Thank you for purchasing the Alesis NanoCompressor Dynamics Processor. To take
full advantage of the NanoCompressor’s functions, and to enjoy long and troublefree use, please read this user’s manual carefully.
How To Use This Manual
This manual is divided into the following sections describing the various functions of
the NanoCompressor. Though we recommend you take time to read through the
entire manual once carefully, those having general knowledge about
compressor/limiters should use the table of contents to look up specific functions.
Chapter 1: Your First Session with the NanoCompressor. This chapter is a basic
introduction for connecting and operating the NanoCompressor.
Chapter 2: Connections.This chapter explains how to connect the NanoCompressor
to an instrument, mixing console or amplifier.
Chapter 3: Description of Controls. An explanation of all connectors and knobs on
the NanoCompressor. Use this chapter as a quick reference guide when searching for
specific information.
Introduction
✪
Chapter 4: Applications. This chapter lists several applications for the
NanoCompressor, and suggests ways of connecting and operating the unit in these
situations.
Chapter 5: Troubleshooting. This chapter contains troubleshooting tips and service
information should problems occur.
Conventions
The knobs and rear panel connectors are referred to in this manual just as their
names appear on the NanoCompressor, using all capital letters and in brackets
(Example: [RATIO] Knob, [SIDECHAIN] jack, etc.).
When something important appears in the manual, an icon (like the one on the left) will
appear in the left margin. This symbol indicates that this information is vital when operating
the NanoCompressor.
Your First Session with the NanoCompressor
NanoCompressor Manual3
CONTENTS
Your First Session with the NanoCompressor .........................7
Unpacking and Inspection .......................................................................................................7
Your NanoCompressor was packed carefully at the factory, and the shipping carton
was designed to protect the unit during shipping. Please retain this container in the
highly unlikely event that you need to return the NanoCompressor for servicing.
The shipping carton should contain the following items:
•This instruction manual
•Alesis NanoCompressor with the same serial number as shown on shipping
carton
•AC Power Supply Adapter (Alesis P3)
•Mounting Screw and Rubber Feet
•Alesis warranty card
It is important to register your purchase; if you have not already filled out your warranty
✪
card and mailed it back to Alesis, please take the time to do so now.
Basic Connections
The NanoCompressor will work in many different applications, whether you are
connecting an instrument directly into it, or connecting it with a mixing console.
Briefly described here are the basic connections to get you up and running quickly.
For more information on connections, please refer to Chapter 2.
•Mono. Connect a 1/4" phone cord to the [LEFT] INPUT of the NanoCompressor
from a mono source. Connect another 1/4" phone cord from the [LEFT]
OUTPUT of the NanoCompressor to an amplification system or mixer input.
Your First Session with the NanoCompressor
6NanoCompressor Manual
• Stereo. Connect two 1/4" phone cords to the [LEFT] & [RIGHT] INPUTS of the
NanoCompressor from a stereo source, and two 1/4" phone cords from the
[LEFT] & [RIGHT] OUTPUTS of the NanoCompressor to a stereo amplification
system or two mixer inputs.
•Insert. This is the most common application for a compressor. Acquire an Insert
cable, which has a balanced 1/4” plug on one end of the cable and two mono
1/4” plugs on the other. First, connect the “send” from the mixer (typically
connected to the tip of the insert, but check your mixer’s reference manual) to the
[LEFT] INPUT of the NanoCompressor. Connect the other mono connector to the
[LEFT] OUTPUT of the NanoCompressor to return the signal to the mixer.
Finally, plug the stereo insert jack into the mixer insert.
Compression is a dynamic effect that is applied to an entire signal. Unlike reverb
or delay, where a new sound is created and added to the original sound, the
compressor should have the complete signal going through it. This is why
compressors are patched into mixer inserts, instead of being patched into effects
sends and returns like digital effects processors.
Setting Levels
Proper setting of the output levels is crucial in order to achieve the maximum signal-
to-noise ratio. As a good rule of thumb, it is usually best to first set the [OUTPUT]
level controls at 12 o’clock or 50%. Then, press the [BYPASS/COMP] button in and
out while listening and watching the output meter. Turn the [OUTPUT] level up or
down so that the output level is roughly the same whether the unit is bypassed or
compressing.
