Yamaha MG10XUF User Manual

Page 1
EN
Owner’s Manual
PRECAUTIONS pages 4 to 6
Quick Start Guide pages 9 to 11 Troubleshooting pages 18 to 20
Page 2
CAUTION:
TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ATTENTION :
POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION, NE PAS RETIRER
LE CAPOT (OU LE DOS). NE CONTIENT PAS DE PIÈCES NÉCESSITANT
L'INTERVENTION DE L'UTILISATEUR. POUR TOUTE INTERVENTION,
FAIRE APPEL À DES PROFESSIONNELS QUALIFIÉS.
ATTENTION
RISQUE DE CHOC
ELECTRIQUE-NE PAS OUVRIR
The above warning is located on the rear of the unit. L’avertissement ci-dessus est situé sur l’arrière de l’unité.
Explication des symboles
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « ten­sion dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie.
UL60065_03-C
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in accordance with
the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat regis-
ters, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particu-
larly at plugs, convenience receptacles, and the point where they
exit from the apparatus. 11 Only use attachments/accessories specified by the manufacturer. 12 Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or sold
with the apparatus. When a cart is used, use
caution when moving the cart/apparatus com-
bination to avoid injury from tip-over. 13 Unplug this apparatus during lightning storms
or when unused for long periods of time. 14 Refer all servicing to qualified service personnel. Servicing is
required when the apparatus has been damaged in any way, such as
power-supply cord or plug is damaged, liquid has been spilled or
objects have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been
dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
MG10XUF Owner’s Manual
2
(UL60065_03)
PRÉCAUTIONS CONCER­NANT LA SÉCURITÉ
1 Lire ces instructions. 2 Conserver ces instructions. 3 Tenir compte de tous les avertissements. 4 Suivre toutes les instructions. 5 Ne pas utiliser ce produit à proximité d’eau. 6 Nettoyer uniquement avec un chiffon propre et sec. 7 Ne pas bloquer les orifices de ventilation. Installer l’appareil confor-
mément aux instructions du fabricant.
8 Ne pas installer l’appareil à proximité d’une source de chaleur
comme un radiateur, une bouche de chaleur, un poêle ou tout autre appareil (y compris un amplificateur) produisant de la chaleur.
9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la
fiche de terre. Une fiche polarisée dispose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est destinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les prises de courant disponibles, faire remplacer les prises par un électricien.
10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas
piétinés ni coincés, en faisant tout spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil.
11 Utiliser exclusivement les fixations et accessoires spécifiés par le
fabricant.
12 Utiliser exclusivement le chariot, le stand, le
trépied, le support ou la table recommandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un chariot, déplacer le chariot avec précaution pour éviter tout ris­que de chute et de blessure.
13 Débrancher l’appareil en cas d’orage ou
lorsqu’il doit rester hors service pendant une période prolongée.
14 Confier toute réparation à un personnel qualifié. Faire réparer
l’appareil s’il a subi tout dommage, par exemple si la fiche ou le cor­don d’alimentation est endommagé, si du liquide a coulé ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement ou est tombé.
AVERTISSEMENT
POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ.
(UL60065_03)
Page 3
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifica­tions not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these require­ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equip­ment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
(class B)
installations. If this product is found to be the source of inter­ference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distrib­ute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distrib­uted by Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Mixing Console
Model Name : MG10XUF
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.
(FCC DoC)
Information for users on collection and disposal of old equipment:
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or sup­plier for further information.
Information on Disposal in other Countries outside the European Union:
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.
(weee_eu_en_02)
MG10XUF Owner’s Manual
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Page 4

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
PA_en_8 1/2
• Do not use headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• Before connecting the device to other devices, turn off the power for all devices. Also, before turning the power of all devices on or off, make sure that all volume levels are set to the minimum. Failing to do so may result in hearing loss, electric shock, or device damage.
• When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid hearing loss and speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason.
Fire warning
• Do not place any burning items or open flames near the device, since they may cause a fire.
Power supply/AC power adaptor
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
• Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device.
• Use the specified adaptor only. Using the wrong adaptor can result in damage to the device or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, as long as the power cord is not unplugged from the wall AC outlet, the device will not be disconnected from the power source.
• Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.
Do not open
If you notice any abnormality
• If any of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet.
- The power cord or plug becomes frayed or damaged.
- Unusual smells or smoke are emitted.
- Some object has been dropped into the device.
- There is a sudden loss of sound during use of the device.
- Cracks or other visible damage appear on the device. Then have the device inspected or repaired by qualified
Yamaha service personnel.
• If this device or the AC power adaptor should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
• This device contains no user-serviceable parts. Do not open the device or attempt to disassemble the internal parts or modify them in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the device to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Hearing loss
• Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may result in feedback that can cause hearing loss and damage the speakers.
MG10XUF Owner’s Manual
4
Power supply/AC power adaptor
• Do not cover or wrap the AC power adaptor with a cloth or blanket.
• When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
Location
• Do not place the device in an unstable position where it might accidentally fall over and cause injuries.
• Do not place the device in a location where it may come into contact with corrosive gases or salt air. Doing so may result in malfunction.
• Before moving the device, remove all connected cables.
Maintenance
• Remove the power plug from the AC outlet when cleaning the device.
Page 5
PA_en_8 1/2
Handling caution
• Do not rest your weight on the device or place heavy objects on it. Avoid applying excessive force to the buttons, switches or connectors to prevent injuries.
• Avoid pulling the connected cables to prevent injuries or damage to the device.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device,
NOTICE
To avoid the possibility of malfunction/damage to the product, damage to data, or damage to other property, follow the notices below.
Handling and maintenance
• Do not use the device in the vicinity of a TV, radio, AV equipment, mobile phone, or other electric devices. Otherwise, the
device, TV, or radio may generate noise.
• Do not expose the device to excessive dust or vibration, or extreme cold or heat (such as in direct sunlight, near a heater, or
in a car during the day), in order to prevent the possibility of panel disfiguration, unstable operation, or damage to the inter­nal components.
• Do not place vinyl, plastic or rubber objects on the device, since this might discolor the panel.
• When cleaning the device, use a dry and soft cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impreg-
nated wiping cloths.
• Condensation can occur in the device due to rapid, drastic changes in ambient temperature—when the device is moved
from one location to another, or air conditioning is turned on or off, for example. Using the device while condensation is present can cause damage. If there is reason to believe that condensation might have occurred, leave the device for several hours without turning on the power until the condensation has completely dried out.
• To avoid generating unwanted noise, make sure there is adequate distance (50cm or more) between the AC adaptor and
the device.
• Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with electrical contact or fader
motion.
• Always turn the power off when the device is not in use.
• Even when the power switch is in standby status, electricity is still flowing to the device at the minimum level. When you are
not using the device for a long time, make sure you unplug the power cord from the wall AC outlet.
Connectors
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Information
About copyrights
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the
written consent of the manufacturer.
• This product incorporates and bundles computer programs and contents in which Steinberg Media Technologies GmbH and
Yamaha Corporation own copyrights or with respect to which it has license to use others' copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
About this manual
• The illustrations as shown in this manual are for instructional purposes only.
• Steinberg Media Technologies GmbH and Yamaha Corporation make no representations or warranties with regard to the use
of the software and documentation and cannot be held responsible for the results of the use of this manual and the software.
• iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
• Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective
companies.
• Software may be revised and updated without prior notice.
About disposal
This product contains recyclable components. When disposing of this product, please contact the appropriate local authori­ties.
European models Purchaser/User Information specified in EN55103-2:2009. Conforms to Environments: E1, E2, E3 and E4
MG10XUF Owner’s Manual
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Page 6
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the rear of the unit. You should note this serial number in the space provided below and retain this manual as a per­manent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
(rear_en_01)
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt, sålænge
netledningen sidder i en stikkontakt, som er tændt — også selvom der er slukket på apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko lait-
etta verkosta.
(standby)
이 기기는 가정용 (B 급 ) 전자파적합기기로서 주로 가정에서 사용하는 것을 목적으로 하며 , 모든 지역에서 사용할 수 있습니다 .
(class b korea)
MG10XUF Owner’s Manual
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Page 7
Thank you and congratulations on your purchase of the Yamaha MG10XUF
mixing console. This product is a mixing console for adjusting the balance of
multiple sound sources. This manual explains, for users who may not be familiar
with mixers, how to mix multiple sound sources during live performances by a
band or in other events. Please read this manual thoroughly to get the most out
of the product and ensure long-term, trouble-free use. After reading this man-
ual, please keep it available for future reference.

