it’s on-screen knobs, buttons, sliders and model selections controlled remotely via a hardware MIDI controller device, or via MIDI software. Most GearBox functions can be controlled via MIDI CC – please refer to the Line 6 GearBox MIDI CC Reference chart and Model Tables for the MIDI CC mapping. Likewise, GearBox can also output MIDI CC data whenever most of its functions are operated, which allows the remote control of other hardware or software products that are capable of responding to MIDI CC messages. Some additional GearBox functions can be controlled via MIDI SysEx commands – please see the following GearBox SysEx Control section.

To conﬁgure GearBox to receive MIDI data from a 3rd party controller:

Connect your external MIDI controller device to your computer (either via 5-pin MIDI cables to a MIDI Interface, or via USB if your controller offers it). Next, go to the GearBox Preferences dialog and choose the MIDI/Control tab. To receive MIDI data from a 3rd party external MIDI controller, access the MIDI Input selector, where you can choose the MIDI device or port from which you want GearBox to receive MIDI controller data:

GearBox Preferences – MIDI/Control tab, Mac OS X

If you are using Windows, the options are the same within the GearBox Preferences > MIDI/Control tab. As shown in the above example, we’ve selected to receive MIDI Input from a connected M-Audio MIDISPORT 2x2 MIDI Interface – GearBox will receive MIDI data from any MIDI controller connected into the “Port A” MIDI Input jack of the MIDISPORT.

GearBox will automatically receive MIDI data on MIDI Channel 1 from the connected Line 6 USB source hardware, regardless of the above MIDI Input selector’s setting (supported by TonePort, POD Studio, POD X3 and PODx t family devices). Therefore, to control GearBox from a 3rd party MIDI sequencing software you can simply set the MIDI sequencer application’s MIDI Out to be the MIDI In port of your source Line 6 USB device.

1•5

MIDI CC Reference - Line 6 Products & MIDI

Note – When using a PODxt family device as your USB source device for GearBox, then the PODxt hardware is already a “ﬁxed” MIDI Input device into GearBox, therefore, the Preferences-MIDI/Control tab appears blank. You can plug an external controller into PODxt’s 5-Pin MIDI In, or set your MIDI software to use the PODxt USB MIDI In port to route MIDI data into GearBox.

To conﬁgure GearBox to send MIDI data - In the same MIDI/Control tab, simply check the box for “Send MIDI as on-screen controls are

operated” (this box is unchecked by default).

MIDI data is automatically routed out the USB MIDI Out of the connected Line 6 USB source device.

GearBox SysEx Control

Some GearBox and GuitarPort Online (GPO) functions, such as Monitor & Send Levels, can be controlled via MIDI by using SysEx commands. GearBox SysEx messages take on the following format:

F0 00 01 0C 08 <opcode> <data> … F7

Where:

<opcode> is a single byte opcode (00 – 7F)

Number of bytes in <data> depends on the opcode.

The following table lists the opcodes implemented in GearBox 3.5 and later:

Function Opcode Data Size (bytes) Data Description Bypass 00 1 Byte 1: 00 for bypass off; 01 for bypass on

Monitor Mute 01 2

Next/Previous Tone 02 1 Byte 1: 01 for next tone; 00 for previous tone

Record Send Level 03 2

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ... 7F = all Byte 2: 01 is mute on; 00 is mute off

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ...7F = all Byte 2: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0)

1•6

MIDI CC Reference - Line 6 Products & MIDI

Monitor Level 04 2

GPO Track Level 05 1 Byte 1: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0) GPO Player Half Speed 06 1 Byte 1: 01 = enable half speed; 0x00 = disable half speed GPO Player Loop Enable 07 1 Byte 1: 01 = loop enable; 00 = loop disable

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ...7F = all Byte 2: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0)

GuitarPort Online Player Transport Control

In addition, the following MIDI events are recognized for the Guitar Port Online (GPO) Player transport control. These 3 byte MIDI short messages (not SysEx) are based on the Mackie control speciﬁcation.

GPO Track Play 90 5E 7F GPO Track Stop 90 5D 7F GPO Track FWD Start 90 5C 7F GPO Track FWD Stop 90 5C 00 GPO Track REW Start 90 5B 7F GPO Track REW Stop 90 5B 00

MIDI Channel Selection

Typically, you can use the default MIDI Channel settings on your Line 6 POD or Ampliﬁer for most setups. But if you have problems with communication between devices, or if you need to use a speciﬁc MIDI channel, then you can change the speciﬁc MIDI Channel your Line 6 device uses for receiving and transmitting.

Floor POD Plus

To set Floor POD Plus’ MIDI Channel, hold the Manual button and press Save to enter MIDI channel mode. The display will indicate the current MIDI transmit/receive channel. Use the Bank Up/Down footswitches to change the MIDI transmit/receive channel. Selecting “All” places the unit into Omni mode - In Omni mode the unit receives MIDI on all channels and transmits only on channel 1. Press the Manual button to save the MIDI channel selection and exit MIDI channel mode.

1•7

MIDI CC Reference - Line 6 Products & MIDI

POD 2.0, POD Pro

To set POD’s MIDI Channel, press the MIDI button (which will light up). The single-digit display will show you the current channel POD is tuned in to – the default is Channel 1. Use the Up and Down arrows to select a different MIDI channel from 1 thru 16. POD displays channels 10 through 16 by lighting up the decimal point to the right of the single digit. So “2.” means channel 12. You can also set POD to listen to all channels (Omni mode) by selecting “A” (A for all) for the MIDI channel. When in Omni mode, POD transmits on channel 1.

PODx t and Bass PODx t

To set the MIDI Channel on PODx t , PODx t Pro, Bass PODx t or Bass PODx t Pro, press the TUNE/SYSTEM button (which will light up). For PODx t Live or Bass PODx t Live, press the OUTPUT MODE/SYSTEM button so that it lights up. Then, for any of these units, use the Select knob to ﬁnd the MIDI page that looks like this:

PODxt/Bass PODxt MIDI options

Press the button under CHANL and start spinning the EFFECT TWEAK knob to change the MIDI Channel. You can choose channels 1 thru 16, or OMNI (Omni means PODx t will ‘listen’ on all MIDI channels, which is ﬁne if it’s your only connected MIDI device). PODxt/ Bass PODxt always accepts SysEx data on any channel, so if you are only working with SysEx data, this channel setting is only important to determine what channel your PODx t /Bass PODx t will send on.

POD X3 Live, POD X3 Pro

To set the MIDI Channel on POD X3, press and hold the Outputs/Hold for System button for 2 seconds to go to the SYSTEM page:

The POD X3 System page

1•8

MIDI CC Reference - Line 6 Products & MIDI

Choose from MIDI Channel 1-16, or select Omni to have POD X3 respond to all MIDI channels, while transmitting on Channel 1. When MIDI Program Change messages 0-127 are received, POD X3 Live will recall User Presets 01A-32D, and it will send those same program changes as presets are selected from the POD X3. It also echoes all Program Change messages it receives to the MIDI Out, so they can be connected “thru” to another MIDI device.

Vetta II and Vetta II HD

To set the MIDI Channel on a Vetta II Combo or HD ampliﬁer, press the SYSTEM SETUP button (which will light up), then turn the PAGE knob until the LCD displays page 3. Select the knob directly beneath the MIDI CHAN item in the display and adjust it to the desired channel number (1-16).

Flextone III, HD 147, and Pocket POD

Flextone III, HD 147, and Pocket POD always communicate on MIDI Channel 1 as a ﬁxed setting.

GearBox Software

GearBox receives and sends MIDI data on Channel 1 as a ﬁxed setting.

Looking for more control? The Line 6 FBV Series Foot Controllers are designed to work with most Line 6 POD and amp products right out of the box. Also check out the Line 6 Product Manuals page to grab more info on Line 6 gear, recording, computer optimizations and more!

1•9

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

MIDI CC re f e r e n C e ta b l e s

The following sections include MIDI reference tables. The ﬁrst MIDI CC refrence table is speciﬁcally for Line 6 hardware devices, followed by a table for the Line 6 GearBox software. These tables list all controllable parameters, the MIDI CC controller number and values assigned to each parameter, as well as descriptions for what is being controlled. To follow are descriptions of the columns shown in the Line 6 Hardware and GearBox MIDI CC tables.

Parameter - The table lists all parameters that can be remotely controlled by MIDI CC’s, and you can see that many parameters are common to several Line 6 hardware devices.

Notes - Some Parameters may not be too obvious by name alone, or have some special behaviors for how their data value ranges are applied, so this column is where to look for this info.

Product Columns - (Line 6 Hardware chart) There are 5 sets of paired columns that refer to the 5 product types. Note that PODx t and Bass PODx t are each one paired column set – these each include all PODx t and Bass PODx t products (XT, XT Pro and XT Live), unless otherwise noted. Each has a column for “TX” (transmit) and “RX” (receive). A check mark in the slot means that the control of the parameter via MIDI CC is supported for the product type.

MIDI CC# and Range - This set of columns lists the assigned MIDI CC controller number, and the range for the data values supported. You can see that most CCs offer a range from 0 to 127, which typically map to a knob or slider. If the parameter is a simple on/off type, then usually values from 0 to 63 will all set that parameter to “off” and 64 to 127 will set the parameter to “on”. Some parameters, such as the various “Model Select” items, will number only from 0 up to a number less than 127, since each value represents each Model that is available – all higher values have no related function (see the Model Tables section*). Check the Notes column to see if other behaviors apply.

*The Model Tables section provide the detailed breakdown of MIDI CC range values that are assigned to the individual Amp, Cabinet and Effects Models and Effect parameters. These are the available Model types for each Amp/Cab/Effect Model Select parameter, and each Model is recalled using the speciﬁc range value for the assigned MIDI CC.

