Page 1
Effect Types and Parameters
© 2017 ZOOM CORPORATION
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Page 2
Effect explanation overview
Additional effects
Effect type Effect explanation Parameter range
PDL Vol The volume curve of the volume pedal can be set.
★
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A, B
ParameterEffect Screen
Parameter explanation
Contents
Pedal control possible icon
Tempo synchronization possible icon
DYNAMICS
FILTER
DRIVE
AMP
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CABINET
MODULATION
SFX
DELAY
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REVERB
PEDAL
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Additional tables
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4
6
8
10
11
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15
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Page 3
Effect Types and Parameters
[ DYNAMICS ]
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Time Adjusts the attack time. 1 – 50
Curve Set the curve of volume change during attack. 0 – 10
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
ZNR
OptComp This is an optical compressor.
★
BlackOpt
LMT-76 This is a simulation of the UREI 1176LN.
160 Comp This compressor is in the style of the dbx 160A.
DualComp
MB Comp This is a simulation of the MultiComp (MODE:MB).
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting
the tone.
DETCT Sets control signal detection level.
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
Drive Adjusts the depth of the compression. 0 – 10
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
GTRIN,
EFXIN
This is a simulation of the Demeter COMP-1 Compulator.
Added parameters allow you to adjust the tone.
Comp Adjusts the depth of the compression. 0 – 10 0
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL
Input Adjusts the input level. 0 – 80
Ratio Adjusts the compression ratio.
REL This is a limiter that suppresses signal peaks above a certain reference level. 10 – 70
Output
THRSH Adjusts the threshold that determines when the effect is activated. -60 – 0
Ratio Adjusts the compression ratio. 1.0 – 10.0
Knee Sets the type of knee. SOFT, HARD
VOL
Adjusts the volume. 0 – 100
4:1, 8:1, 12:1,
20:1
Adjusts the output level. 0 – 80
Adjusts the volume. 0 – 100
This is a compressor which allows separate settings for the low frequency and high
frequency range.
FREQ Adjusts the crossover point between the high frequency and low frequency range. 300 – 1.5k
LoCMP Adjusts the compression depth in the low frequency range. 0 – 50
HiCMP Adjusts the compression depth in the high frequency range. 0 – 50
VOL
Comp Adjusts the depth of the compression. 0 – 100
LoTHR Adjusts the threshold that triggers the low-frequency effect. 0 – 100
HiTHR Adjusts the threshold that triggers the high-frequency effect. 0 – 100
VOL
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
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Effect Types and Parameters
[ DYNAMICS ]
DYN Comp
This is a simulation of the MXR Dyna Comp.
Added parameters allow you to adjust the tone and the compressor attack speed.
Sense Adjusts the sensitivity of the effect. 0 – 10
ATTCK Sets compressor attack speed to FAST or SLOW. SLOW, FAST
Tone Adjusts the tone. 0 – 100
VOL
Adjusts the volume. 0 – 100
[ FILTER ]
SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.
Step Adjusts number of sequence steps. 2 – 8
PTTRN Sets effect pattern. 1 – 8
Speed Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 10
EG FLTR This filter effect is controlled using the control switch.
FREQ1 Sets the frequency when the control switch is off. 0 – 100
FREQ2 Sets the frequency when the control switch is on. 0 – 100
RESO Sets effect resonance. 0 – 100
Type Sets filter type.
Speed Sets the speed of the modulation. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
CNTRL
Exciter This exciter enables flexible control.
Bass Adjusts the amount of low-frequency phase correction. 0 – 100
Treble Adjusts the amount of high-frequency phase correction. 0 – 100
VOL Adjusts the volume. 0 – 100
ON/OFF
BassA-Wah You can adjust the mix of this bass guitar auto-wah with the original signal.
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
VOL
Z Tron This is like a Q-Tron Envelope Filter in LP mode.
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
VOL
A-Filter This is a resonance filter with a sharp envelope.
Mode Sets direction of movement of the filter. UP, DOWN
Sense Adjusts the sensitivity of the effect. 1 – 10
Peak Adjusts the Q value of the filter. 0 – 10
Sets the control switch function.
Sets the foot switch function.
