Lexicon PCM80 PITCH Owner's Manual

PCM 80
Pitch FX
Algorithm Card
V1.1 User Guide
After unpacking the Pitch FX Algorithm Card, save all packing materials in case you ever need to ship the card. Thoroughly inspect the card and packing materials for signs of damage. Report any shipment damage to the carrier at once; report equipment malfunction to your dealer.
Precautions
This is a read only card. Use only with the Lexicon PCM 80, software version 1.10 or higher. To avoid damage to the card, do not expose to rain or moisture, extreme temperatures, direct sunlight, or extreme shock. In the event the card is dropped, damaged, or exposed to liquids, do not insert it into the PCM 80.
Copyright 1997 All Rights Reserved.
Lexicon Part # 070-11674 Rev 1
Lexicon Inc. 3 Oak Park Bedford MA 01730-1441 Telephone 781-280-0300 Fax 781-280-0490 www.lexicon.com
Introduction
1. Pitch FX Card Operation
Handling the Algorithm Card............................................................... 1-1
Loading the Pitch FX Algorithms ........................................................ 1-3
Loading the Pitch FX Presets ............................................................. 1-4
2. The Pitch FX Algorithms and Parameters
Overview............................................................................................. 2-1
The Quad>Hall Algorithm ................................................................... 2-2
The Dual-Chmb Algorithm .................................................................. 2-4
The Dual-Plt Algorithm........................................................................ 2-6
The Dual-Inv Algorithm ....................................................................... 2-8
The Stereo-Chmb Algorithm ............................................................. 2-10
The VSO-Chmb Algorithm ................................................................ 2-11
Parameter Descriptions .................................................................... 2-13
Tips for Setting Parameters .............................................................. 2-14
3. Using the Submixer
Sends ........................................................................................... 3-2
Returns......................................................................................... 3-2
Routing ......................................................................................... 3-3
Useful Configurations ................................................................... 3-3
Rvb and Pitch FX Block Controls........................................................ 3-9
Contents
4. The Presets
Program Bank X0 Vocal & Instrument ................................................ 4-2
Program Bank X1 Music & Sound Design .......................................... 4-6
Thank you for your purchase of the PCM 80 Pitch FX Algorithm Card. Six algorithms, each combined with uncompromised Lexicon reverb, provide a wide range of useful pitch shift effects, ranging from pitch correction to unique special effects.
A Quad>Hall algorithm provides a 4-voice pitch shifter, combined with the PCM 80 Concert Hall reverb. The other pitch shift algorithms use the PCM 80 Dual FX structure for unparalleled flexibility and ease of use. 100 new presets provide exciting examples of the effects that can be created from each algorithm.
Introduction
The five Dual FX-type algorithms: Dual-Chmb, Dual-Plt, Dual-Inv, Stereo-Chmb and VSO-Chmb, each contain two independent effect blocks — one of three stereo reverbs and one of three different stereo pitch shift blocks. Each algorithm also has the full set of modulation and patch features introduced in the PCM 80.
Configuration and routing control is provided by a dedicated Submixer incorpo­rated into each algorithm. Any combination of reverb and effects blocks can be arranged in any configuration simply by changing the Submixer’s controls. As the Submixer has continuously variable controls, you can alter the configura­tions on the fly — changing, for example, from reverb-into-effects to effects-into­reverb.
The Submixer appears as a new row on the PCM 80 parameter matrix. Three basic Submixer controls are provided: Sends, Returns, and Routing. Any configuration can be achieved by simply adjusting these three parameters.
Sends control the eight levels feeding into the reverb and effect blocks. Returns control the eight levels feeding from the reverb and effect blocks. Routing controls the configuration of all inputs and outputs to allow the two
effects blocks to be placed in series, parallel, or reverse series. The Submixer row also contains controls for each block: Input Level, Input
Width, Output Width, Output Level, High Cut and Low Cut filters, and Wet/Dry Mix. All of the Submixer parameters are continuously variable and can be controlled in real-time by any PCM 80 patch source.
The Pitch FX Submixer
Five of the Pitch FX algorithms are made up of combinations of the following 2­voice Effect and Reverb blocks.
Algorithm Pitch FX Reverb
Dual-Chmb Dual Shift Chamber
Dual-Plt Dual Shift Plate Dual-Inv Dual Shift Inverse
Stereo-Chmb Stereo Shift Chamber
VSO-Chmb VSO Shift Chamber
Rvb and Pitch FX Blocks
Each of these five algorithms has a different combination of FX and Rvb types, but the basic functionality of each is the same. Controls for each algorithm are arranged in a PCM 80-type matrix. The audio parameters are identical to those in the PCM 80. New control parameters are found in the Control row and a new Submixer row.