2•1

Line 6 Hardware MIDI CC Reference Table

Line 6 Hardwaere MIDI CC Refrence Table

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Tweak 1 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 1 0 127 √ √ Delay Tweak 2 0 127 √ √ Tweak 2 2 0 127 √ √ Pedal 2 2 0 127 √ √ Modulation

Tweak Wah Position 4 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Compressor

Gain Split/Blend 0=Blend/Blend, 1=Split/

Blend, 2=Blend/Split, 3=Split/Split

Volume Pedal Realtime (not saved in

Channel or Setup)

Amp 2 Pan 0=Full Left, 64=Center,

127=Full Right

Compression Threshold

Amp 1/Studio Pan

Amp 1 Model w/ Amp defaults

0=Full Left, 64=Center, 127=Full Right

Loads Amp with Amp Defaults. Range depends on device (see model tables)

3 0 127

5 0 127

6 0 3

7 0 127

8 0 127

9 0 63

10 0 127

11 0 -

POD 2.0

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √ √

Flex III HD147

√ √

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•2

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Amp 1 Model w/out Amp defaults

Amp 1 Model w/ Amp defaults

Amp 1 Drive 13 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 0 Amp 1 Bass 14 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 1 Amp 1 Mid 15 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 2 Low Mid 15 0 127 √ √ Amp 1 Treble 16 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 3 High Mid 16 0 127 √ √ Amp 1

Channel Volume

Mic Pre Amp Param 4

Reverb Level 18 0 127 √ √ √ √ √ √ √ √ √ √ √ √

Loads Amp Model without Amp Model Defaults. Range depends on device (see model tables)

12 0 -

13 0 127

14 0 127

15 0 127

16 0 127

17 0 127

POD 2.0

√ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•3

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Effect Model Range depends on device

(see model tables)

Effect Setup 19 0 63 √ √ √ √ √ √ √ √ Drive 2 (Only

if Amp Type = Layer)

EQ Freq 1 (low shelving)

Amp 1 Presence

Mic Pre Amp Param 5

Treble 21 0 127 √ √ Noise Gate

Enable Gate

Threshold Gate Decay 0=.1msec; 127=3000msec 24 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Stomp Enable 0~63=Off ; 64~127=On 25 0 127 √ √ √ √ √ √ √ √ √ √ Drive/Boost 0~63=Off ; 64~127=On 25 √ √ Comp Enable 0~63=Off ; 64~127=On 26 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Volume Boost 0~63=Off ; 64~127=On 26 0 127 √ √ Stomp Param 1

MSB Presence Boost 0~63=Off ; 64~127=On 27 0 127 √ √ √ Delay Enable 0~63=Off ; 64~127=On 28 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Modulation

Param 1

Non-linear mapping 20 0 127

0~63=Off ; 64~127=On 22 0 127

0<>31=-96dB, 32=-96dB...127=0dB

Not currently in use 27 0 127

19 0 -

21 0 127

23 32 127

29 0 127

POD 2.0

√ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √

√ √ √ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•4

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Delay Param 1 MSB

Delay Param 1 Note value

EQ Freq 2 (peaking)

Delay Regeneration

Delay Param 2 33 0 127 √ √ √ √ √ √ √ √ √ Delay Mix 34 0 127 √ √ √ √ √ √ √ √ √ √ √ Delay Param 3 35 0 127 √ √ √ √ √ √ √ Reverb Enable 0~63=Off ; 64~127=On 36 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ Reverb Model Range depends on device

Reverb Decay 38 0 127 √ √ √ √ √ √ √ √ √ Reverb Tone 39 0 127 √ √ √ √ √ √ √ √ Reverb

Diffusion Reverb Pre-

Delay Reverb Density 41 0 127 √ √ √ Reverb Pre/

Post

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

Non-linear mapping 32 0 127

(see model tables)

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

30 0 127

31 0 127

32 0 127

37 0 127

40 0 127

41 0 127

POD 2.0

√ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √ √ √ √ √ √ √ √ √ √

√ √

√ √ √ √

√ √ √ √ √ √ √ √

√ √ √ √ √

√ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•5

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Compression Ratio

EQ Freq 2 (peaking)

EQ Freq 3 (peaking)

Wah Enable 0~63=Off ; 64~127=On 43 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 Enable 0~63=Off ; 64~127=On 43 0 127 √ √ Wah Model 44 0 127 √ √ Modulation

lo-cut Wah Bottom

Frequency Wah Top

Frequency Delay/Reverb

lo-cut Volume Pedal

Maximum Volume Pedal

Minimum EQ Pre/Post 0~63 = Pre-Amp Model,

Volume Pre/ Post

Volume Swell Enable

D.I.>Model 48 0 127 √ √

Non-linear mapping 42 0 127

64~127 = Post-Amp Model

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

42 0 127

44 0 127

45 0 127

46 0 127

47 0 127

48 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √

√ √

√ √ √

√ √

√ √ √ √ √ √ √ √ √

√ √

√ √ √ √ √ √ √ √ √ √

√ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

√ √

POD X3

Live /Pro

√ √

2•6

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Vol Swell Ramp Time

D.I. Delay 49 0 127 √ √ Mod Enable 0~63=Off ; 64~127=On 50 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Chorus/Flange

Speed Modulation

Param 1 Note value

Chorus/Flange Depth

Mod Param 2 52 0 127 √ √ √ √ √ √ √ Chorus/Flange

Regen. Mod Param 3 53 0 127 √ √ √ √ √ √ √ Chorus

PreDelay Mod Param 4 54 0 127 √ √ √ √ √ √ √ Rotary Speed 55 0 127 √ √ √ Mod Param 5 55 0 127 √ √ √ √ Rotary Max

Speed Mod Mix 56 0 127 √ √ √ √ √ √ √

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

49 0 127

51 0 127

51 0 13

52 0 127

53 0 127

54 0 127

56 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √ √ √ √

√ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•7

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Rotary Min Speed

Mod Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Tremolo Speed 58 0 127 √ √ √ Mod Model 58 0 - √ √ √ √ √ √ √ √ Tremolo Depth 59 0 127 √ √ √ Stomp Param

1 LSB EQ Freq 3

(peaking) EQ Freq 4

(peaking) Mod Param 1

LSB Delay Time

(Dbl Precision) Delay Param 1

LSB EQ Enable 0~63=Off ; 64~127 63 0 127 √ √ √ √ √ √ √ √ Tap Tempo 64-127 = a Tap 64 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Pedal Assign 0~41 = Wah/Off -

Not currently in use 59 0 127

Non-linear mapping 60 0 127

Volume; 42~85 = TweakVolume; 86~127 = Wah/ Vol - Tweak

57 0 127

61 0 127

62 0 127

65 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √

√ √ √ √ √ √ √

√ √ √ √

√ √

√ √ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

√ √

2•8

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Amp/Preamp Bank Select

Tone 1 or 2 Toggle

Cab Bank Select

Dual Tone Enable

EQ Freq 5 (peaking)

Tuner Enable 0~63=Off ; 64~127=On 69 0 127 √ √ √ √ √ √ √ Mic Model

Select Amp 1

Cabinet Type A.I.R.

Ambience Level

Pitch Shift On/ Off

Determines how CC 11 and 12 messages (Amp Model Select) will be interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps

Determines how CC 71 messages (Cab Model Select) will be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set

Non-linear mapping 68 0 127

Range depends on device (see model tables)

RCV: 0-63=Disable, 64-127=Enable.TX: 0=disable, 127=enable

66 0 2

66 0 127

67 0 1

67 0 127

70 0 -

71 0 -

72 0 127

POD 2.0

PODx t Bass

PODx t

√ √

√ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √

√ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•9

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Double Tracker On/Off

Bright Switch 0~63=Off ; 64~127=On 73 0 127 √ √ Stomp Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Stomp Model Range depends on device

(see model tables)

Room Level 76 0 127 √ √ √ √ √ √ EQ Freq 4

(high shelving) EQ Freq 6

(high shelving) Stomp Param 1

Note Value

Stomp Param 2 79 0 127 √ √ √ √ √ √ Stomp Param 3 80 0 127 √ √ √ √ √ √ Stomp Param 4 81 0 127 √ √ √ √ √ √ Stomp Param 5 82 0 127 √ √ √ √ √ √ Stomp Param 6 83 0 127 √ √ √ √ √ √ Amp Switch

Select

Non-linear mapping 77 0 127

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

0~63=Amp switch will turn Amp on/off ; 64~127=Amp switch will turn Comp on/off

73 0 127

74 0 127

75 0 -

78 0 127

84 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √ √ √ √

√ √ √ √

√ √

Live Live Live Live √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•10

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Delay Param 4 85 0 127 √ √ √ √ √ √ √ Delay Param 5 86 0 127 v √ Delay Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Delay Model Range depends on device

(see model tables)

Delay/Verb Model

Tempo MSB 89 0 127 √ √ √ √ √ √ √ √ Tempo LSB 90 0 127 √ √ √ √ √ √ √ √ Amp 2 Model Range depends on device

Amp 2 Drive 92 0 127 √ √ Mic Pre Amp

Param 6 Amp 2 Bass 93 0 127 √ √ Mic Pre Amp

Param 7 Amp 2 Mid 94 0 127 √ √ Mic Pre Amp

Param 8 Amp 2 Treble 95 0 127 √ √ Mic Pre Amp

Param 9 Amp 2

Presence Mic Pre Amp

Param 10 Amp 2 Chan

Volume

Range depends on device (see model tables)

(see model tables)

87 0 127

88 0 -

91 0 63

92 0 127

93 0 127

94 0 127

95 0 127

102 0 127

103 0 127

POD 2.0

√ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √

PODx t Bass

PODx t

√ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•11

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Mic Pre Amp Param 11

FX Loop Send Level

Amp 2 Cabinet Type

Amp Bypass Channel Volume

FX Loop Return Level

Amp 2 Reverb Send Level

FX Loop Enable

FX Loop Pre/ Post Toggle

Tweak Parameter Destination

FX Loop Mix 109 0 127 √ √ Stomp Box 2

Enable Live Out Pan 110 0 127 √ √ Stomp Box 3

Enable Amp 1 Engage 0~63=Off ; 64~127=On 111 0 127 √ √ √ √ √ √ √ √ √ √ Amp 2 Engage 0~63=Off ; 64~127=On 112 0 127 √ √

Range depends on device (see model tables)

0~63=Off ; 64~127=On 107 0 127

103 0 127

104 0 127

104 0 -

105 0 127

106 0 127

108 0 127

108 0 13

109 0 127

110 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √ √ √ √

Pro Pro Pro Pro √ √ √ √ √ √

√ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•12

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardwaere MIDI CC Refrence Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Pitch/Tremolo (Vetta II)

EQ Gain 1 (low shelving)

EQ Gain 2 (peaking)

EQ Gain 3 (peaking)

EQ Gain 4 (peaking)

EQ Gain 5 (peaking)

EQ Gain 4 (high shelving)

EQ Gain 6 (high shelving)

113 0 127

114 0 127

115 0 127

116 0 127

117 0 127

118 0 127

119 0 127

POD 2.0

PODx t Bass

PODx t

√ √ √ √ √ √

√ √

√ √ √ √

√ √

√ √ √ √

√ √

√ √ √ √

√ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•13

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

The following table is for Line 6 GearBox 3.5 (and later).

