TC-Helicon VoiceLive 3 Quick Guide

Getting started – English quick guide
VoiceLive3
Important safety instructions 1
Before you begin 3
Introduction 5
Making connections 6
Inputs 6 Outputs 6
1. Vocals and guitar using guitar/headphone cable 7
2. Stereo vocal and stereo guitar (2 channels) 8
3. Stereo vocals and stereo guitar (4 channels) 9
5. Stereo vocals and guitar amplifier 11
6. Mono vocals and guitar amplifier 12
7. Stereo vocals and MIDI keyboard 13
Let’s get going! 14 Auto Gain 14 Setting input gain on your mixer 14 Time to have some fun! 14 Explore the sounds 14 VoiceLive3 for acoustic guitar players 15 Let’s make it a HIT! 15 Are we there yet? 15
Technical specifications 16
Getting started – English quick guide 1
VoiceLive3 Getting started – English quick guide
2 VoiceLive3
Important safety instructions
Caution
Important safety instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. In­stall in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that pro­duce heat.
9. Do not defeat the safety purpose of the po­larized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched, particularly at plugs, con­venience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories speci­fied by the manufacturer.
12. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the ap­paratus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service per­sonnel. Servicing is required when the ap­paratus has been damaged in any way, such as power-supply cord or plug is dam­aged, liquid has been spilled or objects have fallen into the apparatus, the appara­tus has been exposed to rain or moisture, does not operate normally, or has been dropped.
You are cautioned that any change or modifi­cations not expressly approved in this manual could void your authority to operate this equip­ment.
Service
– All service must be performed by qualified
personnel.
– There are no user-serviceable parts inside.
Warning
– To reduce the risk of fire or electric shock, do
not expose this apparatus to rain or moisture and objects filled with liquids, such as vases,
should not be placed on this apparatus. – This apparatus must be earthed. – Use a three wire grounding type line cord like
the one supplied with the product. – Be advised that different operating voltages
require the use of different types of line cord
and attachment plugs. – Check the voltage in your area and use the
correct type.
Voltage Line plug according to standard
110 to 125V UL817 and CSA C22.2 no42. 220 to 230V CEE7 page VII, SR section 107-
2-D1 / IEC83 page C4.
– This equipment should be installed near the
socket outlet and disconnection of the device
should be easily accessible. – To completely disconnect from AC mains, dis-
connect the power supply cord from the AC
receptacle. – The mains plug of the power supply shall re-
main readily operable. – Do not install this device in a confined space. – For use at an altitude of 2000m or lower. – Do not open the unit – risk of electric shock
inside.
Getting started – English quick guide 1
Important safety instructions
EMC / EMI
Electromagnetic compatibility / Electromagnetic interference
This equipment has been tested and found to comply with the limits for a Class B digital de­vice, pursuant to part 15 of the FCC rules.
These limits are designed to provide reasonable protection against harmful interference in resi­dential installations. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.
If this equipment does cause harmful interfer­ence to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Explanation of graphic symbols
The lightning bolt triangle is used to
alert the user to the presence of unin­sulated “dangerous voltages” within the unit’s chassis that may be of suffi­cient magnitude to constitute a risk of electric shock to humans.
The exclamation point triangle is used
to alert the user to presence of impor­tant operating and service instructions in the literature accompanying the product.
– Reorient or relocate the receiving antenna. – Increase the separation between the equip-
ment and receiver.
– Connect the equipment into an outlet on a cir-
cuit different from that to which the receiver is connected.
– Consult the dealer or an experienced ra-
dio / TV technician for help.
For customers in Canada
This Class B digital apparatus complies with Ca­nadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
2 VoiceLive3
Before you begin

