Multi-Effects Processor
Effect Types and Parameters
© 2019 ZOOM CORPORATION
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect explanation overview
Guitar Lab additional effects
Effect type Effect explanation Parameter range
PDL Vol The volume curve of the volume pedal can be set.
★
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A, B
ParameterEffect Screen
Parameter explanation
Contents
Pedal control possible icon
Tempo synchronization possible icon
DYNAMICS
FILTER
DRIVE
AMP
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CABINET
MODULATION
SFX
DELAY
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REVERB
PEDAL
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Additional tables
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4
6
8
10
11
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14
15
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2 3
Effect Types and Parameters
B1
FOUR /
B1X
[ DYNAMICS ]
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Time Adjusts the attack time. 1 – 50
Curve Set the curve of volume change during attack. 0 – 10
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
ZNR
OptComp This is an optical compressor.
BlackOpt
LMT-76 This is a simulation of the UREI 1176LN.
160 Comp This compressor is in the style of the dbx 160A.
DualComp
★
MB Comp This is a simulation of the MultiComp (MODE:MB).
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting
the tone.
DETCT Sets control signal detection level.
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
Drive Adjusts the depth of the compression. 0 – 10
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
GTRIN,
EFXIN
This is a simulation of the Demeter COMP-1 Compulator.
Added parameters allow you to adjust the tone.
Comp Adjusts the depth of the compression. 0 – 10 0
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL
Input Adjusts the input level. 0 – 80
Ratio Adjusts the compression ratio.
REL This is a limiter that suppresses signal peaks above a certain reference level. 10 – 70
Output
THRSH Adjusts the threshold that determines when the effect is activated. -60 – 0
Ratio Adjusts the compression ratio. 1.0 – 10.0
Knee Sets the type of knee. SOFT, HARD
VOL
Adjusts the volume. 0 – 100
4:1, 8:1, 12:1,
20:1
Adjusts the output level. 0 – 80
Adjusts the volume. 0 – 100
This is a compressor which allows separate settings for the low frequency and high
frequency range.
FREQ Adjusts the crossover point between the high frequency and low frequency range. 300 – 1.5k
LoCMP Adjusts the compression depth in the low frequency range. 0 – 50
HiCMP Adjusts the compression depth in the high frequency range. 0 – 50
VOL
Comp Adjusts the depth of the compression. 0 – 100
LoTHR Adjusts the threshold that triggers the low-frequency effect. 0 – 100
HiTHR Adjusts the threshold that triggers the high-frequency effect. 0 – 100
VOL
Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
FOUR
Effect Types and Parameters
[ DYNAMICS ]
B1
FOUR /
B1X
FOUR
DYN Comp
Glam Comp
This is a simulation of the MXR Dyna Comp.
Added parameters allow you to adjust the tone and the compressor attack speed.
Sense Adjusts the sensitivity of the effect. 0 – 10
ATTCK Sets compressor attack speed to FAST or SLOW. SLOW, FAST
Tone Adjusts the tone. 0 – 100
VOL
Adjusts the volume. 0 – 100
This compressor becomes a glamorous tone as increasing the Shape parameter.
Also, you can mix the original sound.
Comp Adjusts the depth of the compression. 0 – 100
Shape Emphasizes high and low frequencies. 0 – 10
VOL Adjusts the volume. 0 – 100
DryMx
Adjusts the volume of the unaffected sound. 0 – 100
[ FILTER ]
SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.
Step Adjusts number of sequence steps. 2 – 8
PTTRN Sets effect pattern. 1 – 8
Speed Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 10
Exciter This exciter enables flexible control.
Bass Adjusts the amount of low-frequency phase correction. 0 – 100
Treble Adjusts the amount of high-frequency phase correction. 0 – 100
VOL Adjusts the volume. 0 – 100
ON/OFF
BassA-Wah You can adjust the mix of this bass guitar auto-wah with the original signal.
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
VOL
Z Tron This is like a Q-Tron Envelope Filter in LP mode.
