Manual by Anders Nordmark
Quality Control: C. Bachmann, H. Bischoff, S. Pfeifer, C. Schomburg
The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software
described by this document is subject to a License Agreement and may not be copied
to other media except as specifically allowed in the License Agreement. No part of this
publication may be copied, reproduced or otherwise transmitted or recorded, for any
purpose, without prior written permission by Steinberg Media Technologies GmbH.
All product and company names are ™ or ® trademarks of their respective owners.
Windows XP is a trademark of Microsoft Corporation. The Mac logo is a trademark
used under license. Macintosh and Power Macintosh are registered trademarks.
As described in the Operation Manual, the mixing functions in Cubase
SX/SL can be remote controlled via MIDI. This document lists and describes all currently supported MIDI remote devices. For details on
how to select and set up a remote device, please refer to the chapter
“Remote controlling the mixer” in the Operation Manual. There you will
also find a description of the Generic Remote Device, which allows
you to use any MIDI device as a remote controller.
Table of contents
3Introduction
5CM Automation Motor Mix
11Steinberg Houston
13JL Cooper CS-10
17JL Cooper MCS-3000
21Mackie Control
23Mackie HUI
29Radikal Technologies SAC-2K
35Roland MCR-8
37Tascam US-428
41Yamaha 01V
45Yamaha DM2000/DM 2000v2
47Yamaha DM1000
49Yamaha 01v96v2
51Yamaha 02r96v2
53Yamaha 01x
CUBASE SX/SL
1 – 4Introduction
Page 5
2
CM Automation Motor Mix
Page 6
Specifications
The CM Motor Mix can control any number of channels in groups of 8.
•
Press the “<“ and “>” buttons (at the top of the View section) to select channels 1-8, 9-16 etc. Hold down Shift and press “<“ or “>” to
shift the fader assignment in steps of one channel.
•
Press F1 to disable/enable the fader motors.
•
Use the Select buttons (the row of buttons below the display) to select a single track for detailed settings.
•
The Mute and Solo buttons are used to mute or solo a track.
•
The assignment of the buttons in the first row below the dials depends on the selected parameter group.
•
In the View section, select Rec/Rdy to use the second row of buttons
below the dials for arming a track for recording.
•
In the View section, select Write or “fnct B” to control the Write or
Read buttons in the Cubase SX/SL mixer. When Write/fnct B is selected, selecting the All button in the bottom left section of the CM
Motor Mix controls the Write All/Read All buttons in the Cubase SX/
SL mixer.
•
The Auto Enbl button controls Start/Stop in Cubase SX/SL.
•
The Suspend button controls the Record function in Cubase SX/SL.
•
Press the DSP button to move the project cursor to the start of the
project.
Hold down Shift and press the DSP button to move the project cursor to the end of the
project.
•
Press the Window button to move the project cursor to the left locator.
Hold down Shift and press the Window button to move the project cursor to the right
locator.
•
Press the Default button to switch automatic punch in on or off.
Hold down Shift and press the Default button to switch automatic punch out on or off.
CUBASE SX/SL
2 – 6CM Automation Motor Mix
Page 7
•
Press the Undo button to undo the last action in Cubase SX/SL.
Hold down Shift and press the Undo button to “undo the undo”.
In the Rotary section, use the Rotary dial to change the assignment of
the four buttons below the dial (indicated in the ROTARY display):
ROTARY: PA
•equaliz button: Fader Set mode Panning
•dynmics button: Fader Set mode Routing
•delay button: Selected Channel mode Panning
•special button: Selected Channel mode Routing
ROTARY: EQ
•equaliz button: Fader Set mode EQ Low (EQ1)
•dynmics button: Fader Set mode EQ Mid-Low (EQ2)
•delay button: Fader Set mode EQ Mid-High (EQ3)
•special button: Fader Set mode EQ High (EQ4)
ROTARY: S1
•equaliz button: Fader Set mode Send 1
•dynmics button: Fader Set mode Send 2
•delay button: Fader Set mode Send 3
•special button: Fader Set mode Send 4
ROTARY: S2
•equaliz button: Fader Set mode Send 5
•dynmics button: Fader Set mode Send 6
•delay button: Fader Set mode Send 7
•special button: Fader Set mode Send 8
•
Use the Bank button in the View section for page up.
