ADOBE Photoshop CS5 User Manual

Using

ADOBE® PHOTOSHOP® CS5

Legal notices

For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html

Last updated 12/5/2011

Contents

Chapter 1: What’s new

Chapter 2: Photoshop companion apps

Connecting Photoshop companion apps to Photoshop

Using Adobe Nav

Using Adobe Color Lava

Using Adobe Eazel

Chapter 3: Workspace

Workspace basics

Panels and menus

Tools

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Viewing images

Image information

Rulers, the grid, and guides

Presets, Preferences, and Plug-ins

Undo and history

Memory and performance

Adobe online services

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Chapter 4: Understanding and opening images

Image essentials

Image size and resolution

Acquiring images from cameras and scanners

Creating, opening, and importing images

Placing files

High dynamic range images

Chapter 5: Color fundamentals

About color

Color modes

Converting between color modes

Choosing colors

Customizing color pickers and swatches

Chapter 6: Color and tonal adjustments

Viewing histograms and pixel values

Understanding color adjustments

Adjusting image color and tone

Targeting images for press

Matching, replacing, and mixing colors

Making quick tonal adjustments

Applying special color effects to images

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Chapter 7: Retouching and transforming

Adjusting crop, rotation, and canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Retouching and repairing images

Correcting image distortion and noise

Adjusting image sharpness and blur

Transforming objects

Content-aware scaling

Liquify filter

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Vanishing Point

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Create panoramic images with Photomerge

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Chapter 8: Selecting and masking

Making selections

Adjusting pixel selections

Moving, copying, and deleting selected pixels

Channel basics

Channel calculations

Saving selections and alpha channel masks

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Chapter 9: Layers

Layer basics

Selecting, grouping, and linking layers

Moving, stacking, and locking layers

Managing layers

Layer opacity and blending

Layer effects and styles

Adjustment and fill layers

Nondestructive editing

Layer comps

Masking layers

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Chapter 10: Painting

Painting tools

Brush presets

Creating and modifying brushes

Blending modes

Gradients

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Filling and stroking selections, layers, and paths

Creating and managing patterns

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Chapter 11: Drawing

About drawing

Drawing shapes

Drawing with the Pen tools

Managing paths

Editing paths

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Converting between paths and selection borders

Adding color to paths

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Chapter 12: Filters

Filter basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Filter effects reference

Applying specific filters

Add Lighting Effects

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Chapter 13: Type

Creating type

Editing text

Formatting characters

Fonts

Line and character spacing

Formatting paragraphs

Creating type effects

Asian type

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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400

Chapter 14: Saving and exporting images

Saving images

Saving PDF files

Saving files in graphics formats

File formats

Metadata and notes

Digimarc copyright protection

Placing Photoshop images in other applications

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437

Chapter 15: Printing

Printing from Photoshop

Printing with color management in Photoshop

Printing images to a commercial printing press

Duotones

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455

Printing spot colors

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 442

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458

Chapter 16: Web graphics

Working with web graphics

Slicing web pages

Modifying slice layout

HTML options for slices

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 471

Chapter 17: Video and animation

Video and animation overview

Creating images for video

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 480

Importing video files and image sequences (Photoshop Extended)

Painting frames in video layers (Photoshop Extended)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488

Editing video and animation layers (Photoshop Extended)

Creating frame animations

Creating timeline animations (Photoshop Extended)

Previewing video and animations

Saving and exporting video and animations

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 510

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 513

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 485

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 491

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Contents

Chapter 18: 3D

Essential 3D concepts and tools (Photoshop Extended) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521

3D panel settings (Photoshop Extended)

3D painting (Photoshop Extended)

3D texture editing (Photoshop Extended)

Creating 3D objects and animations (Photoshop Extended)

Combining and converting 3D objects (Photoshop Extended)

3D rendering and saving (Photoshop Extended)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 525

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 535

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 538

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 541

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 546

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 548

Chapter 19: Technical imaging

DICOM files (Photoshop Extended)

Measurement (Photoshop Extended)

Counting objects in an image (Photoshop Extended)

Photoshop and MATLAB (Photoshop Extended)

Image Stacks (Photoshop Extended)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 552

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 556

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 562

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 563

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 566

Chapter 20: Automating tasks

Playing and managing actions

Creating actions

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 573

Processing a batch of files

Scripting

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 583

Creating data-driven graphics

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 569

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 577

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 584

Chapter 21: Optional plug-ins

Picture packages and contact sheets

Creating web photo galleries

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 594

Extract an object from its background

Generate a pattern using the Pattern Maker

Run Photoshop in 32-bit mode (64-bit Mac OS only)