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
VOL
A-Filter This is a resonance filter with a sharp envelope.
★
Mode Sets direction of movement of the filter. UP, DOWN
Sense Adjusts the sensitivity of the effect. 1 – 10
Peak Adjusts the Q value of the filter. 0 – 10
Bass Cry This talking modulator is suitable for the bass frequency range.
Range Adjusts the frequency range processed by the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
BAL
Sets the foot switch function.
Dry Adjusts the volume of the unaffected sound. 0 – 100
Adjusts the volume. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the volume of the unaffected sound. 0 – 100
Dry
Adjusts the balance between original and effect sounds. 0 – 100
LATCH,
UnLATCH
4 5
Effect Types and Parameters
B1
FOUR /
[ FILTER ]
BassGEQ This 7-band graphic equalizer is suitable for the bass frequency range.
50 Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0
120 Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0
400 Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0
500 Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0
800 Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0
4.5k Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0
10k Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
St Ba GEQ This stereo graphic equalizer has 7 bands that suit bass guitar frequencies.
★
BassPEQ This 1-band parametric equalizer is suitable for the bass frequency range.
Splitter
Low EQ Designed for low frequencies, this equalizer allows you to select the type.
★
High EQ Designed for high frequencies, this equalizer allows you to select the type.
EnvFilter This models the MXR envelope filter.
★
50 Boosts or cuts the low (50 Hz) frequency band. -12.0 – 12.0
120 Boosts or cuts the low (120 Hz) frequency band. -12.0 – 12.0
400 Boosts or cuts the low (400 Hz) frequency band. -12.0 – 12.0
500 Boosts or cuts the low (500 Hz) frequency band. -12.0 – 12.0
800 Boosts or cuts the low (800 Hz) frequency band. -12.0 – 12.0
4.5k Boosts or cuts the low (4.5 kHz) frequency band. -12.0 – 12.0
10k Boosts or cuts the low (10 kHz) frequency band. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
FREQ Sets the frequency of the equalizer. 20 – 20k
Q Adjusts equalizer Q. 0.5 – 16.0
Gain Adjusts the gain. -20.0 – 20.0
VOL
Adjusts the volume. 0 – 100
This effect divides the signal into two bands (high/low) and lets you freely adjust the
mix ratio of the two bands.
FREQ Adjusts the crossover point between the high frequency and low frequency band. 80 – 2.5k
Lo Adjusts the mix ratio of the low frequency band. 0 – 100
Hi Adjusts the mix ratio of the high frequency band. 0 – 100
VOL
Type Sets filter type. SHELF, HPF
FREQ Sets the frequency of the filter. 20 – 640
Gain
VOL Adjusts the volume. 0 – 100
Type Sets filter type. SHELF, LPF
FREQ Sets the frequency of the filter. 500 – 20k
Gain
VOL Adjusts the volume. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
ATTCK Adjusts the attack speed. 0 – 100
Mode Sets direction of movement of the filter. UP, DOWN
VOL Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the gain.
This setting is disabled when the Type parameter is set to HPF.
Adjusts the gain.
This setting is disabled when the Type parameter is set to LPF.
B1X
-12.0 – 12.0
-12.0 – 12.0
FOUR
Effect Types and Parameters
B1
FOUR /
[ DRIVE ]
EP Stomp This models the Maestro Echoplex preamp.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
VOL Adjusts the volume. 0 – 100
RC Boost This booster covers sounds ranging from clean boosts to light drives.
★
NYC Muff
Squeak
Bass DRV This is a simulation of the SansAmp BASS DRIVER DI.
D.I Plus
Dark Pre This is a simulation of the Darkglass Electronics Microtubes B7K.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
This models an Electro-Harmonix Big Muff Pi. An added parameter allows you to
adjust the balance of original sound and distortion.
SUSTN Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
This models a ProCo RAT.
A parameter has been added that allows you to adjust the mix level of the original sound.