Hold down Shift and press the Bank Up button to jump to the last page.
•
Use the Group button in the View section for page down.
Hold down Shift and press the Bank Down button to jump to the first page.
•
Press the Rotary dial to switch the display of names of the available
parameters or the page name on or off.
•Page 1 - Gain, Frequency, Q and Enable for the lo band, Gain, Frequency, Q
and Enable for the lo mid band
•Page 2 - Gain, Frequency, Q and Enable for the hi mid band, Gain, Frequency, Q and Enable for the hi band
•Buttons below dials: bypass EQs
Holding down Shift and pressing the F2 button gives you a variation
of Selected Channel mode EQ:
•Page 1 - Gain and Frequency for all bands
•Page 2 - Q and Enable for all bands
•Buttons below dials: bypass EQs
F3 button: Selected Channel mode Sends
•Page 1 - Level, Enable, Pre/Post and Bus for Send 1 and Send 2
•Page 2 - Level, Enable, Pre/Post and Bus for Send 3 and Send 4
•Page 3 - Level, Enable, Pre/Post and Bus for Send 5 and Send 6
•Page 4 - Level, Enable, Pre/Post and Bus for Send 7 and Send 8
•Buttons below dials: bypass sends
Holding down Shift and pressing the F3 button gives you a variation
of Selected Channel mode Sends:
•Page 1 - Level for Send 1 to Send 8
•Page 2 - Enable for Send 1 to Send 8
•Page 3 - Pre/Post for Send 1 to Send 8
•Page 4 - Bus for Send 1 to Send 8
•Buttons below dials: bypass sends
For a description of the functionalities for the F4 button: Selected
Channel mode Inserts, Next button: Global mode Send Effects, Last
button: Global mode Master Effects, and Enter button: Global mode
Instruments, see the separate pdf document “Mackie Control and
Cubase SX/SL”.
CUBASE SX/SL
CM Automation Motor Mix2 – 9
Page 10
CUBASE SX/SL
2 – 10CM Automation Motor Mix
Page 11
3
Steinberg Houston
Page 12
About Houston
Houston is a MIDI/USB remote control device designed especially for
use with VST audio applications such as Cubase SX/SL. With clearly
laid out controls (including touch sensitive motorized faders, rotary
knobs, transport controls and a jog/shuttle wheel) Houston allows you
to control virtually every mixer parameter in Cubase SX/SL, without
having to use the computer keyboard or mouse.
•
For details about parameters and hands-on mixing techniques, please
see the Houston documentation.
CUBASE SX/SL
3 – 12Steinberg Houston
Page 13
4
JL Cooper CS-10
Page 14
Specifications
The CS-10 can remote control 32 channels (in groups of 8). The following CS-10 controls will remote control the following parameters
for each channel strip:
•Fader: volume
•Solo and Mute: solo and mute
•Sel: select channel for editing
The following parameters can be remote controlled for each selected
channel using the six rotary knobs on the CS-10:
Dial Parameter
Send 1Effect send 1
Send 2Effect send 2
PanPan
Boost/cutEQ 1 Gain
FrequencyEQ 1 Frequency
BandwidthEQ 1 Q Factor
•
The CS-10 function keys 1 - 4 are used to select channels 1 - 32 in
groups of 8.
Function key 1 selects channels 1 - 8, function key 2 selects channels 9 - 16, and so
on.
•
If you hold down the function key “Shift” and then move a fader, the
two indicators beside the fader will indicate whether the fader position
is below or above the current fader level in Cubase SX/SL.
If the upper indicator is lit, the fader position on the panel is above the fader level in
Cubase SX/SL and vice versa. When both indicators are dark, the fader positions are
matched for that channel.
•
The CS-10 Play, Stop, Record, Rewind and Fast Forward transport
controls control the equivalent functions in Cubase SX/SL.
CUBASE SX/SL
4 – 14JL Cooper CS-10
Page 15
The CS-10 supports “MIDI Feedback”, allowing the mute, solo and selection status of channels in Cubase SX/SL to be indicated on the panel.
