Yamaha CVP-49 User Manual

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point with the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model _____________________________________

92-469-

Serial No.__________________________________ Purchase Date _____________________________

➀

Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced

Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure.

● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices.

● A maximum of 32-note polyphony permits use of sophisticated playing techniques.

● Piano-like touch response provides extensive expressive control and outstanding playability.

● Dual and split play modes allow 2 voices to be played simultaneously or individually with the left and right hands.

● 24 exciting accompaniment styles can be used to

● Full-keyboard ABC (Auto Bass Chord) provides ac-

companiment as you play across the entire keyboard.

● 24 Solo Styleplay variations make it simple to produce rich, complex harmonies.

● Performance memory (2-track + ABC + Rhythm) records and plays back your keyboard performances.

● MIDI compatibility, GM voices, and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems.

provide rhythm-only accompaniment or fully-orchestrated rhythm, bass, and chord accompaniment.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read this

Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Taking Care of Your Clavinova

Your Clavinova will give you years of playing pleasure if you observe the simple rules given below:

1. Avoid Humidity & Heat

Avoid placing the Clavinova in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example.

2. Avoid Dust & Moisture

Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture.

3. Power-off Before Connecting

Connections between the Clavinova and any other device must be made with both pieces of equipment turned off.

4. Handle With Care

Never apply excessive force to the controls, connectors or other parts of your Clavinova, and avoid scratching or bumping it with hard objects. Further, always turn the POWER switch off after use, and cover the instrument with the dust cover provided.

5. Clean Carefully

Clean the cabinet and keys of your Clavinova only with a clean, slightly damp cloth. A neutral cleanser may be used if desired. Never use abrasive cleansers, waxes, solvents or chemical dust cloths since these can dull or damage the finish.

7. Electric Interference

Since the Clavinova contains digital circuitry, it may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

8. Check Your Power Supply

Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a “minus” screw- driver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

9. Name Plate Location

The Clavinova name plate, including the unit’s ser ial number, is located on the bottom panel of the main unit.

6. Never Tamper With the Internal Circuitry

Never open the Clavinova cabinet and touch or tamper with the internal circuitry. Tampering with the circuitry can result in electrical shock!

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Owner’s Manual

Bedienungsanleitung

English

Deutsch

Mode d’emploi

Manual de instrucciones

Français

Español

Contents

1

The Panel Controls 2 Preparation 4 The V olume Controls 5 Demonstration Playback 6 Voice Selection 7

■ Selecting the 60 Voices .................................................... 7

■ Keyboard Percussion .......................................................8

Dual Mode 9

■ Engaging the Dual Mode .................................................. 9

■ Dual-mode Voice Balance ................................................ 9

Split Mode 10

■ Engaging the Split Mode ................................................10

■ Changing the Split Voices ..............................................10

■ Changing the Split Point ................................................. 10

■ Split Balance .................................................................. 11

■ Damper Pedal Operation in the Split Mode .................... 11

Digital Reverb Effects 12

■ Selecting a Reverb Effect ............................................... 12

■ Reverb Depth Control.....................................................12

The Keyboard & Polyphony 13 Pan 13 The Pedals 14

■ Right Pedal (Damper Pedal) .......................................... 14

■ Left Pedal (Multi-function) .............................................. 14

Transposition 15 Pitch Control 16

■ The Pitch Display ........................................................... 16

Solo Styleplay 23

■ Using Solo Styleplay ...................................................... 23

■ Harmonization Variations ...............................................23

■ The Left Pedal & Solo Styleplay ..................................... 23

Performance Memory 24

Easy One-pass Recording & Playback

Multi-track Recording & Playback.................................. 25

■ Adding New Tracks ........................................................26

■ Playback ......................................................................... 27

The Chord Sequence Function....................................... 28

.............................24

Utility Mode 29

U1: Touch Sensitivity ......................................................... 29

U2: Accompaniment Volume Mode ................................... 29

MIDI Functions 30

■ Send and Receive Channel Select ................................30

■ Local Control ON/OFF....................................................31

■ Program Change ON/OFF ............................................. 31

■ Control Change ON/OFF................................................ 31

■ The Multi-Timbre Mode ..................................................32

■ The Split Send Mode ...................................................... 32

■ MIDI Clock Select ........................................................... 33

■ Panel Data Send ............................................................33

■ MIDI Transpose Transmit ............................................... 33

■ The Clavinova Common Voice Mode ............................. 33

■ GM Multi-Timbre Mode................................................... 34

■ Performance Memory Data Send ................................... 34

The Connectors 35 Troubleshooting 36 Options 36 Index 37

Accompaniment 17

■ Style Selection................................................................17

■ Tempo Control................................................................17

■ Starting the Accompaniment ..........................................18

■ Fill-ins ............................................................................. 19

■ Stopping the Accompaniment ........................................ 19

■ Metronome .....................................................................19

Auto Bass Chord (ABC) 20

■ Single-finger Accompaniment ........................................ 20

■ Fingered Accompaniment .............................................. 21

■ Full-keyboard ABC .........................................................22

■ Volume Control...............................................................22

■ Changing the ABC Split Point ........................................ 22

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Assembly i MIDI Data Format vii Fingering Chart xi Specifications xii MIDI Implementation Chart xiii

2

IN

MIDI

OUT

AUX IN

AUX OUT

L/L+R

R

L/L+R

R

The Panel Controls

po Q

1

POWER

PHONES

CVP-49

i

2 3 6 7 8@ # $ ^%9 0 ! &54

MASTER VOLUME

MIDI/ TRANSPOSE

LEFT PEDAL FUNCTION

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

AUTO ACCOMPANIMENT

RHYTHM

CHORD 1

BASS

CHORD 2

BAGFEDC

MAX

MIN

AUTO BASS CHORD

FULL

SINGLE

KEYBOARD

FINGER

SYNCHRO

START

START/STOP

SOLO

FINGERED

STYLEPLAY

INTRO/ENDING NORMAL VARIATION

FILL TO NORMAL FILL TO VARIATION

DEMO

MAX

REVERB

ROOM HALL 1 HALL 2 COSMIC

MIN

STYLE

POP 1 POP 2

SWING JAZZ

BALLAD

DANCE POP 1

DANCE POP 2

BIG BAND BOOGIE

16BEAT 1 16BEAT 2

BOSSA SAMBA

ROCK’N’ 16BEAT

SHUFFLE

CHA-CHA RHUMBA

SLOW ROCK

SHUFFLE

MARCH MARCH 6/8

COUNTRY 1 COUNTRY 2

WALTZ J.WALTZ

t

F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3E0

1 POWER Switch........................................................page 4

2 MASTER VOLUME Control .....................................page 5

3 [DEMO] Button.........................................................page 6

4 [REVERB] Button...................................................page 12

u

y

5 [LEFT PEDAL FUNCTION] Button ........................page 14

6 [MIDI/TRANSPOSE] Button ................. page 5, 13, 15, 29

7 AUTO ACCOMPANIMENT Volume Controls.... page 5, 22

8 AUTO BASS CHORD

[FULL KEYBOARD] Button.

page 22

9 AUTO BASS CHORD [SINGLE FINGER] Button .page 20

0 AUTO BASS CHORD [FINGERED] Button ..........page 21

! [SOLO STYLEPLAY] Button..................................page 23

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Panel Controls

3

RERFORMANCE MEMORY

21

REC

e r

RHYTHMABC

CHORD SEQUENCE

METRONOME

* q w

)(

BEAT

TEMPO

VOICE

CLAVINOVA

PIANO

TONE

12345 67 8

90

ORGAN

CHOIR

E.PIANO

UPRIGHT BASS

HARPSI

ELEC BASS

VIBES

DRUMS

GUITAR

VOICE 13-60

STRINGS

SPLIT

START/STOP

A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6

@ [START/STOP] Button .................................... page 18, 19

# [SYNCHRO START] Button...................................page 18

$ [INTRO/ENDING] Button................................ page 18, 19

% [NORMAL/FILL TO NORMAL] Button ............ page 18, 19

^ [V ARIATION/FILL TO VARIA TION] Button ..... page 18, 19

& STYLE Selectors ...................................................page 17

* BEAT Display .........................................................page 19

( [METRONOME] Button .........................................page 19

) TEMPO Display and [▲] and [▼] Buttons.............page 17

e PERFORMANCE MEMORY Buttons....................page 24

r [CHORD SEQUENCE] Button...............................page 28

t Keyboard ................................................................page 13

y Soft Pedal...............................................................page 14

u Damper Pedal........................................................page 14

i PHONES Jack .........................................................page 4

o AUX IN R and L/L+R Jacks ...................................page 35

p AUX OUT R and L/L+R Jacks ...............................page 35

Q MIDI Connectors....................................................page 35

q VOICE Selectors......................................................page 7

w [SPLIT] Button .......................................................page 10

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

4

Preparation

■The Music Stand

■The Power Switch

If you will be using sheet music with your Clavinova, raise the music stand built into it’s top panel by lifting the rear edge of the music stand, flip the support brackets on the rear of the music stand down so that they fit into the corresponding recesses.

The music stand can be lowered after slightly lifting the stand and flipping the two brackets which support it upward.

POWER

■Headphones

PHONES

After making sure that the Clavinova’s AC plug is properly inserted into a convenient AC wall outlet (a power-plug adaptor may be provided in some areas), press the [POWER] switch located to the left of the keyboard once to turn the power on. Press the [POWER] switch again to turn the power off.

When the power is initially turned on, the PIANO voice selector LED will light, the POP 1 style selector LED will light, and “78” will appear on the TEMPO display.

A standard pairs of stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Volume Controls

5

The Clavinova has several volume controls that give

AUTO ACCOMPANIMENT

you extra versatility in creating the required sound.

MAX

MASTER VOLUME

MAX

MIN

RHYTHM CHORD 1

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

RHYTHM

BASS

AUTO BASS CHORD

FULL

SINGLE

SOLO

FINGERED

KEYBOARD

FINGER

STYLEPLAY

MAX

SYNCHRO START

START/STOP

INTRO/ENDING NORMAL VARIATION

MIN

CHORD 2

FILL TO NORMALFILL TO VARIATION

CHORD 1

MIN

CHORD 2

STYLE

DANCE

16BEAT 1

ROCK’N’

POP 1

POP 1 DANCE

16BEAT

POP 2

16BEAT 2

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

HARPSI

STRINGS

SPLIT

VIBES

GUITAR

E.PIANO

TONE

1234567

WALTZ

8

90

ELEC

UPRIGHT

ORGAN

CHOIR

METRONOME

J.WALTZ

VOICE 13-60TEMPO

DRUMS

BASS

● Master Volume ........................................................................................................................................

MASTER VOLUME

MAX

MIN

The MASTER VOLUME control adjusts the overall volume of sound produced

by the Clavinova. It also adjusts headphone volume when a pair of headphones is plugged into the PHONES jack.

Initially set the MASTER VOLUME control about half way between the

“MIN” and “MAX” settings. Then, when you start playing, adjust the control for the most comfortable listening level.

RERFORMANCE MEMORY

START/STOP

RHYTHMABC

21

CHORD SEQUENCE

REC

● Auto Accompaniment ............................................................................................................................

AUTO ACCOMPANIMENT

RHYTHM CHORD 1

BASS

MIDI/ TRANSPOSE

MAX

MIN

CHORD 2

BASS

Separate volume controls are provided for the RHYTHM, CHORD 1,

CHORD 2, and BASS sound. These volume controls let you set up the best balance

between the various accompaniment parts when the AUTO BASS CHORD (ABC) and Performance Memory features are used, and the RHYTHM volume control can be used to balance the keyboard and rhythm sound when only rhythm accompaniment is used.

The volume of the keyboard can be independently adjusted by using the BASS

control while holding the [MIDI/TRANSPOSE] button — this is particularly handy for adjusting the balance when recording the Clavinova sound.

● Additional Volume Control Mode (Reverb Depth)

Using the “Auto Accompaniment Volume Mode” utility function (page 29), the Auto-Accompaniment volume controls can be assigned to control individual reverb depths for the rhythm, bass, chord 1, and chord 2 parts.

• If any or all of the Auto Accompaniment volume controls are set to their minimum

NOTES

positions, no sound will be produced by the corresponding parts. The maximum control positions produce the normal volume levels.

The Internal Amplifier & Speaker System

The CVP-49 features a powerful stereo amplifier delivering 30 watts per channel to a highperformance speaker system that puts out exceptionally rich sound with natural response from powerful lows to shimmering highs. The CVP-49 speaker systems employ two 13centimeter speaker units for low-to-midrange reproduction, and two 5-centimeter speaker units for outstanding high-frequency sound.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

6

Demonstration Playback

The Clavinova features 25 demonstration tunes that effectively demonstrate its sound and accompaniment capabilities. Here’s how you can select and play the demo tunes.

STYLE

POP 1 POP 2

SWING JAZZ

BALLAD

DEMO

DANCE POP 1

DANCE POP 2

BIG BAND BOOGIE

16BEAT 1 16BEAT 2

BOSSA SAMBA

SLOW

ROCK’N’ 16BEAT

SHUFFLE

CHA-CHA RHUMBA

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

ROCK SHUFFLE

MARCH MARCH 6/8

AUTO BASS CHORD

FULL

SINGLE

KEYBOARD

FINGER

SYNCHRO START

START/STOP

NOTES

COUNTRY 1 COUNTRY 2

WALTZ J.WALTZ

STYLE

DANCE

16BEAT 1

POP 1

SOLO

DANCE

FINGERED

POP 2

16BEAT 2

STYLEPLAY

POP 2

INTRO/ENDING NORMAL VARIATION

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FILL TO NORMALFILL TO VARIATION

• Demo tune playback data is not transmitted via the MIDI OUT terminal.

VOICE

CLAVINOVA

PIANO

TONE

123 4567 8

CLAVINOVA

HARPSI

VIBES

GUITAR

E.PIANO

TONE

1234567 8

90

ELEC

UPRIGHT

CHOIR

VOICE 13-60

DRUMS

BASS

90

CHOIR

RERFORMANCE MEMORY

STRINGS

SPLIT

21

REC

START/STOP

ORGAN

VOICE

BEAT

SLOW

ROCK’N’

COUNTRY 1

ROCK

16BEAT

SHUFFLE

COUNTRY 2

SHUFFLE

PIANO

MARCH

WALTZ

ORGAN

METRONOME

MARCH 6/8

J.WALTZ

TEMPO

E.PIANO

UPRIGHT BASS

RHYTHMABC

CHORD SEQUENCE

HARPSI

ELEC BASS

VIBES

DRUMS

GUITAR

VOICE 13-60

STRINGS

ZPress the [DEMO] button .......................................................................................................................

DEMO

XSelect a Demo Tune ...............................................................................................................................

CLAVINOVA

PIANO

TONE

E.PIANO

HARPSI

VIBES

123 45 8

ORGAN

90

UPRIGHT

CHOIR

BASS

ELEC BASS

DRUMS

The 25 demo tunes are selected via the STYLE and VOICE selectors — the

style and voice selectors will flash in sequence when the [DEMO] button is pressed. Press a selector to start playback of the corresponding tune. You can also select continuous repeat playback of all demo tunes by pressing the [START/ STOP] button.

CAdjust the Volume ..................................................................................................................................

MASTER VOLUME

MAX

MIN

Use the MASTER VOLUME control to adjust the volume, and play along on

the keyboard if you like.

• The tempo cannot be adjusted during demo playback.

NOTES

VStop Playback .........................................................................................................................................

DEMO

START/STOP

The Demo Tunes

VOICE NAME COMPOSER SONG TITLE

PIANO F. F. Chopin Etude Op.25-1 “Aeolian Harp” or “The Shephered Boy” CLAVINOVA TONE D. Foster “Water Fountain” from “The Secret of My Success” HARPSICHORD J. S. Bach Italienisches Konzert (Italian Concerto) BWV 971 3rd movement GUITAR I. Albeniz Asturias STRINGS A. Vivaldi The Four Seasons No. 3 “Autumn” 1st movement ORGAN J. S. Bach Sinfonia from Kantate (Cantata) 29 BWV 29 CHOIR W. A. Mozart Requiem K. 626 No. 6 “Lacrimosa”

* The demonstration pieces listed above are short excerpts from the original compositions.

Demo playback can be stopped temporarily by pressing the [START/STOP]

button. Press the [DEMO] button when you want to stop demo playback and return to the normal mode.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice Selection

7

The CVP-49 has a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard.