Gain Adjusts the gain. 0 – 100
FLTR Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
DryMx Adjusts the volume of the unaffected sound. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
Blend Adjusts the balance between the original sound and the effected sound. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
MID-F Adjusts the center frequency of the mid-range. 500, 1.0k
MID Adjusts the volume of middle frequencies. 0 – 100
This is a simulation of the MXR Bass D.I.+, which has both clean and distortion
channels.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts the volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Color This turns the preset EQ ON or OFF for the clean channel. OFF, ON
CHAN Switches between clean and distortion channels. CLN, DIST
Blend
Gain Adjusts the gain of the distortion channel. 0 – 100
VOL Adjusts the volume. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
L-MID Adjusts the volume of lower middle frequencies. 0 – 100
H-MID Adjusts the volume of higher middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Blend Adjusts the balance between the original sound and the effected sound. 0 – 100
Gain Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
Boost This sets the frequency bands boosted. LO, HI, LO+HI
Adjusts the balance between the original sound and the effected sound for the distortion
channel.
B1X
0 – 100
FOUR
6 7
Effect Types and Parameters
B1
[ DRIVE ]
Bass BB This is a simulation of the Xotic Bass BB Preamp.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. -10 – 10
Treble Adjusts volume of high frequencies. -10 – 10
VOL Adjusts the volume. 0 – 100
DI-5 This simulates the AVALON DESIGN U5 preamp.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. OFF, 1 – 6
HiCut Cuts high frequencies when ON. OFF, ON
VOL Adjusts the volume. 0 – 100
Bass Pre This is a preamp model with a 3-band equalizer.
Bass Adjusts volume of low frequencies. 0 – 10
MID Adjusts volume of middle frequencies. -10 – 10
Treble Adjusts volume of high frequencies. 0 – 10
VOL Adjusts the volume. 0 – 100
Bass OD Simulates the ODB-3 overdrive bass machine from BOSS.
★
BassTsDRV
Dark OD This is a simulation of the Darkglass Electronics Microtubes B3K.
BlueB BOD
VooDoo-B
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL
Adjusts the volume. 0 – 100
Simulation of the Ibanez TS808. An added parameter allows you to adjust the balance
of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Gain Adjusts the gain. 0 – 100
ATTCK Adjusts volume of high frequencies.
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
This is a simulation of the MAD PROFESSOR Blueberry Bass Overdrive. An added
parameter allows you to adjust the balance of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Nature Adjusts the tone. 0 – 100
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
This is a simulation of the ROGER MAYER VOODOO-BASS. An added parameter
allows you to adjust the balance of original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Blend Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
FOUR /
B1X
CUT, FLAT,
BOOST
FOUR
Effect Types and Parameters
[ DRIVE ]
B1
FOUR /
B1X
FOUR
BaFzSmile
★
BassMetal
★
This models a FUZZ FACE. An added parameter allows you to adjust the balance of
original sound and distortion.
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
This models a BOSS Metal Zone. An added parameter allows you to adjust the
balance of original sound and distortion
Gain Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
BassOctFZ This fuzz effect adds an octave above.
Boost Adjusts the gain. 0 – 100
Tone Adjusts the tone. 0 – 100
Fuzz This adjusts the amount of fuzz in the mix. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
[ AMP ]
AMPG SVT This models the sound of the Ampeg SVT.
Bass Adjusts volume of low frequencies. -20.0 – 20.0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. -20.0 – 20.0
Treble Adjusts volume of high frequencies. -20.0 – 20.0
Gain Adjusts the gain. 0 – 100
Ultra Emphasizes high and low frequencies.
VOL Adjusts the volume. 0 – 100
BMAN100 This models the sound of the Fender Bassman 100.
Bass Adjusts volume of low frequencies. 10 – 10 0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. 10 – 100
Treble Adjusts volume of high frequencies. 10 – 100
Gain Adjusts the gain. 10 – 100
Deep Adjusts the low-frequency character. OFF, ON
VOL Adjusts the volume. 10 – 100
SMR400 This models the sound of the SWR SM-400.