For this (and the fader position indication described above) to work, you
need a two-way MIDI connection between the CS-10 and Cubase SX/
SL.
CUBASE SX/SL
JL Cooper CS-104 – 15
Page 16
CUBASE SX/SL
4 – 16JL Cooper CS-10
Page 17
5
JL Cooper MCS-3000
Page 18
Specifications
The MCS-3000 can control 32 mixer channels remotely (in groups of
8). The following MCS-3000 controls will remote control the following
mixer parameter for each channel strip:
•
Fader: volume
•
Solo and Mute: solo and mute
•
Sel: Select channel for editing
These parameters can be remote controlled for each selected channel using the dials
on the MCS-3000 and switching between Pages 1 - 4:
Page 1Page 2
Dial ParameterDial Parameter
1Pan1EQ 1 Gain
2Effect send 12EQ 1 Freq
3Effect send 23EQ 1 “Q”
4Effect send 34EQ 1 Low Limit
5Effect send 45EQ 1 High Limit
Page 3Page 4
Dial ParameterDial Parameter
1EQ 2 Gain1EQ 3 Gain
2EQ 2 Freq2EQ 3 Freq
3EQ 2 “Q”3EQ 3 “Q”
4EQ 2 Low Limit4EQ 3 Low Limit
5EQ 2 High Limit5EQ 3 High Limit
CUBASE SX/SL
5 – 18JL Cooper MCS-3000
Page 19
•
The MCS-3000 bank keys 1 - 4 are used to select channels 1 - 32 in
groups of 8.
Bank key 1 selects channels 1 - 8, bank key 2 selects channels 9 - 16 and so on.
•
You can create markers by pressing the “Set Locate” key on the
MCS-3000, typing in a marker ID and pressing [Return].
•
To locate to a marker, press “Locate”, type in a marker ID and press
[Return].
•
The MCS-3000 Play, Stop, Record, Rewind and Fast Forward transport controls will have the equivalent functionality in Cubase SX/SL.
The MCS-3000 supports “MIDI Feedback”, allowing fader settings and
channel mute, solo and selection status to be indicated on the panel.
For this to work, you need a two-way MIDI connection between the
MCS-3000 and Cubase SX/SL.
CUBASE SX/SL
JL Cooper MCS-30005 – 19
Page 20
CUBASE SX/SL
5 – 20JL Cooper MCS-3000
Page 21
6
Mackie Control
Page 22
About Mackie Control
Mackie Control is an automated touch-sensitive control surface. It is a
nine-fader (eight channels and master) MIDI controller that provides
in-depth mixing, editing, automation and navigational control for any
supported digital audio workstation.
A special Lexan overlay that shows all Steinberg-specific key assignments for the Mackie Control device is available to customize the controller for Cubase SX/SL.
•
For details about parameters and hands-on mixing techniques, please
see the separate pdf documentation describing the use of Mackie
Control with Cubase SX/SL.
CUBASE SX/SL
6 – 22Mackie Control
Page 23
7
Mackie HUI
Page 24
Specifications
Mackie HUI can control any number of channels in groups of 8.
•
Use the left and right Bank buttons to select channels 1-8, 9 -16 etc.
•
Use the left and right Channel buttons to shift the fader assignment in
steps of one channel.
•
The Fader button in the Auto Enable section is used to disable/enable
the motors.
•
The Mute, Pan, Send, Plug In and Send Mute buttons in the Auto Enable section are currently not supported.
•
Use the Rec/Rdy buttons to arm a track for recording.
•
Use the Select buttons to select a single track for detailed settings.
•
With the Mute and Solo buttons you can mute or solo a track.
•
Use the Default button to un-solo all tracks.
•
Use the Assign button to un-mute all tracks.
•
To the right of the time display, you find an LED labeled “Rude Solo
Light”. This LED lights up as soon as any channel is soloed.
•
Use the Insert buttons to bypass all inserts of one track.
Pan button in the Select Assign section:
•Fader Set: panning left/right or panning front/rear. Press button repeatedly to
cycle through the assignments (the eight V-Pots control the pan parameters).
•V-Sel button in the Select Assign section: monitor track.
