Alesis NANOPIANO User Manual
Nanopiano
REFERENCE MANUAL
by Connor Freff Cochran
© 1997 Alesis Corporation
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NanoPiano Reference Manual 1
Your Shipping Carton
Should Contain The
Following Items:
NanoPiano
AC power adapter
1 rackmounting screw
Alesis warranty card
Reference Manual
Program Chart
If anything is missing, please contact your dealer or Alesis
immediately.
PLEASE NOTE: The warranty card is important. Really. Don’t
just throw it away. We’ll be able to take better care of you now,
and serve you better in the future, if you fill it out and send it in.
Alesis Contact Info
Alesis Corporation
3630 Holdredge Avenue
Los Angeles, CA 90016
phone: 1-800-5-ALESIS (800-525-3747)
e-mail: alecorp@alesis1.usa.com
website: www.alesis.com
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2 NanoPiano Reference Manual
WELCOME!
Back in 1979 my band’s keyboard player and I went on a quest
to find the Perfect Stage Piano. There was a shiny new Yamaha
Grand in the recording studio where we were working, but for
live performances we needed something (a) portable, and (b)
affordable. We also wanted it to (c) sound great, since we loved
the music we were making and wanted audiences to hear it at its
best. With these three goals in mind we set off searching
through the music stores of New York City.
What did we find? Disappointment.
Keep in mind that these were the “pre-everything” days — pre-
MIDI, pre-sampling, pre-digital synths. The “piano” keyboards
that were any good cost at least five thousand dollars, and were
so heavy it would take three roadies to haul them on and off
stage. The keyboards that cost less — a mere two grand —
sounded bad. The ones that were truly portable got that way by
physically chopping off all but the middle octaves, drastically
limiting what you could play. And none of these instruments had
more than one sound.
I will not mention what we wound up buying. Suffice to say that
for quite a while afterwards we felt weighted down, poorer, and
deeply compromised.
But time and technology have marched on, and happier days
are here. Today I am no longer stuck with an expensive, limited,
quasi-piano behemoth. I have a NanoPiano instead.
Portable? Pick yours up and see. At not quite 1.25 pounds, I bet
you could shot-put it over the roof of your high-school
gymnasium. I have a friend who carries his to the studio in a
fanny pack.
Affordable? Oh yeah. (But you know that, or you wouldn’t be
reading this.)
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NanoPiano Reference Manual 3
Great sounding? Absolutely. Inside this little box are 256 of the
most musical programs you’ll ever find in one instrument. The
centerpiece, of course, is the true stereo, phase-accurate grand
piano. But the goodie list doesn’t stop there. In addition you will
find lots of useful alternate grand pianos, plus spinets, electric
pianos, clavinets, strings, synth pads, vocal pads, organs,
combinations, splits, and more, all constructed from linear, noncompressed 48kHz 16-bit samples that are stored in eight
megabytes of on-board ROM.
And while I’m grinning, let me also mention some other things I
particularly appreciate about the unit — like 64 voices of
polyphony, the same built-in multieffects chip that Alesis uses in
their Q2 pro-class signal processor, complete MIDI control, and
incredibly simple operation.
Not bad, eh?
The bottom line is that the NanoPiano is deceptive. It looks
small and simple, and it is. But it is also a serious power tool for
all players, from the touring professional to the stay-at-home
hobbyist. Gold and platinum records have been made using the
sounds inside this box. Now you have them, too, for next-to-no
cost and zero hassle.
I really like the NanoPiano, and with good reason: I’m having a
blast with mine. I wish you lots of happy music-making with
yours.
Connor Freff Cochran
April 1997
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TABLE OF CONTENTS
WELCOME!
TABLE OF CONTENTS
0. WE INTERRUPT THE MANUAL IN PROGRESS... 6
Important Safety Instructions 7
Instructions To The User 8
CE Declaration of Conformity 9
1. CONNECTIONS 10
Power 11
Audio 12
MIDI 14
As A Single Slave (the IN Jack) 15
As Part Of A Chain (OUT/THRU Jack, Pt. 1) 15
Limited Computer Editing (OUT/THRU Jack, Pt. 2) 17
Rackmounting 18
2: INSTANT FUN 19
Demo Sequence 20
Playing It Yourself 21
3: GET TO KNOW YOUR NANO 22
The Specs 23
What They Mean When They Say “64 Voices” 24
The Front 26
The Back 27
The Programs and ROM Sounds 28-61
4: MIDI RULES 62
The Basics 63
The Not-So-Basics 65
MIDI Implementation Chart 66
5: CREDITS 67
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NanoPiano Reference Manual 5
0: We Interrupt The Manual In Progress For Some Stuff
You Might Not Feel Like Reading, But Which Has To Be Here
Anyway
Important Safety Instructions
Instructions To The User
CE Declaration of Conformity
Many of you — no, let’s be honest, most of you — are going to
skip over this section.