Chapter 22: Keyboard shortcuts

Customizing keyboard shortcuts

Default keyboard shortcuts

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 606

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 607

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 590

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 601

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 603

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 605

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Chapter 1: What’s new

Companion apps for Photoshop 12.0.4 or later

Mix color swatches, select and manage Photoshop tools, and paint watercolor images using three iPad apps. See “Using

Adobe Color Lava” on page 7, “Using Adobe Nav” on page 4, and “Using Adobe Eazel” on page 9.

Easier interface management with live workspaces

Automatically store task-specific workspaces that reflect your workflow, and quickly switch between them. See “Save

and switch workspaces” on page 18.

Intelligent selection technology

Extract subjects from backgrounds more quickly and accurately, creating realistic composites. See “Refine selection

edges” on page 223.

Content-aware filling and healing

Easily remove image elements and replace them with content that seamlessly integrates into its surroundings. See “Content-aware, pattern, or history fills” on page 321 and “Retouch with the Spot Healing Brush tool” on page 165.

HDR Pro

Apply greater tone-mapping power, creating high dynamic range images that range from photorealistic to surreal. Or apply an HDR look to standard images with the HDR Toning adjustment. See “Merge images to HDR” on page 80 and “Adjust HDR toning” on page 136.

Extraordinary painting effects

Take advantage of realistic painting effects, mixing colors on the canvas and simulating bristles to produce results that rival traditional painting media. See “Paint with the Mixer Brush” on page 293 and “Bristle tip shape options” on page 305.

Puppet Warp

Radically transform specific image areas, while anchoring others in place. See “Puppet Warp” on page 184.

Automated lens correction

Quickly fix distortion using installed profiles of popular lenses, or custom profiles of additional models. See “Correct

lens distortion and adjust perspective” on page 170.

Easy extrusions with 3D repoussé

Convert 2D text and artwork into 3D objects, and then extrude and inflate their surfaces. See “Create 3D repoussé

(Photoshop Extended)” on page 541.

Enhanced 3D performance, workflow, and materials

Quickly optimize performance with dedicated 3D preferences. Get faster previews and rendering with the improved Adobe Ray Tracer engine. Apply materials interactively with Material Load and Drop tools. See “3D panel overview

(Photoshop Extended)” on page 525 and “3D Materials settings (Photoshop Extended)” on page 529.

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What’s new

Streamlined creative reviews

Collaborate with colleagues and quickly get client feedback with

CS Review

, an online service that accelerates the review process. See CS Review.

Integrated media management

Take advantage of improved watermarking, web galleries, and batch processing in

Adobe Bridge CS5

. Access assets directly in Photoshop using the

Mini Bridge

panel. See Adobe Bridge and Mini Bridge.

State of the art Camera Raw processing

Remove noise in high ISO images while preserving color and detail. Add creative effects like film grain and post-crop vignettes. Or precisely sharpen images with minimal artifacts. See Correcting lens distortions in Camera Raw, Sharpening and noise reduction in Camera Raw, and Vignette and grain effects in Camera Raw.

Dozens of customer-inspired productivity enhancements

Boost your efficiency with countless workflow improvements. Selected highlights let you:

• Create layers by dragging files from Windows or Mac OS. See “Create layers and groups” on page 245.

• Straighten images with the Ruler tool. See “Straighten an image” on page 158.

• Protect detail with the Sharpen tool. See “Sharpen image areas” on page 168.

• Apply a graduated neutral density filter. See “Apply a gradient fill” on page 315.

• Reverse the direction of a clone source. See “Retouch with the Clone Stamp tool” on page 161.

• Customize defaults for layer styles. See “Change style defaults to custom values” on page 264.

• Paste in the same relative location, or into or outside selections. See “Understanding the copy and paste commands”

on page 226.

• Store image-specific print settings. See “Print images” on page 443.

New GPU-accelerated features

Harness increased hardware power with features like brush previews, a color sampler ring for the Eyedropper tool, and a Rule Of Thirds grid for the Crop tool. See “Choose a color while painting” on page 102 and “Crop an image using

the Crop tool” on page 155.

Faster performance with cross-platform 64-bit support

Complete day-to-day imaging tasks at least 10% faster on 64-bit versions of Mac OS and Windows. See “Memory and

performance” on page 57.

