Alesis Hammerfall DSP System User Manual
®
User's Guide
Hammerfall® DSP System
MADI
TotalMix
™
24 Bit / 96 kHz 9
SyncAlign
ZLM® SyncCheck®
SteadyClock
™
PCI Busmaster Digital I/O Card
64 Channels MADI Interface
24 Bit / 96 kHz Digital Audio
Stereo Analog Monitoring
128 x 64 Matrix Router
2 x MIDI I/O
MIDI embedded in MADI
Quick Boot
General
1 Introduction ...............................................................6
2 Package Contents.....................................................6
3 System Requirements ..............................................6
4 Brief Description and Characteristics.....................6
5 Hardware Installation................................................7
6 Hardware – Connectors
6.1 External Connectors ..............................................7
6.2 Internal Connectors................................................8
7 Accessories...............................................................8
8 Warranty.....................................................................8
9 Appendix....................................................................9
Driver Installation and Operation - Windows
10 Driver and Firmware
10.1 Driver Installation .................................................12
10.2 Driver Update.......................................................12
10.3 Deinstalling the Drivers........................................12
10.4 Firmware Update..................................................13
11 Configuring the HDSP MADI
11.1 Settings Dialog.....................................................13
11.2 Settings Dialog – DDS .........................................15
11.3 Clock Modes – Synchronization...........................16
12 Operation and Usage
12.1 Playback...............................................................18
12.2 DVD Playback (AC-3 / DTS) under MME.............19
12.3 Low Latency under MME......................................20
12.4 Multi-client Operation ...........................................20
12.5 Digital Recording..................................................21
13 Operation under ASIO 2.0
13.1 General ................................................................22
13.2 Known Problems..................................................22
14 Operation under GSIF.............................................23
15 Using multiple HDSP MADI / AES-32 ....................24
16 DIGICheck................................................................24
17 Hotline – Troubleshooting
17.1 General ................................................................25
17.2 Installation............................................................26
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Driver Installation and Operation - Mac OS X
18 Driver and Flash Update
18.1 Driver Installation.................................................28
18.2 Driver Update.......................................................28
18.3 Flash Update........................................................28
19 Configuring the HDSP MADI
19.1 Settings Dialog.....................................................29
19.2 Settings Dialog – DDS.........................................31
19.3 Clock Modes – Synchronization..........................32
20 Mac OS X FAQ
20.1 Round about Driver Installation...........................33
20.2 MIDI doesn't work ................................................33
20.3 Supported Sample Rates.....................................34
20.4 Repairing Disk Permissions.................................34
20.5 PCI Compatibility .................................................34
20.6 Various Information..............................................34
21 Hotline – Troubleshooting .....................................35
Connections and TotalMix
22 Connections
22.1 Headphones ........................................................38
22.2 MADI I/O..............................................................38
22.3 MIDI .....................................................................39
23 Word Clock
23.1 Word Clock Input and Output..............................39
23.2 Technical Description and Background...............40
23.3 Cables and Termination.......................................41
23.4 General Operation................................................42
24 TotalMix: Routing and Monitoring
24.1 Overview..............................................................43
24.2 The User Interface...............................................45
24.3 Elements of a Channel ........................................46
24.4 Tour de TotalMix..................................................46
24.5 Submix View ........................................................48
24.6 Mute and Solo......................................................48
24.7 Quick Access Panel.............................................49
24.8 Presets.................................................................49
24.9 Monitor Panel.......................................................51
24.10 Preferences........................................................51
24.11 Editing the Names..............................................52
24.12 Hotkeys..............................................................53
24.13 Menu Options.....................................................54
24.14 Level Meter ........................................................55
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25 TotalMix: The Matrix
25.1 Overview..............................................................56
25.2 Elements of the Matrix View ................................56
25.3 Usage...................................................................56
25.4 Advantages of the Matrix.....................................57
26 TotalMix Super-Features
26.1 ASIO Direct Monitoring (Windows only) ..............57
26.2 Selection and Group based Operation ................58
26.3 Copy Routings to other Channels........................58
26.4 Delete Routings....................................................58
26.5 Recording a Subgroup (Loopback)......................59
26.6 Using external Effects Devices............................60
27 TotalMix MIDI Remote Control
27.1 Overview..............................................................61
27.2 Setup....................................................................61
27.3 Operation .............................................................61
27.4 Mapping ...............................................................62
27.5 Simple MIDI Control.............................................63
27.6 Loopback Detection.............................................63
Technical Reference
28 Tech Info ..................................................................66
29 Technical Specifications
29.1 Inputs ...................................................................67
29.2 Outputs.................................................................67
29.3 Digital...................................................................68
29.4 MIDI......................................................................68
29.5 Transfer Modes: Resolution/Bits per Sample......68
30 Technical Background
30.1 MADI Basics.........................................................69
30.2 Lock and SyncCheck...........................................70
30.3 Latency and Monitoring........................................71
30.4 DS – Double Speed .............................................72
30.5 QS – Quad Speed................................................73
30.6 SteadyClock.........................................................74
30.7 PCI - Performance ...............................................75
30.8 Terminology .........................................................76
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User's Guide
HDSP MADI
General
User's Guide HDSP MADI © RME
5
1. Introduction
Thank you for choosing the Hammerfall DSP MADI. This unique audio system is capable of
transferring digital audio data directly into a computer, from any device equipped with a MADI
interface. Installation is simple, even for the inexperienced user, thanks to the latest Plug and
Play technology. The numerous unique features and well thought-out configuration dialog puts
the Hammerfall DSP MADI at the very top of the range of digital audio interface cards.
