Yamaha MONTAGE7 User Manual

MUSIC SYNTHESIZER

Owner’s Manual

EN

SPECIAL MESSAGE SECTION

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

MONTAGE6

MONTAGE7

MONTAGE8

PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these graph­ics on the enclosure. The explanation of these graphics
appears on this page. Please observe all cautions indicated
on this page and those indicated in the safety instruction sec­tion.

The exclamation point within the equi­lateral triangle is intended to alert the
user to the presence of important operat­ing and maintenance (servicing) instruc­tions in the literature accompanying the
product.

The lightning flash with arrowhead sym­bol, within the equilateral triangle, is
intended to alert the user to the presence
of uninsulated “dangerous voltage”
within the product’s enclosure that may
be of sufficient magnitude to constitute a
risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is prop­erly installed and used in its normal and customary manner,
all foreseeable risks have been eliminated. DO NOT modify
this unit or commission others to do so unless specifically
authorized by Yamaha. Product performance and/or safety
standards may be diminished. Claims filed under the
expressed warranty may be denied if the unit is/has been
modified. Implied warranties may also be affected.

ENVIRONMENTAL ISSUES: Yamaha strives to produce
products that are both user safe and environmentally
friendly. We sincerely believe that our products and the pro­duction methods used to produce them, meet these goals. In
keeping with both the letter and the spirit of the law, we
want you to be aware of the following:

Battery Notice: This product MAY contain a small non­rechargeable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approx­imately five years. When replacement becomes necessary,
contact a qualified service representative to perform the
replacement.

Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away from
children. Dispose of used batteries promptly and as regu­lated by applicable laws. Note: In some areas, the servicer is
required by law to return the defective parts. However, you
do have the option of having the servicer dispose of these
parts for you.

Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and fed­eral regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl­edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manu­facturer’s warranty, and are therefore the owners responsi­bility. Please study this manual carefully and consult your
dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates
the location of the name plate. The model number, serial
number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the
date of purchase in the spaces provided below and retain this
manual as a permanent record of your purchase.

SPECIFICATIONS SUBJECT TO CHANGE: The infor­mation contained in this manual is believed to be correct at
the time of printing. However, Yamaha reserves the right to
change or modify any of the specifications without notice or
obligation to update existing units.

92-469- 1 (rear)

MONTAGE Owner’s Manual

S1

Model

Serial No.

Purchase Date

The above warning is located on the rear of the unit.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

IMPORTANT SAFETY INSTRUCTIONS

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol
within an equilateral triangle is intended to alert
the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the literature
accompanying the product.

1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug has
two blades and a third grounding prong. The wide blade
or the third prong are provided for your safety. If the
provided plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

11 Only use attachments/accessories specified by the

manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination to
avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of
time.

14 Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally,
or has been dropped.

(UL60065_03)

The model number, serial number, power requirements, etc., may be found on or near the name plate,
which is at the rear of the unit. You should note this serial number in the space provided below and retain
this manual as a permanent record of your purchase to aid identification in the event of theft.

Model No.

Serial No.

(rear_en_01)

MONTAGE Owner’s Manual

S2

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con­tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted
by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories

and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all
installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these requirements provides a
reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the
instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

with FCC regulations does not guarantee that interference will
not occur in all installations. If this product is found to be the
source of interference, which can be determined by turning the
unit “OFF” and “ON”, please try to eliminate the problem by using
one of the following measures:

Relocate either this product or the device that is being affected by
the interference.

Utilize power outlets that are on different branch (circuit breaker
or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change
the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type
of product. If you can not locate the appropriate retailer, please
contact Yamaha Corporation of America, Electronic Service Divi­sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed
by Yamaha Corporation of America or its subsidiaries.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave.,

Telephone : [phone]

Type of Equipment : Music Synthesizer

Model Name : MONTAGE6, MONTAGE7, MONTAGE8

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including
interference that may cause undesired operation.

See user manual instructions if interference to radio reception is
suspected.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

Buena Park, Calif. 90620

(FCC DoC)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED IMPOR­TANT. The wires in this mains lead are coloured in accordance
with the following code:

GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL

BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus
may not correspond with the coloured markings identifying the
terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be con­nected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or colored GREEN or GREEN­and-YELLOW.

The wire which is coloured BLUE must be connected to the termi­nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.

Information for Users on Collection and Disposal of Old Equipment

This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic
products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in
accordance with your national legislation and the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative
effects on human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local municipality, your waste
disposal service or the point of sale where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the European Union]

This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask
for the correct method of disposal.

(3 wires)

MONTAGE Owner’s Manual

S3

(weee_eu_en_01)

PRECAUTIONS

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

PLEASE READ CAREFULLY BEFORE PROCEEDING

Please keep this manual in a safe and handy place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or
radiators. Also, do not excessively bend or otherwise damage the
cord, or place heavy objects on it.

• Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.

• Use only the supplied power cord/plug.

• Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.

• Be sure to connect to an appropriate outlet with a protective
grounding connection. Improper grounding can result in electrical
shock.

• This instrument contains no user-serviceable parts. Do not open the
instrument or attempt to disassemble or modify the internal
components in any way. If it should appear to be malfunctioning,
discontinue use immediately and have it inspected by qualified
Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or
wet conditions, or place on it any containers (such as vases, bottles
or glasses) containing liquids which might spill into any openings.
If any liquid such as water seeps into the instrument, turn off the
power immediately and unplug the power cord from the AC outlet.
Then have the instrument inspected by qualified Yamaha service
personnel.

• Never insert or remove an electric plug with wet hands.

• When one of the following problems occur, immediately turn off the
power switch and disconnect the electric plug from the outlet. Then
have the device inspected by Yamaha service personnel.

- The power cord or plug becomes frayed or damaged.

- It emits unusual smells or smoke.

- Some object has been dropped into the instrument.

- There is a sudden loss of sound during use of the instrument.

• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.

DMI-5 1/2

MONTAGE Owner’s Manual

S4

CAUTION

Power supply/Power cord

Location

Connections

Handling caution

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound quality, or
possibly cause overheating in the outlet.

• When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord can
damage it.

• Remove the electric plug from the outlet when the instrument is not
to be used for extended periods of time, or during electrical storms.

• Do not place the instrument in an unstable position where it might
accidentally fall over.

• When transporting or moving the instrument, always use two or
more people. Attempting to lift the instrument by yourself may
damage your back, result in other injury, or cause damage to the
instrument itself.

• Before moving the instrument, remove all connected cables, to
prevent damage to the cables or injury to anyone who might trip
over them.

• When setting up the product, make sure that the AC outlet you are
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug from
the outlet. Even when the power switch is turned off, electricity is
still flowing to the product at the minimum level. When you are not
using the product for a long time, make sure to unplug the power
cord from the wall AC outlet.

• Before connecting the instrument to other electronic components,
turn off the power for all components. Before turning the power on
or off for all components, set all volume levels to minimum.

• Be sure to set the volumes of all components at their minimum
levels and gradually raise the volume controls while playing the
instrument to set the desired listening level.

• Never insert or drop paper, metallic, or other objects into the gaps
on the panel or keyboard. This could cause physical injury to you or
others, damage to the instrument or other property, or operational
failure.

• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons, switches
or connectors.

• Do not use the instrument/device or headphones for a long period of
time at a high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss or
ringing in the ears, consult a physician.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.
Even when the [STANDBY/ON] switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

DMI-5 2/2

MONTAGE Owner’s Manual

S5

Explication des symboles graphiques

ATTENTION

RISQUE D'ÉLECTROCUTION

NE PAS OUVRIR

ATTENTION : POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION,

NE PAS RETIRER LE CAPOT (OU LE DOS). NE CONTIENT

PAS DE PIÈCES NÉCESSITANT L'INTERVENTION

DE L'UTILISATEUR. POUR TOUTE INTERVENTION,

FAIRE APPEL À DES PROFESSIONNELS QUALIFIÉS.

L'éclair avec une flèche à l'intérieur d'un triangle
équilatéral est destiné à attirer l'attention de
l'utilisateur sur la présence d'une « tension
dangereuse » non isolée à l'intérieur de l'appareil,
pouvant être suffisamment élevée pour constituer
un risque d'électrocution.