Before you begin

About the VoiceLive3 quick guide
This quick guide will help you learn understand­ing and operating your VoiceLive3.
You can download the most current version of this quick guide from tc-helicon.com/products/voicelive-3/support/
To get the most from this quick guide, please read it from start to finish, or you may miss im­portant information.
Be sure to download the VoiceLive3 reference manual!
Please note that this document is just a quick guide – not the full manual! It is intended to get you up and running with your VoiceLive3, but we really just skim the surface here.
For information on all of the functions and fea­tures in your new VoiceLive 3, make sure you download the complete reference manual from tc-helicon.com/products/voicelive-3/support/.
VoiceSupport
VoiceSupport is the application that allows you to fully unlock the potential of your TC-Helicon product and stay in touch with the latest news, tips and tricks.
VoiceSupport key features include:
– Professionally authored preset libraries – Direct access to product manuals – Update messaging – helping you stay up to
date with the latest software – Drag & drop preset management – Customizable content about your products – VoiceCouncil feeds for the latest advice for
singers – Firmware upgrading – Account management – Access to support.
You can download VoiceSupport for Microsoft Windows and Mac OS X from tc-helicon.com/products/voicesupport/
Please register your VoiceLive3
Getting support
If you still have questions about the product af­ter reading this quick guide and the reference manual, please get in touch with TC-Helicon Support: tc-helicon.com/support/
Getting started – English quick guide 3
To register your VoiceLive3 using the VoiceSup­port software, launch VoiceSupport and click on the ACCOUNT button.
! Please note that registration of your product is
NOT required to use VoiceSupport, download
presets, update firmware or contact support.
Before you begin
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
XLR Male XLR Female
Combo Jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
Power Input
XLR Male XLR Female
Power Input
1/8 inch jack GRND Lift
XLR Male XLR Female
Combo Jack
MIDI Jack
1/4 inch jack
Power Input
Mini USB
1/8 inch jack GRND Lift
USB Type A
USB Type B
Diagrams
Live3 in a particular setup. This means the “what you hear” section in the lower right corner does not show guitar sounds coming from the PA – even though they might at a gig.
Legend
The following symbols are used in the setup ex­amples section of this quick guide:
3
5 5
4
To give you clear and concise representations of what goes where, we have provided several con­nection diagrams in the “Making connections” (page 6) section. There are a few things we would like you to keep in mind as you follow these diagrams:
– Signal sources that go into your VoiceLive 3
(e.g. microphone or guitar) will always be shown to the left of the back panel image (1).
– “Downstream” devices (mixers, speakers) will
always be shown to the right of the back panel image (2).
– The box in the lower left corner shows what
signals you will hear from the VoiceLive 3 headphone output.
– The box in the lower right corner shows what
you will hear from your mixer / PA speakers. This could be anything from a “stick system” or a portable/all-in-one loudspeaker system to powered studio monitors or even a DAW recording interface.
In many cases, what you hear from the Voice­Live3 headphone output and your PA will be the same (5) – but it can also be different.
Microphone
Acoustic guitar
Electric guitar
Keyboard or other instrument
Mixing desk
P. A .
Guitar or keyboard amp
Monitor mix
Important
XLR cable
TRS cable
TS (guitar) cable
1/8” cable
Please note that we do not account for other in­puts or instruments in these diagrams – so you won’t see pictures of drums (4) etc. When a set­up example includes a connection to your guitar amp, we do not show that amp being miked and sent through the PA (which often is the case) – we are just showing you how to connect Voice-
4 VoiceLive3

