TC-Helicon VoiceLive User Manual

VoiceLive
Harmony | Correction | Effects
UUSSEERRSS MMAANNUUAALL
IMPORTANT SAFETY INSTRUCTIONS
The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the
presence of uninsulated "dangerous volt­age" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install
in accordance with the manufacturer's instructions.
8 Do not install near any heat sources such
as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the
polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked
on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified
by the manufacturer.
12 Use only with the cart, stand, tripod,
bracket, or table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms
or when unused for long periods of time.
14 Refer all servicing to qualified service
personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the literature accompanying the product.
Warning!
To reduce the risk of fire or electrical shock,
do not expose this equipment to dripping or splashing and ensure that no objects filled with liquids, such as vases, are placed on the equipment.
This apparatus must be earthed.
Use a three wire grounding type line cord
like the one supplied with the product.
Be advised that different operating voltages
require the use of different types of line cord and attachment plugs.
Check the voltage in your area and use the
correct type. See table below:
Voltage Line plug according to standard
110-125V UL817 and CSA C22.2 no 42.
220-230V CEE 7 page VII, SR section
107-2-D1/IEC 83 page C4.
240V BS 1363 of 1984.
Specification for 13A fused plugs and switched and unswitched socket outlets.
This equipment should be installed near the
socket outlet and disconnection of the device should be easily accessible.
To completely disconnect from AC mains,
disconnect the power supply cord from the AC receptable.
The mains plug of the power supply shall
remain readily operable.
Do not install in a confined space.
Do not open the unit - risk of electric shock
inside.
Caution:
You are cautioned that any change or modifications not expressly approved in this manual could void your authority to operate this equipment.
Service
There are no user-serviceable parts inside.
All service must be performed by qualified
personnel.
a
IMPORTANT SAFETY INSTRUCTIONS
EMC / EMI.
This equipment has been tested and found to comply with the limits for a Class B Digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in residential installations. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on. The user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
For the customers in Canada:
This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
Certificate Of Conformity
TC Electronic A/S, Sindalsvej 34, 8240 Risskov, Denmark, hereby declares on own responsibility that following products:
VoiceLive - Harmony, Correction and
Effects Processor
- that is covered by this certificate and marked with CE-label conforms with following standards:
EN 60065 Safety requirements for mains (IEC 60065) operated electronic and
related apparatus for household and similar general use
EN 55103-1 Product family standard for
audio, video, audio-visual and entertainment lighting control apparatus for professional use. Part 1: Emission.
EN 55103-2 Product family standard for
audio, video, audio-visual and entertainment lighting control apparatus for professional use. Part 2: Immunity.
With reference to regulations in following directives: 73/23/EEC, 89/336/EEC
Issued in Risskov, 03 - 2004
Mads Peter Lübeck
Chief Executive Officer
b
TABLE OF CONTENTS
INTRODUCTION
Table of Contents . . . . . . . . . . . . . . . .3
Text Conventions . . . . . . . . . . . . . . . .3
Introduction . . . . . . . . . . . . . . . . . . . . .5
Front Panel . . . . . . . . . . . . . . . . . . . . .6
Rear Panel . . . . . . . . . . . . . . . . . . . . .8
Signal Flow . . . . . . . . . . . . . . . . . . . . .9
QUICKSTART
Getting Sound From the VoiceLive . .10
Step Through Orientation . . . . . . . . .10
Preset Mode . . . . . . . . . . . . . . . . . . .10
Song Mode . . . . . . . . . . . . . . . . . . . .12
User Button . . . . . . . . . . . . . . . . . . .13
Expression Pedal . . . . . . . . . . . . . . .13
Making Scale Harmony Presets
Work With Your Song . . . . . . . . . . . .14
Basic Editing Concepts . . . . . . . . . . .15
BASIC OPERATION
Live Setup with Guitar . . . . . . . . . . . .16
Live Setup with a MIDI Keyboard . . .16
BASIC OPERATION
Parameter Types . . . . . . . . . . . . . . . .17
Preset Types . . . . . . . . . . . . . . . . . . .17
MIDI Backup and Restore . . . . . . . . .17
Global Effect Preset Setting . . . . . . .17
Store Operation . . . . . . . . . . . . . . . .18
PRESET MODE
GLOBAL EDIT SCREENS
IO Edit Screens . . . . . . . . . . . . . . . .37
Utility Edit Screens . . . . . . . . . . . . . .40
SONG MODE
Song Mode . . . . . . . . . . . . . . . . . . . .45
Song Mode LCD Screen . . . . . . . . .45
Song Edit Mode LCD Screen . . . . . .45
Song Edit Functions . . . . . . . . . . . . .46
HARMONY AND TUNING
Harmony . . . . . . . . . . . . . . . . . . . . . .48
Harmony Hold . . . . . . . . . . . . . . . . . .48
Harmony Modes . . . . . . . . . . . . . . . .48
Notes Mode . . . . . . . . . . . . . . . . . . .48
Shift Mode . . . . . . . . . . . . . . . . . . . .48
Chord (Chordal) Mode . . . . . . . . . . .48
Scale (Scalic) Mode . . . . . . . . . . . . .49
Diatonic and Chromatic . . . . . . . . . . .50
Just Tuning . . . . . . . . . . . . . . . . . . . .51
FOOTSWITCH FUNCTION TABLES
Preset Mode Footswitch Functions . .52 Song Mode Footswitch Functions . . .53
SPECIFICATIONS
MIDI Implementation . . . . . . . . . . . . .54
Technical Specifications . . . . . . . . . .57
Preset Mode . . . . . . . . . . . . . . . . . . .19
Preset Direct Mode . . . . . . . . . . . . . .20
Preset Voice Mode . . . . . . . . . . . . . .20
PRESET EDIT SCREENS
Configuration Screens . . . . . . . . . . . .21
Voice Edit Screens . . . . . . . . . . . . . .22
Harmony Edit Screens . . . . . . . . . . .26
Thicken Edit Screen . . . . . . . . . . . . .28
Effects Edit Screens . . . . . . . . . . . . .30
Pitch Correct Edit Screens . . . . . . . .33
Special Edit Screens . . . . . . . . . . . . .35
TEXT CONVENTIONS
Throughout this manual the following conven­tions will be followed:
Names of front panel controls, and keys are
written in CAPITALS.