Send A to Send E buttons in the Select Assign section:
•Fader Set: Send 1 level to Send 8 level (Send A to Send D assigns Send 1 to
Send 4, Send E assigns Send 5 to Send 8: press button repeatedly to cycle
through the assignments).
•V-Sel button in the Select Assign section: send on/off switch (depending on
selected Send).
•V-Sel button with Shift in the Select Assign section selected: pre/post fader
switch (depending on selected Send).
CUBASE SX/SL
7 – 24Mackie HUI
Page 25
•
The SELECT ASSIGN four character display in the Select Assign
section displays Send or Pan assignment for V-Pots and V-Sel buttons.
•
The four character displays above the Select buttons display the assigned track names.
•
The Bypass button in the Select Assign section is always selected to
indicate the bypass function of the Insert buttons.
•The Mute, Rec/Rdy All, Input and Output buttons in the Select Assign
section are currently not supported.
•Use the Auto buttons to control the status of the Read and Write buttons in the Mixer of Cubase SX/SL, depending on the Read/Write
status in the Auto Mode section.
•Use the Off button in the Auto Mode section to control the Read All or
Write All button in the mixer of Cubase SX/SL, depending on the
Read/Write status in the Auto Mode section.
•The Touch, Latch and Trim buttons in the Auto Mode section are currently not supported.
•Use the Transport button in the Window section to open or close the
Transport panel.
•Use the Edit button in the Window section to bring the current Project
window to the front.
•Use the Status button in the Window section to open or close the
VST Performance window.
•Use the Mix button in the Window section to open or close the Mixer
window.
•Use the Mem-Loc button in the Window section to open the Marker
window.
•The Alt button in the Window section is used for user-assigned
functions.
CUBASE SX/SL
Mackie HUI7 – 25
Page 26
•The Undo button in the Keyboard Shortcuts section undoes the last
performed operation in Cubase SX/SL.
Hold down the Shift button and press Undo to redo the last undone operation.
•Press the Save button in the Keyboard Shortcuts section to save the
current project.
Hold down the Shift button and press the Save button to save a backup copy of the
current project.
•The Edit Mode, Edit Tool, Option/All, Ctrl/Clutch and Alt/Fine buttons
in the Keyboard Shortcuts section are currently not supported.
•The Cut, Copy, Paste and Delete buttons in the Edit section control
the equivalent Cubase SX/SL functions.
•The Capture and Separate buttons in the Edit section are currently
not supported.
•The buttons in the Status/Group section are currently not supported.
•Use the In and Out buttons above the transport controls to set the
project cursor to the positions of the left or right locators.
Hold down the Shift button and press the In or Out button to move the left or right locator to the current project cursor position.
•Use the RTZ and END buttons to set the project cursor to the beginning or the end of the project.
•Press the Quick Punch button to switch automatic punch in on or off.
Hold down the Shift button and press the Quick Punch button to switch automatic
punch out on or off.
•Press the Loop button to switch Cycle mode on or off.
•Press the On Line button to switch Synchronisation on or off.
•The Audition, Pre and Post buttons are used for user assignable func-
tions.
•The Mackie HUI Play, Stop, Record, Rewind and Fast Forward transport controls control the equivalent functions in Cubase SX/SL.
•The jog wheel is used for moving the project cursor position in Cubase
SX/SL.
CUBASE SX/SL
7 – 26Mackie HUI
Page 27
•The Scrub and Shuttle buttons are currently not supported.
•Pressing the cursor keys located to the left of the jog wheel is the
same as pressing the arrow keys on your computer keyboard.
When the Mode button is selected, pressing the cursor keys will control zooming in
the Project window.
•Use the Scroll control in the DSP Edit/Assign section to scroll through
the pages of one parameter group.
•Use the Compare button in the DSP Edit/Assign section for page up.
Hold down the Shift button in the Keyboard Shortcuts section and press the Compare
button to jump to the last page.
•Use the Bypass button in the DSP Edit/Assign section for page down.
Hold down the Shift button in the Keyboard Shortcuts section and press the Bypass
button to jump to the first page.
•Use the Insert/Param button in the DSP Edit/Assign section to switch
the display of names of the available parameters in the lower row on or
off.