If the Input meter on the NanoCompressor begins to clip (turn red), decrease the
volume of the source (instrument, mixer send, etc.). If the NanoCompressor’s level is
causing the mixer or amp to distort, turn the Output Level down. For more detail on
level setting, see page 18.
Your First Session with the NanoCompressor
NanoCompressor Manual7
What’s on the Front Panel?
The NanoCompressor’s front panel contains the following:
①Power LED. The Power LED is illuminated whenever the NanoCompressor's
power adapter is plugged in.
➁Threshold. The Threshold control sets the level above which signals will be
compressed or limited. The range is from -40dB to +8dB, with -10dBu (or 0 VU)
marked with an arrow ( ) near the knob.
➂Ratio. The Ratio control sets the compression slope, or how much gain reduction
will be done once the signal crosses the threshold level. If the ratio is set for 4:1,
for example, and the input signal is 4dB above the threshold level, the
NanoCompressor will reduce the output level by 3dB.
➃Gain Reduction Meter. This meter shows how much the compressor is reducing
the input signal.
⑤Hard/Soft Knee Switch. This controls the character of the compression near the
Threshold level, either hard (abrupt compression above threshold) or soft knee
(gradual transition to compression).
⑥Peak/RMS Switch. This controls whether the compression will be Peak or RMS
(average) style. When set to RMS, the Attack and Release controls will be
disabled.
⑦Attack. This is the amount of time it will take for the NanoCompressor to start
compressing when the input signal crosses over the threshold. This control is
disabled when compression is set for RMS.
➇Release. This is the amount of time it will take for the NanoCompressor to stop
compressing when the input signal crosses under the threshold. This control is
disabled when compression is set for RMS.
➈Signal Meter. The signal meter can be switched to either monitor the input or the
output. This meter shows the louder of the left or right side.
➉Input/Output Switch. This switch determines whether the Signal Meter is
displaying the Input or Output level.
Bypass/Comp Switch. This switch allows you to bypass the compressor for an
A/B comparison of the source signal.
Output. This knob sets the output level of the compressor. It is useful for making
up level which has been reduced in the compression process.
Your First Session with the NanoCompressor
8NanoCompressor Manual
Auditioning the Compressor
If you’re using a compressor for the first time, this section will explain how to get
your NanoCompressor up and running. First, get a signal into the NanoCompressor
using one of the methods listed in “Basic Connections”, above. Once you can see
level on the Signal Meters, set the controls like this:
• [RATIO] set for 4:1 (about 12 o’clock)
• [PEAK/RMS] set for RMS
• [HARD/SOFT] Knee set for SOFT
• ([ATTACK] and [RELEASE] controls are disabled in RMS mode, so don’t use
them yet.)
• Make sure [BYPASS/COMP] is set for COMP
Next, turn the [THRESHOLD] control all the way up (clockwise) and slowly start
turning it down (counter-clockwise). As you lower the threshold, you will see the
[REDUCTION] meter start to show more and more gain reduction. For this example,
set the [THRESHOLD] knob so that the [REDUCTION] meter shows -3 to -6 dB of
gain reduction. This will give your input signal a nice, even sound which is perfect
for recording vocals or bass guitar.
Bypassing Compression
At any time you can bypass the compressor, thereby allowing the direct signal to
pass through the NanoCompressor unchanged. This is done by pressing the
[BYPASS/COMP] switch so that it is set for COMP (pushed out). Note that the
[OUTPUT] knob does not function when the NanoCompressor is bypassed.
Placement and Installation
The NanoCompressor may be mounted almost anywhere it's needed: on a table, on
top of an amp, or next to a mixing console. In any case, make sure to place it safely
where it will not fall or be damaged. If it will be on furniture, make sure to attach the
provided rubber feet to the bottom of the unit. While the NanoCompressor itself
doesn't generate any magnetic or hum fields, its power supply may do so. Make sure
to place the power supply away from other audio equipment that is sensitive to
induced fields, and away from the signal wiring. In rare instances, the
NanoCompressor itself may pick up noise fields generated by other equipment such
as large power amplifiers; in this case, move the NanoCompressor until the noise
goes away.
Rack Mounting
The most secure mounting is on a "universal" rack shelf, available from various rack
manufacturers or your music dealer. The NanoCompressor's height conforms to
single-space mounting, and up to three NanoCompressors may be mounted side-byside in a standard universal EIA 19" equipment rack.
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