Korg PA300 Users manual

User Manual
ENGLISH | OS Ver. 1.5
2E

Important safety instructions

• Read these instructions, and follow them carefully.
• Keep these instructions in a safe place.
• Do not use this apparatus near water.
• Clean only with dry cloth.
• Do not block any ventilation openings, install in accordance with the manu­facturer’s instructions.
• Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
• Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
• Only use attachments/accessories specified by the manufacturer.
• Unplug this apparatus during lightning storms or when unused for long peri­ods of time.
• Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the appara­tus, the apparatus has been exposed to rain or moisture, does not operate nor­mally, or has been dropped.
• Turning off the power switch does not completely isolate this product from the power line so remove the plug from the socket if not using it for extended periods of time, or before cleaning. Please ensure that the mains plug or appli­ance couple remains readily accessible.
• Mains powered apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.
• Install this product near the wall socket and keep the power plug easily acces­sible.
• Do not install this equipment in a confined space such as a box for the convey­ance or similar unit.
• When a cart is used, use caution when moving the cart/apparatus combina­tion to avoid injury from tip-over.
THE FCC REGULATION WARNING (FOR USA)
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
If items such as cables are included with this equipment, you must use those included items.
Unauthorized changes or modification to this system can void the user’s authority to operate this equipment.
DECLARATION OF CONFORMITY (FOR USA)
Responsible Party: KORG USA INC.
Address: 316 SOUTH SERVICE ROAD, MELVILLE / Telephone: 1-631-390-6500
Equipment Type: Music Arranger / Model: Pa300
This device complies with Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
NOTICE REGARDING DISPOSAL (EU ONLY)
If this symbol is shown on the product, manual, battery, or package, you must dispose of it in the correct manner to avoid harm to human health or damage to the environment. Contact your local administrative body for details on the correct disposal method. If the battery contains heavy metals in excess of the regulated amount, a chemical symbol is displayed below the symbol on the battery or battery package.
PERCHLORATE (CALIFORNIA, USA ONLY)
Perchlorate Material – special handling may apply. See www.dtsc.ca.gov/hazardouswaste/perchlorate.
CE MARK FOR EUROPEAN HARMONIZED STANDARDS
CE mark which is attached to our company’s products of AC mains operated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/ EEC) and CE mark Directive (93/68/EEC).
And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC).
Also, CE mark which is attached to our company’s products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).
IMPORTANT NOTICE TO CONSUMERS
This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside.
WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer's or distributor's warranty.
Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer's or distributor's warranty.

Further notices

Automatic Power-Off

To avoid wasting power, Pa300 will by default automatically enter standby mode after two hours of non-active use (playing, pressing buttons or using the touch-screen). Please save your data (Performances, Styles, Songs, and so on) before taking a prolonged pause.

Data Handling

Data in memory may sometimes be lost due to incorrect user action. Be sure to save important data to the internal memory or to an external USB device. Korg will not be responsible for dam­ages caused by data loss.

Cleaning

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, or cleaning compounds or flammable polishes.
Use a soft cotton cloth to clean the display. Some materials, such as paper towels, could cause scratches and damage it. Computer wipes are also suggested, provided they are specifically designed for LCD screens.
Do not spray any liquid on the LCD screen directly. Always apply the solution to your cloth first, then clean the screen.

Example screens

Some pages of the manuals show LCD screens along with an explanation of functions and operations. All sound, style, song or parameter names, as well as shown values, are merely exam­ples and may not always match the actual display you are work­ing on.

Trademarks

Acrobat and PDF are registered trademarks of Adobe Systems Incorporated. Mac is a registered trademark of Apple, Inc. MS-DOS and Windows are registered trademarks of Microsoft Corporation. All other trademarks or registered trademarks are the property of their respective holders.

Open Source notice

Portions of this product’s software are copyright ©2007 “The FreeType Project” (www.freetype.org). All rights reserved.

Disclaimer

The information contained in this manual have been carefully revised and checked through. Due to our constant efforts to improve our products, the specifications might differ to those in the manual. Korg is not responsible for any differences found between the specifications and the contents of the instruction manual – all specifications being subject to change without prior notice.

Liability

Korg products are manufactured under strict specifications and voltages required by each country. These products are warranted by the Korg distributor only in each country. Any Korg product not sold with a warranty card or carrying a serial number dis­qualifies the product sold from the manufacturer's/distributor's warranty and liability. This requirement is for your own protec­tion and safety.

Service and User’s Assistance

For service, please contact your nearest Authorized Korg Service Center. For more information on Korg products, and to find software and accessories for your keyboard, please contact your local Authorized Korg distributor. For up-to-date information, please point your web browser to our web site.

Keep your keyboard up-to-date

Your instrument can be constantly updated as new versions of the operating system are released by Korg. You can download the operating system from our web site. Please, read the instruc­tions supplied with the operating system.
Copyright © 2014 KORG Italy Spa.