The package contains drivers for Windows 2000 SP4, Windows XP, and Mac OS X.
Our high-performance philosophy guarantees maximum system performance by executing as
many functions as possible not in the driver (i.e. the CPU), but directly within the audio hardware.
2. Package Contents
Please check that your Hammerfall DSP MADI package contains each of the following:
• HDSP MADI PCI card
• HDSP MADI expansion board
• Quick Info guide
• RME Driver CD
• MIDI breakout cable
• Expansion Board ribbon cable (14-conductor)
3. System Requirements
• Windows 2000 SP4, Windows XP, Mac OS X (10.28 or higher)
• PCI Interface: a free PCI rev. 2.1 Busmaster slot
4. Brief Description and Characteristics
• Hammerfall design: 0% (zero!) CPU load, even using all 128 ASIO channels
• All settings can be changed in real-time
• 8 available buffer sizes/latencies: 1.5 / 3 / 6 / 12 / 23 / 46 / 93 / 186 ms
• 32 channels 96 kHz/24 bit record/playback
• Automatic and intelligent master/slave clock control
• Word clock input and output
• TotalMix for latency-free submixes and perfect ASIO Direct Monitoring
• SyncAlign guarantees sample aligned and never swapping channels
• SyncCheck tests and reports the synchronization status of input signals
• 2 x MIDI I/O, 32 channels high-speed MIDI
• DIGICheck DSP: Level meter in hardware, peak- and RMS calculation
• TotalMix: 8192 channel mixer with 40 bit internal resolution
• SteadyClock: Jitter-immune, super-stable digital clock
• Quick Boot technology for immediate loading of the hardware settings
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User's Guide HDSP MADI © RME
5. Hardware Installation
Before installing the PCI card, please make sure the computer is switched off and the
power cable is disconnected from the mains supply. Inserting or removing a PCI card while
the computer is in operation can cause irreparable damage to both motherboard and card!
1. Disconnect the power cord and all other cables from the computer.
2. Remove the computer's housing. Further information on how to do this can be obtained
from your computer's instruction manual.
3. Important: Before removing the HDSP MADI from its protective bag, discharge any static in
your body by touching the metal chassis of the PC.
4. Prior to installation: Connect the HDSP MADI card to the Expansion Board using the supplied flat ribbon cable.
5. Insert the HDSP MADI firmly into a free PCI slot, press and fasten the screw.
6. Insert the Expansion Board and fasten the screw.
7. Replace the computer's housing.
8. Reconnect all cables including the power cord.
6. Hardware - Connectors
6.1 External Connectors
The bracket of the mainboard has two MADI interfaces, optical and coaxial
input and output each, a
MADI error LED and the
analog stereo output.
Identical signals are available at both the optical
and the coaxial output. An
obvious use for this would be to simply connect two devices, i.e. using the HDSP MADI as a
splitter (distribution 1 to 2).
The Expansion Board's
bracket has the word
clock input and output.
Next to the input BNC
socket, a green LED displays the word clock input's LOCK state. Between the BNC sockets,
75 Ohm word clock termination can be activated
and verified by a yellow LED.
The included breakout cable is connected to the 9-pin Mini-DIN connector and provides two
MIDI inputs and outputs via four 5-pin DIN connectors.
: If neither word clock I/O nor MIDI I/O are required, it is not necessary to install the Expan-
Note
sion Board at all.
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6.2 Internal Connectors
X6
15-pin connector for the included HDSP MADI Expansion Board.
X7
10-pin connector for a connection of the Time Code Option (TCO). Not functional.
X1
No function. Used to program the card in the factory.
Blue Jumper
The internal blue jumper X4 allows to change the voltage level at the coaxial MADI output. In
the lower position, the card generates 600 mVpp, according to the specification. Changing the
jumper to the upper position, the output voltage is increased to 1.2 Vpp. This setting is not intended to be used in normal operation. But in case of a very long or 'lossy' coaxial cable, this
setting may ensure an error-free operation of the transmission line.
7. Accessories
RME offers several optional components. Additionally parts of the HDSP MADI, like the special
breakout cables, are available separately.
Part Number Description
BOHDSP9652 MIDI breakout cable
VKHDSP9652 14-conductor flat ribbon cable
ONK1 MADI Optical Network Cable, 3.3 ft (1 m)
ONK3 MADI Optical Network Cable, 10 ft (3 m)
ONK6 MADI Optical Network Cable, 20 ft (6 m)
ONK10 MADI Optical Network Cable, 33 ft (10 m)
ONK20 MADI Optical Network Cable, 66 ft (20 m)
8. Warranty
Each individual Hammerfall DSP undergoes comprehensive quality control and a complete test
at RME before shipping. The usage of high grade components allow us to offer a full two year
warranty. We accept a copy of the sales receipt as valid warranty legitimation.