Dry Adjusts the volume of the unaffected sound. 0 – 100
Adjusts the volume. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume of the unaffected sound. 0 – 100
Dry
HPF2 –
LPF4
LATCH,
UnLATCH,
TRGGR
LATCH,
UnLATCH
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Effect Types and Parameters
[ FILTER ]
Bass Cry This talking modulator is suitable for the bass frequency range.
Range Adjusts the frequency range processed by the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
BAL
BassGEQ This 7-band graphic equalizer is suitable for the bass frequency range.
4.5k Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
St Ba GEQ This stereo graphic equalizer has 7 bands that suit bass guitar frequencies.
4.5k Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
BassPEQ This 1-band parametric equalizer is suitable for the bass frequency range.
FREQ Sets the frequency of the equalizer. 20 – 20k
Gain Adjusts the gain. -20.0 – 20.0
VOL
Splitter
This effect divides the signal into two bands (high/low) and lets you freely adjust the
mix ratio of the two bands.
FREQ Adjusts the crossover point between the high frequency and low frequency band. 80 – 2.5k
VOL
Low EQ Designed for low frequencies, this equalizer allows you to select the type.
★
Type Sets filter type. SHELF, HPF
FREQ Sets the frequency of the filter. 20 – 640
Gain
VOL Adjusts the volume. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
50 Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0
120 Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0
400 Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0
500 Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0
800 Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0
10k Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0
50 Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0
120 Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0
400 Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0
500 Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0
800 Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0
10k Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0
Q Adjusts equalizer Q. 0.5 – 16.0
Adjusts the volume. 0 – 100
Lo Adjusts the mix ratio of the low frequency band. 0 – 100
Hi Adjusts the mix ratio of the high frequency band. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the gain.
This setting is disabled when the Type parameter is set to HPF.
-12.0 – 12.0
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Effect Types and Parameters
[ DRIVE ]
EP Stomp This models the Maestro Echoplex preamp.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
VOL Adjusts the volume. 0 – 100
RC Boost This booster covers sounds ranging from clean boosts to light drives.
★
NYC Muff
TS+Boost This effect combines TS Drive and Booster.
★
Bass DRV This is a simulation of the SansAmp BASS DRIVER DI.
D.I Plus
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to
adjust the balance of original sound and distortion.
SUSTN Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Gain Adjusts gain of TS Drive. 0 – 100
Tone Adjusts tone of TS Drive. 0 – 100
VOL Adjusts volume of TS Drive. 0 – 100
Comp Sets the clipping type of TS Drive. 0 – 2
BOOST Adjusts gain of Booster. 0 – 100
BASS Adjusts low frequencies volume of booster. 0 – 100
TREBLE Adjusts high frequencies volume of booster. 0 – 100
CONNECT Set the connection order of TS Drive and Booster.
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Blend Adjusts the balance between the original sound and the effected sound. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
MID-F Adjusts the center frequency of the mid-range. 500, 1.0k
MID Adjusts the volume of middle frequencies. 0 – 100
This is a simulation of the MXR Bass D.I.+, which has both clean and distortion
channels.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts the volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Color This turns the preset EQ ON or OFF for the clean channel. OFF, ON
CL VOL Adjusts the volume of the clean channel. 0 – 100
BLEND Adjusts the balance between the original sound and the effected sound. 0 – 100
GAIN Adjusts the gain. 0 – 100
DS VOL Adjusts the volume of the distortion channel. 0 – 100
BOOST-OD,
OD-BOOST
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Effect Types and Parameters
[ DRIVE ]
Dark Pre This is a simulation of the Darkglass Electronics Microtubes B7K.
Bass Adjusts volume of low frequencies. 0 – 100
L-MID Adjusts the volume of lower middle frequencies. 0 – 100
H-MID Adjusts the volume of higher middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Blend Adjusts the balance between the original sound and the effected sound. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
BOOST This sets the frequency bands boosted when the control switch is on. LO, HI, LO+HI
Bass BB This is a simulation of the Xotic Bass BB Preamp.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
VOL
DI-5 This simulates the AVALON DESIGN U5 preamp.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. OFF, 1 – 6
HiCut Cuts high frequencies when ON. OFF, ON
VOL
Bass Pre This is a preamp model with a 3-band equalizer.