Contents

PRECAUTIONS .................................. 4
Contents ........................................ 7
Main Features ................................. 8
Quick Start Guide ............................. 9
STEP 1 Connecting external devices, such as
speakers, microphones and instruments ..... 9
STEP 2 Getting sound to the speakers .................10
Controls and Functions .....................12
Top panel
Channel section .................................................... 12
Master section ...................................................... 14
Internal effect section ........................................... 15
Rear panel
USB section...........................................................16
Applying Effects ..............................17
Technical Specifications ................... 21
General Specifications ................................... 21
Analog Input Characteristics ............................ 22
Analog Output Characteristics .......................... 22
Digital Input / Output Characteristics .................. 22
Jack and Connector List ................................. 23
Connector Types .......................................... 23
Block and Level Diagrams ............................... 24
Dimensions ................................................ 25
Troubleshooting ..............................18
When No Sound Is Output ................................18
Other ........................................................20
MG10XUF Owner’s Manual
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Page 8

Main Features

D-PRE and High-Quality Operational Amplifiers
Mono input channels are equipped with “D-PRE” Class-A discrete microphone preamplifiers. The D-PRE head ampli­fier features an inverted Darlington circuit used in high-end audio devices. This circuit uses multi-stage amplifying ele­ments to ensure high current and low impedance, for an audio texture with crispness and richness in the low and mid frequencies. Combined with the specially-designed “MG01” operational amp, the overall result is full-bodied reproduc­tion of low frequencies as well as sustained high frequencies. Input channels feature combo jacks, which can accept both XLR and TRS connectors. In addition, PAD circuitry allows line level input, to accommodate a wide variety of instruments.
24 High-Quality Digital Effects
MG10XUF features 24 built-in effects that are based on SPX algorithms used by professionals. In particular, the high­quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness.
24-bit/192 kHz USB Audio Interface
MG10XUF features a USB 2.0 audio interface capable of 24-bit/192 kHz sound quality. With the audio interface you can play back music from your computer, or use DAW software such as Cubase AI to record the mixer output. The XU models support USB Audio Class 2.0 so you can use them with USB Audio Class 2.0 compliant tablets and other devices, without the need to install drivers. The USB protocol uses asynchronous data transfer. Audio data is trans­ferred based on a highly precise audio clock signal from the MG, for high quality recording and playback.
MG Rec & Play
The MG Rec & Play software application enables recording to an iPhone/iPad connected to MG10XUF, as well as play­back of songs and sounds from an iPhone/iPad.This application can be used for a wide range of purposes, such as recording live gigs, providing background music for entertainment events, or sound effects for parties.
NOTE
iOS applications may not be supported in your area. Please check with your Yamaha dealer.
Cubase AI, Cubasis LE
The MG10XUF comes with the Steinberg DAW software "Cubase AI" and supports the DAW software "Cubasis LE" for iPad.
NOTE
For details on MG Rec & Play, Cubase AI, and Cubasis LE, visit the Yamaha website at: http://www.yamahaproaudio.com/mg_xu
Accessories (Please check that they are included with your mixing console.)
•AC Adaptor
• Cubase AI Download Information
• Owner’s Manual (this book)
MG10XUF Owner’s Manual
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Page 9

Quick Start Guide

L
L
L
L
L
L
R
R
R
R
R
R
L
R
Microphones
Rear Panel
Top Panel
Electric acoustic guitar
Computer
Electric keyboard
Footswitch
(Yamaha FC5)
Powered monitor
speaker
Powered speaker
Headphones
Portable
audio player
Connection Example
STEP 1 Connecting external devices, such as speakers, microphones
and instruments
1. Make sure that all devices to be connected to the unit are turned off.
2. Connect speakers, microphones and instruments referring to the connection example below.
MG10XUF Owner’s Manual
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Page 10
Quick Start Guide
[/] switch
[AC ADAPTOR IN] connector
5
[GAIN]
6
Equalizer
5
Channel fader
5 [
STEREO]
fader
4 [
PFL] switch
Channel
[PAD] switch