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Chapter 2: Photoshop companion apps

Important: To troubleshoot issues with companion apps, please visit the Adobe companion apps user forum. Phone support is not provided. Ask questions, request features, and report problems at feedback.photoshop.com.

Connecting Photoshop companion apps to Photoshop

Adobe® Photoshop® communicates with Adobe Nav for Photoshop, Adobe Color Lava for Photoshop, and Adobe Eazel for Photoshop using a wireless network. Photoshop and the apps must be on the same wireless network to connect. To check your wireless network, do the following:

• On Mac OS, click the Wi-Fi icon in the OS menu bar to choose a wireless network.

• In Windows XP, choose Start > Control Panel > Network And Internet Connections > Network Connections >

Wireless Network Connection.

• In Windows Vista/Windows 7, choose Start > Control Panel > Network And Internet Connections > Network And

Sharing Center.

• On the iPad, tap Settings and then tap Wi-Fi.

Note: For more information about connecting Photoshop and its companion apps, see the support document

Troubleshoot companion app connectivity problems | Photoshop or watch Getting started with Photoshop companion apps for Photoshop CS5 on

Note: Adobe TV

Note: . For general information on setting up and troubleshooting wireless networks, visit Apple Support or Microsoft

Windows Help & How-To.

Photoshop connection settings

Important: Using Photoshop

Important: with Adobe Nav, Adobe Color Lava, and Adobe Eazel requires Photoshop 12.0.4 or later. If necessary,

choose Help > Updates to install the latest version of Photoshop.

Establish Photoshop as a remote connection to the apps.

1 In Photoshop, choose Edit > Remote Connections.

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Photoshop companion apps

Create a remote connection in Photoshop.

2 In the Service Name field of the Remote Connections dialog box, enter a descriptive name.

3 In the Password field, enter a six-digit password.

4 Select Enable Remote Connections and then click OK.

Companion app wireless connection settings

1 In Adobe Nav, Adobe Color Lava, or Adobe Eazel, tap the PS icon in the lower-right corner of the app.

2 In the Connections window, tap your Photoshop service.

3 Enter the six-digit password and tap Connect.

When the connection is established, the PS icon turns blue .

Companion app IP connections

If a wireless network is unavailable, you can create a direct IP connection between Adobe Nav, Adobe Color Lava, or Adobe Eazel and Photoshop.

1 In Adobe Nav, Adobe Color Lava, or Adobe Eazel, tap the PS icon in the lower-right corner of the app.

2 In the Connections window, tap New.

3 Enter the IP address and password from the Photoshop Remote Connections dialog box.

4 Click Connect.

When the connection is established, the PS icon turns blue .

Note: For help troubleshooting IP connections, see the support document Troubleshoot companion app connectivity

problems | Photoshop.

Using Adobe Nav

Adobe Nav for Photoshop allows you to select and manage Photoshop tools on the iPad. Adobe Nav also allows you to browse open Photoshop documents using the iPad while you are working in Photoshop on your computer. Using Adobe Nav to access tools and documents gives you more space and flexibility for working on your images in Photoshop.

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Photoshop companion apps

Important: Adobe Nav is available in English, French, German, and Japanese. Other language versions of Photoshop can connect to Adobe Nav, but only in those languages. Adobe Nav requires Photoshop 12.0.4 or later. To download the latest version of Photoshop, choose Help > Updates.

For a video tutorial on using Adobe Nav, visit the Adobe CS5.5 update page of the NAPP website. Or see Russell Brown’s Photoshop apps update video for information about new Adobe Nav features for the iPad 2.

Connect to Photoshop

Adobe Nav must be connected to Photoshop. For instructions on how to connect Adobe Nav to Photoshop, see “Connecting Photoshop companion apps to Photoshop” on page 3.

Adobe Nav Tools mode

Adobe Nav Tools mode allows you to select and work with Photoshop tools. Adobe Nav displays up to 16 tools at a time. You can customize Tools mode to include the tools you most commonly use, or the tools you use for a particular task, such as painting.

CD E

Adobe Nav Tools mode. A. Tool buttons B. Edit options C. Switch to Tools mode D. Switch to Document mode E. Connect to Photoshop F. Toolbox

• To enter Tools mode, tap at the bottom of the app.

• To select a tool to use in Photoshop, tap it. The selected tool has a white background.

Note: To specify tool options, use the Options bar in Photoshop.

• To display a 100% view of the active image, tap the Actual Pixels button.

