Yamaha MGP24X, MGP32X User Manual

EN
Owner’s Manual
PRECAUTIONS pages 4 to 5
Setup pages 7 to 9 Troubleshooting pages 40 to 41
Explanation of Graphical Symbols Explication des symboles
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « ten­sion dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in accordance with
the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat regis-
ters, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particu-
larly at plugs, convenience receptacles, and the point where they
exit from the apparatus. 11 Only use attachments/accessories specified by the manufacturer. 12 Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or sold
with the apparatus. When a cart is used, use
caution when moving the cart/apparatus com-
bination to avoid injury from tip-over. 13 Unplug this apparatus during lightning storms
or when unused for long periods of time. 14 Refer all servicing to qualified service personnel. Servicing is
required when the apparatus has been damaged in any way, such as
power-supply cord or plug is damaged, liquid has been spilled or
objects have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been
dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
MGP32X/MGP24X Owner’s Manual
2
(UL60065_03)
PRÉCAUTIONS CONCER­NANT LA SÉCURITÉ
1 Lire ces instructions. 2 Conserver ces instructions. 3 Tenir compte de tous les avertissements. 4 Suivre toutes les instructions. 5 Ne pas utiliser ce produit à proximité d’eau. 6 Nettoyer uniquement avec un chiffon propre et sec. 7 Ne pas bloquer les orifices de ventilation. Installer l’appareil confor-
mément aux instructions du fabricant.
8 Ne pas installer l’appareil à proximité d’une source de chaleur
comme un radiateur, une bouche de chaleur, un poêle ou tout autre appareil (y compris un amplificateur) produisant de la chaleur.
9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la
fiche de terre. Une fiche polarisée dispose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est destinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les prises de courant disponibles, faire remplacer les prises par un électricien.
10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas
piétinés ni coincés, en faisant tout spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil.
11 Utiliser exclusivement les fixations et accessoires spécifiés par le
fabricant.
12 Utiliser exclusivement le chariot, le stand, le
trépied, le support ou la table recommandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un chariot, déplacer le chariot avec précaution pour éviter tout ris­que de chute et de blessure.
13 Débrancher l’appareil en cas d’orage ou
lorsqu’il doit rester hors service pendant une période prolongée.
14 Confier toute réparation à un personnel qualifié. Faire réparer
l’appareil s’il a subi tout dommage, par exemple si la fiche ou le cor­don d’alimentation est endommagé, si du liquide a coulé ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement ou est tombé.
AVERTISSEMENT
POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ.
(UL60065_03)

Contents

PRECAUTIONS ...................................... 4
Introduction......................................... 6
Main features.......................................................6
Setup................................................. 7
Preparing the power supply...............................7
Connections ........................................................7
Powering up the system .....................................7
Getting sound to the speakers...........................7
Setup example.....................................................8
Controls and Connectors ....................... 10
Top panel ...........................................................10
Rear panel..........................................................10
Channel control block ......................................11
Mono input section ...................................................11
Stereo input section .................................................. 11
Master control block .........................................15
USB device recorder section .................................... 15
iPod/iPhone section ..................................................15
Display section .........................................................16
Meter section ............................................................16
FX RTN (effect return) section ................................17
SEND MASTER section ...........................................18
MATRIX section .......................................................18
USB IN/iPod IN section ............................................ 19
PHONES/MONITOR section ....................................19
TALKBACK section ..................................................20
GROUP section ........................................................20
MONO master section ..............................................21
STEREO master section .......................................... 21
Rear input/output block....................................22
Channel I/O connectors section ...............................22
Master I/O connectors section ..................................22
Power section ...........................................................23
Basic Operations and Display.................. 24
Viewing the display...........................................24
Operations of the screen..................................25
Using Graphic EQ ................................. 28
About the graphic EQ (GEQ)........................... 28
Setting the GEQ................................................ 28
Finding and removing feedback ..................... 29
Calling up/saving the GEQ program............... 30
Using the Compressor ........................... 31
About the master compressor ........................ 31
Specifying the compressor settings .............. 31
Calling up/saving the compressor program .. 32
Recording/Playing back ......................... 33
About USB device recording/playing back.... 33
Recording to a USB device.............................. 33
Playing back songs from a USB device ......... 34
Playing back songs from an iPod/iPhone...... 36
Specifying the recording/playback settings .. 36
Using Other Functions ........................... 37
Applying the Low Pass Filter (LPF)................ 37
Using the Ducker function............................... 37
Using the Leveler function .............................. 38
Initializing the unit to the factory default
settings (resetting user memory)......... 39
Troubleshooting .................................. 40
Appendix........................................... 42
Message List..................................................... 42
Effect Program List .......................................... 43
Parameter List .................................................. 44
Jack List............................................................ 46
Dimensions....................................................... 47
Specifications................................................... 48
Index.................................................................. 51
Block Diagram and Level Diagram ................. 52
Using Effects (FX)................................ 26
Applying effects ................................................26
Detailed effect settings.....................................26
Applying two effects simultaneously ..............27
Displaying FX1 and FX2 together ....................27
MGP32X/MGP24X Owner’s Manual
3

PRECAUTIONS

Power supply/Power cord
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/Power cord
Location
Connections
Maintenance
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
• Only use the voltage specified as correct for the device. The required voltage
is printed on the name plate of the device.
• Use only the supplied power cord/plug.
If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
• Be sure to connect to an appropriate outlet with a protective grounding
connection. Improper grounding can result in electrical shock.
• This device contains no user-serviceable parts. Do not open the device or
attempt to disassemble the internal parts or modify them in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the device to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the device.
• If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
• When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.
• Do not place the device in an unstable position where it might accidentally fall over.
• Do not block the vents. This device has ventilation holes at the bottom and sides to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.
• Do not place the device in a location where it may come into contact with corrosive gases or salt air. Doing so may result in malfunction.
MGP32X/MGP24X Owner’s Manual
4
• Before moving the device, remove all connected cables.
• When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.
• Remove the power plug from the AC outlet when cleaning the device.
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• Do not insert your fingers or hands in any gaps or openings on the device
Handling caution
(vents, ports, etc.).
• Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, ports, etc.) If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.
• Do not use speakers or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
NOTICE
To avoid the possibility of malfunction/damage to the prod­uct, damage to data, or damage to other property, follow the notices below.
Handling and Maintenance
• Do not use the device in the vicinity of a TV, radio, stereo
equipment, mobile phone, or other electric devices. Oth­erwise, the device, TV, or radio may generate noise.
• Do not expose the device to excessive dust or vibrations,
or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation.
• Do not place vinyl, plastic or rubber objects on the device,
since this might discolor the panel of this device.
• When cleaning the device, use a dry and soft cloth. Do
not use paint thinners, solvents, cleaning fluids, or chemi­cal-impregnated wiping cloths.
• Condensation can occur in the device due to rapid, dras-
tic changes in ambient temperature—when the device is moved from one location to another, or air conditioning is turned on or off, for example. Using the device while con­densation is present can cause damage. If there is reason to believe that condensation might have occurred, leave the device for several hours without turning on the power until the condensation has completely dried out.
• Avoid setting all equalizer controls and faders to their
maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers.
• Do not apply oil, grease, or contact cleaner to the faders.
Doing so may cause problems with electrical contact or fader motion.
• When turning on the AC power in your audio system,
always turn on the power amplifier LAST, to avoid speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason.
Saving data
• To protect against data loss due to media damage, we
recommend that important data that has been saved via the USB device recorder to a USB device should also be saved to your computer or an external USB device.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use.
Connectors
XLR-type connectors are wired as follows (IEC60268 stan­dard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.
Information
About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat differ­ent from those on your device.
• Throughout this manual, all panel illustrations show the panel of the MGP32X.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective compa­nies.
iPodTM, iPhone
iPhone, iPod, iPod classic, iPod nano, and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries.
“Made for iPod” and “Made for iPhone” mean that an elec­tronic accessory has been designed to connect specifically to iPod or iPhone respectively, and has been certified by the developer to meet Apple performance standards. Apple is not responsible for the operation of this device or its compli­ance with safety and regulatory standards. Please note that the use of this accessory with iPod or iPhone may affect wireless performance.
TM
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MGP32X/MGP24X Owner’s Manual
5

Introduction

Thank you for purchasing the Yamaha MGP32X/MGP24X mixing console. Please read this manual thoroughly to make the best use of the mixing console for the longest possible period of time. After reading this manual, please keep it available for future reference.

Main features

D-PRE (Discrete Class-A MIC preamp)
Mono input channels are equipped with Class-A discrete micro­phone preamplifiers. The head amplifier features an inverted Dar­lington circuit* used in high-end audio devices, and reproduces low frequencies with exceptionally musical characteristics as well as sustained high frequencies. Independent toggle switching of +48V phantom power and 26dB (pad) on each channel.
* Inverted Darlington circuit: An amplifying method for elimi-
nating the nonlinear characteristics of the amplifier element and suppressing the distortion. The circuit features highly musical phase characteristics.
Convenient, practical functions for events – Ducker, Leveler, and Stereo Image
The mixer features three exceptionally convenient features for the stereo input channels: Ducker, Leveler and Stereo Image. The ducker function automatically lowers the level of background music to accommodate the voice of an announcer coming in on another channel. The leveler function automatically maintains a consistent sound volume, even when using sound sources that have different mastering levels. Stereo image narrows the pan balance of the stereo sound source, and changes stereo signals to mono. This is useful in restaurants and other spaces where the left and right speakers are distantly positioned, or when you input accompaniment sound to the left channel and vocal sound to the right and want a more natural stereo image.
USB port for playing and charging your iPod/ iPhone
Digital audio output from the iPod/iPhone can be directly input to the unit, and the iPod/iPhone can be charged while connected.
X-pressive EQ
The shelving EQ (low/high) on the mono input channels features Xpressive EQ, which effectively models analog EQ utilizing Yamaha’s famed VCM (Virtual Circuitry Modeling) technology. We analyzed vintage EQ analog circuits and redesigned the tech­nology specifically for the MGP to create an EQ with exception­ally musical characteristics. Furthermore, the cutoff frequency can also be adjusted, enhancing use of the EQ in sound reinforce­ment applications, and extending the sonic control range of the mixer.
USB device recorder
A USB device recorder is built into the mixer for recording mixed audio to a USB device as an audio file, and for playing back music saved in the USB device by assigning it to the desired channel output or bus output. Supported file formats are MP3 (MPEG-1 Audio Layer-3) and WAV for recording and MP3, WAV, and AAC for playback.
Stereo master – COMP and GEQ
The stereo master is equipped with a compressor (COMP) or multiband compressor that adjusts the sound pressure of the out­put signal, and with a graphic equalizer (GEQ) that adjusts sound quality such as feedback.
About the models
The MGP32X and MGP24X feature a different number of mon­aural input channels and COMP control knobs. The MGP32X has 24 monaural input channels and the MGP24X has 16. The MGP32X is equipped with 16 COMP control knobs for channels 9-24 and the MGP24X with 8 COMP control knobs for channels 9-16.
Conventions in this manual
• Whenever there is a different number of channels or a different channel number for the same function between the MGP32X and the MGP24X, the number that applies only to the MGP24X model is enclosed in curly brackets { }. For example, “CH1-24 {CH1-16}” means channels 1-24 for the MGP32X and chan­nels 1-16 for the MGP24X.
* “CH” is an abbreviation for channel.
• Control knobs on the panel are called “knobs.” Some knobs rotate from a minimum value to a maximum value, while others rotate endlessly.
MGP Editor
MGP Editor is a free software application that gives you addi­tional control of your MGP mixer’s DSP settings via your iPhone, iPod touch, and iPad. See the following web site to download the application.
http://www.yamahaproaudio.com/global/en/products/periph­erals/applications/mgp_editor/
Digital effects — REV-X and SPX
Two powerful digital effect blocks are built into the mixer: REV­X (8 types) and SPX (16 types). REV-X gives you a high-density, richly reverberant sound ambience, with smooth attenuation, spread and depth that work together to enhance the original sound. The versatile SPX block features a variety of effect appli­cations, such as reverb, delay, and modulation effects, along with complex combinations of multiple effects.
MGP32X/MGP24X Owner’s Manual
6
Included Accessories
• AC Power Cord
• Owner’s manual (this book)

Setup

GAIN knobs Power switch (rear panel)
Faders
1 GAIN knob
6 Fader
2 ON switch
1 PEAK
indicator
2 ST switch
Channel
STEREO master
3 PFL switches
AFL switches
5 STEREO
master fader
4 ON switch
1, 7
Level meter
3
AFL switches

Preparing the power supply

1. Make sure that the power switch of the unit is
set to the “ ” position (off).
2. Connect the socket of the included power cord
to the [AC IN] connector.
3. Plug the power cord into a power outlet.
CAUTION
• Unplug the power cord from the outlet when not using the mixer or during electrical storms.

Connections

1. Turn all the faders and GAIN knobs completely
down.

Getting sound to the speakers

1. While producing sound on your instrument or
microphone, adjust the channel GAIN knobs so that the corresponding peak indicators flash briefly at the highest peak levels.
2. Connect speakers, microphones and/or instru-
ments.
Refer to “Setup example” on pages 8-9 for more information on connections.