Parameter names are in S
Parameter values are in underline
Special notes appear in italic.
Prod. No: E60503512
Rev 1.02 – SW – V 1.00English Version
MALL CAPITALS
.
.
3
INTRODUCTION
Thank you for purchasing VoiceLive, TC-Helicon's harmony, correction and effects processor built for the road. A lot of effort went into this product. TC-Helicon engineers and product specialists met with performing musicians to make sure VoiceLive enhances your vocals on stage. The analog and digital signal path is designed to the same standards as our studio processors. However, every aspect of VoiceLive, from VOSlimiting to the instrument input, has been designed for the specific demands of live performance. We hope you and your fans enjoy VoiceLive.
We update our manuals and various support material on a regular basis. For the most up to date information we encourage you to visit our website at www.tc-helicon.com
Features:
Studio-quality mic preamp (Burr Brown INA163 based) with VOS™ Limiter and 48V phantom power
Vocal processing technology based on VoiceWorks including:
· The most natural sounding vocal harmony available using proprietary TC-
Helicon technology
- HybridShift™ harmony generation for smooth, natural harmony voices
- Humanization of harmony voices utilizing FlexTime™, Human-Modeled Vibrato, Inflection, Pitch randomization, Portamento and gender
- Four harmony control modes for intelligent voicing and/or MIDI control
- Selectable Equal-tempered and Just tuning for harmonies
- HarmonyHold™ - freezes harmony voices for more interesting harmony phrasing.
· Automatic pitch correction using factory and custom scales
· Lead voice thickening
· TC Electronic 3-band EQ, low cut and compressor/gate
· TC Electronic reverb & tap-tempo delay
Eight smooth-travel footswitches
Four edit knobs and one encoder for hands-on preset editing
Expression pedal input
MIDI control over all parameters via CC and SYSEX
MIC pass-thru for post mixing by Front of House engineer
Instrument input to reverb/delay
24 bit harmony processing
S/PDIF digital I/O
Please refer to this manual often, as there are many features and variations to explore. Our website is another good resource for applications, support and other user services.
Enjoy!
The TC-Helicon Team
www.tc-helicon.com
5
FRONT PANEL
VOICELIVE
HARMONY | CORRECTION | EFFECTS
Pr37
LED TEXT DISPLAY
Displays important, top-level performance and editing information.
GLOBAL FX DOT
Indicates that a global effect preset has been selected. This means that delay and reverb settings will remain unchanged when changing presets.
EDITED DOT
Indicates that preset settings have been edited. Powering down or changing to another preset without first storing will result in a loss of changes.
MIC IN DOT
Indicates that the microphone input is selected.
LIMIT DOT
Indicates that the limiter is active.
INPUT METER
Peak meter shows Mic or Line Input level. The meter range is:
-40 to 0dB.
INPUT CLIP LED
Indicates that the Mic/Line or instrument input level is too high, possibly causing digital distortion. Reduce the input level to correct this condition. The Input Clip LED may flash when the limiter is enabled, which indicates clipping of initial transients and does not severely degrade audio performance.
6
Out Clip
PROGRAM DISPLAY
Input Clip
0 PPM dB
-5
Flying Eagle
-10
-20
-40
37: Scale F#maj1
LIMITMIC INGLOBAL FX EDITED
PRESET# HARMONY MODE ROOT SCALE/CHORD
MIDI IN
LEAD HARMONY INSTRUMENT OUTPUT
EDIT 1 EDIT 2 EDIT 3 EDIT 4
OUTPUT CLIP LED
Indicates an internal DSP overflow. Reduce the overall level of the harmony voices and vocal effects to correct this condition.
MIDI IN LED
Indicates valid, incoming MIDI information.
