Sherwood R-772 User Manual 2

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OPERATING INSTRUCTIONS

MANUEL D’UTILISATION

BEDIENUNGSANLEITUNG

Audio/Video Receiver

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Introduction

: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

This symbol is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

Caution regarding installation

Note : For heat dispersal, do not install this unit in a confined space such as a bookcase or similar enclosure.

: TO REDUCE THE RISK OF ELECTRIC

SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

CAUTION

WARNING

Units shipped to Australia are designed for operation on 240 V AC only. To ensure safe operation, the three-pin plug supplied must be inserted only into a standard threepin power point which is effectively earthed through the normal household wiring. Extension cords used with the equipment must be three-core and be correctly wired to provide connection to earth. Improper extension cords are a major cause of fatalities. The fact that the equipment operates satisfactorily does not imply that the power point is earthed and that the installation is completely safe. For your safety, if in any doubt about the effective earthing of the power point, consult a qualified electrician. PAN-EUROPEAN UNIFIED VOLTAGE All units are suitable for use on supplies 220-240 V AC.

FOR YOUR SAFETY

EUROPE

AUSTRALIA

220 V

240 V

•

Leave a space around the unit for sufficient ventilation.

•

Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment.

•

Keep the unit free from moisture, water, and dust.

•

Do not let foreign objects in the unit.

•

The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc.

•

No naked flame sources, such as lighted candles, should be placed on the unit.

•

Please be care the environmental aspects of battery disposal.

•

The unit shall not be exposed to dripping or splashing for use.

•

No objects filled with liquids, such as vases, shall be placed on the unit.

• Do not let insecticides, benzene, and thinner come in contact with the set

•

Never disassemble or modify the unit in any way.

Notes on the AC power cord and the wall outlet.

•

The unit is not disconnected from the AC power source(mains) as long as it is connected to the wall outlet, even if the unit has been turned off.

•

To completely disconnect this product from the mains, disconnect the plug from the wall socket outlet.

•

When setting up this product, make sure that the AC outlet you are using is easily acceptable.

•

Disconnect the plug from the wall outlet when not using the unit for long periods of time.

Note on recycling

This product’s packaging materials are recyclable and can be reused. Please dispose of any materials in accordance with the local recycling regulations. When discarding the unit, comply with local rules or regulations. Batteries should never be thrown away or incinerated but disposed of in accordance with the local regulations concerning chemical waste. This product and the accessories packed together constitute the applicable product according to the WEEE directive except batteries.

Do not block ventilation openings or stack other equipment on the top.

CAUTION

READ THIS BEFORE OPERATING YOUR UNIT

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CONTENTS

• Introduction

READ THIS BEFORE OPERATING YOUR UNIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

• System Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

• Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

• Universal Remote Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

OPERATING COMPONENTS WITH REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . 17

REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

LOADING BATTERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

USING FUNCTIONS OF REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

• ROOM 2 Remote Controls

REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

LOADING BATTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

• Operations

LISTENING TO A PROGRAM SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

ENJOYING SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

LISTENING TO RADIO BROADCASTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

LISTENING TO RDS BROADCASTS(FM ONLY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

(RDS Tuner(Regional Option for some countries in Europe, etc.))

OTHER FUNCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

ROOM 2 SOURCE PLAYBACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

RECORDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

DIGITAL AUDIO RECORDING WITH MD RECORDER . . . . . . . . . . . . . . . . . . . . . . . . . 37

• OSD Menu Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

SETTING THE SYSTEM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

SETTING THE INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

SETTING THE SPEAKER / ROOM EQ SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

SETTING THE CH LEVEL SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

SETTING THE SOUND PARAMETER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

SETTING THE MULTI ROOM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

• Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

• Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

• Setup Code Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

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System Connections

• Please be certain that this unit is unplugged from the AC outlet before making any connections.

• Since different components often have different terminal names, carefully read the operating instructions of the component connected.

• Be sure to observe the color coding when connecting audio, video and speaker cords.

• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.

• Change the position of the FM indoor antenna until you get the best reception of your favorite FM stations.

• Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a direction for the best reception.

• If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.

• A 75Ω outdoor FM antenna may be used to further improve the reception. Disconnect the indoor antenna before replacing it with the outdoor one.

1. CONNECTING ANTENNAS

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• There are three types of video jacks (COMPONENT, SVIDEO, (composite) VIDEO) for analog video connections and the HDMI connectors for digital video and audio connections. Connect them to the corresponding video jacks according to their capability.

• For your reference, the excellence in picture quality is as follows : "HDMI” > "COMPONENT" > "S-VIDEO" > "(composite) VIDEO" .

• When making COMPONENT VIDEO connections, connect "Y" to "Y", "P

B/CB" to "CB"(or "B-Y", "PB") and "PR/CR" to

R"(or "R-Y", "PR").

• When recording video program sources through VIDEO 1 OUT jacks or viewing ROOM 2 source through ROOM 2 OUT jacks, you must connect the (composite) VIDEO IN jacks to video playback components such as DVD player, cable TV tuner, etc.

• This unit is equipped with a function that up-converts composite video signals to S-Video signals or downconverts S-Video signals to composite video signals and outputs them from the MONITOR OUTs.

• After connecting the video components, you should set the video mode correctly, referring to the following table on page 6. (For details, refer to "When selecting the VIDEO MODE" on page 45.)

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• The jacks of VIDEO 1 may also be connected to a DVD recorder or other digital video recording component. For details, refer to the operating instructions of the component to be connected.

• The jacks of VIDEO 2/VIDEO 3 can also be connected to an additional video component such as a cable TV tuner or satellite system.