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Not used 0 0 127 Effect Tweak Controls a GearBox parameter depending on current CC 108 setting. 1 0 127 √ √ Not used 2 0 127 Not used 3 0 127 Wah Level 4 0 127 √ √ Compressor Gain 5 0 127 √ √ Not used 6 0 3 Volume Pedal Level 7 0 127 √ √ Not used 8 0 127 Compressor Threshold 9 0 63 √ √ GearBox Output Pan 0=Full Left, 64=Center, 127=Full Right. Controls pan at the DSP output, before the

monitor and record send paths

Amp Model Select Performs same action as CC 12, but C 11 does not transmit. 11 0 106 √ Amp Model Select See GearBox Model Tables pages 12 0 106 √ √ Amp Param 1 13 0 127 √ √ Amp Param 2 14 0 127 √ √ Amp Param 3 15 0 127 √ √ Amp Param 4 16 0 127 √ √ Amp Param 6 17 0 127 √ √ Reverb Mix 18 0 127 √ √ Not used 19 0 127 EQ Frequency 1 Non-linear mapping 20 0 127 √ √ Amp Param 5 21 0 127 √ √ Noise Gate Enable 0~63=Off ; 64~127=On 22 0 127 √ √ Noise Gate Threshold 0<>31=-96dB, 32=-96dB...127=0dB 23 32 127 √ √ Noise Gate Decay 0=.1msec; 127=3000msec 24 0 127 √ √

10 0 127 √ √

2•14

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Stomp Enable 0~63=Off ; 64~127=On 25 0 127 √ √ Compressor Enable 0~63=Off ; 64~127=On 26 0 127 √ √ Stomp Param 1 MSB of 14-bit value (transmitted ﬁrst) 27 0 127 √ √ Delay Enable 0~63=Off ; 64~127=On

Mod Param 1 MSB of 14-bit value (transmitted ﬁrst) 29 0 127 √ √ Delay Param 1 MSB of 14-bit value (transmitted ﬁrst) Delay Note (for tempo

sync)

Not used 32 0 127 Delay Param 2 33 0 127 √ √ Delay Mix 34 0 127 √ √ Delay Param 3 35 0 127 √ √ Reverb Enable 0~63=Off ; 64~127=On 36 0 127 √ √ Reverb Model Select See GearBox Model Tables pages 37 0 14 √ √ Reverb Decay 38 0 127 √ √ Reverb Tone 39 0 127 √ √ Reverb PreDelay 40 0 127 √ √ Reverb Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 41 0 127 √ √ EQ Frequency 2 Non-linear mapping 42 0 127 √ √ Wah Enable 0~63=Off ; 64~127=On 43 0 127 √ √ Not used 44 0 127 Bass Amp DI Lo Cut 45 0 127 √ √ Volume Pedal Min Position 46 0 127 √ √ Volume Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 47 0 127 √ √ Bass Amp DI Level 48 0 127 √ √ Bass Amp DI Delay 49 0 127 √ √ Modulation Enable 0~63=Off ; 64~127=On 50 0 127 √ √ Modulation Note (for

tempo sync)

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

28 0 127 √ √

30 0 127 √ √

31 0 127 √ √

51 0 13 √ √

2•15

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Modulation Param 2 52 0 127 √ √ Modulation Param 3 53 0 127 √ √ Modulation Param 4 54 0 127 √ √ Modulation Param 5 55 0 127 Modulation Mix 56 0 127 √ √ Modulation Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 57 0 127 √ √ Modulation Model Select See GearBox Model Tables pages 58 0 23 √ √ Stomp Param 1 (Dbl Prec) LSB of 14-bit value (transmitted second)

EQ Frequency 3 Non-linear mapping 60 0 127 √ √ Modulation Param 1 (Dbl

Prec) Delay Time Param 1 (Dbl

Prec) EQ Enable 0~63=Off ; 64~127 63 0 127 √ √ Tap Tempo Trigger 64-127 = a Tap 64 0 127 √ √ Not used 65 0 127 Amp Model Bank Select The setting of this control determines how CC 12 messages (Amp Model Select) will be

Cab Model Bank Select The setting of this control determines how CC 71 messages (Cab Model Select) will

Not used 68 0 127 Tuner Enable 0~63=Off ; 64~127=On 69 0 127 √ √ Cabinet Mic Model

(guitar) Cabinet Model Select

(bass) Not used 72 0 127 Not used 73 0 127 √ √ Stomp Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 74 0 127 √ √

LSB of 14-bit value (transmitted second)

interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps

be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set, 2=Preamps

See GearBox Model Tables pages

59 0 127

61 0 127 √ √

62 0 127 √ √

66 0 2 √ √

67 0 1 √ √

70 0 3 √ √

71 0 3 √ √

2•16

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Stomp Model Select See GearBox Model Tables pages 75 0 127 √ √ Cabinet Early Reﬂections 76 0 127 √ √ EQ Frequency 4 Non-linear mapping 77 0 127 √ √ Not used 78 0 127 Stomp Param 2 Stomp Param 3 80 0 127 √ √ Stomp Param 4 81 0 127 √ √ Stomp Param 5 82 0 127 √ √ Stomp Param 6 83 0 127 √ √ Amp Switch Assign 0~63=Amp switch will turn Amp on/off ; 64~127=Amp switch will turn Comp on/off.

Assign CC 111 to either Amp or Comp (enable/disable)

Delay Param 4 85 0 127 √ √ Delay Param 5 86 0 127 √ √ Delay Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 87 0 127 √ √ Delay Model Select See GearBox Model Tables pages 88 0 13 √ √ Tempo MSB of 14-bit value (transmitted ﬁrst) 89 0 127 √ √ Tempo (Dbl Prec) LSB of 14-bit value (transmitted second) 90 0 127 √ √ Wah Model Select 0=Vetta, 1=Fassel, 2=Weeper, 3=Chrome, 4=Chome Custom, 5=Throaty, 6=Conductor,

7=Colorful

Amp Param 7 92 0 127 √ √ Amp Param 8 93 0 127 √ √ Amp Param 9 94 0 127 √ √ Amp Param 10 95 0 127 √ √ Not Applicable 96 ---- ---Not Applicable 97 ---- ---Not Applicable Not Applicable 99 ---- ---Not Applicable 100 ---- ---Not Applicable 101 ---- ---Amp Param 11 102 0 127 √ √ Amp Param 12 103 0 127 √ √

79 0 127 √ √

84 0 127 √ √

91 0 7 √ √

98 ---- ----

2•17

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Not used 104 0 127 Amp Bypass Volume 105 0 127 √ √ Not used 106 0 127 Not used 107 0 127 Tweak Assignment Assign CC 1 to control a GearBox parameter 108 0 13 √ √ Not used 109 0 127 Not used 110 0 127 Amp State 0~63=Off ; 64~127=On. Toggles between Amp or Compressor (depending on CC 84

parameter) Not used 112 0 127 Not used 113 0 127 EQ Gain 1 114 0 127 √ √ Not used 115 0 127 EQ Gain 2 116 0 127 √ √ EQ Gain 3 117 0 127 √ √ Not used 118 0 127 EQ Gain 4 119 0 127 √ √ Not Applicable 120 Not Applicable 121 Not Applicable 122 Not Applicable 123 Not Applicable 124 Not Applicable 125 Not Applicable 126 Not Applicable 127

111 0 127 √ √

2•18

MIDI CC Reference - Model Tables

MIDI CC ra n g e re f e r e n C e - Mo D e l t a b l e s

The following Model Tables provide the detailed breakdown of MIDI CC range values that are assigned to the individual Amp, Cabinet and Effects’ “Model Select” parameters. Each Amp/Cab/Effect Model type is recalled using the speciﬁc range value for the assigned MIDI CC.