LCD TEXT DISPLAY
Displays top-level preset information (preset mode), detailed preset information (preset edit screens), system configuration (I/O and utility
edit screens), Song data (Song mode), and any important status
messages or user alerts.
Voices LEDs (1-4)
Indicates On/Off status of individual harmony voices. All 4 green LEDs flash to indicate Harmony Mute as a result of the HARMONY MUTE/HOLD FOR BYPASS button pressed.
Red Voice Effect LEDs
These indicate the effects that are enabled for a preset. All 4 red LEDs flash to indicate that VoiceLive is in Bypass mode as a result of holding the HARMONY MUTE/HOLD FOR BYPASS button.
HARMONY LED
Indicates On/Off status of overall harmony.
VOICE 1 VOICE 2 VOICE 3 VOICE 4
HARMONY
THICKEN
EFFECTS
PITCH CORR.
I/O
UTILITIES
THICKEN LED
Indicates On/Off status of lead voice thickening.
EFFECTS LED
Indicates On/Off status of Reverb and Delay.
PITCH CORRECT LED
Indicates On/Off status of pitch correction.
I/O LED
Indicates that you are on an IO parameter edit screen.
UTILITIES LED
Indicates that you are on a Utility parameter edit screen.
LEVEL/EDIT KNOBS
In performance modes, these are used to adjust audio levels of Lead Voice,
Harmony Voices, Instrument input and overall Output level. You store the
IO/UTIL settings to save these level settings. Press STORE to initiate this procedure. In the edit
modes, these knobs are used to adjust parameter values. Please note that at the end of the travel of these knobs, the parameter values will scroll. Turn back the knob to stop scrolling and adjust to find your desired value.
PUSHTO ENTER
FRONT PANEL
PRESET
SONG
SONG
SELECT
SELECT
KEY
STEP
SCALE
REWIND
1234
HOLD FOR MODE HOLD FOR SUBMODE
PRESET SONG VOICE
DirectA / Voice 1
PREVIOUS
Direct B / Voice 2
NEXT
DIRECT
Direct C / Voice 3
USER
Direct D / Voice 4
HARMONY MUTE
EDIT KEY Enters and exits edit modes.
STORE KEY
Press STORE to begin the store process. Presets, Songs and IO/Utility parameters may be stored using this key. Each Preset and Song name/number store destination may be changed after the first press. Pressing the STORE key a second time will complete the store operation.
DATA WHEEL
This control is used to select presets in preset mode, songs in Song mode and edit screens in edit mode. With the Store Operation this is used to select whether to store Preset, Song or IO/Util parameters. Parameters surrounded by triangular brackets (eg. <STEP INS> ) may be changed using the DATA WHEEL.
PUSH WHEEL TO ENTER
Pressing the DATA WHEEL activates special functions in the Preset edit and Song edit modes. Parameters surrounded by triangular brackets (eg. <Execute> MIDI-Dump) perform their actions when ENTER is pressed.
5678
HOLD FOR
BYPASS
FOOTSWITCH BUTTONS
These allow control of VoiceLive in performance. These buttons are multifunctional depending on the operating mode of the unit.
The best place to get an understanding of how these work is the Performance Mode Step Through Orientation in the Quickstart section of the manual. For a detailed reference of the operation of the footswitches in the various modes, see the Footswitch Function Tables near the end of the manual.
Please note that the footswitch buttons have multiple functions. To ensure clarity in this manual they will often be referred to as switches 1 through 8 as numbered above.
7
REAR PANEL
BALANCED INPUT
INSTRUMENT
LINE
MIC PASSTHRU
Balanced Inputs (1/4” TRS) Line - You have the option of selecting this or
the mic input as the main Vocal input.
Instrument - This input is designed to accept
output from the following sources:
• Mixer
• Guitar pedal or preamp
• Active pickups (guitar with batteries)
• Acoustic guitar with preamp
• Keyboard output Plugging an electric or acoustic guitar with passive pickups directly into this input will not result in optimal audio quality. (See note on page 16.)
Balanced Outputs (1/4” TRS) Left/Right - This is the stereo output of
VoiceLive. If mono operation is desired use either of the outputs and set the
O
UTPUT parameter to Mono (edit screen
IO9). These outputs may be connected directly to balanced mic inputs with proper 1/4”TRS to XLR out adapters as long as there is no phantom power on the input. It is also necessary to set the O
to a lower setting (edit screen IO9) when driving mic inputs. When there is phantom power, direct boxes are necessary to connect to mic inputs.
Digital I/O
S/PDIF In/Out - Sends and receives digital
audio to S/PDIF standards.
MIDI
In, Out and Thru - Standard MIDI interface
Pedal In
Accepts passive volume pedals and expression pedals. The operation of the
MIC INPUT
MIC LEVEL
-20dB
US Patent:#4,688,464 #5,231,671 #5,301,259 #5,567,901 #5,641,926 #5,986,198 #6,046,395
UTPUT RANGE
MIC IN SELECT
DI
S/PDIF
DO
LIMITER +48V
MIDIBALANCED OUTPUTS DIGITAL I/O PEDAL
THRU
INLEFT RIGHT
CAUTION
RISKOF ELECTRIC SHOCK
DONOT OPEN
WARNING
TOREDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAINOR MOISTURE
RISQUEDE CHOC ELECTRIQUE-NE PAS
AVIS:
OUVRIR.