• Connect the jacks of VIDEO 3 to the video component in the same way.

2.CONNECTING VIDEO COMPONENTS

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Continued

Relationship between the video input signal and the video output signal

*1: Component video signal can be output from the COMPONENT MONITOR OUT jacks only. *2: The OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) VIDEO MONITOR OUT jack.

Note :

• The OSD menu and the momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI MONITOR OUT jacks.

HDMI (High Definition Multimedia Interface) connection : (*1)

• You can connect the source component (DVD player, etc.) to the display component (TV, projector, etc.) through this receiver with using a commercially available HDMI cord.

• The HDMI connection can carry uncompressed digital video signals and digital audio signals.

• The HDMI video stream signals (video signals) are theoretically compatible with DVI-D. When connecting to a TV monitor, etc., equipped with DVI-D connector, it is possible to connect using a commercially available HDMI-DVI converter cord. Since the HDMI-to-DVI connection cannot carry any audio signals, you should make audio connections to play the audio signals on the component equipped with DVI-D connector. (For details, refer to the operating instructions of its.)

• If you connect the HDMI INs to your video components, it is easier to do so following the default settings.

• If your HDMI connection is different from the default setting, you should assign the HDMI INs you used with the "When selecting the HDMI ASSIGN" procedure on page 45.

• The default settings are as follows :

HDMI 1 : VIDEO 1, HDMI 2 : VIDEO 2

Copyright protection system

• This unit supports HDCP (High-bandwidth Digital Contents Protection), technology to protect copyright of digital video signals against illegal duplication. HDCP must also be supported on the components connected to this unit.

• This unit is HDMI Ver. 1.3 compatible.

• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI licensing LLC.

Notes :

• For stable signal transfer, we recommend using HDMI cords that are a maximum of 5 meters in length.

• Among the components that support HDMI, some components can control other components via the HDMI connector. However, this unit cannot be controlled by another component via the HDMI connector.

• The audio signals from the HDMI connector (including the sampling frequency and bit length) may be limited by the component that is connected.

• The video signals will not be output properly if a component incompatible with HDCP is connected.

• If the resolutions of the video signals which are output from the HDMI MONITOR OUT and your monitor TV are not matched, the picture is not clear, natural or displayed. In this case, change the setting of the resolution on the source component (DVD player, etc.) to one which the monitor TV can handle. (For details, refer to the operating instructions of the source component.)

• When you want to enjoy only the picture on your TV, not the sound, you should set the HDMI AUDIO OUT to OFF not to output the digital audio signal from the HDMI MONITOR OUT of this receiver. (For details, refer to "When selecting the HDMI AUDIO OUT" on page 41.)

Component video input default settings: (*2)

• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default settings.

• If your component video connections are different from the default setting, you should assign the COMPONENT VIDEO INs you used with the “When selecting the VIDEO ASSIGN” procedure on page 45.

• The default settings are as follows:

COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2.

Video input signals MONITOR OUTs

COMPONENT S-VIDEO (COMPOSITE) VIDEO COMPONENT*

S-VIDEO (COMPOSITE) VIDEO

  Auto Component S-Video Composite video*

  Component Component 

   S-Video  S-Video S-Video

  Composite  Composite video Composite video   Auto Component S-Video S-Video   Auto Component Composite video Composite video   Auto Component    Auto  S-Video Composite video*

  Auto  S-Video S-Video   Auto  Composite video Composite video

Video Mode

Setting



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• For analog audio recording, the ROOM 2 OUT jacks can be connected to audio recording equipment such as a tape deck, an MD recorder, etc. as shown beside.

• Use these jacks to connect the corresponding outputs of a DVD player or external decorder, etc. that has 6, 7 or 8 channel analog audio outputs.

• In case of 6 or 7 channel outputs, do not connect both of the SURROUND BACK L and R inputs or the SURROUND BACK R input of this unit. (For details, refer to the operating instructions of the component to be connected.)

3.CONNECTING AUDIO COMPONENTS

4.CONNECTING EXTERNAL INS

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• The OPTICAL and the COAXIAL DIGITAL OUTs of the components that are connected to this unit can be connected to these DIGITAL INs.

• A digital input should be connected to the components such as a CD player, DVD player, etc. capable of outputting DTS Digital Surround, Dolby Digital or PCM format digital signals, etc.

• If the component with OPTICAL IN jack is connected to the OPTICAL OUT jack of this unit, you can record the high quality sound of CDs, etc. without degradation.

• For details, refer to the operating instructions of the component connected.

• When making the COAXIAL DIGITAL connection, be sure to use a 75 Ω COAXIAL cord, not a conventional AUDIO cord.

• All of the commercially available optical fiber cords cannot be used for the equipment. If there is an optical fiber cord which cannot be connected to your equipment, consult your dealer or nearest service organization.

Notes:

• Be sure to make either a OPTICAL or a COAXIAL DIGITAL connection on each component. (You don’t need to do both.)

• Depending on the digital audio signal format input into HDMI IN connector, some digital signals cannot be output from the OPTICAL OUT jack.



Digital input default settings

• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.

• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used with the “When selecting the AUDIO ASSIGN” procedure on page 45.

• The default settings are as follows :

OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, COAXIAL IN 1 : CD, COAXIAL IN 2 : AUX.

• Connect a component to DC TRIGGER OUT jack that allows DC 12V to turn on when a specific input source is selected.

• For details, refer to the operating instructions of the components to be connected.

• To link DC TRIGGER OUT with a specific input source, refer to "When selecting the DC TRIGGER" on page 46.