STEP 2 Getting sound to the speakers

1. Make sure that the [ / ] switch at the rear
panel is set to the [ ] position (power off).
2. Connect the supplied AC adaptor.
q Connect the power adaptor with the gap of the
plug facing up, aligning it to the [AC ADAPTOR IN] connector.
w Turn the fastening ring clockwise to secure the
connection.
5. Turn all the level control knobs fully to the left (min-
imum) and lower all the faders fully. These include the [GAIN] knobs (white), channel fader (white), and [STEREO] fader (red).
6. Set the equalizer knobs (green) to the center “”
position.
3. Make sure that all switches on the unit are not
4. Turn on ( ) the [PFL] switches for each channel
MG10XUF Owner’s Manual
10
AC ADAPTOR IN
e Plug the power adaptor into a standard house-
hold power outlet.
engaged ( ).
you are using.
NOTE
When you turn on the [PFL] switch for a channel, you can monitor the signal for that channel through headphones con­nected to the [Phones] jack. The level of the signal is also shown on the level meter indicator, allowing you to more accu­rately check signal levels. After checking levels, turn the [PFL] switches off.
NOTE
When a [PFL] switch is turned on, the [PFL] indicator below the level meter flashes.
7. If you connect a device with high output level, such
as a CD player or an electric keyboard, to one of the channels 1 to 4, turn on ( ) the [PAD] switch of the corresponding channel*.
NOTE
If you are using condenser microphones, turn on ( ) the [PHANTOM +48V] switch.
Page 11
Quick Start Guide
14, 17
[STEREO]
fader
12
[PFL] switch
11
[ON] switch
13
[ON] switch
16
Channel fader
8. Make sure that the volume of a powered speaker or
amplifier is set to the minimum.
9. Turn on the power to the connected devices in the
following order: (microphone), (instru­ment), (audio device)  [ / ] (this unit) 
(speakers).
NOTICE
Follow this order to prevent any loud, unexpected noise from the speakers. Reverse the order when turning the power off.
10.While playing your instrument or speaking into a
microphone, adjust the input signal with the [GAIN] knob until it goes past the “0” () position on the level meter only occasionally.
14.Raise the [STEREO] master fader to the “0” posi-
tion.
15.While playing your instrument or speaking into the
microphone, raise the volume of the powered speaker or amplifier until the desired volume is reached.
NOTE
If you connect a portable audio player, synthesizer, or other equipment to a stereo input channel that has no [GAIN] knob, adjust the output level on the connected device.
11. Turn on ( ) the [ON] switches for each channel
you are using.
12.Turn off ( ) all [PFL] switches.
13.Turn on ( ) the [ON] switch for the [STEREO]
master.
NOTE
If the sound is not heard or the sound is distorted, follow the instructions on page 18.
16.Set the channel faders to create the desired initial
balance.
17. Adjust the overall volume of the [STEREO] master
fader.
This completes the STEP 2 instructions.
NOTE
The volume can be adjusted by using three functions; [PAD], [GAIN], and channel fader. Once you set the [PAD] switch and the [GAIN] knob, avoid adjusting those controls as much as possible. Instead normally use the channel fader to adjust the volume. For details about each function, see the “Controls and Functions” sec­tion.
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Page 12

Controls and Functions

Top panel

Channel section (Input: q to !6)

e [HPF] (High-Pass Filter) switches
Turning the switch on ( ) will apply a high-pass filter that attenuates frequencies below 80 Hz. When speak­ing into the microphone, you may want to turn this switch on ( ), in order to reduce unwanted vibration and wind sound received by the microphone.
r [GAIN] knobs
Determines the basic volume for each of the channels 1 to 4. Adjust these so that the corresponding [PEAK] LEDs !1 flash briefly when singing or playing the loud­est.
t [COMP] knobs
Adjusts the amount of compression applied to the chan­nel. As the knob is turned to the right, the threshold, the ratio, and the output level are adjusted at the same time.
• Threshold: +22 dBu to -8 dBu
• Ratio: 1:1 to 4:1
• Output level: 0 dB to +7 dB
• Attack time: approx. 25 msec
• Release time: approx. 300 msec
q [MIC/LINE] mono input jacks (channels 1-4)
For connecting a microphone, instrument, or audio device (CD player, etc.) to the unit. These jacks support both XLR and phone plugs.
w [PAD] switches
Turning the switch on ( ) will attenuate the sound input to the unit. If you hear distortion or the [PEAK] LED !1 lights, turn the switch on ( ).
NOTE
Lower the channel faders completely before toggling the [PAD] switch on ( ) and off ( ). Otherwise, noise may be
produced.
y [PHANTOM +48V] switch/LED
When this switch is on ( ), the LED lights indicating that the unit supplies DC+48 V phantom power to the XLR plugs of the [MIC/LINE] mono input jacks q. Turn this switch on when using a phantom-powered con­denser microphone.
NOTICE
Be sure to leave this switch off ( ) if you do not need phantom power. Follow the important precau­tions below, in order to prevent noise and possible damage to external devices as well as the unit when you operate this switch.
• Be sure to leave this switch off when connecting a microphone or other device that does not require phantom power to channels 1 to 4.
• Do not connect/disconnect a cable to/from chan­nels 1 to 4 while this switch is on.
• Fully lower the faders for channels 1 to 4 before operating this switch.
u Equalizer (EQ) knobs
Adjust the sound quality by using the [HIGH] (high fre­quency band), [MID] (middle frequency band), and [LOW] (low frequency band) knobs. If you do not need to adjust the sound quality, set the knob to the “ position.
i [FX] (effect) knobs
Adjusts the volume sent from each channel to the inter­nal effect and the [FX SEND] jack.
” (flat)
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Controls and Functions
[PAN/BAL]: Provides both [PAN] and [BAL] functions.
You can use this as a [PAN] control when sound is input to the [LINE] (L/MONO) jack, and as a [BAL] control when sound is input to both [LINE] (L) and [LINE] (R) jacks.
!0 [ON] switch
Turn this switch on ( ) to send the respective chan­nel’s signal to the buses. The switch lights when on. When this switch is off ( ), the respective signal input is not sent to the FX bus.
NOTE
• Even if the [ON] switch is off, the PFL signal from each channel can still be monitored via the [PHONES] jack.
• To minimize noise, turn the [ON] switch off for any unused channels.
!1 [PEAK]LED
Lights when the volume of input and/or post-equalizer sound is too high (when reaching 3 dB below clipping). If it is lit frequently, turn the [GAIN] knob r to the left to lower the volume.
o [PAN] knobs (channels 1 to 4)
[BAL] knobs (channels 5/6 and 7/8) [PAN/BAL] knobs (channels 9/10)
[PAN]: Adjusts the volume balance of each channel
sent to the stereo bus, and determines the positioning of the sound image between left and right (stereo L/R). When the knob is located at the 12 o’clock position, the channel’s sound will be sent to the stereo bus channels (L and R) at the same volume. In this case, the sound image is positioned at the center.
!2 Channel faders
For adjusting the volume balance among the channels. Generally, set this to the “0” position.
!3 [PFL] (Pre-fader Listen) switch
When the [PFL] switch is on ( ), the channel pre­fader signal is output to the [MONITOR OUT] and [PHONES] jacks for monitoring.
!4 [TO MON /TO ST ]switch
For selecting the output destination of the input sound to channels 9/10. Normally set this switch to [TO ST ]. When you use the unit with a computer con­nected to the [USB 2.0] terminal, toggle this switch according to your specific application, referring to the chart in “Rear panel USB section.”
!5 [LINE] stereo input jacks (channels 5/6 to 9/10)
For connecting line-level devices such as an electric keyboard or an audio device. These jacks support phone plugs and RCA-pin plugs.
NOTE
Regarding input to channels 5/6 and 7/8, if both phone and RCA-pin jacks are used at the same time, the phone jack will take priority.
[BAL]: Determines the volume balance of the stereo channels (5/6 to 7/8) (L/R) sent to the stereo bus. When the knob is located at the 12 o’clock position, the sound of the stereo channels will be sent to the stereo bus channels (L and R) at the same volume respectively.
!6 [LINE /USB ] switch
Toggles the sound source input to channels 9/10. When the switch is set to [LINE ], the source will be the [LINE] stereo input jack !5, and when set to [USB ], the source will be the [USB 2.0] terminal.
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Page 14
Controls and Functions
Top panel