F1 button: Selected Channel: EQ
•Page 1 - Gain, Frequency, Q and Enable for the lo band
•Page 2 - Gain, Frequency, Q and Enable for the lo mid band
•Page 3 - Gain, Frequency, Q and Enable for the hi mid band
•Page 4 - Gain, Frequency, Q and Enable for the hi band
•Buttons above dials: bypass EQs
F2 button: Selected Channel: Sends
•Pages 1 to 8 - Level, Enable, Pre/Post and Bus for Sends 1 to 8
•Buttons above dials: bypass sends
F3 button: Selected Channel: Routing
•Page 1 - Output Bus, Monitor, Input Bus, Input Gain
•Page 2 - Input Phase
•Buttons above dials: monitor
•For a description of the functionalities for the F4 button: Selected
Channel: Inserts, F5 button: Global mode Send Effects, F6 button:
Global mode Master Effects, F7 button: Global mode Instruments,
see the separate pdf document “Mackie Control and Cubase SX/SL”.
CUBASE SX/SL
Mackie HUI7 – 27
Page 28
•Use the Locate/Numerics buttons to set the project cursor position.
•Immediately after you enter a numeric character, the Mackie HUI time display
will no longer show the project cursor position, but the new value.
•You don’t have to enter decimal points, colons, or semicolons for a new value.
•Use the CLR button to delete the last character. Holding down Shift (in the
Keyboard Shortcuts section) and pressing the CLR button will delete the new
value.
•Press the Enter button to set the project cursor to the position according to
the new value.
•Use the "+" and "-" buttons to shift the project cursor position forward or
backward by the amount of time set with the new value.
•The three LEDs left of the time display indicate whether Bars+Beats
(BEATS), a frame based timecode (TIME CODE), Feet+Frames
(FEET) or Samples (all LEDs off) is selected.
CUBASE SX/SL
7 – 28Mackie HUI
Page 29
8
Radikal Technologies SAC-2K
Page 30
Specifications
The SAC-2K can control 32 channels (8 channels at a time).
•Press the "17-24" and "25-32" buttons to switch from one set of
eight channels to the next.
•Use the "1-8" and "9-16" buttons to shift the fader assignment in
steps of one channel.
•Use the Select button above the master fader to disable/enable the
motors.
•Press the Mute/Solo button (the button on the far left) repeatedly to
cycle through the assignments for the Mute/Solo and Select buttons
of every channel.
The current assignments are indicated by the LED in the button:
LED statusMute/Solo buttonsSelect buttons
OffMute track.Select a single track for detailed settings.
OnSolo track.Select a single track.
BlinkingControl the status of the
Write buttons in the
Cubase SX/SL mixer.
Control the status of the Read buttons in
the Cubase SX/SL mixer.
•Use the From and To buttons to set the project cursor to the position
of the left or right locator.
Hold down Shift and press the From or To button to move the left or right locator to the
current project cursor position. If you hold down Shift and press the "<<" or ">>" buttons, the project cursor is set to the beginning or the end of the project
•Press the Store Marker button to create a marker at the project cursor
position.
Hold down Shift and press the Store Marker button to open the Marker window.
•Use the Recall Marker button to move the project cursor to the closest marker to the right.
Hold down Shift and press the Recall Marker button to move the project cursor to the
closest marker to the left.
CUBASE SX/SL
8 – 30Radikal Technologies SAC-2K
Page 31
•The Play, Stop, Record, "<<" and ">>" transport controls control the
equivalent functions in Cubase SX/SL.
•The jog wheel is used to move the project cursor position in Cubase
SX/SL.
•The Scrub button is currently not supported.
•The status of the Num button (in the Software Navigation section) de-
termines the assignment of the "1" to "0" and Enter buttons:
With Num-LED on, use the buttons to set the project cursor position:
•Immediately after you enter a numeric character, the SAC-2k time display will
no longer show the project cursor position but the new value.
•You don’t have to enter decimal points, colons, or semicolons for a new value.
•Num button: delete the new value and deactivate locate functionality.
•Enter button: set the project cursor to the position according to the new
value.
•Store Marker button: set the project cursor to the position according to the
new value, and create a marker at the new project cursor position.