That’s probably okay, assuming you’ve had prior experience
with audio gear and electronic instruments. This is basic stuff
that you most likely already know. Feel free to leap to the next
section (CONNECTIONS) and begin hooking up and playing
your new NanoPiano.
Beginners, however, are strongly advised to read the Important
Safety Instructions. A little basic knowledge is a good thing.
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6 NanoPiano Reference Manual
Important Safety
Instructions
WARNING — When using your NanoPiano, certain precautions
should always be followed, such as:
1) Read all the instructions first.
2) Do not use your NanoPiano near water. Why? Water is a
terrific conductor of electricity. You risk damaging your
NanoPiano and shocking yourself if you use it near things
like bathtubs, washbowls, and kitchen sinks, or in wet
basements or around swimming pools.
3) Your NanoPiano doesn’t make any sound by itself — no
built-in speakers — but be careful when you are setting the
volume levels of anything you plug it into. If your amplifier,
headphones, or speakers are set too loud, then you could
produce sound levels capable of causing permanent hearing
loss. That’s “permanent” as in “forever,” which is definitely
not something you want. So be cautious. Don’t play your
NanoPiano for long periods of time at uncomfortably high
volume levels. And if you ever experience any hearing loss
or ringing in your ears, consult an audiologist immediately.
4) Don’t put your NanoPiano on or near any radiators, heat
registers, or other strong heat sources.
5) The “wall-wart” AC power supply for your NanoPiano should
be unplugged from the outlet whenever the unit is going to
go unused for a long period of time.
6) Be careful that you don’t drop things on, or spill liquids into,
your NanoPiano.
7) If for any reason your NanoPiano is damaged, or stops
working, don’t try to fix it yourself. All repairs should be
handled by Alesis-qualified service personnel. If the store
where you bought your NanoPiano can’t help, contact Alesis
directly for the name and number of the authorized service
location nearest you.
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NanoPiano Reference Manual 7
Instructions To The User
This equipment has been tested and found to comply with the
limits for a class B digital device, pursuant to Part 15 of the FCC
Rules. These limits are designed to provide reasonable
protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate
radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful
interference to radio communications. However, there is no
guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to
radio or television reception, which can be determined by turning
the equipment off and on, the user is encouraged to try and
correct the interference by one or more of the following
measures:
_ Reorient or relocate the receiving antenna.
_ Increase the separation between the equipment and
receiver.
_ Connect the equipment into an outlet on a circuit different
from that to which the receiver is connected.
_ Consult the dealer or an experienced radio/TV technician for
help.
This equipment has been verified to comply with the limits for a
class B computing device, pursuant to FCC Rules. In order to
maintain compliance with FCC regulations, shielded cables must
be used with this equipment. Operation with non-approved
equipment or unshielded cables is likely to result in interference
to radio and TV reception. The user is cautioned that changes
and modifications made to the equipment without the approval
of manufacturer could void the user’s authority to operate this
equipment.
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8 NanoPiano Reference Manual
CE Compliance
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NanoPiano Reference Manual 9
1: CONNECTIONS
Power
Audio
MIDI
Rackmounting
In this section, I’ll show you how to put it all together.
TIP: Don’t discard your NanoPiano box and packing materials.
Instead, tuck them away someplace safe (they won’t take up
much room). In the unlikely event that you need to return your
unit to your dealer or to Alesis for servicing, they’ll come in
handy.
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10 NanoPiano Reference Manual
Power
Included with your NanoPiano is a “wall-wart” style power
adapter which is already set for the voltage of the country your
unit was shipped to. Connecting it is simple: just insert the
prongs on the wall-wart end into an electrical outlet, and the
single plug on the adapter end into the 9VAC~ POWER jack on
the NanoPiano’s back panel.
That’s all it takes. Be aware, though, that there is no ON/OFF
switch on the NanoPiano. Whenever it is plugged into an active
outlet, the unit is on. (To check this, look at the POWER
indicator LED on the front panel. It will glow whenever your
NanoPiano is getting electricity.)