THISCLASS B DIGITAL DEVICE MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCE­CAUSINGEQUIPMENT REGULATIONS AND COMPLIES WITH PART 15 OF THE FCC RULES. OPERATIONSUBJECT TO CONDITIONS STATED IN THE MANUAL.
OUT
IN
SERIAL NO.
TYPE: HFW001
MADEIN THAILAND
UL6500 EN/IEC 60065
R
CUS
100-240VAC 50-60Hz,15W
expression pedal can be programmed per preset on edit screen XPED and globally on
edit screen UT1.
Mic Pass Thru
This connects directly to the microphone input and is used to connect directly to a mixing board. If VoiceLive loses power for any reason, the signal from the microphone will still get through to the mixer. When using this connector and microphones requiring phantom power, you have the option of using the phantom power from VoiceLive or the mixing console. Please note that using both the
mixing console phantom power through this connector and VoiceLive phantom power will result in too much power to the microphone.
Mic Input
Mic Connector - Balanced microphone input.
MIC LEVEL Knob - This controls the input gain
of the mic input.
-20dB - This attenuates the input by 20dB to handle high output condenser microphones (and the occasional really loud singers with dynamic microphones).
MIC IN SELECT Button - This selects the
microphone for the Vocal input. When not pressed, VoiceLive defaults to the Line input.
LIMITER Button- This enables the VOS™
optical limiter on the mic input.
+48V - This enables +48 V phantom power on
the mic input. Never plug single ended
(unbalanced) microphones or instruments or signal processors (balanced or unbalanced) into the mic input if +48V phantom power is on.
Note: Optimal connection to balanced equipment is achieved using balanced cables. However, if your equipment is NOT balanced you will generally have no problems.
8
SIGNAL FLOW
LEFT OUT
LEAD
EFFECTS
- Summing point
- Pan
Mono Signal Path
Stereo Signal Path
MIC INPUT
LINE INPUT
Dry Off
LOW CUT
3 BAND EQ
PITCH CORRECTION
COMP/GATE
Mic Input
Select
Digital Input
[S/PDIF]
44.1 kHz
48 kHz
Digi
Clock
Select
MIC GAIN
LINE INPUT LEVEL
THICKEN
LEVEL
INDIVIDUAL
HARMONYVOICE
LEVELS
HARMONY
LEVEL
LEADVOICE
LEVEL*
EFFECTS
LEVEL
OUTPUT
LEVEL
THICKEN
HARMONY
PROCESSING
A/D
Digital L
Digital R
D/A
RIGHT OUT
Digital Output
[S/PDIF]
VoiceLive
INSTRUMENT AUDIO PATH
Normal
LIMITER
INSTRUMENT INPUT
INSTRUMENT INPUT LEVEL
9
QUICKSTART
Getting Sound From VoiceLive
What you Need:
• VoiceLive
• Power cable
• microphone
• microphone cable
• two 1/4" cables
• PA or powered speakers
1. Connect the power cable to VoiceLive and to your mains power. VoiceLive does not have a power switch so just plugging it in will turn it on.
2. Connect the two 1/4" cables to the Left and Right output of VoiceLive into two inputs on your PA or powered speakers.
3. With the MIC LEVEL knob and the OUT­PUT knob at minimum (fully counter-clock­wise) connect one end of your microphone cable to your microphone. Plug the other end into the MIC input of VoiceLive.
4. Engage the 'microphone' and 'limiter' switches on the back panel (the limiter switch will make it easier to set the levels). If your microphone requires phantom power engage the 'phantom power' switch on the back panel.
5. While singing into the microphone increase the microphone volume using the MIC IN knob until the level meters on the display are fluctuating above '-20dB' but never to the 'red' with clipping. If the level from the microphone is always too high, engage the '-20dB Pad' switch on the back panel.
VoiceLive Performance Features
VoiceLive is designed to be the ultimate vocal performance product. Foot control of vocal effects and harmonies can be achieved at vari­ous levels. On a basic level in preset mode, you can scroll through presets. On an advanced level in Song mode you can arrange preset sequences with markers within the sequence. Along with this sophistication of pre­set access, is the preset-assignable USER button and EXPRESSION pedal control.
Step Through Orientation
Most of this orientation may be done with the footswitch buttons. Plug in a microphone and put it on a stand to free up your hands to hold this manual. Try going through this procedure, singing into the microphone as you go and jamming with VoiceLive. Often during this ori­entation we give background to how certain things are set up. This often means referring
to “edit screens”. These edit screens can accessed by pressing the EDIT button and turning the DATA WHEEL.
Preset Mode
This is VoiceLive's basic performance mode. On power-up VoiceLive is in Preset Mode.