With the Num-LED off:
•Use the "1" button for page up (step through pages of one parameter group).
•Hold down Shift and press the "1" button to jump to the last page.
•Use the "6" button for page down.
•Hold down Shift and press the "6" button to jump to the first page.
•Press the Enter button to switch the display of names of the available parameters in the lower row on or off.
•The function keys "2" to "5", "7" to "0" and function key combinations with the
Shift button can be used to access functions in Cubase SX/SL. Refer to the
Cubase SX/SL operation manual for information about how to assign program functions to remote controller function keys.
Some of the keys are already pre-assigned (and/but can be modified):
"5" button: undo the last operation in Cubase SX/SL. Hold down Shift and
press the "5" button to “undo the undo”.
"7" button: copy; hold down Shift and press the "7" button to cut.
"9" button: paste.
"0" button: save the current project; hold down Shift and press the "0" button
to save a backup copy of the current project.
Hold down Shift and press the "2", "3", "4" or "8" buttons to control zooming
in the Project window.
CUBASE SX/SL
Radikal Technologies SAC-2K8 – 31
Page 32
Pan button in the Mixer-Mode section: Fader Set mode Panning:
•Page 1 - Pan left/right
•Page 2 - Pan front/rear
•Pressing a V-Pot will toggle Monitor for that channel.
High button: Fader Set mode EQ High:
•Page 1 - Gain
•Page 2 - Frequency
•Page 3 - Q
•Page 4 - Enable
•Pressing a V-Pot will bypass EQs for that channel.
HiMid, LowMid, Low button: Fader Set mode EQ Mid-High, Mid-Low,
Low (same functionality as above).
Snd/Ins 1 button: Fader Set mode Send 1:
•Page 1 - Level
•Page 2 - Enable
•Page 3 - Pre/Post
•Page 4 - Bus
•Pressing a V-Pot will bypass sends for that channel.
Snd/Ins 2 to 4 buttons: Fader Set mode Send 2 to Send 4 (same functionality as above). Depending on the Snd/Ins button status (above
Snd/Ins 1 button) Snd/Ins 1 to Snd/Ins 4 buttons are assigned to Send
1 to Send 4 or Send 5 to Send 8.
For a description of the functionalities for the MIDI button: Selected
Channel mode Inserts, Shift+Inserts/Sends button: Global mode
Send Effects, Shift+Dynamics button: Global mode Master Effects,
Shift+MIDI button: Global mode Instruments, see the separate pdf
document “Mackie Control and Cubase SX/SL”.
CUBASE SX/SL
Radikal Technologies SAC-2K8 – 33
Page 34
CUBASE SX/SL
8 – 34Radikal Technologies SAC-2K
Page 35
9
Roland MCR-8
Page 36
Specifications
Before you can initiate remote control operation, the MCR-8 “Mode”
switch must be set to “4”.
The Roland MCR-8 can control 16 mixer channels, plus transport
control. The “A/B switch” is used to switch between controlling channels 1 - 8 and 9 - 16. The following MCR-8 parameters control the
equivalent parameters for each channel strip:
•Fader level, mute, solo and pan.
The following MCR-8 transport controls control the equivalent Cubase
SX/SL functions:
•Play, Stop, Record, Rewind, Fast Forward.
The MCR-8 does not support “MIDI feedback”, that is, the current status
of parameters in Cubase SX/SL is not indicated on the MCR-8. Therefore, you only need a one-way MIDI connection between the MCR-8 and
Cubase SX/SL.
CUBASE SX/SL
9 – 36Roland MCR-8
Page 37
10
Tascam US-428
Page 38
Specifications
The US-428 can remote control up to 64 mixer channels and 1 or 2
DSP Factory cards, if installed (Windows version only).
•When the Tascam US-428 device is added in the Device Setup dialog, you can open the Remote Status window by selecting “Tascam
US-428” from the Devices menu.
This indicates which bank (group of eight channels in Cubase SX/SL) is currently being controlled by the remote device. To select another bank, use the pop-up menu in
the window or use the Bank Left/Right buttons on the remote device.
•The US-428 transport keys will have the equivalent functionality in
Cubase SX/SL.