• To cycle through screen modes, tap the Screen Mode button. See “Change the screen mode” on page 33 for more

information.

• To reverse the foreground and background colors, tap the Switch Colors icon . To restore the defaults, tap the

Default Colors icon .

Note: The toolbox in Adobe Nav shows the selected foreground and background colors. To actually select foreground or background colors, use the toolbox in Photoshop. See “Choose colors in the toolbox” on page 99.

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Photoshop companion apps

• To add, delete, or move tools, tap Edit. Then, do one of the following:

• To move a tool, drag it.

• To delete a tool, tap the X in the upper-left corner of the tool button.

• To add a tool, drag it from the menu at right onto the grid.

Tools that are in the grid are blue in the menu.

• To return to Tools mode, tap Done.

Adobe Nav Document mode

Document mode allows you to select, view, and open new Photoshop documents from Adobe Nav.

Adobe Nav Document mode displays image files that are currently open in Photoshop.

• To enter Document mode, tap at the bottom of the app.

The blue dot to the left of the filename indicates the active document.

• To make a different document active in Photoshop, tap its thumbnail.

• To view information about a document, including size and resolution, tap its thumbnail twice. Tap twice again to

return to thumbnail view.

• To create a new, untitled document in Photoshop, tap New or tap the new document placeholder thumbnail.

New documents are 1024 x 768 pixels, 72 dpi, and sRGB.

• To duplicate a document, drag its thumbnail to the new document placeholder thumbnail.

• To zoom in on a thumbnail, pinch it open up to four times. To return to thumbnail view, pinch closed.

• To rearrange documents, drag a thumbnail to a new location.

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Using Adobe Color Lava

Adobe Color Lava for Photoshop lets you create themed color swatches on the iPad. When Adobe Color Lava is connected to Photoshop, you can set Adobe Color Lava swatches as the foreground color. You can also add Adobe Color Lava colors to the Photoshop Swatches panel as you work. Or, you can e-mail Adobe Color Lava themes as swatch libraries to share them with other people on other computers.

Important: Adobe Color Lava is available in English, French, German, and Japanese. Other language versions of Photoshop can connect to Adobe Color Lava, but only in those languages. Adobe Color Lava requires Photoshop 12.0.4 or later. To download the latest version of Photoshop, choose Help > Updates.

For a video tutorial on using Adobe Color Lava, visit the Adobe CS5.5 update page of the NAPP website. Or see Russell Brown’s Photoshop apps update video for information about new Adobe Color Lava features for the iPad 2.

Adobe Color Lava Mixer mode. A. Clean finger well B. Canvas C. Color wells D. Swatches E. Connect to Photoshop F. Switch to Theme Library mode G. Load a photo

Mix colors in Adobe Color Lava

To mix colors in Adobe Color Lava, select colors from the sample wells and then “paint” with your finger on the canvas.

• To load a color, tap its color well. The selected color has a thicker white border.

• To switch between RGB and grayscale, tap the inner ring of the color wells.

• To edit hue, saturation, and brightness values, double-tap a color well. To accept the HSB settings, tap .

• To remove color from your fingertip, tap the clean finger well once or twice.

• To reset the color wells to their defaults, tap .

• To erase the canvas, tap .

• To create a new theme, tap the New button.

• To load a photo into the canvas, tap the camera icon . Then, choose an image from an iPad photo album.

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Work with swatches in Adobe Color Lava

Swatch sets appear on the right side of the Adobe Color Lava app. The active, or selected, swatch is larger than the other four swatches.

• To select a swatch, tap it. When you mix colors, Adobe Color Lava replaces the color in the selected swatch with

the color you are painting.

• To set a swatch as the foreground color in Photoshop, tap it.

• To edit swatch sets, tap the Theme Library mode button .

Manage themes in Adobe Color Lava

Theme Library mode allows you to work with up to 300 swatch sets, or themes.

BC D

Adobe Color Lava Theme Library mode. A. Color themes B. Edit themes C. Switch to Color Mixer mode D. Connect to Photoshop

• To select a theme, tap it.

• To edit the selected theme, tap the Color Mixer mode button .

• To set a swatch in a theme as the foreground color in Photoshop, tap it.

• To see the RGB, HSL, and hexadecimal values for each swatch in a theme, double-tap the theme.

Adobe Color Lava theme details.

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• To rename or delete a theme, tap the Edit button or touch and hold a theme. Then, do one of the following:

• Tap the X in the upper-left corner of a theme to delete it.

