Owner's Manual
Owner's Manual
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter).
DO NOT connect this product to any power supply or adapter other
than one described in the manual, on the name plate, or specifically
recommended by Yamaha.
WARNING: Do not place this product in a position where anyone
could walk on, trip over ,or roll anything over power or connecting
cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size
for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG
number ,the larger the current handling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or;
a cart, rack, or stand that is recommended by Yamaha. If a cart, etc.,
is used, please observe all safety markings and instructions that
accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at
the time of printing. However, Yamaha reserves the right to change
or modify any of the specifications without notice or obligation to
update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for
long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well secured
BEFORE using.
Benches supplied by Yamaha are designed for seating only. No
other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how
a function or effect works (when the unit is operating as designed)
are not covered by the manufacturer’s warranty, and are therefore
the owners responsibility. Please study this manual carefully and
consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and
the production methods used to produce them, meet these goals. In
keeping with both the letter and the spirit of the law, we want you to
be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of
battery is approximately five years. When replacement becomes
necessary, contact a qualified service representative to perform the
replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended for
the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery disposal
information.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on this
plate. You should record the model number, serial number, and the
date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
92-BP (bottom)
2
PLEASE KEEP THIS MANUAL
PRECAUTIONS
Yamaha cannot be held responsible for damage caused by improper
use or modifications to the instrument, or data that is lost or destroyed.
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual
smells or smoke should appear to be caused by it, immediately turn off the
power switch, disconnect the adaptor plug from the outlet, and have the
instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-5B, PA-5C or an equivalent recommended
by Yamaha) only. Using the wrong adaptor can result in damage to the
instrument or overheating.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord,
place heavy objects on it, or place it in a position where anyone could walk
on, trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Always make sure all batteries are inserted in conformity with the +/polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
• Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• When the batteries run out, or if the instrument is not to be used for a long
time, remove the batteries from the instrument to prevent possible leakage
of the battery fluid.
• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery
fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may
possibly cause loss of sight or chemical burns.
• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the
volumes of all components at their minimum levels and gradually raise the
volume controls while playing the instrument to set the desired listening
level.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can
affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other
cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl, plastic or rubber objects on the instrument, since
this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
• Use only the stand specified for the instrument. When attaching the stand
or rack, use the provided screws only. Failure to do so could cause damage
to the internal components or result in the instrument falling over.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
■ SAVING USER DATA
• Always save data to an external device such as the Yamaha MIDI data filer
MDF3 frequently, in order to help prevent the loss of important data due to
a malfunction or user operating error.
Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.
(4)-7
3
Congratulations on your purchase of the Yamaha DJX-IIB!
The DJX-IIB is a complete dance-music workstation that can be used both as a real-time performance
instrument and a powerful production tool. Its intuitive interface makes real-time operation easy for artists
with a DJ background.
Read this Owner’s Manual carefully while playing your new DJX-IIB in order to take full advantage of its
various features.
Packing List
● DJX-IIB
● Owner's Manual
How to Use the Manual
How to Use the Manual
What is the DJX-IIB? ....................................................................................page 5
Introduces the various DJX-IIB features.
Panel Controls.....................................................................................page 8
Use this section to find out about all of the buttons and controls of the DJX-IIB.
Setting Up.................................................................................page 12
Explains how to connect up the power adaptor and how to install batteries.
● CD-ROM
(Installed at the factory.)
100 tips to be a DJ!................................................................page 14
This section guides the novice user step-by-step through 100 important and useful
tips in playing and creating great dance music. Like a game, each tip is a step up
toward the goal of becoming a master DJ.
Appendix .........................................................................page 70
This contains various important lists such as the Voice list, Preset Pattern list, MIDI data format and MIDI implementation chart.
Troubleshooting.......................................................................page 70
If the DJX-IIB does not function as expected or you have some problem with
the sound or operation, consult this section before calling your Yamaha dealer
or service center. Most common problems and their solutions are covered
here in a very simple and easy-to-understand way.
Glossary.............................................................................................page 73
This section covers various important words and terms related to both the DJX-IIB
and to dance music in general.
Index ............................................................................................................page 88
This section alphabetically lists virtually all topics, features, functions and operations with
their respective page numbers, letting you quickly and easily find the information you need.
The illustrations and displays as shown in this owner’s manual are for instructional purposes only, and may be different from your instrument.
4
What is the DJX-II?
What is the DJX-IIB?
The new DJX-IIB is a digital DJ powerhouse!
If you’ve dreamed of creating and performing your own cutting-edge, phat ‘n’ funky dance music,
you’ve come to the right place... The DJX-IIB is a fully digital DJ machine — a revolutionary new
instrument that blends the reliability and clean sound of digital with stunningly powerful and
easy-to-use analog-like controls.
No music knowledge or experience required!
If you’ve got great music in your head, but haven’t had the training to bring it out to the real
world, here’s your chance! You don’t need to know about chords, or how to read and play melodies — all you need is a good sense of rhythm, and the DJX-IIB can even help you develop that,
too!
Let the DJX-IIB show you how to become a master DJ!
Whether you’re a complete beginner or a turntable and mixing genius, the DJX-IIB can help you
fully master the instrument. With the “100 Tips” section, you’re guided step-by-step through 100
tips and trade secrets the pros use in playing and creating great dance music. Like a game, each
tip is a step up toward the goal of becoming a master DJ.
Now let’s take a look at the individual features and functions of the DJX-IIB
● Pattern Player ........................................................................................page 14
The DJX-IIB features a total of 70 dynamic rhythm patterns, perfect for your DJ performance.
Each pattern has 10 different variations.
● Scratch Pad ...........................................................................................page 26
This awesome feature puts a virtual turntable at your fingertips, letting you scratch your own
accents, beats and instrument hits — just like a real DJ! With a huge selection of 73 special
Scratch “kits” to choose from, you can fly in turntable scratches, arpeggios, sound effects, and
vocal soundbites — all while the rhythm is playing!
● Powerful Effects ....................................................................................page 20
The DJX-IIB gives you a ton of amazing sonic control features, including a wide variety of stunning effects that can be manipulated in real time. Use the special Scratch Pad and the knobs to
tweak, warp and mangle your sound as you play.
● Audio bpm .............................................................................................page 62
If you’ve got a favorite beat on CD or vinyl, you can easily sync it up to the DJX-IIB! The DJX-IIB
“hears” the beat (from a connected CD player, MD player, etc.) and automatically locks into the
rhythm by auto-adjusting the bpm of the DJX-IIB’s pattern.
● MIDI Compatibility for Even Greater DJ Performance Power ...........page 65
Grow your own patterns! With MIDI, you can connect a MIDI device (such as a computer or
sequencer) to the DJX-IIB, and send patterns you’ve created on the sequencer to the DJX-IIB as
pattern data. Then wail away with your new patterns on the DJX-IIB!