VOICELIVE
HARMONY | CORRECTION | EFFECTS
Pr39
PRESET
SELECT
SONG
SONG
SELECT
1234
PRESET SONG VOICE
DirectA / Voice 1
OutClip
PROGRAM DISPLAY
InputClip
0 PPM dB
-5
Take it Over
-10
-20
39: Scale Bmaj2
-40
PRESET# HARMONY MODE ROOT SCALE/CHORD
LIMITMIC INGLOBAL FX EDITED
MIDI IN
LEAD HARMONY INSTRUMENT OUTPUT
EDIT 1 EDIT 2 EDIT 3 EDIT 4
KEY
STEP
HOLD FOR MODE HOLD FOR SUBMODE
Direct B / Voice 2
SCALE
REWIND
DIRECT
Direct C / Voice 3
VOICE1 VOICE2
VOICE3
VOICE4
HARMONY
THICKEN EFFECTS
PITCH CORR.
I/O
UTILITIES
PUSHTO ENTER
Direct D / Voice 4
7. With your PA or speaker level at a nominal setting sing through the microphone adjust­ing the 'Lead', ‘Harmony', 'Effects' and 'Output' level using the edit knobs on the front panel.
8. Push on the PREVIOUS/NEXT buttons (5,6) or turn the DATA WHEEL to try out the different presets.
10
PREVIOUS
NEXT
USER
5678
HARMONY MUTE
HOLD FOR
BYPASS
• Press the PREVIOUS/NEXT buttons (5, 6 shown above) to change the preset number.
• Select preset Number 11 which is a Scale type preset.
QUICKSTART
• Press the USER Button. You will now hear the “Telephone Voice” effect. This preset has the USER button setup to do this function. (make sure you try singing into the mic to hear what’s going on)
• Press the HARMONY MUTE button (8) to turn off the harmonies.
• Press the USER button and then the HARMONY MUTE button to enable the harmonies and disable the Telephone Voice effect.
• Hold the HOLD FOR BYPASS BUTTON (8) to bypass all effects on VoiceLive.
• Hold the HOLD FOR BYPASS BUTTON (8) again to enable effects in VoiceLive.
• Press the KEY button (2) followed by the PREVIOUS/NEXT buttons to change the key of the harmony scale.
• Press the SCALE button (3) followed by the PREVIOUS/NEXT buttons to change the scale type.
• Press the PRESET SELECT (1) button followed by the PREVIOUS/NEXT buttons to change the preset number.
Note: Key and Scale may only be changed with scale type presets. Pressing the KEY (2) and SCALE buttons when on anything other than a Scale preset will have no effect.
Preset Direct Mode
Preset Direct Mode makes the top buttons on VoiceLive respond like radio station buttons on a car radio for preset access.
• Hold the DIRECT button (3) when in preset mode until the LED Text Display flashes DRCT, putting VoiceLive into Preset Direct Mode.
• Press any of the top 4 buttons to access the programmed direct presets.
• Press the PREVIOUS/NEXT buttons to find a different preset that you like, making sure that the second character on the LED text display is a “*”.
• Press and hold one of the top 4 buttons, until the second character on the LED text display changes to A, B, C or D. You have now programmed that button to recall the desired preset.
Note: Holding a direct button when a preset has not been changed ("*" is not displayed) will cause VoiceLive to leave direct mode.
Here's how the LED text Display works in Preset Direct Mode:
For example: P: This character indicates that the unit is in
Preset Mode.
A: A,B,C,D means that a Direct preset is
recalled. Holding one of the top 4 buttons when this is displayed will put VoiceLive into a new mode. If this character is a “*” then a Direct preset is not recalled. Holding one of the 4 top buttons will pro­gram this button to recall the current pre­set.
23: This indicates the current preset number.
• Find a preset that you like with lots of harmony using the PREVIOUS/NEXT buttons.
• Hold one of the top four buttons to program a DIRECT button to this preset.
Preset Voice Mode
• Hold the VOICE button (4) until the LED text display flashes VOIC to put VoiceLive into
Preset Voice Mode.
• Press any of the top four buttons to enable/disable a harmony voice. Notice that the Vocal 1 - 4 LEDs to the right of the LCD display indicate which Voices are enabled.
• Press the PREVIOUS/NEXT buttons to change presets. Notice that the enabled/disabled combination of voices do not change as you change presets.
Here's how the LED text Display works in Preset Voice Mode:
For example: P: This character indicates that the unit is in
Preset Mode.
V: This indicates that VoiceLive is in Voice
Mode.
23: This indicates the current preset number.
PA23
PV23
11
QUICKSTART
Song Mode
This is VoiceLive’s advanced performance mode. Song mode allows you to:
1. Create sequences of presets that you can step through.
2. Modify the Scale Root and Type as well as Chord Root and Type of the presets within the Song steps.
3. Set up to 4 markers in each song with Direct Song mode.
Follow the steps below to learn the capabilities of Song Mode.
• Hold the SONG button (2) until the LED text display flashes SONG to enter Song mode.