Le point d'exclamation à l'intérieur d'un triangle
équilatéral est destiné à attirer l'attention de
l'utilisateur sur la présence d'instructions
importantes sur l'emploi ou la maintenance
(réparation) de l'appareil dans la documentation
fournie.

L'avertissement ci-dessus se trouve à l'arrière de l'instrument.

CONSIGNES DE SÉCURITÉ À LIRE ATTENTIVEMENT

1 Lisez les instructions ci-après.
2 Conservez ces instructions.
3 Tenez compte des avertissements.
4 Suivez toutes les instructions.
5 N'utilisez pas cet instrument dans un milieu humide.
6 Employez uniquement un chiffon sec pour nettoyer

l'instrument.

7 N'obstruez pas les ouvertures prévues pour la

ventilation. Installez l'instrument conformément aux
instructions du fabricant.

8 N'installez pas l'instrument près d'une source de

chaleur, notamment un radiateur, une bouche de chaleur,
un poêle ou autres (y compris les amplificateurs).

9 Ne modifiez pas les caractéristiques de la fiche avec

mise à la terre polarisée. Une fiche polarisée est dotée
de deux broches (l'une est plus large que l'autre). Une
fiche avec mise à la terre comprend deux broches, ainsi
qu'une troisième qui relie l'instrument à la terre. La
broche la plus large (ou troisième broche) permet de
sécuriser l'installation électrique. Si vous ne pouvez pas
brancher le cordon d'alimentation dans la prise
d'alimentation, demandez à un électricien de la
remplacer.

10 Protégez le cordon d'alimentation. Cela permet d'éviter

de marcher dessus ou de le tordre au niveau de la fiche,
de la prise d'alimentation et des points de contact sur
l'instrument.

11 N'employez que les dispositifs/accessoires indiqués par

le fabricant.

12 Utilisez uniquement le chariot, le

socle, le trépied, le support ou le
plan indiqués par le fabricant ou
livrés avec l'instrument. Si vous
utilisez un chariot, soyez prudent
si vous le déplacez avec
l'instrument posé dessus pour
éviter de le renverser.

13 Débranchez l'instrument en cas d'orage ou lorsque vous

ne l'utilisez pas pendant des périodes prolongées.

14 Confiez toutes les réparations à des techniciens

qualifiés. Des réparations sont nécessaires lorsque
l'instrument est endommagé, notamment dans les cas
suivants : cordon d'alimentation ou fiche défectueuse,
liquides ou objets projetés sur l'appareil, exposition aux
intempéries ou à l'humidité, fonctionnement anormal ou
chute.

AVERTISSEMENT

N'UTILISEZ PAS L'INSTRUMENT SOUS LA PLUIE OU DANS UN ENVIRONNEMENT HUMIDE, FAUTE DE QUOI VOUS
RISQUEZ DE PROVOQUER UN INCENDIE OU DE VOUS ÉLECTROCUTER.

Le numéro de modèle, le numéro de série, l'alimentation requise, etc., se trouvent sur ou près de la
plaque signalétique du produit, située à l'arrière de l'unité. Notez le numéro de série dans l'espace fourni
ci-dessous et conservez ce manuel en tant que preuve permanente de votre achat afin de faciliter l'identi­fication du produit en cas de vol.

N° de modèle

N° de série

(rear_fr_01)

(UL60065_03)

MONTAGE Owner’s Manual

S6

PRÉCAUTIONS D'USAGE

Alimentation/cordon d'alimentation

Ne pas ouvrir

Prévention contre l'eau

Prévention contre les incendies

En cas d'anomalie

PRIÈRE DE LIRE ATTENTIVEMENT AVANT DE PROCÉDER

À TOUTE MANIPULATION

Rangez ce manuel en lieu sûr et à portée de main afin de pouvoir le consulter ultérieurement.

AVERTISSEMENT

Veillez à toujours observer les précautions élémentaires énumérées ci-après pour éviter de graves blessures,
voire la mort, en raison d'une électrocution, d'un court-circuit, de dégâts, d'un incendie ou de tout autre risque.
La liste de ces précautions n'est pas exhaustive :

• Ne laissez pas le cordon d'alimentation à proximité de sources de
chaleur telles que les radiateurs ou les éléments chauffants. Évitez
également de le plier de façon excessive ou de l'endommager de
quelque manière que ce soit ou de placer dessus des objets lourds.

• Utilisez uniquement la tension requise pour l'instrument. Celle-ci
est indiquée sur la plaque du fabricant de l'instrument.

• Utilisez exclusivement le cordon et la fiche d'alimentation fournis.

• Vérifiez périodiquement l'état de la fiche électrique, dépoussiérez-la
et nettoyez-la.

• Veillez à brancher l'instrument sur une prise appropriée raccordée
à la terre. Toute installation non correctement mise à la terre
présente un risque de décharge électrique.

• L'instrument ne contient aucune pièce nécessitant l'intervention de
l'utilisateur. N'ouvrez pas l'instrument et ne tentez pas d'en
démonter les éléments internes ou de les modifier de quelque façon
que ce soit. Si l'appareil présente des signes de dysfonctionnement,
mettez-le immédiatement hors tension et faites-le contrôler par un
technicien Yamaha qualifié.

• Si l'un des problèmes suivant survient, coupez immédiatement
l'alimentation et retirez la fiche électrique de la prise. Faites ensuite
contrôler l'appareil par un technicien Yamaha.

- Le cordon électrique s'effiloche ou est endommagé.

- L'instrument dégage une odeur inhabituelle ou de la fumée.

- Un objet est tombé à l'intérieur de l'instrument.

- Une brusque perte de son est intervenue durant l'utilisation

de l'instrument.

• Ne laissez pas l'instrument sous la pluie et ne l'utilisez pas près
d'une source d'eau ou dans un milieu humide. Ne déposez pas
dessus des récipients (tels que des vases, des bouteilles ou des
verres) contenant des liquides qui risqueraient de s'infiltrer par les
ouvertures. Si un liquide, tel que de l'eau, pénètre à l'intérieur de
l'instrument, mettez immédiatement ce dernier hors tension et
débranchez le cordon d'alimentation de la prise secteur. Faites
ensuite contrôler l'instrument par un technicien Yamaha qualifié.

• N'essayez jamais de retirer ou d'insérer une fiche électrique avec les
mains mouillées.

• Ne déposez pas des objets présentant une flamme, tels que des
bougies, sur l'instrument. Ceux-ci pourraient se renverser et
provoquer un incendie.

MONTAGE Owner’s Manual

S7

DMI-5 1/2

ATTENTION

Alimentation/cordon d'alimentation

Emplacement

Connexions

Précautions de manipulation

Observez toujours les précautions élémentaires reprises ci-dessous pour éviter tout risque de blessures corporelles,
pour vous-même ou votre entourage, ainsi que la détérioration de l'instrument ou de tout autre bien. La liste de ces
précautions n'est pas exhaustive :

• N'utilisez pas de connecteur multiple pour brancher l'instrument sur
une prise secteur. Cela risque d'affecter la qualité du son, voire de
provoquer la surchauffe de la prise.

• Veillez à toujours saisir la fiche, et non le cordon, pour débrancher
l'instrument de la prise d'alimentation. Si vous tirez sur le cordon,
vous risquez de l'endommager.

• Débranchez la fiche électrique de la prise secteur lorsque vous
n'utilisez pas l'instrument pendant un certain temps ou en cas
d'orage.

• Ne placez pas l'instrument dans une position instable afin d'éviter
qu'il ne tombe accidentellement.

• En cas de transport ou de déplacement de l'instrument, faites
toujours appel à deux personnes au moins. En essayant de soulever
l'instrument tout seul, vous risqueriez de vous faire mal au dos ou
de vous blesser ou encore d'endommager l'instrument lui-même.

• Avant de déplacer l'instrument, débranchez-en tous les câbles afin
d'éviter de les endommager ou de blesser quiconque risquerait de
trébucher dessus.

• Lors de la configuration de l'instrument, assurez-vous que la prise
secteur que vous utilisez est facilement accessible. En cas de
problème ou de dysfonctionnement, coupez immédiatement
l'alimentation et retirez la fiche de la prise. Même lorsque
l'interrupteur d'alimentation est en position d'arrêt, du courant
électrique de faible intensité continue de circuler dans l'instrument.
Si vous n'utilisez pas l'instrument pendant une période prolongée,
veillez à débrancher le cordon d'alimentation de la prise murale.