Pocket POD Model Tables

Amp Models (MIDI CC 12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name

0 Tube Preamp 0 1x 8 ’60 Fender Tweed Champ 1 Line 6 Clean 1 1x12 ’52 Fender Tweed Deluxe 2 Line 6 Crunch 2 1x12 ’60 Vox AC15 3 Line 6 Drive 3 1x12 ’64 Fender Blackface Deluxe 4 Line 6 Layer 4 1x12 ’98 Line 6 Flextone 5 Small Tweed 5 2x12 ’65 Fender Blackface Twin 6 Tweed Blues 6 2x12 ’67 VOX AC30 7 Black Panel 7 2x12 ’95 Matchless Chieftain 8 Modern Class A 8 2x12 ’98 Pod custom 2x12 9 Brit Class A 9 4x10 ’59 Fender Bassman 10 Brit Blues 10 4x10 ’98 Pod custom 4x10 cab 11 Brit Classic 11 4x12 ’96 Marshall with V30s 12 Brit Hi Gain 12 4x12 ’78 Marshall with 70s 13 Treadplate 13 4x12 ’97 Marshall Basketweave with Greenbacks 14 Modern Hi Gain 14 4x12 ’98 Pod custom 4x12 15 Fuzz Box 15 No Cabinet 16 Jazz Clean 17 Boutique #1 18 Boutique #2 19 Brit Class A #2 20 Brit Class A #3 21 Small Tweed #2 22 Black Panel #2 23 Boutique #3 24 California Crunch #1 25 California Crunch #2 26 Treadplate #2 27 Modern Hi Gain #2 28 Line 6 Twang 29 Line 6 Crunch #2 30 Line 6 Blues 31 Line 6 INSANE

3•1

Pocket POD Model Tables - continued

Effects Models (MIDI CC 19)

Value Model Name

0 Chorus2 1 Flanger1 2 Rotary 3 Flanger2 4 Delay/Chorus1 5 Delay/Tremolo 6 Delay 7 Delay/Comp 8 Chorus1 9 Tremolo 10 Bypass 11 Compressor 12 Delay/Chorus2 13 Delay/Flanger1 14 Delay/Swell 15 Delay/Flanger2

MIDI CC Reference - Model Tables

3•2

Floor POD Model Tables

Amp Models (MIDI CC 12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name 0 Tube Preamp 0 1x 8 ’60 Fender Tweed Champ

1 Line 6 Clean 1 1x12 ’52 Fender Tweed Deluxe 2 Line 6 Crunch 2 1x12 ’60 Vox AC15 3 Line 6 Drive 3 1x12 ’64 Fender Blackface Deluxe 4 Line 6 Layer 4 1x12 ’98 Line 6 Flextone 5 Smal Tweed 5 2x12 ’65 Fender Blackface Twin 6 Tweed Blues 6 2x12 ’67 VOX AC30 7 Black Panel 7 2x12 ’95 Matchless Chieftain 8 Modern Class A 8 2x12 ’98 POD custom 2x12 9 Brit Class A 9 4x10 ’59 Fender Bassman 10 Brit Blues 10 4x10 ’98 POD custom 4x10 cab 11 Brit Classic 11 4x12 ’96 Marshall with V30s 12 Brit Hi Gain 12 4x12 ’78 Marshall with 70s 13 TreadPlate 13 4x12 ’97 Marshall off axis 14 Modern Hi Gain 14 4x12 ’98 POD custom 4x12 15 Fuzz Box 15 No Cabinet 16 Jazz Clean 17 Boutique #1 Reverb Type (MIDI CC 37) 18 Boutique #2 Value Model Name 19 Brit Class A #2 0-63 Spring 20 Brit Class A #3 64-127 Hall 21 Small Tweed #2 22 Black Panel #2 Delay Type (MIDI CC 88) 23 Boutique #3 Value Model Name 24 California Crunch #1 0 Tape 25 California Crunch #2 1 Multi-Tap 26 TreadPlate #2 2 Digital 27 Modern Hi Gain #2 3 Reverse 28 Line 6 Twang 4 Sweep Echo 29 Line 6 Crunch #2 5 Analog 30 Line 6 Blues 31 Line 6 Insane

MIDI CC Reference - Model Tables

3•3

Floor POD Model Tables - continued

MIDI CC Reference - Model Tables

Effects Models (MIDI CC 19) Value Model Name Value Ratio 0 Tremolo 0-21 Off

1 Chorus 1 22-42 1.4:1 2 Chorus 2 43-64 2:1 3 Flange 1 65-85 3:1 4 Flange 2 86-107 6:1 5 Rotary 108-127 inﬁnity:1 6 Phaser 7 U-Vibe 8 Obi-Wah 9 Tron-Up 10 Octave Fuzz 11 Sub Octave 12 Comet Trails 13 Ring Modulator 14 Otto Phase 15 Swell

Compression Ratio (MIDI CC 42)

3•4

POD 2.0 Model Tables

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name

0 Tube Preamp 0 1x 8 ’60 Fender Tweed Champ 1 POD Clean Line 6 1 1x12 ’52 Fender Tweed Deluxe 2 POD Crunch Line 6 2 1x12 ’60 Vox AC15 3 POD Drive Line 6 3 1x12 ’64 Fender Blackface Deluxe 4 POD Layer Line 6 4 1x12 ’98 Line 6 Flextone 5 Small Tweed 5 2x12 ’65 Fender Blackface Twin 6 Tweed Blues 6 2x12 ’67 VOX AC30 7 Black Panel 7 2x12 ’95 Matchless Chieftain 8 Modern Class A 8 2x12 ’98 Pod custom 2x12 9 Brit Class A 9 4x10 ’59 Fender Bassman 10 Brit Blues 10 4x10 ’98 Pod custom 4x10 cab 11 Brit Classic 11 4x12 ’96 Marshall with V30s 12 Brit Hi Gain 12 4x12 ’78 Marshall with 70s 13 Rectiﬁed ’94 13 4x12 ’97 Marshall off axis 14 Modern Hi Gain 14 4x12 ’98 Pod custom 4x12 15 Fuzz Box 15 No Cabinet 16 Jazz Clean 17 Boutique #1 18 Boutique #2 19 Brit Class A #2 20 Brit Class A #3 21 Small Tweed #2 22 Black Panel #2 23 Boutique #3 24 California Crunch #1 25 California Crunch #2 26 Rectiﬁed #2 27 Modern Hi Gain #2 28 Line 6 Twang 29 Line 6 Crunch #2 30 Line 6 Blues 31 Line 6 Insane

MIDI CC Reference - Model Tables

3•5

POD 2.0 Model Tables - continued

Effects Models (MIDI CC 19)

Value Model Name

MIDI CC Reference - Model Tables

3•6

MIDI CC Reference - Model Tables

PODx t Model Tables

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12)

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 Bypass 28 Jazz Clean 56 CC Deity Crunch 1 Tube Preamp 29 Solo 100 57 CC Blackface Vibro 2 PP Line 6 Clean 30 PP Super O 58 CC Double Show 3 PP Line 6 JTS-45 31 PP Class A-15 59 CC Silverface Bass 4 PP Line 6 Class A 32 Class A-30 TB 60 CC Mini Double 5 PP Line 6 Mood 33 PP Line 6 Agro 61 CC Gibtone Expo 6 Line 6 Spinal Puppet 34 PP Line 6 Lunatic 62 CC Brit Bass 7 Line 6 Chemical X 35 Line 6 Treadplate 63 CC Brit Major 8 Line 6 Insane 36 PP Line 6 Variax Acoustic 64 CC Silver Twelve 9 Line 6 Acoustic 2 37 MS Bomber Uber 65 CC Super O Thunder 10 PP Zen Master 38 MS Connor 50 66 CC Line 6 Bayou 11 Small Tweed 39 MS Deity Lead 67 CC Line 6 Crunch 12 Tweed B-Man 40 MS Deity's Son 68 CC Line 6 Purge 13 PP Tiny Tweed 41 MS Angel P-Ball 69 CC Line 6 Sparkle 14 Blackface Lux 42 MS Silver J 70 CC Line 6 Super Clean 15 PP Double Verb 43 MS Brit J-900 Clean 71 CC Line 6 Super Sparkle 16 PP Two-Tone 44 MS Brit J-900 Dist 72 CC Line 6 Twang 17 PP Hiway 100 45 MS Brit J-2000 73 BX Tube Preamp 18 PP Plexi 45 46 MS Diamondplate 74 BX L6 Classic Jazz 19 Plexi Lead 100 47 MS Criminal 75 BX L6 Brit Invader 20 Plexi Jump Lead 48 MS Line 6 Big Bottom 76 BX L6 Super Thor 21 PP Plexi Variac 49 MS Line 6 Chunk-Chunk 77 BX L6 Frankenstein 22 Brit J-800 50 MS Line 6 Fuzz 78 BX L6 Ebony Lux 23 PP Brit JM Pre 51 MS Line 6 Octone 79 BX L6 Doppelganger 24 PP Match Chief 52 MS Line 6 Smash 80 BX L6 Sub Dub 25 PP Match D-30 53 MS Line 6 Sparkle Clean 81 BX Amp 360 26 Treadplate Dual 54 MS Line 6 Throttle 82 BX Jaguar 27 PP Cali Crunch 55 CC Bomber XTC 83 BX Alchemist

3•7

PODx t Model Tables - continued

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Pack Model Name Value Pack Model Name

84 BX Rock Classic 0 No Cabinet 85 BX Flip Top 1 1x6 Super O 86 BX Adam and Eve 2 1x8 Tweed 87 BX Tweed B-Man 3 1x10 Gibtone 88 BX Silverface Bass 4 1x10 G-Brand 89 BX Double Show 5 1x12 Line 6 90 BX Eighties 6 1x12 Tweed 91 BX Hiway 100 7 1x12 Blackface 92 BX Hiway 200 8 1x12 Class A 93 BX British Major 9 2x2 Mini T 94 BX British Bass 10 2x12 Line 6 95 BX California 11 2x12 Blackface 96 BX Jazz Tone 12 2x12 Match 97 BX Stadium 13 2x12 Jazz 98 BX Studio Tone 14 2x12 Class A 99 BX Motor City 15 4x10 Line 6 100 BX Brit Class A100 16 4x10 Tweed 101 Citrus D-30 17 4x12 Line 6 102 L6 Mod Hi Gain 18 4x12 Green 20's 103 L6 Boutique #1 19 4x12 Green 25's 104 Class A-30 Fawn 20 4x12 Brit T75 105 Brit Gain 18 21 4x12 Brit V30's 106 Brit J-2000 #2 22 4x12 Treadplate

MIDI CC Reference - Model Tables

3•8

MIDI CC Reference - Model Tables

PODx t Model Tables - continued

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Stomp Models (MIDI CC 75) Stomp Models (MIDI CC 75) Mod Models (MIDI CC 58)