Powering up the system

To prevent an unwanted burst of noise from the speakers, power up the devices in the following order: peripheral devices (instrument, micro­phone, iPod) MGP mixer power amps (or powered speakers).
Reverse this order when turning the power off.
CAUTION
• Be sure to turn the power on/off in this order every time you use the mixer. Failure to do so may result in loud noise bursts that can damage your equipment, your ears, or both.
NOTE
• To use the level meter to get a more accurate reading of the incoming signal level, turn on the channel PFL switch. Adjust the GAIN knobs so that the PFL/AFL level meter indicator only occasionally rises above the “0” level.
• The gain (volume) level of the audio files in the USB device may be too high. Refer to the NOTE on page 35 to adjust the volume.
• Note that the PHONES jack or MONITOR OUT jacks output the pre-fader signal from all channels for which the PFL switch is ON, so that those signals can be monitored.
2. Turn on ( ) the ON and ST (Stereo) switches
for each channel you are using.
3. Make sure that all the PFL and AFL switches
are off ( ).
4. Turn on ( ) the ON switch of the STEREO
master.
5. Raise the STEREO master fader to the 0 dB
position.
6. Adjust the volume of each channel by moving
its fader up and down.
7. Adjust the overall volume with the STEREO
master fader.
The overall headphone level is adjusted with the PHONES knob.
NOTE
If the PEAK indicator lights frequently, slowly lower the channel faders a little to avoid distortion.
MGP32X/MGP24X Owner’s Manual
7
Setup
Microphones for
talkback
DVD player (voice)
Computer/Audio interface
DJ mixer
Synthesizer
Power amp
Powered speakers
Microphone
CH24 {CH16} (for MC)
Setup example
Lamp (Yamaha LA-1L)
CD player
Powered monitor
speakers
Foyer etc.
Stage
Speakers
Powered monitor speakers
(For musician monitoring)
Powered
subwoofer
MGP32X/MGP24X Owner’s Manual
8
USB device
iPod/iPhone
Headphones
Compressor
Instrument, Microphone
Microphone
x 8
Drum
Bass
Rear panel
*The illustrations show the
panel of the MGP32X.
Top panel
CAUTION
• When using a condenser microphone, set the +48V phantom switch to ON (page 11).
* If electric guitars and basses can be con-
nected directly to the mixer’s inputs, use a DI box (direct box) or amp simulator between the instrument and the mixer.
Setup
MGP32X/MGP24X Owner’s Manual
9

Controls and Connectors

Mono input section
(page 11)
Stereo input section
(page 11)
USB device recorder section (page 15)
Display section (page 16)
iPod/iPhone section (page 15)
Meter section (page 16)
SEND MASTER section (page 18)
MATRIX section (page 18)
USB IN/iPod IN section (page 19)
PHONES/MONITOR section (page 19)
TALKBACK section (page 20)
STEREO master section (page 21)
MONO master section (page 21)
GROUP section (page 20)
FX RTN (effect return) section (page 17)
Channel I/O connectors section (page 22)
Master I/O connectors section (page 22)
Power section (page 23)
Rear panel
Channel Control Block (input) Master Control Block (output)

Top panel

MGP32X/MGP24X Owner’s Manual
10
Controls and Connectors
Mono channels 1–24 (MGP32X)
1–16 (MGP24X)
Stereo channels 25–32 (MGP32X)
17–24 (MGP24X)
* y-!0 are for CH29/
30, CH31/32 {CH21/ 22,CH23/24} only.
Channel number
Channel number

Channel control block

Mono input section Stereo input section
q 26dB (PAD) switch
Turning this switch on ( ) attenuates the input signal from the INPUT jack of the mono channel by 26dB. Turn this switch off ( ) if you have connected a microphone or other device with a low input level to the channel. Turn it on ( ) if you have connected a line-level device.
w +48V switch and indicator
Toggles phantom power on and off. When this switch is turned on ( ), the mixer supplies DC +48V power to INPUT A of XLR input jacks. Turn this switch on when using one or more phantom-powered condenser microphones. The indicator is on when the switch is on.
CAUTION
• Be sure to leave this switch off ( ) if you do not need phantom power.
• When turning phantom power on ( ), follow the impor­tant precautions below, in order to prevent noise and possible damage to the mixer and external devices.
• Turn this switch off when connecting a device that
does not support phantom power to INPUT A of XLR input jacks
• Do not connect/disconnect a cable to/from channels 1-
24 {1-16} while this switch on.
• Turn the mixer’s output controls – STEREO master and
GROUP faders- all the way down when turning phan­tom power on/off.
e GAIN knob
Adjusts the sensitivity of the input signal. Monaural channels have a 26dB switch (q) that lets you change the range of this control. The adjustable sensitivity range is as follows.
Mono channel
26dB switch Range
ON -34dB to +10dB
OFF -60dB to -16dB
NOTE
The stereo channel is fixed to a range of -34dB to +10dB.
r (High Pass Filter) switch
Turning this switch on ( ) will apply a high-pass filter that attenuates frequencies below 100Hz in the signal by a slope of 12dB/octave.
t
COMP knobs and indicator (Channel 9-24 {9-16})
Adjusts the amount of compression applied to the channel. As the knob is turned to the right the compression ratio increases while the output gain is automatically adjusted accordingly. The result is smoother, more even dynamics because louder signals are attenuated while the overall level is boosted. The COMP indicator comes on when the com­pressor operates.
NOTE
Avoid setting the compression too high, as the higher average output level that results may lead to feedback.
Continue to next page
MGP32X/MGP24X Owner’s Manual
11
Controls and Connectors
Mono channels 1–24 (MGP32X)
1–16 (MGP24X)
Stereo channels 25–32 (MGP32X)
17–24 (MGP24X)
* y-!0 are for CH29/
30, CH31/32 {CH21/ 22,CH23/24} only.
Channel number
Channel number
y DUCKER SOURCE indicator
The indicator of the selected input source (CH24 {CH16} or GROUP1) comes on. The input source can be selected on the display (page 37).
u DUCKER switch
Turning this switch on ( ) lowers the volume of the stereo channel automatically when a signal exceeding a certain level is input to the input source (CH24 {CH16} or GROUP1). When the switch is turned on, the switch’s lamp comes on.
i LEVELER switch and indicator
Turning this switch on ( ) allows the volume to be adjusted automatically to a certain level, when the actual sound output level differs for each song. The indicator is on when the switch is on.
o Input select switch
Selects the input signal source. If this switch is set to ANA­LOG( ), the jacks for CH29/30 and 31/32 {CH21/22, 23/ 24} will be the input source. If this switch is set to USB IN ( ) or iPod IN ( ), the signal from an USB device or iPod/iPhone will be the input source. The signal from an USB device will be input to CH29/30 {21/22}, while the signal from an iPod/iPhone will be input to CH31/32 {23/24}.
NOTE
The GAIN knobs do not affect the volume of your iPod/iPhone. To adjust the pre-channel-fader signal volume, refer to page
36.
!0 STEREO IMAGE switch
Selects the type of output signal for the input stereo signal.
MONO : Mono signal
BLEND : Stereo signal in which left and right inputs
are mixed at a certain percentage for a more nat­ural stereo image, and in which the pan is con­trolled.
STEREO : Stereo signal (original, as is)
!1 Equalizer knobs (HIGH, MID, and LOW)
This three-band equalizer changes the tone of the high, mid, and low frequency bands. Turning the knob to the right boosts the corresponding frequency band, while turning to the left attenuates the band. Setting the knob to the “t” position pro­duces a flat response in the corresponding band. The upper knob sets the center frequency for the mid range, while the lower knob sets the amount of attenuation or boost (counter­clockwise/clockwise) for the range. For the CH25/26 and CH27/28 {CH17/18 and CH19/20}, the attenuation/boost can only be set at a fixed 2.5kHz center frequency. The following table shows the EQ type, frequency, and cut/boost range for each of the three bands.
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Band Type Frequency
HIGH Shelving 8kHz
LOW Shelving 125Hz
* The MID frequency can be adjusted from 250Hz to 5kHz.
The MID frequency is 2.5kHz when the MID frequency control is set at the center position.
Cut/Boost
range
±15dBMID Peaking 2.5kHz*
Controls and Connectors
!2 AUX knobs (1-4)
These knobs adjust the channel’s signal levels into AUX buses 1 to 4. Each knob controls the signal into the corre­sponding AUX bus. On stereo channels, the LINE L (odd) and LINE R (even) input signals are mixed before moving into the AUX bus. These knobs should generally be set close to the “t” (nominal) position.
NOTE
• To enable use of AUX5 and AUX6, you must turn on ( ) the AUX5/AUX6 switch (!5).
• For AUX1 to AUX4, you use the PRE switch (!3) to select whether the pre-fader or post-fader signal is sent to the bus. For AUX5 and AUX6, only the post-fader signal can be sent.
!3 PRE switch
Selects whether the pre-fader or the post-fader signal is fed to the corresponding pair of AUX 1-4 buses. AUX1 and 2 and also AUX3 and 4 should be paired. The upper PRE switch controls the signal to AUX1 and AUX2; the lower switch controls the signal to AUX3 and AUX4. If the switch is on ( ), the mixer feeds the pre-fader signal to the correspond­ing buses. If off ( ), the mixer feeds the post-fader signal.
!4 FX (effect) knobs (1, 2)
These knobs adjust the channel’s post-fader signal levels into FX buses 1 and 2. On stereo channels, the LINE L (odd) and LINE R (even) input signals are mixed before moving into the FX bus. These knobs should generally be set close to the “t” (nominal) position.
NOTE
If the AUX5/AUX6 switch is on, these knobs adjust the output to the AUX5 and AUX6 buses.
!8 PEAK indicator
Lights red when the channel’s post-equalizer signal level reaches 3 dB before clipping.
!9 SIG (Signal) indicator
Lights green when a signal is being input to the channel.
@0 Bus assign switches
These switches determine the bus(es) to which each channel’s signal is sent. Press the switch in ( ) to output the signal to the corresponding bus.
Switches 1-2, 3-4: Assign the channel’s signal to the
GROUP 1 to 4 buses.
ST switch: Assigns the channel’s signal to the STE-
REO L and R buses.
NOTE
To send the signal to each bus, engage the ON switch (!7).
@1 PFL (Pre-Fader Listen) switch and indicator
When the PFL switch is turned on ( ) the indicator comes on and the channel pre-fader signal is output to the MONI­TOR OUT and PHONES jacks for monitoring.
@2 Channel fader
Adjusts the output level of the input channel signal. Use these faders to adjust the balance between the various channels.
NOTE
To reduce noise, set the fader sliders for any unused channels all the way down.
!5 AUX5, AUX6 switch
Selects whether the channel’s post-fader signal is sent to AUX buses 5 and 6 or FX buses l and 2. If the switch is on ( ), the signal goes to AUX5 and 6 buses; if off ( ), the signal goes to the FX buses.
!6 PAN knob (Mono channels)
BAL knob (Stereo channels)
These knobs set the stereo pan position and determine the volume balance between left and right. When the channels are panned hard left or hard right, sound is heard from only the hard-panned channel. The PAN knob determines each mono signal’s pan position­ing between left and right, while the BAL knob determines the stereo channel’s volume balance between left and right.
!7 ON switches
Turning this switch on ( ) sends that channel’s signal to the buses. When the switch is turned on, the switch’s lamp comes on. If you turn the switch off ( ), all of the signal sent to the buses such as AUX and GROUP buses is cut off.
NOTE
• The ON switch does not affect the operation of the PFL switch (@1). You can monitor the channel’s pre-fader signal through the PHONES jack even when the ON switch is off.
• To reduce noise, turn all unused channels off.
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Controls and Connectors
Mono Channel
Stereo Channel
AUX1 AUX2 AUX3 AUX4
1–2
3–4
ST
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Controls and Connectors
Transport section

Master control block

USB device recorder section

With this section you can connect a USB device to record and play back music. (page 33)
ert y
q USB IN connector
Connects the USB device.
w USB ACCESS indicator
Lights while the unit accesses the USB device.
Capacity and format of the USB device
Up to 64GB of the capacity for the USB device is guaranteed by Yamaha. (However, Yamaha cannot guarantee operation for all the USB devices). The supported file system is FAT32. The maximum size of one file is 2GB.
NOTICE
• While the unit is accessing data (such as during recording, playing back, and saving operations), do NOT remove the USB device from the USB IN con­nector, and do NOT turn off the unit. Doing so may damage the USB device or corrupt the data on either or both the unit and the USB device.
• Make sure that you insert the USB device all the way in the correct orientation or upside down. Avoid inserting with excessive force.

iPod/iPhone section

This section lets you connect an iPod/iPhone to play back a song (page 36) and charge the iPod/iPhone. The unit charges the iPod/ iPhone while it is connected to and recognized by the unit.
q iPod/iPhone IN connector
Use an USB cable to connect an iPod/iPhone.
w iPod indicator
Lights when the unit is accessing an iPod/iPhone.
CAUTION
• Use the genuine Apple Dock Connector USB Cable for the iPod/iPhone connection.
• When connecting to an iPod/iPhone, allow at least 6 sec­onds to pass between turning the mixer on and off and plugging or unplugging the USB cable.
• Please do not use a USB hub.
• The unit’s iPod/iPhone IN connector is dedicated to iPod/iPhone use only. Please do not connect other USB devices.
NOTE
If you connect an iPhone, incoming calls or emails may cause a notification sound to be output. In order to prevent this, we recommend setting the iPhone’s Airplane mode to “on.”
Transport section
e REW button
Press to move to the previous song. Holding down this button while playing back rewinds the song.
r PLAY button and indicator
Press to alternately start/pause playback of the song. The indicator lights during playback, and flashes while paused.
t FWD button
Press to move to the next song. Holding down this button while playing back forwards the song. Pressing this button while recording stops the current recording and begins recording a new file.
y REC button and indicator
Press to start/stop recording. The indicator lights while recording.
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Controls and Connectors
Knob 1 Knob 2

Display section

This section is for setting and operating the display. Refer to pages 24-25 for details.
q Display
Indicates the various messages and settings related to the cur­rently selected operation or function.
w Knob 1, Knob 2
Selects/sets the functions and parameters appearing on the display. Rotate Knob 1 to operate the functions on the lower left side of the display, and Knob 2 for the functions on the lower right side of the display.