• Avant de raccorder l'instrument à d'autres appareils électroniques,
mettez ces derniers hors tension. Avant de mettre ces appareils sous
ou hors tension, réglez tous les niveaux de volume sur le son
minimal.

• Veillez également à régler tous les appareils sur le volume minimal
et à augmenter progressivement les commandes de volume tout en
jouant de l'instrument pour obtenir le niveau sonore souhaité.

• N'insérez pas et ne laissez pas tomber d'objets en papier, en métal
ou autres dans les fentes du panneau ou du clavier. Vous pourriez
vous blesser ou provoquer des blessures à votre entourage,
endommager l'instrument ou un autre bien ou causer des
dysfonctionnements au niveau de l'instrument.

• Ne vous appuyez pas sur l'instrument et ne déposez pas d'objets
lourds dessus. Ne manipulez pas trop brutalement les touches, les
sélecteurs et les connecteurs.

• N'utilisez pas l'instrument ou le casque de manière prolongée
à des niveaux sonores trop élevés ou inconfortables qui risqueraient
d'entraîner des troubles définitifs de l'audition. Si vous constatez
une baisse d'acuité auditive ou que vous entendez des sifflements,
consultez un médecin.

Yamaha ne peut être tenu responsable des détériorations causées par une mauvaise manipulation de l'instrument ou par des modifications
apportées par l'utilisateur, ni des données perdues ou détruites.

Mettez toujours l'instrument hors tension lorsque vous ne l'utilisez pas.
Même lorsque l'interrupteur [STANDBY/ON] (Veille/Marche) est en position de veille et que le rétroéclairage de l'écran est éteint, une faible quantité

d'électricité circule toujours dans l'instrument.
Lorsque vous n'utilisez pas l'instrument pendant une période prolongée, veillez à débrancher le cordon d'alimentation de la prise murale.

DMI-5 2/2

MONTAGE Owner’s Manual

S8

NOTICE

To avoid the possibility of malfunction/damage to the
product, damage to data, or damage to other property,
carefully observe the notices below.

 Handling

• Do not use the instrument in the vicinity of a TV, radio, stereo
equipment, mobile phone, or other electric devices.
Otherwise, the instrument itself, and/or the nearby device
may generate noise. When you use the instrument along with
an application on your iPad, iPhone or iPod touch, we
recommend that you set “Airplane Mode” to “ON” on that
device in order to avoid noise caused by communication.

• Do not expose the instrument to excessive dust or vibrations,
or extreme cold or heat (such as in direct sunlight, near a
heater, or in a car during the day) to prevent the possibility of
panel disfiguration, damage to the internal components or
unstable operation.

• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.

• When cleaning the instrument, use a soft and dry/slightly
damp cloth. Do not use paint thinners, solvents, alcohol,
cleaning fluids, or chemical-impregnated wiping cloths.

 Saving data

• Edited Performance Data
Edited Performance data is lost when you turn off the power
to the instrument without storing. This also occurs when the
power is turned off by the Auto Power Off function (page 15).

• MIDI and System Settings
MIDI setting data and System setting data are automatically
stored when those corresponding setting displays are
switched to another display. Data is lost when you turn off the
power to the instrument without switching displays. This also
occurs when the power is turned off by the Auto Power Off
function.

• Always save important data to the instrument, or to USB flash
memory device (page 53). Keep in mind, however, that data
saved to the instrument may occasionally be lost due to some
failure, an operation mistake, etc. For this reason, you should
save your important data onto USB flash memory device
(page 53). Before using a USB flash memory device, make
sure to refer to page 54.

Information

 About copyrights

• Copying of commercially available musical data including but
not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.

• This product incorporates and bundles contents in which
Yamaha owns copyrights or with respect to which Yamaha
has license to use others’ copyrights. Due to copyright laws
and other relevant laws, you are NOT allowed to distribute
media in which these contents are saved or recorded and
remain virtually the same or very similar to those in the
product.

* The contents described above include a computer program,

Accompaniment Style data, MIDI data, WAVE data, voice
recording data, a score, score data, etc.

* You are allowed to distribute medium in which your

performance or music production using these contents is
recorded, and the permission of Yamaha Corporation is not
required in such cases.

 About functions/data bundled with the

instrument

• This device is capable of using various types/formats of
music data, and automatically optimizes that data to the
proper format before use. As a result, this device may not
play back the data exactly as the producers or composers of
the data originally intended.

 About this manual

• The illustrations and LCD screens as shown in this manual
are for instructional purposes only, and may appear
somewhat different from those on your instrument.

• Square brackets indicate on-screen buttons, connectors, and
buttons from the control panel.

• Windows is a registered trademark of Microsoft
in the United States and other countries.

• Apple, iTunes, Mac, Macintosh, iPhone, iPad and iPod touch
are trademarks of Apple Inc., registered in the U.S. and other
countries.

• IOS is a trademark or registered trademark of Cisco in the
U.S. and other countries and is used under license.

• The company names and product names in this manual are
the trademarks or registered trademarks of their respective
companies.

®

Corporation

MONTAGE Owner’s Manual

S9

Yamaha may from time to time update firmware of the
product without notice for improvement in functions and
usability. To take full advantage of this instrument, we
recommend that you upgrade your instrument to the latest
version. The latest firmware can be downloaded from the
website below:
http://download.yamaha.com/

MEMO

MONTAGE Owner’s Manual

S10

A message from the MONTAGE Development Team

Thank you for purchasing the Yamaha MONTAGE6/7/8 Music Synthesizer. Since the first MOTIF was
launched in 2001, the MOTIF series has reached fourth-generation status and has finally been remodeled—
for the first time in 15 years—as the new MONTAGE.

The MONTAGE has an immense set of impressively high-quality sounds, exceptional playability, and a
sophisticated, stylish design—making this long-awaited instrument destined to be long-loved as well.

High-quality sounds that take you to new creative
and expressive heights

We took the bread-and-butter sounds of the MOTIF series used extensively by artists
worldwide, and significantly enhanced them.

In answer to many and repeated requests from power users, we have created this new model
with FM (frequency modulation) oscillators and many new effects. Moreover, the MONTAGE has
a powerfully dynamic Motion Control System that lets you variably control sounds in real time,
giving you the best of both worlds—tradition and innovation—in sonic expressiveness.

We improved the analog circuitry in the audio output, ensuring superior quality sound
reproduction over a wide frequency range, and especially accurate reproduction over the mid
and high frequency ranges with exceptional clarity.

The MONTAGE is equipped with a wide range of dynamic sounds for use in virtually any music
application.

Controllers and user interface designed for
high playability

The MONTAGE has new controllers which are useful not only as a live-performance keyboard,
but also as a high-performance synthesizer. The MONTAGE’s playability is maximized in live
performance situations through the Live Set function, Scene function, and SSS (Seamless
Sound Switching.)

Moreover, the MONTAGE has a completely new performance controller—the Super Knob—
which lets you easily and expressively create multi-textured, multi-dimensional sound and
music. The sound changes are synchronized with lighting changes on the Super Knob itself as
well as eight other small knobs. It’s almost like having a conversation with the MONTAGE, and
spurring each other on to new creative heights!

The MONTAGE is comprehensively designed for intuitive, simple operation, yet with meticulous
detail, and is ideal for professional musicians.

Here finally, is a musical instrument with stunning sounds, broad capabilities and deep
expressiveness that is truly addictive, and will be your new go-to instrument!

We really hope that the MONTAGE6/7/8 will help your creativity and musical
work grow by leaps and bounds.

Enjoy!

Sincerely,

The Yamaha MONTAGE Development Team

MONTAGE Owner’s Manual

2

About This Manual

Owner’s Manual (this book)

Provides overall explanations of the basic functions of the instrument. Please use this Owner’s Manual for an overview of the
fundamental operations of the MONTAGE. If you need more detailed information or instructions on specific functions, use the
Reference Manual described below.