Master section (Output: !7 to @7)

!9 [PHONES] output jack
For connecting a set of headphones. This jack supports a stereo phone plug.
NOTE
When the [PFL] indicator @3 is flashing, the signal for chan­nels where the [PFL] switch
!3 is pressed is output.
@0 [MONITOR OUT] jacks
For connecting a monitor system for operators. These jacks support phone plugs.
NOTE
The [MONITOR OUT] jacks outputs the same signal as The [PHONES] jack. When the [PFL] indicator signal for channels where the [PFL] switch output.
@3 is flashing, the
!3 is pressed is
@1 [POWER] LED
Lights when the [ / ] switch @9 on the rear panel is set to on (pressed to the [ ] position).
@2 Level meter
The L and R meters show the level (volume) of the sig­nal output from the [STEREO OUT] jacks by seven steps; “PEAK” (+17), “+10”, “+6”, “0”, “-6”, “-10”, and “-20” dB. If the “PEAK” lamp continuously lights in red, turn the [STEREO LEVEL] knob to the left to lower the vol­ume.
!7 [FX SEND] jack
For connecting an external effects unit or a monitor sys­tem for players. This phone-plug jack outputs the sound adjusted with the [FX] knob respectively.
!8 [STEREO OUT] jacks
For connecting a powered speaker or amplifier. These jacks support both XLR and phone plugs.
@3 [PFL] indicator
When the [PFL] switch is on, the indicator flashes.
@4 [STEREO MUTE] switch
Turning the switch on ( ) will mute the sound of ste­reo bus from the output of [MONITOR OUT] jacks or [PHONES] jack. In this state, when setting the [TO MON /TO ST ] switch !4 for channels 9/10 to [TO MON ], you can hear the sound only from channels 9/10. For details about the switch, see the “Rear panel USB section” on page 16.
@5 [MONITOR/PHONES] knob
Adjusts the volume output to the [MONITOR OUT] jacks and the [PHONES] jack.
@6 [ON] switch
Turn this switch on ( ) to activate the [GROUP] fader. The switch lights when on.
@7 [STEREO] fader
Adjusts the overall volume output from the [STEREO OUT] jacks.
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Controls and Functions
Top panel

Internal effect section (Output: q to u)

w [PROGRAM] knob
Selects one of the 24 internal effects from 1-24. Turn the knob to select the desired effect program, and then press the knob to actually set it. For instructions on how to apply the effect, see the section “Applying Effects” on page 17.
NOTE
Turning the knob while pressing it down also allows you to simultaneously select and set the effect program (without needing to press the knob finally to set it).
e [PARAMETER] knob
Adjusts the parameter (depth, speed, etc.) for the selected effect. The last value used with each effect pro­gram is saved. For details about the parameter, see the “Effect Programs” list on page 17.
NOTE
When you change to a different effect program, the unit auto­matically restores the value that was previously used with that program (regardless of the current position of the [PARAME­TER] knob). Once you turn the [PARAMETER] knob, the value of current knob position will become valid.
q Display
Indicates the effect program number selected with the [PROGRAM] knob w. The number flashes during selec- tion; however, if several seconds pass without a selec­tion being made, the program returns to the last number selected.
r Effect program list
This is the list of the internal effect programs. For details about the programs, see the “Effect Programs” list on page 17.
t [ON] switch
When the switch is turned on ( ), the switch lights indicating the internal effect is active. If you turn off the internal effect with the foot switch when the switch is on ( ), the LED of the switch flashes.
y [PFL](Pre-fader Listen) switch
When the [PFL] switch is on ( ), the [FX RTN] pre­fader u signal is output to the [MONITOR OUT] @0 and [PHONES] jack !9 for monitoring.
u [FX RTN] fader
Adjusts the volume of the internal effect sound.
i [FOOT SW] jack
For connecting an optionally available unlatched type footswitch, such as the Yamaha FC5. When the [ON] switch t is turned on ( ), the internal effects can be toggled on/off with the footswitch as needed with your foot. This jack supports a phone plug.
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Controls and Functions