Note:

• This output voltage (12V d.c., 100mA) is for (status) control only, it is not sufficient for drive capability.

• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.

• To emphasize the deep bass sounds, connect a

powered subwoofer.

7.CONNECTING SUBWOOFER PREOUT

5.CONNECTING DIGITAL INS AND OUT

6.CONNECTING DC TRIGGER OUT

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• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity (+ and -). If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connection is incorrect, the sound will be unnatural and lack bass.

• For installing the speakers, refer to “Speaker placement” on page 10.

• After installing the speakers, first adjust the speaker settings according to your environment and speaker layout. (For details, refer to “SETTING THE SPEAKER/ROOM EQ SETUP” on page 48.)

Surround back speakers

• When using only one surround back speaker, you should connect it to SURROUND BACK/MULTI LEFT channel.

• Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you should assign their power amplifier correctly depending on how to use them.

(For details, refer to “CONNECTING ROOM 2 OUTS” on page 11 and “When selecting the AMP ASSIGN” on page 40.)

Front Bi-Amp Connections.

• Some speakers are equipped with two sets of input terminals, for bi-amplification.

• If no other surround back speakers are used, you can connect the FRONT and the SURROUND BACK /MULTI channels to the bi-amp-capable speakers. (For details, refer to the operating instructions of your bi-amp-capable speakers.)

• To drive the bi-amp-capable speakers, you should assign the power amplifier to "BI-AMP".

Note :

• Before making bi-amp connections, remove the short-circuiting bars from the terminals of your speakers.

Caution :

• Be sure to use the speakers with the impedance of 6 ohms or above.

• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the speakers.

8.CONNECTING SPEAKERS

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Ideal speaker placement varies depending on the size of your room and the wall coverings, etc. The typical example of speaker placement and recommendations are as follows :

Front left and right speakers and center

speaker

• Place the front speakers with their front surfaces as flush with TV or monitor screen as possible.

• Place the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Place each speaker so that sound is aimed at the location of the listener’s ears when at the main listening position.

Surround left and right speakers

• Place the surround speakers approximately 1 meter (40 inches) above the ear level of a seated listener on the direct left and right of them or slightly behind.

Surround back left and right speakers

• Place the surround back speakers at the back facing the front at a narrower distance than front speakers.

• When using a single surround back speaker, place it at the rear center facing the front at a slightly higher position (0 to 20 cm ) than the surround speakers.

• We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents the surround back channel signals from reflecting off the TV or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp.

Subwoofer

• The subwoofer reproduces powerful deep bass sounds. Place a subwoofer anywhere in the front as desired.

Notes : When using a conventional TV, to avoid interference with the TV picture, use only magnetically shielded front

left and right and center speakers.

To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.

Speaker placement

1. TV or Screen

2. Front left speaker

3. Subwoofer

4. Center speaker

5. Front right speaker

6. Surround left speaker

7. Surround right speaker

8. Surround back left speaker

9. Surround back right speaker

10. Surround center speaker

11. Listening position

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• ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main room at the same time.

• For ROOM 2 playback, connect the ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or

connect the ROOM 2 speaker terminals to the speakers.

• Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you should assign their power amplifier correctly depending on how to use them. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)

• When the ROOM 2 (AUDIO) OUT jacks are not connected to the ROOM 2 amplifier, you can connect these jacks to audio recording equipment such as a tape deck, an MD recorder, etc. for analog audio recording. (For details, refer to "CONNECTING AUDIO COMPONENTS" on page 7.)

Notes :

• To minimize hum or noise, use high quality connection cords.

• You cannot use the digital audio signal for ROOM 2 playback.

• This receiver incorporates USB as well as RS-232C terminal that may be used in the future to update the operating software so that it will be able to support new digital audio formats, external control by using an external device and the like.

• Connect either USB or RS-232C terminal to your PC (you don't need to do both).

Notes:

• Programming for upgrades and external control requires specialized programming knowledge and for that reason we recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the Sherwood web site at www.sherwoodamerica.com or contact your dealer.

• Do not disconnect the connection cable while updating the operating software, etc.

Should this happen, it may be result in malfunction or cause damage to the unit.

9.CONNECTING ROOM 2 OUTS

10.CONNECTING PC FOR UPGRADES

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• The multi-room system kit(sold separately ) is essential for operation from a remote location . For information on the multi-room system kit, contact the Xantech corporation at 1-800-843-5465 or www.xantech.com.

• IR IN jack allows you to control this receiver from another room with the remote control unit.

• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of

the connecting block.

• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control

unit cannot enter, then operation with the remote control unit will not be possible. In such a case, connect the IR IN jack to the output of the connecting block.

• To control other compatible component from another room with the universal remote control unit, connect the IR

OUT jack to the IR emitter.

󳥎

Note:

• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or inverted fluorescent.

• This outlet is switched on (power-on mode) and off

(standby mode) according to power control as follows (Maximum total capacity is 100 W (0.43A)).

• Plug this cord into a wall AC outlet.