Leaving your NanoPiano on all the time won’t hurt it. You won’t
use up much electricity, either, since the NanoPiano operates on
a miniscule amount of power.
If you’d prefer to turn the unit off when you aren’t working with it,
instead of leaving it on, there’s a simple solution. Plug the unit
into a power strip with a built-in ON/OFF switch, and use the
power strip switch to turn off the juice when required.
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NanoPiano Reference Manual 11
Audio
There are two quarter-inch audio output jacks on the back of the
NanoPiano. One of them is marked LEFT and the other is
marked RIGHT. To get set up for audio, just run mono audio
cables from these outputs to the corresponding LEFT and
RIGHT input jacks on your mixer, amplifier, power amp, or
powered speakers.
In a pinch you can get by with hooking up only one of the audio
outputs, but I don’t recommend it. If you do that you’ll be missing
out on half the true-stereo sound in each program, not to
mention big chunks of stereo reverb and effects. If only one
audio jack is in use, then the NanoPiano automatically sums its
output signal to mono.
And besides — with all the money you saved buying the
NanoPiano in the first place, you really ought to be able to afford
two audio cables (preferably good ones).
TIPS:
Here are some things to avoid when working with audio cables.
You experienced folks should check these out, too, instead of
rushing ahead, because this is an area where you may know
less than you think you do. (I can’t begin to tell you how many
supposedly “professional” musicians and recording engineers
I’ve seen break the following rules, to their very real regret.)
_ Do NOT bundle audio cables and AC power cords together.
The field from the alternating current in the power cord will
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12 NanoPiano Reference Manual
leak through even well-shielded cables, inducing noise and
distortion in your audio signal.
_ Do NOT run audio cables near other sources of obvious
electromagnetic interference such as monitors, computers,
and power transformers (including the wall-wart end of the
NanoPiano’s own AC adapter).
_ Do NOT run audio cables where they can be stepped on or
tripped over. Falling and hurting yourself is an obvious
danger, of course. Less obvious is the invisible damage
done to the cable itself. Every time you step on a cable you
compress the insulation between center conductor and the
shield, degrading performance and reducing the cable’s
reliability. You may not notice a problem right away, but
eventually you will.
_ Do NOT twist the cable if you can possibly avoid it, or force
it to make sharp right angle turns. Doing these things will
damage the insides of the cable even faster than stepping
on them.
_ NEVER unplug a cable by pulling on the cable itself. This
puts a dangerous strain on the soldered connections
between the cable and the plug, and can easily make a
cable go bad (or at least intermittent) on you. The proper
way to take a plug out of a jack is the same way you put it in
— with a firm grasp on the body of the plug itself.
_ ALWAYS keep your plugs and jacks clean and unoxidized.
Occasional use of solvent cleaners like Tweek and
Cramolin, which are available at any electronics shop, can
greatly improve the electrical contact between your
connectors.
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NanoPiano Reference Manual 13
MIDI
Ten years ago MIDI was still a strange new thing to most
musicians and computer users. Not any more, so I’ll keep this
part short.
The basics: MIDI stands for Musical Instrument Digital Interface,
which is a 16-channel serial data exchange and control system
for musical devices. MIDI works by supplying a way for the
microprocessors in your various electronic musical devices to
pass messages back and forth over a special network of cables.
These cables, which are used only for MIDI data and nothing
else, plug into special five-pin DIN jacks which are typically
labeled IN, OUT, and THRU. The IN jack receives MIDI data.
The OUT jack transmits it. And the THRU jack automatically
echoes and re-transmits whatever data is being received at the
IN jack (this last function has a special use I’ll get to in a
minute).
One of the important things to remember about MIDI is that data
flow is strictly one-way. Make sure you always plug the OUT
jack of one instrument into the IN jack of another, and viceversa. The other choices — OUT to OUT, or IN to IN — won’t
work.
If you’ll look on the back of your NanoPiano you’ll see that it
doesn’t have an IN, and OUT, and a THRU. Instead it has an IN
and a combined OUT/THRU. There are good reasons for this:
(1) the NanoPiano doesn’t have a built-in keyboard or anything
else to play, so it doesn’t really need an OUT jack; (2) combining
OUT and THRU jacks saves a little on the cost, bringing the
unit’s price down; and (3) it makes the back panel less crowded.
How should you hook your NanoPiano into your MIDI system?
That depends on how you intend to use it.