• Press the PREVIOUS/NEXT buttons (5, 6) to change the Song number to Song 3, “Amazing Grace”.
• Press the STEP button (2) to allow stepping through the song.
• Sing into your microphone. You’ll hear chord based harmonies.
• Press the NEXT button (6) to advance the step of the song. Hear how the harmonies change.
• The Song Mode LCD screen looks like this:
3: AMAZING GRACE
S2 P39c G Dom7
Top Line- Song number and name
S2 - Step number.
P39c - Preset number and harmony type. s=
Scale; c= Chord; n= notes; blank =shift.
G DOM7 - Root and Scale/Chord type for
Scale and Chord presets.
• Press the NEXT button (6) a few times while watching the LCD display. Notice that the preset number does not change. All that changes between steps is the Root and chord type. This is how this song was programmed.
• Press the REWIND button (3) to rewind back to the first step.
Editing Song Step Sequences
• Press the EDIT KEY to enter the Song Step edit mode.
• Turn EDIT 1 knob to select the step you would like to edit or turn to to a new step.
• Turn EDIT 2 knob to change the preset number.
• Turn EDIT 3 knob to change the Chord/Scale root.
• Turn EDIT 4 knob to change the Chord/Scale type.
• Turn the DATA WHEEL to select Insert or Delete step functions.
• Once the desired function is selected, press the DATA WHEEL to enter.
• To save changes press the STORE KEY. You may then change the Song name and number
• Press the STORE KEY again to complete the store operation.
• Press the EDIT KEY to go back to the Song Step mode.
Song Direct Mode
Song Direct mode is a powerful way to use VoiceLive. You can use it in a number of different ways.
2. Sequence the chords of the intro, Verse, chorus and bridge of a song into the steps of a Song. Go into Song Direct mode and assign the beginning of each section to the direct buttons.
1. Put 4 presets with Root and Scale/chord types customized for your music in a song and have direct access to them. There are 50 songs in VoiceLive so in doing this you could effectively create 50 groups of presets for efficient live recall.
• Press the SONG SELECT button (1) to change the Song number.
• Press the NEXT button (5) to advance to an empty song.
• Press the STEP button (2).
• Press the EDIT KEY to enter edit mode.
• Turn EDIT 1 and EDIT 2 knobs to assign presets 62, 64, 68 and 69 to steps 1 - 4.
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QUICKSTART
• Press the EDIT KEY to exit edit mode.
• Hold the DIRECT button (3) to enter Song Direct mode.
• Press the NEXT button (5) to advance to Step 2
• Hold the DIRECT B button (2) to assign Step 2 to this button. Please note that when
new songs are created all direct buttons are assigned to Step 1.
• Press the NEXT button (5) to advance to Step 3
• Hold the DIRECT C button (3) to assign Step 3 to this button.
• Press the NEXT button (5) to advance to Step 4
• Hold the DIRECT D button (4) to assign Step 4 to this button.
• Talk into the mic and press the different DIRECT buttons (DiRECT A to DIRECT D). Hear yourself take on different personalities.
• To store the Song to the current location, press the STORE key, edit the Song name using EDIT knobs 1 and 2 and press STORE again.
Song Voice Mode
Song Voice mode makes it possible to toggle each individual harmony voice on/off. This is useful for building up voices during a chorus.
• Hold the VOICE button (4) until the LED text display flashes VOIC to enter the Voices
Submode. (Note that if you changed Song
steps with the PREVIOUS/NEXT buttons (5,
6) prior to holding this button or any of the top four buttons, the second character on the LCD display will show “*” and the current step would then be programmed to that DIRECT button. The second character on the LED display must read A,B,C or D to allow changing to another mode).
• Press any of the upper 4 buttons to turn on and off individual voices.
• Press the PREVIOUS/NEXT buttons (5, 6) to change the Song step. Note that the enabled/disabled combinations of voices do not change while changing steps. This is really handy when you want to increase the number of harmony voices for a later part of a song.
USER Button
In every preset you have the option of either assigning a unique function to the USER but­ton or setting the USER button to Default screen UBTN). When set to Default button is assigned to the setting in the global edit screen UT2. Most factory presets in VoiceLive have the USER button set to default unless the USER button is integral to the pre­set. If you like to sustain your harmonies, then you may want to set the default USER button to Harmony there are short phrases of harmonies, rather than having to press the HARMONY MUTE button at the start and at the end of the phras­es, you can set the default USER button to Moment have a harmony preset that works for a song but the intro requires a Low-Fi telephone sound, you may want to edit the preset and set the USER button (edit screen UBTN) to
eleVoice All so that regardless of the default
T USER button setting, in that preset, pressing the USER button creates a Low-Fi effect.
Hold. If you perform songs where
ary Harmony.
In cases where you
(edit
the USER
EXPRESSION Pedal
In the same way as the USER button, you have the option of assigning a unique function to the Expression Pedal or setting it to default in the preset (edit screen XPED). Most factory presets in VoiceLive come with the Expression Pedal set to Default you may want to set this default to Harm Narrow
so that you can control the harmony
levels with your foot.