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Standby mode - Switched AC outlet off Power - on mode - Switched AC outlet on

11. CONNECTING MULTI-ROOM SYSTEM KIT

12. SWITCHED AC OUTLET

13. AC INPUT CORD

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Front Panel Controls

1. POWER switch

2. POWER ON/STANDBY button/indicator

3. VIDEO INPUT SELECTOR button

4. AUDIO INPUT SELECTOR button

5. EXTERNAL IN button

6. TUNER button

7. MASTER VOLUME CONTROL knob

8. HEADPHONE jack

9. SPEAKER button/indicator

10. SURROUND MODE button

11. STEREO button

12. SETUP button

13. CHANNEL LEVEL button

14. CONTROL UP/DOWN (/) buttons

15. ROOM 2 button

16. MEMORY/ENTER button

17. TUNING UP/DOWN(+/-) buttons

18. PRESET UP/DOWN(+/-) buttons

19. AUDIO ASSIGN button

20. MULTI CONTROL knob

21. REMOTE SENSOR

22. FLUORESCENT DISPLAY For details, see below.

23. SETUP MIC jack For details, see next page.

24. AUX IN jack For details, see next page.

25. VIDEO 4 IN jacks For details, see next page.

FLUORESCENT DISPLAY

1. Input, frequency, volume level, operating information, etc.

2. Surround mode indicators

3. AUTO indicator

4. DIGITAL INPUT indicator

5. DIRECT indicator

6. Preset number, sleep time display

7. MEMORY indicator

8. PRESET indicator

9. SLEEP indicator

10. ROOM 2 indicator

11. TUNED indicator

12. STEREO indicator

13. RDS indicators (Regional option for Europe, etc.)

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• The AUX IN jack can be connected to an additional audio component such as an MP3 player, etc.



Note :

• When connecting this jack to an MP3 player, etc., you should use the stereo mini cord, not a mono mini cord.

VIDEO 4 IN JACKS

• The VIDEO 4 IN jacks may be also connected to an additional video component such as a camcorder, a video game player, etc.

• To use Auto Setup function, connect the supplied microphone to the SETUP MIC jack.(For details, refer to "When selecting the AUTO SETUP" on page 48.)

Notes:

• Because the microphone for Auto Setup is designed for use with this receiver, do not use a microphone other than the one supplied with this receiver.

• After you have completed the auto setup procedure, disconnect the microphone.



SETUP MIC JACK



AUX IN JACK

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Universal Remote Controls

This universal remote control can operate not only this receiver but also most popular brands of audio and video components such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.

• To operate 7 components other than this receiver , you should enter the setup code for each component. (For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 18.)

• The numbered buttons on the remote control have different functions in different device modes. For details, refer to "FUNCTION TABLE of the NUMBERED BUTTONS" on the next page.

Note :

• In such a case that some components do not have the REMOTE SENSOR which receives the remote signals, this remote control cannot operate them.

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FUNCTION TABLE of the NUMBERED BUTTONS.

Notes :

• Some functions for each component may not be available or may work differently.

• Depending on other kinds of components that are available for each DEVICE button, some functions may not be available or may work differently, too.

• For details about functions, refer to the operating instructions of each component.

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LOADING B ATTERIES

OPERA TING COMPONENTS WITH REMO TE CONTROL

REMOTE CONTROL OPERATION RANGE

• Use the remote control within a range of about 7 meters (23 feet) and angles of up to 30 degrees aiming at the remote sensor.

When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries

within several minutes after removing old batteries.

If the betteries are removed or have been exhausted for a longer period of time, memorized contents will be

cleared. Should this happen, you should memorize them again.

• Remove the batteries when they are not used for a long time.

• Do not use the rechargeable batteries (Ni-Cd type).

• Be sure to use alkaline batteries.

1. Enter the setup code for each component other

than this receiver. For detalis, refer to “Entering a setup code” on page 18.

2. Turn on the component you want to operate.

1. Remove the cover.

2. Load two batteries (“AAA” size) matching the

polarity.

3. Press the DEVICE button on the remote control

corresponding to the component you wish to operate.

4. Aim the remote control at the REMOTE

SENSOR of the component you wish to control and press the button corresponding to the operation you want.

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USING FUNCTIONS OF REMOTE CONTROL

Entering a setup code

• This remote control can control up to 8 different components.

• Before operating audio and video components other than this receiver with using this remote control, the setup code for each component should be entered.

• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for

Sherwood CD player, “DVD” for Sherwood DVD player, "AUX" for Sherwood tape deck and "TV" for Sherwood TV respectively as its factory setup code. So, you don’t need to enter its code for each Sherwood component except in such a case that its code does not work.

• The LED will flicker once.

Note :

• The "AUD" button is unavailable for the audio

components other than this receiver.

• If entering is performed successfully, the LED will flicker twice.

• To be sure that the setup code is correct, press the POWER ON(or STANDBY) button. If your component is tuned off, the setup code is correct.

• When your component is not turned off, repeat the above steps 2 to 4, trying each code for your component until you find one that works.

Notes:

• If the LED did not flicker twice, then repeat the above steps 3 to 4 and try entering the same code again.

• Manufacturers may use different setup codes for the same product category. For that reason, it is important that you check to see if the code you have entered operates as many controls as possible. If only a few functions operate, check to see if another code will work with more buttons.

1. Turn on the component you want to control.

2. Find the setup codes according to the type and

the brand name of your component, referring to “Setup Code Table” on page 64.

3. Press and hold down both the "ENTER" button

and the desired one of the DEVICE buttons for more than 1 second.

4. Enter a 3 digit code, aiming the remote control at

the remote sensor on the component.

5. Repeat the above steps 1 to 4 for each of your

components.

Example) When entering "001".

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• If removing all punch-through functions is performed successfully, the LED will flicker twice.

Using a punch-through function

This remote control may be programmed to operate either the AUDIO volume punch-through or the TV volume and/or TV channel punchthrough in conjunction with any of the eight components controlled by this remote control. For example, since this receiver will likely be used as the sound system while watching TV, you may want to adjust this receiver’s volume although this remote control is set to control the TV.

• When programming this remote control for the AUDIO volume punch-through, press and hold down both "AUD" button and "VOLUME " button for more than 1 second.