Meter section

Use these meters to view various signal levels: the levels to the STEREO OUT L/R jacks, the PFL and AFL levels, and the levels to the GROUP OUT 1-4 jacks. The PFL or AFL signals indicated by these meters can be monitored through the MONITOR OUT jacks and the PHONES jack.
e HOME button
Calls up the display to view the status of the functions. This button does not determine or change the parameter.
r FX1 and FX2 buttons
Call up the display to switch the programs of FX1 (effect1) and FX2 (effect2) and to adjust their parameters.
t GEQ button
Calls up the display to set the Graphic equalizer (GEQ).
y COMP button
Calls up the display to set the compressor.
u USB button
Calls up the display to record and play back with the USB device.
i SETUP button
Calls up the display to adjust the contrast of the display, and to set the ducker and the leveler.
q METER SELECT button and indicator
Switches the display of the level meter to the output signal level of the STEREO OUT L/R and the PHONES jacks, or of the GROUP OUT 1-4 jacks. The indicators for the selected signals come on.
w STEREO level meter
Shows the signal level output to the STEREO OUT L/R jacks or the GROUP OUT 1 and 2 jacks, respectively. The “0” position corresponds to the standard level. The PEAK indica­tor lights red when the level hits the clipping point.
e PFL/AFL level meter
Shows the signal level output to the PHONES jack or the GROUP OUT 3 and 4 jacks, respectively. The “0” position corresponds to the standard level. The PEAK indicator lights red when the level hits the clipping point.
NOTE
The PFL signal has display priority over the AFL signal when an input channel’s PFL switch is on.
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Controls and Connectors
First tap Second tap Third tap Fourth tap
ab c
The average interval will be set (the average of a, b, and c)

FX RTN (effect return) section

This section sets the effect returns (FX1 and FX2) on/off, and determines the level of the effect signal and to which bus the sig­nal is sent.
e TAP button and indicator
This feature lets you set the delay time for FX2 by tapping on the button. This feature only works when the effect type for FX2 is set to “, DELAY” or “. SINGLE DELAY.” To set the delay time, tap on the button at the appropriate interval. The average interval at which you tap the button will be cal­culated, and that value will be set for the delay time. Continue tapping as necessary until you get the timing right.
The TAP indicator flashes in sync with the delay time when , DELAY or . SINGLE DELAY is selected.
NOTE
• Adjust the average interval within range of the variable delay time.
• See page 44 for the range of the variable delay time.
q AUX (PRE) knobs (1-4)
These knobs adjust the level of the effect sent to the AUX1 to AUX4 buses.
r ON switch
Turn this switch on return). When the switch is turned on, the switch’s lamp comes on.
()
to enable the FX RTN (effect
t SIG (Signal) indicator
Lights when an effect signal is input into the channel.
y Bus assign switches
These switches determine the bus(es) to which the signal of the internal digital effects is sent. Press the switch in put the signal to the corresponding buses.
Switches 1-2, 3-4: Assign to the GROUP1 to
GROUP4 buses.
ST switch: Assigns to the STEREO L/R bus.
()
u PFL (Pre-Fader Listen) switch and indicator
When the PFL switch is turned on light and the pre-FX (1, 2) RTN-fader signal is output to the MONITOR OUT and PHONES jacks for monitoring.
()
, the indicator will
i FX RTN (effect return) faders (1, 2)
These adjust the level of the effect sent from the internal effect to the GROUP1 to GROUP4 buses, and STEREO L/R buses.
to out-
w FX TO FX BLEND knob
Sends the signal from FX1 to FX2 and from FX2 to FX1. Rotate this knob from the center “OFF” position to the right to adjust the send level from FX1 to FX2, and to the left to adjust the send level from FX2 to FX1. Only the pre-fader signal can be sent.
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Controls and Connectors

SEND MASTER section

This section adjusts the levels and controls the output of signals from the six AUX buses. Each of these signals outputs to the cor­responding SEND (AUX1-AUX6) jack respectively.

MATRIX section

This section adjusts the levels and controls the output of signals to the MATRIX OUT jacks from GROUP OUT and STEREO OUT. The signals from the MATRIX 1 and 2 buses are sent to the MATRIX 1 and 2 jacks respectively.
q AUX knobs (1-6)
These knobs adjust the level of the signal from the indicated AUX1 to AUX6 buses into the corresponding SEND (AUX1 to AUX6) jacks. The level (0 dB).
t
position of the knob is the nominal
w AFL (After-Fader Listen) switch and indicator
Turning this switch on monitors the post-AUX1 to AUX6 knob (q)
signals that output to the MONITOR OUT and PHONES
jacks for monitoring.
NOTE
• The PFL signal has priority when both the PFL switch and AFL switch are on. To monitor the post-fader signal, make sure to turn off all PFL switches.
• If the PFL (preferred) is enabled, the AFL indicator does not light, even if the AFL switch is pressed.
q GROUP knobs (1-4)
These knobs adjust the level of the signals sent from GROUP OUT 1-4 buses to the MATRIX OUT jacks.
w STEREO knobs (L, R)
These knobs adjust the level of the signals sent from STEREO OUT L/R buses to the MATRIX OUT jacks.
e MATRIX master knobs (1, 2)
These knobs adjust the overall level of the signal output to the MATRIX OUT jacks.
NOTE
The “t” positions of the knobs for (q), (w),and (e) indicate the nominal level (0 dB).
r AFL switch and indicator
When the AFL switch is on, the indicator will light and the sig­nal after the MATRIX master knob is output to the PHONES and MONITOR OUT jacks for monitoring.
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Controls and Connectors

USB IN/iPod IN section

This section determines the destination of the signal output from the connected USB device or iPod/iPhone, and adjusts the signal level.

PHONES/MONITOR section

You connect a pair of headphones and adjust the output signal level to the PHONES and MONITOR OUT jacks.
q USB IN knob
Adjusts the playback level from the connected USB device.
w TO STEREO/TO MONITOR switch
Determines the destination of the signal output from the con­nected USB device.
TO STEREO ( ): Sends to the STEREO L/R bus.
TO MONITOR ( ): Sends to the MONITOR OUT
jacks and PHONES jack.
e iPod IN knob
Adjusts the playback level from the connected iPod/iPhone.
r TO STEREO/TO MONITOR switch
Determines the destination of the signal output from the con­nected iPod/iPhone.
TO STEREO ( ): Sends to the STEREO L/R bus.
TO MONITOR ( ): Sends to the MONITOR OUT
jacks and PHONES jack.
NOTE
CH29/30, 31/32 {CH21/22,23/24} can be selected as the desti­nations of the signal input from the connected USB device or iPod/iPhone (pages 34, 36).
q PHONES jack
Connect a pair of headphones to this TRS phone jack. The PHONES jack outputs the same signal as the MONITOR OUT jacks.
w PHONES knob
Adjusts the level of the signal output to the PHONES jack.
e MONITOR knob
Adjusts the level of the signal output to the MONITOR OUT jacks.
NOTE
If you want to monitor the output signal from the STEREO, MONO or GROUP bus, turn on the AFL switch of each respec­tive bus.
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Controls and Connectors

TALKBACK section

Use the talkback function to send instructions mainly from the operator to musicians and studio staff. This section adjusts the level of the microphone signal received from the TALKBACK MIC IN jack, and determines the bus to be output.
q Talkback knob
Adjusts the talkback level.

GROUP section

This section adjusts the level and controls the flow of the signals from the four GROUP buses. While the signal from each GROUP bus is always sent to the corresponding GROUP OUT jack, you are also free to use the ST and AFL switches to selectively send these groups to the STEREO and AFL buses.
w AUX1-4 switch and indicator
Turning this switch on sends the signal from the TALKBACK MIC IN jack to the AUX1 to AUX4 buses.
e STEREO switch and indicator
Turning this switch on sends the signal from the TALKBACK MIC IN jack to the STEREO L/R bus.
q PA N k no b
Determines how the signal from the GROUP 1-4 buses is posi­tioned on the STEREO L/R buses when turning the ON switch
on.
(w)
w ON switch
Turning this switch on enables the GROUP fader. When the switch is turned on, the switch’s lamp comes on.
e ST (Stereo) switch
Turning this switch on sends the signal adjusted with the GROUP fader bus.
(t)
via the PAN knob
(q)
to the STEREO L/R
r AFL (After-Fader Listen) switch and indictor
When the AFL switch is on, the indicator will light and the sig­nal after the GROUP fader OUT and PHONES jacks for monitoring.
(t)
is output to the MONITOR
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t GROUP faders (1-4)
These adjust the level of the signal sent to the corresponding GROUP OUT 1-4 jacks.
NOTE
• The PFL signal has priority when both the PFL switch and AFL switch are on. To monitor the post-fader signal, make sure to turn off all PFL switches.
• If the PFL (preferred) is enabled, the AFL indicator does not light, even if the AFL switch is pressed.
Controls and Connectors

MONO master section

This section adjusts the level of the mixed monaural output from the STEREO bus.
q ON switch
Turning this switch on enables the MONO master fader. When the switch is turned on, the switch’s lamp comes on.
w LPF indicator
Lights when setting “LPF ON” to “ON” in the SETUP screen on the display.

STEREO master section

This section adjusts the level of the main output from the STE­REO bus.
q ON switch
Turning this switch on enables the STEREO master fader. When the switch is turned on, the switch’s lamp comes on.
w COMP (Compressor) indicator
Lights when setting the COMP to “ON” in the COMP screen on the display.
e AFL switch and indicator
When the AFL switch is turned on, the indicator will light and the signal after the MONO master fader is output to the MON­ITOR OUT and PHONES jacks for monitoring. To monitor the post-fader signal, make sure to turn off all PFL switches.
r MONO master fader
Adjusts the level of the signal output in mono from the STE­REO bus to the MONO OUT jack.
e GEQ indicator
Lights when setting the GEQ ON to “ON” in the GEQ screen on the display.
r AFL switch and indicator
When the AFL switch is on, the indicator will light and the sig­nal after the STEREO master fader is output to the MONITOR OUT and PHONES jacks for monitoring. To monitor the post­fader signal, make sure to turn off all PFL switches.
t STEREO master fader
Adjusts the level of the signal output from the STEREO bus to the STEREO OUT jack.
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Controls and Connectors
CH25/26-31/32 {CH17/18-23/24}
CH1-24 {CH1-16}

Master I/O connectors section

Power section

Channel I/O connectors section

To the INSERT jack
Sleeve (ground)
Ring: IN
Tip: OUT
To the input jack of the external processor
To the output jack of the external processor
Tip: OUT
Tip: IN

Rear input/output block

Channel I/O connectors section
q Mono inputs
INPUT A: These are balanced XLR-3-31 type input
jacks (1: Ground; 2: Hot; 3: Cold).
INPUT B: These are TRS phone-jack type balanced
inputs. You can connect either balanced or unbal­anced phone plugs to these jacks.
NOTE
On any given channel, you may use either an XLR or phone jack, but not both.
INSERT: These are unbalanced TRS (tip=send/out;,
ring=return/in; sleeve=ground) phone-type bidi­rectional jacks. You can use these jacks to con­nect channels to devices such as graphic equalizers, compressors, and noise filters.
NOTE
Connection to an INSERT jack requires a special insertion cable as illustrated below. Use a separately-sold Yamaha inser­tion cable (YIC025/050/070).
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w Stereo inputs
LINE: These are stereo input jacks that connect line-
level instruments, such as a CD player. These are unbalanced phone-jack and RCA pin-jack line inputs.
NOTE
On any given channel, you may use either a phone or RCA pin jack, but not both.
Master I/O connectors section
e MATRIX OUT (1, 2)
These are impedance-balanced (*) TRS phone jacks. These jacks output the signal adjusted by the knobs in the MATRIX section.
* Impedance balanced
Since the hot and cold terminals of impedance balanced output jacks have the same impedance, these output jacks are less affected by induced noise.
r MONITOR OUT (L, R)
These are impedance-balanced(*) TRS phone output jacks that you connect to your monitor system. These jacks output the signal before or after the faders for the various buses. The PFL and AFL indicators in each section indicate which signal is being output.
NOTE
The PFL switch has priority when both the PFL switch and AFL switch are on. To monitor the post-fader signal, make sure to turn off all PFL switches.
Controls and Connectors
t Screw holes
These are screw holes for mounting a stand for various devices (87mm between the holes). Stands and screws are not included with this product, and must be provided by the user. Use M5 screws that are no longer than 20mm.
y STEREO INSERT (L, R)
These are unbalanced TRS (tip=send/out; ring=return/in; sleeve=ground) bidirectional jacks. You can use these jacks to connect a graphic equalizer or other signal processor. Con­necting an INSERT jack requires a special insertion cable. Refer to the NOTE for INSERT in
Mono inputs” (page 22).
u TALKBACK MIC IN
This is an XLR-3-31 type unbalanced input jack for connect­ing a talkback microphone.
i LAMP
This is an XLR-4-31 connector that supplies power to a sepa­rately sold gooseneck lamp (the Yamaha LA1L is recom­mended).
NOTE
If you connect a lamp with different connectors or you short-cir­cuit it by mistake, the protective circuit that powers off only the LAMP power supply will be triggered. To recover the LAMP power supply, turn the unit off, and wait for about 10 seconds before turning it on again.

Power section

!3 AC IN connector
Connect the included power cord here. First, connect the power cord to the MGP unit, and then plug it into an AC out­let.
!4 Power switch
Turns power to the unit ON or OFF. Press the switch to the “ ” position to turn on the power. Press the switch to the “ ” position to turn off the power.
CAUTION
• Rapidly turning the unit ON and OFF in succession can cause it to malfunction. After turning the unit OFF, wait for about 6 seconds before turning it ON again.
• Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
o GROUP OUT (1-4)
These impedance-balanced (*) TRS jacks output the GROUP 1-4 signals. Use these jacks to connect to the inputs of a multi-track recorder, external mixer, or similar device.
!0 STEREO OUT (L, R)
These are balanced XLR and TRS output jacks that output the mixed stereo signal. They output the signal adjusted by the STEREO master fader. Connect these jacks to the power amplifier that drive your main speakers.
!1 MONO OUT
This is a balanced XLR-3-32 output jack that outputs the sig­nal adjusted by the MONO master fader. This outputs a mono signal of the mixed stereo bus (L/R). Connect to a subwoofer speaker or an expanded SR system.
!2 SEND (AUX1-AUX6)
These are balanced XLR-3-32 output jacks (1: Ground; 2: Hot; 3: Cold). These jacks output the signals from the AUX1 – AUX6 buses, respectively. Use these jacks to connect to an effects processor or monitor system, for example.
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23

Basic Operations and Display

Function (Knob 2)
Screen name
Page name
Page number
Function (Knob 1)
Parameter setting area
HOME button
t
r
q w e
When FX1 is on
When FX1 is off
Knob 2Knob 1
This chapter explains the basic operations about how to view the display and operate the screen.

Viewing the display

The display indicates the various parameters for operating the unit.
Setting screen
Press a button in the display section to display the desired screen.
Example: Screen when pressing the COMP button
e USB status
Displays the inserted (highlighted) or disconnected (normal display) status of a USB device, the playback status (>), the playback/recording time, and the title (up to 16 characters) of an audio file.
r COMP status
Displays the status of the COMP (compressor) when on (highlighted) or off (normal display). Also, the GR (Gain reduction) indicator displays the status of the signal when compressed (highlighted) or not compressed (normal dis­play).
t iPod status
Displays the connected (highlighted) or disconnected (normal display) status of the iPod/iPhone.
Dialog screen
These screens appear when you need to confirm the operation you just performed or when a problem has occurred.
Confirmation screen
This screen appears when confirmation is required. Press Knob 2 to execute the operation, and press Knob 1 to cancel it.
HOME screen
This screen appears when pressing the HOME button.
This screen lists the status of the settings. You cannot change the settings in the HOME screen.
q FX1, FX2 status
Displays the status of the FX1 RTN (or FX2 RTN) channel when on (highlighted) or off (normal display), and the selected program.
Example
w GEQ status
Displays the status of the GEQ when on (highlighted) or off
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24
(normal display), and the graphics. Pressing the HOME but­ton switches the L and R displays.
Message screens
These screens will display the following messages according to the level of warning when a problem is detected in the unit.
Example: WARNING screen
• MESSAGE
This screen appears when the operation is not executed because the conditions are not right, or when user memory is initialized.
• WARNING
This screen appears when an inappropriate device is con­nected to the USB connector, or when an abnormal exit occurs during an operation.
•ERROR
This screen appears when a problem is detected in the MGP32X/MGP24X internal connection.
Press Knob 2 to close the screen. In the case of MESSAGE, the screen will automatically close after a few seconds without press­ing Knob 2.
Basic Operations and Display
Knob 2
Change parameter values
Knob 1
Select parameters

Operations of the screen

Switching the pages
The setting screen for each button consists of multiple pages. Press each button (FX1, GEQ, SETUP, etc.) in the display section repeatedly if necessary to select the desired page.
Example: Pages when pressing the SETUP button
Setting or changing the value
Generally, rotate Knob 1 to select the desired parameter, and then rotate Knob 2 to change or set the corresponding parameter value.
Adjusting the legibility of the display
1.
Press the SETUP button repeatedly if neces­sary until the (1/4) LCD page appears.
2. Rotate Knob 1 to select “Contrast,” and then
rotate Knob 2 to adjust the legibility of the dis­play.
You can adjust the Contrast over a range of 0 to 10.
NOTE
You can adjust the legibility by rotating Knob 2 while holding down the HOME button.
Adjusting the brightness of the display
backlight
1.
Press the SETUP button repeatedly if neces­sary until the (1/4) LCD page appears.
Displaying or selecting a list
The FX1 (or FX2) screen displays the effect program list, and the USB screen displays the title list of songs. Rotate or press Knob 1 on the top page (first page) of each screen to call up the list. Rotate Knob 1 to select the desired program/title, and then press Knob 1 to actually select it.
Exiting the screen
To return to the HOME screen from the current screen, press the HOME button.
2. Rotate Knob 1 to select “Backlight,” and then
rotate Knob 2 to adjust the brightness.
You can adjust the Backlight over a range of 0 to 3.
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25

Using Effects (FX)

Indicates MAIN page
Knob 2Knob 1
Tur n o n
“0”
FX1
The MGP32X/MGP24X features two built-in effects; FX1 and FX2. FX1 has REV-X reverb (8 types), while FX2 has SPX multi effects (a total of 16 types, including reverb, delay, echo). The effects give you a wide range of tools to further enhance your mixes.

Applying effects

1. Press the FX1 (or FX2) button located below
the display repeatedly if necessary until the (1/
2) MAIN page appears.
2. Rotate or press Knob 1 to display the program
list.
8. Rotate Knob 2 to adjust the effect depth.
The value on the lower right side of the screen will change on the display.
NOTE
If 06 VOCAL ECHO, 07 KARAOKE ECHO, 08 DELAY, or 09 SINGLE DELAY is selected for the FX2 program, you can adjust the Delay in finer units of 0.1ms by simultaneously hold­ing down Knob 2 and rotating it. This function also applies to the (2/2) PARAMETER page and the page that both FX1 and FX2 screens are displayed on.
9. Use the FX1 RTN (or FX2 RTN) fader to adjust
the overall effect depth.

Detailed effect settings

1. Press the FX1 (or FX2) button below the dis-
play repeatedly if necessary until the (2/2) PARAMETER page appears.
NOTE
For details on effect programs, refer to the Appendix (page 43).
3. Rotate Knob 1 to select the desired program,
and then press Knob 1 to actually call it up.
The selected program will be called up.
4. Turn on the ON switch of the input channel,
and then rotate the channel’s FX1 (or FX2) knob to send the signal to FX1 RTN (or FX2 RTN).
5. Raise the input channel
fader to the “0” position.
6. Turn on the ON switch of
the FX1 RTN (or FX2 RTN) channel.
7. Raise the FX1 RTN (or FX2
RTN) fader to the “0” posi­tion.
2. Rotate Knob 1 to select the desired parameter,
and then rotate Knob 2 to set the value.
FX1 lets you make the following parameter settings.
Rev Time: Length of reverb time
Diffusion: Right and left diffusions
Ini Delay: Initial delay before reverb begins
Room Size: Size of room
NOTE
For FX2, the effect parameters depend on the effect type. For details about each parameter, refer to the Appendix (pages 44-
45).
MGP32X/MGP24X Owner’s Manual
26
Using Effects (FX)
Tur n on
t” position
Rotate fully counter-clock­wise
Program mode Parameter mode
Program mode
Parameter mode

Applying two effects simultaneously

Two effects can be applied simultaneously by sending the signals from FX2 to FX1 (or from FX1 to FX2). This is especially useful for applying reverb to the delay sound. This section shows you how to send the signal from FX2 to FX1.
1. Press the FX2 button below the display to dis-
play the (1/2) MAIN page.
2. Rotate or press Knob 1 to display the program
list.
3. Rotate Knob 1 to select “08 DELAY” or “09
SIGNAL DELAY”, and then press Knob 1 to actually call it up.
4. Turn on the ON switch
of the input channel, and then rotate the FX2 knob to send the signal to FX2 RTN.

Displaying FX1 and FX2 together

The selected programs and parameters of FX1 and FX2 can conveniently be displayed on one screen together. You can select the program and operate the parameter on the same screen.
1. Press the FX1 button and the FX2 button
together.
Both FX1 and FX2 screens appear on one screen.
NOTE
To switch the program mode and the parameter mode, press the FX1 or FX2 button.
Selecting a program
1. Press the FX1 (or FX2) button repeatedly if
necessary to call up the Program mode display (indicated by “PGM” at the bottom).
5. Rotate the FX TO FX
BLEND knob fully counter-clockwise.
The signal from FX2 will be sent to FX1.
6. Turn on the ON switch of the FX1 RTN channel,
and then raise the FX1 RTN fader to adjust the effect depth.
2. Rotate or press Knob 1 for FX1, and Knob 2 for
FX2.
The program list appears.
3. Rotate Knob 1 for FX1 or Knob 2 for FX2 to
select the desired program, and then press each knob respectively to actually call it up.
The program will be called up.
Selecting a parameter
1. Press the FX1 (or FX2) button repeatedly if
necessary to call up the Parameter mode dis­play (indicated by “PARAM” at the bottom).
2. Rotate Knob 1 (for FX1) or Knob 2 (for FX2) to
adjust the parameter.
Exiting the screen
Press the HOME, GEQ, COMP, USB, or SETUP button in the display section to switch to the corresponding screen.
MGP32X/MGP24X Owner’s Manual
27

Using Graphic EQ

Knob 2Knob 1
Frequency
Gain
14BandGEQ
Frequency
Gain
Flex9GEQ

About the graphic EQ (GEQ)

Graphic EQ processing is inserted into the STEREO bus (L/R). You can select the 14bandGEQ or the Flex9GEQ. The Flex9GEQ lets you adjust the gain by selecting up to nine bands from the 31 frequency bands.

Setting the GEQ

In the initial state, the GEQ is set to ON, and the “Type” of GEQ is set to 14bandGEQ.
1. Press the GEQ button below the display
repeatedly if necessary until the GEQ MODE page appears.
2. Rotate Knob 1 to select “GEQ ON,” and then
rotate Knob 2 to set to “ON.”
3. Rotate Knob 1 to select “Type,” and then rotate
Knob 2 to set to “14BandGEQ” or “Flex9GEQ.”
If you select a different type from the current type setting, the parameter value flashes.
4. Press Knob 2 while the parameter value is
flashing.
The screen prompts you to reset the gain because the parame­ters of 14BandGEQ and Flex9GEQ are not compatible.
Setting the frequency and gain
1.
Press the GEQ button below the display repeatedly if necessary until the EDIT page appears.
If the “L/R Link” is set to “ON,” the “EDIT L/R” page appears. If the “L/R Link” is set to “OFF,” the “EDIT Lch” page or “EDIT Rch” page appears.
2. Rotate Knob 1 to move the cursor to the
desired frequency.
“F” in the screen indicates frequency. For example, F=1.25k indicates a frequency of 1.25kHz.
3. Rotate Knob 2 to determine the frequency
gain.
“G” in the screen indicates gain. For example, G=4.5 indi­cates a gain of +4.5dB. After you make the settings, it is convenient to save these set­tings to one of the user programs (page 30).
Resetting the selected frequency gain
Press and hold Knob 1 for at least two seconds.
Resetting the gain of all frequencies
1. Press Knob 1 and Knob 2 together.
The confirmation message “Reset GEQ Gains?” appears.
28
5. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The GEQ type will be changed.
MGP32X/MGP24X Owner’s Manual
2. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
All frequency gains will be reset.
Using Graphic EQ
Frequency
Offset
14BandGEQ
Offset
Flex9GEQ
* Actual gain
-4.0dB=
-10dB+6.0dB
* Actual gain = parameter (setting) value + offset
* Actual gain
+4.5dB=
-1.5dB+6.0dB
Frequency
Linking the right and left stereo signals
You can edit the right and left channels together by linking the right and left stereo signals. In the initial state, the link is set to “ON.” Disabling the link allows you to set parameters separately for the right and left channels.
1. Press the GEQ button below the display
repeatedly if necessary until the GEQ MODE page appears.
2. Rotate Knob 1 to select “L/R Link”, and then
rotate Knob 2 to set to “ON.”
The parameter value flashes.
3. Press Knob 2 while the parameter value is
flashing.
The screen prompts you to reset the gain.
4. Press Knob 2 again to select “OK,” or Knob 1
to cancel.
The gain will be reset, and the link setting is executed. The indication on the upper right side of the GEQ EDIT and the GEQ SWEEP screens changes to “L/R.”
Clearing the link setting
1. In step 2 above, change the parameter value
from “ON” to “OFF.”

Finding and removing feedback

Using the offset gain lets you check the feedback point in advance, and feedback can be reduced by correcting the gain with GEQ.
1. Press the GEQ button below the display
repeatedly if necessary until the SWEEP page appears.
If the “L/R Link” is set to “ON,” the “SWEEP L/R” page appears. If the “L/R Link” is set to “OFF,” the “SWEEP Lch” page or “SWEEP Rch” page appears.
2. Rotate Knob 2 to specify the rough offset
value.
Raise the gain temporarily by using the offset setting to create a situation with no feedback margin, and find the feedback point.
2. While the parameter value is flashing, press
Knob 2.
The screen prompts you to confirm “Break Link?”
3. Press Knob 2 again to select “OK,” or Knob 1
to cancel.
The link is disabled.
3. Rotate Knob 1 slowly to find the feedback
point.
You will start to hear feedback when the frequency reaches the feedback point.
4. When the feedback point is found, rotate Knob
2 to lower the offset to a minus value in order to reduce feedback.
5. When the final adjustment has been made,
press Knob 2.
Offset will be added only to the setting value of the adjusted frequency.
6. Repeat steps 2 -5 as necessary to adjust the
GEQ settings.
MGP32X/MGP24X Owner’s Manual
29
Using Graphic EQ

Calling up/saving the GEQ program

Eight user programs are available that you can freely edit and save on the MGP32X/MGP24X.
Calling up the program
1.
Press the GEQ button below the display repeatedly if necessary until the PROGRAM page appears.
2. Rotate or press Knob 1 to call up the program
list.
3. Rotate Knob 1 to select the desired program
and press Knob 1 to actually call it up.
Overwriting another user program
1. Rotate or press Knob 1 to call up the program
list.
2. Rotate Knob 1 to select the user program of
the destination for saving, then press and hold Knob 2 for at least two seconds.
The screen prompts you to save the program.
3. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The program will be overwritten.
NOTE
You can also cancel the operation by pressing the GEQ button.
Saving the program
Overwriting the selected user program
1. Press and hold Knob 2 for at least two sec-
onds while the user program is selected.
The screen prompts you to save the program.
2. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The program will be overwritten.
NOTE
You can also cancel the operation by pressing the GEQ button.
MGP32X/MGP24X Owner’s Manual
30

Using the Compressor

Knob 2Knob 1
Type: Comp Type: Multiband
Gain reduction meter
Type: Comp Type: Multiband

About the master compressor

The MGP32X/MGP24X features two master compressors: Comp and Multiband. The Comp type has a simple single band, while the Multiband type has three separate bands. The master com­pressor controls peak level by applying the compressor to the ste­reo L/R bus, and raises the overall sound level. There are three preset programs installed, and you can save up to five user pro­grams as desired.

Specifying the compressor settings

1. Press the COMP button below the display
repeatedly if necessary until the (1/4) MODE page appears.
2. Rotate Knob 1 to select “COMP ON,” and
rotate Knob 2 to set to “ON.”
Specifying the threshold
1.
Press the COMP button below the display repeatedly if necessary until the (2/4) THRESH­OLD page appears.
2. Rotate Knob 1 to specify the threshold, while
checking the gain reduction meter on the right side of the screen to determine the compres­sor depth.
If Multiband is selected, the thresholds at H (High), M (Mid) and L (Low) are linked.
Adjusting the compressor settings
1.
Press the COMP button below the display repeatedly if necessary until the (3/4) PARAM­ETER page appears.
3. Rotate Knob 1 to select “Position” (of the
insert), and rotate Knob 2 to set to “PostFader” or “PreFader.”
4. Rotate Knob 1 to select “Type,” and rotate
Knob 2 to set to “Comp” (single band) or “Mul­tiband.”
If you select a different setting from the current setting, the parameter value flashes.
5. Press Knob 2 while the parameter value is
flashing.
The screen prompts you to change the compressor type.
6. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The type is changed.
2. Rotate Knob 1 to select the desired parameter,
and rotate Knob 2 to specify the parameter value.
NOTE
For details about the parameters, refer to the Appendix (page
45).
MGP32X/MGP24X Owner’s Manual
31
Using the Compressor
Program
number
Preset
User program
The “R” (Read only) mark appears for Preset.
Program
number
Title
Title
Calling up/saving the compressor pro­gram
1. Press the COMP button below the display
repeatedly if necessary until the (4/4) PRO­GRAM page appears.
2. Rotate or press Knob 1 to display the program
list.
3. Rotate Knob 1 to select the desired program,
and press Knob 1 again to call it up.
Saving the user program
4. While the user program is called up, press and
hold Knob 2 for at least two seconds.
The screen prompts you to save the program.
5. Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The current setting will be overwritten as a user program.
NOTE
• You can also cancel saving by pressing the COMP button.
• Use the MGP Editor ( program as desired.
page 6) to change the name of the user
MGP32X/MGP24X Owner’s Manual
32

Recording/Playing back

STEREO L bus STEREO R bus MATRIX 1 bus MATRIX 2 bus
STEREO bus MONITOR OUT CH29/30 {CH21/22}
USB
device
recorder
L
R
L
R
Recording
(input)
Playback
(output)
Knob 2Knob 1
When MP3:128k, MP3:192k, MP3:256k, or MP3:320k is selected:
When WAV is selected, HDD or SDD is recom­mended for recording.

About USB device recording/playing back

The MGP32X/MGP24X features an internal USB device recorder function that lets you record the output from the STE­REO bus L/R or MATRIX bus 1 and 2 to a conventional USB storage device as an audio file. It also lets you playback a song saved to a USB device via an assigned STEREO bus, MONITOR OUT, or channels 29/30 {21/22}.
Signal flow of the USB device recorderf
NOTE
• Recording and playback cannot be done simultaneously.
• The signal being recorded cannot be input to the input chan­nel.
About the USB device
You can use commercially-available USB flash drives, HDD (hard disc drive) or SSD (solid-state drive), which support USB mass storage device class.
Available recording time (with 2GB USB flash
drive)
• MP3 128kbps: Approx. 35 hours
• MP3 192kbps: Approx. 23 hours
• MP3 256kbps: Approx. 17 hours
• MP3 320kbps: Approx. 14 hours
• WAV: Approx. 3 hours

Recording to a USB device

1. Connect a USB device with sufficient free
capacity to the USB IN connector.
2. Press the USB button below the display
repeatedly if necessary until the (3/3) PARAM­ETER page appears.
NOTICE
• While data is being accessed, such as when recording, playing, or saving a file, you must not disconnect the USB device from the USB IN connector or power-off the MGP32X/MGP24X. Doing so may damage your USB device, or damage the data in the MGP32X/MGP24X and/ or in the USB device.
• Connect the USB device firmly and securely to the USB IN connector. Make sure to check the direction and sides of the USB device and do not force the USB device into the connector.
• Since high transmission speed is required for recording in WAV recording format, we recommend that you use HDD or SSD.
USB device capacity
Operation of USB devices with capacities of up to 64GB has been verified.
NOTICE
This does not necessarily guarantee the operation of all USB devices. It is recommended that you check the opera­tion of the USB device beforehand.
USB device format
FAT32 format is supported. The maximum size for one file is 2GB.
Supported file formats
Recording: WAV, MP3
Playback: WAV, MP3, AAC
3. Rotate Knob 1 to select “RecSource,” and then
rotate Knob 2 to select the “STEREO” bus or the “MATRIX1/2” bus.
4. To select the recording format, proceed as fol-
lows.
q Rotate Knob 1 to select “Rec Form,” and then
rotate Knob 2 to select one of the following recording formats: “MP3:128k,” “MP3:192k,” “MP3:256k,” or “WAV.”
If you select a different type from the current one, the param­eter value flashes.
w Press Knob 2 while the parameter value is
flashing.
The screen prompts you to change the recording format.
e Press Knob 2 to select “OK,” or Knob 1 to can-
cel.
The format is changed.
Continue to next page
MGP32X/MGP24X Owner’s Manual
33
Recording/Playing back
Level meter
Recording
level
Set to TO STEREO
()
Set to USB IN ( )
Progress bar
Elapsed recording/play­back time (hours, minutes, seconds)
Remaining recording/play­back time (hours, minutes, seconds)
Artist information
Title
Playback mode
One song
All songs
Repeat one song
Repeat all songs
5. To adjust the recording level, proceed as follows.
q Press the USB button below the display
repeatedly if necessary until the (2/3) REC LEVEL page appears.
w While playing back the sound source to be
recorded, rotate Knob 1 to adjust the recording level while checking the level meter.
The recording level can be adjusted between -48dB and +24dB. Each level of the REC OUT L/R will be displayed on the level meter.
6. Press the REC button.
The REC indicator flashes briefly, indicating preparation for record­ing. Once the indicator lights steadily, you can begin recording.
7. To stop recording, press the REC button again.
The screen prompts you to stop recording.

Playing back songs from a USB device

1. Connect a USB device containing audio files
to the USB IN connector.
The USB ACCESS indicator lights while the USB device is being accessed by the unit.
2. Specify the output assignment for the play-
back.
To output to the STEREO bus
Set the TO STEREO/TO MONITOR switch in the USB IN section to “TO STEREO” ( ).
To output to MONITOR OUT
Set the TO STEREO/TO MONITOR switch in the USB IN section to “TO MONITOR” ( ).
To output to channels 29/30 {21/22}
Set the input select switch for the channel 29/30 {21/22} to “USB IN” ( ).
8.
Press Knob 2 to select “OK,” or Knob 1 to cancel.
The recording stops and an audio file is created. The audio file will be saved in the “\MGP_REC” folder.
NOTE
AUTO REC function: If you press the FWD button while recording, the current recording is completed and recording to a new file starts.
9. To audition the recorded content, proceed as
follows.
q Press the USB button below the display
repeatedly if necessary until the (1/3) PLAYER page appears.
w Rotate or press Knob 1 to display the title list.
The recorded song is saved with the name “Untitled X” (X is a number) in the “\MGP_REC” folder.
34
NOTE
• Information such as a title or artist cannot be edited on the unit. You will need to import the file to a computer and edit it there.
• Since a calendar function is not installed in the unit, the date of the file is fixed.
e Rotate Knob 1 to select the recorded song,
and then press Knob 1 to confirm it.
Playback starts.
MGP32X/MGP24X Owner’s Manual
NOTE
Do not use both the STEREO/MONITOR level control (USB IN knob) and the level control for channels 29/30 {21/22} at the same time. Raising both may cause unnatural flanging in the sound.
3. Press the USB button below the display
repeatedly if necessary until the (1/3) PLAYER page appears.
Recording/Playing back
To the upper
folder
Song
Folder
NOTE
• The file name is indicated if there is no title or artist information of the song. For WAV format files, the file name is indicated since there is no title or artist information in the file.
• The title, artist information, and file name support half-size alpha-
bet and numbers only. Other characters are converted into “
• “Recording…” appears at the location of the title while recording.
.”
4. Press the REW or FWD button in the transport
section to select the playback song, and then press the PLAY button.
Playback starts.
5. Adjust the sound volume of the song.
When outputting to the STEREO bus or
MONITOR OUT
Rotate the USB IN knob to adjust the volume.
When outputting to the channel 29/30 {21/22}
Use the channel fader to adjust the volume.
NOTE
• Gain may be high for an audio file encoded from the audio CD. As necessary, adjust the gain as follows: press the USB button call up the “(3/3) PARAMETER” screen select and adjust “PB Level.”
• Avoid adjusting both outputs at the same time because of the delay of the signal path.
6. Press the PLAY button again.
Playback is paused.
Pausing, fast forwarding, or fast rewind-
ing the playback
Use the buttons in the transport section.
Pausing
Press the PLAY button during playback to pause playback. Press­ing the PLAY button a second time resumes playback from the stopped point. While paused, the indicator flashes.
Fast forwarding/rewinding
Holding down the REW or FWD button for at least one second starts fast forwarding or rewinding while a song is playing. Releasing the button resumes normal playback from that point.
Navigating through a song
Press the REW or FWD button to move a song.
• Pressing the REW button during playback moves to the beginning of the current song or moves to the beginning of the previous song and starts playback, depending on the song playback position.
• Pressing the FWD button during playback moves to the beginning of the next song and then starts play­back.
• Pressing the REW or FWD button while the song is stopped or paused moves to the previous or next song.
Playing back a song from the title list
1. Press the USB button below the display
repeatedly if necessary until the USB (1/3) PLAYER page appears.
2. Rotate or press Knob 1 to display the title list.
• When you select the line of the folder ( ) and press Knob 1, the content of the folder appears.
• Selecting the line of and pressing Knob 1 moves to the upper folder.
NOTE
The title list supports half-size alphabet and numbers only.
Other characters are converted into “
3. Rotate Knob 1 to select a song (e), and then
press Knob 1.
Playback starts.
.”
MGP32X/MGP24X Owner’s Manual
35
Recording/Playing back
iPod/iPhone IN connector
Lit
Set to TO STEREO
()
Set to iPod IN ( )

Playing back songs from an iPod/ iPhone

Connecting your iPod or iPhone to the unit lets you play back the song.
NOTE
You cannot make recordings to an iPod or iPhone.
1. Use a USB cable to connect your iPod (or
iPhone) to the iPod/iPhone IN connector.
When the iPod or iPhone is connected to and recognized by the unit, the iPod indicator lights.
2. Specify the output assignment for playback.
To output to the STEREO bus
Set the TO STEREO/TO MONITOR switch in the iPod IN section to “TO STEREO” ( ).
3. Operate the iPod (or iPhone) to play back the
desired song.
4. Adjust the volume of the song.
When outputting to the STEREO bus or to
MONITOR OUT
Rotate the iPod IN knob to adjust the volume.
When outputting to channels 31/32 {23/24}
Use the channel fader to adjust the volume.
NOTE
Avoid adjusting both outputs at the same time because of the delay of the signal path.
5. Operate the iPod (or iPhone) to stop the song.
Playback stops.

Specifying the recording/playback settings

1. Press the USB button below the display
repeatedly if necessary until the (3/3) PARAM­ETER page appears.
To output to MONITOR OUT
Set the TO STEREO/TO MONITOR switch in the iPod IN section to “TO MONITOR” ( ).
To output to channels 31/32 {23/24}
Set the input select switch for channels 31/32 {23/24} to “iPod IN” ( ).
36
NOTE
Do not use both the STEREO/MONITOR level control (USB IN knob) and the level control for channels 31/32 {23/24} at the same time. Raising both may cause unnatural flanging in the sound.
MGP32X/MGP24X Owner’s Manual
2. Rotate Knob 1 to select the desired parameter,
and then rotate Knob 2 to set the parameter value.
Each parameter lets you make the following settings.
Parameter
name
RecSource
Rec Level
Rec Form
PB Level
PB Mode
iPodLevel
NOTE
Since high transmission speed is required for recording in WAV for­mat, recording songs to USB flash drives may not be possible. We recommend using HDD (hard disc drive) or SSD (solid-state drive) when recording songs. If you use a USB flash drive for recording songs, MP3 recording formats such as MP3:128k, MP3:192k, MP3:256k, and MP3:320k are recommended.
Selection of the recording signal source
Adjustment of the record­ing level
Selection of the recording format type
Adjustment of playback level
Selection of playback mode
Adjustment of the input level from the iPod or iPhone
Content
Parameter value/
range
STEREO, MATRIX1/2
-48dB to +24dB
MP3:128k, 192k, 256k, 320k, WAV * “k” is an abbrevi-
ation for “kbps.”
-48dB to 0dB
One, All, Repeat One, Repeat All
-48dB to 0dB

Using Other Functions

CH29/30
(CH21/22)
CH31/32
(CH23/24)
CH24
(CH16)
GROUP1
DUCKER SOURCE
Volume detection
Volume control
Set to iPod IN ( )Set to USB IN ( )
Level adjustment
Tur n on
Tur n on
“0”

Applying the Low Pass Filter (LPF)

A Low Pass Filter (LPF) can be applied to the signal output from the STEREO bus L/R to the MONO OUT connector. LPF is com­monly used for subwoofer applications.
1. Press the SETUP button below the display
repeatedly if necessary until the SETUP (2/4) LPF (MONO) page appears.
2. Rotate Knob 1 to select “LPF ON,” and then
rotate Knob 2 to set it to “ON.”
The LPF indicator next to the MONO master fader comes on
3. Rotate Knob 1 to select “Frequency,” and then
rotate Knob 2 to set the frequency.
2. Turn on ( ) the DUCKER switch of the chan-
nel to which the device is connected in step 1, and then rotate the GAIN knob to adjust the input level of the channel.
3. Connect a microphone to the input source
channel.
For the MGP32X unit connect the microphone to CH24 and for the MGP24X unit connect the microphone to CH16, or assign the source channel to GROUP OUT 1.
4. Press the SETUP button below the display
repeatedly if necessary until the (3/4) DUCKER page appears.

Using the Ducker function

The Ducker function automatically lowers the level of back­ground music to accommodate the voice of an announcer coming in on another channel.
Ducker signal flow
1. Connect a music player or device for playing
background music.
Connect the device to CH29/30 or CH31/32 {CH21/22 or CH23/24}. To connect the USB device or iPod/iPhone, set the input select switch to USB IN ( ) or iPod IN ( ) respectively.
5. Confirm that “Source” is selected, and then
rotate Knob 2 to set the input source to “CH24 {CH16}” or “GROUP1.”
If you automatically control the volume of background music via an independent microphone input, it is recommended that you set the input source to CH24 {CH16}. If you want to control the volume of background music via multiple micro­phones inputs, you should set the input source to “GROUP1.”
6. Adjust the input of the microphone to an
appropriate level.
7. Turn on ( ) the ON
switch of the channel to which the micro­phone is connected in step 3, and then raise the channel fader to around “0” (nominal).
Continue to next page
MGP32X/MGP24X Owner’s Manual
37
Using Other Functions
Release
Range
Output sound volume
Time
When the volume of the
DUCKER SOURCE exceeds
the threshold
When the volume of the
DUCKER SOURCE drops
below the threshold
Tur n on
8. Play the background music, and listen to con-
firm that the sound volume automatically turns down when you speak into the microphone.
NOTE
The volume on the input source is detected after fader adjust­ment. It is affected by the setting of the ON switch and/or the channel fader.
Making detailed Ducker settings
1.
Press the SETUP button below the display repeatedly if necessary until the (3/4) DUCKER page appears.
2. Rotate Knob 1 to select the desired parameter,
and then rotate Knob 2 to set the parameter value.
Each parameter lets you make the following settings.
Source: Selection of the signal used as an input source
Thresh (Threshold): Threshold level at which the Ducker is applied
Range: The amount of attenuation while the Ducker is being applied
Release: Time that elapses before the Ducker is disabled, after the input signal has lowered below the threshold level
“#1” in the parameter name indicates CH29/30 {CH21/22}, and “#2” indicates CH31/32 {CH23/24}.

Using the Leveler function

The Leveler function automatically maintains a consistent sound volume, even when using sound sources that have different mas­tering levels.
1. Connect a USB device or an audio player such
as an iPod/iPhone to the unit.
2. If you connect an audio player other than an
iPod/iPhone, adjust the input level according to the softest part (lowest level) of the song.
Adjust the input level so that the PFL/AFL level meter indica­tor only occasionally rises above the “0” level while the PFL switch is on.
3. If a USB device is connected, turn on ( ) the
LEVELER switch of CH29/30 {CH21/22}. If an iPod/iPhone is connected, turn on the LEV­ELER switch of CH31/32 {CH23/24}.
Adjusting the Leveler settings
1.
Press the SETUP button below the display repeatedly if necessary until the (4/4) LEV­ELER page appears.
NOTE
For details about the parameters, refer to the Appendix (page
45).
MGP32X/MGP24X Owner’s Manual
38
2. Rotate Knob 1 to select the desired parameter,
and then rotate Knob 2 to set the parameter value.
Each parameter lets you make the following settings.
Thresh (Threshold): Threshold level at which the Leveler is applied
OutGain: Output level of the Leveler
“#1” in the parameter name indicates CH29/30 {CH21/22}, and “#2” indicates CH31/32 {CH23/24}.
NOTE
For details about the parameters, refer to the Appendix (page
45).
Initializing the unit to the factory default settings (resetting user mem­ory)
The MGP32X/MGP24X unit has a function to reset user memory by initializing the unit to the factory default settings. The parame­ter settings and user programs will be reset to the factory default settings.
NOTICE
When user memory is initialized, all the parameter settings and user programs in the current user memory will be overwritten with the factory default settings. Proceed with the following operation only if you are very sure you want to do this.
1. Make sure that the power of the unit is set to
off.
2. Turn on the power switch while holding down
both the FX1 and the SETUP buttons.
The following MESSAGE screen appears when initialization is complete. Hold down both the FX1 and SETUP buttons until the MESSAGE screen appears.
Using Other Functions
3. Press Knob 2 to close the screen, or wait until
the MESSAGE screen automatically closes.
The display returns to the normal HOME screen.
NOTICE
Do not turn off the power while initialization is in progress.
MGP32X/MGP24X Owner’s Manual
39

Troubleshooting

Power doesn’t come on.  Is an independent power-supply unit such as a power generator, or a power strip with switch
plugged into the mixer? Make sure that the power is turned on.
No sound. Are microphones, external devices, and speakers connected correctly?
Is a Y-shaped cable used to connect the INSERT connector or an external device?Are your cables connected properly, or are they shorted or faulty?Are the channel GAIN knobs, channel faders, STEREO master fader and GROUP faders set
to appropriate levels?
Are the bus assign switch and switches in the USB IN section and in the iPod IN section set
properly?
No sound from the STE-
REO OUT jacks
No sound from the AUX1
to AUX6 jacks
No sound from the MONI-
TOR OUT and/or PHONES jacks
No sound from the CH29/
30, CH31/32 {CH21/22, CH23/24} jacks
Sound is faint, distorted,
or noisy.
No effect is applied. Check that the FX1 and FX2 knobs on each channel are adjusted correctly.
I want spoken words to be
heard more clearly.
I want to output a monitor
signal for the mixer through speakers.
Are the ON switch and ST switch of the channels you are using turned ON?Is the ON switch of the STEREO master turned on?Are the respective SEND MASTER knob, AUX1 to AUX6 knobs, FX1 and FX2 knobs of each
channel set to appropriate levels?
Are the PFL switches for the channels that you are not using turned on? Make sure to turn off
the PFL switch.
Is the AFL switch of the bus channel you want to monitor turned on?Is the input select switch set to USB IN/iPod IN ( )? Make sure to set the switch to ANA-
LOG ( ).
Are the channel GAIN knobs, channel faders, STEREO master fader and GROUP faders set
to appropriate levels?
Is the 26dB switch turned on?
Make sure to turn off the switch when a low-level source, such as a microphone, is input.
Is the output signal from the connected device set to an appropriate level?Are you applying the effects and compressor at appropriate levels?
You may have to lower the FX1, FX2 knobs, FX RTN fader, and COMP knob levels.
Are two different instruments connected to the XLR-type and phone jacks, or to the phone and
RCA pin jacks on one channel? Make sure to connect to only one of these jacks on each channel.
Are microphones connected to the INPUT A input jacks?If you are using condenser microphones, is the +48V switch turned ON?If you are connecting a device which has a specified output level of +4dBu, turn on the 26dB
(PAD) switch of the mono channels or use stereo channels.
(Stereo channel) Is the DUCKER switch turned on?
When a signal is constantly input to CH24 {CH16} or the GROUP 1 bus, the sound becomes faint.
Check whether the ON button of the FX1 RTN and/or FX2 RTN channel is turned on.Be sure that Knob 2, and the FX1 RTN and/or FX2 RTN faders are correctly adjusted.Check that the switch for the desired bus in the FX1 RTN and/or FX2 RTN bus assign
switches is turned on.
When an effects processing unit is connected to the SEND(AUX1 to AUX6) jacks, are the
AUX1 to AUX6 knobs on the SEND MASTER set to appropriate levels?
Make sure that the switch is turned ON.Are the equalizers (HIGH, MID, and LOW knobs) on each channel adjusted appropriately?
Connect a powered speaker to the MONITOR OUT jack.
Make sure to adjust the level of output signal from the MONITOR OUT jack with the MONI­TOR knob.
MGP32X/MGP24X Owner’s Manual
40
Troubleshooting
Cannot record to a USB
device
iPod/iPhone signal is not
output.
The supported iPod/
iPhone is not recognized.
When a stereo signal is
input, the left and right vol­ume is different.
The sound level is incon-
sistent, or there is an unnatural “pumping” in the sound.
Is the USB device write-protected? Does the USB device have sufficient capacity to save the data? Is the USB device formatted in FAT32 format?Since high transmission speed is required for recording in WAV format, recording songs to
USB flash drives may not be possible. We recommend using HDD (hard disc drive) or SSD (solid-state drive) when recording songs. If you use a USB flash drive for recording songs, change the recording format to MP3:128k, MP3:192k, MP3:256k, or MP3:320k.
If the memory is fragmented significantly, try running a defragmentation program on the com-
puter.
Is the output signal assignment set appropriately? (page 36)Is the iPod indicator turned off?
The unit has not recognized your iPod/iPhone. Check which iPod/iPhone models are sup­ported.
If your iPod/iPhone has not been charged, it may take some time to be recognized by the
mixer. Please wait.
Is the pan knob set to the center position?
If it is located in the center, try swapping the connections. If the lesser/greater volume signals are also switched, check the connected device(s).
Is the same type of cable used for the right and left signals?
A cable with resistance lowers the volume.
Are you applying the compressor at an appropriate level?
You might have to lower the COMP knob levels.
The Leveler is not enabled.  Is the GAIN knob on the stereo channels adjusted appropriately?
The leveler may not be enabled if you increase the gain too much.
* If any specific problem should persist, please contact your Yamaha dealer.
MGP32X/MGP24X Owner’s Manual
41

Appendix

Message List

MESSAGE
Message Meaning
Audio File Not Found!
Backup Memory Initialized!
Cannot be Used While Recording!
Storage Not Ready!
WARNING
This warning screen appears when an inappropriate device is connected to the USB connector, or when an operation results in an abnor­mal exit.
Message Meaning
Backup Memory
Force Initialized!
Cannot Start Recording!
Connection Failed!
Reconnect iPod.
Current Exceeded!
(iPod)
Current Exceeded!
(USB)
Illegal Device!
(iPod)
Illegal Device!
(USB)
Number of Files Exceeded!
Playback Aborted!
Recording Aborted!
Storage Full!
The (playable) audio file that was to play does not exist in the folder.
User memory was initialized by the procedure on page 39. You attempted to perform the restricted operations such as displaying a title list while
recording. You attempted to start recording or playback when the USB device was not inserted or
was not recognized.
Since data beyond the parameter range was written in the memory, the memory was forced to be initialized.
Recording did not start due to the status of the USB device.
The connection of the iPod to the unit failed. Reconnect the iPod.
The device connected to the iPod/iPhone IN connecter exceeded current. Disconnect the device.
The device connected to the USB IN connecter exceeded current. Disconnect the device.
An unsupported device such as a USB flash drive was connected to the iPod/iPhone IN connector.
A device with an invalid or unsupported format was connected to the USB IN connector.
Since the total number of files and folders in the USB device has exceeded 4,000, no more files can be loaded. Delete any unnecessary files using the computer.
Playback was suspended because you disconnected the USB device during playback. Recording was suspended because you disconnected the USB device or the response
of the USB device was slow. The USB device capacity is insufficient.
ERROR
This error screen appears when trouble is found in a connection inside the MGP32X/MGP24X. Please contact your Yamaha dealer.
Message Meaning
Device Check Error!
MGP32X/MGP24X Owner’s Manual
42
XXXXXXXX
There is a problem in the device indicated by xxxxxxxx, or in the connection between the device and the CPU. Please contact your Yamaha dealer.

Effect Program List

FX1 REV-X (REV-X algorithm)
No. Program Description
01 HALL Reverb simulating a large space such as a hall. 02 WARM HALL Warm reverb simulating a hall. 03 BRIGHT HALL Bright reverb simulating a hall. 04 PLATE 1 Reverb simulating a metal-plate. Suitable for vocals. 05 PLATE 2 Reverb simulating a metal-plate. Suitable for snare drum sound. 06 ROOM Reverb simulating the acoustics of a small space (room). 07 WARM ROOM Warm reverb simulating the acoustics of a small space (room). 08 SLAP ROOM Reverb simulating a slap echo of a small space (room).
FX2 SPX (SPX algorithm)
No. Program Description
01 HALL Reverb simulating a large space such as a hall. 02 ROOM Reverb simulating the acoustics of a small space (room). 03 PLATE Reverb simulating a metal-plate, producing a more hard-edged sound. 04 LARGE STAGE Reverb simulating a large stage. 05 SMALL STAGE Reverb simulating a small stage. 06 VOCAL ECHO Echo suitable for vocals. 07 KARAOKE ECHO Echo suitable for karaoke. 08 DELAY Feedback delay adding multiple delayed signals. 09 SINGLE DELAY Mono delay adding a delayed signal.
10 EARLY REF.
11 CHORUS Creates a thick sound by modulating the delay time. 12 PHASER Phase modulation produces a cyclical phasing effect. 13 FLANGER Creates a tone with pitched effect. 14 SYMPHONIC Creates a thick sound by multiplexing the sound. 15 DOUBLER Creates an illusion of two people singing the same phrase.
16 RADIO VOICE
Early reflections without the subsequent reverb. Applies a more elaborate effect than conventional reverb.
Reproduces a lo-fi feel in the style of the AM radio. Adjust the parameter to change the frequency range to be emphasized.
Appendix
MGP32X/MGP24X Owner’s Manual
43
Appendix

Parameter List

The first parameter located in each program table appears on the FX1 screen’s (1/2) MAIN page and the FX2 screen’s (1/2) MAIN page.
Effect Parameter List
FX1 REV-X (all programs; 01: HALL through 08: SLAP ROOM)
Parameter Range Description
0.3 – 10.0 s (HALL, WARM HALL, BRIGHT HALL,
Rev Time
Diffusion 0 – 10 Reverb diffusion (left–right reverb spread) Ini Delay 0.1 – 200.0 ms Initial delay before reverb begins Room Size 0 – 31 Reflection spacing
PLATE 1, PLATE 2)
0.3 s – 3.2 s (ROOM, WARM ROOM, SLAP ROOM)
FX2 SPX (01: HALL, 02: ROOM, 03: PLATE, 04: LARGE STAGE, 05: SMALL STAGE)
Parameter Range Description
0.3 – 10.0 s (HALL, PLATE, LARGE STAGE,
Rev Time
Diffusion 0 – 10 Reverb diffusion (left–right reverb spread) Ini Delay 0.1 – 99.3 ms Initial delay before reverb begins Hi Damp 0.1 – 1.0 High-frequency reverb amount
SMALL STAGE)
0.3 s – 3.2 s (ROOM)
FX2 SPX (06: VOCAL ECHO, 07: KARAOKE ECHO, 08: DELAY)
Parameter Range Description
30.0 – 710.0 ms (VOCAL ECHO) Delay time
Delay
FB Level -63 to +63 Feedback level Hi Damp 0.1 – 1.0 High-frequency feedback amount
40.0 – 200.0 ms (KARAOKE ECHO)
20.0 – 743.0 ms (DELAY)
Reverb time
Reverb time
VOCAL ECHO R channel = the value in the left column plus 33.0 ms KARAOKE ECHO R channel = the value in the left column plus 65.0 ms
FX2 SPX (09: SINGLE DELAY)
Parameter Range Description
Delay 0.1 – 743.0 ms Delay time
FX2 SPX (10: EARLY REF.)
Parameter Range Description
Room Size 0.1 – 10.0 Reflection spacing
Ty p e
Diffusion 0 – 10 Reflection diffusion (left–right reflection spread) Ini Delay 0.1 – 200.0 ms Initial delay before reflection begins FB Level -63 to +63 Feedback level
S-H (S-Hall), L-H (L-Hall), Rdm (Random), Rvs (Revers), Plt (Plate), Spr (Spring)
Type of early reflection simulation
FX2 SPX (11: CHORUS)
Parameter Range Description
Frequency 0.00 – 39.7 Hz Modulation frequency Depth 0 – 127 Modulation depth FB Level -63 to +63 Feedback level
FX2 SPX (12: PHASER)
Parameter Range Description
Frequency 0.00 – 39.7 Hz Modulation frequency Depth 0 – 127 Modulation depth Offset 0 – 127 Modulation offset FB Level -63 to +63 Feedback level Stage 4 – 22 Number of phase shift stages
FX2 SPX (13: FLANGER)
Parameter Range Description
Frequency 0.00 – 39.7 Hz Modulation frequency Depth 0 – 127 Modulation depth FB Level -63 to +63 Feedback level Delay 0.0 – 50.0 ms Delay offset
MGP32X/MGP24X Owner’s Manual
44
FX2 SPX (14: SYMPHONIC)
Parameter Range Description
Frequency 0.00 – 39.7 Hz Modulation frequency Depth 0 – 127 Modulation depth Delay 0.0 – 50.0 ms Delay offset
FX2 SPX (15: DOUBLER)
Parameter Range Description
Depth 0 – 32 Pitch shift depth Range 0 – 12 Pitch range Type Sound4 – Sound1, Normal, Rythm1 – Rythm4 Effect type
FX2 SPX (16: RADIO VOICE)
Parameter Range Description
Cutoff 0 – 127 Filter cutoff Drive 0 – 127 Distortion drive level LPF 1.0 kHz – 18.0 kHz, Thru LPF frequency
COMP/DUCKER/LEVELER Parameter List
COMPRESSOR
If a signal higher than a specified threshold level is input, the output level is adjusted by a specified ratio.
Type=Comp
Parameter Range Description
Threshold -48 to -6 dB This determines the level of input signal required to trigger the compressor.
Ratio 1.0 – 20.0
Attack 1 – 40 ms
Release 10 – 680 ms
Out Level -12 to +12 dB This sets the compressor’s output signal level.
This determines the amount of compression. A larger value results in a stronger compression effect. This determines how soon the signal will be compressed once the compressor has been trig­gered. This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold.
Appendix
Type=MulitiBand
Parameter Range Description
L-M Xover 21.2 Hz – 4.0 kHz Low/mid crossover frequency M-H Xover 42.5 Hz – 8.0 kHz Mid/high crossover frequency
Release 10 – 3000 ms
Out Level -12 to +12 dB Output level
L(/M/H)-Thresh -54 to -6 dB
L(/M/H)-Ratio 1.0 – 20.0
L(/M/H)-Attack 1 – 200 ms Low/mid/high band compressor attack L(/M/H)-Gain -INF, -36 to +18 dB Low/mid/high band compressor gain L(/M/H)-Bypass ON, OFF Low/mid/high band bypass on/off
This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold.
This determines the level of input signal required to trigger the low/mid/high band compres­sor. This determines the amount of low/mid/high band compression. A larger value results in a stronger compression effect.
DUCKER
If the selected input source signal level exceeds the specified threshold level, the output level is attenuated by a specified amount (range).
Parameter Range Description
Source
Threshold -60 to 0 dB
Range -70 to 0 dB This determines the amount of attenuation when the ducker is activated.
Release 1 ms – 50 s
CH24 {CH16}, GROUP1
This determines whether the ducker source signal is channel 24 {16} or GROUP1. This determines the level of trigger signal required to active the ducker. If the source input sig­nal exceeds this level, the ducker begins to be applied.
This determines how soon the ducker returns to its normal gain once the trigger signal level drops below the threshold.
LEVELER
If a signal higher than a specified threshold level is input, the output level is adjusted to the specified level.
Parameter Range Description
Threshold -60 to 0 dB This determines the level of input signal required to trigger the leveler. Out Gain -20 to +40 dB This sets leveler’s output signal level.
MGP32X/MGP24X Owner’s Manual
45
Appendix
INPUT OUTPUT
Ring
TipSleeve
Sleeve Tip

Jack List

Input and Output Jacks Polarities Configurations
INPUT A (mono channels), MONO OUT, AUX SEND, STEREO OUT
TA L KB A CK
LAMP
* INPUT B (mono channels),
STEREO OUT, GROUP OUT, MATRIX OUT, MONITOR OUT
INSERT (mono channels), STEREO INSERT
PHONES
Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (–)
Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (–)
Pin 1: NC Pin 2: NC Pin 3: Ground Pin 4: +12 V
Tip: Hot (+) Ring: Cold (–) Sleeve: Ground
Tip: Output Ring: Input Sleeve: Ground
Tip: L Ring: R Sleeve: Ground
XLR-3-31/XLR-3-32 connector
XLR-3-31 connector
XLR-4-31 connector
TRS Phone plug
LINE (stereo channels)
* These jacks will also accept connection to phone plugs. If you use monaural plugs, the connection will be unbalanced.
Tip: Hot Sleeve: Ground
Phone plug
MGP32X/MGP24X Owner’s Manual
46
MGP32X
MGP24X
Unit: mm
1027
169
819
169
565 565
Appendix

Dimensions

MGP32X/MGP24X Owner’s Manual
47
Appendix

Specifications

Electrical Characteristics
0 dBu = 0.775 Vrms, 0 dBV = 1 Vrms Output impedance of signal generator (Rs) = 150 Ω Output load impedance = 10 kΩ(TRS phone output), 600 Ω(XLR output) Nominal fader position is 10dB lower than the maximum position. All faders are set to nominal position when dedicated in the below.
Frequency Response 20 Hz to 20 kHz
Total Harmonic Distortion (THD + N)
*1
Noise
Crosstalk @1 kHz
Maximum Voltage Gain @1 kHz
*1 Noise is measured with a A-Weighting filter. *2 Crosstalk is measured with a 1 kHz band pass filter. *3 Maximum voltage gain is measured under the condition that all faders and GAIN knobs are at maximum.
*2
*3
MONO CH Input MIC to CH INSERT OUT 60 dB
PAN/BAL knob is panned hard left or right.
STEREO OUT GAIN knob: min
CH INPUT MIC EIN (Equivalent Input Noise): Rs = 150 Ω
STEREO OUT STEREO master fader: nominal
GROUP OUT GROUP master fader: nominal
AUX SEND AUX master knob: nominal
STEREO OUT Residual output noise -94 dBu
Adjacent Input Between input channels -74 dB
Input to Output STEREO OUT L, R
STEREO CH Input to STEREO OUT 58 dB
TALKBACK Input to STEREO OUT 70 dB
GAIN knob: min Refer to the nominal output level @1 kHz
output level: +14 dBu @20 Hz to 20 kHz
GAIN knob: max
Bus assign switch: off (All)
Bus assign switch: off (All)
CH mix control: min (All)
PAN knob: panned hard left or right
STEREO INSERT OUT 70 dB STEREO OUT 84 dB GROUP OUT 84 dB MONITOR OUT 80 dB PHONES OUT 69 dB AUX SEND (PRE) 76 dB AUX SEND (POST) 86 dB MATRIX OUT 90 dB
GROUP OUT 58 dB AUX SEND (PRE) 50 dB AUX SEND (POST) 60 dB
UNIT
+0.5/-1.0 dB
0.02 %
-128 dBu
-87 dBu
-90 dBu
-82 dBu
-74 dB
European Models Inrush Current based on EN 55103-1:2009
4.5A (on initial switch-on)
3.5A (after a supply interruption of 5s) Conforms to Environments: E1, E2, E3 and E4
MGP32X/MGP24X Owner’s Manual
48
Appendix
Analog Input Characteristics
Input Terminals PA D
MONO CH Input MGP32X: 1–24 MGP24X: 1–16
ST CH Input MGP32X: 25–32 MGP24X: 17–24
Actual Load
TRIM
-60 dB
0
-16 dB -36 dBu (12.3 mV) -16 dBu (123 mV) +4 dBu (1.23 V)
-34 dB
26 dB
+10 dB -10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.5 V)
Impedance
3 kΩ
-34 dB
+10 dB -10 dBu (245 mV) +10 dBu (2.45 V)
10 kΩ
For Us e With
Nominal
50–600 Ω
Mics
600 Ω
Lines
600 Ω
Lines
Sensitivity
*1
-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 mV)
-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
GAIN
MONO CH INSERT Input MGP32X: 1–24
—— 10 kΩ
600 Ω
Lines
-20 dBu (77.5 mV) 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack
MGP24X: 1–16 ST CH INSERT
Input L, R
—— 10 kΩ
TALKBACK Input 10 kΩ
600 Ω
Lines
50–600 Ω
Mics
-20 dBu (77.5 mV) 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack
-66 dBu (0.389 mV) -50 dBu (2.45 mV)
0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum
level. (all faders and level controls are at maximum position.) *2 XLR-3-31 type connectors are balanced .(1=GND, 2=HOT, 3=COLD) *3 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) *4 Phone Jacks are unbalanced. *5 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND) *6 XLR-3-31 type connectors is unbalanced.
Input level
Nominal Max. before clip
+30 dBu (24.5 V)
-30 dBu (24.5 mV)
Connector
XLR-3-31 type Phone Jack
Phone Jack
Phone Jack RCA Pin Jack
XLR-3-31 type
*2
*4
*3
*4
*5
*5
*6
Analog Output Characteristics
Output Terminals
Actual Source
Impedance
For Use With
Nominal
Nominal Max. before clip
STEREO OUT L, R 75 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V)
MONO OUT 75 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) XLR-3-32 type GROUP OUT 1–4 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack AUX SEND 1–6 75 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) XLR-3-32 type MATRIX OUT 1–2 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack MONO CH INSERT OUT
MGP32X: 1–24
75 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack
MGP24X: 1–16 ST CH INSERT OUT L, R 75 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack MONITOR OUT L, R 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack PHONES OUT 150 Ω 40 Ω Phones 3 mW 75 mW Stereo Phone Jack
0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) *2 Phone Jacks are impedance balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) *3 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND) *4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
Output Level
Connector
XLR-3-32 type Phone Jack
*4
*2
*2
*3
*3 *2
*1
*1
*1
MGP32X/MGP24X Owner’s Manual
49
Appendix
General Specifications
Input Channel HPF 100 Hz, 12 dB/oct Input Channel EQ HIGH 8 kHz, shelving
MID MGP32X: CHs 1–24, 29–32: 250 Hz to 5 kHz, peaking CHs 25–28: 2.5 kHz, peaking
MGP24X: CHs 1–16, 21–24: 250 Hz to 5 kHz, peaking CHs 17–20: 2.5 kHz, peaking
LOW 125 Hz, shelving Input Channel Compressor Parameters (ratio, threshold, output gain) are controlled by one knob. Digital Signal Processing
DUCKER MGP32X CHs 29/30, 31/32 (DUCKER SOURCE: CH24 or GROUP1)
MGP24X CHs 21/22, 23/24 (DUCKER SOURCE: CH16 or GROUP1)
LEVELER MGP32X CHs 29/30, 31/32
MGP24X CHs 21/22, 23/24
STEREO IMAGE MGP32X CHs 29/30, 31/32
MGP24X CHs 21/22, 23/24
FX1: Rev-X 8 Programs 01: HALL
04: PLATE 1 07: WARM ROOM
FX2: SPX 16 Programs 01: HALL
GEQ STEREO OUT L/R TYPE : 14BandGEQ, Flex9GEQ
COMP STEREO OUT L/R TYPE : Comp, MultiBand
USB Audio
USB device recorder
(USB to device)
for iPod/iPhone
(USB for iPod)
Signal Indicator CH Input PEAK indicator (red): PEAK lights if the signal comes within 3 dB of the clipping level.
LED Level Meter 4 ×12 segments LED meter: (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB)
Phantom Voltage +48V Lamp XLR-4-31 type,The Lamp voltage is 12V DC between 3 and 4 pins of XLR-4-31 connector.
Power Supply Requirements 100–240 V 50/60 Hz
Power Consumption MGP32X: 86 W (max), MGP24X: 76 W (max)
Dimensions (W x H x D) MGP32X: 1,027 mm x 169 mm x 565 mm (40.4" x 6.7" x 22.2")
Weight MGP32X: 19 kg (41.9 lb.), MGP24X: 15.5 kg (34.2 lb.)
* The device may not function depending on your iPod/iOS software version.
For updated information, check the Yamaha Pro Audio web site (http://www.yamahaproaudio.com/).
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corporation reserves the
right to modify products or specifications at any time without prior notice. Since specifications, equipment, and options may not be the same in every locale, please check with your Yamaha dealer.
Device USB mass storage class File System FAT32 Audio File format (Playback) MPEG Audio 1, 2, 2.5 Sample rate: 8 k - 48 kHz
MPEG4 AAC-LC Sample rate: 8 k - 48 kHz
WAV File Sample rate: 8 k - 48 kHz
Audio File format (Record) MP3 (MPEG1 Layer3) Sample Rate: 44.1 kHz
WAV Sample Rate: 44.1 kHz
Connector Specification USB A Type Supported Devices* iPhone, iPhone 3G, iPhone 3GS, iPhone 4, iPhone 4S, iPhone 5,
Format iPod, iPhone exclusive Connector Specification USB A Type
SIG indicator (green)
Metering point: post stereo master fader or pre monitor level
Lamp can use 5W max.
MGP24X: 819 mm x 169 mm x 565 mm (32.2" x 6.7" x 22.2")
04: LARGE PLATE 07:
KARAOKE ECHO 10: EARLY REF. 13: FLANGER 16: RADIO VOICE
8 User Programs
3 Preset Programs, 5 User Programs
Bit rate: 8 k - 320 kbps, VBR
Bit rate : 8 k - 320 kbps, VBR
16bit PCM
Bit rate: 128 k, 192 k, 256 k, 320 kbps
16bit PCM
iPod touch (1st through 5th generation), iPod classic, iPod nano (2nd through 7th generation)
02: WARM HALL 05: PLATE 2 08: SLAP ROOM
02: ROOM 05: SMALL STAGE 08: DELAY 11: CHORUS 14: SYMPHONIC
03: BRIGHT HALL 06: ROOM
03: PLATE 06: VOCAL ECHO 09: SINGLE DELAY 12: PHASER 15: DOUBLER
MGP32X/MGP24X Owner’s Manual
50

Index

Appendix
A
AUX ....................................................................13
B
Background music .........................................6, 37
Backlight ............................................................25
BAL (Balance) ....................................................13
Bus .....................................................................13
C
Compressor .................................................11, 31
Compressor program .........................................32
Condenser microphone ..................................9, 11
Contrast .............................................................25
D
Delay ..................................................................26
Delay time ..........................................................17
DI box (direct box) ................................................9
Dialog screen .....................................................24
Display .........................................................16, 24
Ducker ................................................6, 12, 37, 38
E
Echo ...................................................................26
Effect ............................................................13, 26
Effect programs ..................................................26
Effect return .......................................................17
Equalizer ............................................................12
L
Leveler .................................................... 6, 12, 38
Link .................................................................... 29
List ..................................................................... 25
Low Pass Filter .................................................. 37
LPF (Low Pass Filter) ........................................ 37
M
Maintenance ........................................................ 5
MATRIX ............................................................. 18
Meter ................................................................. 16
MGP Editor .......................................................... 6
Microphone ................................................. 7, 8, 9
MONITOR ......................................................... 19
N
Navigating through a song ................................ 35
P
Pan ................................................................ 6, 13
Parameter value ................................................ 25
Pausing ............................................................. 35
PFL (Pre-Fader Listen) ..................................... 13
Phantom power ................................................. 11
Pre-fader ........................................................... 13
R
Resetting ........................................................... 39
Reverb ............................................................... 26
F
Factory default settings ......................................39
Fast forwarding ..................................................35
Fast rewinding ....................................................35
Feedback ...........................................................29
Frequency ....................................................12, 28
FX (effect) ..............................................13, 17, 26
G
Gain ...................................................................28
GEQ program .....................................................30
Graphic EQ (GEQ) .............................................28
H
Head amplifier ......................................................6
Headphones ...................................................7, 19
High Pass Filter ..................................................11
I
Initializing ...........................................................39
Instruments ..........................................................7
iPod/iPhone ..................................................15, 36
J
Jack List .............................................................46
S
Setup Example .................................................... 8
Software application (MGP Editor) ...................... 6
Song .................................................................. 34
Speaker ........................................................... 7, 8
Stereo Image ................................................. 6, 12
STEREO L and R buses ....................... 13, 21, 33
T
TALKBACK ....................................................... 20
TAP ................................................................... 17
Transport ........................................................... 15
U
USB cable ......................................................... 36
USB device ....................................................... 33
Available recording time ................................ 33
Capacity ........................................................ 33
File format ..................................................... 33
Format ........................................................... 33
Playing back .................................................. 33
Recording ...................................................... 33
USB device recorder ......................................... 15
V
Volume balance ................................................ 13
Appendix
MGP32X/MGP24X Owner’s Manual
51
Appendix

Block Diagram and Level Diagram

MGP32X/MGP24X Owner’s Manual
52
Appendix
MGP32X/MGP24X Owner’s Manual
53
MGP32X/MGP24X Owner’s Manual
54
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifica­tions not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these require­ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equip­ment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
installations. If this product is found to be the source of inter­ference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distrib­ute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distrib­uted by Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
(weee_eu_en_01)
Information for Users on Collection and Disposal of Old Equipment
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accor­dance with your national legislation and the Directives 2002/96/EC.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED IMPOR­TANT. The wires in this mains lead are coloured in accordance with the following code:
GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL
BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows:
The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to the ter­minal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
(3 wires)
이 기기는 가정용(B급) 전자파적합기기로서 주로 가정에서 사용하는 것을 목적으로 하며, 모든 지역에서 사용할 수 있습니다.
(class b korea)
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the rear of the unit. You should note this serial number in the space pro­vided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
(rear_en_01)
MGP32X/MGP24X Owner’s Manual
55
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.
HEAD OFFICE
Yamaha Corporation, Audio Products Sales and Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario, M1S 3R1, Canada Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: 714-522-9011
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, Delegación Benito Juárez, México, D.F., C.P. 03900 Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4º andar, Itaim Bibi, CEP 04534-013 São Paulo, SP. BRAZIL Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A., Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte, Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000
VENEZUELA
Yamaha Music Latin America, S.A., Sucursal Venezuela
C.C. Manzanares Plaza P4 Ofic. 0401- Manzanares-Baruta Caracas Venezuela Tel: 58-212-943-1877
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso No.7, Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, República de Panamá Tel: +507-269-5311
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, U.K. Tel: 01908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 044-387-8080
AUSTRIA/BULGARIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
CZECH REPUBLIC/HUNGARY/ ROMANIA/SLOVAKIA/SLOVENIA
Yamaha Music Europe GmbH Branch Austria (Central Eastern Europe Office)
Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH Branch Poland Office
ul. Wrotkowa 14 02-553 Warsaw, Poland Tel: 022-500-2925
MALTA
Olimpus Music Ltd.
The Emporium, Level 3, St. Louis Street Msida MSD06 Tel: 02133-2144
NETHERLANDS/BELGIUM/ LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, Netherlands Tel: 0347-358 040
FRANCE
Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activites Pariest, 77183 Croissy-Beaubourg, France Tel: 01-64-61-4000
ITALY
Yamaha Music Europe GmbH, Branch Italy
Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica, Sucursal en España
Ctra. de la Coruna km. 17,200, 28231 Las Rozas (Madrid), Spain Tel: +34-91-639-88-88
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160
SWEDEN/FINLAND/ICELAND
Yamaha Music Europe GmbH Germany filial Scandinavia
J. A. Wettergrensgata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: +46 31 89 34 00
DENMARK
Yamaha Music Europe GmbH, Tyskland – filial Denmark
Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00
NORWAY
Yamaha Music Europe GmbH Germany ­Norwegian Branch
Grini Næringspark 1, N-1361 Østerås, Norway Tel: 67 16 78 00
RUSSIA
Yamaha Music (Russia) LLC.
Room 37, bld. 7, Kievskaya street, Moscow, 121059, Russia Tel: 495 626 5005
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
Yam a h a M u si c G ul f F Z E
Office JAFZA 16-512, P.O.Box 17328, Jebel Ali - Dubai, UAE Tel: +971-4-881-5868
TURKEY
Yamaha Music Europe GmbH Merkezi Almanya Türkiye İstanbul Şubesi
Maslak Meydan Sokak No:5 Spring Giz Plaza Bağımsız Böl. No:3, 34398 Şişli İstanbul Tel: +90-212-999-8010
CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030
OTHER COUNTRIES
Yam a h a M u si c Gu l f F Z E
Office JAFZA 16-512, P.O.Box 17328, Jebel Ali - Dubai, U.A.E Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211
INDIA
Yamaha Music India Pvt. Ltd.
Spazedge building, Ground Floor, Tower A, Sector 47, Gurgaon- Sohna Road, Gurgaon, Haryana, India Tel: 0124-485-3300
INDONESIA
PT. Yamaha Musik Indonesia (Distributor)
Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 021-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 02-3467-3300
MALAYSIA
Yamaha Music (Malaysia) Sdn., Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301 Petaling Jaya, Selangor, Malaysia Tel: 03-78030900
SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00, Singapore 530202, Singapore Tel: 65-6747-4374
TAIWA N
Yamaha Music & Electronics Taiwan Co.,Ltd.
3F, No.6, Section 2 Nan-Jing East Road, Taipei, Taiwan R.O.C. Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2622
VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach Mang Thang Tam St., Ward 4, Dist.3, Ho Chi Minh City, Vietnam Tel: +84-8-3818-1122
OTHER ASIAN COUNTRIES
Yamaha Corporation Sales & Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation Sales & Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
PA3 6
C.S.G., PA Development Division
© 2013 Yamaha Corporation
311POAP*.*-02B0
Printed in Vietnam
ZE82430
Yamaha Pro Audio global web site:
http://www.yamahaproaudio.com/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
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