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 Facial Fuzz 27 Bass Overdrive 0 Sine Chorus 1 Fuzz Pi 28 Bronze Master 1 PP Analog Chorus 2 Screamer 29 Sub Octaves 2 Line 6 Flanger 3 Classic Dist 30 Bender 3 PP Jet Flanger 4 PP Octave Fuzz 4 Phaser 5 PP Blue Comp 5 U-Vibe 6 PP Red Comp 6 Opto Trem 7 Vetta Comp 7 PP Bias Trem 8 PP Auto Swell 8 Rotary Drum + Horn 9 PP Auto Wah 9 PP Rotary Drum 10 FX Killer Z 10 PP Auto Pan 11 FX Tube Drive 11 FX Analog Square 12 FX Vetta Juice 12 FX Square Chorus 13 FX Line 6 Boost + EQ 13 FX Expo Chorus 14 FX Blue Comp Treb 14 FX Random Chorus 15 FX Dingo-Tron 15 FX Square Flange 16 FX Clean Sweep 16 FX Expo Flange 17 FX Seismik Synth 17 FX Lumpy Phase 18 FX Double Bass 18 FX Hi-Talk 19 FX Buzz Wave 19 FX Line 6 Sweeper 20 FX Rez Synth 20 FX POD Purple X 21 FX Saturn 5 Ring Mod 21 FX Random S&H 22 FX Synth Analog 22 FX Tape Eater 23 FX Synth FX 23 FX Warble-Matic 24 FX Synth Harmony 25 FX Synth Lead 26 FX Synth String

3•9

MIDI CC Reference - Model Tables

PODx t Model Tables - continued

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37) Wah Models (MIDI CC 91)

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 PP Analog 0 PP Lux Spring 0 Vetta Wah 1 Analog w/Mod 1 Std Spring 1 PP Jen Fassel 2 Tube Echo 2 PP King Spring 2 Weeper 3 PP Multi-Head 3 PP Small Room 3 PP Chrome 4 PP Sweep Echo 4 PP Tiled Room 4 PP Chrome Custom 5 Digital Delay 5 Brite Room 5 PP Throaty 6 PP Stereo Delay 6 PP Dark Hall 6 PP Conductor 7 PP Ping-Pong 7 Medium Hall 7 PP Colorful 8 PP Reverse 8 PP Large Hall 9 FX Echo Platter 9 PP Rich Chamber 10 FX Tape Echo 10 PP Chamber 11 FX Low Rez 11 Cavernous 12 FX Phase Eko 12 Slap Plate 13 FX Bubble Echo 13 PP Vintage Plate

14 PP Large Plate

3•10

MIDI CC Reference - Model Tables

Bass PODx t Model Tables

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71) Stomp Models (MIDI CC 75)

Value Model Name Value Model Name Value Model Name

0 Bypass 0 No Cabinet 0 Bass Overdrive 1 Tube Preamp 1 1x12 Boutiqe 1 Screamer 2 Line 6 Classic Jazz 2 1x12 Motor City 2 Classic Dist 3 Line 6 Brit Invader 3 1x15 Flip Top 3 Facial Fuzz 4 Line 6 Super Thor 4 1x15 Jazz Tone 4 Fuzz Pi 5 Line 6 Frankenstein 5 1x18 Session 5 Octave 6 Line 6 Ebony Lux 6 1x18 Amp 360 6 Bronze Master 7 Line 6 Doppleganger 7 1x18 California 7 Blue Comp 8 Line 6 Sub Dub 8 1x18+12 Stadium 8 Red Comp 9 Amp 360 9 2x10 Modern UK 9 Vetta Comp 10 Jaguar 10 2x15 Double Show 10 Auto Wah 11 Alchemist 11 2x15 California 11 Dingo-Tron 12 Rock Classic 12 2x15 Class A 12 Buzz Wave 13 Flip Top 13 4x10 Line 6 13 Seismik Synth 14 Adam and Eve 14 4x10 Tweed 14 Rez Synth 15 Tweed B-Man 15 4x10 Adam Eve 15 Saturn 5 Ring Mod 16 Silverface Bass 16 4x10 Silvercone 16 Synth Analog 17 Double Show 17 4x10 Session 17 Synth FX 18 Eighties 18 4x12 Hiway 18 Synth Harmony 19 Hiway 100 19 4x12 Green 20's 19 Synth Lead 20 Hiway 200 20 4x12 Green 25's 20 Synth String 21 British Major 21 4x15 Big Boy 21 Double Bass 22 British Bass 22 8x10 Classic 23 California 24 Jazz Tone 25 Stadium 26 Studio Tone 27 Motor City 28 Brit Class A100

3•11

Bass PODx t Model Tables - continued

MIDI CC Reference - Model Tables

Mod Models (MIDI CC 58)

Value Model Name Value Model Name 0 Deluxe Chorus 0 Analog

1 Analog Chorus 1 Analog w/Mod 2 Deluxe Flange 2 Tube Echo 3 Jet Flanger 3 Multi-Head 4 Phaser 4 Sweep Echo 5 U-Vibe 5 Digital Delay 6 Opto Trem 6 Reverse Delay 7 Bias Trem 7 Lux Spring 8 Rotary Drum 8 Std Spring 9 Rotary Drum + Horn 9 King Spring 10 Line 6 Rotor 10 Small Room 11 Random S&H 11 Tiled Room 12 Tape Eater 12 Brite Room

Delay/Reverb Models (MIDI CC 88)

13 Dark Hall 14 Medium Hall 15 Large Hall 16 Rich Chamber 17 Chamber 18 Cavernous 19 Slap Plate 20 Vintage Plate 21 Large Plate

3•12

MIDI CC Reference - Model Tables

POD X3 Model Tables

Guitar Amp Models (MIDI CC 11) Guitar Amp Models (MIDI CC 11) Guitar Amp Models (MIDI CC 11)

Value Model Name Value Model Name Value Model Name

0 Line 6 Agro 28 Line 6 Variax Acoustic 56 1965 Double Verb 1 Line 6 Bayou 29 2002 Angel P-Ball 57 1960 Gibtone Expo 2 Line 6 Big Bottom 30 1964 Blackface ‘Lux 58 1973 Hiway 100 3 Line 6 Boutique #1 31 1963 Blackface Vibro 59 1987 Jazz Clean 4 Line 6 Chemical X 32 2002 Bomber Uber 60 1996 Match Chief 5 Line 6 Chunk Chunk 33 2002 Bomber X-TC 61 1993 Match D-30 6 Line 6 Class A 34 1968 Brit Plexi Bass 100 62 1996 Mini Double 7 Line 6 Clean 35 Brit Gain 18 63 1965 Plexi 45 8 Line 6 Crunch 36 2003 Brit Gain J-2000 64 1968 Plexi Jump Lead 9 Line 6 Fuzz 37 Brit J-2000 #2 65 1968 Plexi Lead 100 10 Line 6 Insane 38 1990 Brit J-800 66 1968 Plexi Variac’d 11 Line 6 JTS-45 39 1992 Brit J900 Clean 67 1967 Silver Twelve 12 Line 6 Lunatic 40 1992 Brit J900 Dist 68 1972 Silverface Bass 13 Line 6 Modern Hi Gain 41 1996 Brit JM Pre 69 1953 Small Tweed 14 Line 6 Mood 42 1969 Brit Plexi Lead 200 70 1993 Solo 100 Head 15 Line 6 Octone 43 1987 Brit Gain Slvr J 71 1960’s Super O 16 Line 6 Piezacoustic 2 44 1985 Cali Crunch 72 1962 Super O Thunder 17 Line 6 Purge 45 Citrus D-30 73 1960 Tiny Tweed 18 Line 6 Smash 46 1960 Class A-15 74 2001 Treadplate Dual 19 Line 6 Sparkle 47 Class A-30 Fawn 75 1958 Tweed B-Man 20 Line 6 Sparkle Clean 48 1967 Class A30 Top Boost 76 1960 Two-Tone 21 Line 6 Spinal Puppet 49 2003 Connor 50 77 2001 Zen Master 22 Line 6 Super Clean 50 2002 Criminal 78 No Amp 23 Line 6 Super Sparkle 51 2003 Deity Crunch 24 Line 6 Throttle 52 2003 Deity Lead 25 Line 6 Treadplate 53 2003 Deity’s Son 26 Line 6 Tube Preamp 54 2001 Diamond Plate 27 Line 6 Twang 55 1967 Double Showman

3•13

MIDI CC Reference - Model Tables

POD X3 Model Tables - continued

Bass Amp Models (MIDI CC 11) Guitar Cab Models (MIDI CC 71) Bass Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

79 Line 6 Brit Invader 0 1x6 60’s Super O 25 Bass - 1x12 Boutique 80 Line 6 Classic Jazz 1 1x8 ‘60 Tiny Tweed 26 Bass - 1x12 Motor City 81 Line 6 Doppleganger 2 1x10 ‘59 Gibtone 27 Bass - 1x15 Flip Top 82 Line 6 Ebony Lux 3 1x10 ‘60 G-Brand 28 Bass - 1x15 Jazz Tone 83 Line 6 Frankenstein 4 1x12 ‘01 Line 6 29 Bass - 1x18 Session 84 Line 6 Sub Dub 5 1x12 ‘53 Small Tweed 30 Bass - 1x18 Amp 360 85 Line 6 Super Thor 6 1x12 ‘64 Blackface Lux 31 Bass - 1x18 California 86 Line 6 Tube Preamp 7 1x12 ‘60 Class A-15 32 Bass - 1x18+12 87 1998 Adam and Eve 8 2x2 ‘01 Mini T 33 Bass - 2x10 Modern UK 88 1975 Alchemist 9 2x12 ‘01 Line 6 34 Bass - 2x15 Doubleshow 89 1972 Amp 360 10 2x12 ‘65 Blackface 35 Bass - 2x15 California 90 1968 Brit Bass 11 2x12 ‘96 Match Chief 36 Bass - 2x15 Class A 91 1965 Brit Class A 100 12 2x12 ‘87 Jazz Clean 37 Bass - 4x10 Line 6 92 1969 British Major 13 2x12 ‘67 Class A-30 38 Bass - 4x10 Tweed 93 2003 California 14 4x10 ‘01 Line 6 39 Bass - 4x10 Adam and Eve 94 1964 Double Show 15 4x10 ‘58 Tweed B-Man 40 Bass - 4x10 Silvercone 95 1989 Eighties 16 4x12 ‘01 Line 6 42 Bass - 4x10 Session 96 1968 Flip Top 17 4x12 ‘67 Green 20's 42 Bass - 4x12 Hiway 97 1973 Hiway 100 18 4x12 ‘68 Green 25's 43 Bass - 4x12 Green 20’s 98 1971 Hiway 200 19 4x12 ‘78 Brit Celest T-75’s 44 Bass - 4x12 Green 25’s 99 2003 Jaguar 20 4x12 ‘98 Brit Celest V30 45 Bass - 4x15 Big Boy 100 1998 Jazz Tone 21 4x12 ‘01 Treadplate 46 Bass - 8x10 Classic 101 1967 Motor City 22 4x12 ‘62 Thunder 47 No Cabinet 102 1974 Rock Classic 23 2x12 ‘67 Wishbook 103 1967 Silverface Bass 24 No Cabinet 104 1978 Stadium 105 2002 Studio Tone 106 1958 Tweed B-Man 107 American Classic