• If programming is performed successfully, the LED will flicker twice.

•

When you want either TV volume or TV channel punch-through, press and hold down both "TV" button and either "VOLUME



" or

"CHANNEL



" button for more than 1 second.

Note:

• If you use one of AUDIO and TV volume punch-through functions, you cannot use the other.



Removing a punch-through function

• When removing the AUDIO volume punch-through, press and hold down both "AUD" button and "VOLUME " button for more than 1 second.

• If removing is performed successfully, the LED will flicker twice.

•

When you want to remove either TV volume or TV channel punch-through, press and hold down both "TV" button and either "VOLUME



" or

"CHANNEL



" button for more than 1 second.



Removing all punch-through functions

Press and hold down both "AUD" button and "AUDIO ASSIGN" button for more than 1 second.

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Page 20

Programming a macro function

Note:

You should press the corresponding DEVICE buttons before pressing each operation button. Example) When playing a DVD on the DVD player

connected to VIDEO 2 jacks of this receiver.

. Press "AUD" button to control this receiver. . Press "POWER ON" button to turn this

receiver on.

. Press "AUD" button to control this receiver. . Press "VIDEO 2(7)" button to select the

desired input source.

. Press "DVD" button to control the DVD player. . Press "POWER ON" button to turn the DVD

player on.

. Press "DVD" button to control the DVD player. . Press "" button to start playback.

• The macro function enables you to program a series of button operations(up to 10) on this remote control into a single button.

• You can store up to three separate macro command sequences into “M1”, “M2” and “M3” buttons.

• If the macro mode is entered, the LED will flicker once.

Operating a macro function

Notes:

• The codes programmed into a MACRO button will be transmitted at an interval of 0.5 seconds. However, some components may not be able to complete one operation in 0.5 seconds and may miss the next code.

In this case, the macro function cannot control the corresponding components correctly.

• Be sure to use the remote control within the remote control operation range of the components.

• Depending on the operation status of the components, etc., the macro function cannot control the corresponding components correctly.

• Aim the remote control at the REMOTE

SENSORs of the components to be controlled and press the MACRO button you want. Example) When pressing “M1” button.

1. Press and hold down both "ENTER" button and

one of three NUMERIC buttons ("1"~"3") corresponding to "M1"~"M3" buttons for more than 1 second.

2. Press the operation buttons you want to

program in order.

3. Press "ENTER" button.

Example) When programming a series of button

operations into "M1" button.

• If the programming is performed successfully, the

LED will flicker twice.



To remove a macro program

• When removing a macro program, perform the

above steps 1 and 3, but ignore the step 2.



To change a macro program

• When a new macro program is stored into a

MACRO button with performing the above steps 1 to 3, the previous macro program is cleared from the memory of the MACRO button.

ENGLISH

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REMOTE CONTROL OPERATION RANGE

ROOM 2 Remote Controls

This remote control unit is an additional remote control unit for the ROOM 2 source playback only.

• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with the universal remote control unit.

• For details on ROOM 2 operation, refer to "ROOM 2 SOURCE PLAYBACK" on page 35.

LOADING BATTERY

• Remove the battery when it is not used for a long time.

• Aim the ROOM 2 remote control(or the universal remote control) at the IR receiver installed in another room.(For details, refer to “CONNECTING MULTI-ROOM SYSTEM KIT” on page 12.)

• When you operate the ROOM 2 function in the main room, aim the universal remote control (or the ROOM 2 remote control) at the remote sensor of this receiver.

1. Remove the cover. 2. Load the battery(CR2025) matching the polarity.

ENGLISH

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LISTENING TO A PROGRAM SOURCE

Operations

Before operation

• Enter the standby mode.

• The POWER ON/STANDBY button lights up amber. This means that the receiver is not disconnected from the AC mains and a small amount of current is retained to support the operation readiness.

• To switch the power off, push the POWER switch again.

Then the power is cut off and the POWER ON/STANDBY button goes off.

• Then the SPEAKER indicator lights up

and the sound can be heard from the speakers connected to the speaker terminals.

• When using the headphones for private

listening, press the SPEAKER button again to switch the speakers off.

• Each time the "AUDIO" button on the front panel is pressed, the input source changes as follows:

 CD  AUX  TAPE

• Each time the "VIDEO" button on the front panel is pressed, the input source changes as follows:

 VIDEO 1VIDEO 2VIDEO 3 VIDEO 4

• Each time the "TUNER" button is pressed, the band changes as follows:

 FM STereo  FM MONO  AM



When selecting the EXTERNAL IN as desired,

• Depending on the power amplifier setting for the surround back channels and the surround back speaker setting, "EXT. IN" is displayed and 8(/7/6) separate analog signals from the component connected to this input pass through the tone and volume circuits only and can be heard from your speakers.

• Select the desired input source to cancel the external in function.

• These analog signals can be heard only, not recorded.

Notes:

• Before operating this receiver with the supplied remote control, refer to "Universal Remote Controls" on page 15 for details about operation.

• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu setting procedures. (For details, refer to "OSD Menu Settings" on page 38.)

• Each time the POWER ON/STANDBY button on

the front panel is pressed, the receiver is turned on to enter the operating mode (the POWER ON/ STANDBY button lights up blue) or off to enter the standby mode(the POWER ON/STANDBY button lights up amber).

• On the remote control, press the POWER ON

button to enter the operating mode or press the STANDBY button to enter the standby mode.

• In the standby mode, if the INPUT SELECTOR

button is pressed, the receiver is turned on automatically and the desired input is selected.