If you suspect that your product is faulty, please contact your local retailer. The warranty does
not cover damage caused by improper installation or maltreatment - replacement or repair in
such cases can only be carried out at the owner’s expense.
RME does not accept claims for damages of any kind, especially consequential damage. Liability is limited to the value of the Hammerfall DSP. The general terms of business drawn up by
Synthax Audio AG apply at all times.
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User's Guide HDSP MADI © RME
9. Appendix
RME news, driver updates and further product information are available on our website:
http://www.rme-audio.com
If you prefer to read the information off-line, you can browse through a complete copy of the
RME website, found on the RME Driver CD (in the \rmeaudio.web directory).
Manufacturer:
IMM Elektronik GmbH, Leipziger Strasse 32, D-09648 Mittweida
Trademarks
All trademarks, registered or otherwise, are the property of their respective owners. RME,
DIGI96, SyncAlign, ZLM, SyncCheck, DIGICheck and Hammerfall are registered trademarks of
RME Intelligent Audio Solutions. HDSP MADI, HDSP AES-32, TMS and TotalMix are trademarks of RME Intelligent Audio Solutions. Alesis and ADAT are registered trademarks of Alesis
Corp. ADAT optical is a trademark of Alesis Corp. Microsoft, Windows 2000 and Windows XP
are registered trademarks or trademarks of Microsoft Corp. Steinberg, Cubase and VST are
registered trademarks of Steinberg Media Technologies GmbH. ASIO is a trademark of
Steinberg Media Technologies GmbH.
Copyright © Matthias Carstens, 11/2005. Version 1.3a
Current driver version: W2k/XP: 2.5, Mac OS X: 2.5
Although the contents of this User’s Guide have been thoroughly checked for errors, RME can not guarantee that it is
correct throughout. RME does not accept responsibility for any misleading or incorrect information within this guide.
Lending or copying any part of the guide or the RME Driver CD, or any commercial exploitation of these media without
express written permission from RME Intelligent Audio Solutions is prohibited. RME reserves the right to change specifications at any time without notice.
User's Guide HDSP MADI © RME
9
CE / FCC Compliance Statements
CE
This device has been tested and found to comply with the EN55022 class B and EN50082-1
norms for digital devices, according to the European Council directive on counterpart laws in the
member states relating to electromagnetic compatibility (EMVG).
FCC
This device has been tested and found to comply with the requirements listed in FCC Regulations, part 15 for Class ‘B’ digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not
result in harmful interference with other electronic devices.
This equipment generates radio frequencies and, if not installed and used according to the instructions in the User’s Guide may cause interference harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by
turning the unit off and on again, please try to eliminate the problem by using one of the following measures:
• Relocate either this product or the device that is being affected by the interference
• Use power outlets on different branch circuits, or install AC line filters
• Contact your local retailer or any qualified radio and television engineer
FCC compliance statement: Tested to comply with FCC standards for home or office use.
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User's Guide HDSP MADI © RME
User's Guide
HDSP MADI
Driver Installation and Operation - Windows
User's Guide HDSP MADI © RME
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10. Driver and Firmware
10.1 Driver Installation
After the HDSP MADI has been installed correctly (see 5. Hardware Installation), and the computer has been switched on, Windows will recognize the new hardware component and start its
‘Hardware Wizard’. Insert the RME Driver CD into your CD-ROM drive, and follow further instructions which appear on your computer screen. The driver files are located in the directory
\MADI_AES32_w2k on the RME Driver CD.
Windows will install the Hammerfall DSP System driver, and will register the card in the system
as a new audio device. After a reboot the HDSP MADI is ready for use.
In case the warning messages 'Digital signature not found', 'Do not install driver', 'not certified
driver' or similar come up: Don't listen to Microsoft, listen to us and continue with the installation.
In case the Hardware Wizard does not show up automatically after installation of the card,
do not attempt to install the drivers manually! An installation of drivers for non-recognized
hardware will cause a blue screen when booting Windows!
10.2 Driver Update
RME's driver updates often include a new madi_aes.inf file. Also the revision number of the
hardware might change (after a flash update). To prevent Windows 2000/XP from using an old
madi.inf, or to copy some of the old driver files, be sure NOT to let Windows search for the
driver! Instead tell Windows what to do.
Under >Control Panel /System /Device Manager /Sound, Video and Game Controllers /RME
Hammerfall DSP MADI /Properties /Driver< you'll find the 'Update Driver' button. Select 'Install
from a list or specific location (advanced)', click 'Next', select 'Don't search I will choose
the driver to install', click 'Next', then 'Have Disk'. Now point to the driver update's directory.