Introduction

VoiceLive3 key features
Introduction
Just to whet your appetite, here is a basic over­view of VoiceLive3’s many exciting features!
Thank you for purchasing VoiceLive3!
Your new Vocal, Guitar and Loop processor is quite an amazing piece of technology. With liter­ally thousands of effect combinations and many versatile controls, you can completely customize your sound.
VoiceLive 3 replaces stand-alone vocal pro­cessors, guitar multi effects units and phrase loopers – reducing your “gig weight” to what you can throw in a backpack.
We’re really excited to get you up and running quickly, so let’s get started!
In the box
The VoiceLive 3 box should contain the follow­ing items:
– 1 VoiceLive3 vocal processor – 1 power adaptor – 1 USB cable – 1 guitar/headphone cable – this manual.
If you are missing an item, please contact your retailer immediately.
Inspect all items for signs of transit damage. In the unlikely event of transit damage, inform the carrier and supplier.
If damage has occurred, keep all packaging as it can be used as evidence of excessive handling force.
Vocal Effects Suite
– Adaptive Tone – EQ – Compression – De-ess – Reverb – Delay (Echo) – Double – Harmony – Choir – Vocoder / Talk Box / Vocal Sy nth – Rhythmic – µMod (pronounced “micro mod”):
Flanger / Chorus / D etune – Transducer – HardTune – Whammy
Guitar Effects Suite
– Amp Simulation – Reverb – Delay – µMod: Flanger / Chor us / Detune – Drive – Compressor – Rhythm / Tremolo – Wah Wah – Octave Down
Multi-Phrase Looper
– Loop Assist™ quantization – Swap Mode
For ea sy verse / chorus / br idge style loopin g. – Onboard loop storage
Customizable button layout
Completely remappable footswitches – Easy Top-Level Editing
Deep controls when you’re ready – HIT function
Add multiple effects to Vocals, Guitar or both
with one button press. – Direct guitar out – go straight to your amp. – Independent headphone mix
Perfect for in-ear monitoring without an ex-
pensive transmitter/receiver system.
Getting started – English quick guide 5

Making connections

Making connections
4
SWITCH-3
2 3 6 57 1

Inputs

1. Connect the supplied power adapter to the 12 V DC jack of your VoiceLive3 and plug the adapter into a wall outlet. Do not power up your VoiceLive3 yet.
2. Plug your microphone into the MIC / LINE jack using an XLR cable.
3. Connect your guitar to the GUITAR IN jack us­ing a ¼” Tip Sleeve (TS) cable (i.e., a regular guitar cable).
4. Connect your MP3 player or smartphone to the AUX jack using a 1/8” cable.
5. Connect your MIDI master keyboard or syn­thesizer to the MIDI IN jack using a MIDI cable.
6. Plug your Switch-3 into the FOOTSWITCH jack using a ¼” Tip Ring Sleeve (TRS) cable (the cable that came with the Switch-3).
7. Plug your Expression pedal into the EXPRES­SION jack.
! Do you have a condenser, MP-75 or e835FX
microphone? When the unit is powered up (there’s a few more steps before that hap­pens), you’ll need to enable Phantom Power. To enable Phantom Power, press SETUP and navigate to the INPUT tab using the < and > buttons below the large control knob. Find the Mic Type parameter and change it to Con­denser. Press SETUP to exit. These instruc­tions are also printed on the bottom of your VoiceLive3.

Outputs

Depending on what kind of amplification system you are using, there are lots of options. We cover a few common setups on the following pages.
In the reference manual, we’ll show many more connection options, including incoming monitor mixes.
6 VoiceLive3
Making connections

1. Vocals and guitar using guitar/headphone cable

This setup utilizes the included guitar/headphone cable, which is perfect for personal monitoring in any setup. You will see that the two smaller ends of the cable are different. One end has a male headphone jack beside the guitar jack. Connect these to the GUITAR IN and HEADPHONE jacks. The other end plugs into your guitar and has a fe­male jack for your headphones/in-ear monitors.
Getting started – English quick guide 7
Making connections

2. Stereo vocal and stereo guitar (2 channels)

This is a very common setup for both live per­formances with a stereo PA (double-check that the venue PA system is actually in stereo!) or for basic 2 channel recording.
8 VoiceLive3
Making connections

3. Stereo vocals and stereo guitar (4 channels)

L R
VoiceLive 3 features “jack sensing” on several inputs and outputs. With this connection setup, all guitar signals are removed from the XLR sig­nal path when ¼” Guitar OUT connections are made. This gives you separate stereo channels for your vocals and guitar. This is a great setup for connecting to a 4 channel audio interface.
Getting started – English quick guide 9
Making connections