1. In the standby mode, turn the power on.

3. Select the desired input source.

2. Switch the speakers on.

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• When playing back the program sources with surround sound, refer to “ENJOYING SURROUND SOUND” on page 26.

• If the AUDIO MODE is set to the mode other than "DIGITAL" for the corresponding input source on the INPUT SETUP menu, you cannot hear the sound from the selected digital input. (For details, refer to "SETTING THE INPUT SETUP" on page 44.)

When CD, AUX, VIDEO 1~ 4 is selected as an input source



Notes:

• When the selected digital input is not connected or assigned, "o1", "c1", etc. (, meaning no digital signal input from it) or "d" (, meaning no audio assignment) flickers and no sound will be heard.

• The selected digital input is automatically assigned to the corresponding input source on the INPUT SETUP menu. (For details, refer to "SETTING THE INPUT SETUP" on page 44.)

• The sound from the component connected to the selected digital input can be heard regardless of the selected input source.

• Each time the MULTI CONTROL knob is rotated or the CURSOR LEFT()/RIGHT() buttons are

pressed, the corresponding input is selected as follows :

• "AUD ~" is displayed for several seconds.

• "AUD ~" disappears, press the AUDIO ASSIGN button again.

• Ensure that the SPEAKER button is set to off.

• Depending on the signal format which is being input, you can listen in Dolby Headphone mode, stereo mode, etc. (For details, refer to "Listening in Dolby Headphone mode" on page 27).

• When the EXTERNAL IN is selected as an input source, only front left and front right channel signals can be reproduced through the headphones.



Note:

• Be careful not to set the volume too high when using headphones.

Muting the sound

Listening with headphones

• "MUTE" flickers.

• To resume the previous sound level, press it again.

4. Press the AUDIO ASSIGN button.

5. Select the desired of the digital inputs connected

while displaying "AUD ~".

6. Operate the selected component for playback.

7. Adjust the (overall) volume.

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DTS Digital Surround

DTS Digital Surround(also called simply DTS) is a multi-channel digital signal format which can handle higher data rates. Discs bearing the “ ” include the recording of up to

5.1 channels of digital signals, which can be generally thought to provide better sound quality due to the lower audio compression required. It also provides wide dynamic range and separation, resulting in magnificent sound.

DTS - ES Extended Surround™

()

This is a new multi channel digital signal format which greatly improves the 360- degree surround impression and space expression thanks to further expanded surround signals, offering high compatibility with the conventional DTS format. In addition to the 5.1 channels, DTS-ES Extended Surround also offers the surround back (sometimes also referred to as “surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods as follows:

• DTS-ES™ Discrete 6.1

Because the signals for 6.1 channels (including the surround back channel) are fully independent, it is possible to achieve a sense that the acoustic image are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS -ES decoder, when played with a conventional DTS decoder, the surround back channel signals are automatically downmixed to the surround left and surround right channels so that none of the signal components are lost.

• DTS - ES™ Matrix 6.1

With this format, the additional surround back channel signals undergo matrix encoding and are input to the surround left and surround right channels beforehand. During playback, they are decoded to the surround left, surround right and surround back channels. Because the bit stream format is 100% compatible with conventional DTS signals, the effect of the DTS-ES Matrix 6.1 format can be achieved even with DTS 5.1- channel signal sources. Of course, it is possible to play DTS-ES Matrix 6.1 channel signal sources with a DTS 5.1 - channel decoder. When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded with a DTS - ES decoder, the format is automatically detected upon decoding and the optimum surround mode is selected. However, some DTS - ES Matrix 6.1 sources may be detected as DTS sources. In this case, the DTS - ES Matrix mode should be selected manually to play these sources.

DTS Neo : 6™ surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1channel surround playback. DTS Neo : 6 surround includes two modes for selecting the optimum decoding for the signal source.

• DTS Neo : 6 Cinema

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with

6.1-channel sources.

• DTS Neo : 6 Music

This mode is suited mainly for playing music. The front left and front right signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals from the center, surround left, surround right and surround back channels adds a natural sense of expansion to the sound field.

DTS 96/24

Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, this format has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96kHz / 24 bit PCM signals. As with conventional DTS surround, DTS 96/24 is compatible with a maximum of 5.1 channels. DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 sources can be played using a conventional DTS

5.1 channel decoder. "DTS" and "DTS-ES I Neo:6" are registered trademarks of

DTS, Inc. "96/24" is a trademarks of DTS, Inc.

Dolby Digital

Dolby Digital is the multi- channel digital signal format developed by Dolby Laboratories. Discs bearing the

“ ” includes the recording of up to 5.1 channels of

digital signals, which can reproduce much better sound quality, spatial expansion and dynamic range characteristics than the previous Dolby Surround effect.

Dolby Digital EX

This mode creates the back (sometimes also referred to as “surround center”) signals from the surround left and right signals in Dolby Digital 5.1 channel source using a matrix decoder and provides 6.1 channel surround playback. For the best results, this mode should be selected during playback of sources(bearing the “ ”) recorded in Dolby Digital

EX. With this additional channel, you can experience more dynamic and realistic moving sound especially. When Dolby Digital EX sources are decoded with a Dolby Digital EX decoder, the format is automatically detected upon decoding and the Dolby Digital EX mode is selected. However, some Dolby Digital EX sources may be detected as Dolby Digital sources. In this case, the Dolby Digital EX mode should be selected manually to play these sources.

Surround modes

SURROUND SOUND

• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater.