Bass Adjusts volume of low frequencies. 0 – 10
MID Adjusts volume of middle frequencies. -10 – 10
Treble Adjusts volume of high frequencies. 0 – 10
VOL
Bass OD Simulates the ODB-3 overdrive bass machine from BOSS.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL
BassTsDRV
Simulation of the Ibanez TS808. An added parameter allows you to adjust the balance
of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL
Dark OD This is a simulation of the Darkglass Electronics Microtubes B3K.
Gain Adjusts the gain. 0 – 100
ATTCK Adjusts volume of high frequencies.
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL
BlueB BOD
This is a simulation of the MAD PROFESSOR Blueberry Bass Overdrive. An added
parameter allows you to adjust the balance of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Nature Adjusts the tone. 0 – 100
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
CUT, FLAT,
BOOST
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Effect Types and Parameters
[ DRIVE ]
VooDoo-B
BaFzSmile
BassMetal
This is a simulation of the ROGER MAYER VOODOO-BASS. An added parameter
allows you to adjust the balance of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL
Adjusts the volume. 0 – 100
This models a FUZZ FACE. An added parameter allows you to adjust the balance of
original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL
Adjusts the volume. 0 – 100
This models a BOSS Metal Zone. An added parameter allows you to adjust the
balance of original sound and distortion
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL
Adjusts the volume. 0 – 100
BassOctFZ This fuzz effect adds an octave above.
★
Boost Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Fuzz This adjusts the amount of fuzz in the mix. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
[ AMP ]
AMPG SVT This models the sound of the Ampeg SVT.
Bass Adjusts volume of low frequencies. -20.0 – 20.0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. -20.0 – 20.0
Treble Adjusts volume of high frequencies. -20.0 – 20.0
Gain Adjusts the gain. 0 – 100
Ultra Emphasizes high and low frequencies.
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
BMAN100 This models the sound of the Fender Bassman 100.
Bass Adjusts volume of low frequencies. 10 – 100
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. 10 – 100
Treble Adjusts volume of high frequencies. 10 – 100
Gain Adjusts the gain. 10 – 100
Deep Adjusts the low-frequency character. OFF, ON
VOL Adjusts the volume. 10 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
OFF, LOW, HI,
BOTH, CUT
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Effect Types and Parameters
[ AMP ]
SMR400 This models the sound of the SWR SM-400.
Bass Adjusts volume of low frequencies. -15.0 – 15.0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. -15.0 – 15.0
Treble Adjusts volume of high frequencies. -15.0 – 15.0
Gain Adjusts the gain. 0 – 100
ENHNC This tone control changes the frequency and level according to the knob position. 0 – 100
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
AG 750 This models the sound of the Aguilar DB 750.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
BRGHT Adjusts the high-frequency character. OFF, ON
Deep Adjusts the low-frequency character. OFF, ON
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
TE400SMX This models the sound of the Trace Elliot AH400SMX.
Style Three preset tones can be used to match the playing style.
Bass Adjusts volume of low frequencies. -15.0 – 15.0
MID Adjusts volume of middle frequencies. -15.0 – 15.0
Treble Adjusts volume of high frequencies. -15.0 – 15.0
Gain Adjusts the gain. 0 – 100
Shape These presets boost low and high frequencies while cutting middle frequencies. OFF, 1, 2
VOL Adjusts the volume. 0 – 100
SOLO Sets the volume when the control switch is on. 1 – 9
AC 370 This models the sound of the Acoustic 370 bass amplifier.
★
Mini MkB This models the sound of the Markbass MINIMARK 802 bass amplifier.