Table of Contents

Table of Contents
1
Introduction
Welcome! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
What’s in the box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
About this manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Contacts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Making a safety copy of your data . . . . . . . . . . . . . . . . . . . . . . . . .7
Restoring the original factory data . . . . . . . . . . . . . . . . . . . . . . . . .7
Loading the Operating System . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Glossary of Terms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Keyboard tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Performance and STS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Player . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
The LOGO decoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Interface basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Color TouchView graphical user interface . . . . . . . . . . . . . . . . 20
Operative modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Selected, highlighted items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Non-available, grayed-out parameters . . . . . . . . . . . . . . . . . . . 22
Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Easy Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
The Style Play page in detail . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
The Song Play page in detail . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Quick Guide
Turning the instrument on . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Turning the instrument on and viewing the main screen . . . 28
Connecting and calibrating the Damper pedal . . . . . . . . 29
Programming the Damper pedal . . . . . . . . . . . . . . . . . . . . . . . . 29
Playing the Demo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Starting and stopping the Demo . . . . . . . . . . . . . . . . . . . . . . . . . 31
Playing Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Selecting a Sound and playing it on the keyboard . . . . . . . . . . 33
Playing two or three Sounds at the same time . . . . . . . . . . . . . 35
Playing different Sounds with your left and right hand . . . . . 37
Changing the split point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Raising or lowering the Upper octave . . . . . . . . . . . . . . . . . . . . 40
Selecting and saving Performances . . . . . . . . . . . . . . . . . . 41
Selecting a Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Saving your settings to a Performance . . . . . . . . . . . . . . . . . . . . 42
Selecting and saving the “My Setting” Performance . . . 44
Selecting the startup parameters (the “My Setting”
Performance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Saving the startup parameters into the “My Setting”
Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Selecting and playing Styles . . . . . . . . . . . . . . . . . . . . . . . . . 45
Selecting and playing a Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Intro, Variation, Fill, Break, Ending . . . . . . . . . . . . . . . . . . . . . . 48
Single Touch Settings (STS) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
The Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Adjusting the balance between the Style and the keyboard . . 50
Adjusting the volume of the separate tracks . . . . . . . . . . . . . . . 51
Turning the Style tracks on/off . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Adding harmony notes to your right-hand melody with
the ENSEMBLE function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Song Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Selecting a Song to play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Playing back a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Changing the tracks’ volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Turning the Song tracks on/off . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Soloing a track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
The SongBook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Selecting the desired Entry from the Main List . . . . . . . . . . . . . 62
Displaying Artist or Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Sorting Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Searching for Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Adding Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Editing the Entries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Creating a Custom List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Selecting and using a Custom List . . . . . . . . . . . . . . . . . . . . . . . 71
Recording a new Song (Standard MIDI File) . . . . . . . . . . . 72
Preparing the Style and Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Accessing the Backing Sequence (Quick Record) mode . . . . . 72
Setting the Record parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Second-take recording (Overdubbing) . . . . . . . . . . . . . . . . . . . 76
Saving a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Searching files and musical resources . . . . . . . . . . . . . . . . . 78
How to use the Search function . . . . . . . . . . . . . . . . . . . . . . . . . 78
Notes about searching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Reference
Selecting elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Style Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Sound Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Performance Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Pad Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
STS Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Song Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Style Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Start-up settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Styles and Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Master Volume and Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Factory, Favorite and User Styles . . . . . . . . . . . . . . . . . . . . . . . . 88
Main page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
STS Name panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Volume panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Pad panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Split panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Sub-Scale panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
ToC
2
Table of Contents
Mixer/Tuning: Volume/Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Mixer/Tuning: FX Send . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Mixer/Tuning: EQ Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Mixer/Tuning: EQ Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Mixer/Tuning: Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Mixer/Tuning: Sub Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Effects: A/B FX Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Effects: Master 1, 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Track Controls: Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
Track Controls: Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Track Controls: Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Keyboard/Ensemble: Key/Velocity Range . . . . . . . . . . . . . . . . 104
Keyboard/Ensemble: Ensemble . . . . . . . . . . . . . . . . . . . . . . . . .105
Keyboard/Ensemble: Keyboard Control . . . . . . . . . . . . . . . . . 106
Pads: Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106
Style Controls: Drum Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Style Controls: Keyboard Range On/Off / Wrap Around . . . 107
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Write Performance dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Write Single Touch Setting dialog box . . . . . . . . . . . . . . . . . . .109
Write Current Style Settings dialog box . . . . . . . . . . . . . . . . . .109
The Favorite banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Song Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
MIDI Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Tempo Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Master Volume, Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Track parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111
Standard MIDI Files and Sounds . . . . . . . . . . . . . . . . . . . . . . . . 111
Keyboard, Pad and Player tracks . . . . . . . . . . . . . . . . . . . . . . . . 112
Main page (Normal view) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
STS Name panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .115
Volume panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Pad panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Split panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Sub-Scale panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Jukebox panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Mixer/Tuning: Volume/Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Mixer/Tuning: FX Send . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .117
Mixer/Tuning: EQ Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Mixer/Tuning: EQ Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Mixer/Tuning: Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Effects: A/B FX Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Effects: Master 1, 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Track Controls: Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .119
Track Controls: Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Track Controls: Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Keyboard/Ensemble: Key/Velocity Range . . . . . . . . . . . . . . . . 120
Keyboard/Ensemble: Ensemble . . . . . . . . . . . . . . . . . . . . . . . . .120
Keyboard/Ensemble: Keyboard Control . . . . . . . . . . . . . . . . . 120
Pads: Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .120
Jukebox Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Standard MIDI Files and MP3 . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Sequencer Play - Main page . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Entering Record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125
Record mode: Multitrack Sequencer page . . . . . . . . . . . . . . . . 126
Record mode: Step Record page . . . . . . . . . . . . . . . . . . . . . . . .128
Record mode: Backing Sequence (Quick Record) page . . . . .130
Record mode: Step Backing Sequence page . . . . . . . . . . . . . . .133
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135
Mixer/Tuning: Volume/Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . .136
Mixer/Tuning: FX Send . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136
Mixer/Tuning: EQ Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136
Mixer/Tuning: EQ Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136
Mixer/Tuning: Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
Mixer/Tuning: Sub Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
Effects: A/B FX Configuration . . . . . . . . . . . . . . . . . . . . . . . . . .137
Effects: Master 1, 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138
Track Controls: Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138
Track Controls: Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138
Track Controls: Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138
Event Edit: Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138
Event Edit: Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .140
Song Edit: Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .140
Song Edit: Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .141
Song Edit: Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .141
Song Edit: Cut/Insert Measures . . . . . . . . . . . . . . . . . . . . . . . . .142
Song Edit: Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Song Edit: Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .143
Song Edit: Move . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .143
Song Edit: RX Convert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .143
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .144
Song Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .145
Save Song window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .145
Global . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Overview on the Global mode . . . . . . . . . . . . . . . . . . . . . . . . . .147
Main page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147
General Controls: Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148
General Controls: Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148
General Controls: Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .149
General Controls: Date & Power . . . . . . . . . . . . . . . . . . . . . . . .151
Mode Preferences: Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .152
Mode Preferences: Song & Sequencer . . . . . . . . . . . . . . . . . . . .153
Mode Preferences: Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154
Controllers: Hand Controllers . . . . . . . . . . . . . . . . . . . . . . . . . .155
Controllers: Foot Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . .155
Tuning: Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156
Tuning: Transpose Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156
Tuning: Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .157
MIDI: General Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .158
MIDI: MIDI In Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159
MIDI: MIDI In Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159
MIDI: MIDI Out Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . .160
MIDI: Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .160
Audio & EQ: MP3 / Output . . . . . . . . . . . . . . . . . . . . . . . . . . . .161
Audio & EQ: Master EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .161
Touch Panel Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .162
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .163
Write Quarter Tone SC Preset dialog box . . . . . . . . . . . . . . . .163
Write Midi Preset dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . .163
Write Master EQ Preset dialog box . . . . . . . . . . . . . . . . . . . . . .164
Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Storage devices and internal memory . . . . . . . . . . . . . . . . . . . .165
Supported device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Selecting and deselecting files . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Searching files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
File types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Media structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .167
Main page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .168
3
Table of Contents
Page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Navigation tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Care of mass storage devices . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
SongBook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Custom List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
List Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Book Edit 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Book Edit 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Book Edit 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Lyrics, Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Lyrics page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Score page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Style/Pad Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Recording Styles and Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Style/Pad Import/Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Entering the Style/Pad Record mode . . . . . . . . . . . . . . . . . . . . 196
Exit by saving or deleting changes . . . . . . . . . . . . . . . . . . . . . . 196
Listening to the Style while in Edit mode . . . . . . . . . . . . . . . . 196
List of recorded events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Main page - Record 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Main page - Record 2/Cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Main page - Guitar Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Style/Pad Record procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Event Edit: Event Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Event Edit: Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Style/Pad Edit: Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Style/Pad Edit: Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Style/Pad Edit: Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Style/Pad Edit: Cut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Style/Pad Edit: Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Style/Pad Edit: Delete All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Style/Pad Edit: Copy from Style . . . . . . . . . . . . . . . . . . . . . . . . 215
Style/Pad Edit: Copy from Pad . . . . . . . . . . . . . . . . . . . . . . . . . 216
Style Element Track Controls: Sound/Expression . . . . . . . . . 217
Style Element Track Controls: Keyboard Range . . . . . . . . . . 218
Style Element Track Controls: Noise/Guitar . . . . . . . . . . . . . 218
Pad Track Controls: Sound/Expression . . . . . . . . . . . . . . . . . 219
Style Element/Pad Chord Table: Chord Table . . . . . . . . . . . . 220
Style Track Controls: Type/Trigger/Tension . . . . . . . . . . . . . 220
Import: Import Groove . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Import: Import SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Export SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Write Style/Pad dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Copy Key/Chord dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Copy Sounds dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Copy Expression dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Copy Key Range dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Copy Chord Table dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Overdub Step Recording window . . . . . . . . . . . . . . . . . . . . . . 228
Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .229
The MIDI channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
How to select oscillators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Sounds, Drum Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Main page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Edit menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Basic: Sound Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Basic: OSC Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Basic: Vel/Key Zone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Basic: Damper Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Basic: Damper Trigger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Basic: EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
DrumKit: Sample Setup (Drum Kits) . . . . . . . . . . . . . . . . . . . . 237
DrumKit: EQ (Drum Kits) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
DrumKit: Voice Mixer (Drum Kits) . . . . . . . . . . . . . . . . . . . . . 239
Pitch: Pitch Mod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Pitch: Pitch EG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Filter: Filter Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Filter: Filter Mod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Filter: Filter LFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Filter: Filter EG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Amp: Amp Level/Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Amp: Amp Mod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Amp: Amp EG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
LFO: LFO1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
LFO: LFO2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Effects: “B” FX Config . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Effects: Master 1 / Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Effects: Master 2 / Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Write Sound dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Copy Oscillator dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Copy Drum Kit dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
AMS (Alternate Modulation Source) list . . . . . . . . . . . . . . . . . 256
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .258
What is MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
MIDI and personal computers . . . . . . . . . . . . . . . . . . . . . . . . . 258
Standard MIDI Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
The General MIDI standard . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
The Global channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
The Control channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Connecting Pa300 to a personal computer . . . . . . . . . . . . . . . 260
Appendix
Factory data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .262
Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Drum Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .282
Effect list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Dynamic Modulation sources . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Dynamics (Dynamic) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
EQ and Filters (EQ/Filter) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Overdrive, Amp models, and Mic models (OD Amp Mic) . 294
Chorus, Flanger, and Phaser (Cho/Fln Phaser) . . . . . . . . . . . 299
Modulation and Pitch Shift (Mod./P.Shift) . . . . . . . . . . . . . . . 305
Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Reverb and Early Reflections (Reverb ER) . . . . . . . . . . . . . . . 326
Mono-Mono Serial (Mono-Mono) . . . . . . . . . . . . . . . . . . . . . . 328
ToC
4
Table of Contents
Double Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Assignable parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
List of Pedal/Footswitch functions . . . . . . . . . . . . . . . . . . . . . . 354
Scales . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Recognized chords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
MIDI Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
MIDI Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .358
Style Element controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Style and Player controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Single Touch Settings (STS) controls . . . . . . . . . . . . . . . . . . . . 360
MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Installing the Korg USB MIDI Driver . . . . . . . . . . . . . . . . . 362
Connecting Pa300 to a personal computer . . . . . . . . . . . . . . . .362
KORG USB-MIDI Driver system requirements . . . . . . . . . . .362
Please note before use . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .362
Windows: Installing the KORG USB-MIDI Driver . . . . . . . .362
Mac OS X: Installing the KORG USB-MIDI Driver . . . . . . . .363
Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Technical specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . 367
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
6