4. Mono vocals and mono guitar (dual mono mode)

If you are not using a guitar amplifier, this is a common connection setup for most live venues, since the PA is typically in mono. It also allows a sound tech to control the overall balance be­tween your vocals and guitar.
Output modes can be changed in the Setup/Out­put menu.
10 VoiceLive3
Making connections

5. Stereo vocals and guitar amplifier

Keep in mind that your guitar amp may be miked and come out through the PA. That part of the signal flow isn’t shown in this setup example.
Guitar output is automatically muted in the XLR signal path when a 1/4” guitar out connection is made.
Getting started – English quick guide 11
Making connections

6. Mono vocals and guitar amplifier

Keep in mind that your guitar amp may be miked and come out through the PA. That part of the signal flow isn’t shown in this setup example.
Guitar output is automatically muted in the XLR signal path when a 1/4” guitar out connection is made.
12 VoiceLive3
Making connections

7. Stereo vocals and MIDI keyboard

VoiceLive3 is not a synthesizer and cannot con­vert MIDI note messages to audio. The MIDI con­nection is only used for NaturalPlay chord detec­tion and other control data. You will still need to connect your keyboard to the PA or an amplifier for it to be heard!
Getting started – English quick guide 13

Let’s get going!

Let’s get going!
Make all connections as seen in “Making con­nections” (page 6).
Before you power up VoiceLive3, make sure that the amplifier or PA it is connected to is muted or turned all the way down!
Press the POWER switch on the back of the unit.
! Booting will take a few seconds – so it is nor-
mal if you see a blank screen for a short while.

Auto Gain

The easiest way to set the input levels for your microphone and guitar is to press and hold the Setup button.
For additional information on input trim, please refer to your PA or mixer’s instruction manual. If you need a bit more guidance, check out this “Craig’s Corner” video explaining mixer setup: youtube.com/watch?v=qq0AOtafIjs

Time to have some fun!

It’s time to hear what your VoiceLive3 really can do! Set the VoiceLive 3 channel faders on your mixer to 0 or “Unity”, whichever applies.
. Slowly turn up the master/main volume on your PA/Mixer (and on your guitar amp if you are hooked up to one).
You will see a series of on-screen instructions. When you are done, gain settings will be opti­mized for your microphone and guitar.
You should only have to use Auto Gain once. There is no need to go through this procedure each time you power on the unit.
If you have a condenser, MP-75, or e835FX mic, this is a good time to enable it. Follow the in­structions printed on the bottom of your Voice­Live3.

Setting input gain on your mixer

While singing and playing at your loudest vol­ume, slowly turn up the input gain/trim knobs of the mixer channels your VoiceLive 3 is con­nected to. When the clip indicator on your mixer lights up, reduce input gain/trim slightly.
14 VoiceLive3
If you encounter feedback, turn the master vol­ume down until it goes away. For more informa­tion on feedback and how to overcome it, check out this “Craig’s Corner” video: youtube.com/watch?v=VlN1RJ4gcAo

Explore the sounds

The best way to get an idea of your VoiceLive3’s potential is to browse the presets. The factory presets have tons of great sounds, so we sug­gest you carve out a little time to go through and listen to them.
Sing and play!
Let’s get going!
To browse presets, press the footswitches with the up and down arrows on the far left.
Note which presets you enjoy the most – you can use them as a starting point for creating your own presets later.
VoiceLive3 for acoustic guitar players
VoiceLive 3 comes with pristine reverbs, mod­ulation effects, EQs and delays to make your acoustic guitar sound better than it ever has. However, you may not want heavy overdrive or radical flanging applied to the output of your handmade masterpiece…
If you have a nice effects setup for your acous­tic guitar that you want to use for all your songs, press SETUP, go to the SYSTEM tab and set ALL GUITAR FX GLOBAL to ON. This will “lock” the guitar effects so they won’t change when you switch presets.

Let’s make it a HIT!

When you are checking out presets, be sure to press the HIT button.
Editing HIT settings is covered in the reference manual.

Are we there yet?