Preamp Models (MIDI CC 11)

Value Model Name

108 Console 109 Lo-Fi 110 Modern 111 Vintage 112 Vintage UK

3•14

POD X3 Model Tables - continued

Stomp Models (MIDI CC 75) Mod Models (MIDI CC 58) Delay Models (MIDI CC 88)

Value Model Name Value Model Name Value Model Name

0 Facial Fuzz 0 Sine Chorus 0 Analog Delay 1 Fuzz Pi 1 Analog Chorus 1 Analog w/Modulation 2 Screamer 2 Line 6 Flanger 2 Tube Echo 3 Classic Distortion 3 Jet Flanger 3 Multi-Head Delay 4 Octave Fuzz 4 Phaser 4 Sweep Echo 5 Killer Z 5 U-Vibe 5 Digital Delay 6 Tube Drive 6 Opto Tremolo 6 Stereo Delay 7 Boost + EQ 7 Bias Tremolo 7 Ping-Pong Delay 8 Bass Overdrive 8 Rotary Drum + Horn 8 Reverse Delay 9 Bronze Master 9 Rotary Drum 9 Echo Platter 10 Red Comp 10 Auto Pan 10 Tape Echo 11 Blue Comp 11 Analog Square Chorus 11 Low Rez Delay 12 Blue Comp Treb 12 Stereo Square Chorus 12 Phaze Eko 13 Vetta Comp 13 Stereo Expo Chorus 13 Bubble Echo 14 Vetta Juice 14 Random Chorus 15 Auto Swell 15 Stereo Square Flange 16 Femal De-Esser 16 Expo Flange 17 Male De-Esser 17 Lumpy Phase 18 Auto Wah 18 Hi-Talk 19 Dingo Tron 19 Sweeper 20 Clean Sweep 20 POD Purple X 21 Seismik Synth 21 Random S&H 22 Double Bass 22 Tape Eater 23 Buzz Wave 23 Warble-Matic 24 Rez Synth 25 Saturn 5 Ring Mod 26 Synth Analog 27 Synth FX 28 Synth Harmony 29 Synth Lead 30 Synth String 31 Sub Octaves 32 Bender

MIDI CC Reference - Model Tables

3•15

POD X3 Model Tables - continued

Reverb Models (MIDI CC 37) Wah Models (MIDI CC 44)

Value Model Name Value Model Name

0 ‘Lux Spring 0 Vetta Wah 1 Standard Spring 1 Fassel 2 King Spring 2 Weeper 3 Small Room 3 Chrome 4 Tiled Room 4 Chrome Custom 5 Brite Room 5 Throaty 6 Dark Hall 6 Conductor 7 Medium Hall 7 Colorful 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

MIDI CC Reference - Model Tables

3•16

Flextone III Model Tables

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

0 Line 6 Clean 29 Diamondplate 0 No Cabinet 1 Line 6 Crunch 30 Bomber XTC 1 1x6 Super O 2 Line 6 Mood 31 Super O 2 1x10 Gibtone 3 Line 6 Insane 3 1x12 Tweed 4 Jazz Clean 4 1x12 Blackface 5 Blackface Lux 5 2x10 Vibro 6 Tweed B-Man 6 2x12 Blackface 7 Double Verb 7 2x12 Match 8 Match Chief 8 2x12 Jazz 9 Class A-30 TB 9 2x12 Class A 10 Plexi 45 10 4x10 Tweed 11 Plexi Lead 100 11 4x12 Green 20's 12 Brit J-800 12 4x12 Green 25's 13 Treadplate Dual 13 4x12 Brit T75 14 Solo 100 14 4x12 Brit V30's 15 Gibtone Expo 15 4x12 Treadplate 16 Line 6 Super Clean 17 Line 6 Sparkle 18 Line 6 Chemical X 19 Line 6 Fuzz 20 Hiway 100 21 Small Tweed 22 Blackface Vibro 23 Zen Master 24 Connor 50 25 Class A-15 26 Brit Bass 27 Brit Silver 28 Brit J-2000

MIDI CC Reference - Model Tables

3•17

Flextone III Model Tables - continued

MIDI CC Reference - Model Tables

Mod Models (MIDI CC 58)

Value Model Name Value Model Name Value Model Name

0 Tremolo 0 Tube Echo 0 Lux Spring 1 Chorus 1 Tape Echo 1 Std Spring 2 Flanger 2 Analog 2 King Spring 3 Phaser 3 Digital 3 Small Room 4 U-Vibe 4 Ping Pong 4 Tiled Room 5 Rotary 5 Sweep Echo 5 Brite Room

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37)

6 Dark Hall 7 Medium Hall 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

3•18

MIDI CC Reference - Model Tables

HD 147 Model Tables

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

0 Line 6 Clean 28 Brit Silver 0 No Cabinet 1 Line 6 Super Sparkle 29 Diamondplate 1 1x6 Super O 2 Line 6 Crunch 30 Bomber XTC 2 1x10 Gibtone 3 Line 6 Insane 31 Deity's Son 3 1x12 Tweed 4 Line 6 Smash 4 1x12 Blackface 5 Line 6 Octone 5 2x10 Vibro 6 Line 6 Treadplate 6 2x12 Blackface 7 Jazz Clean 7 2x12 Match 8 Blackface Lux 8 2x12 Jazz 9 Double Verb 9 2x12 Class A 10 Plexi Lead 100 10 4x10 Tweed 11 Brit J-800 11 4x12 Green 20's 12 Connor 50 12 4x12 Green 25's 13 Treadplate Dual 13 4x12 Brit T75 14 Bomber Uber 14 4x12 Brit V30's 15 Deity Lead 15 4x12 Treadplate 16 Line 6 Super Clean 17 Line 6 Mood 18 Line 6 Spinal Puppet 19 Line 6 Purge 20 Line 6 Big Bottom 21 Line 6 Agro 22 Criminal 23 Class A-30 TB 24 Tiny Tweed 25 Tweed B-Man 26 Plexi 45 27 Brit J-2000

3•19

HD 147 Model Tables - continued

MIDI CC Reference - Model Tables

Mod Models (MIDI CC 58)

Value Model Name Value Model Name Value Model Name

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37)

6 Dark Hall 7 Medium Hall 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

3•20

Vetta II Model Tables

Amp Models (MIDI CC 12/91) Amp Models (MIDI CC 12/91)

Display # CC Value Model Name Display # CC Value Model Name

1 49 Bypass (no amp) 29 12 Line 6 Octone 2 45 Line 6 Tube Preamp 30 47 '02 Bomber X-TC 3 50 Line 6 Variax Acous 31 46 '02 Bomber Uber 4 13 Line 6 Piezacoustic1 32 15 '01Zen Master 5 14 Line 6 Piezacoustic2 33 62 '03 Connor 50 6 0 Line 6 Clean 34 63 '03 Deity Crunch 7 51 Line 6 Super Clean 35 64 '03 Deity Lead 8 1 Line 6 Sparkle 36 65 '03 Deity's Son 9 52 Line 6 Super Sparkl 37 48 '02 Angel P-Ball 10 53 Line 6 Splarkle Clean 38 16 '53 Fn Tweed Small Tweed 11 2 Line 6 Twang 39 17 '58 Fn Tweed B-Man 12 3 Line 6 Bayou 40 18 '61 Fn Tweed Tiny Tweed 13 5 Line 6 Class A 41 66 '63 Fn Black Vib Verb 14 4 Line 6 JTS-45 42 19 '64 Fn Black Lux 15 6 Line 6 Mood 43 20 '65 Fn Black Double 16 10 Line 6 Purge 44 67 '67 Fn Black Dual Show 17 54 Line 6 Crunch 45 68 '72 Fn Silver Bass Head 18 8 Line 6 Throttle 46 21 '96 Fn Mini Double 19 9 Line 6 Chemical X 47 22 '60 Gibtone Explorer 20 55 Line 6 Smash 48 23 '60 G-Brand Two-Tone 21 7 Line 6 Spinal Puppet 49 24 '73 Hiway 100 Custom 22 56 Line 6 Fuzz 50 25 '65 Brit Plexi Lead J-45 23 57 Line 6 Chunk Chunk 51 26 '68 Brit Plexi Lead 100 24 58 Line 6 Big Bottom 52 27 '68 Brit Plexi Bass 100 25 59 Line 6 Treadplate 53 28 '68 Brit Plexi Jump Lead 26 60 Line 6 Lunatic 54 29 '68 Brit Plexi Variac 27 61 Line 6 Agro 55 30 '69 Brit Plexi Lead 200 28 11 Line 6 Insane 56 31 '87 Brit Gain J-800