VOICE

CLAVINOVA

PIANO

TONE

123 4567 8

ORGAN

90

CHOIR

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

E.PIANO

UPRIGHT BASS

AUTO BASS CHORD

FULL KEYBOARD

MAX

START/STOP

MIN

SINGLE FINGER

SYNCHRO START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

HARPSI

VIBES

ELEC

DRUMS

BASS

STYLE

DANCE

16BEAT 1

ROCK’N’

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

SLOW

COUNTRY 1 ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

METRONOME

MARCH 6/8

J.WALTZ

VOICE RERFORMANCE MEMORY

BEAT

PIANO

1234567 8

ORGAN

GUITAR

VOICE 13-60

CLAVINOVA

HARPSI

E.PIANO

TONE

90

ELEC

UPRIGHT

CHOIR

BASS

STRINGS

SPLIT

VIBES

GUITAR

VOICE 13-60TEMPO

DRUMS

RHYTHMABC21

CHORD SEQUENCERECSTART/STOP

■Selecting the 60 Voices

● Voices 1-12: Direct Panel Selection......................................................................................................

CLAVINOVA

PIANO

TONE

123 4567 8

ORGAN

90

CHOIR

E.PIANO

UPRIGHT BASS

HARPSI

ELEC BASS

VIBES

DRUMS

GUITAR

VOICE 13-60

STRINGS

SPLIT

Of the Clavinova’s 60 voices, 12 are “panel voices” which can

be directly accessed by pressing the corresponding VOICE selector. When a voice selector is pressed the corresponding indicator will light and the number of the selected voice will appear on the TEMPO display while the voice selector is held.

The PIANO voice is automatically selected when the power is

initially turned on.

● The VOICE 13-60 [▲] and [▼] Buttons..................................................................................................

Use the [▲] and [▼] buttons immediately to the right of the

[VOICE 13-60] button to select a voice number between 13 and 60.

VOICE 13-60

Press either button briefly to select the next voice number in the specified direction, or hold the button for continuous scrolling in the specified direction. The [VOICE 13-60] indicator will light and the voice number will appear on the TEMPO display during selection.

If a panel voice (1-12) is selected, the last selected voice in the

13-60 range can be instantly re-selected simply by pressing the [VOICE 13-60] button. The [VOICE 13-60] button will initially select voice number 13 (BRASS) after the power is turned on.

• Voice number 13 can be instantly selected by pressing the [▲]

NOTES

and [▼] buttons simultaneously.

● Numeric Selection ..................................................................................................................................

CLAVINOVA

PIANO

TONE

123 4567 8

ORGAN

90

CHOIR

E.PIANO

UPRIGHT BASS

HARPSI

ELEC BASS

VIBES

DRUMS

GUITAR

VOICE 13-60

STRINGS

SPLIT

Enter the number of the desired voice via the voice selectors

(note that each voice selector has a number between 1 and 0 associated with it) while pressing the [DRUMS] selector.

To select voice number 16, for example, press and hold

[DRUMS], press [PIANO/1], then [GUITAR/6], then release the [DRUMS] button. The voice number will appear on the TEMPO

display while the [DRUMS] button is held. The [VOICE 13-60] button indicator will light whenever a voice number between 13 and 60 is selected.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

8

Voice Selection

Panel Voices (1 — 12)

No. Name

1 PIANO E0 - G6 2 CLAVINOVA TONE C1 - G6 3 E. PIANO C1 - C6 4 HARPSI C1 - C6 5 VIBES F2 - F5 6 GUITAR E1 - F#4 7 STRINGS E0 - C6 8 ORGAN E0 - C6

9 CHOIR E1 - E5 10 UPRIGHT BASS E0 - F#3 11 ELEC BASS E0 - F#3 12 DRUMS —

Usable Range

Voices 13 — 60

No. Name

13 BRASS F0 - C6 14 POP BRASS F0 - C6 15 TRUMPET F0 - C6 16 MUTE TRUMPET F#2 - A5 17 HORN A#0 - F4 18 SAX A#0 - F#5

Usable Range

No. Name

19 SAX SOFT A#0 - F#5 20 CLARINET D2 - A#5 21 OBOE A#2 - G5 22 FLUTE G2 - F#6 23 ACCORDION F2 - A5 24 HARMONICA C3 - C6 25 STRINGS SOFT E0 - C6 26 VIOLIN E0 - C6 27 VIOLIN HARD E0 - C6 28 FULL ORGAN E0 - C6 29 JAZZ ORGAN 1 C1 - C6 30 SYNTH BRASS C1 - C6 31 SYNTH WOOD C2 - F#6 32 SYNTH STRINGS E0 - C6 33 SYNTH CHOIR E1 - E5 34 PIANO BRIGHT E0 - G6 35 PIANO SOFT E0 - G6 36 E. PIANO DX C1 - C6 37 SYNTH CRYSTAL C2 - C6 38 CELESTA C2 - C6 39 MARIMBA C2 - C6

• When the DRUMS voice is selected only the keys with drum or percussion sym-

NOTES

bols printed above them will sound.

• The PIANO voice is automatically selected when the power is initially turned on.

Usable Range

No. Name

40 FOLK GUITAR E1 - A4 41 JAZZ GUITAR 1 E1 - A4 42 JAZZ GUITAR 2 E1 - A4 43 ROCK GUITAR 1 E1 - A4 44 ROCK GUITAR 2 E1 - A4 45 MUTE GUITAR E1 - A4 46 BANJO C3 - A5 47 PIZZICATO C1 - C6 48 HARP C1 - C6 49 U. BASS SOFT E0 - F#3 50 E. BASS SOFT E0 - F#3 51 E. BASS HEAVY E0 - F#3 52 SYNTH BASS E0 - F#3 53

TIMPANI & ORCH. HIT 54 BASSOON A#0 - D4 55

CHAMBER STRINGS 56 JAZZ ORGAN 2 C1 - C6 57 ROCK GUITAR 3 E1 - A4 58 COSMIC 1 G0 - C6 59 COSMIC 2 G0 - C6 60 COSMIC 3 G0 - C6

Usable Range

E0 - C2/G2 - C6

C1 - C6

■Keyboard Percussion

DRUMS

Drum & Percussion Key Assignments

Key Instrument

F#2 BRUSH ROLL G#2 HI-HAT CLOSED HEAVY A#2 CRASH CYMBAL LIGHT B2 BASS DRUM LIGHT C3 SNARE DRUM + RIM HEAVY C#3 RIDE CYMBAL CUP D3 SNARE DRUM + RIM LIGHT F3 BASS DRUM NORMAL F#3 RIM SHOT G3 SNARE DRUM HEAVY G#3 BRUSH SHOT A3 SNARE DRUM LIGHT A#3 HI-HAT PEDAL B3 SNARE DRUM ECHO

When the [DRUMS] voice selector is pressed (its indicator will light), you can

play 41 different drum and percussion instruments on the keyboard. The percussion instruments played by the various keys are marked by symbols above the keys (keys with no symbols produce no sound).

• The TRANSPOSE and PITCH functions described on pages 15 and 16 do not

NOTES

Key Instrument

C4 TOM 4 C#4 HI-HAT CLOSED NORMAL D4 TOM 3 D#4 HI-HAT OPEN E4 TOM 2 F4 TOM 1 F#4 RIDE CYMBAL NORMAL G4 ELECTRIC TOM 3 G#4 CRASH CYMBAL NORMAL A4 ELECTRIC TOM 2 (A#4) (CRASH CYMBAL) B4 ELECTRIC TOM 1 C5 CONGA LOW C#5 CABASA

affect the DRUMS sound.

Key Instrument

D5 CONGA HIGH D#5 METRONOME E5 BONGO HIGH F5 TIMBALE LOW F#5 CLAVES G5 TIMBALE HIGH G#5 CASTANETS A5 CUICA LOW A#5 COWBELL B5 CUICA HIGH C6 HAND CLAP C#6 AGOGO LOW D#6 AGOGO HIGH E6 BONGO LOW

• HI-HAT OPEN (D#4) is muted by HI-HAT CLOSED HEAVY (G#2), HI-HAT CLOSED NORMAL (C#4) and HI-HAT PEDAL (A#3).

• BRUSH ROLL (F#2) is muted by BRUSH SHOT (G#3).

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

• The instruments listed in parentheses ( ) will not sound when played on the keyboard, but can be recorded using the Performance Memory (page 24) and will sound on playback. These instruments can also be played via MIDI.

Dual Mode

U

O

A

S

9

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.

■Engaging the Dual Mode

To engage the DUAL mode simply press two voice selectors at the same time —

CLAVINOVA

PIANO

TONE

123 45 8

ORGAN

90

CHOIR

E.PIANO

UPRIGHT BASS

HARPSI

ELEC BASS

VIBES

DRUMS

or press one voice selector while holding another. A voice in the 13…60 range can

G

be “dualed” with the panel voices by pressing the [VOICE 13-60] button and any other voice selector at the same time (two voices in the 13…60 range cannot be combined). The [s] and [t] buttons can then be used to select the desired 13…60

V

voice. The higher voice number will appear on the TEMPO display during selection.

The voice indicators of both selected voices will light when the DUAL mode is active. To return to the normal single-voice play mode, press any single voice selector.

VOICE

CLAVINOVA

PIANO

TONE

123 4567

8

ORGAN

90

CHOIR

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

E.PIANO

UPRIGHT BASS

AUTO BASS CHORD

FULL KEYBOARD

MAX

START/STOP

MIN

SINGLE FINGER

SYNCHRO

START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

HARPSI

VIBES

ELEC

DRUMS

BASS

STYLE

DANCE

16BEAT 1

ROCK’N’

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

SWING

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

SLOW

COUNTRY 1 ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

METRONOME

MARCH 6/8

J.WALTZ

VOICE RERFORMANCE MEMORY

BEAT

PIANO

1234567 8

ORGAN

TEMPO

GUITAR

VOICE 13-60

CLAVINOVA

HARPSI

E.PIANO

TONE

90

ELEC

UPRIGHT

CHOIR

BASS

STRINGS

SPLIT

VIBES

GUITAR

VOICE 13-60

DRUMS

RHYTHMABC21

CHORD SEQUENCERECSTART/STOP

■Dual-mode V oice Balance

The volume balance between the two voices combined in the DUAL mode can

be adjusted by using the TEMPO [▲] and [▼] buttons while pressing both of the active voice selectors. The selected balance value (1 … 15) will be shown on the

E.PI

TEMPO display while the voice selectors and TEMPO [▲] or [▼] buttons are held.

UPR BAS

■ A setting of “1” sets the volume of the lowest-numbered voice to maximum and

the highest-numbered voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).

■ A setting of “15” sets the volume of the highest-numbered voice to maximum and the lowest-numbered voice to minimum (no sound).

TEMPO

CLAVINOVA

PIANO

TONE

123 8

ORGAN

90

CHOIR

• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified

NOTES

direction.

• The dual mode cannot be used when the DRUMS voice is selected. Also, the dual and split modes cannot be used at the same time.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

10

O

Split Mode

The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the Clavinova’s voices to the left and right-hand sections of the keyboard.

SPLIT

■Engaging the Split Mode

Left-hand section

SPLIT

F#2

▼

C3

Right-hand section

When the [SPLIT] button is pressed and its indicator lights, the keyboard is

split into left- and right-hand sections and different voices can be assigned to each. The split point is initially set at the F#2 key when the power is turned on, and the UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard (all keys up to and including F#2). The voice that was selected when the SPLIT mode was engaged is assigned to the right-hand section of the keyboard. The current settings are retained if the SPLIT mode is turned off (press the [SPLIT] button again) and on while the power remains on.

■Changing the Split Voices

HARPSI

ELEC BASS

VIBES

DRUMS

E.PIANO

345 0

UPRIGHT BASS

G

SPLIT

V

The right-hand voice can be changed simply by pressing the appropriate voice

selector.

The left-hand voice can be changed by pressing a voice selector while holding

the [SPLIT] button.

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS

NOTES

(voice number 12) are shifted up one octave when assigned to the lower section

AUTO BASS CHORD

START/STOP

STYLE

DANCE

16BEAT 1 ROCK’N’

POP 1 SINGLE FINGER

SYNCHRO START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

SWING

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FULL KEYBOARD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

TONE

1234567

WALTZ

8

90

ORGAN

CHOIR

METRONOME

J.WALTZ

TEMPO

RERFORMANCE MEMORY

HARPSI

STRINGS

SPLIT

VIBES

E.PIANO

ELEC

UPRIGHT

DRUMS

BASS

RHYTHMABC

21

GUITAR

CHORD SEQUENCE

REC

START/STOP

VOICE 13-60

of the keyboard.

■Changing the Split P oint

SPLIT

C3

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The split point can be set at any key by pressing the desired key while holding

the [SPLIT] button. The split point key name will appear on the TEMPO display while the [SPLIT] button is held.

Example:

The default split point — F#2 — will always be set automatically whenever the

power is initially turned on.

■Split Balance

SPLIT

Split Mode

The volume balance between the left-hand and right-hand voices can be ad-

justed by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] but- ton. The selected balance value (1 … 15) will be shown on the TEMPO display while the [SPLIT] and TEMPO [s] or [▼] buttons are held.

11

TEMPO

■ A setting of “1” sets the volume of the left voice to maximum and the right

voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).

■ A setting of “15” sets the volume of the right voice to maximum and the left voice to minimum (no sound).

• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified

NOTES

direction.

■Damper Pedal Operation in the Split Mode

The damper pedal (the right pedal — see “The Pedals” on page 14) can be as-

SPLIT

signed to the left voice only, the right voice only, or to both voices in the split mode.

■ Right Voice Only (default): Press the right (damper) pedal while holding the [SPLIT] button.

■ Left Voice Only: Press the left (soft) pedal while holding the [SPLIT] button.

■ Both Voices: Press both the right and left pedals while holding the [SPLIT]

button.

• The dual and split modes cannot be used at the same time.

NOTES

• In the split the soft and sostenuto pedal functions apply to both the left- and righthand voices.

• When the ABC Single Finger mode (page 20) and the split mode are used simultaneously, the left-hand voice will be accompanied by the appropriate ABC chord voices.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

12

Digital Reverb Effects

The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.

REVERB

ROOM HALL 1 HALL 2 COSMIC

■Selecting a Reverb Effect

Each time the [REVERB] button is pressed the next effect on the reverb “list”

is selected and the corresponding indicator will light. No effect is selected when no indicator is lit.

REVERB

ROOM HALL 1 HALL 2 COSMIC

OFF (No indicator lit)

No effect is produced.

ROOM

This setting adds a reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a medium-size room.

HALL 1

For a more spacious reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a medium-size concert hall.

HALL 2

HALL 2 simulates the reverb of a very large concert hall.

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO START/STOP

HALL 2

SOLO STYLEPLAY

COSMIC

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

AUTO BASS CHORD

START/STOP

STYLE

DANCE

16BEAT 1 ROCK’N’

POP 1 SINGLE FINGER

SYNCHRO

START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

SWING

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FULL KEYBOARD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

TONE

1234567

WALTZ

8

90

ORGAN

CHOIR

METRONOME

J.WALTZ

RERFORMANCE MEMORY

HARPSI

STRINGS

SPLIT

VIBES

E.PIANO

ELEC

UPRIGHT

DRUMS

BASS

RHYTHMABC

21

GUITAR

CHORD SEQUENCE

REC

START/STOP

VOICE 13-60TEMPO

■Reverb Depth Control

REVERB

ROOM HALL 1 HALL 2 COSMIC

TEMPO

COSMIC

“COSMIC” is an echo effect in which the sound seems to “bounce” around in the stereo sound field.

• The ROOM effect is automatically selected when the POWER switch is turned

NOTES

on.

The depth of the selected reverb effect can be increased or decreased by press-

ing the TEMPO [▲] or [▼] button while holding the [REVERB] button. The reverb depth is shown on the TEMPO display while the [REVERB] and [▲] or [▼] buttons are held. The reverb depth range is from “0” (no effect) to “15” (maximum depth).

• Reverb depth is initially set to “8” when the power is turned on (this setting can be

NOTES

recalled during reverb depth selection by pressing the TEMPO [▲] and [▼] buttons simultaneously).

• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified direction.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Keyboard & Polyphony

13

The Clavinova has “32-note polyphony” which means you can normally play up to 32 notes at once. This number varies, however, according to the functions being used, as shown in the chart below:

The follwing voices are 2-layer:

• No. 31 SYNTH WOOD

• No. 56 JAZZ ORGAN 2

• No. 58 COSMIC 1

• No. 60 COSMIC 3

Keyboard only 32 notes. Keyboard only (dual) 16 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard (dual) + rhythm 12 notes Keyboard + ABC 12 notes (rhythm 8; ABC 12). Keyboard (dual) + ABC 6 notes

● The number of available notes is further reduced if the dual

mode or the performance memory is being played at the same time. Further variation occurs with “1-layer” and “2layer” voices: the polyphony is halved with 2-layer voices.

The Clavinova also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of variation available depends on the selected voice.