Bass Adjusts volume of low frequencies. -15.0 – 15.0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. -15.0 – 15.0
Treble Adjusts volume of high frequencies. -15.0 – 15.0
Gain Adjusts the gain. 0 – 100
ENHNC This tone control changes the frequency and level according to the knob position. 0 – 100
VOL Adjusts the volume. 0 – 100
OFF, LOW, HI,
BOTH, CUT
8 9
Effect Types and Parameters
B1
FOUR /
[ AMP ]
AG 750 This models the sound of the Aguilar DB 750.
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
BRGHT Adjusts the high-frequency character. OFF, ON
Deep Adjusts the low-frequency character. OFF, ON
VOL Adjusts the volume. 0 – 100
TE400SMX This models the sound of the Trace Elliot AH400SMX.
Style Three preset tones can be used to match the playing style.
Bass Adjusts volume of low frequencies. -15.0 – 15.0
MID Adjusts volume of middle frequencies. -15.0 – 15.0
Treble Adjusts volume of high frequencies. -15.0 – 15.0
Gain Adjusts the gain. 0 – 100
Shape These presets boost low and high frequencies while cutting middle frequencies. OFF, 1, 2
VOL Adjusts the volume. 0 – 100
AC 370 This models the sound of the Acoustic 370 bass amplifier.
Bass Adjusts volume of low frequencies. 0 – 100
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. 0 – 100
BRGHT Adjusts the high-frequency character. OFF, ON
VOL Adjusts the volume. 0 – 100
Mini MkB This models the sound of the Markbass MINIMARK 802 bass amplifier.
Gain Adjusts the gain. 0 – 100
VNTG Adjusts the tone. 0 – 100
Shape These filters boost low and high frequencies while cutting middle frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
EBH360 This models the sound of the EBS HD360 bass amplifier.
Bass Adjusts volume of low frequencies. -10.0 – 10.0
MID-F Adjusts the center frequency of the mid-range. 32 – 6.3k
MID Adjusts volume of middle frequencies. -10.0 – 10.0
Treble Adjusts volume of high frequencies. -10.0 – 10.0
BRGHT Adjusts the high-frequency character. 0 – 100
Drive Adjusts the gain. 0 – 100
VOL Adjusts the volume. 0 – 100
CHARA Emphasizes high and low frequencies. OFF, ON
FlipTop This models the sound of the Ampeg B-15N bass amplifier.
BRGHT Adjusts the high-frequency character. OFF, ON
Treble Adjusts volume of high frequencies. -20.0 – 20.0
MID Adjusts volume of middle frequencies. -20.0 – 20.0
Bass Adjusts volume of low frequencies. -20.0 – 20.0
Gain Adjusts the gain. 0 – 100
Ultra Emphasizes high and low frequencies.
VOL Adjusts the volume. 0 – 100
B1X
FOUR
PICK, SLAP,
FINGER
OFF, HI, LOW,
BOTH
Effect Types and Parameters
B1
FOUR /
B1X
FOUR
[ CABINET ]
SVT8x10 This models the sound of the Ampeg SVT-810E cabinet with eight 10" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
SVT4x10TW This models a SVT-410HLF cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
FD-B4x12 This models the sound of the Fender Bassman 100 cabinet with four 12" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
SMR4x10TW This models a SWR GOLIATH cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
AG4x10TW This models an Aguilar GS410 cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
TE4x10 This models the sound of the TRACE ELLIOT 1048 cabinet with four 10" speakers.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
AC1x18 This models an Acoustic 301 cabinet with one 18" speaker.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
MkB2x8TW This models a Markbass MINIMARK 802 cabinet with two 8" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
10 11
Effect Types and Parameters
B1
FOUR /
B1X
[ CABINET ]
EB4x10TW This models an EBS ProLine 410 cabinet with four 10" speakers and a tweeter.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 This adjusts the volume of the modeled sound captured from the tweeter by a Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
AM1x15 This models an Ampeg B-15N cabinet with one 15" speaker.