Welcome!

Welcome!
Welcome to the world of Korg Pa300 Professional Arranger! Pa300 is a very powerful arranger, suitable both for professional and home entertainment use.
Here are some of the features of your new instrument.

Physical Features and User Experience

61 synth-type keys with velocity.
Slim and compact, lightweight, elegant cabinet design.
Wide 5" TFT graphic touch screen display. Professional TouchView™ graphic interface for direct access to the on­screen controls and to the musical resources.
High-quality integrated amplification, and high-quality output audio converters.
RX (Real eXperience) Technology, the cutting edge engine that drives every aspect of the Pa300 – from the synthesis to the display and how it all works together.
A joystick and an assignable pedal ensure total control over the sound.

Sounds and Effects

Powerful sound generation system, for crystal-clear, realis­tic sounds.
128 voices of polyphony.
General MIDI Level 2 Sound-compatible. Enhanced Sound compatibility for GM Songs.
More than 950 Sounds, plus 64 Drum Kits.
240 Performance locations, plus 4 Single Touch Settings (STS) for each Style and SongBook entry, for fast setting of keyboard sounds and effects.
Four Stereo Master FX, with 125 effect types. Final 4-band Parametric EQ.
Edit Sound, to create and edit new Sounds.

Styles and Songs

Over 300 Factory Styles with 4 Variations and 4 Fill In + Break, plus 8 Favorite and 3 User Style banks for unlimited storage of your custom Styles and settings.
Style and Pad Record, including the enhanced “Guitar Mode 2” for even more realistic guitar parts.
Guitar Mode 2 tracks, for more realistic guitar tracks.
Standard MIDI File player and recorder, and MP3 player.
Lyrics and Score display. Multilingual extended character set. Enhanced compatibility with Lyrics in graphical format (+G) for Standard MIDI Files and MP3 files.
Full-featured 16-track sequencer.
Fully editable SongBook music database, for fast song retrieving.

Other Features

Search function, for instant retrieving of any musical resource or file.
Operating System updates, to load new features and enhancements. Don’t let your instrument get old!
Generous internal memory, to store a great amount of data.
USB 2.0 High Speed Host port, for connecting external devices like hard disks, CD-ROM drives, USB memory sticks, etc.
USB 2.0 High Speed Device port, to connect a personal computer to your Pa300. This port can be used for file transfer, and for MIDI connection (without the need of a dedicated MIDI interface).
7
Welcome!

What’s in the box

What’s in the box
After you buy your Pa300, please check that all the following items are included in the package. If any of the following items is missing, please contact your Korg dealer immediately.
Pa300
•Music stand
•AC power adapter
•Power cable
•Quick Guide
Accessory Disc (containing the Video Manual, the User Manual, the USB driver)

About this manual

This manual contains all the informations divided in four sec­tions:
•An Introduction, containing an overview of the instru- ment and of basic operations.
•A Quick Guide, containing a series of practical guides.
•A Reference Guide, with each page and parameter described in detail.
•An Appendix, with a list of data and useful information for the advanced user.
In addition, in the Accessory Disc and in our web site you will find a multilingual Video Manual, showing how to use your Pa300 in easy steps.

Contacts

Your preferred Korg dealer not only delivers this keyboard, but also a whole bunch of hardware and software accessories, as well as service information. You should ask them for any help should you eventually need.
Our international web site is www.korg.com. Korg distributors around the world may have their own web page on the internet. A list of all Korg Distributors can be found in our dedicated web site (www.korg.co.jp/English/Distributors/).

Making a safety copy of your data

Making a safety copy
In case you like to customize your Musical Resources (Sounds, Performances and Styles), we suggest you use the Media > Utility > Backup Resources command to make frequent backup copies into compact archives.
Also, you can use the Media > Save All command to save files that you can separately reload one by one.
Restoring a safety copy
To restore a backup, use the Media > Utility > Restore Resources.
If you saved your data with the Media > Save All command, use the Media > Load operations to reload them.

Restoring the original factory data

In case you want to restore the original factory data, use the Media > Utility > Factory Restore command.
Wa r n in g : This operation will overwrite all the Factory, Local, Favorite and User data!