PDF documentation

 Reference Manual

Explains in detail about the internal structure and connection examples. Use this manual if you need more detailed
information which is not covered in the Owner’s Manual.
If you need more information on the current status or display of the MONTAGE, use the Function Tree provided in this
manual. This convenient Function Tree helps you quickly find the page covering the relevant function or operation.

 Synthesizer Parameter Manual

This general, cross-product document explains parameters, effect types, effect parameters, and MIDI messages that are
used for all synthesizers. Read the Owner’s Manual and Reference Manual first and then use this parameter manual if
necessary to learn more about parameters and terms that relate to Yamaha synthesizers in general.

 Data List

This contains various important lists such as the Performance List, Waveform List, Effect Type List, Arpeggio Type List, and
MIDI Implementation Chart.

How to use the PDF manuals

The Reference Manual, the Synthesizer Parameter Manual, and the Data List are provided as data documents in PDF
format. The PDF manuals listed above can be obtained from the Yamaha Downloads web page. To do so, go to the web
page using the following URL, enter “MONTAGE” into the “Model Name” field, and then click “Search.”
Yamaha Downloads:

http://download.yamaha.com/

These PDF files can be viewed and read on a computer. When using Adobe® Reader® to view a PDF file, you can search
for specific words, print a specific page or link to open a desired section in the manual. The term search and link functions
are especially convenient methods of navigating through a PDF file, and we recommend that you use them. The latest
version of Adobe Reader can be downloaded from the following URL.

http://www.adobe.com/products/reader/

Accessories

• AC power cord

• Owner’s Manual (this book)

• Cubase AI Download Information

MONTAGE Owner’s Manual

3

Main Features

 High-quality, enhanced sounds covering a

wide range of music styles

The MONTAGE is loaded with 5 GB (in 16-bit linear
format) of preset Advanced Wave memory (AWM2) —
more than seven times the size of the previous MOTIF
XF6/7/8. The MONTAGE has a huge variety of sounds,
including highly realistic Piano sounds, with large­volume waveform data. Unlike its predecessors, the
MONTAGE features 1.7 GB of User flash memory built in,
for storing various Performance libraries. The
Performance data is maintained in the same way as
preset Performances even if the power is turned off. The
MONTAGE also now features an FM-X tone generator,
providing powerfully complex FM synthesis. This puts
both standard FM and new-generation FM sounds in
your sonic palette, giving you a wide range of
expressive, richly textured sounds to work with, and lets
you combine both the FM-X and AWM2 tone generators.

 Extensive effect processing

The MONTAGE has a huge variety of professional and
modern-music effects, including Beat Repeat, Vinyl
Break, Bit Crusher, and Analog Delay. The instrument
also gives you a wide array of signal processing options,
including separate Variation and Reverb, an overall
Master Effect including multi-band compression, five­band master EQ, independent Insertion Effects, plus
three-band EQ before the Insertion Effects and two-band
EQ after them. These Insertion Effects contain wide
variety of sound processing options, including a special
Vocoder effect.

 Motion Control System for new musical

possibilities

The Motion Control System is a completely new feature
for variably controlling Motions (rhythmical, multi­dimensional sound changes) in real time. This amazingly
powerful feature dramatically and dynamically alters the
sounds of the instrument in new, never-heard-before
ways—changing texturally, rhythmically with the beats,
providing cool, colorful lighting effects, and responding
expressively to your creative passion.
The Motion Control System has three main functions:

1) Super Knob:

For creating multi-dimensional sonic changes, and
enhancing those changes with colorful, continually
shifting lighting changes.

2) Motion Sequencer:

For continually variable sound changes.

3) Envelope Follower:

Synchronizes the Motions with tempo and volume of
audio input and other Parts.

 Expanded, enhanced Arpeggio function and

Motion Sequence

The MONTAGE has more than 10,000 Arpeggio types
that cover the latest music styles. Further enhancing the
musical expressiveness of the instrument, you can
combine the Motion Sequence function for creating
dynamic sound variability over time with various
Arpeggio types. You can store all contents—Arpeggio
Type, Motion Sequence, and other parameters such as
Part volume—together as Scenes, and assign them to
eight buttons, letting you conveniently and powerfully
call up those Scenes as desired while you perform.

 Exceptionally convenient live performance

functions

The MONTAGE has a Live Set function for easily calling
up Performances as you play onstage. Once you’ve
stored Performances in the desired order, you can
concentrate fully on your playing and never be at a loss
on which to choose. The MONTAGE also has SSS
(Seamless Sound Switching) function for switching
between Performances smoothly without any notes
being cut off.

 Enhanced user interface

Unlike its predecessors, the MONTAGE has been
designed without any “Modes.” As a result, it is extremely
easy to understand the structure and flow of the
instrument, and the convenient touch panel is a total joy
to use. You can creatively and effectively use the touch
panel for intuitive operations and the switches for more
secure control, if desired. These switches light in three
different ways, letting you instantly understand the
current status of the switches.

 Responsive, expressive keyboard

The MONTAGE6 features a 61-key keyboard, while the
MONTAGE7 has 76 keys with a high-quality FSX
keyboard and the MONTAGE8 has 88 keys with a high­quality BH (Balanced Hammer) keyboard. All are
equipped with a touch response feature (both initial
touch and aftertouch). These allow you to expressively
change the sound in various ways—initial touch by the
strength with which you play the keys, and aftertouch by
how strongly you press the keys when holding them
down.

 Comprehensive system connectivity

The MONTAGE features a built-in 6-channel in/32­channel out USB audio interface for recording the high­quality sound of the MONTAGE on a Mac or Windows
PC—without the need for a separate device! The
MONTAGE also supports high-resolution 192 kHz audio,
making the ideal keyboard to take into professional-level
recording situations as well. The connections are also
compatible with iOS devices.

MONTAGE Owner’s Manual

4

Contents

A message from the MONTAGE Development Team................. 2

About This Manual ......................................................................3

Accessories................................................................................. 3

Main Features.............................................................................. 4

Controls and Functions 6

Top Panel ................................................................................... 6

Rear Panel ................................................................................11

Setting Up 14

Power Supply ............................................................................14

Connecting Speakers or Headphones......................................14

Powering Up the System...........................................................14

Auto Power Off function ............................................................15

Adjusting the Master Volume output.........................................15

Restoring the initial factory settings (Initialize All Data) ............15

Basic Operation and Displays 16

Quick Guide — Selecting Performances 18

Selecting a Performance from the Live Set ............................... 19

Switching Performances ...........................................................19

Using the Category Search function.........................................20

Playback Audition phrase .........................................................21

Quick Guide — Playing the Keyboard 22

Performance Play display..........................................................22

Switching a Part on/off ..............................................................23

Using the Arpeggio function .....................................................24

Using the Motion Sequencer function.......................................25

Using controllers to change the sound..................................... 26

Using the Knobs to change the sound ..................................... 27

Using the Super Knob to change the sound.............................28

Mixing........................................................................................28

Using the Scene function.......................................................... 29

Making Global System Settings 45

Setting automatic power-on tasks.............................................45

Setting button lamp behavior.................................................... 45

Turning various functions on/off................................................45

Changing the Master Tuning..................................................... 46

Changing the Velocity Curve .................................................... 47

Connecting External MIDI Instruments 48

Controlling the MONTAGE from an external MIDI keyboard or

synthesizer ................................................................................ 48

Controlling an external MIDI keyboard or synthesizer from the

MONTAGE................................................................................. 48

Using a Connected Computer 49

Connecting to a computer ........................................................49

Creating a Song with a computer ............................................. 51

Saving/Loading Data 53

Saving the settings to a USB flash memory device ..................53

Loading the settings from a USB flash memory device ............ 53

Precautions when using the [USB TO DEVICE] terminal.......... 54

Using USB flash drives .............................................................54

Shift Function List 55

Display Messages 56

Troubleshooting 58

Specifications 63

Index 64

Quick Guide — Creating Your Own Live Sets 30

Registering a Performance to a Live Set................................... 30

Sorting registered Performances in a Live Set ..........................30

Quick Guide — Editing the Settings 32

Performance Editing.................................................................. 32

Part Editing................................................................................33

Part Effect Editing...................................................................... 34

How Parts are assigned to a Performance................................ 35

Creating a Performance by combining Parts............................36

Recording and Playback 39

Terminology............................................................................... 39

MIDI Recording ......................................................................... 39

Playing a Song .......................................................................... 41

Recording your performance as audio .....................................41

Playing an audio file .................................................................. 42

Using as a Master Keyboard 43

Making settings for use as a master keyboard—Zone .............43

Connecting a Microphone or Audio Equipment 44

Playing the keyboard along with the sound input from the A/D

INPUT [L/MONO]/[R] jacks .......................................................44

MONTAGE Owner’s Manual

5

Top Panel

C1E0 F0 G0 A0 B0C0 D0A-1 B-1 C2

C3

1

23

4

7

6

C

B

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8

9

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D

^

!(

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A

@

*

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5

E

Controls and Functions

1 Keyboard

The MONTAGE6 features a 61-key keyboard, while the
MONTAGE7 has 76 keys and the MONTAGE8 has 88 keys.
All are equipped with a touch response feature (both initial
touch and aftertouch). With initial touch, the instrument
senses how strongly or softly you play the keys, and uses
that playing strength to alter the sound in various ways,
depending on the selected Performance. Aftertouch, on the
other hand, lets you alter the sound by the amount of
pressure you apply to a note after playing it. In addition, any
of a variety of functions can be assigned to aftertouch for
each part.