10.3 Deinstalling the Drivers
A deinstallation of the HDSP's driver files is not necessary – and not supported by Windows
anyway. Thanks to full Plug & Play support, the driver files will not be loaded after the hardware
has been removed. If desired these files can then be deleted manually.
Unfortunately Windows Plug & Play methods do not cover the additional autorun entries of TotalMix, the Settings dialog, and the registration of the ASIO driver. Those entries can be removed from the registry through a software deinstallation request. This request can be found
(like all deinstallation entries) in Control Panel, Software. Click on the entry 'RME Hammerfall
DSP MADI and AES-32'.
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User's Guide HDSP MADI © RME
10.4 Firmware Update
The Flash Update Tool updates the HDSP MADI to the latest firmware version. It requires an
already installed driver.
Start the program madi_aes_fut.exe. The Flash Update Tool displays the current revision of
the HDSP MADI, and whether it needs an update or not. If so, then please press the 'Update'
button. A progress bar will indicate when the flash process is finished. The bar moves slowly
first (program), then faster (verify).
If more than one interface card is installed, all cards can be flashed by changing to the next tab
and repeating the process.
After the update the PCI card need to be resettet. This is done by powering down and shutting
off the PC. A warm boot is not enough!
When the update fails (status: failure), the card's second BIOS will be used from the next cold
boot on (Secure BIOS Technology). Therefore the card stays fully functional. The flash process
should then be tried again on a different computer.
: Because of the changed hardware revision, Windows 2000/XP will start the hardware
Note
assistant and wants to install new drivers. Do NOT let Windows search for new drivers, but
follow the instructions given in chapter 10.2.
11. Configuring the HDSP MADI
11.1 Settings Dialog
Configuration of the HDSP MADI is done via its own settings dialog. The panel 'Settings' can be
opened:
• by clicking on the hammer symbol in the Task Bar's system tray
The mixer of the HDSP MADI (TotalMix) can be opened:
• by clicking on the mixer icon in the Task Bar's system tray
The hardware of the HDSP system offers a number of helpful, well thought-of practical functions
and options which affect how the card operates - it can be configured to suit many different
requirements. The following is available in the 'Settings' dialog:
• Input selection
• Configuration of digital I/Os
• Synchronization behaviour
• State of input and output
• Current sample rate
• Latency
Any changes made in the Settings dialog are applied immediately - confirmation (e.g. by clicking on OK or exiting the dialog) is not required. However, settings should not be changed during
playback or record if it can be avoided, as this can cause unwanted noises. Also, please note
that even in 'Stop' mode, several programs keep the recording and playback devices open,
which means that any new settings might not be applied immediately.
The status displays at the bottom of the dialog box give the user precise information about the
current status of the system, and the status of all digital signals.
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13
Quick Boot
All the card's settings described below are stored in a hardware memory, and are loaded immediately after a power-on of the computer. In clock mode Master even the last used sample
rate is set. Directly after switching on the computer, a stable and predictable clock state is found
at the HDSP MADI's outputs. This advanced technology completely eliminates disturbing noises
and clock network problems during power-up or re-boot.
Safe Mode
Frequency verifies the current digital input signal against the settings in the record program.
When de-activated a recording will always be allowed, even with non-valid input signals. Fre-
quency is valid for MME only.
SyncAlign guarantees synchronous channels when using MME multitrack software. This option
should only be switched off in case the used software does not work correctly with SyncAlign
activated.
Input activates redundancy operation. If the current input signal fails, the other input will be used
immediately, provided a valid signal is found there. Input also works as automatic input selection, in case only optical or coaxial is present as input signal.
TMS activates the transmission of Channel Status data and Track Marker information from the
MADI input signal.
Buffer Size
The setting Buffer Size determines the latency between incoming and outgoing ASIO and GSIF
data, as well as affecting system stability (see chapter 13/14). Under Windows MME this setting
determines the DMA buffer size (see chapter 12.3).
SyncCheck
SyncCheck indicates whether there
is a valid signal (Lock) for the inputs
Word Clock and MADI, or if there is
a valid and synchronous signal
(Sync). The AutoSync Reference
display shows the input and frequency of the current sync source.
MADI In
Defines the input for the MADI signal. 'Optical' relates to the optical
input, 'Coaxial' to the BNC socket.
MADI Out
Defines the format of the MADI output signal. MADI can be a 56 or 64
channel signal.
96 kHz
Sample rates higher than 48 kHz
can be transmitted using the normal
48K Frame, or using a native 96K
Frame at the card's output.
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Input Status
Displays the state of the current input signal:
• Channel format (64 or 56 channels)
• Frame format (48K or 96K)
• Sample rate (measured)
• Active input (optical or coaxial)
Clock Mode
The unit can be configured to use its internal clock source (Master), or the clock source predefined via Pref. Sync Ref (AutoSync).
Pref. Sync Ref.
Used to pre-select the desired clock source. If the selected source isn't available, the unit will
change to the next available one. The current clock source and sample rate is displayed in the
AutoSync Ref display.
The automatic clock selection checks and changes between the clock sources Word Clock and
MADI.
System Clock
Shows the current clock state of the HDSP system. The system is either Master (using its own
clock) or Slave (see AutoSync Ref).