Frankly, we haven’t even started…
By now, you have probably realized that we have merely scratched the surface of what you can do with your VoiceLive3 – there is a lot to learn and do!
If you really want to know how deep the rabbit hole goes, download the full reference manual for your VoiceLive3. It will show you how to…
– use vocal, guitar and loop “layers” – edit presets – turn individual effects on and off – remap effect buttons – use Harmony modes effectively – tweak all effect parameters – create and edit loops – Global effects assignments – browse presets by genre – adapt audio signal routings to your needs – mix audio signals – set up MIDI controls – … and much more!
You can download the VoiceLive 3 reference
manual from
tc-helicon.com/products/voicelive-3/support/.
HIT allows you to add (or remove) multiple ef­fects for both your vocals and/or guitar with a single button press. It can be used as a flex­ible “A/B” feature for two variations of a preset, or as a “turbo”. E.g., HIT allows you to bring in Harmony at just the right time, or you can use it to turn off the Delay and activate the Vocoder in the bridge of a song. Be adventurous – HIT re­ally brings out new and interesting facets of the presets.
Getting started – English quick guide 15

Technical specifications

Technical specifications
Inputs Voice connector Combo Balanced XLR/
Balanced TRS ¼”phone jack Input impedance balanced Mic input level @ 0dBFS Line input level @ 0dBFS EIN @ max mic gain rg = 150ohm Mic SNR >100dB at typical Mic Input
A to D conversion 24 Bit, 128 x oversampling
Guitar connector ¼” phone jack Guitar input impedance 1 MOhm Guitar input level @ 0dBFS Guitar input SNR >10 8  d B A to D conversion 24 Bit, 128x oversampling
Monitor connector Balanced XLR Input impedance balanced Monitor input level @ 0dBFS Aux Aux connector 1/8” stereo mini jack Aux input level @ 0dBFS Analog outputs Voice out connectors balanced XLR Output impedance balanced/unbalanced Output range @ 0dBFS Line Level: +14dBu; Mic
Dynamic range >109dB, 20 Hz to 20kHz Frequency response +0/-0.3dB, 20 Hz to 20kHz D to A conversion 24 Bit, 128 x oversampling
Guitar out connectors 1/4” TRS phone jack Output impedance balanced/unbalanced Output range @ 0dBFS Line Level: +14dBu;
Dynamic range >101dB, 20 Hz to 20kHz
3.08kOhm
-52dBu to +7dBu
-40dBu to +19dBu
-127  dBu
gain
bitstream, 110dB SNR
A-weighted
-2dBU to 14dBu
bitstream, 110dB SNR
A-weighted
25kOhm
+16  d B u
+2dBu
300/150 Ohm
Level: -2dBu
bitstream, 115dB SNR
A-weighted
442/221 Ohm
Mic Level: - 2dBu
D to A conversion 24 Bit, 128 x oversampling
bitstream, 106dB SNR
A-weighted Headphone out Headphone out connector Guitar thru Buffered guitar input connector Output impedance bal/unbal. Monitor thru Direct connection to monitor input connector Control USB USB-B, USB-A MIDI in 5 Pin DIN Pedal 1/4” TRS phone jack Power External power supply 100 to 240 VAC,
Power consumption < 14 W Safety EMC Complies with EN 55103-
Safety Certified to IEC65, EN
Operating requirements Operating temperature 32° F to 122° F
Storage temperature -22° F to 167° F
Humidity max. 90 % non-condensing Size & weight Dimensions 9” x 4” x 7” (230 x 100 x 180) Weight 5lb. (2.3kg) Warranty See www.tc-helicon.com/support for warranty information.
1/8” Mini stereo jack, 50
Ohm, +14dBu max
1/4” TRS phone jack
270/540 Ohms
Balanced XLR
50 to 60 Hz (auto-select)
1:2009, EN 55103-2:2009,
FCC CFR 47 Part 15B and
ICES-003:2004 4th Ed.
60065, UL6500 and CSA
IEC65, EN 60065, UL6500
and CSA
(0° C to 50° C)
(-30° C to 70° C)
16 VoiceLive3
Loading...