Tascam DP-01FX, DP-01 User Manual

Capture Your Art
D P - 0 1 a n d D P - 0 1 F X D i g i t a l P o r t a s t u d i o s ™
Instant 8-track digital recording
Plug in. Hit RECORD on one of
The DP-01FX has all of the DP-01’s cool features and “analog” ease of use plus…
• Two XLR microphone inputs with phantom power for studio con denser microphones
• Built-in reverb processor bank for extra-polished mixes
• Built-in insert effects processor
©2004 TASCAM All Rights Rese rved. All specs are subjec t to change without notice.
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the eight DP-01 channel strips. Start laying down CD-quality digital tracks.
Instead of “paging” through layer upon frustrating layer of menus, you get real knobs and buttons for all important func tions. Hands-on tracking and mixdown are so easy a game show hostess could do it!
Get those hits out of your head. Capture your art with a TASCAM DP-01 or DP-01FX Portastudio™.
Ask for a demo where you got this flier, e-mail tascamlit@teac. com for a brochure or visit our web site for complete info.
THE WORLD’S MOST AFFORDABLE HARD DISK WORKSTATION RECORDING SOLUTION!
• 8-track recording at uncompressed CD quality
• 2-track simultaneous recording
• Dedicated stereo mixdown track
• Dedicated
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controls on each channel for vol ume, pan, effect send, high and low EQ
• Two-band semi­parametric EQ on each channel
• Two W" TRS mic/line inputs
• Hi-Z guitar level input
• Effects send and stereo return
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• RCA line-level output
• S/PDIF Digital Optical output
• Headphone output with level control
• MIDI time code output
• USB 2.0 port for computer backup and CD burning
• Track editing: copy, paste,
move, erase, silence
• Built-in 40GB hard drive
Capture Your Art
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Page, page, page.
Scroll, scroll, scroll.
Select the channel.
Page, page,page. Scroll, scroll, scroll.
Change the bass EQ on that channel. That’s how our competitors make you do it. Talk about stifling your creativity! Instead, the DP-01 and DP-01FX give you EIGHT real channel strips…
High and low semi-parametic EQ with 100Hz and 10kHz center defaults.
Effects send con trols the amount of effects on the channel.
Pan control for assigning a sound to the left or right in the stereo sound field.
Record button. Mute LED. 45mm channel
fader. Input buttons
assign your instru ments or mics to a pair of the eight channels. Buried several layers deep in a menu on our competitors’ portable digital recorders.
MIDI time code out for synching with a drum machine or sequencer.
S/PDIF ste reo digital output for mixdown to CD or DAT.
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Input Overload LED.
High-speed USB 2.0 output lets you back up to your com­puter or trans­fer finished songs for
­burning CDs.
One of two DP-01FX bal- anced XLR mic inputs.
Mono EFX send and stereo EFX return.
RCA line level outputs to monitor speak­ers or mixdown recorder.
DP-01 and DP-01FX.
The hands-on simplicity of our
classic cassette Portastudios™.
The superb sound and editing
flexibility of CD-quality digital.
The DP-01 and DP-01FX use their LCD screens for what LED screens are really good at: giving you visual feedback on levels, song position and track editing.
Master fader
with Master/ Track Bounce switches.
One of
two W" line
Guitar level input switch for re­cording
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instru ments direct.
W" TS Stereo Mix inputs, loop to the outputs for monitoring a metronome or drum machine.
inputs with individual level controls.
reverb types, each with variable
DP-01FX Phantom power switch lets you use high-quality studio condenser microphones.
A great tool for songwriters who want
better quality than cassettes but don’t like the expense, complex menus and windows of other recorders and software packages.
Perfect for school recording. Use it in a
classroom to record rehearsals for students. Set up two mics and record the holiday con­cert; then transfer the mix to computer and burn CDs to sell as a fund raiser.
Portable enough to take on the road and
small enough to fit in a bedroom.
The DP-01FX adds an effects control strip with multiple
parameters.
Cursor
controls.
Jog/
shuttle for data
input and
editing.
Editing
controls.
Real worksta tion controls for setting and locating in/out points, inserting seg-
ments, etc. Transport
controls. Stereo/dual
mono input
select.
Jack for option­al footswitch (allows hands­free punch-in and punch­outs*).
Headphone output with level control.
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*Punch-out as in insert new material into a track. As compared to the kind of punch-out that results
when your drummer is criticized for their constant and obsessive use of their new crash cymbal.
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