Rear panel

USB section (@8 to #0)

Caution
The unit may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that since the panel temperature may exceed 50°C in ambient temperatures higher than 30°C, you should exercise caution to prevent burns.
@8 [AC ADAPTOR IN] connector
For connecting the supplied AC adaptor.
not plan to use the unit for a while, be sure to unplug the AC adaptor from the outlet.
#0 [USB 2.0] terminal
For connecting to a computer via a commercially avail­able USB 2.0 cable. (This product does not come with a cable.) The sound of the stereo bus is output to the computer. (The [STEREO] fader @7 does not affect the sound.) For inputs and outputs to/from the computer, you may need a dedicated USB driver. Check and download the driver at the following Yamaha web site and install it to the computer before use. The cable should be no more than 3 meters long. http://www.yamahaproaudio.com/mg_xu/
Using the unit connected to a computer
Set the [LINE /USB ] switch !6 of channels 9/10 to [USB ]. Depending on your particular application, you can specify the output destination and monitoring sound by selecting the settings of the [TO MON /TO ST ] switch !4 for channels 9/10 and the [STEREO MUTE] switch @4. For details, see the chart below.
@9 [/] switch
For turning the power of the unit to standby ( ) and on ( ). The [POWER] LED @1 on the top panel lights when the switch is set to on ( ).
NOTE
Rapidly switching the unit between on and standby in succes­sion can cause it to malfunction. After setting the unit to standby, wait for about six seconds before turning it on again.
NOTICE
Even when the switch is in the standby ( ) posi­tion, electricity is still flowing to the unit. If you do
Output Destinations and Monitoring Sound
Selection of the output destination
Application
When recording with DAW software while lis­tening to the playback sound from a computer.
When playing back sound from a computer. For example: BGM play­back, Internet broad­casting
[TO MON /TO
[TO MON ]*1
sent from channels 9/10
ST ] switch
[TO ST ]
Output destination
[MONITOR OUT] jack*2 [PHONES] jack*2
Stero bus [STEREO OUT] jack
Adjusting the playback volume from a computer
(Attenuator)
1. Press the [PROGRAM] knob five times consecu­tively to display the attenuation value (dB).
2. Turn the [PROGRAM] knob to set it between -24 dB to 0 dB (minus sign is not displayed).
3. Press the [PROGRAM] knob again to exit the set­ting. When the attenuator is enabled, the dot lights at the lower right of the display.
Selection of the monitoring sound with the
headphones/monitor speaker
[STEREO MUTE]
switch
On ( )
Off ( )
Normally set to
Off ( )
The direct sound (of the instrument) input to the MG10XUF will be muted, allowing you to hear the playback sound only from the DAW. (Direct monitoring: Off )
You can hear the mixed sound of the direct instrument sound input to the MG10XUF and the playback sound from the DAW.(Direct monitoring : On)
You can hear the mixed sound of the instru­ment sound input to the MG10XUF and the playback sound from a computer.
Monitoring sound
*1 NOTICE: If you set the switch to [TO ST ] when you use the DAW software, a loop may be produced, possibly resulting in feed-
back.
*2 The audio signal cannot be sent to the computer because it does not pass through the stereo bus.
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Page 17

Applying Effects

1
1, 2
5
3
4
Effect program list
The MG10XUF features high-quality built-in signal processing effects that are in the same league as our famed SPX effect processor series. Applying effects (as described below) allows you to simulate the acoustics of different perfor­mance environments.
Effect Programs
No. Program Parameter Description
1 REV HALL 1 Reverb Time 2 REV HALL 2 Reverb Time 3 REV ROOM 1 Reverb Time 4 REV ROOM 2 Reverb Time 5 REV STAGE 1 Reverb Time 6 REV STAGE 2 Reverb Time
7 REV PLATE Reverb Time
8 DRUM AMB Reverb Time
9 EARLY REF Room Size
10 GATE REV Delay Time
11 SINGLE DLY Delay Time
12 DELAY Delay Time
13 VOCAL ECHO Delay Time
14 KARAOKE Delay Time
15 PHASER LFO* Freq
1. Turn the [PROGRAM] knob to select a desired
effect program number from the effect program list.
The currently selected effect program number flashes on the display.
NOTE
For details about the effect programs, refer to the “Effect Pro­grams” list on the right side.
2. Press the [PROGRAM] knob to actually select it.
The desired effect program is selected.
16 FLANGER LFO* Freq
17 CHORUS 1 LFO* Freq Creates a thicker ensemble-like
18 CHORUS 2 LFO* Freq
19 SYMPHONIC LFO* Depth
20 TREMOLO LFO* Freq
21 AUTO WAH LFO* Freq
3. Turn on ( ) the [ON] switch.
4. Set the [FX RTN] fader to the “0” position.
22 RADIO VOICE Cutoff Offset
5. Turn the [FX] knob of the channel to which you
want to apply the effect to adjust the effect amount.
23 DISTORTION Drive
24 PITCH CHANGE Pitch
* “LFO” stands for Low Frequency Oscillator. An LFO is normally
used to periodically modulate another signal, using different waveform shapes and modulation speeds.
Reverb simulating a large space such as a concert hall.
Reverb simulating the acoustics of a small space (room).
Reverb simulating a large stage.
Simulation of a metal-plate reverb unit, producing a more hard-edged reverberation.
A short reverb that is ideal for use with a drum kit.
An effect which isolates only the early reflection components from reverberation, creating a ‘flashier’ effect than conven­tional reverb.
An effect which cuts halfway the tail-end of the reverberation, making a more powerful sound.
An effect which repeats the same sound only once. Short­ening the delay time produces a doubling effect.
Feedback delay adding multiple delayed signals.
Echo designed for conventional vocals.
Echo designed for karaoke (sing-along) applications.
Cyclically changes the phase to add modulation to the sound.
Adds modulation to the sound, producing an effect similar to the rise and fall sound of a jet engine.
sound by adding the multiple sounds with different delay times.
Multiplies the sound for thicker texture.
An effect which cyclically mod­ulates the volume.
A wah-wah effect with cyclical filter modulation. The [PA-RAM­ETER] knob adjusts the speed of the LFO* that modulates the “wah” filter.
Recreates the lo-fi sound of an AM radio. The [PARAMETER] knob adjusts the frequency band to be emphasized.
Adds a sharp-edged distortion to the sound.
An effect which changes the pitch of the signal.
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Page 18

Troubleshooting

DI
[PHONES] jack
[STEREO OUT] jacks
When connecting guitars or basses to the MG, use DI boxes.
1
Signal is input from a micro­phone or instrument.
3
Route signals from channels to the master block.
2
Adjust tone and level for each channel.
5
The signal is output to speakers and/or headphones.
4
Make final adjustments to the level of the signal.