5
Contents
Packing List...................................................4
How to Use the Manual.................................4
What is the DJX-IIB?.....................................5
Contents .............................................................6
Panel Controls....................................................8
Top Panel.......................................................8
Changing the Scratch Pad CD ...................10
Rear Panel & Connections .........................11
Setting Up (Power supply connections) ........12
Switching On the Power..................................13
Data Backup & Initialization............................13
100 Tips to be a DJ! 14
Chapter 1
Pattern Player Basics.............. 14
Tip 1 Work out with the Patterns! ................................14
Tip 2 Switch between Banks.......................................... 15
Tip 3 Mixing Main and Fill-in Patterns........................ 16
Tip 4 Exploring other Patterns......................................16
Tip 5 Come down on the “one”!................................... 18
Tip 6 Keep the bpm steady! ........................................... 19
Chapter 2
Live Effector Basics .................20
Tip 7 What is the Live Effector? ....................................20
Tip 8 Distortion .............................................................21
Tip 9 Auto Pan ...............................................................21
Tip 10 Ring Modulation .................................................. 21
Tip 11 Flanger ..................................................................21
Tip 12 Phaser.................................................................... 22
Tip 13 Slice .......................................................................22
Tip 14 Delay .....................................................................22
Tip 15 Echo ......................................................................23
Tip 16 Lo-Fi...................................................................... 23
Tip 17 Wah....................................................................... 23
Chapter 3
Isolator Basics ........................24
Tip 18 Tweak the sound just right! .................................24
Chapter 4
Filter Basics ............................25
Tip 19 Cutoff and Resonance.......................................... 25
Chapter 5
Scratch Pad Clinic ....................26
Tip 20 Work out on the Scratch Pad! .............................26
Tip 21 Quarter-note scratching....................................... 27
Tip 22 Eighth-note scratching......................................... 28
Tip 23 Sixteenth-note scratching ....................................28
Tip 24 Shuffle feel ............................................................29
Tip 25 Triggering drum loops from the
Scratch Pad ...........................................................29
Tip 26 Scratch Pad arpeggios .......................................... 30
Tip 27 Scratch Pad sound effects .................................... 30
Tip 28 Scratch low, scratch high... .................................. 30
Tip 29 Stop the turntable ................................................ 31
Tip 30 Give the Scratch Pad a new face!......................... 31
Tip 31 CD-ROM goodies ................................................ 31
Chapter 6
Part Mixer Basics ................... 32
Tip 32 What is a Part?...................................................... 32
Tip 33 Take the console and remix the Parts!................ 32
Tip 34 Extra texture!........................................................ 33
Chapter 7
Crossfader Basics ................... 34
Tip 35 Work the Crossfader!........................................... 34
Tip 36 Mute the Pattern .................................................. 34
Tip 37 Crossfader cuts..................................................... 35
Chapter 8
Intermediate
Techniques ............................. 36
Tip 38 Transpose the key................................................. 36
Tip 39 Change the bpm................................................... 37
Tip 40 Reset to the default bpm...................................... 37
Tip 41 Fade in, fade out................................................... 38
Tip 42 Travel light! .......................................................... 38
Tip 43 Tweak the cutoff................................................... 39
Tip 44 Wah-wah scratching ............................................ 39
Tip 45 Warped vinyl and a cheap turntable!.................. 40
Tip 46 Scratch Drum Loops in sync ............................... 40
Tip 47 Mute the Scratch .................................................. 40
Chapter 9
Pattern Player Power Tips .......41
Tip 48 Hitting a new Pattern and Variation
— at the same time! ............................................. 41
Tip 49 Hitting a new Pattern, Bank and Variation —
at the same time! .................................................. 41
Tip 50 Break to a new Pattern!........................................ 42
Tip 51 One-bar Patterns — all in a row! ........................ 43
Chapter 10
Crossfader Power Tips ............ 44
Tip 52 Quick Crossfader scratching ............................... 44
Tip 53 Long Crossfader scratching ................................. 44
Tip 54 Pattern loop vs. scratch loop ............................... 44
Chapter 11
Using the BPM/TAP button....... 45
Tip 55 Tap out the beat! .................................................. 45
Tip 56 Start with a tap... .................................................. 45
Chapter 12
The Outside World................... 46
Tip 57 Expanding your DJ setup..................................... 46
Tip 58 Mute the speakers ................................................ 46
6
Contents
Chapter 13
More Pattern Player Power Tips
Tip 59 Creative Fill-in 1................................................... 47
Tip 60 Creative Fill-in 2................................................... 47
Tip 61 Playing intros and transitions.............................. 47
Tip 62 Playing intros and transitions, part 2 .................. 47
Chapter 14
...47
Live Effector Power Tips ......... 48
Tip 63 Distortion .............................................................48
Tip 64 Auto Pan ...............................................................48
Tip 65 Ring Modulation .................................................. 49
Tip 66 Flanger ..................................................................49
Tip 67 Phaser.................................................................... 49
Tip 68 Slice .......................................................................49
Tip 69 Delay .....................................................................50
Tip 70 Delay fill-in ...........................................................50
Tip 71 Echo ......................................................................51
Tip 72 Lo-Fi...................................................................... 51
Tip 73 Wah....................................................................... 51
Chapter 15
Isolator and Filter Power Tips
Tip 74 Isolator to the max! ..............................................52
Tip 75 Dark mixes and deep grooves
— cut the Cutoff! .................................................53
...52
Tip 95 Upside down, inside out!..................................... 64
Tip 96 Taking the pulse ................................................... 64
Tip 97 Sync applications
— using the DJX-IIB as the master..................... 65
Tip 98 Sync applications
— using the DJX-IIB as the slave........................ 66
Tip 99 Get more Patterns!............................................... 67
Tip 100 Create your own Patterns!.................................. 68
Appendix 70
Troubleshooting.............................................. 70
Error Message List.......................................... 71
Specifications.................................................. 72
Glossary........................................................... 73
Pattern List ...................................................... 75
Voice List ......................................................... 76
Drum Kit List.................................................... 78
MIDI Data Format............................................. 81
MIDI Implementation Chart............................. 87
Index................................................................. 88
Chapter 16
Scratch Pad Power Tips ...........54
Tip 76 Scratching triplets................................................. 54
Tip 77 Scratch on an intro!.............................................. 55
Tip 78 Spin around and stop!.......................................... 55
Tip 79 Instrumental dropout ..........................................56
Tip 80 More Part mixing .................................................56
Chapter 17
Advanced Techniques ..............58
Tip 81 Delay fill-in and fader cut ....................................58
Tip 82 Fade the scratch in and out!................................. 58
Tip 83 Bored? Add some chords... and scratching!....... 59
Tip 84 Down and out!...................................................... 59
Tip 85 One-hand Effector control! .................................60
Tip 86 Instant reset! .........................................................61
Tip 87 Hit the Part on the “one”!.................................... 61
Tip 88 Check the bpm .....................................................61
Chapter 18
DJ Performance
Master Class ...........................62
Tip 89 Cut in with a scratch and hit the next
Variation ............................................................... 62
Tip 90 Auto-adjusting the bpm....................................... 62
Tip 91 Creative Fill-in 3................................................... 63
Tip 92 Crossfader cut-in — Scratch plus effect.............. 63
Tip 93 Crossfader cut-in — Scratch plus Delay ............. 63
Tip 94 Outro -tro -tro -tro ..............................................64
7
P01
01
w
!3
!5
!6
!7
!4
e
!2
r
t
!0
!1
y
u
i
o
!8
q
◆
Be careful! Avoid pressing three or more panel buttons simultaneously. Doing so can
cause the DJX-IIB to behave erratically.
Panel Controls
Top Panel
This is the DJX-IIB!
This is the DJX-IIB!
8
Panel Controls
q STANDBY/ON switch ................................13
Press to toggle the power on or off. (Power is on when
the switch is pressed in.)
w MASTER VOLUME.....................................13
This determines the overall volume of the DJX-IIB.
e DEMO button
This is used to play the Demo songs that showcase the
sophisticated capabilities of the DJX-IIB.
Press this button to start/stop the Demo songs.
To select one of the Demo songs, hold the button
down and simultaneously turn the scratch pad.
r LIVE EFFECTOR section................... 20, 48
The DJX-IIB has a wide variety of built-in effects that
affect the entire sound of the DJX-IIB and can be
manipulated in real time. Use the SELECT button to
call up one of the ten effects, then work the knobs to
change the depth and amount of the effect.
t PATTERNPLAYER buttons .......................14
Press these buttons to trigger the various patterns of
the DJX-IIB. The pattern starts immediately, as soon
as its button is pressed.
y A/B BANK button ......................................15
Each of the DJX-IIB’s patterns has 10 different variations. Use this button to switch between banks, then
use the five PATTERN PLAYER buttons to play the
desired pattern — giving you 10 different patterns to
work with!
u PATTERN button .......................................16
This button lets you select the desired pattern. Simultaneously hold the button down and rotate the Scratch
Pad “CD.”
i BPM/TAP button....................................... 45
This is used to change the bpm (tempo) of the selected
pattern.
Each pattern of the DJX-IIB has been programmed
with a default or standard bpm (tempo); however, you
can change the bpm to any value between 32 and 280
beats per minute.
This button also determines whether the DJX-IIB will
use its own internal clock or whether it will use MIDI
clock received from the MIDI IN connector.
o KEY SHIFTER button............................... 36
This convenient button lets you change the overall
pitch of the DJX-IIB to match the music on your CDs
or vinyl, or to create chord changes. You can change
the key of the pattern by pressing this button while the
pattern is playing.