Loading the Operating System

Your Pa300 can be constantly updated as new versions of the operating system are released by Korg. You can download the operating system from our web site is www.korg.com. Please, read the instructions supplied with the operating system on the site.
You can see which version of the operating systems is installed in your Pa300 by going to the Media > Utility page.
Wa r n in g : Do not install an OS other than the official OS supplied by Korg for the Pa300. Trying to install an OS created for different models or downloaded from unofficial web sites may cause data loss and permanent damage to the instrument. Korg is not respon­sible for any damage caused by improper installation of the OS.
Introduction
8

Overview

Front Panel

Overview
Front Panel
Music stand holes
A music stand comes standard with your Pa300. Insert its legs into these two dedicated holes.
Speakers
The integrated speakers give a faithful reproduction of the sound of Pa300. They are automatically deactivated when inserting a jack into the PHONES/AUDIO OUT connector.
Joystick lever
The joystick is on the left side of the front panel.
JOYSTICK
This joystick triggers different functions, depending on the direction it is moved towards.
X (+/–) Move the joystick towards the left (–) to lower the
pitch, or towards the right (+) to raise it. This effect is called the Pitch Bend.
Y+ Move the joystick forward to trigger Modulation
Y– Move the joystick backward, to trigger the
assigned function.
9
Overview
Front Panel
Introduction
Volume controls
Use these knobs to control the master volume, and to bal­ance between the Keyboard and the Style or the Song.
MASTER VOLUME
This knob controls the overall volume of the instrument, both of the integrated speakers and the PHONES/AUDIO OUT connector.
BALANCE
While in Style Play and Song Play mode, this knob usually bal­ances the volume of the Keyboard (KBD) tracks against the Style (ACC, Accompaniment), Song and Pad tracks. This is a relative control, whose effective maximum value is determined by the MASTER VOLUME knob position.
When moved, a magnified version of a virtual slider appears in the display, for more accurate adjustment.
Note: This does not work in the Sequencer mode.
Mode selection
Each of these buttons recalls one of the instrument’s operating modes. When selected, each mode excludes all the others.
STYLE PLAY
Style Play mode, where you can play Styles (eight tracks of auto­matic accompaniments) and play up to four Keyboard tracks and four Pad tracks. In the main page, Keyboard tracks are shown in the right half of the display.
You can recall the main page by pressing EXIT from any of the Style Play edit pages. If you are in a different operating mode, press STYLE PLAY to recall the Style Play mode. If Keyboard tracks are not shown in the display, press the TRACK SELECT button until you can see them.
10
Overview
Front Panel
This operating mode is automatically selected when turning the instrument on. The “My Setting” Performance will be automati­cally selected.
SONG PLAY
Song Play mode, where you can play back Songs in Standard MIDI File (SMF or KAR) or MP3 format. In addition to the Song tracks, you can play up to four Keyboard tracks and four Pads along with the Song. In the main page, Keyboard tracks are shown in the right half of the display.
You can recall the main page of this mode by pressing EXIT from any of the Song Play edit pages. If you are in a different operating mode, press SONG PLAY to recall the Song Play mode. Use the TRACK SELECT button to cycle between the Keyboard and Song tracks.
SEQUENCER
Sequencer mode, where you can play, record or edit Songs (in Stan­dard MIDI File format). The Backing Sequence mode lets you record a new Song based on the Keyboard and Style tracks, and save it as a new Standard MIDI File.
Note: In this mode, you cannot play MP3 files.
DEMO
Press the STYLE PLAY and SONG PLAY buttons together to select the Demo mode. This mode lets you listen to some Demo Songs, to let you experience the sonic power of the Pa300. To exit from this mode, press any of the MODE buttons.
Special Mode Buttons
These buttons are used to recall settings, file management and the Song Record mode.
GLOBAL
This button recalls the Global mode, where you can adjust vari­ous global settings. Most Global settings are automatically mem­orized as soon as you edit them. This mode overlaps any operating mode, that will still remain active in the background. Press EXIT to go back to the underlying operating mode.
MEDIA
This button recalls the Media mode, where you can perform var­ious operations on files and storage devices (Load, Save, Format, etc…). This mode overlaps any operating mode, that still remains active in the background. Press EXIT to go back to the underlying operating mode.
The internal memory contains an area where to save data (“DISK [KORG DISK]”).
Accompaniment, Memory, Manual Bass
These buttons let you turn all Accompaniment tracks on/off, decide what should remain in memory, and how to play the bass.
ACCOMP. (Accompaniment)
In Style Play and Sequencer-Backing Sequence mode, use this button to turn the Accompaniment tracks (ACC1 ~ ACC5) on or off.
On After pressing START/STOP, the full accompani-
ment plays and follows the detected chords.
Off No chords detected. After pressing START/STOP,
only the Drum and Percussion accompaniment tracks can play.
You can jump to the Global > Mode Preferences > Style Play page by keeping SHIFT pressed and pressing the ACCOMP button.
MEMORY
This button allows you to choose whether the Lower notes and/ or chord triggering the accompaniment must remain in memory after raising your hand from the keyboard.
On Depending on the setting of the “Memory Mode”
parameter (in the Global > Mode Preferences > Style Play), the sound on the left of the split point (Lower), and/or the chords for the automatic accompaniment can kept in memory even when you raise your hand from the keyboard.
Off Both the sound and chord are released as soon as
you raise your hand from the keyboard.
You can jump to the Global > Mode Preferences > Style Play page by keeping SHIFT pressed and pressing the MEMORY button.
MAN. BASS (Manual Bass)
This button turns the Manual Bass function on or off.
On The automatic accompaniment stops playing
(except for the Drum and Percussion tracks), and you can manually play the Bass track on the Lower part of the keyboard. You can start the automatic accompaniment again after pressing this button to turn off the Manual Bass function.
Off The bass track is automatically played by the Style.
Note: When you press the MANUAL BASS button, the Bass track volume is automatically set to its maximum value. The volume is automatically set back to the original value when the MANUAL BASS button is deactivated.
RECORD
This button sets the instrument to the Style/Pad Record or Song Record mode (depending on the current operating mode).
11
Overview
Front Panel
Pads
Here you can play (and stop) the Pads, i.e. single sounds or loop­ing sequences.
PAD 1 -4 STOP
Each Pad button corresponds to a dedicated Pad track. Use these buttons to trigger up to four sounds or sequences at the same time.
Press a single PAD button to trigger a single sound or sequence.
Press more PAD buttons to trigger several sounds or sequences.
The sequences will play up to the end. Then, they will stop or continue repeating, depending on the individual settings.
You can stop all sounds or sequences at the same time, or just some of them:
Press STOP (in the PAD section) to stop all sequences at once.
Press a single PAD button to stop the corresponding sequence.
About Pad synchronization. In Style Play mode, Pads are syn­chronized to the Style’s Tempo. In Song Play mode, they are syn­chronized to the Player.
Note: There is no synchronization with MP3 files. Pads can only be synchronized to the Tempo of the latest selected Standard MIDI Files. Therefore, when an MP3 file is assigned to the Player, Pads will synchronize to the Tempo of the last Standard MIDI File that has been played back.
About Pads and the Player’s Start command. When you press the START/STOP button to start the Player, all Pads will stop playing.
You can jump to the Style Play > Pad page by keeping
SHIFT pressed and pressing one of the PAD buttons.
Selection
Here you can select a Style, Sound, SongBook entry, or Song.
For each type of Styles there are several banks, that can be selected by touching the side tabs. Each Style bank contains vari­ous pages, each with up to eight Styles, that can be selected by touching the lower tabs.