When No Sound Is Output

Refer to this section when no sound is output or the volume is very low. This information is for when sound is output from the [STEREO OUT] jacks or the [PHONES] jack. For details about these functions, see “Controls and Functions” on pages 12 – 16.
STEP 1 Connections and Signal Flow
Check if the instruments, microphones, and speakers are connected correctly, and if any of the cables are damaged.
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STEP 2 Setting Switches and Controls
[GAIN] knobs
Turn until the [PEAK] indi­cator begins to flash inter­mittently.
Level meter
If the level meter [PEAK] indica­tor flashes frequently, lower the faders for each channel.
[PHANTOM +48V] switch
Turn this switch on (the indicator lit) when using a condenser microphone.
• To prevent an unwanted burst of noise from the speakers, turn off powered speak­ers (or power amps) before turning on the [PHANTOM +48V] switch.
[PEAK]
indicators
[MONITOR/PHONES] knob
For adjusting the headphone level and the MONITOR level.
[ON] switches
On (lit)
[PFL] switches
All off ( )
• When [PFL] switches are on, only the signals from those channels are sent to the level meter and headphones. Therefore, you will be unable to check the overall sound.
• If the [PFL] indicator below the level meter is flashing, one or more [PFL] switches are on.
Channel faders
For adjusting the level for each channel.
[STEREO] master fader
For adjusting the overall volume, with “0” as the nominal level.
Check the overall balance
Use the settings shown in the illustration to check the overall balance from speakers or headphones.
Troubleshooting
To monitor the signal of each channel
You can use the level meter and headphones to check the pre-fader signal for each channel.
[PFL] switches: Turn on ( ) for the channel(s) you want to check.
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Troubleshooting

Other

The power does not come on. Is the mixer connected to an independent power source (generator, etc.) or a power strip
with switches? Check that the power of that device is turned on.
No sound is output. Are external instruments (including microphones) and speakers connected correctly?
Are your cables shorted?Are the [GAIN] knobs for each channel, channel faders, [STEREO] master fader adjusted to
appropriate levels?
Are the[LINE /USB ] switch set appropriately?
No sound is output from the [STE-
REO OUT] jack.
No sound is output from the [MON-
ITOR OUT] jack or [PHONES] jack.
The sound is low, distorted, or
noisy.
Effects are not applied. Are the [FX] knobs for each channel adjusted to appropriate levels?
Is the [STEREO] master [ON] switch turned on?
Are the [PFL] switches for the channels you are not using turned on?
Turn the [PFL] switches off.
Is the microphone connected to a [MIC/LINE] jack?When using a condenser microphone, is the [PHANTOM +48V] switch turned on?Is the [PAD] switch on?
Turn this switch off for sources with low output levels, such as microphones.
Is the output signal level for the instrument connected to the mixer appropriate?When connecting an instrument with an output level of +4 dBu, either turn on the [PAD]
switch on a mono input channel or use a stereo input channel.
Where an input channel provides both a XLR input jack and a phone input jack, or a phone
input jack and an RCA pin jack, are there connections made at both jacks? Use only one of these jacks.
Are the [GAIN] knobs for each channel, channel faders, [STEREO] master fader adjusted to
appropriate levels?
Are effect or compressor levels too high?
Use the [FX] knobs, [FX RTN] fader, and [COMP] knobs to lower their levels.
Is the [ON] switch for [FX RTN] turned on?Are the [PARAMETER] knob and [FX RTN] fader adjusted to appropriate levels?
Speaking voices are not clear. Is the [HPF] switch turned on?
Is the equalizer ([HIGH]/[MID]/[LOW]) adjusted appropriately?
No mixer monitor signal is output. Are powered speakers connected to the [MONITOR OUT] jacks?
Use the [MONITOR/PHONES] knob to adjust the signal output from the [MONITOR OUT] jacks.
Left and right levels are different
for a stereo signal input.
The sound level is unstable and
inconsistent.
The volume of audio play-back
from a computer need to be adjusted.
If any specific problem should persist, please contact your Yamaha dealer.
Is [PAN] set to the center?
If panned to the center, try reversing the left and right input connections. If, after switching the left and right connections, the side with the low volume level also switches, check the instrument or device that is the source of the signal.
Are you using the same type of cable to connect both the left and right input signals?
Cables with built-in resistors will attenuate the signal.
Is the compressor level set too high?
Use the [COMP] knob to lower the level.
Use the “Attenuator Function”. For details, see page 16.
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Technical Specifications