Pan

MIDI/ TRANSPOSE

RHYTHM

The pan settings are as follows:

PL6 PL5 PL4 PL3 PL2 PL1 P c Pr1 Pr2 Pr3 Pr4 Pr5 Pr6

Full Left

(P d)

Center

Full

Right

● The pan (stereo) position of the voice played on the key-

board can be adjusted by moving the RHYTHM volume control while holding the [MIDI/TRANSPOSE] button. The pan position is shown on the TEMPO display, from “PL6” for full left at the “MIN” control position, through “Pc” for center, to “Pr6” for full right at the “MAX” control position. This can be used to produce a broader ensemble sound with the Performance Memory multitrack recording feature.

Each voice has a preset pan setting (indicated by “Pd” on the TEMPO display) which is automatically set when the power is first turned on.

NOTES

• The “Pd” keyboard scale pan default for some voices places the trebleregister sound to the right and the bass-register sound to the left. Using a different PAN setting places the entire voice, low and high notes included, at the same position.

• The DRUMS voice has a preset PAN setting which cannot be changed.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

14

The Pedals

The CVP-49 has two pedals. These offer a

range of advanced expressive capabilities.

■Right Pedal (Damper Pedal)

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.

■Left Pedal (Multi-function)

MASTER VOLUME

MAX

MIN

LEFT PEDAL FUNCTION

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

MIDI/

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

RHYTHM

BASS

STYLE

DANCE

16BEAT 1

FINGERED

SOLO STYLEPLAY

FILL TO NORMALFILL TO VARIATION

ROCK’N’

POP 1

POP 1 DANCE

16BEAT

POP 2

16BEAT 2

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

AUTO BASS CHORD

FULL

SINGLE

KEYBOARD

FINGER

MAX

SYNCHRO START

START/STOP

INTRO/ENDING NORMAL VARIATION

MIN

CHORD 2

CHORD 1

SLOW

COUNTRY 1 ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

METRONOME

MARCH 6/8

J.WALTZ

VOICE RERFORMANCE MEMORY

BEAT

CLAVINOVA

PIANO

HARPSI

VIBES

E.PIANO

TONE

1234567 8

90

ELEC

UPRIGHT

ORGAN

CHOIR

TEMPO

DRUMS

BASS

STRINGS

SPLIT

RHYTHMABC21

GUITAR

CHORD SEQUENCERECSTART/STOP

VOICE 13-60

LEFT PEDAL FUNCTION

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

The left pedal has a number of functions which can be selected using the

[LEFT PEDAL FUNCTION] button and indicators. Each time the [LEFT PEDAL FUNCTION] button is pressed the next function on the LEFT PEDAL

function “list” is selected and the corresponding indicator will light.

● Soft...........................................................................................................................................................

Pressing the soft pedal subtly reduces the volume and slightly changes the tim-

bre of notes played. The SOFT function is automatically selected whenever the POWER switch is turned on.

● Sostenuto ................................................................................................................................................

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”

The left-pedal SOSTENUTO function cannot be selected while the SOLO STYLEPLAY feature is operating.

● Start/Stop ................................................................................................................................................

The left pedal performs the same function as the panel [START/STOP] buttons. For details on the START/STOP function, refer to the “Accompaniment” section on page 18, 19.

● Solo Styleplay .........................................................................................................................................

For details on the SOLO STYLEPLAY function see “SOLO STYLEPLAY” on page 23 (the SOLO STYLEPLAY pedal function can only be selected when the SOLO STYLEPLAY feature is in use).

• The damper, soft, and sostenuto pedal functions do not affect the DRUMS voice.

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Transposition

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones. “Transposing” the pitch of the Clavinova keyboard makes it easier to play in difficult key signatures, and you can simply match the pitch of the keyboard to the range of a singer or other instrumentalist.

MASTER VOLUME

MIDI/

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

MIDI/ TRANSPOSE

AUTO ACCOMPANIMENT

MAX

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

AUTO BASS CHORD

START/STOP

15

STYLE

DANCE

16BEAT 1 ROCK’N’

POP 1 SINGLE FINGER

SYNCHRO

START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FULL KEYBOARD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

TONE

1234567

WALTZ

8

90

ORGAN

CHOIR

METRONOME

J.WALTZ

TEMPO

RERFORMANCE MEMORY

HARPSI

STRINGS

SPLIT

VIBES

E.PIANO

ELEC

UPRIGHT

DRUMS

BASS

RHYTHMABC

21

GUITAR

CHORD SEQUENCE

REC

START/STOP

VOICE 13-60

MIDI/ TRANSPOSE

Display Transposition

-6 -6 semitones

-5 -5 semitones

-4 -4 semitones

-3 -3 semitones

-2 -2 semitones

-1 -1 semitone 0 Normal 1 +1 semitone 2 +2 semitones 3 +3 semitones 4 +4 semitones 5 +5 semitones 6 +6 semitones

TEMPO

● Use the TEMPO [▲] and [▼] buttons to select the desired

degree of transposition while holding the [MIDI/TRANS- POSE] button. The amount of transposition selected is shown on the TEMPO display as follows:

NOTES

• Press the [▲] and [▼] buttons simultaneously while holding the [MIDI/ TRANSPOSE] button to restore normal keyboard pitch.

• Transpose is always set to Normal when the power is turned on.

• The TRANSPOSE function does not affect the DRUMS sound.

• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the

specified direction.

• Notes below and above the A-1 — C7 of the Clavinova sound one octave higher and lower, respectively.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

16

Pitch Control

Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tun- ing range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music.

● Tuning Up................................................................................................................................................

E0F

3

0

C

TEMPO

3

B

ZTo tune up (raise pitch), hold the E0 and F0 keys simultaneously (E0 and F0 are

the two lowest white keys on the keyboard) and press any key between C3 and B3. Each time a key in this range is pressed the pitch is raised by approximately

1.2 cents, up to a maximum of about 50 cents above standard pitch. To raise the pitch in 1-hertz increments press the TEMPO [▲] button instead of the C3-B3 keys. The TEMPO [▼] button can also be used to tune down while the E0 and F0 keys are held.

XRelease the E0 and F0 keys.

● Tuning Down...........................................................................................................................................

3

0

F#

0

E

C

TEMPO

3

B

ZTo tune down (lower pitch), hold the E0 and F#0 keys simultaneously and press

any key between C3 and B3. Each time a key in this range is pressed the pitch is lowered by approximately 1.2 cents, up to a maximum of about 50 cents below standard pitch. To lower the pitch in 1-hertz increments press the TEMPO [▼] button instead of the C3-B3 keys. The TEMPO [▲] button can also be used to tune up while the E0 and F#0 keys are held.

XRelease the E0 and F#0 keys.

● To Restore Standard Pitch* ...................................................................................................................

0

F

E

F#

0

3

C

3

B

ZTo restore standard pitch (A3 = 440 Hz), hold the E0, F0, and F#0 keys simulta-

neously and press any key between C3 and B3, or simultaneously press the TEMPO [▲] and [▼] buttons.

XRelease the E0, F0, and F#0 keys.

TEMPO

* Standard pitch (A3 = 440 Hz) is automatically set whenever the POWER

switch is initially turned on.

• The PITCH function does not affect the DRUMS sound.

NOTES

• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified direction.

■The Pitch Display

Example:

442 442.0 ......442.24

4.42 442.25 ....442.49

The approximate pitch of A3 is shown on the TEMPO display in Hertz while the pitch control function is in operation. The total display range is from approximately 427 hertz (-50 cents) to 453 hertz (+50 cents).

The dots to the right of each figure in the display are used to provide a general idea of fractional pitches.

44.2 442.5 ......442.74

442. 442.75 ....442.99

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Accompaniment

R

W

C

The CVP-49 has 24 “styles” that can be used as a basis for rhythm accompaniment, or fully

orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 20).

• The Accompaniment Style data is not transmitted via the MIDI OUT connector.

NOTES

17

SYNCHRO

START/STOP

START

INTRO/ENDING NORMAL VARIATION

■Style Selection

STYLE

POP 1 POP 2

SWING JAZZ

BALLAD

DANCE POP 1

DANCE POP 2

BIG BAND BOOGIE

16BEAT 1 16BEAT 2

BOSSA SAMBA

ROCK’N’ 16BEAT

SHUFFLE

CHA-CHA RHUMBA

■Tempo Control

FILL TO NORMAL FILL TO VARIATION

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

The 24 styles are selected using 12 STYLE selectors. Note that each style se-

SLO RO

SHU

lector has two indicators and style names above it. These two styles are selected alternately each time the selector is pressed.

The POP 1 style is automatically selected when the power is initially turned on.

MA MA

NOTES

STYLE

AUTO BASS CHORD

FULL

SINGLE

FINGERED

KEYBOARD

FINGER

MAX

SYNCHRO START

START/STOP

INTRO/ENDING NORMAL VARIATION

MIN

FILL TO NORMALFILL TO VARIATION

POP 1 POP 2

SWING JAZZ

BALLAD

SOLO STYLEPLAY

DANCE

16BEAT 1

POP 1 DANCE

16BEAT 2

POP 2

BIG BAND

BOSSA

BOOGIE

SAMBA

STYLE

DANCE

16BEAT 1

ROCK’N’

POP 1

POP 1 DANCE

16BEAT

POP 2

16BEAT 2

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

HARPSI

VIBES

E.PIANO

TONE

1234567

WALTZ

8

90

ELEC

UPRIGHT

ORGAN

CHOIR

METRONOME

J.WALTZ

TEMPO

DRUMS

BASS

ROCK’N’ 16BEAT

SHUFFLE

CHA-CHA RHUMBA

STRINGS

GUITAR

VOICE 13-60

SLOW

COUNTRY 1

ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

MARCH 6/8

J.WALTZ

RERFORMANCE MEMORY

SPLIT

RHYTHMABC

21

CHORD SEQUENCE

REC

START/STOP

METRONOME

TEMPO

• Use the RHYTHM volume control to adjust the volume of the rhythm sound.

BEAT

TEMPO

Whenever you select a different style, the “suggested” tempo for that style is

also selected, and the tempo is displayed on the TEMPO display in quarter-note beats per minute (unless the accompaniment is playing, in which case the same tempo is maintained).

You can change the tempo to any value between 32 and 280 beats per minute,

however, by using the TEMPO [▲] and [▼] buttons. This can be done either before the accompaniment is started or while it is playing. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing.

• The suggested tempo for the selected style can be recalled at any time by press-

NOTES

ing both the [▲] and [▼] buttons simultaneously.

Suggested Tempos

Style

POP 1 78 POP 2 98 DANCE POP 1 138 DANCE POP 2 94 16BEAT 1 78 16BEAT 2 98 ROCK’N’ 160 16BEAT SHUFFLE 90 SLOW ROCK 72 SHUFFLE 144 COUNTRY 1 184 COUNTRY 2 138

Suggested Tempo

Style

Suggested Tempo

SWING 160 JAZZ BALLAD 80 BIG BAND 152 BOOGIE 160 BOSSA 132 SAMBA 112 CHA-CHA 132 RHUMBA 112 MARCH 120 MARCH 6/8 116 WALTZ 90 J.WALTZ 160

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

18

Accompaniment

■Starting the Accompaniment

There are several ways to start the accompaniment:

• If any Performance Memory track button’s green indicator (i.e. [1], [2], [ABC] or [RHYTHM]

NOTES

● Straight Start...........................................................................................................................................

START/STOP

Press the [START/STOP] button. Each of the styles also has a variation that can be selected by pressing the [VARIA-

TION/FILL TO VARIATION] button (its LED will light) before pressing the [START/ STOP] button. Normally the [NORMAL/FILL TO NORMAL] button LED will be lit (or

you can select it if the variation is selected), indicating that the normal pattern is selected.

buttons) is lit, the following start procedure will start playback of the Performance Memory data. To start playback of the panel accompaniment, press the corresponding track buttons so their green indicators go out. However, the panel accompaniment will be played back instead of the [RHYTHM] track data, even if any Performance Memory track button’s green indicator (i.e. [1], [2], [ABC] or [RHYTHM] buttons) is lit, under the following conditions: * if any of the panel STYLE selectors have been pressed to re-select the style, or * if the start procedure is executed by the Intro or Fill start (both direct and Synchro) —

see below.

Normal straight start Variation straight start

NORMAL/FILL TO NORMAL

= =

VARIATION/FILL TO VARIATION

START/STOP START/STOP

● Start With an Introduction .....................................................................................................................

INTRO/ENDING

Intro start

Fill start to normal

Fill start to variation

Press the [INTRO/ENDING] button. If you press the [NORMAL/FILL TO NORMAL] or [VARIATION/FILL TO VARI-

ATION] button while holding the [INTRO/ENDING] button, the rhythm will start with an appropriate fill and then go to the normal rhythm or variation rhythm, respectively.

(Flashing)

=

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

START/STOP

(Flashing)

+

NORMAL/FILL TO NORMAL

(Flashing)

VARIATION/FILL TO VARIATION

+

START/STOP

The selected start mode can be disengaged prior to starting the accompaniment by

pressing the selected button (flashing indicator) a second time.

● Synchronized Start.................................................................................................................................

Any of the start types described above can be synchronized to the first note or chord

SYNCHRO

START

played on the keyboard by first pressing the [SYNCHRO START] button so that its indi- cator lights. When the keyboard is split or Auto Bass Chord Single Finger or Fingered mode is used, the first note played on the left-hand section of the keyboard will start the accompaniment (i.e. keys to the left of and including the split-point key — normally F#2). Once the synchronized start mode has been selected, use the [NORMAL/FILL TO NOR- MAL], [VARIATION/FILL TO VARIATION] and/or [INTRO/ENDING] buttons to select the type of start you want.

The first dot of the BEAT display will flash at the current tempo when a synchronized

start mode has been selected.

After pressing

NORMAL/FILL TO NORMAL

Normal start Variation start Intro start Fill start to normal Fill start to variation

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

=

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

SYNCHRO START

Play key Play key

Play key

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Play key Play key

Accompaniment

The synchronized start mode can be cancelled by pressing the [SYNCHRO

START] button a second time so that its indicator goes out.

• The synchronized start mode is automatically turned on when one of the ABC

NOTES

● Measure Number ....................................................................................................................................

During rhythm playback the current measure number is shown on the TEMPO

display.

● The Beat Display.....................................................................................................................................

modes is engaged — see page 20 for details.

19

BEAT

1st. Beat 2nd. Beat 3rd. Beat 4th. Beat

The four LED dots of the BEAT display provide a visual indication of the se-

lected tempo. The leftmost (red) dot flashes on the first beat of each measure, the second dot flashes on the second beat, and so on (all dots except the leftmost dot are green). When a 3/4-time rhythm is selected, only the first three dots will flash.

■Fill-ins

The CVP-49 provides two types of automatic “fill-ins.”

NORMAL VARIATION

■ Fill To Normal: Press the [NORMAL/FILL TO NORMAL] button during

playback to produce a fill-in and go to the normal rhythm.

FILL TO NORMAL FILL TO VARIATION

■ Fill To Variation: Press the [VARIATION/FILL TO VARIATION] button

during playback to produce a fill-in and go to the variation pattern. If you hold one of the FILL buttons, the fill-in will repeat until the end of the

measure in which button is released.

■Stopping the Accompaniment

The accompaniment can be stopped at any time by pressing the [START/

START/STOP INTRO/ENDING

STOP] button. Press the [INTRO/ENDING] button if you want to go to the ending pattern and then stop.

• If you started with an intro or fill-in, or using the SYNCHRO mode, these selec-

NOTES

tions are maintained even after the accompaniment is stopped.

• If the left pedal is switched to START/STOP operation, it performs the same function as the panel [START/STOP] buttons (press to START, press again to STOP).

■Metronome

The CVP-49 also offers a metronome function that is ideal for practice.

METRONOME

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

To start the metronome, simply press the [METRONOME] button. The metro-

nome will play at the currently selected tempo whether a style is playing or not. The metronome volume can be adjusted via the RHYTHM volume control.

Press the [METRONOME] button again to stop the metronome sound. The

metronome will also stop automatically if the [START/STOP] button is pressed to stop a style in progress.

• The metronome will not normally sound when a style is playing. If the style is

NOTES

started by pressing the [START/STOP] button while the metronome is playing, however, the metronome will continue to sound along with the style.

20

Auto Bass Chord (ABC)

The CVP-49 includes a sophisticated autoaccompaniment system (Auto Bass Chord — ABC) that can provide automated rhythm, bass and chord backing in a number of ways.