2 Pitch Bend wheel

Controls the pitch bend effect. You can also assign other
functions to this controller.

3 Modulation wheel

Controls the modulation effect. You can also assign other
functions to this controller.

4 Ribbon Controller

This controller is touch sensitive, and is controlled by running
your finger lightly across its surface laterally. You can assign
various functions to this controller as desired.

5 [ASSIGN 1] and [ASSIGN 2] buttons

(Assignable switches 1 and 2)

You can call up the specific Element/Operator of the
selected Performance by pressing each of these buttons
during your keyboard performance. In addition, you can
assign other functions to these switches. When one of these
effects is turned on, the corresponding button will light up
and vice-versa.

6 [MOTION SEQ HOLD] (Motion Sequencer

hold) button

Pressing this button while the Motion Sequencer is playing,
results in the sound being held or frozen at the exact point in
the sequence when the button was pressed. When the hold
effect is turned on, the button lights.

7 [MOTION SEQ TRIGGER] (Motion Sequencer

trigger) button

When you press this button, the Motion Sequence starts
again from the beginning. The button lights fully when
pressed.

8 [MASTER VOLUME] slider (page 15)

Move the slider up or down to control the output level from
the OUTPUT (BALANCED) [L/MONO]/[R] jacks and the
[PHONES] jack.

MONTAGE Owner’s Manual

6

Controls and Functions

C4 C5 C6 C7

H

G

J

KP

L

M
N

O

c

I

F

Q R S T

ad

b

e

f

gh

ij

The illustration shows the MONTAGE8, but the information applies to all models.

9 A/D INPUT [GAIN] knob (page 44)

Use this to adjust the input gain of the audio signals at the
A/D INPUT [L/MONO]/[R] jacks. Turning the knob clockwise
increases the gain level.
Detects the peak level and lights up the PEAK LED in red
when the level is just short of clipping. Adjust the knob so
that the corresponding PEAK LED only occasionally flashes
whenever the input signal reaches the maximum level.

NOTE

You may need to change the setting depending on the input level of
the external equipment connected to the A/D INPUT [L/MONO]/[R]
jacks, in the following order: [UTILITY]  [Settings]  [Audio I/O] 
[A/D Input]. When the output level of the connected equipment (such
as a microphone, guitar or bass) is low, set this parameter to “Mic.”
When the output level of the connected equipment (such as a
synthesizer keyboard or CD player) is high, set this parameter to
“Line.”

) A/D INPUT [ON/OFF] button (page 44)

Switches whether or not this instrument accepts the audio
signal input via the A/D INPUT [L/MONO]/[R] jack. When A/D
Input is enabled, the button lights; when disabled, it turns off.

! Knob Function [TONE]/[EQ/FX]/[ARP/MS]

button

Use this button to select functions to be assigned to Knobs 1
– 8. The button next to the currently active parameters will
light.
You can apply functions to be controlled commonly for all
Parts by using the PART [COMMON] button, or to be

controlled for only the selected Part by using the Number A
[1] – [16] buttons. The selected button will light.

@ [MULTI] (Multi Part control) button

Use this button to select functions assigned to Knobs 1 – 8.
Pressing the button repeatedly switches in the following
order: PAN  VARIATION  REVERB. The lamp next to the
currently active parameters will light. All knobs correspond
to Parts 1 – 8 or 9 –16 (depending on the currently selected
Part).

# [ARP ON/OFF] (Arpeggio on/off) button

Press this button to enable or disable playback of the
Arpeggio. If the Arpeggio Switch of the selected Part is set to
off, however, pressing this button has no effect. When
Arpeggio is enabled, the button lights; when disabled, it
turns off.

$ [MOTION SEQ ON/OFF] (Motion Sequencer

on/off) button

Determines whether the Motion Sequencer is active or not. If
the Motion Sequencer switch of the selected Part or Lane is
set to off, however, pressing this button has no effect. When
the Motion Sequencer is active, the button lights.

MONTAGE Owner’s Manual

7

Controls and Functions

% Knobs 1 – 8

These eight highly versatile knobs let you adjust various
important parameters, such as the current Part, Arpeggio
tempo, and the Motion Sequencer.
Pressing the knob function [TONE]/[EQ/FX]/[ARP/MS]
button, the Multi part control [MULTI] button, or the Assign
[ASSIGN] button in the upper left corner changes the
functions assigned to the knobs.

^ Control Sliders 1 – 8

These sliders control the volume balance of the sound, by
letting you adjust the individual levels of the 16 Parts (1 – 8 /
9 – 16), the eight Elements for Normal Parts (AWM2), the
eight FM Operators for a Normal Part (FM-X), and eight Keys
of the Drum Part, in different ways depending on the
conditions of the various buttons.

When PART
[COMMON]

button is on:

[PERFORMANCE
CONTROL]

[PART CONTROL] Levels of Parts 1 – 8 Levels of Parts 9 –

Levels of Parts 1 – 8 Levels of Elements/Keys/Operators 1 – 8 of a

When Number A
[1] – [8] buttons

are on:

selected Part

When Number A

[9] – [16]

buttons are on:

16

NOTE

• If all of the Control Sliders are set to the minimum, you may not
hear any sound from the instrument, even when playing the
keyboard or a Song. If this is the case, raise all the sliders to a
suitable level.

• The [MASTER VOLUME] slider controls the overall audio output
level of this instrument. On the other hand, the Control Sliders
control the level of each Element/Key/Operator of the Parts and the
volume for each Part of the Performance as a parameter.
Accordingly, the values set via the Control Sliders can be stored as
Performance data.

& SCENE [1] – [8] buttons

You can assign different “snapshots” of important Part­related parameters such as track mute status and the basic
Mixing setup to the SCENE [1] – [8] buttons as Part Scenes.
When Scene-related parameters are edited and press any of
the SCENE [1] – [8] buttons while holding down the [SHIFT]
button, the edit is stored for the currently selected [SCENE]
button. The stored information is restored by pressing the
selected button. The currently selected button fully lights, the
button stored information lights dimly, and the button without
stored information is turned off.

NOTE

You can also control the Super Knob by using the foot controller
(FC7). For details, refer to page 28.

B SEQ TRANSPORT button

These buttons control recording and playback of the Song
sequence data.

[T] (Top) button

Instantly returns to the beginning of the current Song
(i.e., the first beat of the first measure).

[LL ] (Reverse) button

Press briefly to move back one measure at a time.

[RR ] (Forward) button

Press briefly to move forward one measure at a time.

[I] (Record) button

Press this to call up the Record setup display. (The
button flashes.) Press the [R] (Play) button to start
recording. (The [I] (Record) button lights.)

[J] (Stop) button

Press to stop recording or playback. This button can also
be used when you want to stop Arpeggio playback, even
when Arpeggio is set to continue playback even after the
note is released (Arpeggio hold switch is ON).

[R] (Play) button

Press to start playback or recording of a Song. During
recording and playback, the button flashes at the current
tempo.