• Tap a theme name to rename it.

Share Adobe Color Lava themes

For instructions on how to connect Photoshop and Adobe Color Lava, see “Connecting Photoshop companion apps

to Photoshop” on page 3.

1 When you are connected to Photoshop, tap to enter Theme Library mode.

2 Tap a theme twice to open the theme details. Then, tap either of the following buttons:

Send To Photoshop Theme colors appear in the Swatches panel.

E-mail Opens an e-mail message so you can send the theme to someone. The e-mail includes a .png preview of the

theme, a .png preview of the canvas, and a .ase swatch library file. For instructions on loading a swatch library in Photoshop, see “Manage swatch libraries” on page 107.

Using Adobe Eazel

Adobe Eazel for Photoshop lets you paint watercolor pictures on a canvas. Each stroke goes on “wet” and takes a few seconds to “dry.” The paints blend according to the options you choose and the wetness of the previous stroke. You can save Eazel artwork to the iPad photo gallery, and can bring it into Photoshop for further editing or compositing.

Important: Adobe Eazel is available in English, French, German, and Japanese. Other language versions of Photoshop can connect to Adobe Eazel, but only in those languages. Adobe Eazel requires Photoshop 12.0.4 or later. To download the latest version of Photoshop, choose Help > Updates.

For a video tutorial on using Adobe Eazel, visit the Adobe CS5.5 update page of the NAPP website.

Adobe Eazel for Photoshop. A. Brush sample B. Finger controls C. Canvas

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Note: Adobe Eazel automatically detects right and left hands.

Brush sample Shows the color, size, and opacity of the current brush.

Thumb control Undo, redo, and erase all.

Index finger control Choose a color.

Third finger control Adjust the brush size.

Fourth finger control Change paint opacity.

Fifth finger control Save artwork and send it to Photoshop.

Adobe Eazel work modes

Adobe Eazel offers two work modes: persistent and ephemeral. In persistent mode, all five finger controls stay visible onscreen while you specify options. To work in persistent mode, do the following:

1 Touch all five fingers to canvas at once, then lift.

2 Tap, or touch and drag, a setting to adjust it.

3 Touch the canvas to accept the change.

4 Touch the canvas again to set another option, or tap a second time to start painting.

In ephemeral mode, only one control appears onscreen at a time. The control appears only for as long as your finger interacts with it. To work in ephemeral mode, do the following:

1 Place all five fingers on the canvas and lift all but the finger whose options you want to adjust.

2 Drag the finger to adjust the setting or, with the fifth finger, tap to select an option.

3 Touch the canvas again to set another option or start painting.

Choose colors in Adobe Eazel

Adobe Eazel keeps five color swatches in a palette available under your index finger. The selected swatch has a flashing border.

Choosing a color in Eazel. A. Color swatches B. Brush sample C. Current color D. Color wheel

• To choose a swatch, drag your index finger to it and lift.

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• To change a swatch, drag your index finger to it to select it. Continue to drag to the color wheel or to a color in the

artwork on the canvas.

Specify stroke size and opacity in Adobe Eazel

• To make the brush larger, drag up with your third finger. To make the brush smaller, drag down with your third

finger. The brush sample updates as you drag.

• To make the paint more opaque, drag up with your fourth finger. To make the paint more transparent, drag down

with your fourth finger. The brush sample updates as you drag.

Undo, redo, and erase in Adobe Eazel

• To undo your last stroke, use your thumb to choose or swipe from right to left.

• To redo your last stroke, use your thumb to choose or swipe from left to right.

• To erase the canvas, use your thumb to choose or swipe up.

Save Adobe Eazel artwork and send it to Photoshop

You can save Adobe Eazel artwork to the iPad gallery as .jpeg photo. Then, you can use the Photos app to e-mail it to someone, use it as wallpaper, or print it. You can also send Adobe Eazel artwork to Photoshop, where you can open it for additional editing or compositing.

Important: For instructions on how to connect Photoshop and Adobe Eazel, see “Connecting Photoshop companion apps

to Photoshop” on page 3.

• To save artwork to the iPad, choose Settings with your fifth finger and then tap the

• Save To

• Photos button.

• To send artwork to Photoshop, choose Settings with your fifth finger and then tap the Transmit to Photoshop

button.

Adobe Eazel sends image data to Photoshop, which opens the artwork at 4096-x-3092 resolution. In Photoshop, you can save Adobe Eazel artwork in any supported file format.