11.2 Settings dialog - DDS
Usually soundcards and audio interfaces generate their internal clock (master mode) by a
quartz. Therefore the internal clock can be set to 44.1 kHz or 48 kHz, but not to a value in between. SteadyClock, RME's sensational Low Jitter Clock System, is based on a Direct Digital
Synthesizer (DDS). This superior circuitry can generate nearly any frequency with highest precision.
DDS has been implemented into the HDSP MADI with regard to the needs of professional video
applications, as well as to maximum flexibility. The dialog DDS includes both a list of typical
video frequencies (so called pull up/pull down at 0.1% and 4%) and two faders, which allow to
freely change the basic sample rate in steps of 1 Hz (!).
Application examples
DDS allows for a simultaneous change of speed and tune during record and playback. From
alignment to other sources up to creative effects – everything is possible..
DDS allows to intentionally de-tune the complete DAW. This way, the DAW can match instruments which have a wrong or unchangeable tuning.
DDS allows to define a specific sample rate. This feature can be is useful in case the system
randomly changes the sample rate – for unknown reasons. It also prevents a change from Double Speed (96 kHz) to Single Speed (48 kHz), which would cause configuration and routing
problems by the changed amount of MADI channels.
The DDS dialog requires the HDSP MADI to be in clock mode Master! The frequency setting will only be applied to this one specific card!
Changing the sample rate in bigger steps during record/playback often results in a loss of
audio, or brings up warning messages of the audio software. Therefore the desired sample
rate should be set at least coarsely before starting the software.
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DDS
Activates all settings of this dialog.
Value
Shows the sample rate as adjusted in
this dialog. The sample rate is defined
by the basic setting (frequency), the
multiplier, and the position of the activated fader.
Frequency
Sets a fixed basic sample rate, which
can be modified by multiplier and fader.
Freq. Multiplier
Changes the basic sample rate into
Single, Double oder Quad Speed mode.
Coarse
Fader for coarse modification of the
basic sample rate. Click Active to activate it. Minimum step size 1 Hz.
Fine
Fader for fine modification of the basic
sample rate. Click Active to activate it.
Minimum step size 1 Hz.
Notes on the faders
A mouse click within the fader area, above or below the fader know, will move the fader with the
smallest step size up or down. Holding the Ctrl key while clicking will cause the fader to jump to
its center (0) position.
11.3 Clock Modes - Synchronisation
AutoSync
The HDSP MADI has been equipped with AutoSync, an automatic clock source selection, which
adopts the first available input with a valid digital signal as the clock reference input. The input
currently used as sync reference is shown in the AutoSync Ref status field, together with its
current sample frequency.
AutoSync guarantees that normal record and record-while-play will always work correctly. In
certain cases however, AutoSync may cause feedback in the digital carrier, so synchronization
breaks down. To remedy this, switch the HDSP’s clock mode over to 'Master'.
Via Pref. Sync Ref (preferred synchronization reference) a preferred input can be defined. As
long as the card sees a valid signal there, this input will be designated as the sync source, otherwise the other inputs will be scanned in turn. If none of the inputs are receiving a valid signal,
the card automatically switches clock mode to ‘Master’.
Thanks to its AutoSync technique and lightning fast PLLs, the HDSP is not only capable of handling standard frequencies, but also any sample rate between 28 and 105 kHz. Even the word
clock input, which most users will use in varispeed operation, allows any frequency between 28
kHz and 105 kHz.
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The HDSP MADI's outstanding clock control allows for a synchronization of the output signal to
the word clock's input signal not only at identical sample rates, but also at half, quarter, double
and quad sample rates. A playback of 96 kHz can easily be synchronized via a 48 kHz word
clock signal.
SyncCheck
If several digital devices are to be used simultaneously in a system, they not only have to operate with the same sample frequency but also be synchronous with each other. This is why digital systems always need a single device defined as ‘master’, which sends the same clock signal
to all the other (‘slave’) devices.
Remember that a digital system can only have one master! If the HDSP MADI’s clock mode
is set to Master, all other devices must be set to Slave.
RME’s exclusive SyncCheck technology (first implemented in the Hammerfall) enables an easy
to use check and display of the current clock status. The SyncCheck field indicates whether no
signal (No Lock), a valid signal (Lock) or a valid and synchronous signal (Sync) is present at
each of the digital clock source inputs. The ‘AutoSync Ref’ display shows the current sync
source and the measured frequency.
In practice, SyncCheck provides the user with an easy way of checking whether all digital devices connected to the system are properly configured. With SyncCheck, finally anyone can
master this common source of error, previously one of the most complex issues in the digital
studio world.
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12. Operation and Usage
12.1 Playback
The HDSP system can play back audio data only in supported modes (channels, PCM) and
formats (sample rate, bit resolution). Otherwise an error message appears (for example at 22
kHz and 8 bit).
In the audio application being used, HDSP must be selected as output device. This can often be
found in the Options, Preferences or Settings menus under Playback Device, Audio Devices,
Audio etc.