The Presets
Pitch FX Card Banks
Bank X0 Vocal & Instrument
0.0 - 0.9 Vocal Shift
1.0 - 1.9 Vocal Harmony
2.0 - 2.9 Guitar Magic
3.0 - 3.9 Instrument Shift & Harmony
4.0 - 4.9 Percussion & Tempo
Bank X1 Music & Sound Design
0.0 - 0.9 Sci-Fi FX
1.0 - 1.9 Pitch & Delay
2.0 - 2.9 Pitch Sequences
3.0 - 3.9 Pads & Drones
4.0 - 4.9 Utility Programs: VSO, Dual Mono, "Clean Slate" versions of the algorithms
Note: All of the Pitch FX algorithms combine pitch shifting and stereo reverb. Be aware that in many of the presets the reverb mix or level is turned down or off. The amount of reverb for a given application is very dependent on what else is going on in the mix. In most of the presets where the reverb is turned down, we’ve already set the reverb param­eters to values that will work well with the pitch effect -– all you need to do is turn up the appropriate reverb parameter (Rvb Mix or RvbOutLvl in row 1 of any edit matrix).
The PCM 80 Pitch FX card contains a built-in library of 100 preset programs that provide not only a variety of effect configurations, but a whole new assortment of exciting and useful pitch shift sounds. As in the PCM 80, the presets are organized into banks of 50, and functionally grouped for a wide range of applications. Be sure to experiment with all 100 presets to get a feel for the full range of the Pitch FX capabilities. As in the PCM 80, each preset has one or more parameters patched to the front panel ADJUST knob, giving you instant control over the primary aspect of the effect — without going into Edit mode.
Bank X0 contains pitch effects for voice and instruments. Row 0 contains “bread and butter” vocal effects for correcting intonation of recorded tracks or thickening up a voice (or voices) by adding from one to four additional doublings. These presets work well with single voice melodies or multi voice harmonies as input. The vocal harmony effects in Row 1 allow you to add from one to four voices of harmony and reverb to a single voice track. Presets 1.7-1.9 allow you to use a MIDI keyboard to control the tuning of voices in real time. The presets in Row 2 have been optimized for guitar. You’ll find the classic pitch effects for guitars (stereo detune, vibrato) and some new variations that take advantage of the combination of pitch shift with reverb. Row 3 contains a collection of useful shift and harmony effects for melodic and chordal instruments. Presets 3.8 and 3.9 are designed to be used with a foot pedal connected to the rear panel Foot Controller input. Row 4 is designed for drums and percussion. These presets let you retune the snare and toms, or even detune the drum reverb and slap delay. Presets 4.8 and 4.9 provide “scratch” effects on rhythm tracks. (Press Tap twice to lock in with the beat.)
Bank X1 provides special effects for music and sound design. The presets in Row 0 let you transform simple sound effects into cosmic events and change normal speaking voices into cartoon characters or demons from the dark side. Those in Row 1 use pitch, delay and reverb to create lush echoes in deep spaces with a variety of monophonic or polyphonic instruments as well as vocals. Row 2 contains musical special effects where a single input note produces pitch sequences based on a variety of chords and scales. Those in Row 3 are designed to spice up a synth pad or other sustaining source. Row 4 contains several useful tools: VSO presets set up for time correction of varispeed playback material, two dual mono in/stereo out variations that provide pitch shifting on the left input and reverb on the right and a set of “clean slate” versions of the algorithms to use when you want to create your own programs from scratch.
We hope you will find the Pitch FX card easy to use, and a great extension of the power of your PCM 80. To get the most out of the card, we suggest that you invest the time to explore this manual. We think you’ll agree that the time spent investigating will reward you with enjoyment of the full capabilities of the card.
Pitch FX Card Operation
Pitch FX Card Operation
1
The Pitch FX Algorithm Card is a standard PCMCIA card designed to be used with the Lexicon PCM 80 (version 1.10 or higher). Care and handling of the card, as well as some routine precautions are noted here. Please review these before using the card to avoid damage to the card, as well as abnormal behavior in the PCM 80. Refer to your PCM 80 User Guide for information on troubleshooting the PCM 80 itself.
The Pitch FX Algorithm Card is designed for use ONLY with the PCM 80 V1.10 or higher.
The Pitch FX card is a Read Only Memory Card which cannot be overwritten. It will only load properly into PCM 80s running 1.10 or higher software.
Handle cards with care.
Do not bend the card, or subject it to moisture, extreme temperature, direct sunlight, or extreme shock.
Insert card completely before attempting card operations.
Incomplete card insertion can cause abnormal behavior.
Do not press EJECT while loading the card.