DYN20 Adjusts volume of the Electro-Voice RE-20. 0 – 100
DYN57 Adjusts volume of the Shure SM57. 0 – 100
Bottom Adjusts volume of low frequencies. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
[ MODULATION ]
Tremolo This effect varies the volume at a regular rate.
Wave Sets the modulation waveform.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
VOL Adjusts the volume. 0 – 100
Phaser This effect adds a phasing variation to the sound.
Color Sets the tone of the effect type.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 100
TheVibe This vibe sound features unique undulations.
★
Speed Sets the speed of the modulation. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus.
VOL Adjusts the volume. 0 – 100
PitchSHFT This effect shifts the pitch up or down.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
HPS
★
This intelligent pitch shifter outputs the effect sound with the pitch shifted according
to scale and key settings.
Scale Sets the pitch of the pitch-shifted sound added to the original sound.
Key Sets the tonic (root) of the scale used for pitch shifting.
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
TRI, TUBE,
SQR
4 STG,
8 STG,
INV 4,
INV 8
VIBRT,
CHORS
-6, -5, -4, -3,
-m, m, 3, 4, 5,
6
( See Table 1 )
C, C#, D, D#,
E, F, F#, G, G#,
A, A#, B
FOUR
Effect Types and Parameters
B1
FOUR /
B1X
[ MODULATION ]
CloneCho This analog chorus sound models the Electro-Harmonix SmallClone.
Depth Sets the depth of the modulation. 1, 2
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.
Depth Sets the depth of the modulation. 0 – 100
Speed Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
BassStCho This stereo chorus for bass has a clear sound quality.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
LoCut Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
BaVinFLNG
Ba Octave This effect adds sound one octave below the original sound.
Ba Detune
BaMnPitch
BassPhase This phaser is good for bass frequencies.
★
This analog flanger sound is similar to an MXR M-117R. A parameter has been added
to cut low frequencies from the effect sound.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. -10 – 10
LoCut Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Oct Adjusts the level of the one-octave lower sound component. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 10
Hi Adjusts volume of high frequencies. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
By mixing a small amount of the pitch-shifted effect sound with the original sound, a
natural bass chorus effect is achieved.
Cent Adjusts the detuning in cents, which are fine increments of 1/100-semitone. -50 – 50
PreD Sets the pre-delay time of the effect sound. 0 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
This pitch shifter was designed specifically for playing single notes in the bass
frequency range.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12 – 12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Color Sets the sound color. 1, 2
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
FOUR
12 13
Effect Types and Parameters
B1
FOUR /
B1X
FOUR
[ SFX ]
Bomber This effect generates explosive sounds.
Decay Adjusts the length of the explosive sound. 1 – 100
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
ON/OFF
Sets the foot switch function.
LoopRoll This effect allows you use the footswitch to sample and hold what you play.
★
Time Sets the loop time. 10 – 3000
Duty Sets the time that the sample-and-hold sound is produced. 25 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
ON/OFF
Sets the foot switch function.
StdSyn ZOOM original bass synthesizer sound.
★
SynTlk
Sense Adjusts the sensitivity for trigger detection. 0 – 100
Sound Selects a synthesizer variation. 1 – 4
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
This effect produces a synthesizer sound similar to a talking modulator producing
vowels.
Decay Adjusts the rate of sound change. 0 – 100
Type Selects a vowel variation.
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Z-Syn This bass synthesizer sound adds analog synth fatness.
FREQ Sets the cut-off frequency of the lowpass filter. 0 – 10
Range Adjusts the amount of cut-off frequency modulation. 0 – 20
Decay Adjusts the speed of tone modulation. 0 – 100
RESO Sets effect resonance. 0 – 20
Wave Selects the waveform. SAW, SQR
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Defret Turns the sound from any bass guitar into a fretless bass sound.
Sense Adjusts the sensitivity of the effect. 0 – 30
Color
Tone Adjusts the tone. 1 – 50
VOL Adjusts the volume. 0 – 100
Adjusts the harmonics contents of the sound. Higher setting values result in stronger effect
character.