Styles of the Factory type are usually write-protected (unless you uncheck the “Factory Style and Pad Protect” option in the Global > Mode Preferences > Media page). You can use User locations to temporarily load new Styles from an external device. Favorite locations, too, can be used to load new Styles from an external device, but in addition you can edit the names of these Style banks, so that you can create a custom set of Styles.
By keeping this button pressed for about one second, the
“Write Current Style Settings” dialog box will appear.
SOUND
Use this button to open the Sound Select window and select a Sound to be assigned to the selected track. This is the same as touching a Sound name in the display. Repeatedly press it to cycle between the Sound bank pages.
For each type of Sounds there are several Sound banks, that can be selected by touching the side tabs. Each Sound bank contains various pages, each with up to eight Sounds, that can be selected by touching the lower tabs.
Sounds of the Factory type are write-protected. Sounds of the Legacy type are standard Factory Sounds allowing greater com­patibility with older Pa-Series instruments. Factory Sounds of the GM type allow for compatibility with General MIDI sounds. Sounds of the User type are locations where you can load new Sounds from an external device. The User DK type is where you can load new Drum Kits.
Some models could include Local-type Sounds, that are Factory Sounds customized for a particular Country.
Hint: The page menu of the Sound Select window contains a com­mand to access Sound editing, and customize your Sounds.
SONGBOOK
The SongBook is a database of song titles, that can automatically choose the more appropriate Style, Standard MIDI File or MP3 file for you.
Press this button to open the SongBook (when you are in Style Play or Song Play mode). While the SongBook is shown on the display, you can browse through the music database.
By keeping this button pressed for about one second, a new SongBook Entry with the current settings is added to the data­base. You will be able to give it a name and save.
Introduction
STYLE
Use this button to open the Style Select window and select a Style. This is the same as touching the name of the Style in the display. Repeatedly press it to cycle between the Style bank pages.
You can jump to the SongBook > Custom List page by
keeping SHIFT pressed and pressing the SONGBOOK button.
SONG
Press this button to open the Song Select window and choose a Songs. This is the same as touching the Song name in the display.
12
Overview
Front Panel
Style Elements
This section contains the separate elements of a Style (Intro, Vari a t io n , e tc . ).
INTRO 1-3 buttons
These buttons turn the corresponding Intro on. Intro 1 plays a sequence including a chord progression, while Intro 2 plays a fixed chord. Intro 3 is usually a one-bar Count In.
After pressing one of these buttons, start the Style, and it will begin with the selected intro. The INTRO LED will automati­cally go off at the end of the intro.
At the end of the Intro, the Variation whose LED was blinking will be selected.
Press one of the INTRO buttons twice (LED blinking) to let the corresponding Intro play in loop, and select any other Style ele­ment (Intro, Variation, Ending) to exit the loop.
VARIATION 1-4 buttons
Each of these buttons selects one of the four Variations of the current Style. The higher the Variation number, the denser the arrangement.
You can jump to the Style Play > Drum Map page by keeping SHIFT pressed and pressing one of the VARIATION buttons.
AUTO FILL
This button allows to turn the Auto Fill function on or off.
On When selecting a different Variation, the Fill hav-
ing the same number of the previous Variation is automatically selected. For example, if going from Variation 2 to Variation 3, Fill 2 is automatically selected.
Off When choosing a Variation, no fill is selected.
BREAK
This button triggers a break. Press it twice (LED blinking) to let it play in loop. Press it again or select any other Style Element (Intro, Variation, Ending) to exit from the loop.
ENDING 1-3 buttons
These buttons trigger the corresponding Ending. Ending 1 plays a sequence including a chord progression, while Ending 2 plays a fixed chord. Ending 3 starts immediately, and is just two mea­sures long.
While the Style is running, these three buttons trigger an End­ing, and stop the Style. Press one of them, and the Style will stop running with an Ending.
Press them twice (LED blinking) to let them play in loop, and select any other Style element (Intro, Variation…) to exit the loop.
Style Controls
Use these buttons to start/stop the accompaniment.
START/STOP
Starts or stops the Style.
You can reset all ‘frozen’ notes and controllers on the
Pa300 and any instrument connected to its MIDI OUT or the USB Device port, by using the “Panic” (SHIFT + START/STOP) key combination. Just press SHIFT + START/STOP to stop all notes and reset all controllers.
SYNCHRO START / STOP button
These buttons turn the Synchro Start and Synchro Stop func­tions on or off. With this feature, you can choose to press the START/STOP button to start and/or stop a Style, or just play the keyboard in the Chord Scan area.
Start On, Stop Off
In this situation, just play a chord in the chord recognition area to automatically start the Style. If you like, turn one of the INTROs on before start­ing the Style.
Start On, Stop On
When both LEDs are lit, raising your hands from the keyboard will momentarily stop the Style. If you play a chord again, the Style will start again.
Start Off, Stop On
In this case, raising your hands from the keyboard will stop the Style.
Start Off, Stop Off
All Synchro functions are turned off.
You can jump to the Global > MIDI > Setup/General Con­trol by keeping the SHIFT button pressed and pressing the SYN­CHRO START/STOP button.
TAP TEMPO/RESET
This is a double-function button, acting in a different way depending on whether the Style is running or not.
Note: This button only works while in Style Play mode.
Tap Temp o : When the Style is not playing, you can “beat” the tempo on this button. Tap as many times as the Time Signature’s numerator (for example, four times with a 4/4 Time Signature, or three times with a 3/4 one). At the end, the accompaniment starts playing, using the “tapped in” tempo.
Reset: If you press this button while the Style is playing back, the Style pattern goes immediately back to the beginning of measure
1.
13
Overview
Front Panel
Display and Brightness Controls
COLOR TOUCHVIEW™ GRAPHICAL DISPLAY
Use this display to interact with the instrument. To adjust the display brightness, keep the MENU button pressed, and turn the DIAL counter-clockwise to make the display darker, or clock­wise to make it brighter.
Special Function Controls
Use the TRACK SELECT, SEARCH and SHIFT buttons to choose special functions.
STS Section
Use the STS (Single Touch Settings) buttons to assign Sounds to
the keyboard.
Introduction
STS 1-4 buttons
These buttons allow to select up to four Single Touch Settings
(abbreviated as STS). Each one of the Styles and SongBook
Entries includes four Single Touch Settings (STS), to automati-
cally configure Keyboard tracks and effects at the touch of a fin-
ger.
By keeping one of these buttons pressed for about one sec-
ond, the “Write Single Touch Setting” dialog box will appear.
Note: STS contained inside Factory Styles are usually write-pro-
tected (unless you uncheck the “Factory Style and Pad Protect”
option in the Global > Mode Preferences > Media page)
Player Controls
Pa300 is equipped with a Standard MIDI File and MP3 Player. Its
controls can be used in Song Play and Sequencer mode.
TRACK SELECT
Depending on the operating mode, this button switches between the various track views.
STYLE PLAY MODE
Toggles between Keyboard and Style tracks.
SONG PLAY MODE
Toggles between Keyboard tracks, Song tracks 1­8, and Song tracks 9-16.
SEQUENCER MODE
Toggles between Song tracks 1-8 and Song tracks 9-16.
SEARCH
Press this button to open the Search window, and look for a specified file or musical resource. The Search window appears slightly different depending on the current context.
SHIFT
With this button held down, pressing certain other buttons gives access to a second function. The list of shortcuts is in the Appen­dix.
<< and >>
Rewind and Fast Forward commands. If you use them while the
Song is in play, they make it scroll back or forward.
When pressed once, these buttons move the Song to the previous
or following measure (with a Standard MIDI File) or to the previ-
ous or next second (with an MP3 file). When kept pressed, they