If the card is inserted before the PCM 80 is powered on, wait for the completion of Power On Diagnostics and the loading of the first program before attempting to use or remove the card.
Card algorithms will be loaded automatically into the PCM 80 on power on. Removing the card before the completion of the normal PCM 80 power on cycle may cause abnormal behavior.
Handling the Algorithm Card
Care and Handling
Card Insertion
Operational Behavior
Once the algorithms have been loaded from the card, you can either remove the card, or leave it in the PCMCIA card slot.
While the PCM 80 is running an extension card algorithm, it will not load a second algorithm card.
Recognition of a second algorithm card requires returning to the PCM 80's internal memory by loading a preset or register from one of the internal algorithms before loading the new algorithm card.
1-1
PCM 80 Pitch FX User Guide
Lexicon
MIDI SysEx register dumps require that the algorithm card used to create the effect(s) be loaded.
Be aware that, if you create a bank of registers with effects created from more than one algorithm card, you will need to perform separate SysEx dumps for each card used.
The algorithm used to create an effect must be loaded into the PCM 80 for a SysEx dump to occur. If you do not have the appropriate algorithm card loaded into the transmitting PCM 80, the data for the effect is not transmitted and the following message is displayed:
Can't dump effect Need algorithm card
If you do not have the appropriate algorithm card loaded into the receiving PCM 80 when a valid SysEx for an effect created from a card algorithm is received, the following message is displayed:
Effect unchanged Need algorithm card
A placeholder is transmitted for any register which cannot be dumped due to the absence of an algorithm card. This placeholder contains the program name and algorithm number, but no effect parameter data. This allows an editor to identify registers which were not sent, and the algorithm card which must be loaded to complete the dump. The PCM 80 will always ignore the placeholder, and will display the following message when a placeholder is received:
Effect unchanged No data in dump
Note that registers made from algorithm cards can be freely copied between the PCM 80's internal register bank (R) and RAM card banks (C0, C1, etc.) without loading the algorithm card.
1-2
Pitch FX Card Operation
In order to run the Pitch FX algorithms, the software must be loaded into the PCM 80’s “extension” memory. To do this:
If the PCM 80 is turned off:
1. Insert the Pitch FX algorithm card into the PCMCIA card slot.
2. Power up the PCM 80. The software will be loaded automatically.
If the PCM 80 is already running:
1. Insert the Pitch FX algorithm card into the PCMCIA card slot.
2. Press Control and use SELECT and Up and Down to go to Control 2.1. The following message should appear:
Card Load: PitchFX 1.1
2.1 (Press LOAD)
3. Press Load/. The following message will appear briefly to indicate the load was completed:
Extensions now
Loading the Pitch FX Algorithms
available
If the PCM 80 is running an algorithm from a different extension card:
Loading a different algorithm card requires returning to the PCM 80's internal memory by loading a preset or register from one of the internal banks. Otherwise, the following error message will be displayed when you press
Load/✱:
Cannot load while running extension
To load a different algorithm card :
1. Press Program Banks and select an internal preset bank (P0 - P3).
2. Turn SELECT to display any preset in any of these banks, then press Load/✱.
3. The new algorithm card can now be loaded as described above.
Once extension card soft­ware is loaded, you can re­move the card from the slot. The algorithms will remain in the PCM 80 until the unit is turned off, or a new algorithm card is loaded. This makes the PCMCIA card slot avail­able for loading and storing registers on RAM cards.
1-3
PCM 80 Pitch FX User Guide
Loading the
Pitch FX Presets
Lexicon
Once the software is loaded, the PCM 80 will have access to the additional program banks available on the algorithm card. These extension memory banks are labeled with an X.
1. Press Program Banks repeatedly until the X banks are displayed. These will follow all of the PCM 80's internal Program banks.
2. Use SELECT, Up and Down and Load/ to view and load the Pitch FX presets.
You can edit these presets and save the changed version into the PCM 80’s internal registers, or you can save them into RAM card register banks. If the Pitch FX algorithms are loaded, recalling programs created with the algorithms is as simple as selecting and loading any PCM 80 program.
If the Pitch FX algorithms are not loaded when you attempt to load a program created with them, the display will indicate that the selected register requires extension memory (in this case, the Pitch FX card).
Extension R 1.1 PitchFixFX
Complete descriptions of all of the Pitch FX presets are given in Chapter 3.
1-4
The Algorithms and Parameters
2
The Algorithms and Parameters
Digital pitch shifting requires temporal compression or expansion of audio data and the addition or removal of small audio segments to compensate.
Raising pitch is accomplished by compressing the audio data — making it run faster. As this shortens the audio segment, a copy of a section of the audio being processed is added to fill out the remaining time. To lower the pitch, the signal is expanded, requiring the removal of a section of the audio. These operations are performed repeatedly at high speed, at intervals which vary according to the type of audio signal being processed.