PH+Dist This effect combines a phaser and distortion in the style of the Roland JET PHASER.
Mode Selects the jet sound mode. 1 – 4
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
LATCH,
TRGGR
LATCH,
UnLATCH
IA, UE,
UA, OA
1 – 10
Effect Types and Parameters
B1
FOUR /
B1X
FOUR
[ DELAY ]
Delay This long delay has a maximum length of 3000 ms.
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
AnalogDly This analog delay simulation has a long delay with a maximum length of 3000 ms.
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TapeEcho
This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of
the echoes.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
ReverseDL This reverse delay is a long delay with a maximum length of 1500 ms.
★
Time Sets the delay time. 10 – 1500
F. B Adjusts the feedback amount. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
ModDelay This delay effect allows the use of modulation.
★
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
DualDLY This effect combines 2 delays and is based on the Eventide TimeFactor DigitalDelay.
★
TimeA Adjusts the delay time of Delay A.
F.B A Adjusts the Delay A feedback amount. 0 – 110
TimeB Adjusts the delay time of Delay B.
F.B B Adjusts the Delay B feedback amount. 0 – 110
DlyMx Adjust the mix of the Delay A and B effect sounds. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
Depth Sets the depth of the modulation. Also sets the output to mono (M0.M50) or stereo (S0.S50).
Speed Sets the speed of the modulation. 0 – 50
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
0 – 1490,
x6
♩
0 – 1490,
x6
♩
MN-0 –
ST-50
14 15
Effect Types and Parameters
B1
FOUR /
[ REVERB ]
Air This effect reproduces the ambience of a room, to create spatial depth.
★
Room This reverb effect simulates the acoustics of a room.
Hall This reverb effect simulates the acoustics of a concert hall.
★
HD Hall This is a dense hall reverb.
Spring This reverb effect simulates a spring reverb.
Plate This simulates a plate reverb.
Size Sets the size of the space. 1 – 100
REF Adjusts the amount of reflection from the wall. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
B1X
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
FOUR
[ PEDAL ]
Pedal effects are available to add only for
PDL Vol The volume curve of the volume pedal can be set.
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A, B
BassWah This is a pedal wah effect for bass guitar.
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
.
Effect Types and Parameters
B1
FOUR /
[ PEDAL ]
PDL Reso Pedal wah with a strong character.
FREQ Adjusts the emphasized frequency. 1 – 50 P
RESO Sets effect resonance. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL
BaPDLPit Use an expression pedal to change the pitch in real time with this effect.
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone.
Mode
BaPDLMnP
Output VP
This is a pitch shifter specially for monophonic sound (single-note playing), which
allows the pitch to be shifted in real time with the expression pedal.
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode
This controls the product output level. This volume will be kept even when the patch
is changed.
Adjusts the volume. 0 – 100
Bend Sets the amount of pitch shift. 0 – 100 P
Sets the sound style.
Bend Sets the amount of pitch shift. 0 – 100 P
Sets the sound style. UP, DOWN
B1X
FOUR
1 – 9
( See Table 2 )
0 – 10
UP, DOWN
1 – 9
( See Table 2 )
– –
16 1716 17
Additional tables
Table 1 [Scale Parameter]
Setting Scale used Interval
-6
-5 5th down
-4 4th down
-3 3rd down
-m
m 3rd up
3
4 4th up
5 5th up
6 6th up
Major
Minor
Major
Table 2 [Color Parameter]
Color Pedal min Pedal max
1 0 cent +1 octave
2 0 cent +2 octave
3 0 cent - 100 cent
4 0 cent - 2 octave
5 0 cent -∞
6 - 1 octave +original +1 octave +original
7 - 700 cent +original +500 cent +original
8 Doubling Detuned +original
9 -∞ (0 Hz) +original +1 octave +original
6th down
3rd down
3rd up
©2019 ZOOM CORPORATION Z2I-3610-01
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