You must calibrate the EXPRESSION pedal for proper operation. See edit screen UT9 for
details.
The USER button and Expression pedal capa­bilities are extremely flexible and powerful, allowing you to set VoiceLive for optimal con­trol and creative possibilities.
. In the UT1 edit screen
Lev
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Making Scale Harmony Presets Work with Your Song
When you're not using MIDI, Scale Presets are the best way to produce harmonies in VoiceLive. You need to know a few things to make this work:
1. In what key is the song (A,B C.. etc.)?
2. Is the song in a major or minor key?
Another thing you need is an instrument to sing with so that you know that you are singing in the right key.
• Hold the PRESET button (1) to put VoiceLive into preset mode.
• While singing “ahhh” into VoiceLive, find a preset with the word “Scale” in the second line having only one or two VOCAL LEDs lit. Choose one that has a general sound to the harmonies that you would like for the song.
• Press the KEY button (2) followed by the NEXT button to set the key of the Song.
• Press the SCALE button (3) followed by the NEXT button (6) to set the scale type of the song to either “M1” if the song is in a major key or “m1” if the song is in a minor key.
• Play a chord or a starting note on your instrument to ensure that you are going to sing in the right key, and try singing the song into VoiceLive.
• If the harmonies don’t sound right try a different Scale type number (1, 2 or 3) by pressing the PREVIOUS/NEXT buttons (5,6). Remember to stick with “M” if your song is in a major key and “m” if your song is in a minor key.
• If they still don’t sound right, press the KEY button (2) followed by the PREVIOUS button (5) five times to set the key to a 5th above the key of the song.
• If they still don’t sound right press the SCALE button (3) followed by the PREVIOUS/NEXT buttons (5,6) to select a different scale type.
• Finally, if they still don’t sound right press the KEY button (2) followed by the PREVIOUS button (5) two times to set the key to a 4th above the key of the song then try changing the scale.
• If one of the Key/Scale type combinations you tried above sounded close but not quite right, go back and set the Key and Scale to the best setting you achieved.
Up to this point we have been trying to find a key and scale type with a scale preset to work with the song. If there are only one or two notes in the song that don’t sound right with the current setting, it may be possible to “adjust” the harmonies for those notes using a custom pitch map.
• Sing the song into VoiceLive and stop on the note that has the wrong harmonies.
• Figure out what note it is using your ears and your instrument or look at sheet music of the song.
• Press the EDIT key and turn the DATA WHEEL to edit screen VO7.
• Press ENTER (the DATA WHEEL) and turn the DATA WHEEL until the In: note is the note with the wrong sounding harmonies.
• Adjust the voices to the correct notes using the 4 EDIT knobs. (you only have to adjust the voices that are shown lit on the LEDs)
• Try singing the song again to see if you need to adjust any more harmony voices and correct them using the procedure above.
• Press ENTER to allow normal operation of the DATA WHEEL.
If this still does not result in acceptable harmonies it may be because in the song you need to have different harmonies for the same note, depending on what the chord is. You then need to use chord presets in Song mode to step though the changing chord information in the song.
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QUICKSTART
Basic Editing Concepts
We have designed the factory presets in VoiceLive to be useful in many musical situa­tions, but we know you will want to make your own presets that suit your taste and your needs. If you follow this tour you will quickly learn the basics of editing VoiceLive presets.
Turning the voices and effects on and off within a preset and exploring their editable parameters
1. Hold the PRESET button (1) to enter preset mode.
2. Go back to Preset 1 using either the DATA WHEEL or the PREVIOUS/NEXT buttons (5,6).
2. Notice that each of the eight VOICES & EFFECTS LEDs is lit on the front panel. When the LED is lit, the voice or effect described by the LED is on.
3. Press the EDIT KEY and turn the DATA WHEEL until the LED TEXT DISPLAY reads CFG2 (This is the second edit screen). To get to this screen you can turn the DATA WHEEL counter clockwise a couple of turns and then clockwise one click).
4. While singing, try turning off each of the four voices using the 4 EDIT knobs. Notice how the VOICE LEDs go off. Turn them back on.
5. Turn the DATA WHEEL counterclockwise one click to get to the CFG1 edit screen, then turn EDIT knob 1 to turn the HARM (harmony) parameter off. Notice that the Harmony LED goes off.
6. With harmonies off, now turn off the THICK­EN, EFFECTS and PITCH CORRECT using the EDIT knobs 2-4. You will now only hear your singing voice. Turn them all back on.
7. Turn the DATA WHEEL to see what you can control and edit. Each edit screen has up to 4 parameters that may be edited using the 4 EDIT knobs. The IO and Utilities LEDs indicate that you are on pages that are Global and are not stored in the preset.
8. To save a preset at this point:
• Press the STORE key
• Select the “store to” location using EDIT 4 knob
• Edit the preset name using EDIT knobs 1 and 2.
• Press STORE again.