C OCTAVE [-] and [+] buttons

Use these buttons to change the octave range of the
keyboard. These buttons also function as Transpose [-] and
[+] buttons. To lower or raise the pitch of the note in semitone
steps, hold down the [SHIFT] button and press the
corresponding [-]/[+] button. To restore the normal octave
setting, press both buttons simultaneously. The buttons light
or flash in different ways depending on the octave setting.
For details, see the Reference Manual PDF document.

D [CONTROL ASSIGN] button

While the parameter assignable to controllers is selected on
the display, press this button and operate the desired
controller for assignment. The controller setting display
appears.

* [ASSIGN] button

Switches the functions assigned to knobs as Assign 1 – 8.
By using the PART [COMMON] button and the Number A [1]
– [16] buttons, you can set whether the functions are
commonly effective for all Parts or only for one selected Part.
When the effect is turned on, the corresponding button
lights.

( KNOB POSITION [1] and [2] buttons

Stores the parameter values of Assign 1 – 8. You can
instantly switch between the two buttons.

A Super Knob

Simultaneously controls the parameters (Assign 1 – 8)
assigned to the eight knobs.

MONTAGE Owner’s Manual

8

E Touch panel LCD

The LCD indicates the parameters and values related to the
currently selected operation. You can operate by touching
the display.

F Data dial

For editing the currently selected parameter. To increase the
value, turn the dial right (clockwise); to decrease the value,
turn the dial left (counter-clockwise). If a parameter with a
wide value range is selected, you can change the value in
broader strokes by quickly turning the dial.

Controls and Functions

G [INC/YES] button

For increasing the value of the currently selected parameter
(INC: increment). This button can also be used to execute a
Job or Store operation.
Simultaneously hold down the [SHIFT] button and press the
[INC/YES] button to quickly increase the parameter value in
10-step jumps.

H [DEC/NO] button

For decreasing the value of the currently selected parameter
(DEC: decrement). This button can also be used to cancel a
Job or Store operation.
Simultaneously hold down the [SHIFT] button and press the
[DEC/NO] button to quickly decrease the parameter value in
10-step jumps.

I Cursor buttons

The cursor buttons move the “cursor” around the display,
highlighting and selecting the various parameters.

J [EXIT] button

The menus and displays of the MONTAGE are organized
according to a hierarchical structure. Press this button to exit
from the current display and return to the previous level in
the hierarchy.

K [ENTER] button

Use this button to call up the display of the selected menu,
or to execute a Job or Store operation.
Simultaneously hold down the [SHIFT] button and press the
[ENTER] button to call up the Tempo setting display.

L [PERFORMANCE] button

Use this button to return to the Performance Play display.
The button fully lights when the Performance Play display is
shown. This button lights dimly when the Utility display is
shown.
Simultaneously hold down the [SHIFT] button and press the
[PERFORMANCE] button to call up the Overview display.

M [UTILITY] button

Use this button to call up the Utility display for making overall
system settings. The button fully lights when the Utility
display is shown and the button lights dimly when other
displays are shown.
Simultaneously hold down the [SHIFT] button and press the
[UTILITY] button to call up the Quick setup display.

N [EDIT] button

Use this button to call up the display for editing
Performances (page 18) and Live Sets (page 30). Also,
pressing this button while editing Performance parameters
lets you switch between the just-edited sound and its
original, unedited condition, allowing you to hear how your
edits affect the sound (Compare function). The button lights
when the edit display is shown and the button flashes while
Compare is active.

O [STORE] button

Use this button to call up the Store display. The button fully
lights when the Store display is shown and the button lights
dimly when other displays are shown.

P [SHIFT] button

Pressing this button along with another button enables you
to execute various commands. For details, refer to the “Shift
Function List” (page 55).

Q [LIVE SET] button

Use this button to store all your favorite, often-used
Performances in a single, easy-to-access location and call
them up.
Simultaneously hold down the [SHIFT] button and press the
[LIVE SET] button to call up the Live Set display for storing
the currently selected Performance to the Live Set. This is
one more useful way you can quickly switch among
Performances you need in live performance situations.
The button fully lights when the Live Set display is shown. If
the Live Set display is not shown, the button lights dimly
when the Live Set function is active and the button’s lamp is
off when the function is NOT active.

R [CATEGORY SEARCH] button

The Category Search function (page 20) can be accessed
by using this button.
Use this button while the Performance Play display is shown
to call up the Performance Category Search display for
selecting the entire Performance. When the cursor is on the
Part name in the Performance Play display, simultaneously
hold down the [SHIFT] button and press the [CATEGORY
SEARCH] button to call up the Part Category Search display,
allowing you to select a sound type for the currently selected
Part. The button fully lights when the Category Search
display is shown. If the Category Search display is not
shown, the button lights dimly when the Category Search
function is active and the button’s lamp is off when the
function is NOT active.

S [PERFORMANCE CONTROL] button

Use this button with the Number A [1] – [16] buttons, the
Number B [1] – [8] buttons, and the Number C [1] – [8]
buttons, the PART [MUTE] button, and the PART [SOLO]
button to control Performances. When this button is turned
on, the following functions can be operated. The button fully
lights when it is turned on and the button lights dimly when it
is turned off.

Number buttons PART [MUTE] button ONPART [SOLO] button

Number A [1] – [8] buttons
(upper line)

Number A [9] – [16] buttons
(lower line)

Number B [1] – [8] buttons Switch of Motion Sequence types (1 – 8)
Number C [1] – [8] buttons Switch of Arpeggio types (1 – 8)

Part select (1 – 8) Part solo (1 – 8)

Part mute (1 – 8) Part solo (1 – 8)

ON

T [PART CONTROL] button

Use this button with the Number A [1] – [16] buttons, the
Number B [1] – [8] buttons, and the Number C [1] – [8]
buttons, the PART [MUTE] button, and the PART [SOLO]
button to control Parts. When this button is turned on, the
following functions can be operated. The button fully lights
when it is turned on and the button lights dimly when it is
turned off.

MONTAGE Owner’s Manual

9

Controls and Functions

Number buttons PART [MUTE]

Number A [1] – [8]
buttons (upper line)

Number A [9] – [16]
buttons (lower line)

Number B [1] – [8]
buttons

Number C [1] – [8]
buttons

button and PART

[SOLO] are OFF

Part select (1 – 8) Part mute (1 – 8) Part select (1 – 8)

Part select (9 – 16) Part mute (9 – 16) Part solo (9 – 16)

Motion Sequencer for each Part ON/OFF (1 – 8 / 9 – 16)

Arpeggio for each Part ON/OFF (1 – 8 / 9 – 16)

PART [MUTE]

button ON

PART [SOLO]

button ON

a [AUDITION] button

Use this button (in the Performance Play, Live Set, or
Category Search displays) to play back or stop a sample
phrase showcasing the selected Performance sound. This
sample phrase of the Performance is called the “Audition
phrase.” The button fully lights when it is ON and the button
lights dimly when the Audition function is active such as in
the Category Search display.

b PART [COMMON] button

Turning on this button lets you edit the parameters
commonly applied to all Parts. The button fully lights when it
is turned on and the button lights dimly when it is turned off.