General Specifications

0 dBu = 0.775 Vrms, Output impedance of signal generator (Rs) = 150Ω All level controls are nominal if not specified.
Frequency Response Input to STEREO OUT
Total harmonic distortion (THD+N)
Hum & Noise (20 Hz to 20 kHz)
Crosstalk (1 kHz) Input channels 10 channels: Mono [MIC/LINE]: 4, Stereo [LINE]: 3 Output channels STEREO OUT: 2, PHONES: 1, MONITOR OUT: 1, FX SEND: 1 Bus STEREO: 1, FX: 1
Input Channel Function
Level Meter Pre Monitor LEVEL 2x7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB] Built-in Effect SPX Algorithm 24programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)
USB Audio 2 IN / 2 OUT
Phantom Power Voltage +48 V
Power Requirements
Power Supply adaptor 22.9 W Dimensions (W×H×D) 275 mm × 110 mm × 390 mm (10.8” × 4.3” × 15.4”) Net Weight 3.3 kg (7.3 lbs) Included Accessory Owner’s Manual, AC Adaptor, Cubase AI Download Information Optional Accessory Foot Switch: FC5 Operating Temperature 0 to +40°C
*1
*2
Input to STEREO OUT
Equivalent Input Noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) Residual Output Noise -102 dBu (STEREO OUT, STEREO master fader: Min)
PAD CH 1 – CH 4 26 dB HPF CH 1 – CH 4 80 Hz, 12 dB/oct
COMP CH 1, CH 2
EQ
PEAK LED CH 1 – CH 4
+0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min
0.005 % @ +24dBu (1kHz), GAIN knob: Min
-83 dB
1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu Ratio:1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec Release time: approx. 300 msec
CH 1 – CH 4
CH 5/6 – CH 9/10
USB Audio Class 2.0 compliant Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha
HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving MID: Gain: +15 dB/-15 dB, Frequency: 2.5 kHz peaking LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
LED turns on when post EQ signal reaches 3 dB below of the clipping level.
*1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter.
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Technical Specifications

Analog Input Characteristics

0 dBu = 0.775 Vrms
Input
Termi nals
MIC/LINE 1 - 4
LINE 5/6, 7/8
LINE 9/10
*1 Sensitivity is the lowest level that will produce an output of +4dBu (1.228V) or the nominal output level when the unit is set to maximum
gain. (All level controls are maximum position.) *2 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD *3 Tip = Signal, Sleeve = GND
PAD
26 dB
OFF
GAIN Trim
Position
+64 dB
+20 dB
+38 dB
ON
-6 dB
10kΩ 600Ω Lines
Actual Load
Impedance
3kΩ
For Use with
Nominal
50–600Ω
Mics/Lines
Sensitivity
-80 dBu
(0.077 mV)
-36 dBu
(12. 3 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-30 dBu
(24.5 mV)
Input Level
*1
Nominal Max. before clip
-60 dBu
(0.775 mV)
-16 dBu
(122.8 mV)
-34 dBu
(15.46 mV)
+10 dBu
(2.451 V)
-10 dBu
(245 mV)
-40 dBu
(7.75 mV)
+4 dBu
(1.228 V)
-14 dBu
(154.6 mV)
+30 dBu
(24.51 V)
+10 dBu
(2.451 V)
Connector
Combo jack (Balanced)
Phone jack RCA pin
(Unbalanced) Phone jack
(Unbalanced)
*2
*3
*3

Analog Output Characteristics

0 dBu = 0.775 Vrms
Output Terminals
STEREO OUT [L, R] 75Ω 600Ω Lines +4 dBu (1.228 V) +24 dBu (12.28 V)
MONITOR OUT [L, R] FX SEND
PHONES 110Ω 40Ω Phones 3 mW + 3 mW 100 mW + 100 mW Stereo phone jack
*1 1 = Ground, 2 = Hot, 3 = Cold *2 Tip = Hot, Ring = Cold, Sleeve = Ground
Actual Source
Impedance
150Ω 10kΩ Lines +4 dBu (1.228 V) +20 dBu (7.750 V)
For Use with
Nominal
Nominal Max. before clip
Output Level
Connector
XLR-3-32 Phone jack (Balanced)
Phone jack (Impedance Balanced)
*1
*2
*2

Digital Input / Output Characteristics

Terminals Format Data Length
USB USB Audio Class 2.0 16 /24 bit
*1 Data length is depend on the using audio format. USB Audio Class2.0: 16 / 24-bit, Yamaha Steinberg USB Driver: 24-bit
*1
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz
Fs Connector
USB Standard-B
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Jack and Connector List

INPUT OUTPUT
Ring
TipSleeve
Sleeve Tip
Male
Female
TRS Phone
TS Phone
White
Red
Jacks and Connectors Polarities Configurations
Technical Specifications
MIC/LINE, STEREO OUT
MIC/LINE*, AUX SEND, MONITOR OUT, STEREO OUT
PHONES
LINE (stereo input channels)
These jacks also can be connected with TS phone connectors. If you use TS phone connectors, the connection will be unbalanced.
Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (–)
Tip: Hot (+) Ring: Cold (–) Sleeve: Ground
Tip: L Ring: R Sleeve: Ground
Tip: Hot Sleeve: Ground
XLR Jack
TRS Phone Connector
TS Phone Connector

Connector Types

XLR This 3-pin connector is resistant to externally induced noise, and is used pri­marily for balanced connections. With properly designed receiving circuitry, cables with this type of connector can also be used for unbalanced signals. XLR type connectors are the standard for microphone connections as well as most professional audio gear.
Phone Phone connectors are available in TRS and TS types. TRS types are used for stereo headphone jacks, insert jacks, and also for carrying balanced signals in many cases. TS types are used to carry unbalanced signals -for example, electric guitar cables.
RCA Pin This type of unbalanced connector is most commonly found on home audio and video equipment. RCA type pin jacks are often color coded: white for left audio channel and red for right audio channel, for example.
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Technical Specifications