AUTO BASS CHORD

FULL KEYBOARD

SINGLE FINGER

FINGERED

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

AUTO BASS CHORD

START/STOP

STYLE

DANCE

16BEAT 1

ROCK’N’

POP 1 SINGLE FINGER

SYNCHRO START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

SWING

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FULL KEYBOARD

VOICE

BEAT

SLOW

COUNTRY 1 ROCK SHUFFLE

MARCH MARCH 6/8

CLAVINOVA

COUNTRY 2

PIANO

TONE

1234567

WALTZ

8

90

ORGAN

CHOIR

METRONOME

J.WALTZ

TEMPO

RERFORMANCE MEMORY

HARPSI

STRINGS

SPLIT

VIBES

E.PIANO

ELEC

UPRIGHT

DRUMS

BASS

RHYTHMABC

21

GUITAR

CHORD SEQUENCE

REC

START/STOP

VOICE 13-60

■Single-finger Accompaniment

SINGLE FINGER accompaniment makes it simple to produce accompaniment using major, seventh, minor and minor-

seventh chords by pressing a minimum number of keys in the ABC section of the keyboard. The automatic accompaniment consists of rhythm, bass and chords.

ZSelect SINGLE FINGER ..........................................................................................................................

SINGLE FINGER

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

Press the [SINGLE FINGER] button to select the SINGLE FINGER mode

(the SINGLE FINGER indicator will light).

Select the desired accompaniment using the style selectors (see “Style Selec-

tion” on page 17).

Use the TEMPO [▲] and [▼] buttons to set the desired accompaniment tempo

if necessary (see “Tempo Control” on page 17).

VPlay ..........................................................................................................................................................

Pressing any key on the ABC section of the keyboard (up to the split point —

normally the F#2 key) will cause the automatic chord and bass accompaniment to

C

begin (synchro start is automatically selected in the ABC mode). If you press a “C” key, for example, a C-major accompaniment will be played. Press another key in the ABC section of the keyboard to select a new chord. The key you press will always determine the “root” of the chord played (i.e. “C” for a C chord) .

Cm

● Playing Minor, Seventh, and Minor-seventh Chords in the Single-

finger Mode

C

7

• For a minor chord, press the root key and a black key to its left.

• For a seventh chord, press the root key and a white key to its left.

Cm

7

• For a minor-seventh chord, press the root key and both a white and black key to its left.

BStop the Accompaniment ......................................................................................................................

Press the [START/STOP] or [INTRO/ENDING] button to stop the accompani-

START/STOP INTRO/ENDING

ment.

• Press the [SINGLE FINGER] button so that its indicator goes out when you want

NOTES

to exit from the SINGLE FINGER mode.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Auto Bass Chord (ABC)

■Fingered Accompaniment

The FINGERED mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply

your own chords for the Auto Accompaniment feature.

ZSelect FINGERED ...................................................................................................................................

FINGERED

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

VPlay ..........................................................................................................................................................

Press the [FINGERED] button to select the FINGERED mode (the FIN-

GERED indicator will light).

Select an accompaniment style using the style selectors (see “Style Selection”

on page 17).

Use the TEMPO [▲] and [▼] buttons to set the desired accompaniment tempo

if necessary (see “Tempo Control” on page 17 for more details).

As soon as you play any chord (up to 4 notes) on the lower keyboard (up to the

split point — normally the F#2 key), the Clavinova will automatically begin to play the chord along with the selected rhythm and an appropriate bass line (synchro start is automatically selected in the ABC mode).

21

The Clavinova will accept the following chord 20 types:

• Major [M]

• Minor [m]

• Major seventh [M7]

• Sixth [6]

• Seventh [7]

• Minor sixth [m6]

• Minor seventh [m7]

• Minor major seventh [mM7]

• Minor seventh flatted fifth [m7b5]

• Minor flatted fifth [mb5]

• Major flatted fifth [b5]

• Seventh flatted fifth [7b5]

• Major seventh flatted fifth [M7b5]

• Seventh suspended fourth [7sus4]

• Suspended fourth [sus4]

• Augmented [aug]

• Seventh sharp fifth [7#5]

• Major seventh sharp fifth [M7#5]

• Diminished [dim]

• Half diminished

(minor major seventh flatted fifth) [mM7b5]

● The [INTRO/ENDING], [NORMAL/FILL TO NORMAL], and [VARIA-

TION/FILL T O VARIATION] buttons can be used in the ABC mode to create

pattern variations in the same way that they are used with rhythm patterns (refer to the “Accompaniment” section on page 18, 19 for details).

NORMAL/FILL TO NORMAL

Normal start Variation start Intro start Fill start to normal Fill start to variation

=

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Lower key

NOTES

• The automatic accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

Lower key Lower key

BStop the Accompaniment ......................................................................................................................

START/STOP INTRO/ENDING

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Press the [START/STOP] or [INTRO/ENDING] button to stop the accompani-

ment.

• Press the [FINGERED] button so that its indicator goes out when you want to exit

NOTES

from the FINGERED mode.

22

Auto Bass Chord (ABC)

■Full-keyboard ABC

● Full-keyboard ABC

FULL KEYBOARD

SINGLE FINGER

FINGERED

● Conventional Full-keyboard

ABC

FULL KEYBOARD

SINGLE FINGER

FINGERED

When this advanced auto-accompaniment mode is engaged (press the [FULL

KEYBOARD] button so that its indicator lights) the Clavinova will automatically

create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. You don’t have to worry about specifying the accompaniment chords. Although Full-keyboard ABC is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the Full-keyboard ABC mode to get a feel for its capabilities.

• Chord detection occurs at approximately 8th-note intervals. Extremely short

NOTES

chords — less than an 8th note in length — may therefore not be detected.

The Conventional Full-keyboard ABC mode can be engaged by pressing the

[SINGLE FINGER] and [FINGERED] buttons simultaneously (both indicators will light). In this mode the split point is de-activated and notes played anywhere on the keyboard are detected and used to determine the harmonization of the accompaniment. In the Conventional Full-keyboard ABC mode, chord detection is possible when at least three notes are played anywhere on the keyboard.

• The Dual or SPLIT mode can be used with Full-keyboard ABC.

NOTES

• The Full-keyboard and Conventional Full-keyboard ABC modes will be disengaged and the Fingered mode will be engaged if Solo Styleplay is turned on.

• Solo Styleplay will automatically be turned off whenever the Full-keyboard or Conventional Full-keyboard ABC mode is engaged.

• Press the [FULL KEYBOARD] button so that its indicator goes out when you want to exit from the FULL-KEYBOARD ABC mode. To exit from the Conventional Full-keyboard ABC mode press the [SINGLE FINGER] or [FINGERED] button twice.

■Volume Control

AUTO ACCOMPANIMENT

RHYTHM CHORD 1

BASS

MIDI/ TRANSPOSE

MAX

MIN

CHORD 2

BASS

The RHYTHM, CHORD 1, CHORD 2, and BASS volume controls can be

used to adjust the volume of the corresponding accompaniment parts when using ABC. In general, CHORD 1 controls rhythmic chords while CHORD 2 controls more decorative chords (arpeggios, etc.). The volume of the keyboard can be independently controlled by using the BASS volume control while holding the [MIDI/ TRANSPOSE] button.

NOTES

■Changing the ABC Split Point

SINGLE FINGER

The ABC split point can be set at any key by pressing the desired key while

holding the [SINGLE FINGER] or [FINGERED] button.

The default split point — F#2 — will always be set automatically whenever the

power is initially turned on.

• Some styles may not use all four parts: RHYTHM, CHORD 1, CHORD 2, and BASS.

• Usually the CHORD 1 and CHORD 2 parts will not play simultaneously in the Full-keyboard ABC mode to prevent possible conflict with the melody. The sound of the silent part can be restored by changing the setting of the corresponding volume control — CHORD 1 or CHORD 2.

C3

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Solo Styleplay

23

This sophisticated feature not only provides auto-

matic rhythm, bass and chord accompaniment, but it

SOLO STYLEPLAY

also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

AUTO BASS CHORD

START/STOP

STYLE

DANCE

16BEAT 1 ROCK’N’

POP 1 SINGLE FINGER

SYNCHRO

START

FINGERED

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

POP 1

SOLO

DANCE

16BEAT

POP 2

16BEAT 2

STYLEPLAY

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

FULL KEYBOARD

SLOW

COUNTRY 1 ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

METRONOME

MARCH 6/8

J.WALTZ

VOICE RERFORMANCE MEMORY

BEAT

CLAVINOVA

PIANO

HARPSI

VIBES

E.PIANO

TONE

1234567 8

90

ELEC

UPRIGHT

ORGAN

CHOIR

DRUMS

BASS

STRINGS

SPLIT

RHYTHMABC21

GUITAR

CHORD SEQUENCERECSTART/STOP

VOICE 13-60TEMPO

■Using Solo Styleplay

ZTurn Solo Styleplay ON..........................................................................................................................

SOLO STYLEPLAY

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

VPlay ..........................................................................................................................................................

BStop the Accompaniment ......................................................................................................................

Press the [SOLO STYLEPLAY] button to turn the SOLO STYLEPLAY mode

on. The SINGLE FINGER mode is automatically selected when SOLO

STYLEPLAY is turned on, unless the FINGERED mode is already selected. If a FULL KEYBOARD mode is selected, the FINGERED mode will automatically

be selected since Solo Styleplay cannot be used with the FULL KEYBOARD modes.

Select an accompaniment style using the style selectors (see “Style Selection” on page 17). An appropriate voice for the selected style will automatically be selected, but you can also select any other voice after selecting the style.

Set the desired tempo if necessary using the TEMPO [▲] and [▼] buttons (see “Tempo Control” on page 17).

Play the required chords (SINGLE FINGER or FINGERED) on the ABC section of the keyboard while playing a melody line on the upper keyboard (for some styles, only one note can be played at a time on the right-hand section of the keyboard in the Solo Styleplay mode).

Press [START/STOP] or [INTRO/ENDING] to stop the accompaniment.

NTurn Solo Styleplay OFF........................................................................................................................

Press the [SOLO STYLEPLAY] button again to turn the function off.

■Harmonization V ariations

It is possible to apply the harmonization type and voice from a different style to the selected style by pressing the style selector corresponding to the harmonization type you want to use while holding the [SOLO STYLEPLAY] button — the se- lected STYLE button indicator will flash while the [SOLO STYLEPLAY] button is held. This makes it possible, for example, to use the solo styleplay harmonization type and voice from the 16 BEAT 1 style when actually playing in the POP 1 style.

SOLO STYLEPLAY

POP 1 POP 2

SWING JAZZ

BALLAD

DANCE POP 1

DANCE POP 2

BIG BAND BOOGIE

16BEAT 1 16BEAT 2

BOSSA SAMBA

ROCK’N’ 16BEAT

SHUFFLE

CHA-CHA RHUMBA

■The Left Pedal & Solo Styleplay

LEFT PEDAL FUNCTION

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

If the LEFT PEDAL FUNCTION is set to SOLO STYLEPLAY after the SOLO STYLEPLAY mode is selected, harmonization of notes played on the right-

hand section of the keyboard only occurs while the left pedal is pressed. This allows you to combine normal ABC type performance with SOLO STYLEPLAY as required.

The left pedal SOSTENUTO function can not be selected while SOLO STYLEPLAY is on.

• The SOLO STYLEPLAY mode will be disengaged if the ABC FINGERED or

NOTES

SINGLE FINGER mode is turned off or the FULL KEYBOARD ABC mode is turned on.

24

Performance Memory

The CVP-49 features a built-in “sequencer” which can be used to independently record up to three separate parts of a single musical composition, plus a

RERFORMANCE MEMORY

21

RHYTHMABC

rhythm track. Each par t is recorded on one of the Performance Memory “tracks” accessed via the [1], [2],

START/STOP

REC

CHORD SEQUENCE

[ABC], and [RHYTHM] buttons.

• The Performance Memory playback data is not transmit-

NOTES

ted via the MIDI OUT connector.

MIDI/

MASTER VOLUME

AUTO ACCOMPANIMENT

DEMO

TRANSPOSE

MAX

LEFT PEDAL

REVERB

FUNCTION

SOFT

ROOM HALL 1

SOSTENUTO

START/STOP HALL 2 COSMIC

SOLO STYLEPLAY

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

STYLE

DANCE

16BEAT 1 SOLO STYLEPLAY

FILL TO NORMALFILL TO VARIATION

ROCK’N’

POP 1

POP 1 DANCE

16BEAT

POP 2

16BEAT 2

POP 2

SHUFFLE

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

AUTO BASS CHORD

FULL

SINGLE

FINGERED

KEYBOARD

FINGER

SYNCHRO START

START/STOP

INTRO/ENDING NORMAL VARIATION

SLOW

COUNTRY 1 ROCK SHUFFLE

COUNTRY 2

MARCH

WALTZ

METRONOME

MARCH 6/8

J.WALTZ

VOICE RERFORMANCE MEMORY

BEAT

CLAVINOVA

PIANO

HARPSI

VIBES

E.PIANO

TONE

1234567 8

90

ELEC

UPRIGHT

ORGAN

CHOIR

TEMPO

DRUMS

BASS

STRINGS

SPLIT

RHYTHMABC

21

GUITAR

VOICE 13-60

CHORD SEQUENCE

REC

START/STOP

Easy One-pass Recording & Playback

ZSelect a Voice .........................................................................................................................................

Use the VOICE selectors to select the voice you want to record with. You can

try out the selected voice on the keyboard before proceeding.

XEngage the Record Ready Mode...........................................................................................................

Red

Green

START/STOP

21

REC

RHYTHMABC

Press the [REC] button so that its indicator lights. The red [1] indicator should

also light at this point, indicating that you are ready to record on track 1.

• You can record up to a maximum of about 8,000 notes (110 kilobytes) depending

NOTES

on pedal usage and other factors. The [REC] button indicator will begin to flash when the recorder memory is almost full (“FUL” will appear on the TEMPO display) and recording will stop automatically.

• The amount of remaining memory is displayed in kilobytes (approximate) when the [REC] button is released.

CStart Recording.......................................................................................................................................

Play on the keyboard. Recording will begin automatically as soon as you start

playing.

• You can turn the metronome on before or during recording (the metronome

NOTES

sound will not be recorded).

VStop Recording.......................................................................................................................................

RECSTART/STOP

Stop recording by pressing the [START/STOP] button or the [REC] button.

When recording has finished the green indicator of the recorded track will light, indicating that the track is ready for playback.

BPlay Back the Recording .......................................................................................................................

START/STOP

Press the [START/STOP] button to play back your recording. Play along on the

keyboard if you like. You can also change the playback tempo via the TEMPO [▲] and [▼] buttons.

NStop Playback .........................................................................................................................................

Playback will stop automatically when the end of the recording is reached, or

you can press the [START/STOP] button to stop it at anytime.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Performance Memory

Multi-track Recording & Playback

ZSet All Performance Features As Required .........................................................................................

Set up all necessary performance features as required: voice, voice mode (normal, dual, or split), style, tempo, left pedal function, etc. Try out the features as you select them to check that you have the right overall sound.

XEngage the Record Ready Mode...........................................................................................................

Press the [REC] button so that its indicator lights. The red [1] indicator should also light at this point, indicating that you are ready to record on track 1. As soon as you release the [REC] button the first dot of the beat indicator will begin to flash at the currently set tempo.

• Be careful not to start recording prematurely by either playing the keyboard or

NOTES

pressing the [START/STOP] button before you’ve completed the following steps.

START/STOP

21

REC

RHYTHMABC

25

CSelect the Track(s) to Record................................................................................................................

Keyboard parts can only be recorded on one track at a time. If you press [1] you will record on track number 1. If you press [2] you will record on track number 2. When a record track has been selected the corresponding red indicator will light.

● Recording with Rhythm

To record a rhythm in addition to the part you play on the keyboard, select the

desired style via the STYLE selectors and press the [RHYTHM] button so that

its red indicator lights.

If you only want to record the rhythm track, de-select all other selected tracks

by pressing their buttons so that their red indicators go out.

If you select the rhythm track for recording, or the rhythm track already con-

tains data, the metronome will sound at the current tempo.

● Recording with ABC

To record using ABC, press either the [1] or [2] button and then engage an ABC

mode, or press the [ABC] button.

The red [ABC] and [RHYTHM] indicators

will light automatically in addition to the [1] or [2] indicator, and the ABC sound

will be recorded on ABC track while what you play on the keyboard will be re-

corded on track 1 or 2.

If you only want to record the ABC sound, de-select track 1 or 2 by pressing the

appropriate button so that the indicator goes out. In the same way, de-select the

[RHYTHM] track if you don’t want to record the rhythm sound.

START/STOP

21

REC

21

REC

FULL KEYBOARD

RHYTHMABC

SINGLE FINGER

RHYTHMABC

FINGERED

SOLO STYLEPLAY

● Recording with Solo Styleplay

Solo Styleplay can be recorded at the same time as SINGLE FINGER or FIN-

GERED ABC, but not at the same time as FULL KEYBOARD mode ABC.