MIDI CC Reference - Model Tables

3•21

Vetta II Model Tables - continued

Amp Models (MIDI CC 12/91)

Display # CC Value Model Name

57 69 '87 Brit Gain Silver J 58 32 '96 Brit Gain JM Pre 59 70 '92 Brit Gain J-900 Clean 60 71 '92 Brit Gain J-900 Dist 61 72 '03 Brit Gain J-2000 62 33 '96 Match Chief 63 34 '93 Match D-30 64 37 '85 California Crunch 65 35 '01 California Treadplate 66 36 '01 California Diamondplate 67 73 '02 Mississippi Criminal 68 38 '87 Jazz Clean 120 69 39 '67 Wishbook Silver 12 70 40 '93 Hi Gain Solo 100 71 41 '63 Super O Pawnshop 72 42 '62 Super O Thunder 73 43 '61 Class A C-15 74 44 '67 Class A C-30 TB 75 45 '05 Citrus D-30 76 46 L6 Modern Hi Gain 77 47 L6 Boutique #1 78 48 Class A C-30 Fawn 79 49 '05 Brit Gain Eighteen 80 50 '03 Brit Gain J-2000 #2

MIDI CC Reference - Model Tables

3•22

MIDI CC Reference - Model Tables

GearBox Software Model Tables

Model Pack Set Index

Power Pack (included with all PODxt devices) TonePort Free Set Metal Shop Collector Classics FX Junkie Bass Pack (includes all bass amps/cabs in TonePort Free)

Amp & Cabinet Models (MIDI CC 11/12)

CC # Guitar Amp Bass Amp* Pre Amp Cabinet Bass Cabinet**

0 No Amp No Amp American

Classic

1 Tube Instrument Preamp Line 6 Tube Preamp Brit

Classic 2 Line 6 21st Century Clean Line 6 Classic Jazz Lo-Fi 1x8 1960 Tiny Tweed 1x12 Motor City 3 Line 6 JTS-45 Line 6 Brit Invader Vintage 1x10 1959 Gibtone 1x15 Flip Top 4 Line 6 Class A Line 6 Super Thor Modern 1x10 1960 G-Brand 1x15 Jazz Tone 5 Line 6 Mood Line 6 Frankenstein Console 1x12 2001 Line 6 1x18 Session 6 Line 6 Spinal Puppet Line 6 Ebony Lux 1x12 1953 Small Tweed 1x18 Amp 360 7 Line 6 Chemical X Line 6 Doppleganger 1x12 1964 Blackface 'Lux 1x18 California 8 Line 6 Insane Line 6 Sub Dub 1x12 1960 Class A-15 1x18+12 Stadium 9 Line 6 Piezacoustic 2 1972 Amp 360 2x2 2001 Mini T 2x10 Modern UK 10 2001 Zen Master 2003 Jaguar 2x12 2001 Line 6 2x15 Doubleshow 11 1953 Small Tweed 1975 Alchemist 2x12 1965 Blackface 2x15 California 12 1958 Tweed B-Man 1974 Rock Classic 2x12 1996 Match Chief 2x15 Class A 13 1960 Tiny Tweed 1968 Flip Top 2x12 1987 Jazz Clean 4x10 Line 6 14 1964 Blackface 'Lux 1998 Adam and Eve 2x12 1967 Class A-30 4x10 Tweed 15 1965 Double Verb 1958 Tweed B-Man 4x10 2001 Line 6 4x10 Adam and Eve 16 1960 Two-Tone 1967 Silverface Bass 4x10 1958 Tweed B-Man 4x10 Silvercone 17 1973 Hiway 100 1964 Double Show 4x12 2001 Line 6 4x10 Session 18 1965 Plexi 45 1989 Eighties 4x12 1967 Green 20s 4x12 Hiway 19 1968 Plexi Lead 100 1973 Hiway 100 4x12 1968 Green 25s 4x12 Green 20s 20 1968 Plexi Jump Lead 1971 Hiway 200 4x12 1978 Brit Celest T-75s 4x12 Green 25s 21 1968 Plexi Variac'd 1969 British Major 4x12 1996 Brit Celest V-30s 4x15 Big Boy

No Cabinet No Cabinet

1x6 1960s Super O 1x12 Boutique

3•23

GearBox Software Model Tables - continued

22 1990 Brit J-800 1968 Brit Bass 4x12 2001 Treadplate 8x10 Classic 23 1996 Brit JM Pre 2003 California 1x15 1962 Thunder 24 1996 Match Chief 1998 Jazz Tone 2x12 1967 Wishbook 25 1993 Match D-30 1978 Stadium 1x12 Boutique** 26 2001 Treadplate Dual 2002 Studio Tone 1x12 Motor City 27 1985 Cali Crunch 1967 Motor City 1x15 Flip Top 28 1987 Jazz Clean 1965 Brit Class A100 1x15 Jazz Tone 29 1993 Solo 100 Head 1x18 Session 30 1960s Super O 1x18 Amp 360

Amp & Cabinet Models (MIDI CC 11/12)

CC # Guitar Amp Bass Amp* Pre Amp Cabinet Bass Cabinet**

31 1960 Class A-15 1x18 California 32 1967 Class A-30 Top

Boost 33 Line 6 Agro 2x10 Modern UK 34 Line 6 Lunatic 2x15 Doubleshow 35 Line 6 Treadplate 2x15 California 36 Line 6 Variax Acoustic 2x15 Class A 37 2002 Bomber Uber 4x10 Line 6 38 2003 Connor 50 4x10 Tweed 39 2003 Deity Lead 4x10 Adam and Eve 40 2003 Deity's Son 4x10 Silvercone 41 2002 Angel P-Ball 4x10 Session 42 1987 Brit Gain Silver J 4x12 Hiway 43 1992 Brit Gain J-900

Clean 44 1992 Brit Gain J-900 Dist 4x12 Green 25s 45 2003 Brit Gain J-2000 4x15 Big Boy 46 2001 Cali Diamond Plate 47 2002 Mississippi Criminal 48 Line 6 Big Bottom 49 Line 6 Chunk Chunk 50 Line 6 Fuzz

1x18+12 Stadium

4x12 Green 20s

MIDI CC Reference - Model Tables

3•24

GearBox Software Model Tables - continued

51 Line 6 Octone 52 Line 6 Smash 53 Line 6 Sparkle Clean 54 Line 6 Throttle 55 2002 Bomber X-TC 56 2003 Deity Crunch 57 1963 Blackface Vibro 58 1967 Double Show 59 1972 Silverface Bass 60 1996 Mini Double 61 1960 Gibtone Expo 62 1968 Brit Plexi Bass 100 63 1969 Brit Plexi Lead 200 64 1967 Wishbook Silver 12 65 1962 Super O Thunder 66 Line 6 Bayou 67 Line 6 Crunch 68 Line 6 Purge 69 Line 6 Sparkle 70 Line 6 Super Clean 71 Line 6 Super Sparkle 72 Line 6 Twang 73 Line 6 Tube Preamp* 74 Line 6 Classic Jazz

MIDI CC Reference - Model Tables

Amp & Cabinet Models (MIDI CC 11/12)

CC # Guitar Amp Bass Amp* Pre Amp Cabinet Bass Cabinet**

75 Line 6 Brit Invader 76 Line 6 Super Thor 77 Line 6 Frankenstein 78 Line 6 Ebony Lux 79 Line 6 Doppleganger 80 Line 6 Sub Dub 81 1972 Amp 360

3•25

GearBox Software Model Tables - continued

82 2003 Jaguar 83 1975 Alchemist 84 1974 Rock Classic 85 1968 Flip Top 86 1998 Adam and Eve 87 1958 Tweed B-Man 88 1967 Silverface Bass 89 1964 Double Show 90 1989 Eighties 91 1973 Hiway 100 92 1971 Hiway 200 93 1969 British Major 94 1968 Brit Bass 95 2003 California 96 1998 Jazz Tone 97 1978 Stadium 98 2002 Studio Tone 99 1967 Motor City 100 1965 Brit Class A100 101 Citrus D-30 102 L6 Modern Hi Gain 103 L6 Boutique #1 104 Class A-30 Fawn 105 Brit Gain 18 106 Brit J-2000 #2

MIDI CC Reference - Model Tables

* Bass Amps can selected by using CC 12 and selecting values within the Guitar Amp range (73-100), or by selecting values in the Bass Amp range (0-28) with amp bank select (CC 66) set to 1.

** Bass Cabs can selected by using CC 71 and a value within the Guitar Cab range (25-46), or by selecting a value within the Bass Cab range (0-22) with cab bank select (CC 67) set to 1.

3•26

GearBox Software Model Tables - continued

Model Pack Set Index

Power Pack (included with all PODxt devices)

FX Junkie

MIDI CC Reference - Model Tables

Mic & Effects Models

CC# Mic (on guitar cab) - CC 70Mic (on bass cab) -

CC 70

0 57 On Axis Tube 47 Close Facial Fuzz Sine Chorus Analog Delay 'Lux

1 57 Off Axis Tube 47 Far Fuzz Pi Analog Chorus Analog Delay w/Mod Standard

2 421 Dynamic 112 Dynamic Screamer Line 6 Flanger Tube Echo King

3 67 Condenser 20 Dynamic Classic

4 Octave

5 Blue Comp U-Vibe Digital Delay Brite

6 Red Comp Opto Tremolo Stereo Delay Dark Hall Conductor 7 Vetta

8 Auto Swell Rotary Drum + Horn Reverse Delay Large Hall 9 Auto Wah Rotary Drum Echo Platter Rich

10 Killer Z Auto Pan Tape Echo Chamber 11 Tube Drive Analog Square Chorus Low Rez Cavernous 12 Vetta Juice Stereo Square Chorus Phaze Eko Slap Plate 13 Boost +

14 Blue Comp

15 Dingo

Stomp CC 75

Distortion

Fuzz

Comp

Treb

Tron

Modulation - CC 58 Delay - CC 88 Reverb -

CC 37

Spring

Jet Flanger Multi-Head Delay Small

Room

Phaser Sweep Echo Tiled

Room

Bias Tremolo Ping Pong Delay Medium

Hall

Chamber

Stereo Expo Chorus Bubble Echo Vintage

Plate

Random Chorus Large Plate

Stereo Square Flange

Wah - CC 91

Vetta Wah

Fassel

Weeper

Chrome

Chrome Custom

Throaty

Colorful

3•27

GearBox Software Model Tables - continued

MIDI CC Reference - Model Tables

16 Clean

Sweep

17 Seismik

Synth

18 Double

Bass 19 Buzz Wave Sweeper 20 Rez Synth POD Purple X 21 Saturn 5

Ring Mod 22 Synth

Analog 23 Synth FX Warble-Matic 24 Synth

Harmony 25 Synth

Lead 26 Synth

String 27 Bass

Overdrive 28 Bronze

Master 29 Sub

Octaves 30 Bender 126 Female

De-esser 127 Male De-

esser

Expo Flange

Lumpy Phase

Hi Talk

Random S & H

Tape Eater

3•28

Effects Model Tables (All Line 6 Products)

Note - When GearBox is in Dual Tone Mode, only Tone 1 receives and responds to incoming MIDI control messages.