★
Bass Adjusts volume of low frequencies. 0 – 100
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
BRGHT Adjusts the high-frequency character. OFF, ON
VOL Adjusts the volume. 0 – 100
SOLO
Gain Adjusts the gain. 0 – 100
VNTG Adjusts the tone. 0 – 100
Shape These filters boost low and high frequencies while cutting middle frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
Sets the volume when the control switch is on. 1 – 9
PICK, SLAP,
FINGER
Page 10
Effect Types and Parameters
[ CABINET ]
SVT8x10 This models the sound of the Ampeg SVT-810E cabinet with eight 10" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL
FD-B4x12 This models the sound of the Fender Bassman 100 cabinet with four 12" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL
SMR4x10TW This models a SWR GOLIATH cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL
AG4x10TW This models an Aguilar GS410 cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL
TE4x10 This models the sound of the TRACE ELLIOT 1048 cabinet with four 10" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL
AC1x18 This models an Acoustic 301 cabinet with one 18" speaker.
★
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
MkB2x8TW This models a Markbass MINIMARK 802 cabinet with two 8" speakers and a tweeter.
★
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
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Page 11
Effect Types and Parameters
[ MODULATION ]
Tremolo This effect varies the volume at a regular rate.
Wave Sets the modulation waveform.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
VOL Adjusts the volume. 0 – 100
Phaser This effect adds a phasing variation to the sound.
Color Sets the tone of the effect type.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 100
TheVibe This vibe sound features unique undulations.
★
PitchSHFT This effect shifts the pitch up or down.
HPS
Kick FLNG This flanger is controlled using the control switch.
SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.
★
Speed Sets the speed of the modulation. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus.
VOL Adjusts the volume. 0 – 100
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
This intelligent pitch shifter outputs the effect sound with the pitch shifted according
to scale and key settings.
Scale Sets the pitch of the pitch-shifted sound added to the original sound.
Key Sets the tonic (root) of the scale used for pitch shifting.
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PreD Sets pre-delay time of effect sound. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
ON/OFF
RESO Sets effect resonance. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
RST-F Adjusts the LFO reset frequency. 0 – 100
LFO
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Sets the foot switch function.
Sets the function when the control switch is on.
TRI, TUBE,
SQR
4 STG,
8 STG,
INV 4,
INV 8
VIBRT,
CHORS
-6, -5, -4, -3,
-m, m, 3, 4, 5,
6
( See Table 1 )
C, C#, D, D#,
E, F, F#, G, G#,
A, A#, B
LATCH,
UnLATCH
RESET,
STOP
Page 12
Effect Types and Parameters
[ MODULATION ]
CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.
Depth Sets the depth of the modulation. 0 – 100
Speed Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
BassStCho This stereo chorus for bass has a clear sound quality.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
LoCut Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Mix
BaVinFLNG
This analog flanger sound is similar to an MXR M-117R. A parameter has been added
to cut low frequencies from the effect sound.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. -10 – 10
LoCut
Ba Octave This effect adds sound one octave below the original sound.
Ba Detune
BaMnPitch
By mixing a small amount of the pitch-shifted effect sound with the original sound, a
natural bass chorus effect is achieved.
Cent Adjusts the detuning in cents, which are fine increments of 1/100-semitone. -50 – 50
PreD Sets the pre-delay time of the effect sound. 0 – 50
Tone Adjusts the tone. 0 – 10
Mix
This pitch shifter was designed specifically for playing single notes in the bass
frequency range.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12 – 12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL
BassPhase This phaser is good for bass frequencies.
★
Color Sets the sound color. 1, 2
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Oct Adjusts the level of the one-octave lower sound component. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 10
Hi Adjusts volume of high frequencies. 0 – 10
Adjusts the volume of the unaffected sound. 0 – 100
Dry
Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
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Page 13
Effect Types and Parameters
[ SFX ]
Bomber This effect generates explosive sounds.
Decay Adjusts the length of the explosive sound. 1 – 100
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
ON/OFF
Sets the foot switch function.
StdSyn ZOOM original bass synthesizer sound.
Sense Adjusts the sensitivity for trigger detection. 0 – 100
Sound Selects a synthesizer variation. 1 – 4
Tone Adjusts the tone. 0 – 10
Adjusts the balance between original and effect sounds. 0 – 100
Adjusts the balance between original and effect sounds. 0 – 100
SynTlk
BAL
This effect produces a synthesizer sound similar to a talking modulator producing
vowels.
Decay Adjusts the rate of sound change. 0 – 100
Type Selects a vowel variation.