AS A SINGLE SLAVE
(the IN Jack)
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14 NanoPiano Reference Manual
To play your NanoPiano directly from any MIDI source —
keyboard, drum pads, woodwind controller, guitar controller,
computer, etc. — just run a MIDI cable from the MIDI OUT of
the controlling device to the MIDI IN jack on the back of the
NanoPiano. Then turn the NanoPiano’s MIDI CHANNEL knob to
the same MIDI channel (from 1-16) that the controlling
instrument is transmitting on.
PLEASE NOTE: This is important to remember. The NanoPiano
can only respond to one MIDI channel at a time. If it is set to
receive on MIDI channel 2, for example, it will ignore MIDI
messages coming in over channel 1, or channels 3-16.
To make sure the NanoPiano is receiving data, play the
controlling instrument while watching the MIDI indicator LED on
the NanoPiano’s front panel. If everything is set properly, the
LED should light up. If you don’t see the light, double-check your
cable connections and MIDI channel settings.
AS PART OF A DAISY-CHAIN
(the OUT Jack, Part 1)
When you want to control several MIDI devices at the same
time, there are two ways to do it. The first is to buy a MIDI
interface with multiple OUTs, and then run separate MIDI cables
from this interface to all the different devices. This is called a
“star” network and it is the preferable way to go, if you can afford
it.
The second way is to “daisy-chain” several units together.
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NanoPiano Reference Manual 15
A daisy-chain is where the OUT/THRU jack on the NanoPiano
comes into use. After connecting the controller’s OUT to the
NanoPiano’s IN, you’d continue the chain by running a MIDI
cable from the NanoPiano’s OUT/THRU to the next instrument’s
IN jack, then another cable from that instrument’s THRU to the
next instrument’s IN, and so on down the line until you were
finished. Now when you play your controller, each device will
respond to the MIDI data and “pass it on down” the line.
PLEASE NOTE: As a general rule of thumb, daisy chains
should be no longer than three instruments in a row. Any more
than that and you risk accumulating data transmission errors
that could cause stuck notes, unexpected program changes, and
inaccurate control.
In really big MIDI setups, you might find yourself combining a
basic star network with selected short daisy-chains, usually of
instruments which you either can’t (or don’t want to) edit with
your computer. Which brings us to...
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16 NanoPiano Reference Manual
LIMITED COMPUTER EDITING
(The OUT Jack, Pt. 2)
The NanoPiano’s 256 programs are stored on the circuitboard as
EPROM data, and can’t be changed. You can still use a
computer, though, to edit one program at a time.
Here’s the trick. If you connect your computer’s MIDI OUT to the
NanoPiano’s MIDI IN, and the NanoPiano’s OUT to the
computer’s IN, then you can use a commercial librarian/editor
program (such as Mark of the Unicorn’s Unisyn) to edit the
contents of the NanoPiano’s edit buffer. This would allow you,
for example, to change the samples in a program, pick a new
LFO waveform, adjust its attack envelope, radically alter its
effects settings, and so forth. Then you could save this new
program in your computer and download it into the NanoPiano’s
edit buffer any time you wanted.
What you can’t do is permanently store this changed sound in
the NanoPiano itself, because the unit has no battery-backed
RAM. Whatever editing you did would vanish when you turned
the unit’s power off.
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NanoPiano Reference Manual 17
Rackmounting
Your NanoPiano will sit happily on any flat surface, and thanks
to its four rubber feet it won’t slide around too much. But if you
are interested in a more secure and permanent installation, then
rackmounting is the way to go.
On the underside of your unit you will find a mounting nut
already built into the box. This nut is positioned so it will line up
with the hole in most standard rack-mount adapters for onethird-rack sized products. Simply place the NanoPiano on the
adapter tray, line up the mounting nut with the hole in the
adapter, and screw the unit into place using the mounting screw
that came with your NanoPiano at purchase.
Your local music store can certainly supply you with an adapter
that will work to mount your NanoPiano into a rack. Ask for a
single-space rack shelf, rack tray, or universal rack adapter, and
make sure it has pre-drilled holes in the bottom that match up
with the NanoPiano’s mounting nut.
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18 NanoPiano Reference Manual
2: INSTANT FUN
Demo Sequence
Playing It Yourself
Once you’re set up, this section will show you the two quickest
ways to explore the programs in your NanoPiano.
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NanoPiano Reference Manual 19
Demo Sequence
Built into your NanoPiano is a musical demo — Chopin’s CSharp Minor Waltz.
To run it:
1) Make sure your audio is hooked up and the power on.
2) Set the CHANNEL, CATEGORY, and PROGRAM knobs
straight up, to the “twelve o’clock” position.