VStart Recording.......................................................................................................................................

The synchronized start mode is automatically selected when the record ready mode is engaged, so recording will begin automatically as soon as any key on the keyboard is pressed or the [START/STOP] button is pressed (see page 18 for the various synchro start modes). The current measure number is shown on the TEMPO display as you record.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

26

Performance Memory

The following parameters will be recorded in addition to notes you play:

Parameters recorded for Each Track

• Voice*

• Dual Voice*

• Split Voice*

• Volume* (Not changeable

during recording)

• Pan*

• Damper Pedal*

• Soft Pedal*

• Sostenuto Pedal (Not

recorded as an initial setting)

• Reverb Depth* (Not recorded as an initial setting)

• Dual Balance*

• Split Balance*

Parameters Recorded for the Entire Song

• Style

• Rhythm Volume*

• Reverb Type*

• Reverb Depth*

• Tempo*

• Intro Mode (Not changeable

during recording)

• Ending Mode (Not recorded as an initial setting)

• Fill-in

• ABC Mode (Not change-

able during recording)

• ABC Volume*

• Solo Styleplay Mode (Not

changeable during recording)

• Solo Styleplay Variation (Not changeable during recording)

Parameters Recorded for Each Track via MIDI Only

• Pitch Bend Sensitivity (Not recorded as an initial setting)

• Coarse Tune (Not recorded as an initial setting)

• Fine Tune (Not recorded as an initial setting)

BStop Recording.......................................................................................................................................

RECSTART/STOP

Press the [REC] button a second time, or the [START/STOP] button to stop

recording.

■Adding New Tracks

When you’ve finished recording the first track, you can simply play it back as described in the previous section or

add a new track to your song. To record a new track:

ZSelect a Voice .........................................................................................................................................

Select a voice and other parameters for the new track. Try out the voice and

selected parameters before proceeding.

XEngage the Record Ready Mode...........................................................................................................

Press the [REC] button to engage the record ready mode.

● Monitoring Previously Recorded Tracks

You can turn the playback of all previously recorded tracks on or off as required by pressing the corresponding track button(s) before pressing the [REC] button.

START/STOP

21

REC

RHYTHMABC

CSelect a Track .........................................................................................................................................

Select a track other than the one you used to record the previous track. The red

indicator of the track selected for recording should light.

• Remember that if you record on a track that has already been recorded, the

NOTES

previous material will be erased and the new material will be recorded in its place.

VStart Recording.......................................................................................................................................

Play on the keyboard or press the [START/STOP] button to start recording.

BStop Recording.......................................................................................................................................

Press the [START/STOP] button or the [REC] button to stop recording.

● Changing the Initial Parameter Values

The initial values of parameters marked with asterisks (*) in the lists given above can be changed for each track or the entire song by engaging the record mode for the desired track, changing the parameters as required, and then disengaging the record mode (press the [REC] button again) without actually recording. To cancel any initial parameter values you’ve made, select a different track and then press the [REC] button to disengage the record mode.

To change individual ABC part volume settings engage any ABC mode after turning [REC] on, set the RHYTHM, CHORD 1, CHORD 2, and/or BASS volume control as required, then disengage the record mode.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI/ TRANSPOSE

Volume of track 1 or 2

■Playback

BASS

Performance Memory

The BASS volume control can be used while holding the [MIDI/TRANSPOSE] button to independently adjust the volume of track 1 or 2. The volume of the rhythm track is adjusted via the RHYTHM volume control. Please note that volume settings can only be decreased.

Individual track reverb depth can be adjusted by using the BASS volume while holding the [REVERB] button, and the overall reverb depth can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [REVERB] button. Also note that the tempo, reverb type, style, style variation, fill-in, and intro/ending settings are common to all tracks and cannot be set independently for different tracks.

● Erasing the Tracks

Individual tracks — except the rhythm track — can be completely erased by starting and stopping recording without actually playing or changing any parameters (i.e. press the [START/STOP] button twice). The same procedure can be used to erase the rhythm track if the RHYTHM volume control is set to its minimum position. Another way to erase data in individual tracks is to stop recording within two beats of start-

ing. In this case, any recorded data will be ignored and any previous data will be erased for the selected track.

• All data in all tracks can be simultaneously erased by turning the power on while holding the

NOTES

rightmost (G6) key on the keyboard.

27

START/STOP

Start playback by pressing either the PERFORMANCE MEMORY [START/STOP] button or the ABC [START/STOP] button. The song will play through to the end and playback will stop automatically. The current measure number will be shown on the TEMPO display during playback.

Playback can be stopped at any time by pressing the PERFORMANCE MEMORY or ABC [START/STOP] button.

• The playback voice cannot be changed when playing back Performance Memory data (the voice

NOTES

played via the keyboard can be changed).

• All Performance Memory data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods, turn the power on for a few minutes at least once a week. It is also possible to store it to an external MIDI storage device such as the Yamaha DOU-10 Disk Orchestra Unit by using the Performance Memory Data Send function described on page 34.

• The track indicators will not light automatically when the power is turned on even if the Performance Memory contains data. It is therefore necessary to press the track buttons so that the corresponding green indicators light before starting Performance Memory playback. It is also a good idea to press the track buttons to check if the tracks contain data before recording (do this before pressing the [REC] button). If the green indicator lights when the corresponding track button is pressed, that track contains data which will be erased and replaced by the newly-recorded data.

• If the green indicator of the data-containing track is not lit (i.e. playback is turned off) before the record ready mode is engaged, the track will remain off even after the record ready mode is engaged. The data-containing track indicator is automatically lit only when the record ready mode is engaged for the first time after the power is turned on (before any track buttons are pressed).

• If the metronome is being used during playback, the metronome will stop when playback is stopped.

21

RHYTHMABC

● Playing Back only Specific Parts

The [1], [2], [ABC], and [RHYTHM] buttons can be used to select playback of specific parts. When a part is on, the corresponding green indicator lights.

● Volume Control

The RHYTHM, BASS, CHORD 1, and CHORD 2 volume controls can be used to adjust the volume of the corresponding accompaniment parts when playng back data that was recorded with ABC. When playing back data that was recorded without ABC, however, these volume controls have the following track assignments.

RHYTHM: RHYTHM track BASS: No assignment CHORD 1: No assignment CHORD 2: 1 & 2 tracks

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

28

Performance Memory

The Chord Sequence Function

The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time.

ZEngage the Chord Sequence Function ................................................................................................

CHORD SEQUENCE

track button indicators will light, and the ABC FINGERED mode will be automatically selected — switch to the SINGLE FINGER mode if you prefer. If the SINGLE FINGER mode was already selected it will remain engaged.

Press the [CHORD SEQUENCE] button. The red [ABC] and [RHYTHM]

• The chord sequence data will replace any previous ABC data.

NOTES

• Up to 200 measures can be recorded using the Chord Sequence function.

XEnter the Chords and/or Style Changes...............................................................................................

Make the required style changes (style number, normal/variation, fill-in, intro/

ending, and tempo, as necessary), play and hold a chord on the left-hand section of the keyboard, and press the [q] key (look for the “q ” symbol above the F6 key) or the [w] key (G6) to enter the chord for a quarter note or whole note, respectively. You can move one beat backward by pressing the [?] key (F#6).

Continue entering chords in this manner until your sequence is complete.

• The number of the measure to be entered is shown on the TEMPO display, while

NOTES

the beat to be entered is shown on the BEAT display.

• If no chords are entered, the result will be a rhythm-only sequence.

Beat

Measure number

q

w?

G

F

6

BEAT

CStop Recording.......................................................................................................................................

CHORD SEQUENCE

When all the required chords and style changes have been entered, press the

[CHORD SEQUENCE] button to stop recording.

• The chord sequence data now resides in Performance Memory ABC and

NOTES

RHYTHM tracks, and can be played back in the normal way. Add melody tracks 1 and 2 as required.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Utility Mode

ZSelect a Utility Function.........................................................................................................................

29

Use the [POP 1/POP 2] and [SWING/JAZZ BALLAD] style selectors while holding the [MIDI/TRANSPOSE] button. The [POP 1/POP 2] style selector in- crements the utility function number each time it is pressed, and the [SWING/ JAZZ BALLAD] button decrements the utility function number.

The Utility Mode functions are indicated on the TEMPO display by a tall “U”

MIDI/ TRANSPOSE

POP 1 POP 2

SWING JAZZ

BALLAD

in the leftmost digit position. The number of the function is displayed by the center digit (“1” or “2”), and the current setting is shown by the right digit.

The [MIDI/TRANSPOSE] button must be held until after you’ve set the func-

Utility Mode

Function number

Setting

tion, below.

NOTES

• You can cancel the selected function at this point and exit from the utility mode simply be releasing the [MIDI/TRANSPOSE] button.

XSet as Required ......................................................................................................................................

MIDI/ TRANSPOSE

TEMPO

Use the TEMPO [▲] and [▼] buttons while still holding the [MIDI/TRANS-

POSE] button to select the required setting (the available settings for each utility

function are listed below).

CRelease the [MIDI/TRANSPOSE] Button to Exit...................................................................................

Release the [MIDI/TRANSPOSE] button to exit from the Utility Mode when

you’ve finished making the required settings.

U1: T ouch Sensitivity

The Clavinova can be set to one of three different types of keyboard touch sensitivity to match different playing

styles and preferences.

1: Soft. Allows maximum loudness to be produced with relatively light key pressure. 2: Medium. Produces a fairly “standard” keyboard response. 3: Hard. Requires the keys to be played quite hard to produce maximum loudness.

• The MEDIUM setting (2) is automatically selected whenever the POWER switch is turned

NOTES

on.

U2: Accompaniment Volume Mode

Normally the Auto Accompaniment volume controls are used to adjust the volume of the Rhythm, Chord 1, Chord 2, and Bass accompaniment parts, as labelled on the Clavinova panel. This function can be used to assign these volume controls to other operations.

1: Volume for the Rhythm, Chord 1, Chord 2, and Bass tracks. This applies when playing with

the ABC mode engaged or when playing back performance memory data that was recorded with ABC. When playing back performance memory data that was recorded without ABC, the Chord 2 control corresponds to tracks 1 and 2, the Chord 1 and Bass controls are not assigned.

2: Reverb depth for the Rhythm, Chord 1, Chord 2, and Bass tracks. This applies when playing

with the ABC mode engaged or when playing back performance memory data that was recorded with ABC. When playing back performance memory data that was recorded without ABC, the Chord 2 control corresponds to tracks 1 and 2, the Chord 1 and Bass controls are not assigned.

• The Rhythm, Chord 1, Chord 2, and Bass volume setting (1) is automatically selected when-

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ever the POWER switch is turned on.

•1 can be recorded and their initial values can be changed as described on page 26.

2

applies only to playback.

30

MIDI Functions

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.

The Clavinova has 13 MIDI functions that are accessed by pressing the appropriate VOICE selector while holding the [MIDI/TRANSPOSE] button. The MIDI functions accessed by the various VOICE selectors are shown in the following chart:

Function Selector

1. Send Channel Select PIANO

CLAVINOVA

2. Receive Channel Select CLAVINOVA TONE

3. Local ON/OFF E. PIANO

4. Program Change ON/OFF HARPSI

5. Control Change ON/OFF VIBES

6. Multi-Timbre Mode ON/OFF GUITAR

7. Split Send Mode STRINGS

8. MIDI Clock Select ORGAN

9. Panel Data Transmit CHOIR

10. MIDI Transpose Transmit UPRIGHT BASS

11. Clavinova Common Voice Mode ON/OFF ELEC BASS

12. GM Multi-Timbre Mode DRUMS

13. Performance Memory Data Send VOICE 13-60

MIDI/ TRANSPOSE

MASTER VOLUME

DEMO

MAX

REVERB

ROOM HALL 1 HALL 2 COSMIC

MIN

PIANO

TONE

123 4567 8

SOLO

FINGERED

STYLEPLAY

INTRO/ENDING NORMAL VARIATION

FILL TO NORMALFILL TO VARIATION

90

CHOIR

STYLE

DANCE

SLOW

16BEAT 1

ROCK’N’

COUNTRY 1

POP 1

ROCK

DANCE

16BEAT

POP 2

16BEAT 2

SHUFFLE

COUNTRY 2

POP 2

SHUFFLE

BIG BAND

BOSSA

CHA-CHA

MARCH

WALTZ

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

MARCH 6/8

J.WALTZ

BALLAD

ORGAN

MIDI/

AUTO ACCOMPANIMENT

TRANSPOSE

AUTO BASS CHORD

FULL

SINGLE

KEYBOARD

FINGER

MAX

LEFT PEDAL FUNCTION

SOFT

SYNCHRO

SOSTENUTO START/STOP SOLO STYLEPLAY

START

START/STOP

MIN

CHORD 2

RHYTHM

CHORD 1

BASS

E.PIANO

UPRIGHT BASS

METRONOME

HARPSI

ELEC BASS

VOICE

BEAT

CLAVINOVA

PIANO

TONE

1234567 8

90

ORGAN

CHOIR

TEMPO

VIBES

GUITAR

VOICE 13-60

DRUMS

RERFORMANCE MEMORY

HARPSI

STRINGS

SPLIT

VIBES

GUITAR

E.PIANO

ELEC

UPRIGHT

VOICE 13-60

DRUMS

BASS

RHYTHMABC

21

CHORD SEQUENCE

REC

START/STOP

STRINGS

The available settings and procedure for each MIDI function are descr ibed below.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals.

NOTES

Never use MIDI cables longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

• When using the Clavinova with other MIDI equipment, always refer to the MIDI specifications (implementation chart and MIDI data format) of the equipment used to ensure compatibility.

■Send and Receive Channel Select

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer (there are 16 MIDI channels). An “OMNI” receive mode is also available, which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device.

ZHold [MIDI/TRANSPOSE] and press [PIANO] to set the send channel or

S1......S16

Send channel

r1......r16

Receive channel

[CLAVINOVA TONE] to set the receive channel.

XUse TEMPO [▲] and [▼] buttons to select the desired channel (the selected

channel number is shown on the TEMPO display — the OMNI ON receive mode is indicated by “ALL” on the display).

ALL

OMNI ON

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CRelease [MIDI/TRANSPOSE].

• When the power is initially turned ON, MIDI receive is set to the OMNI ON mode

NOTES

and the transmit channel is set to 1.

■Local Control ON/OFF

MIDI Functions

31

MIDI OUT

MIDI Sequencer

MIDI IN

Tone Generator

Played from Clavinova keyboard.

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard.

Local control can be turned off, however, so that the Clavinova keyboard does

MIDI IN

MIDI OUT

not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the Clavinova’s internal voices, an external tone generator can be

Clavinova

Local control OFF. Played from MIDI Sequencer.

E.PIANO

= local control OFF.

E.PIANO

= local control ON.

played from the Clavinova keyboard. Local Control is automatically turned ON when the power is initially turned on.

ZHold [MIDI/TRANSPOSE] and press [E. PIANO].

XRelease [MIDI/TRANSPOSE].

■Program Change ON/OFF

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device, and vice versa. Program Change is automatically turned on when the power is initially turned on.

HARPSI

= program change reception/

HARPSI

transmission OFF.

= program change reception/

transmission ON.

ZHold [MIDI/TRANSPOSE] and press [HARPSI].

XRelease [MIDI/TRANSPOSE].

■Control Change ON/OFF

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received from the controlling device. The Clavinova also transmits MIDI control change information when either of its pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want the Clavinova voices to be affected by control change data received from an external device or vice versa. Control Change is automatically turned on when the power is initially turned on.

VIBES

= control change reception/

VIBES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

transmission OFF.

= control change reception/

transmission ON.

ZHold [MIDI/TRANSPOSE] and press [VIBES].

XRelease [MIDI/TRANSPOSE].

32

MIDI Functions

■The Multi-Timbre Mode

The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 15) by an external MIDI device. The Multi-Timbre mode is off when the power is initially turned on.

The Multi-Timbre mode can be activated as follows:

GUITAR

= Multi-Timbre mode ON.

GUITAR

= Multi-Timbre mode OFF.

ZHold [MIDI/TRANSPOSE] and press [GUITAR].

XRelease [MIDI/TRANSPOSE].

In this mode MIDI program change numbers received by the Clavinova select the corresponding Clavinova voices — i.e. the same voices selected by the panel controls. The Clavinova Common Voice Mode described on page 33 also allows multi-timbre control of the Clavinova, but with different voice assignments.

● Rhythm Instrument Note Assignments

The Clavinova’s rhythm instruments are controlled via MIDI channel 15. The note assignments for the various rhythm instruments are given below:

Note

MIDI

Note No.