(Only in the case of selecting pages in the Live Set display,
this button can be used even if the lamp is off.)

f Number C [1] – [8] buttons

Use these buttons to select Arpeggio types on the
Performance Play display and to turn the Arpeggio for each
Part ON/OFF.
The buttons can be used to mute Elements/Keys/Operators
from the Edit display. The buttons can also be used to select
Performances from the Category Search display. In the Live
Set display, the Number C [1] – [4] buttons can be used to
select Performances in the fourth line, and the Number C [5]
– [8] buttons can be used to select Live Set pages 13 – 16.
According to each of the displays, the button fully lights
when it is selected, the button lights dimly when it is
selectable, and the button lamp is off when not selectable.
(Only in the case of selecting pages in the Live Set display,
this button can be used even if the lamp is off.)

g PART [MUTE ] bu tton

By turning this button on, the Number A [1] – [16] buttons
can be used as mute on/off controls. The button fully lights
when it is turned on and the button lights dimly when it is
turned off. The button can also be used to switch Live Set
banks from the Live Set display.

c ELEMENT/OPERATOR [COMMON] button

Turning this button on lets you edit the parameters
commonly applied to all Elements/Keys/Operators. The
button fully lights when it is turned on and the button lights
dimly when it is turned off.

d Number A [1] – [16] buttons

Use these buttons to select Parts on the Performance Play
display and the Edit display.
The buttons can also be used to select a main category from
the Category Search display. In the Live Set display, the
Number A [1] – [4] buttons can be used to select
Performances in the first line, and the Number A [9] – [12]
buttons can be used to select Performances in the second
line. The Number A [5] – [8] buttons can be used to select
Live Set pages 1 – 4, and the Number A [13] – [16] buttons
can be used to select Live Set pages 5 – 8.
According to each of the displays, the button fully lights
when it is selected, the button lights dimly when it is
selectable, and the button lamp is off when not selectable.
(Only in the case of selecting pages in the Live Set display,
this button can be used even if the lamp is off.)

e Number B [1] – [8] buttons

Use these buttons to select Motion Sequencer types on the
Performance Play display and to turn the Motion Sequencer
for each Part ON/OFF.
The buttons can be used to select Elements/Keys/Operators
from the Edit display. The buttons can also be used to select
sub categories from the Category Search display. In the Live
Set display, the Number B [1] – [4] buttons can be used to
select Performances in the third line, and the Number B [5] –
[8] buttons can be used to select Live Set pages 9 – 12.
According to each of the displays, the button fully lights
when it is selected, the button lights dimly when it is
selectable, and the button lamp is off when not selectable.

h PART [SOLO] button

By turning this button on, the Number A [1] – [16] buttons
can be used as solo on/off controls for Parts. The button fully
lights when it is turned on and the button lights dimly when it
is turned off. The button can also be used to switch Live Set
banks from the Live Set display.

i ELEMENT/OPERATOR [MUTE] button

By turning this button on, the Number B [1] – [8] buttons can
be used to select Elements/Keys/Operators 1 – 8, and the
Number C [1] – [8] buttons can be used as mute on/off
controls for Elements/Keys/Operators 1 – 8. The button lights
dimly when it works as mute on, and fully lights when it works
as mute off. For operations other than Part editing, the button
is off. The button can also be used to switch Live Set banks
from the Live Set display.

j ELEMENT/OPERATOR [SOLO] button

By turning this button on, the Number B [1] – [8] buttons (or
the Number C [1] – [8] buttons) can be used to as solo on/off
controls for Elements 1 – 8. The button fully lights when solo
is on, and lights dimly when solo is off. In other situations,
except for Part editing operations, the button is off. The
button can also be used to switch Live Set banks from the
Live Set display.

Number buttons ELEMENT/OPERATOR

[MUTE] button ON

Number B [1] – [8] buttons Element select (1 – 8) Element solo (1 – 8)
Number C [1] – [8] buttons Element mute (1 – 8) Element solo (1 – 8)

ELEMENT/OPERATOR

[SOLO] button ON

MONTAGE Owner’s Manual

10

Rear Panel

FC3,
FC4,
FC5

FC4,
FC5

FC7

12 3 4

5 6 7 8 9 ) !

 Left side of Rear Panel

 Right side of Rear Panel

The illustration shows the MONTAGE8, but the information applies to all models.

USB flash memory device

Computer

External MIDI keyboard

Powered speaker

Headphones

Playback equipment

Microphone

AC outlet

Ring

Sleeve Tip

Sleeve Tip

Controls and Functions

Jack List (Pin Alignment)

8 ASSIGNABLE OUTPUT (BALANCED) [L], [R]*
9 OUTPUT (BALANCED) [L/MONO], [R]*

) [PHONES] Tip: L

! A/D INPUT [L/MONO], [R] Tip: Signal

* These jacks are also compatible with TS phone plugs; when used, the connection is unbalanced.

Input and Output Jacks Polarities Balanced/Unbalanced Configurations

Tip: Hot (+)
Ring: Cold (-)
Sleeve: Ground

Ring: R
Sleeve: Ground

Sleeve: Ground

Balanced TRS phone plug

—

Unbalanced TS phone plug

MONTAGE Owner’s Manual

11

Controls and Functions

 Left side of Rear Panel

1 [STANDBY/ON] switch

Press to set the power to On or Standby.

2 [AC IN] (AC Power Cord Socket)

Plug the AC power cord supplied with this instrument.

3 [USB TO DEVICE] terminal

Used to connect this instrument to a USB flash memory
device. This lets you save data created on this instrument to
an external USB flash memory device and load data from a
USB flash memory device to the instrument. Save/Load
operations can be performed: [UTILITY]  [Contents] 
[Store/Save] or [Load].

NOTE

• Only USB flash memory devices can be recognized by this
instrument. No other USB devices (such as a hard disk drive, CD­ROM drive and USB hub) can be used.

• The instrument supports the USB 1.1 to 3.0 standard. However,
note that the transfer speed differs depending on the data type
and the condition of this instrument.

4 [USB TO HOST] terminal

Used to connect this instrument to a computer via a USB
cable, and allows you to transfer MIDI data and audio data
between the devices. Unlike MIDI, USB can handle multiple
ports via a single cable (page 50). For information about
how the MONTAGE handles Ports, see page 50.

NOTE

Audio data sending capability for the instrument is a maximum
32 channels (16 stereo channels) at a sampling frequency of

44.1 KHz; or maximum 8 channels (4 stereo channels) for a

sampling frequency of 44.1 KHz to 192 KHz. Audio data receiving
capability is a maximum 6 channels (3 stereo channels).

 Right side of Rear Panel

NOTE

• The term “FC3” in this Owner’s Manual refers collectively to the
FC3 and other footswitches compatible with the FC3, such as the
FC3A.

• The term “FC4” in this Owner’s Manual refers collectively to the
FC4 and other footswitches compatible with the FC4 such as the
FC4A.

7 FOOT CONTROLLER [1]/[2] jacks

For connection of an optional foot controller (FC7, etc.). This
jack lets you continuously control one of various different
assignable functions for Part edit—such as volume, tone,
pitch, or other aspects of the sound (see the Reference
Manual PDF document).

8 ASSIGNABLE OUTPUT (BALANCED) [L] and

[R] jacks (TRS balanced output)

Line level audio signals are output from this instrument via
these TRS balanced outputs. These outputs are
independent of the main output (at the OUTPUT [L/MONO]/
[R] jacks below), and can be freely assigned to any of the
Drum Part keys or the Parts. This lets you route specific Parts
or sounds for processing with a favorite external effect unit.
The Parts which can be assigned to these jacks are as
follows:

• Drum Part key to which the drum/percussion instrument is

assigned

• Metronome (Click)

• Any Part of a Performance*

* Includes Audio Input Part

For details, see the Reference Manual PDF document.

9 OUTPUT (BALANCED) [L/MONO] and [R]

jacks (TRS balanced output)

Line level audio signals are output via these TRS balanced
outputs. For monophonic output, use only the [L/MONO]
jack.

5 MIDI [IN], [OUT], [THRU] terminal

MIDI [IN] is for receiving control or performance data from
another MIDI device, such as an external sequencer, letting
you control this instrument from the connected separate
MIDI device.
MIDI [OUT] is for transmitting all control, performance and
playback data from this instrument to another MIDI device,
such as an external sequencer.
MIDI [THRU] is simply for redirecting any received MIDI data
(via MIDI [IN]) to connected devices, allowing convenient
chaining of additional MIDI instruments.

6 FOOT SWITCH [ASSIGNABLE]/[SUSTAIN]

jacks

For connection of an optional FC3/FC4/FC5 Footswitch to the
[SUSTAIN] jack and a FC4/FC5 Footswitch to the
[ASSIGNABLE] jack. When connected to the [SUSTAIN]
jack, the Footswitch controls sustain. When connected to
[ASSIGNABLE], it can control one of various assignable
functions.

) [PHONES] (Headphone) jack

This standard stereo phones jack is for connection to a set of
stereo headphones. This jack outputs audio signals identical
to those from the OUTPUT [L/MONO] and [R] jacks.

! A/D INPUT [L/MONO]/[R] jacks

External audio signals can be input via these phone jacks
(1/4" mono phone plug). Various devices such as a
microphone, CD player or synthesizer can be connected to
these jacks and their audio input signal can be sounded as
the Audio Part.
In addition, you can use the special Vocoder feature by
connecting a microphone to this [L/MONO] jack and
inputting your Voice to the microphone.
You can also use the Envelope Follower and ABS (Audio
Beat Sync) features. Envelope Follower is a function for
detecting the volume envelope of the input signal waveform
and modifying sounds dynamically.