make the Song scrolling continuously until released.
In Sequencer mode, if you set a “Start from” measure other than
1, when pressing the << button the Song will rewind up to that
measure instead of the first one (see page 124).
In Jukebox mode, keep the SHIFT button pressed, and press these buttons to scroll to the previous or next Song in the Jukebox list.
(HOME)
Sends the Song Position back to measure 1 (i.e., the beginning of the Song).
In Sequencer mode, if you set a “Start from” measure other than 1, the Song Position will go back to that measure (see page 124).
(START/STOP)
Starts the Song from the current Song Position, or stops it at the current Song Position.
14
Overview
Front Panel
Lyrics, Score
Use this button to access the Lyrics and Score pages.
LYRICS/SCORE
When a Style is selected, this buttons recalls the Lyrics page, or exits from it.
When a Song is selected, it cycles through the Lyrics and Score pages. Press it a first time to see the Lyrics page, a second time to see the Score page. Press it again to return to the main page.
Data Entry and Navigation
The VALUE DIAL can be used to assign a dif­ferent value to the parameter selected in the display, or to scroll a list of files in the Song Select, Song­Book, Search and Media pages.
VALUE DIAL
Turn the dial clockwise to increase the value of the selected parameter. Turn it counter-clockwise to decrease its value.
When used while pressing the MENU button, this con-
trol always acts as a Display Brightness control.
EXIT
Use this button to perform various actions, leaving from the cur­rent status:
exit the edit menu page, without selecting any item
make the page menu disappear, without selecting any item
return to the main page of the current operating mode
exit the Global or Media edit environment, and return to the current page of the current operating mode
•exit from the SongBook mode
exit from the Lyrics and Score pages
exit from a Style, Pad, Performance or Sound Select win­dow
MENU
This button opens the edit menu page for the current operating mode. After opening an edit menu, you can jump to one of the edit sections by touching the corresponding button in the dis­play.
Otherwise, press EXIT to return to the main page of the current operating mode, or the current page of the underlying operating mode.
Tempo Section
The TEMPO and METRO buttons can be used to control the Te mp o .
TEMPO +/– buttons
TEMPO– decreases the speed of the Style or Song. TEMPO+ increases it.
Press both buttons together to reset the Tempo to the value memorized in the Style or Standard MIDI File. With MP3 files, the original speed of the file is recalled (value reset to “0”).
TEMPO LOCK
This button turns the Tempo Lock function on or off.
On When you select a different Style or Performance,
or select a different Song, the Tempo will not change. You can still manually change it, by using the TEMPO +/– buttons, or select the Tempo value and change it by using the VALUE dial.
Off When you select a different Style, or select a dif-
ferent Song, the memorized Tempo will be auto­matically selected.
Note: This button does not work with MP3 files.
You can jump to the Global > Lock page by keeping
SHIFT pressed and pressing this button.
METRO
Use this button to turn the Metronome click on or off. The met­ronome uses the same time signature as the latest selected Style or Standard MIDI File.
You can jump to the Global > General Controls > Basic
page by keeping SHIFT pressed, and pressing this button.
Split
Splitting the keyboard allows for separating the chords area from the melody.
SPLIT
In Style Play, Song Play and Sequencer-Backing Sequence mode, use this button to choose how the four Key­board tracks are positioned on the keyboard, and how chords are recognized by the arranger.
Note: The ACCOMP LED must be turned on for the accompani­ment to play.
On The Lower track plays below the split point, while
the Upper 1, Upper 2 and Upper 3 tracks play above it. This is called the Split keyboard mode.
By default, turning on the Split mode automati­cally selects the Lower chord scanning mode. In this mode, chords are detected below the split point. The number of notes you should play to form a chord is defined by the “Chord Recogni­tion” parameter.
Off The Upper 1, Upper 2 and/or Upper 3 tracks play
over the whole keyboard range. The Lower track does not play. This is also called the Full key­board mode.
By default, turning off the Split mode automati­cally selects the Full chord scanning mode. In this mode, chords are detected over the full keyboard
15
Overview
Front Panel
range. You must always play three or more notes to let the arranger recognize a chord.
By keeping this button pressed for about one second, the Split Point window appears. When there, play the new split point on the keyboard.
Ensemble
The Ensemble function automatically harmonizes the melody played with the right hand.
ENSEMBLE
This button turns the Ensemble function on or off. When on, the right-hand melody is harmonized with the left­hand chords.
Note: The Ensemble function only works when the keyboard is in SPLIT mode.
You can jump to the Style Play > Keyboard/Ensemble page by keeping SHIFT pressed and pressing the ENSEMBLE button.
Performance Select Section
Transpose Section
Use these buttons to transpose the Sounds of the single tracks, or the instrument as a whole.
UPPER OCTAVE
Use these buttons to transpose the Upper tracks in steps of one whole octave (12 semi­tones; max ±3 octaves). The octave transposi­tion value is always shown (in octaves) next to the Sound’s name.
Press both buttons together, to reset the Octave Transpose to the saved value.
Lowers the selected track by one octave.
+ Raises the selected track by one octave.
You can jump to the Style Play > Tuning page by keeping SHIFT pressed and pressing one of the UPPER OCTAVE but­tons. Hint: Go to the Tuning page to separately transpose each
track.
Introduction
Use these buttons to select a Performance. Performances memo­rize all Sounds assigned to the keyboard and most control panel settings.
MY SETTING
This is a special direct-access Performance, that is automatically selected when the instrument is turned on. When pressing this button, the Performance is immediately selected.
Keep this button pressed for about one second to save the
current settings into the My Setting Performance.
PERFORMANCE buttons
Use these buttons to open the Performance Select window, and select a Performance.Each Performance bank contains five pages, each with up to eight Performances. Repeatedly press a PERFORMANCE button to cycle between the available pages.
All Performances can be freely customized, by accessing the edit pages of the Style Play and Song Play modes by pressing the MENU button.
TRANSPOSE
These buttons transpose the whole instrument in steps of one semitone (Master Transpose). The transpose value is usually shown in the page header.
Press both buttons together, to reset the Master Transpose to zero.
Note: You can also transpose MP3 files. Keep in mind, however, that transposition always remains inside the range -5…+6 semi­tones. This range is enough to cover all keys, but allows to avoid excessive audio degradation. Any further transposing will be reversed to fit the range. So, you might see a +7 transpose value (Just Fifth Up) shown in the display, but the MP3 will actually play 5 semitones lower (Just Fourth Down).
Lowers the Master Transpose in steps of one
semitone.
Raises the Master Transpose in steps of one semi-
tone.
You can jump to the Global > Transpose Control page by keeping SHIFT pressed, and pressing one of the TRANSPOSE buttons.
By keeping one of these buttons pressed for about one sec-
ond, the “Write Performance” dialog box will appear.
16
Overview
Front Panel
Power On/Off
POWER
Use this button to let the instrument exit (LED off) or enter (LED on) standby.
Press it briefly to let the instrument exit standby.
Keep it pressed for about one second to let it enter standby.
Wa r ni n g : When the instrument is in standby mode, it is still con­nected to the power line. Accessing the inside of the instrument can be dangerous. To completely disconnect the instrument from the power, unplug the power plug from the power socket on the wall.
Note: To avoid wasting power, Pa300 will by default automatically enter standby mode after two hours of non-active use (playing, pressing buttons or using the touch-screen). Please save your data (Performances, Styles, Songs, and so on) before taking a prolonged pause. You can change the auto power-off timer in Global > Gen­eral Controls > Date & Power.
Overview