A1 45 (CYMBAL DAMP) F#2 54 BRUSH ROLL G#2 56 HI-HAT CLOSED HEAVY A#2 58 CRASH CYMBAL LIGHT B2 59 BASS DRUM LIGHT C3 60 C#3 61 RIDE CYMBAL CUP D3 62 F3 65 BASS DRUM NORMAL F#3 66 RIM SHOT G3 67 SNARE DRUM HEAVY G#3 68 BRUSH SHOT A3 69 SNARE DRUM LIGHT A#3 70 HI-HAT PEDAL B3 71 SNARE DRUM ECHO C4 72 TOM 4 C#473

Instrument

SNARE DRUM + RIM HEAVY

SNARE DRUM + RIM LIGHT

HI-HAT CLOSED NORMAL

Note

MIDI

Note No.

D4 74 TOM 3 D#4 75 HI-HAT OPEN E4 76 TOM 2 F4 77 TOM 1 F#4 78 RIDE CYMBAL NORMAL G4 79 ELECTRIC TOM 3 G#480 A4 81 ELECTRIC TOM 2 A#4 82 CRASH CYMBAL B4 83 ELECTRIC TOM 1 C5 84 CONGA LOW C#5 85 CABASA D5 86 CONGA HIGH D#5 87 METRONOME E5 88 BONGO HIGH F5 89 TIMBALE LOW

Instrument

CRASH CYMBAL NORMAL

Note

MIDI

Note No.

F#5 90 CLAVES G5 91 TIMBALE HIGH G#5 92 CASTANETS A5 93 CUICA LOW A#5 94 COWBELL B5 95 CUICA HIGH C6 96 HAND CLAP C#6 97 AGOGO LOW D#6 99 AGOGO HIGH E6 100 BONGO LOW F6 101 (CUICA LOW) F#6 102 (TAMBOURINE) G6 103 (CRASH CYMBAL) G#6 104 (TRIANGLE CLOSED) A6 105 (BRUSH ROLL) A#6 106 (TRIANGLE OPEN)

Instrument

• Instrument names listed in parentheses can only be controlled by MIDI data

NOTES

received from another keyboard or MIDI control device. It is not possible to play or transmit these instruments directly from the keyboard.

■The Split Send Mode

In the split send mode notes played on the left-hand section of the keyboard (to the left of and including the split point key — see “Changing the Split Point” on page 10) are transmitted on MIDI channel 2, while the upper keyboard section transmits on the MIDI channel set using the Send Channel Select function described earlier. In this mode the left- and right-hand sections of the keyboard can be used to play separate external keyboards or tone generators set to receive on the appropriate channels. The Split Send Mode is automatically turned off when the power is initially turned on.

STRINGS

= Split Send Mode ON.

STRINGS

= Split Send Mode OFF.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ZHold [MIDI/TRANSPOSE] and press [STRINGS].

XRelease [MIDI/TRANSPOSE].

■MIDI Clock Select

This function determines whether the Clavinova’s rhythm and ABC timing is controlled by the Clavinova’s own internal clock or an external MIDI clock signal received from external equipment connected to the MIDI IN connector. The Clock Mode is automatically set to INTERNAL when the power is initially turned on.

ORGAN

= EXTERNAL.

ORGAN

= INTERNAL.

■Panel Data Send

This function causes all the current Clavinova panel settings (selected voice, etc) to be transmitted via the MIDI OUT connector. This is particularly useful if you will be recording performances to a MIDI sequence recorder which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be automatically restored to the same settings when the performance is played back.

ZHold [MIDI/TRANSPOSE] and press the [ORGAN]. XRelease [MIDI/TRANSPOSE].

• If the Clock Mode is set to EXTERNAL and a MIDI clock signal is not being received

NOTES

from an external source, the rhythm, ABC and other clock-dependent features will not operate.

ZHold [MIDI/TRANSPOSE] and press [CHOIR].

MIDI Functions

33

XRelease [MIDI/TRANSPOSE].

■MIDI T ranspose Transmit

This function transposes the pitch of transmitted MIDI note data up or down in semitone intervals up to a maximum of six semitones. The pitch of notes played on the keyboard is not affected.

Display Transposition

t-6 -6 semitones t-5 -5 semitones t-4 -4 semitones t-3 -3 semitones t-2 -2 semitones t-1 -1 semitone t-0 Normal t-1 +1 semitone t-2 +2 semitones t-3 +3 semitones t-4 +4 semitones t-5 +5 semitones t-6 +6 semitones

ZHold [MIDI/TRANSPOSE] and press [UPRIGHT BASS]. XUse the TEMPO [▲] and [▼] buttons to select the desired degree of transposition

while holding the [MIDI/TRANSPOSE] button. The amount of transposition selected is shown on the TEMPO display.

CRelease [MIDI/TRANSPOSE].

• Press the TEMPO [▲] and [▼] buttons simultaneously while holding the [MIDI/

NOTES

TRANSPOSE] button to restore normal transmitted pitch.

• Transpose is always set to Normal when the power is turned on.

■The Clavinova Common Voice Mode

This mode is similar to the Multi-Timbre Mode described on page 32, but MIDI program change numbers received on all channels are converted to Yamaha Clavinova Common Voice Numbers. MIDI program change numbers transmitted when the panel voice selectors are operated are also converted to the common voice numbers.

The Clavinova Common Voice mode is always off when the power is initially turned on. It can be activated as follows:

ELEC BASS

= Common Voice mode

ELEC BASS

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ON.

= Common Voice mode

OFF.

ZHold [MIDI/TRANSPOSE] and press [ELEC BASS].

XRelease [MIDI/TRANSPOSE].

• The panel voices you play on the keyboard are not converted to the Clavinova Com-

NOTES

mon Voices in this mode.

34

MIDI/ TRANSPOSE

VOICE 13-60

MIDI Functions

■GM Multi-Timbre Mode

The GM Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 16) by an external MIDI device. Also, MIDI program change numbers received on all channels are converted to GM system level 1 voice allocation numbers. With the GM Multi-Timbre mode switched on, you can select any voice from numbers 1 to 128 which are set to the GM voice allocation.

The GM Multi-Timbre mode can be activated as follows:

DRUMS

= GM Multi-Timbre mode ON.

DRUMS

= GM Multi-Timbre mode OFF.

ZHold [MIDI/TRANSPOSE] and press [DRUMS].

XRelease [MIDI/TRANSPOSE].

NOTES

■Performance Memory Data Send

This function is used to transmit all data stored in the Performance Memory to a MIDI data storage device such as the Yamaha DOU-10 Disk Orchestra Unit. When Performance Memory data is being transmitted, “Snd” will appear on the display.

• The GM Multi-Timbre mode is automatically turned on if the Clavinova receives a GM on message from an external MIDI device.

ZHold [MIDI/TRANSPOSE] and press [VOICE 13-60]. Transmission will begin.

XRelease the buttons.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Connectors

Although the Clavinova is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion.

● AUX IN L/L+R and R Jacks ....................................................................................................................

AUX IN

R

L/L+R

These jacks are intended primarily for use with external synthesizers or tone

generator modules.

For example, the outputs of the synthesizer/tone generator can be to the

Clavinova AUX IN jacks, allowing the sound of the synthesizer/tone generator to be reproduced via the Clavinova’s internal amplifier and speaker system. For monaural signal input (when the connected device is monaural), use only the L/L+R jack.

35

Tone Generator

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks, but is

NOTES

not affected by the Clavinova’s volume control or reverb effect.

● AUX OUT L/L+R and R Jacks ................................................................................................................

AUX OUT

L/L+R

R

Stereo System

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for con-

nection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the leftand right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

CAUTION

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment.

● MIDI IN and OUT Connectors ................................................................................................................

MIDI

IN

OUT

The MIDI IN connector receives MIDI data from an external MIDI device

(such as a synthesizer, sequencer, music computer, etc.) which can be used to control the Clavinova. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given in “MIDI Functions” on page 30.

MIDI Sequencer

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

36

If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty.

Troubleshooting

1. No Sound When the Power is Turned On

Is the AC plug properly connected to the Clavonova and an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

2. No Rhythm, ABC, or Performance Memory Sound

Check the Auto Accompaniment volume control settings. No sound is produced if these are set to their minimum positions.

3. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning on or off a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa.

6. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the setting of the Clavinova volume control to a level at which the distortion ceases.

Options

● BC-7 Bench

A stable, comfortable bench styled to match your Yamaha Clavinova.

● HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● KC-761 Key Cover

A convenient way to keep your keyboard clean and dust-free.

• Some items may not be available in certain areas.

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Index

37

A

ABC, recording with .................................... 25

Accompaniment volume mode.................... 29

Auto accompaniment volume controls .......... 5

Auto Bass Chord ......................................... 20

Aux in jacks ................................................. 35

Aux out jacks............................................... 35

B

Balance, dual mode ...................................... 9

Balance, split mode..................................... 11

C

Chord sequence.......................................... 28

Chord types................................................. 21

Clavinova common voice mode .................. 33

Connectors.................................................. 35

Control change on/off.................................. 31

Conventional Full-keyboard ABC ................ 22

D

Damper pedal ............................................. 14

Damper pedal, split mode ........................... 11

Demonstration playback ............................... 6

Depth control, reverb .................................. 12

Drum and percussion key assignments ........ 8

Dual mode..................................................... 9

E

Erasing tracks ............................................. 27

F

Fill-ins.......................................................... 19

Fingered accompaniment ........................... 21

Full-keyboard ABC ...................................... 22

G

GM multi-timbre mode ................................ 34

H

Harmonization, Solo Styleplay .................... 23

Headphones.................................................. 4

I

Initial parameter values, changing .............. 26

Internal amplifier and speaker system .......... 5

Introductions ............................................... 18

K

Keyboard..................................................... 13

Keyboard percussion .................................... 8

L

Left pedal .................................................... 14

Left pedal, Solo Styleplay ........................... 23

Local control on/off...................................... 31

M

Metronome .................................................. 19

MIDI clock select ......................................... 33

MIDI connectors .......................................... 35

MIDI functions ............................................. 30

MIDI transpose transmit .............................. 33

Monitoring tracks......................................... 26

Multi-timbre mode ....................................... 32

Music stand ................................................... 4

O

Options........................................................ 38

P

Pan.............................................................. 13

Panel controls ............................................... 2

Panel data send .......................................... 33

Parameters, performance memory ............. 26

Pedals ......................................................... 14

Performance memory ................................. 24

Performance memory data send................. 34

Pitch control ................................................ 16

Playback, performance memory ................. 27

Polyphony ................................................... 13

Power switch ................................................. 4

Precautions ................................................... 1

Program change on/off ............................... 31

R

Recording and playback, multitrack ............ 25

Recording and playback, one pass ............. 24

Reverb ........................................................ 12

Rhythm instrument MIDI note assignments 32

Rhythm, recording with ............................... 25

S

Send/receive channel select ....................... 30

Single-finger accompaniment ..................... 20

Soft pedal .................................................... 14

Solo styleplay .............................................. 23

Solo styleplay, recording with ..................... 25

Sostenuto pedal .......................................... 14

Split mode ................................................... 10

Split point, ABC ........................................... 22

Split point, normal ....................................... 10

Split send mode .......................................... 32

Split voices, changing ................................. 10

Starting the accompaniment ....................... 18

Stopping the accompaniment ..................... 19

Style selection ............................................. 17

Synchronized start ...................................... 18

T

Tempo control ............................................. 17

Touch sensitivity ......................................... 29

Track selection ............................................ 25

Tracks, adding new ..................................... 26

Transposition .............................................. 15

Troubleshooting .......................................... 36

U

Utility mode ................................................. 29

V

Voice list........................................................ 8

Voice selection .............................................. 7

Volume controls ...................................... 5, 22

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

i

Assembly/Zusammenbau/Montage/Montaje

1

A

B

C

Main keyboard unit Keyboard Clavier Unidad principal de teclado

D

AC power cord Netzkabel Cordon d’alimentation Cable de alimentación de CA

5 x 40 mm long round-head screws (gold) x 4 Lange 5 x 40 mm Rundkopfschrauben (gold) x 4 4 vis longues à tête ronde (dorées) 5 x 40 mm Tornillos de cabeza redonda largos de 5 x 40 mm (dorados) x 4

6 x 70 mm long flat-head screws (gold) x 4 Lange 6 x 70 mm Flachkopfschrauben (gold) x 4 4 vis longues à tête plate (dorées) 6 x 70 mm Tornillos de cabeza plana largos de 6 x 70 mm (dorados) x 4

6 x 14 mm short round-head screws (black) x 6 Kurze 6 x 14 mm Rundkopfschrauben (schwarz) x 6 6 vis courtes à tête ronde (noires) 6 x 14 mm Tornillos de cabeza redonda cortos de 6 x 14 mm (negros) x 6

4 x 12 mm small round-head screws (black) x 4 Kleine 4 x 12 mm Rundkopfschrauben (schwarz) x 4 4 petites vis à tête ronde (noires) 4 x 12 mm Tornillos de cabeza redonda pequeños de 4 x 12 mm (negros) x 4

Joint connectors x 4 Verbindungsstücke x 4 Dispositifs d’assemblage x 4 Conectores de junta x 4

Plastic caps x 4 Plastikkappen x 4 Capuchons en plastique x 4 Tapas de plástico x 4

1

2

3

4

• We do not recommend attempting to assemble the

NOTES

Clavinova alone. The job can be easily accomplished, however, with only two people.

• Use only the screws provided or replacements of exactly the specified size. Using screws of the wrong size can result in damage to the instrument.

Z Open the box and remove all the parts.

On opening the box you should find the parts shown in the illustration. Check to make sure that all the required parts are provided.

XAttach the feet (C) to the side panels (B).

Secure the feet (C) to the side panels (B) using two 5 x 40 mm long round-head screws 1 for each side. Take a close look at the brackets positions on the side panels in the illustration and assemble the side panels and feet accordingly.

CAttach the side panels (B) to the center panel

(A).

Attach the center panel (A) to the side panels (B) using the four 6 x 70 mm long flat-head screws 2 as shown in the illustration.

* When installing the joint connectors in the holes in the center panels

(A), make sure that they are rotated to the position shown in the illustration.

ZusammenbauAssembly

• Wir raten Ihnen davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen können diese Arbeit jedoch problemlos ausführen.

• Verwenden Sie ausschließlich die mitgeliefenten Schrauben oder Ersatzschrauben identischer Größe. Die Verwendung von Schrauben mit abweichenden Maßen kann eine Beschädigung des Instruments zur Folge haben.

ZDen Versandkarton öffnen und alle Teile aus-

packen.

Der Karton sollte alle in der Abbildung gezeigten Teile enthalten. Vergewissern Sie sich, daß alle Teile vollzählig vorhanden sind.

XDie Füße (C) an den Seitenwänden (B) befesti-

gen.

Schrauben Sie die Füße (C) mit jeweils zwei langen 5 x 40 mm Rundkopfschrauben 1 an den beiden Seitenwänden (B) fest. Richten Sie sich zur besseren Orientierung nach den in der Abbildung gezeigten Halterungspositionen an den Seitenwänden, und schrauben Sie die Füße entsprechend an die Seitenwände.

CDie Seitenwände (B) mit der Verstärkungs-

strebe (A) verschrauben.

Schrauben Sie die Verstärkungsstrebe (A) mit den vier langen 6 x 70 mm Flachkopfschrauben 2 an den Seitenwänden fest, wie in der Abbildung dargestellt.

* Richten Sie die Verbindungsstücke nach dem Einsetzen in die

Bohrungen der Verstärkungsstrebe (A) so aus, wie in der Abbildung gezeigt.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Assembly/Zusammenbau/Montage/Montaje

ii

2

Front Vorne Avant Frontal

C

5 x 40 mm long round-head screws (gold) 1 Lange 5 x 40 mm Rundkopfschrauben (gold) 1 Vis longues à tête ronde (dorées) 5 x 40 mm 1 Tornillos de cabeza redonda largos de 5 x 40 mm (dorados)

B

1

3

Plastic caps Plastikkappen Capuchons en plastique Tapas de plástico

Joint connectors Verbindungsstücke Dispositifs d’assemblage Conectores de junta

A

B

6 x 70 mm long flat-head screws (gold) 2 Lange 6 x 70 mm Flachkopfschrauben (gold) 2 Vis longues à tête plate (dorées) 6 x 70 mm 2 Tornillos de cabeza plana largos de 6 x 70 mm (dorados)

2

Montage Montaje

• Nous ne vous conseillons pas d’essayer d’assembler le Clavinova seul. Toutefois, ce travail peut être facilement exécuté par deux personnes.

• N’utilisez que les vis fournies ou des vis ayant exactement les mêmes dimensions. Le fait d’utiliser des vis de dimensions incorrectes pourrait endommager l’instrument.

Z Ouvrez le carton et retirez toutes les pièces.