3) Set the EFFECTS knob all the way counter-clockwise.
Then...
4) Turn EFFECTS all the way to the right in one quick turn.
At this point the MIDI indicator LED will turn on, and you will
hear the TrueStereo piano program begin to play the Chopin
waltz. (The reason the indicator light is flashing is because the
demo is playing from MIDI data stored in the NanoPiano ROM.)
To shut the demo off, either turn the EFFECTS knob all the way
to the left again in one quick turn, or turn the unit’s power off.
Having an on-board sequence like this is useful in two different
ways.
First, it allows you to check your NanoPiano at any time in order
to make sure it’s working. Second, it provides an easy way to
hear the unit’s 256 different programs.
Give it a try! Start the sequence going, then step through all 16
different PROGRAM knob settings, listening to the 16 different
programs grouped together under the ACOUSTIC PIANO
category. When you’re done with that, turn the CATEGORY
knob to PIANO & STRINGS and go through the 16 different
PROGRAM settings that you’ll find there. And when you’re done
with that, go ahead and experiment with turning the CATEGORY
and PROGRAM knobs at will.
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20 NanoPiano Reference Manual
Of course, some programs — especially the ones in the
EFFECT category — will sound pretty strange playing a Chopin
waltz. But hey, it’s the ‘90s...and since I doubt we’ll be hearing
any complaints from Chopin’s lawyers, go have a blast.
Playing It Yourself
That’s what you bought it for, isn’t it?
Go right ahead, then. Double-check all the necessary
connections — power, audio, MIDI — and start playing! When
you get tired of a particular program, just use the CATEGORY
and PROGRAM knobs to shift to something new.
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NanoPiano Reference Manual 21
3: GET TO KNOW
YOUR NANO
The Specs
The Front
The Back
The Programs and ROM sounds
In this section I’ll quickly step you through the basic features,
specs, and controls of the NanoPiano. You’ll also find a
reference section listing all 80 sounds in the on-board ROM and
all 256 programs (with room to take some notes of your own).
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22 NanoPiano Reference Manual
The Specs
Sound Generation Method: sample playback 16 bit Linear
48kHz Sample ROM
Synthesis: QS Composite Synthesis™
Voices: 64, each with sweepable lowpass filter, 3 envelope
generators, 3 LFOs, programmable effects send and QS
Modulation Matrix, dynamic voice allocation
Available Waveform Memory: 8 Megabytes
Program Memory: 256 presets
Effects: QS Parallel Matrix Effects™ (4 independent stereo
multieffect processing busses)
MIDI Connections: MIDI In, MIDI Out/Thru
Audio Outputs: Stereo Left and Right outputs
Power Requirements: 9 VAC, 5 Volt Amps external
Transformer, UL and CSA Approved
Dimensions: (WxHxD) 5.5” x 1.5” x 4.5”
Weight: 1.25 lbs.
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NanoPiano Reference Manual 23
What They Mean When They Say
“64 Voices”
Once upon a time it was simple. A “voice,” in synth parlance,
meant a single note of polyphony. A five voice instrument like
the Sequential Circuits Prophet 5™ could play five simultaneous
notes. A 16 voice instrument like the Yamaha DX7™ could play
16 notes. And so on.
Then things got complicated, when synth programmers got deep
into digital design and figured out how to create even more
complicated and interesting sonic textures by stacking voices
together in combination. Suddenly the “number of voices =
polyphony” equation didn’t directly apply anymore.
In one program on an instrument, for example, playing a single
key might trigger a flute voice and a choir voice simultaneously:
one note, two voices. Another program in the same instrument
might stack another two voices into the mix: one note, four
voices. If such an instrument had 16 voices to start with, playing
just four notes would max it out.
It’s important for you to understand that interaction.
The NanoPiano is a 64-voice instrument. Some of its programs
trigger only one voice per note played. With those programs,
you’ll have 64 notes of available polyphony. Other programs
trigger two voices per note, giving you 32 voices of available
polyphony. Still others trigger four voices per note, allowing you
16 notes of polyphony.
This sounds more daunting than it actually is, thanks to another
item you’ll find back there in the specs: Dynamic Allocation. In
simplest terms, dynamic allocation is a very slick, very smart bit
of software that keeps track of what you are playing and invisibly
“steals” voices that are already sounding, in order to keep up as
you play.
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24 NanoPiano Reference Manual
In a well-programmed instrument, dynamic allocation is so
transparent a process you’ll never notice it happening. And the
NanoPiano is a very well-programmed instrument.