Rear Panel

Rear Panel
17
Introduction
USB-HOST
This is a USB Type A (Master/Host) con­nector, USB 2.0 compliant (High Speed only – to connect older, slower USB devices, please use an USB hub). Use it to connect to the Pa300 an USB Flash Memory stick, an external CD-ROM drive, an USB hard disk. You can access the connected device in the Media mode.
USB-DEVICE
This is a USB Type B (Slave/Device) connector, USB 2.0 (High Speed). Use it to connect the Pa300 to a personal computer, and transfer data to/from its internal memory (Disk). You can enable USB connection in the “USB” page of the Media mode.
MIDI over USB is supported, so you can use this connector instead of the MIDI ports found on older devices. The drivers for PC and Mac, needed to make full use of this type of connec­tion, are supplied in the Accessory Disc that comes with the instrument, or can be downloaded from our web site.
PEDAL/DAMPER
Use this port to connect a footswitch or Damper pedal, like the (optional) Korg PS1, PS3 or DS1H, or a continuous/expression pedal, like the (optional) Korg EXP2, XVP10. To program and calibrate it, or to change its polarity, go to the Controllers > Foot Controllers page of the Global mode.
When the Headphone option is assigned to the “Level” parame­ter, you can connect headphones. You can use headphones with an impedance of 16-200 Ohms (50 Ohms suggested).
When the Line Out option is assigned to the “Level” parameter, you can connect a line-level device to this connector. Use a ste­reo jack to send the final stereo mix to an external device. Con­nect the other end of the cable to a stereo channel of your mixer, two mono channels, two powered monitors, or the CD, LINE IN or TAPE/AUX input of your audio system. Don’t use the PHONO inputs of your audio system!
Adjust the output level with the MASTER VOLUME knob.
DC IN 15V power adapter connector
Plug the supplied power adapter into this connector. When the cable is connected, the instrument is in standby mode. To let it enter or exit standby, use the POWER switch located on the front panel.
Wa r n in g : When the instrument is in standby mode, it is still con­nected to the power line. Accessing the inside of the instrument can be dangerous. To completely disconnect the instrument from the power, unplug the power plug from the power socket on the wall.
Cable holder
Fix the power cable to this hook, to avoid cable jamming.
PHONES/AUDIO OUT
Use this connector to connect a pair of head­phones, or to send the audio signal (sound) to a mixer, a PA system, a set of powered moni­tors, or your hi-fi system.
You can select the type of connection by using the “Level” parameter in the Global > Audio & EQ > MP3/Out­put page (see page 161).
18

Glossary of Terms

Sound

Glossary of Terms
Before you begin, take a few moments to familiarize yourself with the names and terms we will be using to talk about the vari­ous elements of the Pa300.
In this section, you will find a brief description of various key elements of the Pa300. A professional arranger (Pa) keyboard uses different terminology than a traditional synthesizer or workstation. By familiarizing yourself with the names and func­tions in this section, you will get a better understanding of how all the different parts of the Pa300 work together to create a real­istic musical performance. This will also help you to get the most out of the rest of the manual.
Sound
A Sound is the most basic unit of an Arranger Keyboard perfor­mance. A Sound is basically a playable instrument timbre (piano, bass, sax, guitar…) that can be edited, saved, recalled and assigned to any track. In the Style Play, Song Play or Sequencer mode, Sounds may be freely assigned to Sequencer tracks, Style tracks, or Keyboard tracks.

Style

The Style is the heart of a professional arranger keyboard. At its basic level, a Style will consist of up to eight parts, or “Tracks”.
Variation
For each Style, there are four Variations, to be used for the Verse, Bridge and Chorus of a song. In general, each Variation is a slightly different version of the others. As you progress from Variation one to Variation four, the arrangements will become more complex, and more parts (Tracks) may be added. This allows your performance to have a more dynamic arrangement, without losing the original “feel” of the Style.
Fill-in & Break
During a performance, a drummer may often perform a “fill” ­such as when transitioning from a verse to a chorus – adding extra dynamics and keeping the beat from getting too repetitive. The Pa300 offers four Fill-ins specifically programmed for each Style, that may be automatically recalled when choosing the cor­responding Variation (Auto Fill). A Fill-in may be drums alone or drums with instrumentation. Then, there is even a silent “break”.
Intro & Ending
Each Style also allows you to complete your performance with a set of musical introductions and endings. A long and short ver­sion of the Intro and Ending are usually provided, with the for­mer more harmonically elaborated, and the latter with a fixed chord. A “count-in” Style Intro is also provided, as well as the quick Ending 3.
Drums
The Drum track will provide a repeating rhythmic phrase, played by the standard instruments of a Drum Kit.
Percussion
An additional rhythmic phrase played by various percussion instruments (conga, shaker, cowbell, etc.) is provided by the Per­cussion track.
Bass & Accompaniment
The Bass track and the (up to) five additional Accompaniment tracks will each play musical phrases that are musically related to and in sync with the Drum and Percussion tracks. However, the notes being played by these tracks will change to follow the chord progression that you play on the keyboard.
Again, any Sound you choose may be assigned to any track in a Style.
Pad
Pads are single sounds or single-track patterns, that can be trig­gered by using the dedicated PAD buttons. They can be used to play single sounds, as well as short, cycling sequences that play in time with the Style or Standard MIDI File, and are transposed according to the recognized chords.

Keyboard tracks

Up to four parts can be played on the keyboard in real-time. Three of them (Upper) can be layered and played over the full keyboard. They can also be used to created particular sound configurations: each of these Keyboard tracks can be limited to a particular range of keys or velocities, but in general up to three can be assigned to play above the split point (Upper), and one below (Lower). This allows the Upper Sounds to be layered together. The split point can be set to any note on the keyboard. In addition to performing along with a Style, these same Key­board tracks will allow you to play along with the Player.
Glossary of Terms

Performance and STS

Ensemble
By turning the Ensemble feature on, a single note played on one of the Keyboard tracks will be embellished by additional notes to create a complete chord voicing. The Ensemble knows which notes to add by looking at the chord that you are playing. In addition, the Ensemble parameters allow you to select the type of voicing that will be added – from a simple one-note harmony to a full “Brass” section – even a marimba-style trill!
Performance and STS
The Performance is the most encompassing setting on the Pa300 – a single setting that can remember the Keyboard tracks (with all the appropriate sounds) and all their transposition, effects, etc… A Performance can be stored in one of the Performance bank locations.
Single Touch Settings (STS) are similar to Performances, but are associated to a Style or SongBook Entry.
19

The LOGO decoder

On the front panel of your Pa300 you have probably noticed a series of logos, and may have even wondered what they stand for. Well, here is a quick explanation of each one.
General MIDI (GM) is a standard that ensures the compatibility of sounds and messages between GM compatible instruments available
from different manufacturers. For example, sequenced songs created on any GM equipped product and saved in the GM format will playback correctly on the Pa300.
General MIDI 2 extends the basic features of the General MIDI, allowing for 256 Sounds and 9 Drum Kits (instead of 128 and 1).
RX Technology is the cutting edge engine that drives every aspect of the Pa300 – from the synthesis to the display and how it all works together.
Introduction

Sequencer

The Sequencer acts as a recorder, so you can capture and play­back your performances. The Pa300 sequencer can function in different modes. In the Backing Sequence mode, each Style ele­ment and each Keyboard and Pads element can be recorded on a separate track in a single pass. This can be a big help in getting a song recorded quickly. The sequencer can also behave as a tradi­tional 16-track linear sequencer, where each track is recorded individually one at a time.