Les pièces indiquées sur l’illustration devraient toutes se

trouver dans le carton. Vérifiez qu’il n’en manque aucune.

XMontez les supports inférieurs (C) sur les

panneaux latéraux (B).

Fixez les supports inférieurs (C) sur les panneaux latéraux

(B) avec deux vis longues à tête ronde de 5 x 40 mm 1 pour chaque côté. Observez bien sur l’illustration la position des ferrures sur les panneaux latéraux et montez les panneaux latéraux et les supports inférieurs en conséquence.

CMontez les panneaux latéraux (B) sur le pan-

neau central (A).

Montez le panneau central (A) et les panneaux latéraux

(B) avec quatre vis longues à tête plate de 6 x 70 mm 2 comme mentionné sur l’illustration.

* Lorsque vous posez les connecteurs de joints dans les trous du pan-

neau central (A), vérifiez qu’ils sont bien tournés dans la position indiquée sur l’illustration.

• No le recomendamos que monte la Clavinova usted solo. Sin embargo, el trabajo podrá realizarse con más facilidad entre dos personas solamente.

• Emplee sólo los tornillos suministrados u otros que sean exactamente del mismo tamaño especificado. El empleo de tornillos del tamaño erróneo puede dañar el instrumento.

ZAbra la caja y extraiga todas las partes.

Al abrir la caja, encontrará las partes mostradas en la ilustración de arriba. Compruebe y asegúrese de que no falta ninguna de las partes requeridas.

XMonte las patas (C) en los paneles laterales

(B).

Fije las patas (C) en los paneles laterales (B) usando dos tornillos de cabeza redonda largos de 5 x 40 mm 1 para cada lado. Cerciórese de las posiciones de las ménsulas en los paneles laterales en la ilustración y monte los paneles laterales y las patas de forma consecuente.

CMonte los paneles laterales (B) en el panel

central (A).

Monte el panel central (A) en los paneles laterales (B) usando los cuatro tornillos de cabeza plana largos de 6 x 70 mm 2 como se muestra en la ilustración.

* Cuando instale los conectores de unión en los orificios de los paneles

centrales (A), asegúrese de que se giran a la posición mostrada en la ilustración.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

iii

Assembly/Zusammenbau/Montage/Montaje

4

Danger Zone Gefahrenzone Danger Zona de peligro

Main keyboard unit Keyboard Clavier Unidad principal de teclado

6 x 14 mm short round-head screws (black) 3 Kurze 6 x 14 mm Rundkopfschrauben (schwarz) 3 Vis courtes à tête ronde (noires) 6 x 14 mm 3 Tornillos de cabeza redonda cortos de 6 x 14 mm (negros)

3

VInstall the main keyboard unit.

As shown in the illustration, gently lower the main keyboard unit onto the stand assembly so that the two black plastic cones protruding from the bottom of the keyboard fit into the larger holes in the brackets near the rear edge of the side panels (B). Secure the main keyboard unit to the stand assembly using two 6 x 14 mm round-head screws 3 screwed through the rear brackets and two 6 x 14 mm roundhead screws 3 through the front blacket.

* When disassembling the Clavinova unscrew the black cones using a

“+” (Phillips) screwdriver.

* Keep your fingers away from the area marked “Danger Zone” in the

illustrations when lowering the main keyboard unit onto the stand assembly.

BAttach the pedal assembly.

Tilt the main unit as shown in the illustration, align the pedal assembly with the screw holes on the main unit and center panel (A), making sure that the pedal cord passes through the recess in the top of the pedal assembly, and screw the four 4 x 12 small round-head screws 4 into the center panel (A), and the two 6 x 14 mm round-head screws 3 into the main keyboard unit.

Plug the pedal cord connector which is protruding from the top of the pedal assembly into the corresponding connector in the bottom of the main keyboard unit. Note that the connector must be inserted with the protruding clip facing the right end of the keyboard (as seen from the keyboard side).

VDas Keyboard montieren.

Setzen Sie das Keyboard, wie in der Abbildung gezeigt, vorsichtig so auf das zusammengebaute Untergestell, daß die beiden schwarzen Kunststoffkegel an der Unterseite des Keyboards in die größeren Bohrungen der Halterungen hinten an den Seitenwänden (B) greifen. Schrauben Sie das Keyboard mit zwei 6 x 14 mm Rundkopfschrauben 3 an den hinteren Halterungen und zwei weiteren 6 x 14 mm Rundkopfschrauben 3 an den vorderen Halterungen fest.

* Beim Zerlegen des Clavinova können die beiden schwarzen Kegel

mit einem Kreuzschlitzschraubendreher (“+”) herausgedreht werden.

* Halten Sie Ihre Hände beim Aufsetzen des Keyboards auf das

Untergestell von dem in der Abbildung mit “Gefahrenzone” gekennzeichneten Bereich fern.

BDen Pedalkasten befestigen.

Kippen Sie das Instrument, wie in der Abbildung gezeigt, und richten Sie den Pedalkasten auf die Schraubenbohrungen an Keyboard und Verstärkungsstrebe (A) aus. Vergewissern Sie sich, daß das Pedalkabel richtig in der Nut der Pedalkastenstrebe liegt, und schrauben Sie den Pedalkasten dann mit den vier kleinen 4 x 12 mm Rundkopfschrauben 4 an der Verstärkungsstrebe und zwei 6 x 14 mm Rundkopfschrauben 3 am Keyboard fest.

Schließen Sie den Stecker des Pedalkabels an die Buchse an der Unterseite des Keyboards an. Beim Einstecken muß das Klemmstück des Steckers zur rechten Seite des Keyboards weisen (von der Seite mit der Tastatur aus gesehen).

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

5

Assembly/Zusammenbau/Montage/Montaje

A

D

iv

4 x 12 mm small round-head screws (black) 4 Kleine 4 x 12 mm Rundkopfschrauben (schwarz) 4 Petites vis à tête ronde (noires) 4 x 12 mm 4 Tornillos de cabeza redonda pequeños de 4 x 12 mm (negros)

VInstallation du clavier.

Comme mentionné sur l’illustration, abaissez le clavier avec précaution sur les supports afin que les deux cônes en plastique noir qui dépassent de la semelle du clavier s’insèrent dans les trous plus grands des ferrures près du bord arrière des panneaux latéraux (B). Fixez le clavier sur le support avec deux vis à tête ronde 6 x 14 mm 3 vissées dans les ferrures arrière et deux vis à tête ronde 6 x 14 mm 3 dans les ferrures avant.

* Lors du démontage du Clavinova, dévisser les cônes noirs avec

un tournevis cruciforme “+”.

* En abaissant le clavier sur le support, éloignez vos doigts de la

zone marquée “Danger” sur l’illustration.

BFixez le pédalier.

Inclinez le clavier comme illustré, alignez le pédalier sur les trous de vis du clavier et du panneau central (A) en vérifiant que le cordon du pédalier passe bien par l’encoche en haut du pédalier, puis vissez les quatre petites vis à tête ronde 4 x 12 mm 4 dans le panneau central (A) et les deux vis à tête ronde 6 x 14 mm 3 dans le clavier.

Branchez le connecteur de cordon de pédalier, qui dépasse en haut du pédalier, dans le connecteur correspondant au bas du clavier. Il est à noter que le connecteur doit être inséré de manière à ce que sa partie saillante se trouve à l’extrémité droite du clavier (vu du clavier).

6 x 14 mm short round-head screws (black) 3 Kurze 6 x 14 mm Rundkopfschrauben (schwarz) 3 Vis courtes à tête ronde (noires) 6 x 14 mm 3 Tornillos de cabeza redonda cortos de 6 x 14 mm (negros)

4

3

VInstale la unidad principal del teclado.

Como se muestra en la ilustración, baje con cuidado la unidad principal del teclado sobre el conjunto del soporte de modo que los dos conos de plástico negros que sobresalen por la parte inferior del teclado se adapten en los orificios más grandes de las ménsulas, cerca de borde trasero de los paneles laterales (B). Asegure la unidad principal del teclado en el conjunto del soporte usando dos tornillos de cabeza redonda de 6 x 14 mm 3 a través de las ménsulas posteriores y dos tornillos de cabeza redonda de 6

x 14 mm 3 a través de la ménsula frontal.

* Cuando desmonte la Clavinova, desenrosque los conos negros usando un

destornillador de cabeza en cruz “+”.

* Mantenga los dedos apartados de la parte marcada con “Zona de peligro”

en la ilustración cuando baje la unidad principal del teclado sobre el conjunto del soporte.

BMonte el conjunto de los pedales.

Incline la unidad principal como se muestra en la ilustración, alinee el conjunto de pedales con los orificios de tornillos de la unidad principal y panel central (A), asegurándose de que el cable de los pedales pasa por el hueco de la parte superior del conjunto de pedales, y enrosque los cuatro tornillos de cabeza redonda de 4 x 12 mm 4 en el panel central (A), y los dos tornillos de cabeza redonda de 6 x 14 mm 3 a través de la ménsula frontal.

Enchufe el conector del cable de pedales que sobresale de la parte superior del conjunto de pedales en el conector correspondiente de la parte inferior de la unidad principal del teclado. Tenga presente que el conector debe insertarse con el retenedor saliente orientado hacia el extremo derecho del teclado (mirándolo desde el lado del teclado).

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

v

Assembly/Zusammenbau/Montage/Montaje

6

● A voltage selector is provided in some areas.

● Spannungswähler

(nur in bestimmten Verkaufsgebieten)

● Un sélecteur de tension est prévu pour certaines régions

● El selector de tensión está provisto para ciertos destinos.

NVoltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped.

After the proper voltage has been selected connect the AC power cord. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

MSet the adjuster.

For stability, two adjusters are provided on the bottom of the pedal assembly (D). Rotate the adjusters until they come in firm contact with the floor surface. The adjusters ensure stable pedal operation and facilitate pedal effect control. If the adjusters are not in firm contact with the floor surface, distorted sound may result.

• After assembling the Clavinova, check once more to make sure that

all screws have been securely fastened.

• If the stand leans to the side, makes unusual noises, or otherwise

seems unstable during use, check and tighten all screws while following the assembly instructions given above.

NDen Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswähler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswähler auf “240” voreingestellt.

Nachdem Sie den Spannungswähler richtig eingestellt haben, können Sie nun das Netzkabel anschließen. In manchen Gebieten wird ein Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschiedlich geformte Steckdose zu ermöglichen.

MDie Pedalstützen einstellen.

Für bessere Standfestigkeit sind unter dem Pedalkasten (D) zwei verstellbare Pedalstützen vorgesehen. Nachdem Sie das Clavinova an seinem festen Standplatz aufgestellt haben, drehen Sie diese Stützen heraus, bis sie fest auf dem Boden stehen. Die Stützen sorgen beim Spielen für präzise Pedalbetätigung. Wenn die beiden Pedalstützen nicht fest auf dem Boden aufstehen, können Klangverzerrungen auftreten.

• Vergewissern Sie sich nach Zusammenbau und Aufstellung des

Clavinova noch einmal davon, daß alle Schrauben fest angezogen sind.

• Wenn das Instrument schief steht, komische Geräusche erzeugt oder

sich beim Spielen wackelig anfühlt, prüfen Sie gemäß den obigen Anweisungen, ob das Instrument richtig zusammengebaut wurde, und ziehen dabei die einzelnen Schrauben noch einmal nach.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

7

Assembly/Zusammenbau/Montage/Montaje

D

vi

NSélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le réglage du sélecteur de tension qui est prévu pour certaines régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau. Le sélecteur de tension est réglé sur 240 V au départ d’usine.

Une fois que vous avez réglé le sélecteur de tension, connectez le cordon d’alimentation. Un adaptateur de prise peut également être fourni dans certaines régions pour pouvoir brancher le cordon à la prise secteur murale.

MN’oubliez pas de régler la hauteur du pédalier.

Pour assurer la stabilité, deux dispositifs de réglage ont été prévus à la partie inférieure du pédalier (D). Tournez ces dispositifs jusqu’à ce qu’ils soient en contact ferme avec la surface du sol. Ces dispositifs assurent la stabilité du pédalier lors de son utilisation et facilitent la commande au pied des effets. Si ces dispositifs ne sont pas en contact ferme avec le sol, il pourra se produire une distorsion du son.

NSelector de tensión

Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para ciertos destinos. Para ajustar el selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee un destornillador de cabeza recta “–” para girar el selector de modo que la tensión correcta de su zona aparezca al lado del indicador del panel. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica.

Después de haber seleccionado la tensión correcta, enchufe el cable de alimentación. En algunas zonas puede suministrarse también un adaptador para adaptar la configuración de las patillas de los tomacorrientes de CA de su localidad.

MAsegúrese de ajustar los reguladores de los

pedales.

Para más estabilidad, se proporcionan dos reguladores en la parte inferior del conjunto de pedales (D). Gire los reguladores hasta que hagan buen contacto con la superficie del piso. Los reguladores aseguran una operación estable de los pedales y facilitan el control de los efectos con los pedales. Si los ajustadores no están en buen contacto con la superficie del piso, el sonido podría distorsionarse.

• Après avoir assemble le Clavinova, vérifiez de nouveau que toutes les vis sont bien serrées à fond.

• Si l’instrument penche d’un côté, s’il fait un bruit inhabituel, ou s’il paraît instable lorsque vous l’utilisez, vérifiez que vous l’avez assemblé correctement et que toutes les vis sont bien serrées en suivant les instructions de montage données ici.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

• Después de haber montado la Clavinova, compruebe una vez más que todos los tornillos se hayan apretado bien.

• Si el soporte se inclina a un lado, hace ruidos anormales, o parece inestable durante la utilización, compruebe y apriete todos los tornillos siguiendo las instrucciones de montaje anteriores.

vii

MIDI Data Format/MIDI-Datenformat/Format des

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Hardware-Steuerung einsetzen, werden Ihnen die nachfolgend aufgeführten Daten bei der Steuerung des Clavinovas wahrscheinlich hilfreich sein.

1. NOTE ON/OFF

[9nH] [kkH] [vvH]

9nH= Note on/off event

(n= MIDI channel number)

kkH= Note number

(Transmission: 16H~6DH= A#-1~C#7, Reception= 15H~6CH: A-1~C7)

vvH= Velocity

(Note on= 01H~7FH, Note off= 00H)

[8nH] [kkH] [vvH]

8nH= Note off event

(n= MIDI channel number) kkH= Note number (15H~6CH: A-1~C7) vvH= Velocity (Note off= 00H~7FH)

* 8nH (note off) is receive only.

9nH (vvH=00H) used for transmission.

2. CONTROL CHANGE

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Control number vvH= Control value

• Pan [BnH] [0AH] [vvH]

n= MIDI channel number vvH= Pan (00H~7FH)

00H~17H: Left 6 18H~1FH: Left 5 20H~27H: Left 4 28H~2FH: Left 3 30H~37H: Left 2 38H~3FH: Left 1 40H~47H: Center 48H: Voice default Pan 49H:

Scaling Pan (Standard) (receive only)

4AH:

Scaling Pan (Wide) (receive only)

4BH:

Scaling Pan (Narrow L) (receive only)

4CH:

Scaling Pan (Narrow C) (receive only)

4DH:

Scaling Pan (Narrow R) (receive only)

4EH:

Scaling Pan (Half L) (receive only)

4FH:

Scaling Pan (Half R) (receive only) 50H~57H: Right 1 58H~5FH: Right 2 60H~67H: Right 3 68H~6FH: Right 4 70H~77H: Right 5 78H~7FH: Right 6

• Modulation (Vibrato) (receive only)

[BnH] [01H] [vvH]

n= MIDI channel number vvH= Modulation

00H~0FH: Off : AM also off. 10H~1FH: 1 : Voice default AM

when greater than 10H

20H~2FH: 2 30H~3FH: 3 40H~4FH: 4 50H~5FH: 5 60H~6FH: 6 70H~7FH: 7

* LFO speed fixed for each voice

• Volume [BnH] [07H] [vvH]

n= MIDI channel number vvH= Volume (00H~7FH)

00H: -∞ 6FH: -3dB 7FH: ±0dB

• Expression (receive only)

[BnH] [0BH] [vvH]

n= MIDI channel number vvH= Expression (00H~7FH)

00H: -∞ 6FH: -3dB 7FH= ±0dB

• Damper pedal [BnH] [40H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: off 40H~7FH: on

• Sostenuto pedal [BnH] [42H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: Off 40H~7FH: On

Si vous vous êtes déjà familiarisés avec l’interface MIDI, ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous aideront à commander le Clavinova.

Si ya está muy familiarizado con MIDI o si está usando una computadora para controlar su música con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la Clavinova.

• Soft pedal [BnH] [43H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: Off 40H~7FH: On

• Portamento control [BnH] [54H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

15H~6CH: Key Number

• Reverb depth [BnH] [5BH] [vvH]

n= MIDI channel number vvH= Reverb Depth (00H~7FH)

Individually adjustable for each channel.