•To set markers, hold down “Set” while pressing a locator key.
•If you hold down the function key [Null] and then move a fader, the
Select and Rec indicators above the fader will indicate whether the
fader position is below or above the current fader level in Cubase SX/
SL.
If the upper indicator is lit, the fader position on the panel is above the fader level in
Cubase SX/SL and vice versa. When both indicators are dark, fader positions are
matched for that channel.
The US-428 supports “MIDI Feedback”, allowing for mute/solo, channel
selection, EQ band, Aux 1 to 4 and transport status to be indicated on
the panel. For this (and the fader position indication described above) to
work, you need to select the “US-428 Control” port as input and output.
CUBASE SX/SL
10 – 38Tascam US-428
Page 39
Cubase SX/SL mixer
The following US-428 controls will remote control the following mixer
parameter for each channel strip:
•Fader: volume
•Mute/Solo: mute and solo (selected via the Solo switch)
•Select: selects channel for editing
•Pan-Dial: pan
•EQ-Gain
Controls the EQ gain for each band selected with the Low, LoMid, HiMid and High
buttons. These correspond to the four EQ bands in Cubase SX/SL, starting from the
leftmost band.
•EQ-Freq
Controls the EQ frequency for each band selected with the Low, LoMid, HiMid and
High buttons. These correspond to the four EQ bands in Cubase SX/SL, starting from
the leftmost band.
•EQ-“Q”
Controls the EQ “Q” for each band selected with the Low, LoMid, HiMid and High buttons. These correspond to the four EQ bands in Cubase SX/SL, starting from the leftmost band.
•Aux 1 to Aux 4 and shuttle wheel:
The effect send levels for sends 1 to 4.
•The shuttle wheel will act as position shuttle if no Aux send button is
selected.
Press the activated button to deselect it.
•Holding down the “Asgn” button and pressing the Low, LoMid, HiMid
and High EQ buttons switches the corresponding EQ band “On” button status.
•Holding down the “Asgn” button and pressing the Aux1 to Aux4 buttons switches the corresponding Effect Send 1-4 “On” button status.
CUBASE SX/SL
Tascam US-42810 – 39
Page 40
DSP Factory (Cubase SX/SL for Windows only)
The following US-428 controls will remote control the following DSP
Factory parameter for each channel strip:
•Fader: volume
•Mute/Solo: mute and solo (selected via the Solo switch)
•Select: selects channel for editing
•Pan-Dial: pan
•EQ-Gain
Controls the corresponding EQ gain for each band selected with the Low, LoMid,
HiMid and High buttons.
•EQ-Freq
Controls the corresponding EQ frequency for each band selected with the Low, LoMid,
HiMid and High buttons.
•EQ-“Q”
Controls the corresponding EQ “Q” for each band selected with the Low, LoMid,
HiMid and High buttons.
•Aux 1 to Aux 4 and shuttle wheel:
Control the effect send levels for sends 1/2 and 5/6.
•Holding down the “Asgn” button and pressing the Low, LoMid, HiMid
and High EQ buttons switches the corresponding EQ band “Bypass”
button status.
•Holding down the “Asgn” button and pressing the Aux1 to Aux4 but-
tons switches the effect sends 1/2 and 5/6 “On” button status.
CUBASE SX/SL
10 – 40Tascam US-428
Page 41
11
Yamaha 01V
Page 42
Specifications
The Yamaha 01V can remote control either the Cubase SX/SL mixer
or the Yamaha DSP Factory if installed (Windows only; see the sepa-
rate “Using Cubase SX/SL with DSP Factory” document for details).
Before you can initiate remote control operation, the 01V must be set
up in the following way:
•MIDI Parameter Change and Receive must be enabled.
•MIDI Control Change and Receive must be disabled.
•Device ID / MIDI Channel Receive must be set to “1”.
•Local Control should be set to “Off”.
As soon as Local Control is set to “Off”, remote control of the mixer is enabled.
The 01V remote operation of the Cubase SX/SL mixer is very straightforward, with (almost) every parameter having the equivalent parameter controller in the 01V mixer. The current status of all controllable
parameters is fed back to the 01V and indicated on the panel, using
the motorized faders, indicators, etc. (for this to work, you need a twoway MIDI connection between the 01V and Cubase SX/SL).