Player

The Player lets you playback your performances or any Standard MIDI File or MP3 file.
TouchView is the sophisticate technology allowing for touching the objects in the
display, instead of pointing to them through an external device (a mouse, a series of buttons). Go straight to the musical elements, instead of catching keys some­where on the control panel.
20

Interface basics

Color TouchView graphical user interface

Interface basics
Color TouchView graphical user interface
Pa300 features our exclusive easy-to-use TouchView graphic interface, based on a touch‐panel LCD screen. By touching items on the LCD screen, you can select pages, tabs, and parameters, and set parameter values via on‐screen menus and buttons. Here are the basic elements of the user interface.
Menus and sections
Pages are grouped in sections, to be selected by touching the cor­responding buttons in the Edit menu that opens up when you press the MENU button.
Overlapping windows
Several windows, like the Style Select or Pad Select, the Global, the Media, or the Lyrics, overlap the current window. After you select an item in the window, or press the EXIT button, the win­dow closes, and the underlying page is shown again. (The fol­lowing example is the Sound Select window).
Pages
Parameters are grouped into separate pages, to be selected by touching the corresponding tabs on the lower area of the display.
Dialog boxes
Similar to selecting windows, dialog boxes overlap the underlay­ing page. Touch one of the button on the display to give Pa300 an answer, and the dialog box will close.
Page menus
Touch the icon on the upper right corner of each page, and a menu with suitable commands for the current page will appear. Touch one of the available commands to select it. (Or, touch any­where else on the screen to make it disappear, with no command selected).
21
Interface basics
Color TouchView graphical user interface
= On
= Off
List
Scrollbar
Pop-up menus
When an arrow appears next to a parameter name, touch it to open a pop-up menu. Select any of the available options (or any­where else on the screen to make the menu disappear).
Checkboxes
This kind of parameters are on/off switches. Touch them to change their status.
Editable names
When the (Text Edit) button appears next to a name, touch it to open the Text Edit window and edit the name.
Introduction
The virtual keyboard works exactly as a personal computer’s keyboard. Some of the symbols are context-sensitive, and only appear when they can actually be used.
Lists and scrollbars
Numeric fields
When a numeric value can be edited, touch it a second time to open the Numeric Keypad.
The virtual numeric keypad works exactly as the numeric key­pad of a personal computer.
As an alternative, touch a numeric field and keep it held. Then move your fingers up (or right) to increase the value, or move it down (or left) to decrease it.
Files on storage media, as well as other kinds of data, are shown as lists. Use the scrollbar to scroll the list content. Also, you can use the VALUE DIAL to scroll.
When the Name label is selected, keep the SHIFT button pressed while touching one of the arrows on the scrollbar, to scroll to the next or previous alphabetic section.
Virtual sliders
To change a virtual slider’s position, select it, then use the VALUE dial to change its position. As an alternative, touch a slider with your fingers and keep it held; then move it up or down to change its position.
This also includes the Tempo numeric field in the main page of the Style Play, Song Play, and Sequencer modes.
22
Interface basics

Operative modes

Virtual knobs
To change a virtual knob’s position, select it, then use the VALUE dial to change its position. As an alternative, touch a knob with your finger and keep it held; then move your fingers up (or right) to rotate it clockwise, or move it down (or left) to rotate the knob counter-clockwise.
Operative modes
The pages of Pa300 are grouped in various operating modes. Each mode is accessed by pressing the corresponding button in the MODE section on the control panel.
Each operating mode is marked with a different color code, that helps you understand at first sight where you are.
Two special modes (Global and Media) overlap the current operating mode, that remains active in the background.
The Song Record mode can be accessed from the Sequencer mode, and allows for creating new Songs.
Icons
Various icons help identifying the type of a file, a Song, a folder. For example:
Folder
File of Style bank
Standard MIDI File

Selected, highlighted items

Any operation on parameters, data or list entries, is executed on highlighted items. First select the parameter or item, then exe­cute the operation.

Non-available, grayed-out parameters

When a parameter or command is not currently available, it is shown in grey on the display. This means it cannot be selected, but may become available when a different option is selected, or you switch to a different page.

Shortcuts

Some commands or pages can be recalled by keeping the SHIFT button pressed, and pressing other buttons or elements in the display. Some others can be accessed by keeping a button pressed for more than one second. See the “Shortcuts” chapter on page “Shortcuts” on page 364 for a list of available shortcuts.

Easy Mode

Easy Mode
The page menu
23
If you have never used an arranger before, we suggest you to switch to the Easy Mode. Easy Mode allows you to play Styles and Songs with a simple user interface, free from the many advanced parameters that you will want to learn later.

Turning the Easy Mode on

Touch the little rectangle on the top right corner of the display, to open the page menu:
Touch the “Easy Mode” menu item, to make the checkmark appear:
Introduction
At this point, the Easy Mode has been activated, and the ele­ments in the display appear less crowded:

Turning the Easy Mode off

Reverse the above operation when you want to deactivate the Easy Mode.
24
Easy Mode

The Style Play page in detail

Sound icon and status. If the
icon appears, the Sound is in mute and cannot be heard. If the icon does not appear, the Sound is in play and can be heard. See page 35
Sounds assigned to the right hand (UP1 to UP3) and to the left hand (LOW). Touch the Sound’s name to open the Sound Select window and choose a different Sound.
Style name and info. Touch the Style’s name to
open the Style Select window and choose a
different Style.
Tempo. Use the
TEMPO buttons to
change it.
Length of the accompaniment pat-
tern, and current beat.
Performance or STS. Touch it to open
the Performance Select window and
choose a different Performance.
Sounds on the keyboard will change.
Single Touch Settings (STS). Touch one of them to choose it, or use the dedicated buttons on
the control panel. Sounds on the keyboard will change.
Split Point. Touch here and play a note to set the new split point.
See page 39
Effects. Touch here and choose the effects assigned to the vari­ous tracks.
Mixer. Touch here, and mix the track’s
volume and pan.
The Style Play page in detail
To see this page, press the STYLE PLAY button.
Notes:
• There are three Sounds for the right hand (Upper 1, Upper 2, Upper 3), and a single Sound for the left hand (Lower). Their names are abbreviated as UP1, UP2, UP3, LOW, and are shown on the right side of the display.
• Right hand (Upper) and left hand (Lower) Sounds are sepa­rated by the Split Point.
• Performances and STSs are collections of Sounds. Just choose one of them to change all the keyboard’s Sounds.
• Choose a Style to change the musical style of the accompani­ment patterns.
Easy Mode

The Song Play page in detail

The Song Play page in detail
Sound icon and status. If the
icon appears, the Sound is in mute and cannot be heard. If the icon does not appear, the Sound is in play and can be heard. See page 35
Sounds assigned to the right hand (UP1 to UP3) and to the left hand (LOW). Touch the Sound’s name to open the Sound Select window and choose a different Sound.
Song assigned to the Player. Touch it to open the
Song Select window and choose a different Song.
Tempo. Use the
TEMPO buttons to
change it.
Meter (or Time Signature) and
current beat.
Performance or STS. Touch it to open
the Performance Select window and
choose a different Performance.
Sounds on the keyboard will change.
Single Touch Settings (STS). Touch one of them to choose it, or use the dedicated buttons on
the control panel. Sounds on the keyboard will change.
Split Point. Touch here and play a note to set the new split point.
See page 39
Effects. Touch here and choose the effects assigned to the vari­ous tracks.
Mixer. Touch here, and mix the track’s
volume and pan.
Current measure.
To see this page, press the SONG PLAY button.
25
Introduction
Notes:
• As in Style Play mode, there are three Sounds for the right hand (Upper 1, Upper 2, Upper 3), and one Sound for the left hand (Lower). Their names are abbreviated as UP1, UP2, UP3, LOW, and are shown in the right side of the display.
• Right hand (Upper) and left hand (Lower) Sounds are sepa­rated by the Split Point.
• Performances and STSs are collections of Sounds. Just choose one of them to change all the keyboard’s Sounds.
• Available STSs depend on the Style or SongBook Entry you last selected.
• Touching a Song name in the display is the same as pressing the SONG button in the SELECTION section of the control panel.
26
Easy Mode
The Song Play page in detail
Loading...
+ 348 hidden pages