We strongly recommend switching off all system sounds (via >Control Panel /Sounds<). Also
HDSP should not be the Preferred Device for playback, as this could cause loss of synchronization and unwanted noises. If you feel you cannot do without system sounds, you should consider buying a cheap Blaster clone and select this as Preferred Device in >Control Panel
/Multimedia /Audio<.
The screenshot to the
right shows a typical
configuration dialog as
displayed by a (stereo) wave editor. After
selecting one of the 32
playback devices,
audio data is sent to
the according audio
channels.
Increasing the number
and/or size of audio
buffers may prevent
the audio signal from
breaking up, but also
increases latency i.e.
output is delayed. For
synchronized playback of audio and
MIDI (or similar), be
sure to activate the checkbox ‘Get position from audio driver’.
The HDSP MADI allows sample rates of up to 96 kHz via MADI. In this mode, only channels 1
to 32 are available.
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12.2 DVD-Playback (AC-3/DTS) under MME
AC-3 / DTS
When using popular DVD software player like WinDVD and PowerDVD, their audio data stream
can be sent to any AC-3/DTS capable receiver via the HDSP MADI. For this to work an output
wave device has to be selected in >Control Panel/ Sounds and Multimedia/ Audio<. Also check
'use preferred device only'.
You will notice that the DVD software's audio properties now allow to use 'SPDIF Out', 'Use
SPDIF' or to 'activate SPDIF output'. When selecting these, the software will transfer the nondecoded digital multichannel data stream to the HDSP. Naturally a successful decoding also
requires a MADI to AES converter like the RME ADI-642, converting the playback signals to
stereo AES3 or SPDIF.
Note
: This 'SPDIF' signal sounds like chopped noise at highest level.
Multichannel
PowerDVD can also operate as software decoder, sending a DVD's multichannel data stream
directly to the analog outputs of the HDSP MADI. Supported are all modes, from 2 to 8 channels, at 16 bit resolution and 48 kHz sample rate.
For this to work an output wave device of the HDSP has to be selected in >Control Panel/
Sounds and Multimedia/ Audio<. Also check 'use preferred device only'. PowerDVD's audio
properties now lists several multichannel modes. If one of these is selected, PowerDVD sends
the decoded analog multichannel data to the HDSP MADI.
The device selected as Preferred Playback Device defines the first playback channel. Choosing
ADAT 3/4 and 6-channel mode, playback will happen on channels 3 to 8. Choosing MADI 3/4
and 6-channel mode, playback will happen on channels 3 to 8.
The channel assignment using PowerDVD is:
1 (first chosen playback channel) - Left
2 - Right
3 - Center
4 - LFE (Low Frequency Effects)
5 - SR (Surround Right)
6 - SL (Surround Left)
Note 1
professional cards are not specialized to play back system sounds, and shouldn't be disturbed
by system events. To prevent this, be sure to re-assign this setting after usage, or to disable
any system sounds (tab Sounds, scheme 'No audio').
Note 2
Sync and/or word clock, the playback speed and pitch follows the incoming clock signal.
Note 3
to send audio to any aother output port if necessary.
Note 4
change in the registry. Start regedit, go to >HKEY_CURRENT_USER / Software / InterVideo /
DVD5 / AUDIOCHAN<, and set its value to 4 (hexadecimal). Additionally select 'Waveout' as
Audio Renderer in the Audio configuration dialog. Warning: Changes to the registry are done
at your own risk. Danger of complete data loss!
: Setting the card to be used as system playback device is against common sense, as
: The DVD player will be synced backwards from the HDSP card. So when using Auto-
: PowerDVD 5 no longer supports a starting channel other than channel 1. Use TotalMix
: In WinDVD 5 and 6, a channel-separated 5.1 playback using the HDSP requires a
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12.3 Low Latency under MME (Buffer Size Adjustment)
Using Windows 95 or 98 the MME buffer size was nothing to worry about. Latencies below 46
ms were not possible. Meanwhile both computers and operating system have become much
more powerful, and since Windows ME/2000/XP latencies far lower can be used. SAWStudio
and Sonar allowed to use such low settings from the start. Sequoia was updated in version
5.91, WaveLab in version 3.04.
In the HDSP's Settings dialog the MME buffersize (in fact the DMA buffer size) is set with the
same buttons as the ASIO buffer size. Our test computers allow to use settings down to 64
samples without clicks. Please note that this setting only defines the buffer size of the hardware.
The true and effective latency is configured within the MME application!
Attention: the DMA buffers must not be larger than the application's buffers. Playback will
be stuttering and audio will be distorted.
This case can happen unnoticed when using ASIO and MME at the same time (multi-client) and
setting ASIO to 186 ms, while the buffers in the MME application are still set for a lower latency.
Example: when you set the Hammerfall to 512 you can't use 128 in any program. But setting the
buffer size to 128 allows to use 128 and all higher values within the software.