At each point where audio is added or removed, the audio signal must be rejoined, or spliced. If added or removed segments were perfectly correlated with the remaining audio, splicing would be seamless. In reality, these splice points are the source of audible artifacts which can be minimized, but not completely eliminated.
Much of the art of pitch shifting, therefore, is in determining the appropriate intervals for sampling and the optimal points for splicing. As the PCM 80 Pitch FX card gives you significant control over these operations, you may find it helpful to keep in mind some of the other factors which can affect pitch shift quality:
Amount of pitch shifting
Large shift intervals require more splicing. As each splice can be the source of an artifact, increasing their number increases the likelihood of audible artifacts.
Pitch-complexity of the input material
Pure tones have simple waveforms which can be correlated easily for smooth splicing. Pitch shifting of simple tones such as those generated by a solo voice or a monophonic instrument generally produces fewer artifacts than pitch shifting of wide bandwidth material such as piano chords, full orchestra, etc.
Low frequency content of the input material
Pitch shifting low frequency material requires the addition or removal of larger segments of audio than high frequency material. The increased size of these segments can introduce delays which are heard as artifacts.
Transient content of the input material
When large amounts of pitch shifting are applied to complex input material with dense percussive transients (drums, strummed mandolin, complex speech, etc.) some of the transients may lose definition or be shifted slightly in time.
Overview
The PCM 80 Pitch FX algorithms are designed to provide high quality pitch shifting and easy access to controls that can enhance the quality of the effects on any input material. The following descriptions provide the information you will need to select the most appropriate algorithm for your specific needs, as well as tips on adjusting the parameters.
2-1
PCM 80 Pitch FX User Guide
Lexicon
The PCM 80 Pitch FX Card contains 6 Pitch Shift algorithms: Quad>Hall, Dual­Chmb, Dual-Plt, Dual-Inv, Stereo-Chmb and VSO-Chmb. Each of these
offers a unique type of pitch shifting, combined with an uncompromised Lexicon reverb.
The following pages contain diagrams for each algorithm, along with a complete parameter matrix. Descriptions of all of the pitch parameters follow the algorithm drawings. The control and submixer parameters which allow configuration and routing of the effect blocks are described in the next chapter. Refer to the PCM 80 User Guide for detailed descriptions of all other effect parameters.
The Quad>Hall
Algorithm
The Quad>Hall algorithm, is a 4-voice pitch shifter in series with the PCM 80 Concert Hall reverb. As in the PCM 80 multi-voice algorithms, each voice has its own delay, level, feedback, cross-feedback and panning controls. The maxi­mum delay time for each voice is 1.250 seconds.
In this algorithm, the reverb effect is fixed in position following the pitch shifters, with a final Mix control allowing control over the amount of reverb in the processed sound. Quad>Hall is designed for creating pitch effects, and is an obvious choice for creating sequences of notes or chords, melody fragments, or small amounts of pitch shift for doubling (or quintupling) effects.
2-2
Concert Hall
The PCM 80 Concert Hall provides very clean reverberation. It is designed to remain behind the direct sound — adding ambience, but leaving the source unchanged. This effect has a relatively low initial echo density which builds up gradually over time.
The Algorithms and Parameters
2-3
PCM 80 Pitch FX User Guide
Lexicon
The remaining five Pitch FX algorithms: Dual-Chmb, Dual-Plt, Dual-Inv, Stereo-Chmb and VSO-Chmb are created from 3 Reverb blocks and 3 Pitch
Shift Effect blocks. The individual reverb and effect blocks are described below, followed by the diagrams and matrixes and parameter descriptions for the algorithms. Descriptions of the Dual FX controls common to all of these algorithms is presented in Chapter 3.
The Dual-Chmb
Algorithm
This algorithm includes a dual pitch shifter combined with the PCM 80 Chamber reverb using the Dual FX structure. The pitch shifter has two voices. Each voice has independent controls for pitch, level, delay, pan, feedback and cross­feedback. The pitch of each voice is adjustable up or down over a 3 octave range with a resolution of 1 cent. Maximum delay time for each voice is 1.250 seconds.
Dual Shifter
Chamber
2-4
The Chamber reverb produces an even, relatively dimensionless reverbera­tion, with little change in color as the sound decays. The initial diffusion is similar to the Concert Hall algorithm, but the sense of space and size is much less obvious. This characteristic, along with the low color in the decay tail, makes Chamber useful on a wide range of material. It is especially useful on spoken voice, giving a noticeable increase in loudness with very low coloration.
The Algorithms and Parameters
2-5
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