To facilitate 32 channel remote control, two separate control “Layouts”
are used, each controlling 16 mixer channels. The “Memory” button on
the 01V is used to switch between VST layout 1 and 2 (when using
Cubase SX/SL for Windows there are also two layouts for the DSP
Factory – see the “Using Cubase SX/SL with DSP Factory” document). Page 1 displays VST Layout 1, page 2 VST Layout 2, page 3
DSP Factory Layout 1 and page 4 DSP Factory Layout 2.
CUBASE SX/SL
11 – 42Yamaha 01V
Page 43
The following parameters are remote controllable for channels 1-32 in
the mixer:
The value ranges for the parameters in the 01V may not match the
ranges for the corresponding parameters in all cases.
•Fader level, mute and pan.
01V controls for these parameters control the equivalent Cubase SX/SL parameters.
•Effect sends 1 - 6.
01V Aux 1 - 4 control effect send 1 - 4, 01V effect 1 and 2 control effect send 5 and 6.
•EQ Frequency, Gain and Q (4 bands).
01V controls for these parameters control the equivalent Cubase SX/SL parameters.
•Stereo Master Volume.
The 01V control for this parameter controls the equivalent Cubase SX/SL parameter.
•Send effects master volume 1 - 4 are controlled by 01V Aux Master
1 - 4. Send effects master 5 and 6 are controlled by 01V effect master 1 and 2.
With Layout 1 the 01V controls the following channels:
•Channel 1 - 12, 13/14 and 15/16 will control channels 1 - 14.
•01V Return 1 and 2 will control channels 15 and 16.
With Layout 2 the 01V controls the following channels:
•Channel 1 - 12, 13/14 and 15/16 will control channels 17 - 30.
•01V Return 1 and 2 will control channels 31 and 32.
CUBASE SX/SL
Yamaha 01V11 – 43
Page 44
CUBASE SX/SL
11 – 44Yamaha 01V
Page 45
12
Yamaha DM2000/DM 2000v2
Page 46
About Yamaha DM2000
The Yamaha DM2000 is a digital mixing console that provides full
automation of virtually all console parameters. It is designed to integrate
effectively with digital audio workstations such as Cubase SX/SL.
•For detailed information about features, parameters, etc., please see
the documentation which comes with the Yamaha DM2000.
CUBASE SX/SL
12 – 46Yamaha DM2000/DM 2000v2
Page 47
13
Yamaha DM1000
Page 48
About Yamaha DM1000
The Yamaha DM1000 is a digital mixing console that provides full
automation of virtually all console parameters. It is designed to integrate
effectively with digital audio workstations such as Cubase SX/SL.
•For detailed information about features, parameters, etc., please see
the documentation which comes with the Yamaha DM1000.
CUBASE SX/SL
13 – 48Yamaha DM1000
Page 49
14
Yamaha 01v96v2
Page 50
About Yamaha 01v96v2
The Yamaha 01v96v2 is a digital mixing console that provides full
automation of virtually all console parameters. It is designed to integrate
effectively with digital audio workstations such as Cubase SX/SL.
•For detailed information about features, parameters, etc., please see
the documentation which comes with the Yamaha 01v96v2.
CUBASE SX/SL
14 – 50Yamaha 01v96v2
Page 51
15
Yamaha 02r96v2
Page 52
About 02r96v2
The Yamaha 02r96v2 is a digital mixing console that provides full
automation of virtually all console parameters. It is designed to integrate
effectively with digital audio workstations such as Cubase SX/SL.
•For detailed information about features, parameters, etc., please see
the documentation which comes with the Yamaha 02r96v2.
CUBASE SX/SL
15 – 52Yamaha 02r96v2
Page 53
16
Yamaha 01x
Page 54
About Yamaha 01x
The Yamaha 01x is a digital mixing console that provides full
automation of virtually all console parameters. It is designed to integrate
effectively with digital audio workstations such as Cubase SX/SL.
•For detailed information about features, parameters, etc., please see
the documentation which comes with the Yamaha 01x.
CUBASE SX/SL
16 – 54Yamaha 01x
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