Please also note that this is a you're-welcome-to-try feature. We can't guarantee that you will be
able to use 3 or 6 ms with MME. Simply check out by yourself which lowest setting your system
and software allows. Some motherboards with insufficient PCI bandwidth (like older VIA boards)
suffer from crackling at settings below 512. Be sure to set the buffer size to 512 or higher in
such a case (or get a new motherboard).
12.4 Multi-client Operation
RME audio interfaces support multi-client operation. This means several programs can be used
at the same time. Also all formats, like ASIO, MME and GSIF can be used simultaneously. The
use of multi-client operation requires to follow two simple rules:
• Multi-client operation requires identical sample rates!
I.e. it is not possible to use one software with 44.1 kHz and the other with 48 kHz.
• Different software can not use the same channels at the same time.
If for example Cubase uses channels 1/2, this playback pair can't be used in Gigasampler/Studio (GSIF) nor under MME (WaveLab etc.) anymore. This is no limitation at all, because
TotalMix allows any output routing, and with this a playback of multiple software on the same
hardware outputs. Note that the inputs can be used at the same time, as the driver sends the
data to all applications simultaneously.
ASIO-Multiclient
RME audio interfaces support ASIO multi-client operation. It is possible to use more than one
ASIO software at the same time. Again the sample rate has to be identical, and each software
has to use its own playback channels. Once again the same inputs can be used simultaneously.
RME's sophisticated tool DIGICheck is an exception to this rule. It operates like an ASIO host,
using a special technique to access playback channels already occupied. Therefore DIGICheck
is able to analyse and display playback data from any software, no matter which format the
software uses.
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12.5 Recording
Unlike analog soundcards which produce empty wave files (or noise) when no input signal is
present, digital I/O cards always need a valid input signal to start recording.
To take this into account, RME has included two unique features in the HDSP MADI: a comprehensive I/O signal status display (showing sample frequency, lock and sync status) in the Settings dialog, and the protective Safe Mode / Frequency function.
If a 48 kHz signal is fed to the input and the application is set to 44.1 kHz, Safe Mode / Fre-
quency stops the system from recording. This prevents faulty takes, which often go unnoticed
until later on in the production. Such tracks appear to have the wrong playback rate - the audio
quality as such is not affected.
The sample frequency shown in the Settings dialog (see chapter 11, screenshot Settings) is
useful as a quick display of the current configuration (the box itself and all connected external
equipment). If no sample frequency is recognized, it will read ‘No Lock’.
This way, configuring any suitable audio application for digital recording is simple. After selecting the required input, HDSP MADI displays the current sample frequency. This parameter can
then be changed in the application’s audio attributes (or similar) dialog.
The screenshot to the right shows a typical dialog
used for changing basic parameters such as
sample frequency and resolution in an audio application.
Any bit resolution can be selected, providing it is
supported by both the audio hardware and the
software. Even if the input signal is 24 bit, the
application can still be set to record at 16-bit resolution. The lower 8 bits (and therefore any signals
about 96dB below maximum level) are lost entirely. On the other hand, there is nothing to gain
from recording a 16-bit signal at 24-bit resolution this would only waste precious space on the hard
disk.
It often makes sense to monitor the input signal or send it directly to the output. This can be
done at zero latency using TotalMix (see chapter 24).
Currently two solutions exist which enable an automated control of real-time monitoring. ZLM
allows monitoring in Punch I/O mode - with this the system behaves like a tape machine. This
method has been implemented in all versions of Samplitude (by Magix), and can be activated
using the global track option 'Hardware monitoring during Punch'. As ZLM is limited to MME,
this mode is no longer supported since TotalMix version 2.3.
The second solution is Steinberg’s ASIO protocol with our ASIO 2.0 drivers and all ASIO 2.0
compatible programs (even Samplitude…). When 'ASIO Direct Monitoring' has been switched
on, the input signal is routed in real-time to the output whenever a recording is started.
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13. Operation under ASIO 2.0
13.1 General
Start the ASIO software and select ASIO Hammerfall DSP as the audio I/O device. The 'ASIO
system control' button opens the HDSP's Settings dialog (see chapter 11, Configuration).
Hammerfall DSP supports
ASIO Direct Monitoring
(ADM). Please note that
currently Nuendo, Cubase
and Logic either do not
support ADM completely
or error-free.
Using emulated MIDI drivers often causes a drift
and delay between audio
and MIDI. You should use
non-emulated (MME) MIDI
ports in such a case.
At a sample rate of 88.2 or
96 kHz, the number of
channels available at the
MADI input and output is
halfed.
13.2 Known Problems
If a computer does not provide sufficient CPU-power and/or sufficient PCI-bus transfer rates,
then drop outs, crackling and noise will appear. We recommend to deactivate all PlugIns to
verify that these are not the reason for such effects.
Additional hard disk controllers, both on-board and PCI based, aften violate the PCI specs. To
achieve the highest throughput they hog the PCI bus, even in their default setting. Thus when
working with low latencies heavy drop outs (clicks) are heard. Try to solve this problem by
changing the default setting of the controller (for example by reducing the 'PCI Bus Utilization').
When using more than one HDSP system, all units have to be in sync, see chapter 15. Else a
periodicly repeated noise will be heared.