3. MODE MESSAGES (receive only)

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Mode message number vvH= Mode message value

• All sound off [BnH] [78H] [00H]

n= MIDI channel number

• Reset all controllers [BnH] [79H] [00H]

n= MIDI channel number

• Local Control ON/OFF [BnH] [7AH] [vvH]

n= MIDI channel number vvH= 00H: Off

7FH: On

• All notes OFF [BnH] [7BH] [00H]

n= MIDI channel number

• OMNI OFF/All notes OFF [BnH] [7CH] [00H]

n= MIDI channel number

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

donées MIDI/Formato de datos MIDI

viii

• OMNI ON/All notes OFF [BnH] [7DH] [00H]

n= MIDI channel number

4. REGISTERED/NON-REGISTERED PARAMETER NUMBER

• Data entry [BnH] [06H] [mmH] [BnH] [26H] [llH]

n= MIDI channel number mm/ll=RPN

• Data inc [BnH] [60H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Data dec [BnH] [61H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Non-registered parameter number [BnH] [62H] [llH] [BnH] [63H] [mmH]

n= MIDI channel number * No parameter is received, but the data is

recognized because of RPN reception.

• Registered parameter number [BnH] [64H] [llH] [BnH] [65H] [mmH]

n= MIDI channel number llH= 00H, mmH= 00H: llH= 01H, mmH= 00H: Fine tune llH= 02H, mmH= 00H: llH= 7FH, mmH= 7FH: RPN Reset

Pitch bend sensitivity

Coarse tune

5. PROGRAM CHANGE

[CnH] [ppH]

CnH= Program change event

(n= MIDI channel number)

ppH= Program number

Panel Voices

dd VOICE 00H PIANO 01H CLAVINOVA TONE 02H E. PIANO 03H HARPSICHORD 04H VIBES 05H GUITAR 06H STRINGS 07H ORGAN 08H CHOIR 09H UPRIGHT BASS 0AH E. BASS 0BH DRUMS

Voices 13 — 60

dd VOICE 0CH BRASS 0DH POP BRASS 0EH TRUMPET 0FH MUTE TRUMPET 10H HORN 11H SAX 12H SAX SOFT 13H CLARINET 14H OBOE 15H FLUTE 16H ACCORDION 17H HARMONICA 18H STRINGS SOFT 19H VIOLIN 1AH VIOLIN HARD 1BH FULL ORGAN 1CH JAZZ ORGAN 1 1DH SYNTH BRASS 1EH SYNTH WOOD 1FH SYNTH STRINGS 20H SYNTH CHOIR 21H PIANO BRIGHT 22H PIANO SOFT 23H E. PIANO DX 24H SYNTH CRYSTAL 25H CELESTA 26H MARIMBA 27H FOLK GUITAR 28H JAZZ GUITAR 1 29H JAZZ GUITAR 2 2AH ROCK GUITAR 1 2BH ROCK GUITAR 2 2CH MUTE GUITAR 2DH BANJO 2EH PIZZICATO 2FH HARP 30H U. BASS SOFT 31H E. BASS SOFT 32H E. BASS HEAVY 33H SYNTH BASS 34H TIMPANI & ORCH. HIT 35H BASSOON 36H CHAMBER STRINGS 37H JAZZ ORGAN 2 38H ROCK GUITAR 3 39H COSMIC 1 3AH COSMIC 2 3BH COSMIC 3

6. PITCH BENDER (receive only)

[EnH] [llH] [mmH]

EnH= Bender event

(n= MIDI channel number) llH= Least significant byte mmH= Most significant byte

* Caution: The bend range is set to a minor

third when the power is turned on. RPN data can be used to set the range in semitone increments.

7. SYSTEM REALTIME MESSAGES

[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Data Transmission Reception

F8H Transmitted every Received as 96-clock

96 clocks tempo timing when

FAH Rhythm start Rhythm start FCH Rhythm stop Rhythm stop FEH Transmitted every All notes are turned

200 milliseconds off if no data is

* Caution: If an overrun framing error oc-

curs the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.

MIDI clock is set to External

received for more than 400 milliseconds

8. SYSTEM EXCLUSIVE MESSAGES

• YAMAHA MIDI format

[F0H] [43H] [xnH] [ffH] ..... [F7H]

43H= YAMAHA ID xnH= Substatus + MIDI channel number ffH= Format number

* n specifies the receive channel regard-

less of whether omni is on or off.

x ff Information 0 7CH Panel data receive 2 7CH Panel data bulk dump request 2 7DH

Panel Data Send Format

F0H, 43H, 0xH, 7CH, 00H, 22H

53H, 4BH, 20 H, 20H (SK) 43H, 56H, 50H, 2DH, 34H, 39H (CVP-49) 3xH, 3yH [Panel Data] [Check Sum (1byte)]= 0

(53H+4BH+20H+...

...+Data end)

F7H [Panel Data Contents]

(1) ABC ON/OFF (2) SSP ON/OFF (3) SSP NO. (4) MANUAL VOICE (5) MANUAL VOLUME (6) RHYTHM NO. (7) RHYTHM VARIATION (8) TEMPO (Absolute value LSB) (9) TEMPO (Absolute value MSB) (10) RHYTHM VOLUME (11) CHORD 1 VOLUME (12) CHORD 2 VOLUME (13) BASS VOLUME

Model ID data bulk dump request

(x: channel number, data length= Panel data+0cH)

(Version x, y)

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ix

MIDI Data Format/MIDI-Datenformat/Format des donées MIDI/Formato de datos MIDI

(14) SPLIT POINT (15) DUAL/SPLIT MODE (16) DUAL/SPLIT VOICE (17) DUAL/SPLIT BALANCE (18) REVERB (19) REVERB DEPTH (20) PEDAL FUNCTION (21) VOICE BANK (Upper 4 bits) (22) INTRO

Name Data Send Format

F0H, 43H, 0xH, 7DH, 00H, 10H

53H, 4BH, 20H, 20H (SK) 43H, 56H, 50H, 2DH, 34H, 39H (CVP-49) 3xH, 3yH, 20H, 20H, 20H, 20H [CHECK SUM (1byte)]= 0-(53H+4BH+20H+...

F7H

Performance Memory Data Send Format

F0H, 43H, 73H 3AH (Product ID: CVP-49)

06H (Bulk ID) 00H (Bulk No.) 0uH, 0vH, 0wH, 0xH, 0yH, 0zH

[BULK DATA] (low, high...low, high) [CHECK SUM (1byte)]= 0-sum (BULK DATA) F7H

GM Mode Exclusive

GM On: F0H, 7EH, 7FH, 09H, 01H, F7H GM Off: F0H, 7EH, 7FH, 09H, 00H, F7H

(Data Length= 10H byte)

(Version x,y)

...+20H)

(Data Length= uvwxyzH byte)

• Clavinova MIDI Format [F0H] [43H] [73H] [yyH] [xxH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-49= 3AH) xxH= Substatus

xxH Information 02H Internal MIDI clock 03H External MIDI clock 13H Multi-timbre mode off 14H

Common voice multi-timbre mode on 15H Multi-timbre mode on 18H Common voice multi-timbre mode

individual track reverb depth on 7nH All Note Off,

Receive Channel = n+1, Omni off

* When nn = 2, 3, 13, 14, 15, 18, or 7C,

Clavinova common ID (01H) is recognized as well as 3AH.

* All Control Change values are reset when

[13H], [14H] or [15H] is received. All voices and other parameters are also reset when [14H] or [15H] is received in order to ensure the same initial settings.

• Special Messages [F0H] [43H] [73H] [yyH] [11H] [0nH]

[ccH] [vvH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-49= 3AH) 11H= Clavinova Special Control Code 0nH= Control MIDI Change

(n= special control change number) ccH= Control number ddH= Control value

cc Control Value [dd]

08H DUAL/SPLIT 00H= lower MAX

Balance 10H ABC Mode 00H= Off

11H

Rhythm Variation

12H Fill In Switch 00H= Fill to normal

Event Off event

13H Intro/Ending 00H=

Switch Event

14H Split [ddH]= Split key

15H

Rhythm Number 19H Volume [ddH]= Volume value

1AH

Rhythm Volume 1BH

Metronome mode

(receive only) 21H Solo Styleplay 00~17H=Style

Number number 22H Solo Styleplay 00H~3FH= Off

30H Drums Parameter Change

59H Reverb 00H= Off

See Drum Parameter Expanded Format, below

7FH= upper MAX

01H= ABC Single

Finger 02H= ABC Fingered 03H= Conventional

Full-Keyboard

ABC 04H= Full-Keyboard

ABC 00H= Off 01H=

Variation number

01H= Fill to normal

On event 02H= Fill to variation

On event 03H= Fill to variation

Off event

Intro/Ending Off 01H= Intro mode On 02H=

Ending mode On 03H= Fill to normal

mode On

04H= Fill to variation

mode On

number (the highest note in the left-hand keyboard range)

[ddH]=

Rhythm number

n= 2 (BASS)

4 (CHORD 1)

5 (CHORD 2) [ddH]= Volume value 00H: Off 01H: On

40H~7FH= On

01H= Room 02H= Hall 1 03H= Hall 2 04H= Cosmic

5AH

Dual/Split mode

5CH

Dual/Split Voice

5DH Pedal Function [ddH]= Function

* When cc = 59 (Reverb), SK common ID

(01H) is recognized in addition to xxH.

00H= Off 01H= Dual 02H= Split

(upper damper) 03H= Split

(lower damper) 04H= Split

(upper/lower damper) 05H= Split & Lower

Voice Oct Up (upper damper)

06H= Split & Lower Voice Oct Up (lower damper)

07H= SPLIT & Lower Voice Oct Up (upper/ lower damper)

[ddH]=

Dual/Split voice

number

Drum Parameter Expanded Format

[F0H] [43H] [73H] [xxH] [11H] [0nH]

[30H] [xxH] .....[F7H]

xxH: Product ID;

Common product ID also recognized (pattern editor transmits both).

0x30: /* Drum Parameter */ *2 Expanded

Format

* This resets all parameters when a differ-

ent drum kit is selected. Expands Special Message 30.

• Effect Level [F0H] [43H] [73H] [xxH] [11H] [0nH] [30H] [43H] [knH] [enH] [slH] [F7H]

11H: Clavinova special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the CVP-49, affecting all tracks. Received only on channel 10 (09H) n

the GM mode, affecting all tracks. 30H: Drums Parameter Change 43H: Effect Send Level knH: Key Number

* Also included in the panel key code in

the Clavinova Common Voice mode

(because conversion is not possible).

Included in the GM key code in the GM

mode.

* When kn = 01 the en for all keys is set to

the default.

When kn = 02 the en for all keys is set to

s1. enH: Effect Number

en= 5B: Reverb Depth slH: Send Level

* This data applies a ± 40H offset to the

CH depth parameter of each channel of

each instrument.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

x

Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H]

[knH] [enH] [slH] [36H] [5bH] [10H]:

F#0 Brush Roll reverb depth set to -30H.

[01H] [5bH] [xxH]:

Reverb depth for all keys set to default (±0).

[02H] [5bH] [20H]:

Reverb depth for all keys set to -20H.

• Pan Set Switching [F0H] [43H] [73H] [xxH] [11H] [0nH] [30H] [47H] [knH] [pnH] [F7H]

11H: Clavinova special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the CVP-49, affecting all tracks. Received only on channel 10 (09H) in

the GM mode, affecting all tracks. 30H: Drums Parameter Change 47H: Panpot knH: Key Number

* Also included in the panel key code in

the Common Voice mode (because

conversion is not possible). Included in

the GM key code in the GM mode.

* When kn = 01 pan is set to the value

specified in pn.

When kn = 02 the pan for all keys is set

to the pin point specified in pn. pnH: Pan

* When kn = 01 pan is set to the value

specified in pn.

pn= 00: Normal DOC Setting

= 01: Narrow DOC left

= 02: Narrow DOC center

= 03: Narrow DOC right

= 04: Normal GM Setting

= 05: Narrow GM left

= 06: Narrow GM center

= 07: Narrow GM right

* Normal pan value used when kn is other

than 01.

However, values 48…4F are also set to

pin-point center.

• Beat, Tempo LED ON/OFF [F0H] [43H] [73H] [yyH] [11H] [4FH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID

(CVP-49= 3AH, or common 01H) 11H= Clavinova special control code 4FH= Control MIDI Change ccH= 00H: Beat lamp on/off

01H: Tempo lamp on/off ddH= 00H: On

7FH: Off

• Absolute Tempo [F0H] [43H] [73H] [yyH] [11H] [1nH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H= CLAVINOVA ID yyH= Product ID (CVP-49= 3AH) 11H= Clavinova special control code 1nH= Control MIDI Change

(Transmit: n = Control Change number)

(Receive: any channel OK) cc= Absolute tempo low byte dd= Absolute tempo high byte

Tempo= dd*128+ccH

• All MIDI data available for general use are given above.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

xi

Fingering Chart /Akkordliste/Tablature /Gráfica de digitado

* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.

Example for “C” chords Beispiele für “C”-Akkorde Exemples d’accords en “C” Ejemplo de acordes “C”

C

Cm

CM

Cm

7

(b5)

7

(b5)

7

6

(b5)

Cm

C sus

7

4

CM

Cm

(b5)

C

Csus

7

4

C

6

CmM

(b5)

C

7

Caug

7

(#5)

C

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CM

7

(#5)

Cdim

CmM

7

(b5)

Specifications/Technische Daten/Spécifications/Especificaciones

CVP-49

KEYBOARD 76 KEYS (E0 — G6)

TONE GENERATOR AWM (Advanced Wave Memory)

VOICE SELECTORS & PIANO, CLAVINOVA TONE, E. PIANO, HARPSI, VIBES, GUITAR, STRINGS, ORGAN, CHOIR, CONTROLS UPRIGHT BASS, ELEC BASS, DRUMS, VOICE 13 - 60, ▲/▼, SPLIT

AUTO BASS CHORD & FULL KEYBOARD, SINGLE FINGER, FINGERED, SOLO STYLEPLAY, RHYTHM VOLUME, CONTROLS CHORD 1 VOLUME, CHORD 2 VOLUME, BASS VOLUME

STYLE SELECTORS & POP 1/2, DANCE POP 1/2, 16 BEAT 1/2, ROCK’N’, 16 BEAT SHUFFLE, SLOW ROCK, SHUFFLE, CONTROLS COUNTRY 1/2, SWING, JAZZ BALLAD, BIG BAND, BOOGIE, BOSSA, SAMBA, CHA-CHA, RHUMBA,

MARCH, MARCH 6/8, WALTZ, J. WALTZ START/STOP, SYNCHRO START, INTRO/ENDING, NORMAL/FILL TO NORMAL, VARIATION/ FILL TO VARIATION, TEMPO ▲/▼, TEMPO Display, BEAT LED, METRONOME

KEYBOARD PERCUSSION 41 instruments (refer to page 8)

REVERB ROOM, HALL 1, HALL 2, COSMIC

PERFORMANCE MEMORY 1, 2, ABC, RHYTHM, START/STOP, REC, CHORD SEQUENCE

xii

PEDAL CONTROLS DAMPER

OTHER CONTROLS MASTER VOLUME, MIDI/TRANSPOSE, DEMO, POWER

JACKS & CONNECTORS PHONES, AUX OUT R and L/L+R, AUX IN R and L/L+R, MIDI IN/OUT

INPUT & OUTPUT AUX OUT: Output Impedance 600 Ω LEVEL/IMPEDANCE AUX IN: Input Impedance 10 k Ω / Input Sensitivity -10dBm

MAIN AMPLIFIERS 60 W (30 W x 2)

SPEAKERS 13 cm (5-1/8”) x 2, 5 cm (2”) x 2

DIMENSIONS (W x D x H) Music stand down: 1252 mm x 562 mm x 795 mm (49-1/4” x 22-1/8” x 31-1/4”)

WEIGHT 44.0 kg (97 lbs.)

RIGHT

LEFT

SOFT (SOSTENUTO, START/STOP, SOLO STYLEPLAY)

Music stand up: 1252 mm x 562 mm x 969 mm (49-1/4” x 22-1/8” x 38-1/8”)

* Specifications subject to change without notice. * Änderungen ohne Vorankündigung vorbehalten. * Sous toute réserve de modification des caractéristiques sans préavis. * Especificaciones sujetas a cambios sin previo aviso.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or

another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

IMPO RTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

BLUE : NEUTRAL BROWN : LIVE

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change

in performance; or e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

15. Some Yamaha products may have benches and/or accessory

mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

92-469-2

PLEASE KEEP THIS MANUAL

Yamaha CVP-49 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual