Yamaha CLP170, CLP150 User Manual

CLP-170/CLP-150
CLP-170 CLP-150
Owner's Manual
IMPORTANT
Check your power supply
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

Introduction

SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS:
products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
Y amaha electronic
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic­ing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral trian­gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo­sure that may be of sufficient magni­tude to constitute a risk of electrical shock.
Battery Notice:
rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning:
incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice:
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE:
edge relating to how a function or effect w orks (when the unit is operating as designed) are not covered by the man­ufacturer’ s warranty, and are therefore the owners respon­sibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION:
cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
This product MAY contain a small non-
Do not attempt to recharge, disassemble, or
Should this product become damaged
Service charges incurred due to lack of knowl-
The graphic below indi-
IMPORTANT NOTICE:
are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor­mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE:
information contained in this manual is believed to be correct at the time of printing. Howev er , Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES:
duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
All Yamaha electronic products
The
Yamaha strives to pro-
CLP-170
Model
Serial No.
Purchase Date
CLP-150
92-469
1

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
W ARNING
Always follo w the basic precautions listed belo w to av oid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Use only the supplied power cord/plug.
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over , or roll an ything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
CAUTION
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• Do not place the instrument against a wall (allow at least 3 cm/ one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
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CLP-170/150
3
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
• In the case of a model with a polished finish, gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument's finish.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
•Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instrument.
•Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
• Do not place the bench in an unstable position where it might accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• In the case of a model which the height adjustable bench included, do not attempt to adjust the bench height while sitting on the bench, since this can cause excessive force to be imposed on the adjustment mechanism, possibly resulting in damage to the mechanism or even injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
• Current data (see page 46) is lost when you turn off the power to the instrument. Save the data to a floppy disk (CLP-170)/ the storage memory (see page 46).
Saved data may be lost due to malfunction or incorrect operation. Save important data to a floppy disk (CLP-170).
Backing up the floppy disk (CLP-170)
•To protect against data loss through media damage, we recommend that you save your important data onto two floppy disks.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
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4 CLP-170/150
Thank you for choosing the Yamaha Clavinova CLP-170/150. In order to make the most of your
Clavinova’s performance potential and features, please read this Owner’s Manual thoroughly,
and keep it in a safe place for later reference.

About this Owner’s Manual and Reference Booklet

This manual consists of four main sections: “Introduction,” “Basic Operation,” “Detailed Settings,” and “Appendix.” Also, a separate “Reference Booklet” is provided.
Introduction:
Basic Operation:
Detailed Settings:
Appendix:
Reference Booklet:
• The models CLP-170/150 will be referred to as the CLP/Clavinova in this Owner’s Manual.
• The illustrations and LCD screens as shown in this Owner’s Manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
• Copying of the commercially available software is strictry prohibited except for your personal use.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copy­rights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any vio­lation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGALCOPIES.
Please read this section first. In the “Application Index” section on page 10 and “Features” on page 14, you can learn how to use the Clavinova and its functions in particular situations.
This main section explains how to use the basic functions. Refer to this section while you play the Clavinova. If you have questions or come across the words you do not know, refer to the section entitled “Questions about Operations and Functions” on page 102, or the “Index” on page 118.
This section explains how to make detailed settings for the Clavinova’s various functions. Refer to this section as necessary.
This section introduces troubleshooting, a description of preset voices, and other reference material.
XG Vo ice List, MIDI Data Format, etc.
■ Trademarks
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• Windows is the registered trademark of Microsoft® Corporation.
All other trademarks are the property of their respective holders.
“The Clavinova-Computer Connection,”
what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address:
Clavinova Web site (English only): http://www.yamahaclavinova.com/ Yamaha Manual Library: http://www2.yamaha.co.jp/manual/english/
is a supplementary guidebook that describes, for beginners,
CLP-170/150
5

Table of contents

Introduction.......................................................... 2
PRECAUTIONS........................................................................................................................................ 3
About this Owner’s Manual and Reference Booklet..................................................................................................... 5
Table of contents ................................................................................................................................... 6
Application Index................................................................................................................................. 10
Handling the Floppy Disk Drive (FDD) and Floppy Disk (CLP-170).................................................... 12
Maintenance ........................................................................................................................................ 13
Included Accessories ............................................................................................................................ 13
Features ................................................................................................................................................ 14
Before Using the Clavinova.................................................................................................................. 16
About the key cover ...................................................................................................................................................... 16
About the music rest..................................................................................................................................................... 16
About the music braces................................................................................................................................................. 16
Turning the power on................................................................................................................................................... 17
Adjusting the display contrast ...................................................................................................................................... 18
Setting the volume ........................................................................................................................................................ 18
Using headphones......................................................................................................................................................... 18
Performing the iAFC automatic adjustment (CLP-170) ............................................................................................ 18
Basic Operation .................................................. 19
Part Names........................................................................................................................................... 20
Listening to the Demonstration Tunes................................................................................................ 22
Listening to 50 Piano Preset Songs ..................................................................................................... 24
Playing the 50 piano preset songs ................................................................................................................................ 24
Practicing a one-hand part using 50 preset songs ....................................................................................................... 26
Selecting and Playing Voices ...............................................................................................................28
Selecting Voices............................................................................................................................................................. 28
Using the pedals ............................................................................................................................................................ 29
Adding variation to the sound [BRILLIANCE]/[REVERB]/[CHORUS].................................................................. 30
To enhance the acoustic realism of the sound ...[iAFC (Instrumental Active Field Control)] (CLP-170) ............. 32
Combining two voices (Dual mode)............................................................................................................................ 33
Splitting the keyboard range and playing two different voices (Split mode) ............................................................ 35
Using the metronome................................................................................................................................................... 37
Recording Your Performance............................................................................................................... 38
Recording a New Song.................................................................................................................................................. 38
Recording to [TRACK 1]........................................................................................................................................ 38
Re-recording TRACK 1........................................................................................................................................... 40
Re-recording TRACK 1 partially............................................................................................................................ 41
Recording to [TRACK2]......................................................................................................................................... 42
Recording to the third or more tracks [EXTRA TRACKS] .................................................................................. 43
Other recording techniques.......................................................................................................................................... 43
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Table of contents
Changing a voice or tempo after recording........................................................................................................... 44
Adjusting the volume balance between playback and your performance [SONG BALANCE] ......................... 45
Recording in Dual or Split mode ........................................................................................................................... 45
Saving Recorded Songs and Handling the Files...[FILE]...................................................................... 46
Clavinova memory.................................................................................................................................................. 46
Basic file operation.................................................................................................................................................. 47
Saving recorded or other songs to Clavinova Storage memory...[SaveToMemory]................................................. 48
Saving recorded or other songs to floppy disk...[SaveToDisk] (CLP-170)................................................................ 49
Deletes a song from the Clavinova’s save memory or (CLP-170 only) from a floppy disk...[DeleteSong]............. 50
Renaming a song...[RenameSong]............................................................................................................................... 51
Copying data from one floppy disk to another...[CopyDisk] (CLP-170).................................................................. 52
Formatting a floppy disk...[FormatDisk] (CLP-170).................................................................................................. 53
Automatically open a song when the disk is inserted [FloppyDiskSongAutoOpen] (CLP-170) .............................54
Changing the type of characters on screen...[CharacterCode]................................................................................... 54
Playing Back Recorded Songs and Commercially-available Music Data............................................. 55
Playing back a song ....................................................................................................................................................... 55
Turning track playback on and off............................................................................................................................... 57
Supported song data type ............................................................................................................................................. 57
Connections ......................................................................................................................................... 59
Connectors .................................................................................................................................................................... 59
Connecting a personal computer................................................................................................................................. 61
Detailed Settings ................................................ 67
Detailed Settings.................................................................................................................................. 68
Parameter List ............................................................................................................................................................... 68
Making detailed settings ...............................................................................................................................................71
Detailed settings for recording and playback [SONG SETTING] ........................................................ 73
Correcting note timing [Quantize].............................................................................................................................. 73
Specifying whether playback starts immediately along with the first voicing [QuickPlay]...................................... 74
Auditioning the channels [ChannelListen] ................................................................................................................. 74
Deleting data from each channel [ChannelClear]....................................................................................................... 74
Specifying the range and playing back repeatedly [FromToRepeat] ......................................................................... 74
Playing back the phrase specified by the phrase number [PhraseMark] ................................................................... 75
Playing back a song repeatedly [SongRepeat] .............................................................................................................75
Detailed settings for the metronome METRONOME [SETTING]........................................................ 76
Setting the metronome time signature [TimeSignature]............................................................................................ 76
Setting the metronome volume level [MetronomeVolume]...................................................................................... 76
Selecting the metronome voice [MetronomeSound] ................................................................................................. 76
Detailed settings for the voices [VOICE SETTING].............................................................................. 77
Setting the octave [Octave]........................................................................................................................................... 78
Setting the volume level [Volume] .............................................................................................................................. 78
Setting the position of right and left channels [Pan] .................................................................................................. 78
Make fine adjustments to the pitch (only in Dual mode) [Detune].......................................................................... 78
Selecting the reverb type [ReverbType]....................................................................................................................... 79
CLP-170/150
7
Table of contents
Setting the reverb depth [ReverbSend]........................................................................................................................ 79
Selecting the chorus type [Chorus Type]..................................................................................................................... 79
Setting the chorus depth [ChorusSend] ...................................................................................................................... 79
Setting the chorus on/off [ChorusOnOff]................................................................................................................... 80
Selecting the DSP type [DSP Type (DSP)] ..................................................................................................................80
Setting the speed of the vibraphone vibrato effect [VibeRotorSpeed]....................................................................... 80
Turning the vibraphone vibrato effect on/off [VibeRotorOnOff (RotorOnOff)] ....................................................81
Setting the rotation speed of the rotary speaker [RotarySpeed (Rot.Speed)]............................................................ 81
Adjusting the depth of the DSP effect [DSPDepth].................................................................................................... 81
Adjusting the brightness of the sound [Brightness].................................................................................................... 81
Adjusting the resonance effect [HarmonicContent (Harmonic)] .............................................................................81
Adjusting the low-range frequency of the equalizer [EQ LowFreq. (EQ L.Freq)]....................................................82
Adjusting the low-range gain (amount of boost/cut) of the equalizer [EQ LowGain]............................................. 82
Adjusting the high-range frequency of the equalizer [EQ HighFreq. (EQ H.Freq)] ................................................ 82
Adjusting the high-range gain (amount of boost/cut) of the equalizer [EQ HighGain].......................................... 82
Setting the touch sensitivity [TouchSense].................................................................................................................. 83
Setting the right pedal function [RPedal].................................................................................................................... 83
Setting the center pedal function [MPedal] ................................................................................................................ 83
Setting the left pedal function [LPedal]....................................................................................................................... 84
Setting the auxiliary pedal function [AuxPedal] ......................................................................................................... 84
Detailed settings for iAFC [iAFC SETTING] (CLP-170)......................................................................... 85
Selecting the iAFC type [iAFC Type]........................................................................................................................... 85
Adjusting the iAFC depth [iAFC Depth]..................................................................................................................... 85
Calibration (automatic adjustment) [Calibration]..................................................................................................... 86
Restoring the default iAFC settings [iAFC Default].................................................................................................... 86
MIDI [MIDI SETTING]........................................................................................................................... 87
About MIDI................................................................................................................................................................... 87
Setting the MIDI transmit channel [MidiOutChannel] ............................................................................................. 88
Setting the MIDI receive channel [MidiInChannel]................................................................................................... 88
Setting Local control on/off [LocalControl]................................................................................................................ 89
Selecting performance from the keyboard or song data for MIDI transmission [MidiOutSelect].......................... 89
Selecting a type of data received via MIDI [ReceiveParameter]................................................................................. 89
Selecting a type of data transmitted via MIDI [TransmitParameter] ........................................................................ 89
Transmitting the initial settings on the panel [InitialSetup]...................................................................................... 90
Executing voice data bulk dump [VoiceBulkDump].................................................................................................. 90
Other settings ...................................................................................................................................... 91
Selecting a touch response [TouchResponse] ............................................................................................................. 91
Fine tuning the pitch [Tune]........................................................................................................................................ 91
Selecting a tuning curve for a piano voice [PianoTuningCurve]............................................................................... 91
Selecting a scale [Scale]................................................................................................................................................. 92
Specifying the Split Point [Split Point]........................................................................................................................ 92
Changing the key [Transpose] ..................................................................................................................................... 92
Adjusting the depth of the Soft pedal [SoftPedalDepth] ............................................................................................ 93
Depth of string resonance [StringResonanceDepth] .................................................................................................. 93
Depth of sustain sampling for the damper pedal [SustainSamplingDepth].............................................................. 93
Specify the volume of the key-off sound [KeyOffSamplingDepth] ........................................................................... 93
Selecting a pedal function for vibraphone [VibraphonePedalMode]........................................................................ 93
Assign the SONG [START/STOP] function to the pedal [PedalStart/Stop]............................................................. 94
Selecting a type of auxiliary pedal [AuxPedalType].................................................................................................... 94
Setting the point at which the damper pedal starts to affect the sound [HalfPedalPoint] ....................................... 94
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CLP-170/150
Table of contents
Pitch bend range [PitchBendRange]............................................................................................................................ 94
Switch the speaker on/off [Speaker] ............................................................................................................................ 95
Selecting items saved at shutdown [MemoryBackUp] ............................................................................................... 95
Restoring the normal (default) settings [FactorySet] ................................................................................................. 95
Other method for restoring the normal settings......................................................................................................... 95
Message List ......................................................................................................................................... 96
Questions about Operations and Functions...................................................................................... 102
Appendix .......................................................... 105
Troubleshooting................................................................................................................................. 106
Data Compatibility............................................................................................................................. 107
Preset Voice List ................................................................................................................................. 109
Voice Combination Examples (Dual and Split) ................................................................................. 111
CLP-150: Keyboard Stand Assembly.................................................................................................. 112
CLP-170: Keyboard Stand Assembly.................................................................................................. 115
Index................................................................................................................................................... 118
CLP-170/150
9

Application Index

Use this index to find reference pages that may be helpful for your application and situation.
Listening
Listening to demo songs...............................................“Listening to the Demonstration Tunes” on page 22
“Playing the 50 piano preset songs” on page 24
Listening to demo songs with different voices............“Listening to the Demonstration Tunes” on page 22
Listening to songs from “50 greats for the Piano” ..............“Playing the 50 piano preset songs” on page 24
Listening to my recorded performance ............................................ “Recording to [TRACK 1]” on page 38
“Playing back a song” on page 55
Listening to songs in a floppy disk (CLP-170) .......................................... “Playing back a song” on page 55
Playing
Using three pedals.............................................................................................“Using the pedals” on page 29
Playing an accompaniment that matches pitch .......................“Changing the key [Transpose]” on page 92
Changing tonal color
Viewing the list of voices................................................................................ “Preset Voice List” on page 109
Simulating a concert hall........................................................................................... “[REVERB]” on page 31
Combining two voices ..................................................... “Combining two voices (Dual mode)” on page 33
Playing different sounds with left and right hands
...........................“Splitting the keyboard range and playing two different voices (Split mode)” on page 35
Making a voice brighter and sharper, or softer and smoother ........................“[BRILLIANCE]” on page 30
Adding spread to the sound.................................................................................... “[CHORUS]” on page 31
Making the sound three-dimensional
........................................................... “[iAFC (Instrumental Active Field Control)] (CLP-170)” on page 32
Practicing
10
Muting the right- or left-hand part ........... “Practicing a one-hand part using 50 preset songs” on page 26
Practicing with an accurate and steady tempo.......................................“Using the metronome” on page 37
Practicing using your recorded song ..........................................“Recording Your Performance” on page 38
“Turning track playback on and off” on page 57
Recording
Recording your performance...................................................... “Recording Your Performance” on page 38
Saving recorded songs to floppy disks (CLP-170) or memory
...........................................................“Saving Recorded Songs and Handling the Files...[FILE]” on page 46
CLP-170/150
Application Index
Use this index to find reference pages that may be helpful for your application and situation.
Settings
Making detailed settings for recording and playback
............................................“Detailed settings for recording and playback [SONG SETTING]” on page 73
Making detailed settings for the metronome
......................................... “Detailed settings for the metronome METRONOME [SETTING]” on page 76
Making detailed settings for the voices
................................................................. “Detailed settings for the voices [VOICE SETTING]” on page 77
Making detailed settings for MIDI ....................................................“MIDI [MIDI SETTING]” on page 87
Making detailed settings for the Clavinova.........................................................“Other settings” on page 91
Connecting the Clavinova to other devices
What is MIDI?......................................................................................................... “About MIDI” on page 87
Recording your performance “AUX OUT [R][L] Pin jacks (LEVEL FIXED), [R][L/L+R] Phone jacks” on page 60
Raising the volume .. “AUX OUT [R][L] Pin jacks (LEVEL FIXED), [R][L/L+R] Phone jacks” on page 60
Outputting other instruments’ sound from the Clavinova.......... “AUX IN [R], [L/L+R] jacks” on page 60
Connecting a computer........................................................ “Connecting a personal computer” on page 61
Assembling
Assemble/disassemble the Clavinova............................ “CLP-150: Keyboard Stand Assembly” on page 112
........................................................................................ “CLP-170: Keyboard Stand Assembly” on page 115
Quick solution
What the Clavinova offers............................................................................. “Application Index” on page 10
“Features” on page 14
Returning to the main screen.................................................................................“EXIT button” on page 20
Resetting the Clavinova to the default setting
................................................................“Restoring the normal (default) settings [FactorySet]” on page 95
Meaning of the messages........................................................................................ “Message List” on page 96
If you have questions about operations and functions
............................................................................“Questions about Operations and Functions” on page 102
Troubleshooting............................................................................................. “Troubleshooting” on page 106
CLP-170/150
11

Handling the Floppy Disk Drive(FDD) and Floppy Disk (CLP-170)

Precautions

Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.

Compatible Disk Type

3.5" 2DD and 2HD type floppy disks can be used.

Inserting/Ejecting Floppy Disks

To insert a floppy disk into the disk drive: Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.
Drive lamp
To eject a floppy disk:
Before ejecting the disk, be sure to confirm that the floppy disk drive is stopped. If the disk drive is operating (during the [SaveToDisk] (P53), [DeleteSong] (P53), [RenameSong] (P54), [CopyDisk] (P55), or [FormatDisk] (P56) opera­tion), the Clavinova displays [Executing]. Never attempt to remove the disk or turn the power off when the disk drive is operating. Doing so can damage the disk and possibly the disk drive. Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, care­fully remove it by hand.
Eject button
Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.

Cleaning the Disk Drive Read/Write Head

• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-avail­able dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the avail­ability of proper head-cleaning disks.
• Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.

About the Floppy Disks

• To handle floppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liq­uids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a half-pressed posi­tion with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure.
CLP-170/150
12
Handling the Floppy Disk Drive(FDD) and Floppy Disk
• To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open).
write-protect tab open (protect position)
• Data backup
• For maximum data security Yamaha recommends that you keep two copies of important data on separate floppy disks. This gives you a backup if one disk is lost or dam­aged. To make a backup disk use the Copy Disk function on page 52.

Maintenance

Clean the instrument using a dry or slightly damp soft cloth (wring well).
CAUTION
Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument. Otherwise, the panel or keys may become discolored or degraded.
CAUTION
Before using the Clavinova, be sure to read “Precautions” on pages 3-4.

Tuning

Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.

Transporting

If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.
TIP
The CLP-170 features an iAFC (Instrumental Active Field Control) effect. This produces sound from the speaker located on the rear of the Clavinova, enhancing the reverberation and spaciousness of the sound. In order to take full advantage of iAFC, we recommend that you do the following.
• Place the Clavinova so that its rear panel is at least 10 cm away from the wall.
• After you move the Clavinova to a different location, perform the automatic adjustment. (page 86)

Included Accessories

“50 greats for the Piano” Score Collection Owner’s Manual Reference Booklet
Recording disk (CLP-170)
Save your recorded performance to this disk. (page 49)
Bench (included or optional depending on locale)
CLP-170/150
13

Features

The Yamaha CLP-170/150 Clavinova features rich sounds produced by Yamaha’s proprietary “AWM dynamic stereo sampling” tone generator system, a “Graded Hammer” keyboard (CLP-150) that varies the key weight according to
the key range, and a “GH3” keyboard (CLP-170) that enhances the graded hammer keyboard by allowing you to play a note to be played repeatedly without pressing the pedal, giving these electronic pianos a “playing-feel” that is very close to the keyboard of a genuine grand piano. The CLP-170/150 GrandPiano1 voice features 3 velocity-switched samples (Dynamic Sampling), “String Resonance” (page 93) that recreates resonance of piano strings, special “Sus- tain Sampling” (page 93)that samples the unique resonance of an acoustic grand piano’s soundboard and strings when the damper pedal is pressed, and “Key-off Samples” that add the subtle sound produced when the keys are released. The CLP-170/150 comes much closer to the sound of a true acoustic piano.
The illustration shows the CLP-170
PHONES
A set of standard stereo head­phones can be plugged in here for private prac­tice. (page 18)
METRONOME
TRACK
EXTRA
TRACK
FILE
MASTER VOLUME
MAXMIN
SONG KEYBOARD
SONG BALANCE
1
SONG SELECT
TOP
NEW SONG
SYNCHRO START
DEMO
SETTINGSTART/STOP
TRACKS
2
SONG
START
/
STOP
REC
SETTING
UP
DOWN
TEMPO
SONG
This connector can be connected to your computer, allowing you to transfer MIDI data between the Clavinova and the computer. (page 59)
OUTIN
AUX PEDAL
MIDI
Connect a MIDI device here to use various MIDI functions. (page 59, 64) (About MIDI—page 87)
AFC
GRAND
E.PIANO
GRAND
A
C
CONTRAST
B
PIANO 1
1
NO YES
PIANO 2
CHURCH
JAZZ
ORGAN
ORGAN
STRINGS
EXIT
D
VOICE
E.PIANO
HARPSI-
VIBRA-
E.CLAVI-
SETTING
2
CHORD
PHONE
CHORD
GUITAR
SYNTH.
WOOD
VARIATION
PAD
BASS
CHOIR
E.BASS XG
VOICE
MIDI
SETTING
CHORUS ON
/
OFFREVERB
SPLIT
OTHER
AFC
BRILLIANCE
SETTING
SETTING
BRIGHTMELLOW
EFFECT
POWER
Connect the pedal cord here to use the Clavinova’s
PEDAL
THRU
MacPC-2
MIDI
USB
TO HOST USBHOST SELECT
pedals. (page 110–115)
L/L+R R
L/L+R R RL
LEVEL FIXED
AUX OUTAUX IN
These jacks allow you to connect an external tone generator to reproduce the sound via the Clavinova’s internal sound system and speakers. (page 60)
Connect an optional pedal here and assign one of the various functions to the pedal. (page 59)
14 CLP-170/150
This jack and selector switch al­low direct connection to a per­sonal computer for sequencing and other music applications. (page 61–66)
You can output the sound of the Clavinova from an exter­nal audio system, or connect it to a cassette tape recorder etc. and record your playing. (page 60)
Features
The Clavinova includes 50 preset songs.
This section enables you to listen to these songs, prac­tice using a convenient practice function, play back Clavinova music data (sold in music stores), and re­cord and play back your performance. (page 24, 38, 55)
[MASTER VOLUME]
Adjust the volume level using this dial. (page 18)
[DEMO]
Demonstration playback is available for each voice. (page 22)
[FILE]
Save recorded songs and manage song files. (page 46)
[METRONOME]
Use the metronome functions. (page 37)
Voice group buttons
You can choose from sixteen groups of voices, including grand piano. You can also combine two sounds and use them together. (page 28)
[CONTRAST]
Adjust the bright­ness of the display using this control. (page 18)
[MIDI SETTING]
Make detailed MIDI settings, such as MIDI receive/transmit channels. (page 87)
[REVERB] / [CHORUS]
Add reverb (reverberation) and spread (chorus) to the sound. (page 31)
[SPLIT]
You can play different voices on the left- and right-hand sections of the keyboard. (page 35)
METRONOME
SETTINGSTART/STOP
FILE
SONG
REC
SETTING
UP
DOWN
TEMPO
SONG KEYBOARD
MAXMIN
TRACK
EXTRA
TRACK
1
TRACKS
2
TOP
/
SYNCHRO START
SONG
STOP
START
SONG SELECT
NEW SONG
SONG BALANCEMASTER VOLUME
DEMO
[SONG SETTING]
Make detailed settings for song recording and playback. (page 73)
[SONG BALANCE]
This lets you adjust the volume balance between the song playback and the sound you are playing on the keyboard. (page 45)
TEMPO [DOWN] [UP]
You can change the song tempo (speed). (page 25, 37, 39, 55)
TIP
In order to obtain optimal results from iAFC (CLP-
170), we recommend that you do the following:
Position the Clavinova so that its rear panel is at least 10 cm away from the wall.
Perform the automatic adjustment after you turn on the power of the Clavinova for the first time, and after each time you re-locate the Clavinova.
GRAND
E.PIANO
E.PIANO
A
C
The display allows accu­rate control and opera-
NO YES
CONTRAST
B
D
GRAND
PIANO 1
PIANO 2
CHURCH
JAZZ
ORGAN
ORGAN
EXIT
STRINGS
[EXIT]
The screen returns to its main display when you press this button. (page 21)
E.CLAVI-
HARPSI-
VIBRA-
1
2
CHORD
CHORD
WOOD
SYNTH.
BASS
PAD
CHOIR
VOICE
PHONE
E.BASS XG
GUITAR
VOICE
SETTING
VARIATION BRIGHTMELLOW
tion. (page 21)
[VOICE SETTING] / [VARIATION]
You can make detailed settings for tone and effects. (page 77)
BRILLIANCE [MELLOW] [BRIGHT]
Adjust the brightness of the tone using these buttons. (page 30)
[iAFC ON/OFF] (CLP-170)
This enhances the acoustic realism of the sound produced from the Clavinova, similar to the sound of an acoustic instru­ment. (page 32)
[iAFC SETTING] (CLP-170)
You can select the iAFC type and make other detailed settings for iAFC. (page 85)
[OTHER SETTING]
This lets you make detailed settings, such as adjusting the key­board touch or making fine adjustments to the pitch. (page 91)
SPLIT CHORUS ON/OFFREVERB
BRILLIANCE
AFC
MIDI
SETTING
OTHER
AFC
SETTING
SETTING
EFFECT
CLP-170/150 15

Before Using the Clavinova

About the key cover

To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over the keys.
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit. Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument.
About the music rest
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position. When lowering the music rest, do not release your hands from the music rest until it is all the way down.

About the music braces

These braces are for holding the pages of music books in place.
To open
To close
16
CLP-170/150
Before Using the Clavinova

Turning the power on

1. Connect the power cable.
First insert the plug of the power cable into the AC connector on the Clavinova, then plug the other end of the cable into the proper AC outlet on the wall. In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
12
WARNING!
Make sure your CLP-170/150 is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main key­board unit near the power cord. Mak e sure that the voltage selector is set for the voltage in your area. Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the CLP-170/150. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the CLP-170/150 may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC w all outlets in your area.) Do NOT mod­ify the plug provided with the CLP-170/150. If the plug will not fit the outlet, have a proper outlet installed by a qualified electri­cian.
CLP-150
(buttom surface)
CLP-170
(rear panel)
(The shape of plug differs depending on locale.)
2. Turn on the power to the Clavinova.
Press the [POWER] switch located on the right of the keyboard to turn the power on.
• The screen located in the center of the front panel and the power indica-
tor located below the left end of the keyboard lights up.
[POWER]
Power indicator
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is still on.
TIP
A
C
When you turn on the power to the Clavinova, a voice name appears on the screen.
B
NO YES
D
Press the [POWER] switch again to turn off the power to the Clavinova.
• The screen and the power indicator turn off.
CLP-170/150 17
Before Using the Clavinova
buttom surface
standard stereo phone plug

Adjusting the display contrast

You can adjust the contrast of the display by turning the [CONTRAST] knob located to the right of the LCD.
A
C

Setting the volume

To adjust the volume, use the [MASTER VOLUME] located at the left of the panel. Play the keyboard to actu­ally produce sound while you adjust the volume.
B
NO YES
D
CONTRAST
EXITEXIT
Use this knob.
TERMINOLOGY
CONTRAST:
difference between brightness and dark­ness
The level decreases.
The level increases.
CAUTION
Do not use the Clavi­nova at a high volume
MASTER VOLUME:
The volume level of the entire keyboard sound
level for a long period of time, or your hearing may be damaged.
MAXMIN
MASTER VOLUME
You can also adjust the [PHONES] output level, the AUX IN input level and the AUX OUT [L/L+R][R] output level using the [MASTER VOLUME] dial.

Using headphones

Connect a pair of headphones to one of the [PHONES] jacks. When the headphones are plugged into either of the [PHONES] jacks, the internal speaker system is automatically shut off. Tw o [PHONES] jacks are provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of headphones, you can plug them into either of these jacks.)
CAUTION
Do not use headphones at a high volume for an extended period of time. Doing so may cause hearing loss.
TERMINOLOGY
TIP
Using the Headphone Hanger
A headphone hanger is included in the CLP-170/150 package so that you can hang the headphones on the Clavinova. Install the headphone hanger using included two screws (4 × 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on the hanger. Otherwise, the Clavi­nova or the hanger may be damaged.
Performing the iAFC automatic adjustment (CLP-170)
The CLP-170 features an iAFC (Instrumental Active Field Control) effect. This produces sound from the speaker located on the rear of the Clavinova, enhancing the reverberation and spaciousness of the sound. In order to take full advantage of iAFC, perform the automatic adjustment. (page 86)
18
CLP-170/150
TIP
Optional headphones
HPE-160 Yamaha headphones.

Basic Operation

CLP-170/150 19

Part Names

S
2
T
SONG KEYBOARD
MAXMIN
U
1
START
SONG
6
TRACK
2
/
E.PIANO
CHOIR
STOP
2
G
EXTRA
TRACKS
REC
9
HARPSI­CHORD
SYNTH.
PAD
VOICE
7
FILE
SONG
SETTING
0
E.CLAVI­CHORD
WOOD
BASS
VIBRA-
PHONE
E.BASS XG
A
METRONOME
DOWN
TEMPO
B
GUITAR
SETTINGSTART/STOP
UP
SETTING
EFFECT
N P
iAFC
iAFC
SETTING
H
VOICE
VARIA TION BRIGHTMELLOW
J K
I
SPLIT CHORUS ON/OFFREVERB
BRILLIANCE
L M O Q
C D
A
C
MIDI
SETTING
OTHER
SETTING
CD
B
NO YES
D
SONG BALANCEMASTER VOLUME
3
E
CONTRAST
EXIT
F
DEMO
4
GRAND PIANO 1
CHURCH
ORGAN
SONG SELECT
NEW SONG
5
GRAND PIANO 2
JAZZ
ORGAN
E.PIANO
STRINGS
TRACK
1
TOP
SYNCHRO START
8
(CLP-170)
R
PHONES
METRONOME
TRACK
EXTRA
TRACK
A
FILE
SETTINGSTART/STOP
1
TRACKS
2
SONG SELECT
SONG
/
STOP
TOP
START
SONG KEYBOARD
MAXMIN
SONG BALANCE
MASTER VOLUME
C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4
B-1A-1
REC
SETTING
DOWN
NEW SONG
DEMO
UP
SYNCHRO START
C
TEMPO
SONG
GRAND
GRAND
CONTRAST
B
PIANO 1
PIANO 2
NO YES
CHURCH
JAZZ
ORGAN
ORGAN
EXIT
D
E.PIANO
E.PIANO
E.CLAVI-
HARPSI-
VIBRA-
SETTING
1
2
CHORD
CHORD
PHONE
GUITAR
WOOD
SYNTH.
BASS
PAD
E.BASS XG
STRINGS
CHOIR
VOICE
C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
_
AFC
MIDI
VOICE
SETTING
CHORUS ON
/
OFFREVERB
SPLIT
OTHER
AFC
BRILLIANCE
VARIATION
SETTING
SETTING
BRIGHTMELLOW
EFFECT
a
POWER
1

Top panel

[POWER]..............................................P17
1
2 [MASTER VOLUME].............................P18
3 SONG BALANCE..................................P45
4 [DEMO] ...............................................P22
5 SONG SELECT [ ] [ ].........P24, 38, 55
6 [TRACK1] [TRACK2] /
[EXTRA TRACKS] ............... P26, 38–43, 57
7 [FILE] ...................................................P46
8 [TOP] / SONG [START/STOP]
................................................P24, 39, 56
9 [REC]....................................................P37
0 [SONG SETTING] ................................P73
A METRONOME [START/STOP] /
[SETTING]......................................P37, 76
B TEMPO [DOWN] [UP] .......P25, 37, 39, 56
C LCD buttons A [–] [+] / B [– (NO)] [+ (YES)] /
C [–] [+] / D [–] [+]...............................P21
D LCD screen ..........................................P21
Center “C”
E [CONTRAST] knob...............................P18
F [EXIT]...................................................P21
G Voice group buttons ...........................P28
H [VOICE SETTING] ................................P77
I [SPLIT] .................................................P35
J [REVERB]..............................................P31
K [CHORUS]............................................P31
L VARIATION [] [] .............................P28
M BRILLIANCE [MELLOW] [BRIGHT].......P30
N iAFC [ON] / [OFF] (CLP-170)...............P32
O [iAFC SETTING] (CLP-170) ..................P85
P [MIDI SETTING]...................................P87
Q [OTHER SETTING] ...............................P91
R [PHONES] ............................................P18
S Soft pedal............................................P29
T Sostenuto pedal ..................................P29
U Damper pedal .....................................P29
20 CLP-170/150

Connectors

Part Names
V [AUX PEDAL] ..................................... P59
W MIDI [IN] [OUT] [THRU] .................... P59
X HOST SELECT..................................... P59
Y [TO HOST] ......................................... P59
CLP-170
THRU
OUTIN
MacPC-2
MIDI
USB
AUX PEDAL
V
]
[PEDAL].....................................P113, 116
Floppy disk drive (CLP-170)...............P12
_ a
Panel logos
MIDI
W
X
TO HOST USBHOST SELECT
Y
Z
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which guarantees that any data con­forming to the standard will play accurately on any GM-compatible tone generator or synthe­sizer from any manufacturer.
L/L+R R
[
L/L+R R RL
Z [USB] ..................................................P59
[ AUX IN ...............................................P60
\ AUX OUT............................................ P60
CLP-150
AUX OUTAUX IN
\
LEVEL FIXED
]
PEDAL
V
\
LEVEL FIXED
W
OUTIN
MIDIAUX PEDAL
[
L/L+RRL/L+RRRL
AUX INAUX OUT
MacPC-2
MIDI
HOST SELECT
X
USB
TO HOST
Y
THRU
`
USB
Z
a
XG Format
XG is a new Yamaha MIDI specification which significantly expands and improves on the “GM System Level 1” standard with greater voice han­dling capacity, expressive control, and effect capability while retaining full compatibility with GM.
DOC (Disk Orchestra Collection) (CLP-170)
This is a sound map format supported by Clavinovas and many other Yamaha MIDI instruments. Tone generators and music data compatible with this format carry the DOC logo.
iAFC (Instrumental Active Field Control) (CLP-170)
This is functionality that uses a multi-channel speaker system to generate three-dimensional acoustical effects from musical instruments.
LCD buttons
C D
LCD
Use the LCD button A, B, C, or D to select the contents dis­played on the LCD. Check the screen located in the center of the top panel after every operation. A voice name appears on the screen when you turn on the power to the unit.
[EXIT] button
F
When you press this button, the unit returns to the default screen (the screen that indicates a voice name(s) and is displayed when the power is turned on).
A
C
B
NO YES
D
CLP-170/150
21

Listening to the Demonstration Tunes

For each voice group, the Clavinova contains one demo song that shows off the character of the voices. This section explains how to listen to the demo songs for the voice groups listed below.

Demonstration tunes

Voice group Tunes Composer
GRAND PIANO1 Consolation No.3 F.Liszt HARPSICHORD Gavotte J.S.Bach
The demonstration pieces listed above are short rearranged excerpts the original compositions. All other songs are original (©2002 Yamaha Corporation).
1 4
TRACK
EXTRA
TRACK
1
TRACKS
2
FILE SETTINGSTART/STOP
SONG
START
TOP
/
SONG KEYBOARD
MAXMIN
SONG SELECT
NEW SONG
SONG BALANCEMASTER VOLUME
DEMO
SYNCHRO START
SONG
STOP
REC
SETTING
3
Procedure
1. Engage the demo mode.
Press the [DEMO] button to engage the demo mode.
The indicators of the voice group buttons will blink in succession.
METRONOME
2 3
GRAND
GRAND
A
UPDOWN
C
TEMPO
CONTRAST
B
EXITEXIT
D
PIANO 2
PIANO 1
JAZZ
CHURCH
ORGAN
ORGAN
Voice group buttons
HARPSI-
E.PIANO
STRINGS
E.CLAVI-
E.PIANO
CHORD
CHORD
1
2
SYNTH.
WOOD
PAD
BASS
CHOIR
VOICE
VIBRA-
PHONE
E.BASS XG
GUITAR
VOICE
SETTING
SPLIT CHORUSREVERB
VARIATION BRIGHTMELLOW
BRILLIANCE
AFC
MIDI
SETTING
ON/OFF
AFC
OTHER
SETTING
SETTING
EFFECT
4
TERMINOLOGY
Mode:
A mode is a status under which you can execute a certain function. In demo mode, you can play back demonstration tunes.
22 CLP-170/150
Listening to the Demonstration Tunes
2. Select a tune and start playback.
Press the voice group button for the demo song that you want to hear.
The indicator of the voice group button you pressed will light, and the demo song will begin playing. Subsequently, the demo songs will play back consecutively from the upper left voice group button until you stop the playback.
3. Stop the playback.
Press the button of the voice group being played or the SONG [START/STOP] button.
4. Exit from demo mode.
Press the [DEMO] or [EXIT] button to exit from demo mode.
By holding down [DEMO] and pressing A[–][+] to get the [Piano­Demo] display, you can hear the piano demo / iAFC demo (CLP-
170). The piano demo lets you compare the result of enabling/dis­abling each sampling technology. The iAFC demo (CLP-170) lets you compare three iAFC types. The demo songs are assigned to the sound buttons as follows.
NOTE
To adjust the volume level of the demo songs, use the [MASTER VOLUME] dial.
TIP
To adjust the volume bal­ance between the song playback and the sound you are playing on the keyboard, use the [SONG BALANCE] slider (page 45) .
GRAND PIANO1 ................. Stereo Piano (stereo sampling)
GRAND PIANO2 ................. Mono Piano (mono sampling)
E.PIANO1............................ mezzo piano (dynamic sampling,
mezzopiano)
E.PIANO2............................ mezzo forte (dynamic sampling, mez-
zoforte)
HARPSICHORD.................. forte (dynamic sampling, forte)
E.CLAVICHORD.................. with Sustain (with sustain sampling)
VIBRAPHONE..................... no Sustain (without sustain sampling)
GUITAR ............................... with KeyOff (with key-off sampling)
CHURCH ORGAN............... no KeyOff (without key-off sampling)
JAZZ ORGAN...................... with StringRes (with string reso-
nance)
STRINGS............................. no StringRes (without string reso-
nance)
GHOIR (CLP-170)............... with iAFC SEE(iAFC spatial ensem-
ble effect)
SYNTH.PAD (CLP-170)....... with iAFC NSB (iAFC natural sound-
board)
WOOD BASS (CLP-170)..... with iAFC DDE (iAFC dynamic
damper effect)
CLP-170/150 23

Listening to 50 Piano Preset Songs

The Clavinova provides performance data of 50 piano songs. You can just listen to these songs (page 24) or use them for practice (page 26). You can also refer to the included “50 greats for the Piano” that contains the scores for 50 piano preset songs.

Playing the 50 piano preset songs

1
TRACK
TRACK
1
START
TOP
SONG KEYBOARD
MAXMIN
SONG BALANCEMASTER VOLUME
SONG SELECT
NEW SONG
SYNCHRO START
DEMO
SONG
23 4
Procedure
1. Select a song.
Press one of the [SONG SELECT] buttons repeatedly to select the desired piano song from P-001 to P-050.
Song select screen
A
C
The song number appears on the display.
2. Play a preset song.
Press the SONG [START/STOP] button to start playback.
A
C
METRONOME [START/STOP]
REC
FILE SETTINGSTART/STOP
SONG
SETTING
METRONOME
A
UPDOWN
C
TEMPO
EXTRA TRACKS
2
/
STOP
TEMPO [DOWN] [UP]
NO YES
the number of measures
NO YES
AFC
VIBRA­PHONE
E.BASS XG
GUITAR
VOICE
SETTING
SPLIT CHORUSREVERB
VARIATION BRIGHTMELLOW
BRILLIANCE
B
D
PIANO 2
PIANO 1
JAZZ
CHURCH
ORGAN
ORGAN
EXITEXIT
GRAND
GRAND
CONTRAST
HARPSI-
E.PIANO
STRINGS
E.CLAVI-
E.PIANO
CHORD
CHORD
1
2
SYNTH.
WOOD
PAD
BASS
CHOIR
VOICE
MIDI
SETTING
ON/OFF
AFC
OTHER
SETTING
SETTING
EFFECT
TERMINOLOGY
Song:
On the Clavinova, perfor­mance data is called a “Song.” This includes dem-
B
D
onstration tunes and piano preset tunes.
TIP
• You can also use the C [–]/[+] buttons to select a song after pressing the [SONG SELECT] button.
B
• [P-000: NewSong] is a blank song provided for you to record your perfor­mance. (See page 38.)
D
• Use the SongRepeat parameter in the “SONG SETTING” menu to select repeat playback of all songs or repeat play­back of a single song. (See page 75.)
24 CLP-170/150
TIP
You can play the keyboard along with the preset song playback. You can change the voice playing on the k eyboard.
Adjusting the tempo
Listening to 50 Piano Preset Songs
You can use the TEMPO [DOWN]/[UP] buttons to adjust the playback tempo as required. The default tempo (the song’s original tempo) is set when you press the [DOWN] and [UP] buttons simultaneously.
Press either of the SONG SELECT [ ]/[ ] buttons to return to the song select screen.
A
A
C
C
B
B
NO YES
D
D
3. Stop the song playback.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. To stop playback in the middle of a song, press the [TOP] button. You can also pause playback by pressing the SONG [START/STOP] button. Playback stops when you press the button.
Fast forward and rewind
You can perform the following operations in the song select screen:
• Use the B [–]/[+] buttons to move back and forth (rewind and fast for­ward) through the song while the song is played or stopped.
• Press the SONG SELECT [ ] or the C [–] button during playback to restart playback from the top of the song.
• Press the SONG SELECT [ ] or the C [+] button during playback to start playback from the next song.
• Press the SONG SELECT [ ] or the C [–] button while playback is stopped in the middle of the song to locate the top of the song.
TIP
You can also use the D[–]/[+] buttons to change the tempo.
NOTE
Resetting the tempo
Whenever you select a new preset song, the tempo is automatically reset to the song’s original value.
TIP
If you have selected a disc song (CLP-170) and there is a folder before the song, the folder will appear on the dis­play when you press the
SONG SELECT [ ] [ ] buttons or C [–]/[+] buttons during song playback.
4. Return to the default screen.
Press the [EXIT] button.
TERMINOLOGY
Default screen:
The default screen is a voice select screen (page 28) that appears when you turn on the power to the Clavinova.
CLP-170/150 25
Listening to 50 Piano Preset Songs

Practicing a one-hand part using 50 preset songs

The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK 1] and the left-hand part is played by [TRACK 2].
1
SONG KEYBOARD
MAXMIN
TRACK
EXTRA
TRACK
1
TRACKS
2
START
TOP
/
SYNCHRO START
SONG
STOP
SONG SELECT
NEW SONG
SONG BALANCEMASTER VOLUME
DEMO
REC
FILE SETTINGSTART/STOP
SONG
SETTING
METRONOME
A
UPDOWN
C
TEMPO
B
D
23
procedure
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part.
When you first select a song, both [TRACK1] and [TRACK2] indica­tors light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding but­ton indicator turns off and the corresponding part playback is muted. Pressing the buttons repeatedly toggles between playback on and off.
2. Start playback and playing.
Press the SONG [START/STOP] button to start playback. Play the part you just turned off.
CONTRAST
AFC
HARPSI-
VIBRA-
GRAND
GRAND
E.PIANO
PIANO 2
PIANO 1
JAZZ
CHURCH
ORGAN
ORGAN
EXITEXIT
STRINGS
E.CLAVI-
E.PIANO
CHORD
CHORD
1
2
SYNTH.
WOOD
PAD
BASS
CHOIR
VOICE
PHONE
E.BASS XG
GUITAR
VOICE
SETTING
SPLIT CHORUSREVERB
VARIATION BRIGHTMELLOW
BRILLIANCE
MIDI
SETTING
ON/OFF
AFC
OTHER
SETTING
SETTING
EFFECT
TIP
You can turn parts on or off, even during playback.
26 CLP-170/150
Starting playback automatically as you start playing the keyboard (Synchro Start)
You can cause playback to begin when you play the keyboard (Syn­chro Start). Hold down [TOP] and press SONG [START/STOP]. The SONG [START/STOP] indicator will blink, and the Clavinova will wait for Syncro Start. Now when you play the keyboard, playback will begin at the same moment. If you press [TOP] while waiting, Synchro Start will be cancelled.
TERMINOLOGY
Synchro:
Synchronous;occurring at the same time
3. Stop playback.
Listening to 50 Piano Preset Songs
When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the [TOP] button. You can also pause playback by pressing the SONG [START/STOP] button. Playback stops when you press the button.
You can also assign a phrase in a song to repeatedly practice that part. Refer to the [FromToRepeat] option in the “SONG SETTING” menu on page 74.
TIP
Resetting the part play­back
Both parts are automatically turned ON whenever you select a new song.
CLP-170/150 27

Selecting and Playing Voices

Selecting Voices

Voice
2
1
group buttons
2
SONG KEYBOARD
MAXMIN
REC
FILE SETTINGSTART/STOP
SONG
SETTING
METRONOME
A
UPDOWN
C
TEMPO
B
D
TRACK
EXTRA
TRACK
1
TRACKS
2
START
TOP
/
SYNCHRO START
SONG
STOP
SONG SELECT
NEW SONG
SONG BALANCEMASTER VOLUME
DEMO
CONTRAST
GRAND
PIANO 1
CHURCH ORGAN
EXITEXIT
Procedure
1. Select a voice group.
Press a voice group button.
2. Select a voice.
Use VARIATION [
If you select XG
If you select XG, you can select the XG voice group first, then select the desired voice.
2-1. Simultaneously press the [–][+] screen buttons located
beside the XG voice name display, to access a screen where you can select XG voices.
2-2. Use A [–][+] to select the voice group.
][] or A [–][+] to select a voice.
AFC
VIBRA­PHONE
E.BASS XG
GUITAR
VOICE
SETTING
SPLIT CHORUSREVERB
VARIATION BRIGHTMELLOW
BRILLIANCE
HARPSI-
GRAND
E.PIANO
PIANO 2
JAZZ ORGAN
STRINGS
E.CLAVI-
E.PIANO
CHORD
CHORD
1
2
SYNTH.
WOOD
PAD
BASS
CHOIR
VOICE
MIDI
SETTING
ON/OFF
AFC
OTHER
SETTING
SETTING
EFFECT
TERMINOLOGY
Voice
On the Clavinova, a voice means “tone” or “tonal color.”
TIP
You can also switch between voices in the same group by pressing a voice group but­ton repeatedly.
TIP
To learn characteristics of the voices, listen to demo songs for each voice group (page 22). Refer to “Preset V oice List” on page 109 for more information on charac­teristics of each preset voice.
2-3. Use C [–][+] to select the desired voice.
V oice gr oup Voice name V oice gr oup Voice name
GrandPiano1
GRANDPIANO1
MellowPiano PipeOrganTutti RockPiano PipeOrganFlute1
CHURCHORGAN
HonkyTonkPiano PipeOrganFlute2
GRANDPIANO2
E.PIANO1
E.PIANO2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
GUITAR
GrandPiano2 BrightPiano RotaryOrgan
JAZZORGAN E.Piano1 MellowOrgan SynthPiano E.Piano2 SynthStrings
STRINGS Vintage E.Piano SlowStrings Harpsichord8' Harpsichord8'+4' SlowChoir
CHOIR E.Clavichord Scat Wah Clavi. Vibraphone SynthPad2 Marimba Celesta Bass&Cymbal NylonGuitar SteelGuitar FretlessBass
SYNTH.PAD
WOOD BASS
E.BASS
XG XGVoice
• For details on XG voices, refer to “XG voice list” (the separate data list booklet).
PipeOrganPrincipal
JazzOrgan
Strings
Choir
SynthPad1
WoodBass
ElectricBass
TIP
Y ou can control the loudness of a voice by how hard y ou pla y the keyboard, although differ­ent playing styles (touch sensi­tivities) have little or no effect with the sound of certain musi­cal instruments. Ref er to “Pre­set Vo ice List” on page 109.
TIP
XG is a major enhancement of the GM System level 1 format, and was developed by Yamaha specially to pro­vide more voices and varia­tions, as well as greater expressive control over voices and effects, and to ensure compatibility of data well into the future.
TIP
If you select XG and then simultaneously press the VARIATION [
][] buttons,
the XG voice select screen will appear.
28 CLP-170/150

Using the pedals

The Clavinova has three foot pedals: damper pedal (right), sostenuto pedal (center), and soft pedal (left) that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.
Selecting and Playing Voices
Damper (right) pedal
When you press the damper pedal, the notes you play have a longer sustain. When you select Grand Piano 1, pressing the damper pedal activates the instrument’s special “Sustain Samples” to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings.
Sostenuto (center) pedal
If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain.
q
.
q
.
q
.
h
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
q
.
q
.
q
.
h
When you press the sostenuto pedal here while holding the note(s), the notes will sustain as long as you hold the pedal.
TIP
If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure that the pedal cord is properly plugged into the PEDAL jack on the unit (see step 5 on page 113 (CLP-150), see step 6 on page 116 (CLP-
170)). Also, make sure that the RPedal parameter in the “VOICE SETTING” menu is set to ON (see page 83).
TIP
You can adjust the depth of the resonance produced by the “Sustain Samples” using the Sustain Sampling Depth parameter in the “OTHER SETTING” menu. (See page 93.)
Soft pedal (left)
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. (The soft pedal will not affect notes that are already playing when it is pressed. Press the pedal immediately before you play the target notes.)
With the Vibraphone and Jazz Organ voices, this pedal turns vibrato on and off or toggles the speed of vibrato. (See page 93.)
TIP
You can assign a function to each pedal via the “R Pedal”, “M Pedal”, and “L Pedal” parameters in the “VOICE SETTING” menu. (See pages 83, 84.)
TIP
The center and left pedals can also be assigned to song start/stop operation (START/STOP function) via the “PedalStart/Stop” parameter in the “OTHER SETTING” menu (on page 94).
CLP-170/150 29
Selecting and Playing Voices

Adding variation to the sound [BRILLIANCE]/[REVERB]/[CHORUS]

The Effect function enables you to add expression to the sound. The Clavinova effects include Brilliance, Reverb, and Chorus.
SONG KEYBOARD
MAXMIN
SONG BALANCEMASTER VOLUME
SONG SELECT
NEW SONG
DEMO
TRACK
1
TOP
SYNCHRO START
[REVERB]
[CHORUS]
REC
FILE SETTINGSTART/STOP
SONG
SETTING
METRONOME
A
UPDOWN
C
TEMPO
CONTRAST
B
EXITEXIT
D
EXTRA
TRACK
TRACKS
2
START
/
STOP
SONG
GRAND
GRAND
PIANO 2
PIANO 1
CHURCH
ORGAN
ORGAN
HARPSI-
VIBRA-
E.PIANO
JAZZ
STRINGS
E.CLAVI-
E.PIANO
CHORD
CHORD
1
2
SYNTH.
PAD
CHOIR
VOICE
VOICE
PHONE
SETTING
GUITAR
WOOD BASS
E.BASS XG
SPLIT CHORUSREVERB
VARIATION BRIGHTMELLOW
BRILLIANCE
AFC
MIDI
SETTING
ON/OFF
AFC
OTHER
SETTING
SETTING
EFFECT
BRILLIANCE [MELLOW] / [BRIGHT]
[BRILLIANCE]
You can use this control to adjust the brilliance of the tone and change the tonality to suit your preference.
Procedure
Press one of the BRILLIANCE [MELLOW]/ [BRIGHT] buttons to select the desired tonality.
A
C
Mellow3
Mellow2
Mellow1
Soft and mellow tone. The sound becomes more mellow and rounder as the number increases.
Normal........... Standard tone
Bright1
Bright2
Bright tone. The sound becomes brighter as the number increases.
Bright3
B
NO YES
D
Press the [EXIT] button to return to the main screen.
You can press BRILLIANCE [MELLOW] [BRIGHT], and then use D [–][+] to select the desired tonality.
Normal setting = Normal
Normal setting:
The “Normal setting” refers to the default setting (factory setting) obtained when you first turn on the power to the Clavinova.
If you select [Bright1], [Bright2] or [Bright3] as the type of brilliance, the volume level will increase slightly. Under this condition, if you raise the [MASTER VOL­UME] dial setting, the sound may become distorted. In this case, lower the volume accordingly.
TIP
TIP
TERMINOLOGY
NOTE
30 CLP-170/150
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