!0 ISOLATOR knobs............................... 24, 52
Use these knobs to change the timbre or tone of the
sound, adjusting the level of each frequency range:
Low, Mid, and High. Turning each knob to the right
boosts the level at that frequency, while turning it to
the left cuts it.
!1 AUDIO BPM COUNTER button, knob...... 62
The DJX-IIB has a powerful and convenient function
that lets you synchronize external audio (such as from
a CD or MD) with the patterns of the DJX-IIB. Hold
down this button while playing the connected audio
device. The DJX-IIB monitors the beat from the
audio, and automatically locks into the rhythm by
auto-adjusting the bpm of the DJX-IIB’s pattern. The
extracted bpm value is indicated in the display.
The SENSE knob is used to adjust the input level of
the external audio source.
!2 PATTERN STOP button ............................ 14
This button stops playback of the Patterns and Scratch
loops. Start the DJX-IIB’s patterns by pressing one of
the PATTERN PLAYER buttons and stop them by
pressing the PATTERN STOP button.
!3 SCRATCH PAD ..........................................26
This amazing feature emulates a real turntable. Turning or rocking the CD back and forth lets you play various turntable scratches, as well as loops, hits, and
other special sound effects. Select the desired Scratch
sound or effect by pressing the SCRATCH button.
The CD “platter” can be changed as desired. (See page
10.)
!4 SCRATCH button ......................................26
The Scratch Pad has a total of 74 different presets/
functions. Use this button to select the desired preset.
The preset number is always indicated in the small
display next to the SCRATCH button.
!5 LOOP button ............................................ 29
Pressing this button (to turn Loop on) lets you vary
the Scratch effect in different ways, depending on the
selected Scratch preset.
!6 FILTER knobs........................................... 25
These adjust the filter cutoff and filter resonance of
each part of the pattern. For the RESONANCE knob,
turning to the right increases the effect. For the CUTOFF knob, turning to the right raises the frequency.
!7 Fader......................................................... 34
This determines the level balance between the pattern
and scratch sounds.
!8 Display
This shows important information on certain settings
and values of the DJX-IIB.
9
Panel Controls
Changing the Scratch Pad CD
Included with the DJX-IIB is a special CD-ROM disc. The disc normally serves as a “platter”
for the Scratch Pad function. Since special software is included on the disk, you will need to
remove the disc to install the software.
If you have a CD with a particular design that you like, you can replace the included CDROM disc with a disc of your choice. To change the disc, follow the instructions below.
• The DJX-IIB does not read audio or other data from the Scratch Pad CD or CD-ROM. It
merely functions as a physical “platter” for controlling the Scratch Pad, and provides
added decoration. Feel free to install your own CD for different decoration if you like!
• Make sure to treat the included CD-ROM disc with care and be very careful not to damage
it (especially during removal), since the reverse side of the disc contains important data.
Yamaha cannot be responsible for any loss of data resulting from mishandling of the disc.
(Normal use of the disc as a Scratch Pad will not damage the disc.)
1 Remove the indicated screw with a screwdriver.
2 Remove the CD-ROM disk.
3 Place the desired audio CD (or CD-ROM) on the
Scratch Pad.
4 Replace and tighten the screw.
■ About the included CD-ROM
The included CD-ROM contains the following data:
DJX-II/IIB Premium CD-ROM
• Live Movie at DJX Satellite
• DJX-II/IIB Function Guide — a fun way to get to know the DJX-IIB and its features!
• Pattern Launcher Application — for loading new Patterns to the DJX-IIB!
• Extra Patterns — a selection of specially programmed new Patterns you can load to your DJX-IIB!
10
Rear Panel & Connections
Panel Controls
A standard pair of stereo headphones
can be plugged in here for private practice or late-night playing. The internal
stereo speaker system is automatically
shut off when a pair of headphones is
plugged into the PHONES jack.
• Connect the AC adaptor
(PA-5B, PA-5C or other
adaptor specifically recommended by Yamaha)
to the power supply jack.
See page 12 for details.
Refer to page 13.
CD MD
Connect an external audio device (such
as a CD player or MD player) to the
AUDIO BPM IN terminal, and play back
the desired audio passage. The audio
can be used with the Audio bpm Counter
function, in which the DJX-IIB reads the
tempo of the audio and synchronizes the
pattern rhythm to it.
• Do not listen with the headphones
at high volume for long periods of
time. Doing so may cause hearing
loss.
The DJX-IIB also features MIDI terminals, allowing you to interface the
DJX-IIB with other MIDI instruments
and devices. (For more information,
see page 65.)
Amplifier
The LINE OUT jacks are used to send the DJX-IIB output to
a keyboard amplifier, stereo sound system, mixing console,
or tape recorder.
• Connect the DJX-IIB to external equipment only after
turning off power for all devices. To prevent damage
to the speakers, set the volume of the external
devices at the minimum setting before connecting
them. Failure to observe these cautions may result in
electric shock or equipment damage.
11
Setting Up (Power supply connections)
Although the DJX-IIB will run either from an optional AC adaptor or batteries, Yamaha recommends use of the more environmentally safe AC adaptor. Follow the instructions below
according to the power source you intend to use.
The batteries should be considered an auxiliary power source for data backup (page13).
■ Using An Optional AC Power Adaptor • • • • • • • • • • • •
1 Make sure that the STANDBY/ON switch of the DJX-IIB is
set to STANDBY.
2 Connect the AC adaptor (PA-5B, PA-5C or other adaptor
specifically recommended by Yamaha) to the power supply jack.
3 Plug the AC adaptor into an AC outlet.
To disconnect the adaptor: Set the STANDBY/ON switch to STANDBY,
then unplug the adaptor from the AC outlet, and then disconnect it from
the DJX-IIB power supply jack.
• Use ONLY a Yamaha PA-5B or PA-5C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other
adaptors may result in irreparable damage to both the adaptor and the DJX-IIB.
• Unplug the AC Power Adaptor when not using the DJX-IIB, or during electrical storms.
■ Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For battery operation the DJX-IIB requires six 1.5V SUM-1, “D” size, R-20 or equivalent batteries. When the batteries need to be replaced, the volume may be reduced, the sound may be
distorted, and other problems may occur. When this happens, turn the power off and replace
the batteries.
Replace the batteries as follows:
1 Open the battery compartment cover located on the instrument’s
bottom panel.
2 Insert the six new batteries, being careful to follow the polarity
markings on the inside of the compartment.
3 Replace the compartment cover, making sure that it locks firmly
in place.
Use a coin or a slotted
screwdriver to unlock
the cover
• Plugging or unplugging the AC
power adaptor while the batteries
are installed will reset the DJXIIB to the defaults.
• If you play the DJX-IIB with the
volume at its maximum level
when the batteries are used, the
life of the batteries will be shorter.
• When the batteries run down, replace them with a complete set of six new batteries.
NEVER mix old and new batteries.
• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
• If the instrument is not to be in use for a long time, remove the batteries from it, in order to
prevent possible fluid leakage from the battery.
12
0J'.
Set the MASTER VOLUME
knob to "min."
Turn the power ON by pressing the
STANDBY/ON switch.
Press the STANDBY/ON switch
again to turn the power OFF.
Switching On the Power
Once you've set up your DJX-IIB, try turning the power on.
Make sure your sound system's main level/volume control(s) and the DJX-IIB volume control are turned all the way down prior to turning the power on.
• Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the DJX-IIB for a long time, make sure
you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from
the instrument.
Data Backup & Initialization
Except for the User Pattern data, all DJX-IIB panel settings are reset to their initial settings whenever the power is turned on. The Use Pattern data is backed up (i.e.
retained in memory) as long as an AC adaptor is connected or a set of batteries is
installed.
All data can be initialized and restored to the factory preset condition by turning on
the power while holding the LOOP button. “Clr!” will appear briefly on the display.
C|r'.
• All settings listeda bove, will be erased and/or changed when the data initialization procedure is
carried out.
• Carrying out the data initialization procedure will usually restore normal operation if the DJX-IIB
freezes or begins to act erratically for any reason.