Note: Adobe Eazel artwork may look slightly different in Photoshop. Due to rendering, minor geometrical differences occur.

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Chapter 3: Workspace

For detailed instructions, click the links below. To ask questions, request features, or report problems, visit

feedback.photoshop.com.

Workspace basics

For detailed instructions, click the links below. To ask questions, request features, or report problems, visit

feedback.photoshop.com.

Workspace overview

You create and manipulate your documents and files using various elements, such as panels, bars, and windows. Any arrangement of these elements is called a workspace. The workspaces of the different applications in Adobe®

Creative Suite

® 5 share the same appearance so that you can move between the applications easily. You can also adapt each application to the way you work by selecting from several preset workspaces or by creating one of your own.

Although the default workspace layout varies in different products, you manipulate the elements much the same way in all of them.

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B DC

Default Illustrator workspace A. Tabbed Document windows B. Application bar C. Workspace switcher D. Panel title bar E. Control panel F. Tools panel G. Collapse To Icons button H. Four panel groups in vertical dock

• The Application bar across the top contains a workspace switcher, menus (Windows only), and other application

controls. On the Mac for certain products, you can show or hide it using the Window menu.

• The Tools panel contains tools for creating and editing images, artwork, page elements, and so on. Related tools are

grouped.

• The Control panel displays options for the currently selected tool. In Illustrator, the Control panel displays options

for the currently selected object. (In Adobe Photoshop® this is known as the Options bar. In Adobe Flash®, Adobe Dreamweaver®, and Adobe Fireworks® this is known as the Property Inspector and includes properties of the currently selected element.)

• The Document window displays the file you’re working on. Document windows can be tabbed and, in certain cases,

grouped and docked.

• Panels help you monitor and modify your work. Examples include the Timeline in Flash, the Brush panel in

Illustrator, the Layers panel in Adobe Photoshop®, and the CSS Styles panel in Dreamweaver. Panels can be grouped, stacked, or docked.

• The Application frame groups all the workspace elements in a single, integrated window that lets you treat the

application as a single unit. When you move or resize the Application frame or any of its elements, all the elements within it respond to each other so none overlap. Panels don’t disappear when you switch applications or when you accidentally click out of the application. If you work with two or more applications, you can position each application side by side on the screen or on multiple monitors.

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If you are using a Mac and prefer the traditional, free-form user interface, you can turn off the Application frame. In Adobe Illustrator®, for example, select Window > Application Frame to toggle it on or off. (In Flash, the Application frame is on permanently for Mac, and Dreamweaver for Mac does not use an Application frame.)

Hide or show all panels

• (Illustrator, Adobe InCopy®, Adobe InDesign®, Photoshop, Fireworks)To hide or show all panels, including the

Tools panel and Control panel, press Tab.

• (Illustrator, InCopy, InDesign, Photoshop) To hide or show all panels except the Tools panel and Control panel,

press Shift+Tab.

You can temporarily display hidden panels if Auto-Show Hidden Panels is selected in Interface preferences. It’s always on in Illustrator. Move the pointer to the edge of the application window (Windows®) or to the edge of the

monitor (Mac OS®) and hover over the strip that appears.

• (Flash, Dreamweaver, Fireworks) To hide or show all panels, press F4.

Display panel options

❖ Click the panel menu icon in the upper-right corner of the panel.

You can open a panel menu even when the panel is minimized.

In Photoshop, you can change the font size of the text in panels and tool tips. In the Interface preferences, choose a size from the UI Font Size menu.

(Illustrator) Adjust panel brightness

❖ In User Interface preferences, move the Brightness slider. This control affects all panels, including the Control

panel.

Reconfigure the Tools panel

You can display the tools in the Tools panel in a single column, or side by side in two columns. (This feature is not available in the Tools panel in Fireworks and Flash.)

In InDesign and InCopy, you also can switch from single-column to double-column (or single-row) display by setting an option in Interface preferences.

❖ Click the double arrow at the top of the Tools panel.

Manage windows and panels

You can create a custom workspace by moving and manipulating Document windows and panels. You can also save workspaces and switch among them. For Fireworks, renaming custom workspaces can lead to unexpected behavior.

Note: The following examples use Photoshop for demonstration purposes. The workspace behaves the same in all the products.

Rearrange, dock, or float document windows

When you open more than one file, the Document windows are tabbed.

• To rearrange the order of tabbed Document windows, drag a window’s tab to a new location in the group.

• To undock (float or untab) a Document window from a group of windows, drag the window’s tab out of the group.

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Note: In Photoshop you can also choose Window > Arrange > Float in Window to float a single Document window, or Window > Arrange > Float All In Windows to float all of the Document windows at once. See tech note kb405298 for more information.

Note: Dreamweaver does not support docking and undocking Document windows. Use the Document window’s Minimize button to create floating windows (Windows), or choose Window > Tile Vertically to create side-by-side Document windows. Search “Tile Vertically” in Dreamweaver Help for more information on this topic. The workflow is slightly different for Macintosh users.

• To dock a Document window to a separate group of Document windows, drag the window into the group.

• To create groups of stacked or tiled documents, drag the window to one of the drop zones along the top, bottom, or

sides of another window. You can also select a layout for the group by using the Layout button on the Application bar.

Note: Some products do not support this functionality. However, your product may have Cascade and Tile commands in the Window menu to help you lay out your documents.

• To switch to another document in a tabbed group when dragging a selection, drag the selection over the document’s

tab for a moment.

Note: Some products do not support this functionality.

Dock and undock panels

A dock is a collection of panels or panel groups displayed together, generally in a vertical orientation. You dock and undock panels by moving them into and out of a dock.

• To dock a panel, drag it by its tab into the dock, at the top, bottom, or in between other panels.

• To dock a panel group, drag it by its title bar (the solid empty bar above the tabs) into the dock.

• To remove a panel or panel group, drag it out of the dock by its tab or title bar. You can drag it into another dock

or make it free-floating.

Navigator panel being dragged out to new dock, indicated by blue vertical highlight

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Navigator panel now in its own dock

You can prevent panels from filling all the space in a dock. Drag the bottom edge of the dock up so it no longer meets the edge of the workspace.

Move panels

As you move panels, you see blue highlighted drop zones, areas where you can move the panel. For example, you can move a panel up or down in a dock by dragging it to the narrow blue drop zone above or below another panel. If you drag to an area that is not a drop zone, the panel floats freely in the workspace.

Note: The position of the mouse (rather than the position of the panel), activates the drop zone, so if you can’t see the drop zone, try dragging the mouse to the place where the drop zone should be.

• To move a panel, drag it by its tab.

• To move a panel group, drag the title bar.

A B

Narrow blue drop zone indicates Color panel will be docked on its own above the Layers panel group. A. Title bar B. Tab C. Drop zone

Press Ctrl (Windows) or Command (Mac OS) while moving a panel to prevent it from docking. Press Esc while moving the panel to cancel the operation.

Add and remove panels

If you remove all panels from a dock, the dock disappears. You can create a dock by moving panels to the right edge of the workspace until a drop zone appears.

• To remove a panel, right-click (Windows) or Control-click (Mac) its tab and then select Close, or deselect it from

the Window menu.

• To add a panel, select it from the Window menu and dock it wherever you want.

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Manipulate panel groups

• To move a panel into a group, drag the panel’s tab to the highlighted drop zone in the group.

Adding a panel to a panel group

• To rearrange panels in a group, drag a panel’s tab to a new location in the group.

• To remove a panel from a group so that it floats freely, drag the panel by its tab outside the group.

• To move a group, drag the title bar (the area above the tabs).

Stack floating panels

When you drag a panel out of its dock but not into a drop zone, the panel floats freely. The floating panel allows you to position it anywhere in the workspace. You can stack floating panels or panel groups so that they move as a unit when you drag the topmost title bar.

Free-floating stacked panels

• To stack floating panels, drag a panel by its tab to the drop zone at the bottom of another panel.

• To change the stacking order, drag a panel up or down by its tab.

Note: Be sure to release the tab over the narrow drop zone between panels, rather than the broad drop zone in a title bar.

• To remove a panel or panel group from the stack, so that it floats by itself, drag it out by its tab or title bar.

Resize panels

• To minimize or maximize a panel, panel group, or stack of panels, double-click a tab. You can also double-click the

tab area (the empty space next to the tabs).

• To resize a panel, drag any side of the panel. Some panels, such as the Color panel in Photoshop, cannot be resized

by dragging.

Collapse and expand panel icons

You can collapse panels to icons to reduce clutter on the workspace. In some cases, panels are collapsed to icons in the default workspace.

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Panels collapsed to icons

Panels expanded from icons

• To collapse or expand all panel icons in a column, click the double arrow at the top of the dock.