Stomp Category Models

CC #75 Model Select

Facial Fuzz Pre/Post Drive Gain Tone n/a n/a Fuzz Pi Pre/Post Drive Gain Tone n/a n/a Screamer Pre/Post Drive Gain Tone n/a n/a Classic Dist Pre/Post Drive Gain Tone n/a n/a PowerPack Octave Fuzz Pre/Post Drive Gain Tone n/a n/a PowerPack Blue Comp Pre/Post Sustain Level n/a n/a n/a PowerPack Red Comp Pre/Post Sustain Level n/a n/a n/a Vetta Comp Pre/Post Sens Level n/a n/a n/a PowerPack Auto Swell Pre/Post Ramp Depth n/a n/a n/a PowerPack Auto Wah Pre/Post Sens Q n/a Mid n/a FX Junkie Killer Z Pre/Post Drive Contour Gain Bass n/a FX Junkie Tube Drive Pre/Post Drive Treble Gain n/a n/a FX Junkie Vetta Juice Pre/Post Amount Level n/a Mid Mid Freq. FX Junkie Boost + EQ Pre/Post Drive Bass Treble n/a n/a FX Junkie Blue Comp Treb Pre/Post Level Sustain n/a n/a n/a FX Junkie Dingo Tron Pre/Post n/a Sensitivity Q n/a n/a FX Junkie Clean Sweep Pre/Post Decay Sens Q Mix n/a FX Junkie Seismik Synth Pre/Post Wave n/a n/a Mix n/a FX Junkie Double Bass Pre/Post -1 Octave -2 Octave n/a Mix n/a FX Junkie Buzz Wave Pre/Post Wave Filter Decay Mix n/a FX Junkie Rez Synth Pre/Post Wave Filter Decay Mix n/a FX Junkie Saturn 5 Ring Mod Pre/Post Wave n/a n/a Mix n/a FX Junkie Synth Analog Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth FX Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth Harmony Pre/Post Interval 1 Filter Wave Mix n/a FX Junkie Synth Lead Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth String Pre/Post Wave Filter Attack n/a n/a FX Junkie Female De-Esser Pre/Post Amount n/a n/a n/a n/a

CC #74 Pre/Post

CC #79 Param 2

CC #80 Param 3

CC#81 Param 4

CC#82 Param 5

CC#83 Param 6

Model Pack Dependency

MIDI CC Reference - Model Tables

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Effects Model Tables - continued

Male De-Esser Pre/Post Amount n/a n/a n/a n/a Bass Overdrive Pre/Post Bass n/a Drive Gain n/a Bronze Master Pre/Post Drive Tone n/a Blend n/a Sub Octaves Pre/Post -1 Oct Gn -2 Oct Gn n/a Mix n/a Bender Pre/Post Position Heel Toe Mix n/a

Modulation Category Models

CC #58 Model Select

Sine Chorus Pre/Post Depth Mix Bass Treble Analog Chorus Pre/Post Depth Mix Bass Treble Line 6 Flanger Pre/Post Depth Mix n/a n/a Jet Flanger Pre/Post Depth Mix Fdbk Manual Phaser Pre/Post n/a Mix n/a n/a Vibe Phase Pre/Post Depth Mix n/a n/a PowerPack Opto Trem Pre/Post Wave Mix n/a n/a Bias Trem Pre/Post Wave Mix n/a n/a PowerPack Rotary Drum+Horn Pre/Post n/a Mix Tone n/a Rotary Drum Pre/Post n/a Mix Tone n/a PowerPack Auto Pan Pre/Post Depth Mix n/a n/a PowerPack Analog Square Chorus Pre/Post Depth Mix Bass Treble FX Junkie Stereo Square Chorus Pre/Post Depth Mix Predelay Feedback FX Junkie Stereo Expo Chorus Pre/Post Depth Mix Predelay Feedback FX Junkie Random Chorus Pre/Post Depth Mix Bass Treble FX Junkie Stereo Square Flange Pre/Post Depth Mix Predelay Feedback FX Junkie Expo Flange Pre/Post Depth Mix Predelay Feedback FX Junkie Lumpy Phase Pre/Post Depth Mix Bass Treble FX Junkie Hi Talk Pre/Post Depth Mix Q n/a FX Junkie Sweeper Pre/Post Depth Mix Q Frequency FX Junkie POD Purple X Pre/Post Fdbk Mix Depth n/a FX Junkie Random S & H Pre/Post Depth Mix Q n/a FX Junkie Tape Eater Pre/Post Fdbk Mix Flutter Dist FX Junkie Warble-Matic Pre/Post Depth Mix Q n/a FX Junkie

CC #57 Pre/Post

CC #52 Param 2

CC #56 Vol./Mix

CC #53 Param 3

CC #54 Param 4

Model Pack Dependency

MIDI CC Reference - Model Tables

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Delay Category Models

CC #88 Model Select

Analog Pre/Post Fdbk Mix Bass Treble PowerPack Analog w/Mod Pre/Post Fdbk Mix ModSpd Depth Tube Echo Pre/Post Fdbk Mix Flut Drive Multi-Head Pre/Post Fdbk Mix Heads Flutter PowerPack Sweep Echo Pre/Post Fdbk Mix Speed Depth PowerPack Digital Pre/Post Fdbk Mix Bass Treble Stereo Pre/Post Offst Mix Fdbk L Fdbk R PowerPack Ping Pong Pre/Post Fdbk Mix Offst Spread PowerPack Reverse Pre/Post Fdbk Mix n/a n/a PowerPack Echo Platter Pre/Post Fdbk Mix Heads Flutter FX Junkie Tape Echo Pre/Post Fdbk Mix Bass Treble FX Junkie Low Res Pre/Post Fdbk Mix Tone Bits FX Junkie Phaze Echo Pre/Post Fdbk Mix Speed Depth FX Junkie Bubble Echo Pre/Post Fdbk Mix Speed Depth FX Junkie

CC#37 Model Select

Lux Spring Pre/Post Decay Mix Tone n/a Standard Sping Pre/Post Decay Mix Tone n/a PowerPack King Spring Pre/Post Decay Mix Tone n/a PowerPack Small Room Pre/Post Decay Mix Tone PreDelay Tiled Room Pre/Post Decay Mix Tone PreDelay PowerPack Brite Room Pre/Post Decay Mix Tone PreDelay Dark Hall Pre/Post Decay Mix Tone PreDelay PowerPack Medium Hall Pre/Post Decay Mix Tone PreDelay Large Hall Pre/Post Decay Mix Tone PreDelay PowerPack Rich Chamber Pre/Post Decay Mix Tone PreDelay PowerPack Chamber Pre/Post Decay Mix Tone PreDelay PowerPack Cavernous Pre/Post Decay Mix Tone PreDelay Slap Plate Pre/Post Decay Mix Tone PreDelay Vintage Plate Pre/Post Decay Mix Tone PreDelay PowerPack Large Plate Pre/Post Decay Mix Tone PreDelay PowerPack

CC #87 Pre/Post

CC#41 Pre/Post

CC #33 Param 2

Reverb Category Models

CC#38 Decay

CC #34 Vol./Mix

CC#18 Mix

CC #35 Param 3

CC#39 Tone

CC #85 Param 4

CC#40 PreDelay

Model Pack Dependency

MIDI CC Reference - Model Tables

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Effects Model Tables - continued

Wah Category Models

CC#91 Model Select

Vetta Wah On/Off Position Jen Fassel On/Off Position PowerPack Weeper On/Off Position Chrome On/Off Position PowerPack Chrome Custom On/Off Position PowerPack Throaty On/Off Position PowerPack Conductor On/Off Position PowerPack Colorful On/Off Position PowerPack

CC#43 On/Off

CC#4 Position

Model Pack Dependency

MIDI CC Reference - Model Tables

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Line 6 POD xt Pro, Vetta II Combo, Vetta II HD, POD X3, POD X3 Live Reference Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

lI n e 6 Pr o D u C t s a n D MIDI

What’s MIDI?

MIDI In & Out

MIDI Channel

Making the connection

GearBox SysEx Control

GuitarPort Online Player Transport Control

MIDI Channel Selection

MIDI CC re f e r e n C e ta b l e s

Line 6 Hardware MIDI CC Reference Table

GearBox Software MIDI CC Reference Table

MIDI CC ra n g e re f e r e n C e - Mo D e l t a b l e s

Pocket POD Model Tables

Floor POD Model Tables

POD 2.0 Model Tables

PODx t Model Tables

Bass PODx t Model Tables

POD X3 Model Tables

Flextone III Model Tables

HD 147 Model Tables

Vetta II Model Tables

GearBox Software Model Tables

Effects Model Tables (All Line 6 Products)