13
This is NOT an owner’s manual! At least not an ordinary one. But, then again,
This is NOT an owner’s manual! At least not an ordinary one. But, then again,
the DJX-IIB is no ordinary instrument. It’s packed with exciting, easy-to-use
the DJX-IIB is no ordinary instrument. It’s packed with exciting, easy-to-use
dance music features that instantly sets it apart from run-of-the-mill conventional
dance music features that instantly sets it apart from run-of-the-mill conventional
instruments!
instruments!
This collection of 100 hot tips shows you how to get the most out of your new DJX-
This collection of 100 hot tips shows you how to get the most out of your new DJX-
IIB in the shortest time possible. It’s like an expert DJ or mixer taking you by the
IIB in the shortest time possible. It’s like an expert DJ or mixer taking you by the
hand and showing you the ropes, sharing all the tricks and techniques you need to
hand and showing you the ropes, sharing all the tricks and techniques you need to
be a master DJ yourself! It takes you from the
be a master DJ yourself! It takes you from the
bare-bones basics, to advanced power tips that get
bare-bones basics, to advanced power tips that get
you mixing like a pro in no time!
you mixing like a pro in no time!
So jump in!
So jump in!
◆ The Levels — Work your way up!
.....................Basic operations
...............Intermediate functions
.........Advanced tricks and techniques
...Power user features
Chapter 1
Pattern Player Basics
Start your DJ apprenticeship right here! The Patterns are the basic building blocks of the
DJX-IIB sound — they’re the rhythmic foundation for everything else on this dance machine.
1 Work out with the Patterns!
Here’s where it all starts!
Hit one of the buttons in the PATTERN PLAYER section — and the Pattern starts immediately.
Hitting another button instantly switches to a different Pattern (actually, a variation on the main
Pattern).
Since the DJX-IIB starts the Pattern right away, be careful to press the key in time with the
rhythm
Practice this a while — there’s no better way to get your timing tight and develop a solid sense
of rhythm!
To stop the Pattern, press PATTERN STOP.
100 Tips to be a DJ!
100 Tips to be a DJ!
14
Chapter 1 Pattern Player Basics
2 Switch between Banks
Even though there are five buttons in the PATTERN PLAYER, you have a total of ten Patterns at your disposal — thanks
to the A/B BANK button.
Each Bank, A and B, has five Patterns. When the A/B BANK button lamp is off, you can play Patterns A1 to A5. When
the A/B BANK button lamp is on, you can play Patterns B1 to B5. Pressing the button doesn’t change the Pattern, it only
enables the Bank. So if you press the A/B BANK button by mistake, don’t worry — simply press it again, and you’re
back to the original bank, without any sound changes!
Try this example:
1 Start Pattern A1.
Press Pattern button 1.
2 Select Bank B.
Press the A/B BANK button. The A/B BANK button is on and Pattern button 1 flashes. (The flashing Pattern button indicates Bank select standby.).
Flashes
Notice that Pattern A1 is still playing. It will only change if you press another Pattern button..
3 Press Pattern button 3.
Now Pattern B3 is playing.
4 Select Bank A again.
The A/B BANK button is off and Pattern button 3 flashes.
5 Press Pattern button 1.
Now you’re back to Pattern A1.
Flashes
15
3 Mixing Main and Fill-in Patterns
Fill-in Patterns
Main Patterns
Try mixing it up!
As you learned in Tip 2 above, each of the DJX-IIB’s Patterns has ten
different Variations. The main Patterns are played with buttons 1, 3,
and 5, while the fill-in Patterns are played with buttons 2 and 4. (Fillin Patterns are usually used as dynamic breaks or transitions.)
In general, the higher the Variation number (A1 - A5, B1 - B5), the
busier or more complex the Patterns become.
Listen carefully to each Pattern — remember how each of them
sound — then play them one after another for your own special performance!
4 Exploring other Patterns
Try out some different patterns
To change the Pattern, hold down PATTERN and simultaneously turn the Scratch Pad.
Check the display to see what you’re selecting. The two numbers on the left indicate the current
Pattern number, and the numbers on the right indicate the new one. Turn the Scratch Pad clockwise to advance through the Pattern numbers; turn it clockwise to go back.
But wait! The new Pattern doesn’t actually start until you release PATTERN! Keep holding down
the button while the Pattern loops, then release PATTERN on the “one” downbeat (see Tip 5) — the
Pattern changes immediately!
16
Chapter 1 Pattern Player Basics
q e
w
q
p01
Current Pattern —
now playing.
w e
01.03 p03
● Exploring other Patterns
Category # Pattern Name Comment
TECHNO
DISCOMANIA 11 Disco House London’s disco club scene.
CLUB VIBES 17 Hard House Harder than you might expect...
DRUM'N'BASS 34 Jazz D&B Straight from the heart of London — fast and stylish!
GANGSTA
FUNKY HIP HOP 59 Club Funk Funk with a Hip-hop flavor — real nice!
OLD SKOOL 62 Scratchin’ Really dark and hard Hip-hop — with a nice melody on Variation
TRIP HOP 65 Deep Dark and heavy Trip-hop, atmospheric and dreamy.
01 Japan Beatz Experimental electronic madness — way cool!
05 Detroit Serious House music — from where it all started!
50 Light Feel it flow, a real Hip-hop cruiser from L.A.
52 Female Extra smooth ‘n’ silky R&B-style Hip-hop.
10.
Flashes
New Pattern — waiting
in standby.
The new Pattern is up and
playing!
17
5 Come down on the “one”!
The key to great timing is knowing where the “one” is. And the “one” is the first beat in a four-beat
Pattern. Another key to timing is feeling the downbeats (four downbeats to a Pattern). The DJX-IIB
makes this easy to do!
Check this out:
While the Pattern is playing, the dot in the bpm display flashes rhythmically. (If the bpm display is
not shown, press BPM/TAP.)
Try hitting a different Pattern button on the “one” downbeat — when you’ve hit it right, you’ll feel it!
If you’re having trouble coming down on the “one,” here’s a handy hint that’ll help you keep time...
Double-up your count! This works especially well for slower rhythms — because even slight deviations from the beat can put glitches in your groove!
For a four-beat measure, count two on every beat — like this: 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8.
Or count: “One-and-two-and-three-and-four-and...”
One Two Three Four
1 2Count: 3 4 5 6 7 8
1 - and( or: 2 - and 3 - and 4 - and )
Hit it here!
Try this technique while changing Patterns. Press a new PATTERN PLAYER button every bar, right
on the “one,” all the time counting out the beat like above. It’s a fool-proof way to master the
groove!
18
Chapter 1 Pattern Player Basics
6 Keep the bpm steady!
Once you’ve started a Pattern, it's better to keep it playing at a steady bpm — unless you’re aiming
for special effects and sudden tempo changes.
Actually, the DJX-IIB takes care of this for you — automatically! If you change Patterns while a
Pattern is playing, the bpm setting stays the same. However, if you stop the Pattern and start a new
one, the bpm is automatically reset to best suit the newly selected Pattern.
While the Pattern is running...
When the Pattern is stopped...
01.03 01.03
... and the bpm stays the same. ... and the bpm is set to best
suit the selected Pattern.
19
Chapter 2
Live Effector Basics
The effects of the DJX-IIB are more than just frosting on the cake — they’re powerful
tools that can completely transform the sounds and rhythms, and put a whole new spin
on your tracks!
7 What is the Live Effector?
Here’s where you can really get down and dirty with your beats!
The Live Effector gives you a wide variety of real-time effects that let you mangle and munge the
sound in wild and exciting ways. All of the sounds of the DJX-IIB — the Patterns and the Scratches
(→ page 26) — are processed by these versatile sound shapers. You can turn the effects on and
off in time with the rhythm, and adjust a pre-programmed key effect parameter and the balance
(depth) of the effect in realtime as the Pattern plays.
A continuously lit LED indicates
that the effect is selected. When
the effect is turned on, the LED
flashes in time with the Pattern.
• To keep the effect locked on:
Simultaneously hold the toggle
switch on and press SELECT.
To “unlock” the effect, turn the
effect on and off again.
Turns the effect ON or OFF.
Changes the sound of the effect.
(Each effect lets you control a different key
parameter.)
Changes the depth of the effect. When set
to "Dry," the effect cannot be heard.
When the effect is set to on, turning the
BALANCE knob may generate noise.
Press this to change the effect type.