9. Press the EDIT key once to return to the top menu.
10.If you did not save the preset in step 8, pressing the PREVIOUS/NEXT buttons (5,6) or turning the DATA WHEEL will change the preset and to undo your edits.
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APPLICATIONS
PREVIOUS
HOLD FOR
BYPASS
NEXT
HARMONY MUTE
HOLD FOR
BYPASS
Live Setups
Using Voicelive is like bringing 4 professional backup singers to your gig! You’ve got several options when it comes to controlling VoiceLive live. For best results you can use (in various combinations) the Express-1 expression pedal, a MIDI keyboard, a MIDI CC controller, and of course the controls on the box itself. We’ve provided setup examples below for a few common situations.
Live Setup with Guitar
• Connect a microphone to the XLR mic input on VoiceLive and enable the MIC input on the rear panel.
• Connect a guitar with a built-in pre-amp to the instrument input of VoiceLive*.
• Plug any passive volume or expression pedal into the Pedal Input of VoiceLive. You must calibrate the expression pedal for proper operation. See edit screen UT9 for details.
• Connect the VoiceLive stereo output to a stereo channel (or two mono channels panned left and right) on your mixer. For mono operation use either of the VoiceLive outputs and set the unit to mono
UTPUT parameter in the edit screen IO9.
O
operation with the
AC POWER
MIXER
PEDAL INPUT
LEFT/RIGHT
OUTPUT
Out Clip
VOICELIVE
Input Clip
HARMONY | CORRECTION | EFFECTS
0PPM dB
-5
-10
-20
-40
Pr43
LIMITMIC INGLOBAL FX EDITED
MIDI IN
LEAD HARMONY INSTRUMENT OUTPUT
PRESET
SONG
SONG
EDIT 1 EDIT 2 EDIT 3 EDIT 4
SELECT
KEY
SELECT
STEP
HOLDFORMODE HOLDFORSUBMODE
PRESET SONG VOICE
DirectA / Voice 1
Direct B /Voice 2
PREVIOUS
NEXT
PROGRAM DISPLAY
Baby Go Home 43: Scale Dmaj2
PRESET# HARMONY MODE ROOT SCALE/CHORD
INSTRUMENT
INPUT
VOICE 1 VOICE 2 VOICE 3
VOICE 4 HARMONY THICKEN
EFFECTS
PITCH CORR.
I/O
UTILITIES
SCALE
REWIND
DIRECT
Direct C /Voice 3
USER
PUSHTO ENTER
Direct D /Voice 4
HARMONY MUTE
HOLD FOR
MIC INPUT
BYPASS
Live Setup with a MIDI Keyboard
MIDI KEYBOARD
AUDIO OUT
MIDI OUT
MIXER
• Connect a microphone to the XLR mic input on VoiceLive and enable MIC input from the rear panel.
• Connect the keyboard mono output to the VoiceLive Instrument Input.
• Connect the keyboard MIDI Output to the VoiceLive MIDI input.
• Plug any passive volume or expression pedal into the Pedal Input of VoiceLive. You must calibrate the expression pedal for proper operation. See edit screen UT9 for details.
• Connect the VoiceLive stereo outputs to a stereo channel (or two mono channels) on your mixer. For mono operation use the either of the VoiceLive outputs and set the unit to mono operation with the OUTPUT parameter in the edit screen IO9.
AC POWER
LEFT/RIGHT
PEDAL
INPUT
VOICELIVE
HARMONY | CORRECTION | EFFECTS
Pr47
PRESET
SELECT
SONG
SONG
SELECT
PRESET SONG VOICE
DirectA /Voice 1
PREVIOUS
OUTPUT
INSTRUMENT
MIDI
IN
Out Clip
VOICE 1
PROGRAM DISPLAY
Input Clip
VOICE 2 VOICE 3
0PPM dB
VOICE 4
-5
HARMONY
Itchy Cratch
-10
THICKEN
-20
EFFECTS
47: Scale Bmaj2
-40
PITCH CORR.
PRESET# HARMONY MODE ROOT SC ALE/CHORD
LIMITMIC INGLOBAL FX EDITED
MIDI IN
UTILITIES
LEAD HARMONY INSTRUMENT OUTPUT
EDIT 1 EDIT 2 EDIT 3 EDIT 4
KEY
SCALE
STEP
HOLDFORMODE HOLDFORSUBMODE
REWIND
DIRECT
Direct B /Voice 2
Direct C /Voice 3
USER
NEXT
MIC INPUT
INPUT
I/O
PUSHTO ENTER
Direct D /Voice 4
HARMONY MUTE
HOLD FOR
BYPASS
* Note: For electric or acoustic guitars without a pre-amp, the use of an external preamp is
necessary for optimal performance. Often, using a “stomp box” style effects pedal between the guitar and the VoiceLive produces acceptable results. The output of the stomp box will be compatible with the instrument input of VoiceLive. Make sure that the stomp box does not have a passive bypass. You can check this by removing the stomp box’s battery- when you do you should not be able to get any sound out of it regardless of how many times you stomp on it.
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