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Dolby Pro Logic IIx surround

Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1 channel sources and extends to 7.1channel surround playback. It delivers the most natural, full range and immersing 7.1 channel listening experience. Dolby Pro Logic IIx surround includes three modes as follows :

• Dolby Pro Logic IIx Movie

When enjoying movies, this mode allows you to further enhance the cinematic quality by adding processing that emphasizes the sounds of the action special effects.

• Dolby Pro Logic IIx Music

When listening to music, this mode allows you to further enhance the sound quality by adding processing that emphasizes the musical effects.

• Dolby Pro Logic IIx Game

When playing games, this mode allows you to further enhance the dynamic surround effects by adding processing that emphasizes the surrounded and exciting sound.

Dolby Pro Logic II surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals as well as Dolby Surround signals, etc. to surround processing to offer improvements over conventional Dolby Pro Logic circuits. Dolby Pro Logic II surround includes Dolby Pro Logic II Movie, Dolby Pro Logic II Music and Dolby Pro Logic II Game like Dolby Pro Logic IIx surround.



Dolby Virtual Speaker

This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience listening from 5.1 channel speakers. This mode is effective not only for 5.1 channel sources but also for stereo(2 channel) sources. Dolby VIrtual Speaker includes two listening mode as follows:

• Dolby Virtual Speaker Reference

The width of the front sound image is defined by the actual distance between front speakers.

• Dolby Virtual Speaker Wide

The width of the front sound image seems to extend beyond the front speakers.

Dolby Headphone

The Dolby Headphone function simulates 5.1 channel surround sound , which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers. This mode is effective not only for 5.1 channel sources but also for stereo ( 2 channel ) sources.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

• The following modes apply conventional 2-channel signals such as digital PCM or analog stereo signals to high performance Digital Signal Processor to recreate sound fields artificially. Select one of the 7 provided surround modes according to the program source you want to play.

Theater

This mode provides the effect of being in a movie theater when watching a play.

Hall

This mode provides the ambience of a concert hall for classical music sources such as orchestral, chamber music or an instrumental solo.

Stadium

This mode provides the expansive sound field to achieve the true stadium effect when watching baseball or soccer games.

Room

This mode provides the sound field of a house with a low ceiling and hard walls for jazz music.

Panorama

This mode provides a dynamic and broad sound space to highten the overall impact of the sound track.

Classic

This mode provides the acoustic effects of a large concert hall for classical music.

Multi CH Stereo

This mode is designed for playing background music. The front, surround and surround back channels create a stereo image that encompasses the entire area.

• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be connected.)

For your reference, the sound from each channel can be reproduced according to the surround modes as follows:

(*): Depending on the subwoofer setting, the sound from the subwoofer channel may be reproduced.

• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels cannot be reproduced.(For details, refer to "SETTING THE SPEAKER / ROOM EQ SETUP" on page 48.)

Modes Channels FRONT L/R CENTER SURROUND L/R SURROUND BACK L/R SUBWOOFER

DTS, DTS 96/24  





DTS ES DISCRETE/MATRIX     DTS NEO: 6 CINEMA/MUSIC   



(*)

DOLBY DIGITAL  





DOLBY DIGITAL EX     DOLBY PRO LOGIC IIx MOVIE/MUSIC/GAME     DOLBY PRO LOGIC II MOVIE/MUSIC/GAME  





DOLBY VIRTUAL SPEAKER  



(*)

MULTI PCM   





Other Surrounds   



(*)

STEREO 

  

(*)

EXTERNAL IN    

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ENJOYING SURROUND SOUND

• Each time this button is pressed, the mode changes as follows :

Auto surround mode : The optimum surround mode will be

automatically selected depending on the signal format being input.

Manual surround mode : You can select the desired of different

surround modes selectable for the signal being input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN (  ) buttons.

Notes :

• Even when the auto surround mode is selected and the same type of digital signal format is being input, the optimum surround mode may vary depending on whether the speaker type is set to "NO" or not.

• When the auto surround mode is selected, the surround modes other than the optimum surround mode cannot be selected.

Notes:

• Before surround playback, first perform the speaker setup procedure, etc. on the OSD menu for optimum performance.

(For details, refer to "SETTING THE SPEAKER/ROOM EQ SETUP" on page 48.)

• When playing digital signals from the Dolby Digital program source or selecting the surround mode such as Dolby Pro Logic II

/Dolby Pro Logic IIx Music, Dolby Headphone, Dolby Virtual Speaker modes, you can adjust their parameters for optimum surround effect. (For details, refer to "SETTING THE SOUND PARAMETER" on page 57.)

• When the EXTERNAL IN is selected as an input source, the surround modes cannot be selected.

Depending on how to select a surround mode, select the auto surround mode or the manual surround mode.

("AUTO" lights up.)

("AUTO" goes off.)

When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel.

Select the desired surround mode.

• Each time the MULTI CONTROL knob is rotated or the SURROUND MODE UP / DOWN ( >/< ) buttons are pressed, the surround mode changes depending on the input signal format as follows :

• Depending on surround back speaker setting, some surround modes can be selected or not as follows: < >: Possible only when surround back speaker is not set to "NO". [ ] : Possible only when surround back speaker is set to "NO". ( ): Possible only when surround back speaker is set to " 2CH". * : Depending on the signal format being input, the Dolby Pro Logic IIx modes and the Dolby Virtual Speaker modes may not be selected.