When changing the effect type, the new
type is applied immediately from the next
note (with the exception of the Slice type).
• Doing too much at once?
Changing the effect type while the effect is on and a
Pattern is playing back and/or while you’re playing the
Scratch Pad can overload the processing power of
the DJX-IIB. This could affect the sound in different
ways, making the overall sound softer or changing
the sound of the effect in unexpected or undesirable
ways. For best results, stop the Pattern and/or stop
playing the Scratch Pad briefly before changing the
effect type. Better yet, turn the effect off briefly, then
change the type and turn it back on again as needed.
◆
Tech note:
You can change the effect type while the effect is on
in the "hold" condition; however, it cannot be changed
when holding down the toggle switch manually.
20
q Start the Pattern.
w Select the desired effect, turn the Effect on,
and twist the knobs.
e Stop the Pattern.
Chapter 2 Live Effector Basics
8 Distortion
This popular effect lets you distort the sound — from a soft grunge to a full-on
metallic assault. Turn the CONTROL knob to the right for more crunch and
bite.
9 Auto Pan
Get your sound moving in space! This effect shifts the sound in the stereo
image back and forth between hard left and hard right. Setting the CONTROL
knob toward max speeds up the panning so much, the sound seems to be
modulated — like on a synthesizer!
10 Ring Modulation
Here’s an ultracool effect straight out of analog synthesizers! The Ring Modulator changes the sound dramatically by “overdriving” the oscillator — as set
with the CONTROL knob. This effect can completely destroy the original pitch
of the sound while generating a whole new set of pitches and harmonics, for a
massively dynamic metallic sound. Use the CONTROL knob to change the frequency of the oscillator.
Use this sparingly! You’ll want to save this awesome, powerful effect for certain climactic parts of your performance — and then blow people away!
11 Flanger
This modulation-based effect produces a “swishing” or “tunneling” sound.
Changing the speed of the modulation with the CONTROL knob produces a
characteristic metallic, sweeping effect — much like a jet airplane taking off.
21
12 Phaser
The Phaser effect is similar to Flanger (in Tip 11 above), but more subtle — not
quite as dramatic. Phaser is good for adding a little bit of warm animation and
movement to the sound. Use the CONTROL knob to change the speed of the
modulation.
13 Slice
Chop up the beat, slice and dice — completely change the feel of the rhythm!
Use the CONTROL knob on this happening effect to change the “slice” patterns,
and come up with new rhythms on the fly!
14 Delay
Delay is a popular effect that repeats the sound in rhythm. (There’s a related
Echo effect; see Tip 15 below.) And check this out — no rocket science needed!
The DJX-IIB automatically syncs the delay time to the current bpm, so you don't
even need to re-adjust the knob, even when the bpm is changed. Use the CONTROL knob to change the relative delay time to match the rhythmic effect you
want. The DJX-IIB syncs to note values — 16th, 8th, 4th, triplet, etc.
◆
Be careful — changing the delay time (by changing the CONTROL knob or
bpm) may result in some noise.
22
Chapter 2 Live Effector Basics
15 Echo
Like Delay (in Tip 14 above), Echo produces repeats of the sound for rhythmic
effect. However, the CONTROL knob is used to change the number of repeats
(also called “feedback”). Naturally, the DJX-IIB automatically syncs this effect
to the bpm of the Pattern.
16 Lo-Fi
Need to grunge up your sound, but Distortion is too nasty for you? This useful
effect lets you slap that retro, lo-rez sound onto your beats — just like they do
in hip-hop, trip-hop and other styles. Lo-Fi gives the sound just a little bit of
“dirt” — and lets you add a vintage analog-like touch to your performance.
17 Wah
Wah is a special moving filter effect that gives a funky feel to the sound. Use
the CONTROL knob to change the speed of the filter motion. Setting this toward
the maximum produces a trembling sound.
23
Chapter 3
Isolator Basics
More sonic control to you! The Isolator lets you tailor the sound just the way you want
it — phat and round, thin and edgy, or big and banging!
18 Tweak the sound just right!
Need a beefier low end? Want to put some edge and shimmer in the top? Tweak these knobs to
your heart’s content, and get the sound just the way you want it! Try turning the Low and High
knobs of the Isolator a little bit to the right, and make the sound more punchy. Try other settings as
well to get the sound just right!
Each of these knobs boosts or cuts a general frequency band of the sound. Technically, the range
for each knob is -12dB to +12dB.
◆
Be careful with this, though — if the Master Volume is at or near the max, boosting these fre-
quencies can result in some nasty distortion!
◆
Helpful hint: Avoid boosting the level (when possible). For example, if you want to emphasize
the highs and lows, add a gentle mid cut instead.
24
Boosted low end, slightly
crisper high end.
Low Mid High
Very tinny sound — almost
no bass, very bright and brittle high end.
Low Mid High
Flat response — normal settings.
Low Mid High
Chapter 4
Filter Basics
Pump up the energy on the dance floor a serious notch or two with these powerful filter
tools!
19 Cutoff and Resonance
The CUTOFF and RESONANCE knobs control the filter effects. And what are “filter effects,” you
ask? Well, filters have been used for a long time with analog synthesizers, and in the right hands
they are capable of turning static, boring sounds into something really dynamic and animated.
Turn CUTOFF to the left and the sound becomes darker or “muffled.” Turn CUTOFF to the right and
the sound becomes brighter. The RESONANCE knob controls how sharp the peak of the filter is.
Turn RESONANCE to the right and the filter peak becomes sharp and pronounced. Turn the RESONANCE left and the filter becomes flat.
BrighterDarker
Volume
These frequencies are
“passed” by the filter.
Try tweaking CUTOFF while RESONANCE is at about 2 or 3 o'clock (see below). The filter becomes
sharper, and you can actually hear the filter peak moving according to the CUTOFF knob position.
There’s no way to adequately describe this effect in words — you just have to try it out for yourself,
and hear how awesome it can make your music sound!
Cutoff frequency
Frequency (pitch) Frequency (pitch)
Volume
Resonance
25
Chapter 5
Scratch Pad Clinic
The true mettle of a DJ is in his or her turntable work. That’s why the DJX-IIB has a
special Scratch Pad that lets you strut your stuff!
20 Work out on the Scratch Pad!
Step up to the turntable and work the platter like a real DJ! That’s what the Scratch Pad’s for!
Set the Crossfader to around the center, then rock the Scratch Pad back and forth. Now you’re
scratching!
Start a Pattern and work the Scratch Pad while the Pattern’s playing back — adding your own
rhythmic parts and accents to the mix!
Rock the Scratch Pad
back and forth with
your finger.
Set the Crossfader to around the center.
No need for vinyl here — leave your records at home! The DJX-IIB has a whopping total of 73 special Scratch “kits” that you can call up instantly and scratch right along with the Patterns!
To change the Scratch kit, hold down the SCRATCH button and simultaneously turn the Scratch
Pad. Check the Scratch display to see what you’re selecting.
Indicates the Scratch
kit (function) number.
06
26
Chapter 5 Scratch Pad Clinic
● Scratch List
The Auto kit (0) automatically selects a kit to best match the currently selected pattern.
Category
No.
Name
0 AUTO Auto
1 VINYL LAB Vinyl Lab 1
2 Vinyl Lab 2
3 Vinyl Lab 3
4 Vinyl Lab 4
5 Vinyl Lab 5
6 Vinyl Lab 6
7 Vinyl Lab 7
8 Vinyl Lab 8
9 Vinyl Lab 9
10 Vinyl Lab 10
11 HIP HOP
X-TRA
12 Hip Hop X-tra 2
13 Hip Hop X-tra 3
14 Hip Hop X-tra 4
15 Hip Hop X-tra 5
16 Hip Hop X-tra 6
17 Hip Hop X-tra 7
18 Hip Hop X-tra 8
19 Hip Hop X-tra 9
20 Hip Hop X-tra 10
Scratch Name
Hip Hop X-tra 1
Category
No.