Another common source of trouble is incorrect synchronization. ASIO does not support asynchronous operation, which means that the input and output signals not only have to use the
same sample frequency, but also have to be in sync. All devices connected to the Hammerfall
DSP must be properly configured for Full Duplex operation. As long as SyncCheck (in the Settings dialog) only displays Lock instead of Sync, the devices have not been set up properly!
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14. Operation under GSIF (Gigasampler Interface)
Windows 2000/XP
The GSIF interface of the HDSP MADI allows direct operation with Gigastudio, with up to 32*
channels, 96 kHz and 24 bit. The new GSIF 2.0 is also supported with both audio and MIDI.
Gigastudio requires a lot of the computer’s calculation power. An optimum performance is
achieved with a stand-alone GSIF PC. However, when using the Hammerfall DSP, the latency
is always the same as the one selected for ASIO operation. This can cause performance problems on slower machines when using GSIF and ASIO at the same time.
Please note that the W2k/XP driver fully supports multi-client operation, including the combination MME/ASIO. So for example Cubase, Gigastudio and Sonar can be used simultaneously,
provided each of these programs uses its own audio channels exclusively. For example ASIO
could use channels 1/2 and Gigastudio (with GSIF) channels 3/4 simultaneously, and so on.
Simultaneous operation of GSIF and ASIO requires to use different channels. For example,
if Cubase uses tracks 1/2 these tracks can not be used by Gigastudio.
Common Problems
Please note that Gigastudio is running unexpectedly in the background (thus blocking its assigned audio channels), as soon as the Gigastudio MIDI ports are used – even when Gigastudio itself hasn't been started. This causes a lot of confusion, as the driver seems to behave
completely buggy, and the user does not recognize the simple reason for it – for example simultaneous operation of ASIO and GSIF on the same channels.
If Gigastudio starts up properly, loads gig files too, but won't play at all even when using the
virtual keyboard: Go to Hardware/Routing and select a valid MIDI input port. Note that blank is
not valid, but <none> is.
*The limitation of 32 channels is caused by Gigastudio 2.54. According to Tascam, Gigastudio 3
will support 64 channels.
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15. Using multiple HDSP MADI / AES-32
The current driver supports operation of up to three HDSP MADI. Both HDSP MADI and HDSP
AES-32 use the same driver, therefore can be used at the same time. Please note that only one
TCO of one card can be used (of course). All units have to be in sync, i.e. have to receive valid
sync information either via word clock or by using AutoSync and feeding synchronized signals.
• If one of the HDSP systems is set to clock mode Master, all others have to be set to clock
mode AutoSync, and have to be synced from the master, for example by feeding word clock.
The clock modes of all units have to be set up correctly in their Settings dialog.
• If all units are fed with a synchronous clock, i.e. all units show Sync in their Settings dialog,
all channels can be used at once. This is especially easy to handle under ASIO, as the ASIO
driver presents all units as one.
Note:
TotalMix is part of the hardware of each HDSP system. Up to three mixers are available,
but these are separated and can't interchange data. Therefore a global mixer for all units is not
possible.
16. DIGICheck
The DIGICheck software is a unique utility developed for testing, measuring and analysing digital audio streams. Although this Windows software is fairly self-explanatory, it still includes a
comprehensive online help. DIGICheck 4.42 operates as multi-client ASIO host, therefore can
be used in parallel to any software, be it MME, ASIO or GSIF, with both inputs and outputs (!).
The following is a short summary of the currently available functions:
• Level Meter. High precision 24-bit resolution, 2/8/64 channels. Application examples: Peak
level measurement, RMS level measurement, over-detection, phase correlation measurement, dynamic range and signal-to-noise ratios, RMS to peak difference (loudness), long
term peak measurement, input check. Oversampling mode for levels higher than 0 dBFS.
Vertical and horizontal mode. Slow RMS and RLB weighting filter. Supports visualization according to the K-system.
• Hardw are Level Meter for Input, Playback and Output. As above, received pre-calculated
directly from the HDSP system hardware with near zero CPU load.
• Spectral Analyser. World wide unique 10-, 20- or 30-band display in analog bandpass-filter
technology. 192 kHz-capable!
• Vector Audio Scope. World wide unique Goniometer showing the typical afterglow of an
oscilloscope-tube. Includes Correlation meter and level meter.
• Totalyser. Spectral Analyser, Level Meter and Vector Audio Scope in a single window.
• Bit Statistics & Noise. Shows the true resolution of audio signals as well as errors and DC
offset. Includes Signal to Noise measurement in dB and dBA, plus DC measurement.
• Channel Status Display. Detailled analyzis and display of SPDIF and AES/EBU Channel
Status data.
• Completely multi-client. Open as many measurement windows as you like, on any chan-
nels and inputs or outputs!
To install DIGICheck, go to the \DIGICheck directory on the RME Driver CD and run setup.exe.
Follow the instructions prompted on the screen.
DIGICheck is conctantly improved. The latest version is always found on our website
www.rme-audio.de, section Downloads/Tools.
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