Here’s a test that proves it.
Set the CATEGORY knob to ACOUSTIC PIANO and the
PROGRAM knob to 1. Then turn the volume up, step on your
controller keyboard’s sustain pedal, and run your hand up the
whole keyboard in one long glissando. Do NOT let go of the
sustain pedal when you are finished. Instead, just listen to the
lovely, long, naturally fading decay and see if you can tell how
the NanoPiano is managing to sound like it has more voices
than it actually has. I think you’ll be pretty impressed.
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NanoPiano Reference Manual 25
The Front
The front of the NanoPiano has two indicator LEDs and five
knobs. Taking them from left to right...
POWER: This indicator will glow whenever the NanoPiano is
hooked up to a live electrical outlet.
MIDI: This indicator will flash whenever the NanoPiano is either
receiving or sending MIDI data. (You’ll notice that it lights up
when the unit is playing its onboard demo sequence.)
VOLUME: This knob controls the stereo output volume. All the
way to the left is off. All the way to the right is full on. For
maximum audio quality I recommend turning the volume knob
to full on, and lowering the NanoPiano’s signal to proper levels
at your mixer or amp input.
EFFECT: Although many NanoPiano programs have more than
one effect built into them, each program has one specific effect
that can be adjusted in real time from this knob. Turning it all the
way to the left lowers the specified effect to nothing, while
turning it all the way to the right takes the effect to its maximum
programmed level. (The other effects in any given program are
also adjustable, but only via MIDI.)
CHANNEL: This knob sets which MIDI channel the NanoPiano
will respond to, from 1 to 16. (It also has an impact on the
function of the MIDI indicator LED, which will only flash if there
is MIDI data coming in over the selected channel. Data coming
in over other channels will be ignored.)
CATEGORY: This knob has no printed name on the front panel
— there wasn’t room — but its function should be rapidly
apparent once you start playing around with it. The 256
programs in the NanoPiano are organized in 16 sets of 16
programs each. This is the knob you turn to select which set the
PROGRAM knob will be selecting from.
PROGRAM: You’ll turn this one a lot. It selects which program
in a given category will play in response to incoming MIDI data.
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26 NanoPiano Reference Manual
The Back
The back of the NanoPiano has five connectors: one for power,
two for MIDI, and two for audio.
POWER: This jack supplies electricity to the NanoPiano through
the 9-volt AC adapter supplied by Alesis.
MIDI OUT/THRU: The only original MIDI messages sent out by
this 5-pin DIN jack are certain responses to commands from an
external source (sequencer, editor/librarian, etc.). At all other
times what it does is automatically echo and re-transmit any
MIDI data entering through the MIDI IN jack.
MIDI IN: This 5-pin DIN jack receives incoming MIDI data from
external sources and controllers.
The Programs and ROM
Sounds
On the following pages you will find reference charts for all 256
NanoPiano programs, organized by category. The chart shows
the MIDI bank select command and MIDI program number for
each program, its number on the front panel PROGRAM knob,
and its name.
There is also a space for you to write in notes of your own
regarding what you think of each sound, or any ideas you might
have for using it.
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NanoPiano Reference Manual 27
Acoustic Piano
BANK
SELECT
0 or 1 000 1 TrueStereo
0 or 1 001 2 TrueStr8va
0 or 1 002 3 TrueStr8vb
0 or 1 003 4 Velo Piano
0 or 1 004 5 DarkGrand1
0 or 1 005 6 DarkGrand2
0 or 1 006 7 DarkGrand3
0 or 1 007 8 DarkGrand4
0 or 1 008 9 Ballad Pno
0 or 1 019 10 Spinet
0 or 1 010 11 BriteGrnd1
MIDI
PROGRAM
KNOB
NUMBER
PROGRAM
NAME
0 or 1 011 12 BriteGrnd2
0 or 1 012 13 Titanium88
0 or 1 013 14 Wire Piano
0 or 1 014 15 HousePiano
0 or 1 015 16 Player Pno
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28 NanoPiano Reference Manual
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NanoPiano Reference Manual 29
PROGRAM
NAME
TrueStereo
TrueStr8va
TrueStr8vb
Velo Piano
DarkGrand1
DarkGrand2
DarkGrand3
DarkGrand4
Ballad Pno
Spinet
BriteGrnd1
NOTES
BriteGrnd2
Titanium88
Wire Piano
HousePiano
Player Pno
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30 NanoPiano Reference Manual
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