MONTAGE Owner’s Manual

12

NOTE

• A guitar or bass having active pickups can be directly connected.
However, when using passive pickups, connect the instrument via
an effect device.

• The Vocoder/Envelope Follower can be controlled from all Part
outputs, and not just the A/D INPUT [L/MONO]/[R] jack.

ABS (Audio Beat Sync) is a function for detecting the beat of
the audio signal input from these jacks and synchronizing
the beat with the Motion Sequencer or Arpeggio.
Use 1/4" mono phone plugs. For stereo signals (such as from
audio equipment), use the [L/MONO]/[R] jacks. For mono
signals (such as from a microphone or guitar), use only the
[L/MONO] jack.
For details about the Envelope Follower and ABS features,
see the Reference Manual PDF document.

Controls and Functions

MONTAGE Owner’s Manual

13

WARNING

CAUTION

Setting Up

Rear panel

AC IN

Power cord (included)

Powered speaker

(left)

Powered speaker

(right)

Headphones

OUTPUT L/MONO OUTPUT R

PHONES

AC IN

[STANDBY/ON]
switch

Power Supply

Connect the supplied AC power cord in the following order.
Make sure the [STANDBY/ON] switch on the instrument is set
to the Standby position.

1 Connect the supplied power cord to the AC IN

on the instrument’s rear panel.

2 Connect the other end of the power cord to

an AC outlet.

NOTE

Follow this procedure in reverse order when disconnecting the power
cord.

• Use only the AC power cord supplied with your instrument.

The use of an inappropriate replacement can lead to
overheating or electric shock.

• The power cord supplied with your instrument must not be

used with other electrical equipment. Failure to observe this
precaution can result in the equipment being damaged or
cause a fire.

• Make sure your instrument the voltage requirement for the

country or region in which it is being used.

The instrument remains charged and draws a small amount of
power even when the [STANDBY/ON] switch is set to the Standby
position. If you intend not to use it for an extended period of
time, therefore, make sure to unplug the power cord from the
wall outlet.

Connecting Speakers or Headphones

Since the instrument has no built-in speakers, you will need
to monitor the sound of the instrument by using external
equipment. Connect a set of headphones, powered
speakers, or other playback equipment as illustrated below.
When making connections, be sure that your cables have
the appropriate ratings.

Powering Up the System

Make sure the volume settings of the instrument and external
devices such as powered speakers are turned to the
minimum before turning the power on. When connecting the
instrument to powered speakers, turn on the power switch of
each device in the following order.

When turning the power on:

First, the instrument (the display will turn on and the buttons
will light), then the connected powered speakers.

When turning the power off:

First, the connected powered speakers, then the instrument
(the display will turn off and the buttons will turn off).

Keep in mind that the [STANDBY/ON] switch is located at the
right side (from the view of the keyboard) of the AC IN socket
on the rear panel of the instrument.

14

MONTAGE Owner’s Manual

Setting Up

CAUTION

Max.

Min.

Auto Power Off function

To prevent unnecessary power consumption, this instrument
features an Auto Power Off function that automatically turns
the power off if the instrument is not operated for a specified
period of time.

Auto Power Off Setting

The amount of time that elapses before the power is
automatically turned off can be set.

Instructions:

Setting Value (min.):

Default Setting (min.):

Disabling Auto Power Off (simple method)

Turn the power on while holding down the lowest key on the
keyboard. An “Auto power off disabled” message appears
briefly and Auto Power Off is disabled. The setting is
retained even if the power is turned off.

[UTILITY]  [Settings]  [System]  [Auto
Power Off]

off (disables Auto Power Off), 5, 10, 15, 30,
60, 120

30

Adjusting the Master Volume output

Adjust the overall level of this instrument by using the
[MASTER VOLUME] slider.

Do not listen with the headphones at high volume for long
periods of time. Doing so may cause hearing loss.

Restoring the initial factory settings (Initialize All Data)

NOTICE

• Even when the power is turned off, electricity is still flowing to

the instrument at the minimum level. To shut off the electricity
completely, make sure you unplug the power cord from the
wall AC outlet.

• Depending on the instrument status, the power may not turn

off automatically, even after the elapse of the specified period
of time. Always turn off the power manually when the
instrument is not in use.

• When the instrument is not operated for a specified period of

time while connected to an external device such as an
amplifier, speaker or computer, make sure to follow the
instructions in the Owner’s Manual to turn off the power to the
instrument and the connected devices in the proper sequence,
in order to protect the devices from damage. If you do not
want the power to turn off automatically when a device is
connected, disable Auto Power Off.

• The setting will revert to its default value if not backed up

before the power is turned off.

• When Auto Power Off is set to “off,” the value will be retained

even if the backup data saved on another device is loaded to
the instrument. When Auto Power Off is set to something other
than “off,” the value will be overwritten with loaded data.

NOTICE

When the Initialize All Data operation is executed, all the
Performance, Song, and any system settings you created on the
Utility display will be erased. Make sure you are not overwriting
any important data. Be sure to save all important data to your
USB flash memory device before executing this procedure
(page 53).

1 Press the [UTILITY] button or touch the

UTILITY icon in the upper right of the screen
to call up the Utility display.

2 Touch the [Settings] tab in the left of the

screen and then touch the [System] tab.

The entire system setting display appears.

3 Touch [Initialize All Data] in the lower right of

the screen.

The display prompts you for confirmation. To cancel this
operation, touch the [Cancel No] in the screen or press
the [DEC/NO] button on the panel.

4 Touch [Yes] in the screen or press the [INC/

YES] button to execute the Initialize All Data
operation.

NOTE

• The setting time is approximate.

• To turn the power on after Auto Power Off has been executed,

• When the factory settings are restored, the setting time is changed

press the [STANDBY/ON] switch.

to the default value (30 min.).

MONTAGE Owner’s Manual

15

Basic Operation and Displays

1 2 76543

Navigation bar

9

8

The MONTAGE features a convenient touch panel display. You can operate various settings and select desired parameters by
directly touching the screen. Furthermore, you can use the data dial and other buttons for display operations.

Display (touch panel) configuration

This section explains the navigation bar and the display
selecting tabs which are common to all types of displays. For
the purpose of illustration, the Live Set display which
appears when the MONTAGE is turned on and the
Performance Play display (Home) are used as examples.

NOTE

You can change the start-up display (the display that first appears
when the power is turned on). For details about the setting, see
page 45.

Live Set display

Touch the desired icon to call up the corresponding
quick setup display.

6 TEMPO SETTING icon

Displays the tempo of the currently selected
Performance. Touch the icon to call up the Tempo setting
display.

7 UTILITY icon

Touch the icon to call up the last opened display among
the Utility displays.

Performance Play display

1 HOME icon

Moves to the Performance Play display.

2 EXIT icon

Functions same as the [EXIT] button on the panel. Press
this icon to exit from the current display and return to the
previous level in the hierarchy.

3 INFORMATION area

Displays helpful information, including the currently
selected display name.

4 EFFECT icon

Touch the icon to call up the Effect switch display. The
icon turns off when any of the Effect blocks (Insertion,
System or Master) is off.

5 QUICK SETUP icon

Displays the settings of Local Control ON/OFF and MIDI
IN/OUT.
The keyboard-shaped icon lights up when Local Control
is set to ON and turns off when Local Control is set to
OFF.
When MIDI is set as the MIDI IN/OUT setting, a MIDI
connector-shaped icon appears. When USB is set as the
MIDI IN/OUT setting, a USB connector-shaped icon
appears.

8 LIVE SET icon

Touch the icon to call up the Live Set display.

9 Display selecting tabs

Touch the desired tab to call up the corresponding
display.

Moving the cursor

Use these four buttons to navigate the display, moving the
cursor around the various selectable items and parameters
in the screen. When selected, the relevant item is highlighted
(the cursor appears as a dark block with inverse characters).
You can change the value of the item (parameter) at which
the cursor is located by using the data dial, [INC/YES] and
[DEC/NO] buttons.

MONTAGE Owner’s Manual

16