Block and Level Diagrams

+48V
PHANTOM
Maximum Output: +24dBu (@600Ω)
[STEREO OUT L/R]
Nominal Output: +4dBu (@600Ω)
PFL
PFC+15
LEVEL
YE
ON
RE
PEAK
100Hz
MID FXPAN
10kHz 2.5kHz
HIGH LOW
HPF
GAIN
PAD
(R)
STEREO OUT
+60-6
-10
-20
+10
Peak
YE
YE
YE
RE
GR
GR
METER
[+4dBu]
BA
BA
(INV)
[0dBu][-10dBu][0dBu]
BA
[0dBu]
BA
(INV)
SUM
(INV)
PFL
[-6dBu]
FX
PFC+15
BAL
OFF ON OFF ON
[0dBu]
BA
[-10dBu]
LEVEL
YE
ON
100Hz
2-Stage EQ
HIGH LOW
10kHz 2.5kHz
[0dBu]
BA
(INV)
BA
[-10dBu] [0dBu]
3-Stage EQ
80Hz
[0dBu]
HA
26dB
GR
0
L R
+6
-6
-10
-20
+10
Peak
MONITOR OUT
DRV
DRV
PFL ON
[0dBu]
[0dBu]
SUM
(INV)
SUM
(INV)
SUM
TO MON/TO ST
[-14dBu]
PFC+15
[0dBu]
BA
[-10dBu]
100Hz
2-Stage EQ
10kHz
[0dBu]
BA
(INV)
PFL
[-14dBu]
FXPAN/BAL
BA
[-10dBu] [0dBu][0dBu]
LEVEL
YE
ON
2-Stage EQ
HIGH LOW
BA
(INV)
LINE/USB
[0dBu]
[-10dBu]
PFL
STEREO MUTE
(L/R)
PHONES
[PHONES L/R]
[+4dBu]
BA
[-16dBu]
MONITOR/PHONES
[0dBu]
SUM
(INV)
YE
[0dBu]
BA
(INV)
MONITOR STEREO
PFC+15
BA
[-10dBu] [0dBu]
2-Stage EQ
10kHz 100Hz
[0dBu]
BA
(INV)
LINE USB
[0dBu]
[-10dBu]
(L)
STEREO OUT
[+4dBu]
BA
BA
(INV)
YE
ON
[0dBu]
BA
[-10dBu]
STEREO LEVEL
[0dBu]
BA
(INV)
[0dBu]
SUM
(INV)
PFL CTRL
PFL R
PFL L
FX
STEREO R
STEREO L
PFL
[-6dBu]
FX
PAN
BA
[-10dBu] [0dBu]
LEVEL
YE
ON
RE
PEAK
LOW
MID
3-Stage EQ
COMP
COMP
HPF HIGH
80Hz
[0dBu]
HA
GAIN
PAD
26dB
OFF ON OFF ON
OFF ON
CH1-4 MIC
RE
MONITOR OUT
Maximum Output: 100mW (@40Ω)
Nominal Output: 3mW (@40Ω)
[+4dBu]
BA
[-16dBu]
[0dBu]
SUM
(INV)
[0dBu]
BA
(INV)
OFF ON
(L)
PFL ON MUTE
BA
(INV)BA(INV)
INL
OUTL
BA
(INV)BA(INV)
(R)
MONITOR OUT
USB AUDIO
Maximum Output: +20dBu (@10kΩ)
[MONITOR OUT L/R]
Nominal Output: +4dBu (@10kΩ)
INR
OUTR
FX SEND
Maximum Output: +20dBu (@10kΩ)
[FX SEND]
Nominal Output: +4dBu (@10kΩ)
WH
POWERSTANDBY/ON
[-10dBu]
BA
(INV)BA(INV)
OUTL
IN
BA
(INV)
STANDBY ON
PFL
YE
PFC+15
OFF ON
[-10dBu]
OUTR
DAC
ADC
PARAMETER
[+4dBu]
BA
(INV)
[0dBu]
SUM
(INV)
FX ON
LEVEL
FX RTN
OUT
DSP
(EFFECT)
IN
FOOT SW
CONTROL
PROGRAM
+30dBu
Maximum Output Level:
+20dBu
[+24dBu]
Maximum Output Level:
Maximum Output Level:[+20dBu]
Maximum Output Level:[+20dBu]
[+16dBu]
Clipping Level:[+20dBu]
Clipping Level:[+20dBu]
[+14dBu]
Clipping Level:[+20dBu Clipping Level:[+20dBu]
Clipping Level:[+20dBu]
Clipping Level:[+20dBu]
0dBu
+10dBu
[+4dBu]
STEREO OUTPUT:
+4dB
+10dB
[+10dBu]
-10dB
[100mW] @40Ω
PHONES:[3mW] @40Ω
-11dB
MONITOR OUTPUT:[+4dBu]
+20dB
[0dBu]
-16dB
FX SEND:[+4dBu]
+4dB
+10dB
[+10dBu]
-10dB
+14dB
[+6dBu]
-14dB
+6dB
FX Level Control
-6dB
+10dB-10dB
[+10dBu]
Internal Nominal Level: [0dBu]
+10dB
STEREO INPUT LINE:[-10dBu]
Maximum Input Level:[ +10dBu]
+16dB
-26dB
@GAIN=min
-10dBu
-30dBu
-40dBu
-50dBu
-60dBu
-20dBu
STEREO Level Control
MONITOR/PHONES Level Control
FX RETURN Level Control
(INPUT5/6-9/10)
FX Level Control
(INPUT1-4)
Channel Level Control
+60dB
-26dB
@GAIN=min
@GAIN=max
@GAIN=max
MG10XUF Owner’s Manual
24
Maximum Input Level:[+4dBu]
Maximum Input Level:[+30dBu]
24-bit/192kHz
FOOT SW
FX ON/OFF
USB 2.0
(L)
(R)
1,2
INPUT
[MIC/LINE]
(PAD=off)
3,4
INPUT
[MIC/LINE]
Nominal Input: -34 to +10dBu
Nominal Input: -60 to -16dBu
(PAD=on)
(PAD=off)
INPUT
Nominal Input: -60 to -16dBu
5/6,7/8
(PAD=on)
Nominal Input: -34 to +10dBu
[LINE]
(L)
(R)
(R)
Nominal Input: -10dBu
(L/MONO)
INPUT
(R)
9/10
[LINE]
Nominal Input: -10dBu
MONO INPUT LINE:[+10dBu]
0dBu
+30dBu
+20dBu
+10dBu
MONO INPUT MIC :[-60dBu]
MONO INPUT MIC :[-16dBu]
MONO INPUT LINE:[-34dBu]
-10dBu
-30dBu
-40dBu
-50dBu
-60dBu
-20dBu
Page 25

Dimensions

390
107
110
385
275
Technical Specifications
Unit: mm
* The contents of this manual apply to the latest specifications as of the publishing date.
To obtain the latest manual, access the Yamaha website then download the manual file.
MG10XUF Owner’s Manual
25
Page 26
MG10XUF Owner’s Manual
26
Page 27
Page 28
Manual Development Group
© 2018 Yamaha Corporation
Published 01/2018 POEM-A0
ZY27750
Yamaha Pro Audio global website:
http://www.yamaha.com/proaudio/
Yamaha Downloads:
http://download.yamaha.com/
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