Name
21 BASIC DJ
TOOLS
22 Basic DJ Tools 2
23 Basic DJ Tools 3
24 Basic DJ Tools 4
25 Basic DJ Tools 5
26 Basic DJ Tools 6
27 Basic DJ Tools 7
28 Basic DJ Tools 8
29 Basic DJ Tools 9
30 Basic DJ Tools 10
31 Basic DJ Tools 11
32 Basic DJ Tools 12
33 Basic DJ Tools 13
34 Basic DJ Tools 14
35 TECHNO
LOOPS
36 Techno Loops 2
37 Techno Loops 3
38 Techno Loops 4
39 Techno Loops 5
40 Techno Loops 6
41 HIP HOP
LOOPS
42 Hip Hop Loops 2
43 Hip Hop Loops 3
44 Hip Hop Loops 4
45 Hip Hop Loops 5
46 Hip Hop Loops 6
47 Hip Hop Loops 7
48 Hip Hop Loops 8
Scratch Name
Basic DJ Tools 1
Techno Loops 1
Hip Hop Loops 1
Category
No.
Name
49 DEEJAY
ARPEG-
50 DeeJay Arpeggios 2
GIOS
51 DeeJay Arpeggios 3
52 DeeJay Arpeggios 4
53 DeeJay Arpeggios 5
54 DeeJay Arpeggios 6
55 DeeJay Arpeggios 7
56 DeeJay Arpeggios 8
57 FILLS 'N
BREAKZ
58 Fills 'n Breakz 2
59 Fills 'n Breakz 3
60 Fills 'n Breakz 4
61 Fills 'n Breakz 5
62 Fills 'n Breakz 6
63 HITS &
SPECIAL
64 Hits & Special FX 2
FX
65 Hits & Special FX 3
66 Hits & Special FX 4
67 JAZZ PADS Jazz Pads 1
68 Jazz Pads 2
69 MYSTIC
PADS
70 Mystic Pads 2
71 Mystic Pads 3
PITCH &
72
BPM
PA RT
73
MIXER
Scratch Name
DeeJay Arpeggios 1
Fills 'n Breakz 1
Hits & Special FX 1
Mystic Pads 1
Pitch & BPM
Part Mixer
21 Quarter-note scratching
Now that you’ve tried out the Scratch Pad and some different Scratch sounds, let’s get started using
the Scratch Pad in real musical examples.
Quarter notes are the simplest to scratch in time with, since you simply scratch on every downbeat.
In this example, select P12 and start up V A1. Rock the pad forward (clockwise) on the first downbeat, then rock it back (counter-clockwise) on the second downbeat, and so on. Notice that the
scratch sound is actually a musical part that changes with the chords in the Pattern. Tap your foot
or your heel with the beats (count out loud if you want, too!), and try to hit each beat with a scratch!
Try different scratch “lengths” as well — for example, scratching forward for a short 1/8 turn, and
back for a long 1/2 turn. Stay on the beat!
One Two Three Four
27
22 Eighth-note scratching
Once you’ve mastered quarter-note scratching, eighth notes are real easy! Just double up your
scratching and play two scratches (forward and back) on every beat!
For this example, call up P39 and play V B5. For your scratching, try out Scratch 01 and rock the
pad back and forth in short 1/8 turns.
One Two Three Four
23 Sixteenth-note scratching
Now let’s go a little bit faster. Since sixteenth notes are half the value of eighth notes, you’ll have to
play twice as fast! This means four scratches (forward-back-forward-back) on every beat.
For this exercise, call up P41 and play V A1. For an alternate scratch, try out Scratch 13 and (like in
Tip 22 above) work the pad in short 1/8 turns.
One Tw o Three Four
Slow down the bpm (Tip 39) if necessary — this will let you lock into the rhythm more easily.
28
Chapter 5 Scratch Pad Clinic
24 Shuffle feel
Here things get a bit tricky! But don’t worry — once you feel the rhythm, you’ll have no trouble
playing it!
Shuffle rhythms are a cornerstone of hip-hop music, and feature a heavy “swing” feel. Scratching
to this rhythm is tricky since the forward scratch and backward scratch are not even — you’ll have
to do one slower than the other!
To get you into this, select P36 and start V B1. Try locking into the hi-hat groove — that’s where
the shuffle is!
One Tw o Three Four
25 Triggering drum loops from the
Scratch Pad
A common DJ technique is to scratch a vinyl loop a couple of times, then let the rhythm play. On
the DJX-IIB, you can do the same thing!
Call up Scratch 01 and press the LOOP button (the lamp lights). Now, give the Scratch Pad a light
push or pull, and the drum loop starts!
To stop the drum loop, press LOOP again (or press PATTERN STOP).
29
26 Scratch Pad arpeggios
The Scratch Pad has so much more than just scratch sounds! For some examples of how musical
you can get with the Scratch Pad, check out the Arpeggiator kits.
Try this out! Select P29 and start V A3. Call up Scratch 49. Now the Scratch Pad plays arpeggiated phrases in time with the rhythm. Mix the arpeggios in with the Pattern and create your own
sophisticated, multi-textured arrangements! You can keep the arpeggios playing indefinitely —
even when the Scratch Pad is stopped — by pressing LOOP. Try working the Scratch Pad in different ways — rotating the pad in full turns, and changing speed, too. Notice how the arpeggios get
higher or lower in pitch, depending on how fast you turn the pad!
49
27 Scratch Pad sound effects
The DJX-IIB’s Scratch Pad has a slew of special sound effects you can fly into your tracks and give
your mixes a unique, dynamic touch.
Select Scratch 63. Turn the Scratch Pad clockwise to get one sound effect, and turn it counterclockwise to get a different sound!
63
28 Scratch low, scratch high...
The pitch of the Scratch Pad depends on how fast you scratch — just like a real turntable!
To get real low and grainy, turn the pad real slowly. For an edgy, high-pitched scratch, move the
pad fast. Play around with this, and experiment with different Scratch kits!
30
Chapter 5 Scratch Pad Clinic
29 Stop the turntable
You’ve heard the effect — where the whole track drops in pitch and slows down to a grinding halt!
Guess what — you can do the same thing on the DJX-IIB, and have fingertip control over it, too!
Select Scratch 72. This assigns the Scratch Pad to control both pitch and bpm simultaneously.
Spin the pad counter-clockwise — and hear the pitch go down and the bpm slow down. Naturally,
the bpm value is shown in the display as well. Turning the pad continuously until the display shows
“- - - -” brings everything to a grinding halt — just like turning off the power on a turntable!
72
108.5
q
w
Press the LOOP button, and the “turntable” starts up again! The Pattern starts at low pitch and
bpm, and quickly works its way back up to speed. An awesome effect that cranks up the excitement factor a couple more notches!
In a variation on this, try spinning the pad clockwise slowly a few turns to bring the pitch and speed
up, then press LOOP. This gives you a more gradual build-up.
---.-
30 Give the Scratch Pad a new face!
Sure, this tip doesn’t change the sound — but you CAN give the Scratch Pad a new look by swapping discs!
If you’ve got a CD or CD-ROM disc with a design you like, you can easily attach it to the Scratch Pad
platter. For instructions on how to do this, see “Changing the Scratch Pad CD” on page 10.
31 CD-ROM goodies
The CD-ROM on the Scratch Pad actually contains a wealth of interesting and useful stuff for your
DJX-IIB! It’s compatible with both Windows 95/98 and Macintosh, and features the toys and tools
listed below.
DJX-II/IIB Premium CD-ROM
• Live Movie at DJX Satellite
• DJX-II/IIB Function Guide — a fun way to get to know the DJX-IIB and its features!
• Pattern Launcher Application — for loading new Patterns to the DJX-IIB!
• Extra Patterns — a selection of specially programmed new Patterns you can load to your
DJX-IIB!
31
Chapter 6
Part Mixer Basics
Now that you’ve got your rhythm chops up to speed and some DJ tricks up your sleeve,
it’s time to work on the Parts! This chapter gives you the keys to improvising interesting arrangements and instrumental textures. Not to mention creating some slammin’
and smokin’ tracks!
32 What is a Part?
The DJX-IIB Patterns are made up of several different instrument Parts: Kick, Snare, Hi-Hat, Percussion, Bass, and pitched Phrases. Each Part has its own unique function and sound within the
rhythm.
BASS KICK SNARE HI-HAT PERCUSSION PHRASE1 PHRASE2 PHRASE3
The Part Mixer puts you in the producer’s seat — it lets you throw Parts in and drop Parts out in
real time with the Scratch Pad, allowing you to arrange on the fly!
Part Mixer is contained in the Scratch kits — just select Scratch 73. (If Scratch 00 is currently up,
simply hold down SCRATCH and turn the Scratch Pad back a “notch” to 73!)
73
33 Take the console and remix the Parts!
Step up to the mixer and start juggling the arrangement around! When the Part Mixer “kit” is called
up (see Tip 32 above), you can mute certain Parts by turning the pad counter-clockwise about 1/4
turn or 90°. Likewise, if you’ve taken Parts out, you can bring them back in by turning the pad back
clockwise by the same amount.
◆
Tech note The specific Parts that are muted and the order in which they are brought in and out
of the mix differs according to the selected Pattern.
32
73
BASS KICK SNARE PHRASE1HI-HAT PHRASE2PERCUSSION PHRASE3
BASS KICK SNARE PHRASE1HI-HAT PERCUSSION
BASS KICK SNARE HI-HAT PERCUSSION
BASS KICK SNARE
BASS KICK
Each 1/4 turn goes forward or back one “step”
in the Part Mix arrangement. Turning the pad
around a full 360° counter-clockwise instantly
takes the mix down to the minimum. Turning it
360° clockwise restores the maximum mix.
Maximum mix
Minimum mix
Chapter 6 Part Mixer Basics
◆
Helpful hint:
If you’ve muted several Parts, you can turn them all back on again instantly! Simply press LOOP —
do this on the “one” downbeat — and the whole rhythm kicks in at once!
73
BASS
BASS KICK SNARE PHRASE1HI-HAT PHRASE2PERCUSSION PHRASE3
34 Extra texture!
Work on your instrument textures. All the mixmasters and mixologists do it! Why? Because it
works like a charm!
Here’s a specific example to get you started. Select P05. Before starting the Pattern, spin the pad
counter-clockwise two full rotations. (Make sure Part Mixer is selected!) This takes the Part mix
down to the bare bones! Now, start V A1.
Let the Pattern carry on for a while. Then turn the pad clockwise 1/4 of the way to change the texture. Keep doing this, letting each instrument group play for a while before bringing in the next.
Also, try going back — turning the pad counter-clockwise to take Parts out of the mix. Then, when
you want to get all the Parts happening, simply press LOOP (as in the “Helpful hint” in Tip 33
above).
Experiment with this — on the example Pattern and others — and let your ears be the judge.
Above all, have fun! After all, this is the way the pros build up the sound.
33
Chapter 7
Crossfader Basics
The DJX-IIB has a feather-touch Crossfader — just like those found on real DJ mixers
— that lets you crossfade between your beats and your scratching!
35 Work the Crossfader!
This short-throw, feather-touch Crossfader gives you easy and fast control over the Pattern/Scratch
balance. The center spot has a lot of leeway and is very forgiving — just get the Crossfader somewhere near the middle and the level balance is equal. To hear only the Pattern, move the fader all
the way to the left; to hear only the Scratch, move it all the way to the right.
To hear only the Pattern, move the
fader all the way to the left.
◆
Helpful hint:
Want to work the Crossfader the opposite way — with the Scratch Pad sound on the left and the
Pattern sound on the right? If you feel more comfortable with that arrangement, this operation’s
for you!
Simultaneously hold down the SCRATCH button and turn the power on. This reverses the operation of the Crossfader. To restore normal operation, simply turn the power off and back on again as
usual.
To hear only the Scratch, move
it all the way to the right.
36 Mute the Pattern
Sometimes you’ll want to cut the Pattern out of the mix — maybe to work out on the Scratch Pad
for a while — then bring it back in instantly. The Crossfader is a great way to do this — fast and
easy!
Simply move the fader all the way to the right — preferably just before the “one” downbeat. To
bring the Pattern back in from the “one,” flip the Crossfader back to the left and hit the Pattern button, all in one motion.
34
Chapter 7 Crossfader Basics
37 Crossfader cuts
This is one of the most basic moves in the DJ’s collection of Crossfader techniques — cutting in
with a scratch.
Hit a Pattern and keep the Crossfader all the way to the left so that only the Pattern is heard. While
the Pattern is playing, work the Scratch Pad (even though you can’t hear it). Whip the fader to the
right and then back left quickly. If you do it right, you’ll get a brief hit of the scratch — without
interrupting the flow of the rhythm!
Once you get the hang of it — and you think your scratching chops are up to it — try working the
Scratch Pad only when you flick the Crossfader!
01
35
Chapter 8
Intermediate
Techniques
This chapter is a grab bag full of various tips that solidify your DJ chops and put you on
your way to really mastering the instrument! Take your time and get these down before
moving on to Chapter 9...
38 Transpose the key
The Key Shifter section of the DJX-IIB lets you take the pitch (or “key”) of the overall sound, and
transpose it up or down — instantly!
Believe it or not, changing the key of the overall sound makes subtle but fundamental changes to
the character of the sound as well. Use higher keys (+1 to +6) to make the sound more tense or
brighter, and use the lower keys (-1 to -5) to make the sound more relaxed and subdued.
To change the key, hold down the KEY SHIFTER button and simultaneously turn the Scratch Pad.
The amount of shift is shown in the display (-5 to 0 to +6, with 0 being normal pitch). Keep holding
down the button until the point at which you want to change key, then release it — the key changes
to the new setting instantly!
Key Shifter is especially convenient when you’re using the DJX-IIB with an external sound source,
such as CD or vinyl — letting you match the key of the Pattern to the key on the external source!
CD MD
52
36
Chapter 8 Intermediate Techniques
39 Change the bpm
Another sure-fire way to stir things up is to play with the bpm. Turn up the bpm and turn up the
heat!
Press BPM/TAP once and turn the scratch pad. For you techies, the bpm range is 32.0 - 280.0. try
starting the Pattern at a slower-than-normal bpm, then gradually bring the bpm up in speed to get
the groove really happening!
◆
Be careful! If the Pattern is stopped and you turn the scratch pad past 280.0, “Sync” appears in
the display and the DJX-IIB goes into the Sync Mode (see page 66). To get out of this mode, simply
turn the scratch pad clockwise, until bpm values appear in the display again.
124.0
32.0 280.0 SYnc
40 Reset to the default bpm
Want to get back to the original pre-programmed default bpm? Simply press and hold down BPM/
TAP — and the bpm of the currently selected Pattern is instantly reset to its original speed.
120.0
Sync Mode (page 66).
(Only selectable when
Pattern is stopped.)
37
41 Fade in, fade out
Easy, but effective! Simply use the MASTER VOLUME dial to create your own smooth fade-ins and
fade-outs. One specific trick you can try is to fade out a Pattern down to silence, then quickly bring
MASTER VOLUME up to normal and burst in with a new Pattern!
42 Travel light!
Small and light, the DJX-IIB is made for the road! And with the two special hooks fastened onto the
bottom of the unit, just slap on a guitar strap — and you’re ready to go!
38
Chapter 8 Intermediate Techniques
43 Tweak the cutoff
Select P06 and start V A1. Set RESONANCE to about 2 or 3 o'clock, then slowly turn the CUTOFF
knob to create a slow sweeping effect. Twiddle the knob back and forth quickly and create a wahwah like trembling effect.
q Start the Pattern.
r Stop the Pattern.
w Set RESONANCE to
about 2 or 3 o’clock.
e Turn the CUTOFF
knob.
44 Wah-wah scratching
Here’s a cool effect you can use to funkify your tracks! It’s like running a turntable through a wahwah pedal. The settings suggested here work especially well with Scratch 01, but you may want to
experiment with other settings when using other Scratch kits.
Set RESONANCE to max then turn the CUTOFF knob back and forth between 7 and 10 o’clock while
playing the scratch sound. Try to keep the groove — both in your scratching and your knob turning!
39
45 Warped vinyl and a cheap turntable!
A lot of dance styles call for a lo-fi, analog sound. This simple trick lets you mimic the wow and
flutter of a warped record — or a bad turntable!
Select Scratch 72 to call up the Pitch & bpm “kit” — this lets you speed up and slow down the Pattern. While the Pattern is playing, move the Scratch Pad back and forth slowly and over a short distance — just enough to waver the pitch up and down a little. For even greater lo-fi “realism,” try
using the Lo-Fi effect (Tip 16).
46 Scratch Drum Loops in sync
Here’s a real convenient feature! You’ll never have to worry about your Scratch Pad Drum Loops
drifting out of time — the DJX-IIB automatically matches up the bpm of the loops to the bpm of the
Pattern. (For information on playing Drum Loops, see Tip 25.)
However, the DJX-IIB can’t sync up your loops if you don’t play them on time! Be careful to turn
the Scratch Pad right on the beat — just as you did with the Patterns. If you don’t hit LOOP in
rhythm, just press it again to turn it off, then try again!
47 Mute the Scratch
The Scratch Pad is a sensitive little beast — even the slightest touch can put a scratch in your mix.
For those times you want to make sure the scratching stays out of the way of the Pattern, move the
Crossfader all the way to the left.
40
Chapter 9
Pattern Player
Power Tips
48 Hitting a new Pattern and Variation
— at the same time!
There will be times when you’ll want to change not only to a new Pattern, but to a specific Variation
— instantly and at the same time. Here’s the best way to do that!
First, simultaneously hold down PATTERN and turn the Scratch Pad to call up the new Pattern number. Remember to keep holding down PATTERN! Then — just at the “one” downbeat in the Pattern
— press the desired Pattern button. Both the Pattern number and the Variation number change
simultaneously.
Flashes
01.03
Current Pattern —
now playing.
New Pattern — waiting
in standby.
P03
The new Pattern is up and
playing!
49 Hitting a new Pattern, Bank and
Variation — at the same time!
Here’s a sophisticated twist to Tip 48 above — changing the Bank along with the Pattern and Variation!
First, simultaneously hold down PATTERN and turn the Scratch Pad to call up the new Pattern number. Remember to keep holding down PATTERN! Next, press the A/B BANK button. Finally (without releasing the PATTERN button), press the desired PATTERN PLAYER button — just at the “one”
downbeat in the Pattern. The Pattern number, the Bank and the Variation number all change simultaneously!
41
50 Break to a new Pattern!
One sure-fire method to turn up the heat on the dance floor is to use a break or a drop-out just
before hitting a new Pattern! Here, we’ll try dropping everything out for a full measure (four beats).
While the first Pattern is playing, count the beat in your mind and tap it out with your heel — to
make sure you’re locked into the groove! At the same time, call up the new Pattern by simultaneously holding down PATTERN and turning the Scratch Pad. Remember to keep holding down
PATTERN! Then — right on the “one” downbeat — press PATTERN STOP. Keep counting while
you hold the button — 1 - 2 - 3 - 4! Finally, on the next “one,” press the desired Pattern button.
Try this out with P08, V A4 as the first Pattern (good for a four-beat intro!), and break to P09, V A1.
As always, timing is everything! Whether you break for one beat, two beats, or four — make sure
you come in with the next rhythm right on the “one”!
q
P08
w
e
r
08.09
Flashes
Remember to keep holding
down PATTERN until you
press PATTERN STOP!
1 - 2 - 3 - 4!
42
P09
Chapter 9 Pattern Player Power Tips
51 One-bar Patterns — all in a row!
Nearly all of the DJX-IIB’s Patterns change every bar (four beats). Some loop in two-bar patterns,
some loop every four bars. Some Patterns have more obvious changes than others (for example,
listen to P59, V A1), but all have some sort of musical or textural progression that make the music
flow and breathe.
You can create a different kind of flow by playing different Patterns in a row, each Pattern lasting
just one bar. Select P59, and play V A1, A2, A3, and A4 like this:
One Two Three Four One Two Three Four One Two Three Four One Two Three Four
Hit A1!
Hit A2!
Hit A4!
Hit A3!
Repeat the above passage for about four or eight times, then switch to this:
One Two Three Four One Two Three Four One Two Three Four One Two Three Four
Hit A5!
Hit A4!
Hit A5!
Hit A2!
See how easily this lets you create your own two- or four-bar variations! Try it out with some of the
other Patterns, too.
43
Chapter 10
Crossfader Power
Tips
52 Quick Crossfader scratching
Here’s a cool way to change the sound of a Pattern — and put your personal scratch touches on it — without disrupting
the flow of the rhythm!
Select P50 and start V A1. Also, call up Scratch 01. While the Pattern is playing, try scratching along with the rhythm
— just to get in the groove. As you keep working the Scratch Pad, flick the Crossfader on the beat, between hard left
and hard right, like this:
One Two Three Four
Flick it fast! Make sure the Pattern plays on the “one” and “three,” while your scratching comes down on the “two” and
“four” backbeats. And keep scratching even while only the Pattern is playing — so you stay in the pocket! Try other
variations on this, cutting in to a Pattern with short scratch fills and accents.
53 Long Crossfader scratching
This one’s going to take a bit of practice! Like Tip 52 above, try flicking the Crossfader between the Pattern and your
scratching — but this time, hang with the scratch for one full bar!
That’s right — scratch for four beats, then come back in with the Pattern on the “one.” The reason this is tricky is
because you have to rely on your body and mind as the timekeeper until you flick back to the Pattern.
◆
Helpful hints:
• Tap out the beat with your foot. Try to flick the Crossfader back just before the “one.”
• Double-up the count for slower rhythms (see Tip 5).
• Try practicing your fader-flicking without the Scratch Pad at first. Then, when you’ve got it down, bring in the scratch!
One Two Three Four One Two Three Four One Two Three Four One Two Three Four
54 Pattern loop vs. scratch loop
Try Tips 52 and 53 with a Drum Loop instead of a scratch! Since the DJX-IIB keeps the Drum Loop in sync with the
Pattern, you can switch seamlessly between the two — and create a ton of new rhythms!
Select one of the Drum Loops in the Scratch kits. Try to get a loop that complements the selected Pattern. Or, if you’re
after special effects and off-the-wall beats, call up a loop that intentionally clashes with the Pattern!
Start the Pattern with the Crossfader all the way left, and turn the Scratch Pad right on the “one” to start the Drum Loop.
Then, work the Crossfader like you did in Tips 53 and 54. Try some other rhythmic flicks as well — like coming in with
the loop on beats 3 and 4, for example.
44
Chapter 11
Using the BPM/TAP
button
55 Tap out the beat!
Change the bpm in real time! Tap the BPM/TAP button twice rhythmically, while the Pattern is running — and the bpm automatically changes to the tapped speed.
BPM
120.0
The Pattern changes bpm
according to your tapping.
56 Start with a tap...
You can also get the Pattern going at whatever speed you like by simply tapping it out. Select a Pattern, then instead of hitting one of the Pattern Player, tap the BPM/TAP button — four times, in
rhythm — and the Pattern starts automatically at the bpm you’ve tapped.
While you’re tapping, the display shows each of your four taps, then displays the resulting bpm.
◆
Tech note Only two taps are needed to start Pattern 42, since that Pattern is in 2/4 time.
One Two Three Four
BPM BPM BPM BPM
The Pattern starts at the
bpm of your tapping.
45
Chapter 12
The Outside World
Here are a couple of tips that get you started interfacing the DJX-IIB with external gear.
Go for it, and get your sound out there!
57 Expanding your DJ setup
The DJX-IIB can easily do double-duty as part of a larger DJ setup. For example, you can connect
the LINE OUT jacks to two of the inputs of a DJ mixer. Hook up a turntable to the other channels of
the DJ mixer, and you’ve got a full dance production setup to rival the pros! This way you can play
the DJX-IIB as well as your favorite vinyl tracks, and mix and switch them with the controls on the
DJ mixer.
Naturally, you can also hook your DJX-IIB up to an MD recorder or cassette deck and record your
DJ performances to disk or tape.
DJ mixer
LINE
IN
Amplifier
58 Mute the speakers
If you’re routing the DJX-IIB’s sound to a DJ mixer or external
amplifier/speaker system, you may want to cut off the sound of
the DJX-IIB’s built-in speakers. Easy! Simply insert a phone
plug into the PHONES jack — or hook up a set of stereo headphones for monitoring the DJX-IIB sound.
Naturally, even when the built-in speakers are muted in this
way, audio is still output through the LINE OUT jacks.
LINE
OUT
PHONO
IN
Turntable
46
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