Tone Adjusts the tone. 0 – 10
BAL
Z-Syn This bass synthesizer sound adds analog synth fatness.
FREQ Sets the cut-off frequency of the lowpass filter. 0 – 10
Range Adjusts the amount of cut-off frequency modulation. 0 – 20
Decay Adjusts the speed of tone modulation. 0 – 100
RESO Sets effect resonance. 0 – 20
Wave Selects the waveform. SAW, SQR
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Defret Turns the sound from any bass guitar into a fretless bass sound.
Sense Adjusts the sensitivity of the effect. 0 – 30
Color
Tone Adjusts the tone. 1 – 50
VOL
Adjusts the harmonics contents of the sound. Higher setting values result in stronger effect
character.
Adjusts the volume. 0 – 100
PH+Dist This effect combines a phaser and distortion in the style of the Roland JET PHASER.
Mode Selects the jet sound mode. 1 – 4
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. 0 – 10
VOL
Adjusts the volume. 0 – 100
LATCH,
TRGGR
IA, UE,
UA, OA
1 – 10
Page 14
Effect Types and Parameters
[ DELAY ]
Delay This long delay has a maximum length of 4000 ms.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
AnalogDly This analog delay simulation has a long delay with a maximum length of 4000 ms.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TapeEcho
This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of
the echoes.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
ReverseDL This reverse delay is a long delay with a maximum length of 2000 ms.
Time Sets the delay time. 10 – 2000
F. B Adjusts the feedback amount. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hold DLY This hold delay effect is controlled using the control switch.
Time Sets the delay time. 1 – 4000
F. B Adjusts the feedback amount. 0 – 100
HiDMP Adjusts the treble attenuation of the delay sound. 0 – 10
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
P- P Sets delay output to mono or Ping Pong. MONO, P-P
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hold
Sets the control switch function.
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
LATCH,
UnLATCH
14 15
Page 15
Effect Types and Parameters
[ REVERB ]
Air This effect reproduces the ambience of a room, to create spatial depth.
Size Sets the size of the space. 1 – 100
REF Adjusts the amount of reflection from the wall. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Room This reverb effect simulates the acoustics of a room.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Hall This reverb effect simulates the acoustics of a concert hall.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
HD Hall This is a dense hall reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Spring This reverb effect simulates a spring reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Plate This simulates a plate reverb.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
Page 16
Effect Types and Parameters
[ PEDAL ]
PDL Vol The volume curve of the volume pedal can be set.
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A, B
BassWah This is a pedal wah effect for bass guitar.
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL
PDL Reso Pedal wah with a strong character.
RESO Sets effect resonance. 0 – 10
VOL
BaPDLPit Use an expression pedal to change the pitch in real time with this effect.
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone.
Mode
BaPDLMnP
This is a pitch shifter specially for monophonic sound (single-note playing), which
allows the pitch to be shifted in real time with the expression pedal.
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode
Adjusts the volume. 0 – 100
FREQ Adjusts the emphasized frequency. 1 – 50 P
Dry Adjusts the volume of the unaffected sound. 0 – 100
Adjusts the volume. 0 – 100
Bend Sets the amount of pitch shift. 0 – 100 P
Sets the sound style.
Bend Sets the amount of pitch shift. 0 – 100 P
Sets the sound style. UP, DOWN
1 – 9
( See Table 2 )
0 – 10
UP, DOWN
1 – 9
( See Table 2 )
16 1716 17
Page 17
Additional tables
Table 1 [Scale Parameter]
Setting Scale used Interval
-6
-5 5th down
-4 4th down
-3 3rd down
-m
m 3rd up
3
4 4th up
5 5th up
6 6th up
Major
Minor
Major
Table 2 [Color Parameter]
Color Pedal min Pedal max
1 0 cent +1 octave
2 0 cent +2 octave
3 0 cent - 100 cent
4 0 cent - 2 octave
5 0 cent -∞
6 - 1 octave +original +1 octave +original
7 - 700 cent +original +500 cent +original
8 Doubling Detuned +original
9 -∞ (0 Hz) +original +1 octave +original
6th down
3rd down
3rd up
©2017 ZOOM CORPORATION Z2I-2890-02
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