• To expand a single panel icon, click it.

• To resize panel icons so that you see only the icons (and not the labels), adjust the width of the dock until the text

disappears. To display the icon text again, make the dock wider.

• To collapse an expanded panel back to its icon, click its tab, its icon, or the double arrow in the panel’s title bar.

In some products, if you select Auto-Collapse Icon Panels from the Interface or User Interface Options preferences, an expanded panel icon collapses automatically when you click away from it.

• To add a floating panel or panel group to an icon dock, drag it in by its tab or title bar. (Panels are automatically

collapsed to icons when added to an icon dock.)

• To move a panel icon (or panel icon group), drag the icon. You can drag panel icons up and down in the dock, into

other docks (where they appear in the panel style of that dock), or outside the dock (where they appear as floating icons).

Save and switch workspaces

By saving the current size and position of panels as a named workspace, you can restore that workspace even if you move or close a panel. The names of saved workspaces appear in the workspace switcher in the Application bar.

Save a custom workspace

1 With the workspace in the configuration you want to save, do one of the following:

• (Illustrator) Choose Window > Workspace > Save Workspace.

• (Photoshop, InDesign, InCopy) Choose Window > Workspace > New Workspace.

• (Dreamweaver) Choose Window > Workspace Layout > New Workspace.

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• (Flash) Choose New Workspace from the workspace switcher in the Application bar.

• (Fireworks) Choose Save Current from the workspace switcher in the Application bar.

2 Type a name for the workspace.

3 (Photoshop, InDesign) Under Capture, select one or more options:

Panel Locations Saves the current panel locations (InDesign only).

Keyboard shortcuts Saves the current set of keyboard shortcuts (Photoshop only).

Menus or Menu Customization Saves the current set of menus.

Display or switch workspaces

❖ Select a workspace from the workspace switcher in the Application bar.

In Photoshop, you can assign keyboard shortcuts to each workspace to navigate among them quickly.

Delete a custom workspace

• Select Manage Workspaces from the workspace switcher in the Application bar, select the workspace, and then

click Delete. (The option is not available in Fireworks.)

• (Photoshop, InDesign, InCopy) Select

• Delete Workspace

• from the workspace switcher.

• (Illustrator) Choose Window > Workspace > Manage Workspaces, select the workspace, and then click the Delete icon.

• (Photoshop, InDesign) Choose Window > Workspace >

• Delete Workspace

• , select the workspace, and then click Delete.

Restore the default workspace

1 Select the Default or Essentials workspace from the workspace switcher in the application bar. For Fireworks, see

the article http://www.adobe.com/devnet/fireworks/articles/workspace_manager_panel.html.

Note: In Dreamweaver, Designer is the default workspace.

2 For Fireworks (Windows), delete these folders:

Windows Vista \\Users\<username>\AppData\Roaming\Adobe\Fireworks CS4\

Windows XP \\Documents and Settings\<username>\Application Data\Adobe\Fireworks CS4

3 (Photoshop, InDesign, InCopy) Select Window > Workspace > Reset [Workspace Name].

(Photoshop) Restore a saved workspace arrangement

In Photoshop, workspaces automatically appear as you last arranged them, but you can restore the original, saved arrangement of panels.

• To restore an individual workspace, choose Window > Workspace > Reset Workspace Name.

• To restore all the workspaces installed with Photoshop, click Restore Default Workspaces in the Interface

preferences.

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To rearrange the order of workspaces in the application bar, drag them.

Hide tool tips

When you position the pointer over most tools and options, descriptions appear in tool tips by default. If you find tool tips visually distracting, you can hide them.

❖ In the Interface preferences, deselect Show Tool Tips.

Note: Tool tips are not available in some dialog boxes.

Panels and menus

Enter values in panels, dialog boxes, and the options bar

❖ Do any of the following:

• Type a value in the text box, and press Enter (Windows) or Return (Mac OS).

• Drag the slider.

• Move the pointer over the title of a slider or pop-up slider. When the pointer turns to a pointing finger, drag the

scrubby slider to the left or right. This feature is available only for selected sliders and pop-up sliders.

• Drag the dial.

• Click the arrow buttons in the panel to increase or decrease the value.

• (Windows) Click the text box and then use the Up Arrow key and the Down Arrow key on the keyboard to increase

or decrease the value.

• Select a value from the menu associated with the text box.

ADB C

Ways to enter values A. Menu arrow B. Scrubby slider C. Text box D. Dial E. Slider