Signal format being input Dolby Digital EX 6.1 channel sources,

Dolby Digital 5.1 channel sources Dolby Digital 2 channel sources

DTS ES Discrete/Matrix 6.1 channel sources DTS sources, DTS 96/24 sources PCM (multi-channel) sources*

96 kHz PCM (2 channel) sources PCM (2 channel) sources, Analog stereo sources

Selectable surround mode <DOLBY DIGITAL EX, DOLBY D + PLIIx MUSIC>, (DOLBY D + PLIIx MOVIE), DOLBY DIGITAL, DOLBY VS REF, DOLBY VS WIDE <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE <corresponding DTS ES mode, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE), DTS, DOLBY VS REF, DOLBY VS WIDE corresponding DTS mode, DOLBY VS REF, DOLBY VS WIDE, <DTS + NEO:6, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE) MULTI PCM, <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC>, DOLBY VS REF, DOLBY VS WIDE <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE, NEO:6 CINEMA, NEO:6 MUSIC, THEATER, HALL, STADIUM, ROOM, PANORAMA, CLASSIC, MULTI CH STEREO

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Continued



To cancel the surround mode for stereo operation

• Depending on the signal format which is being input, either the stereo mode or the 2CH downmix mode is selected.

• To cancel either the stereo mode or the 2CH downmix mode, select the surround mode with using the MULTI CONTROL knob on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.



2CH downmix mode

• This mode allows the multi-channel signals encoded in DTS or Dolby Digital format, etc. to be mixed down into 2 front channels and to be reproduced through only two front speakers or through headphones.

• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while playing the multi-channel digital signals from DTS or Dolby Digital sources, etc., it will enter the 2CH downmix mode automatically.

• To cancel the 2CH downmix mode, select the Dolby Headphone mode with using the MULTI CONTROL knob on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.

• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

Note :

• Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected.

• Switch the speakers off to listen with headphones.

Listening in Dolby Headphone mode

• The volume level of each channel can be adjusted easily with the test tone function.

Note : When the SPEAKER button is set to off,

the test tone function does not work.

Adjusting each channel level with test tone

• The test tone will be heard from the speaker of each channel for 2 seconds as follows:

Front Left Center Front Right Surround Right

Subwoofer Surround Left Surround Back Surr.Back Left Surr.Back Right

• When the speaker setting is "NO", the test tone of the

corresponding channel is not available.

• ( ) : Possible depending on whether the surround

back channel is set to "2 CH" or "1 CH".

• You can select the desired channel with pressing the CONTROL UP/DOWN () buttons or the CURSOR UP/DOWN () buttons.

1. Enter the test tone mode.

3. Cancel the test tone function.

2. At each channel, adjust the level as desired until

the sound level of each speaker is heard to be equally loud.

• Then "DOLBY HEADPHONE" (or "DOLBY H ~ ") is displayed and the Dolby Headphone mode is selected.

• To cancel the Dolby Headphone mode, press the SPEAKER button again.

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Adjusting the current channel level

• Each time these buttons are pressed, the corresponding channel is selected as follows:

( ): Possible depending on whether the surround back channel is

set to "2 CH" or "1 CH".

< >: Possible only when the digital signals from Dolby Digital or

DTS program sources that include LFE signal are input.

• Depending on the speaker settings("NO", etc.)

and surround mode, etc., some channels cannot be selected.

• When the SPEAKER button is set to off, only the

Front Left, Front Right (and LFE) channels can be selected.

• After adjusting each channel level with test tone, adjust the channel levels either according to the program

sources or to suit your tastes.

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s

memory ("CAL"), not into preset memory("REF 1", "REF 2").

• The LFE level can be adjusted within the range of

-10~0 dB and other channel levels within the range of -15~+15 dB.

• In general, we recommend the LFE level to be adjusted to 0 dB.(However, the recommended LFE level for some early DTS software is -10 dB.) If the recommended levels seem too high, lower the setting as necessary.

• Then the memory mode ("CAL" or "REF 1") is displayed for several seconds.

• When the memory mode or channel level disappears, press this button again.

1. Press the CHANNEL LEVEL button.

3. Adjust the level of the selected channel as

desired.

4. Repeat the above steps  and 3 to adjust each

channel level.

2. Select the desired channel.

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Memorizing the adjusted channel levels

• The "1" of "REF 1" indication flickers for several

seconds.

• You can memorize the adjusted channel levels into preset memory("REF 1", "REF 2") and recall the memorized whenever you want.

• The adjusted channel levels have now been memorized into the selected memory.

Recalling the memorized channel levels

• "REF 1" (or "CAL") is displayed for several seconds.

• If the channel level mode display disappears, press this button again.

• Then the channel levels memorized into the selected preset memory are recalled.

• If the preset memory disappears, perform the above step 1 again.

1. After performing the steps 1 ~ 4 in "Adjusting the

current channel level" procedure on page 28, press the (MEMORY/) ENTER button.

2. Select the desired one of REF 1 and REF 2.

3. Confirm your selection.

1. Press the CHANNEL LEVEL button.

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LISTENING TO RADIO BROADCASTS

Auto tuning

• Each time this button is pressed, the band changes as follows :

 FM STereo  FM MONO  AM

("ST" lights up) ("ST" goes off)

• When FM stereo broadcasts are poor because of weak broadcast signals, select the FM mono mode to reduce the noise, then FM broadcasts are reproduced in monaural sound.

• Manual tuning is useful when you already know the frequency of the desired station.

• After selecting the desired band, press the TUNING UP(+) / DOWN(-) buttons repeatedly until the right frequency has been reached.

Manual tuning

• Auto presetting function automatically searches for FM stations only and store them in the memory.

• While listening to radio broadcasts, press and hold down the MEMORY/ENTER button for more than 2 seconds.

• Then "AUTO MEM" flickers and this receiver starts auto presetting.

• Up to 30 FM stations can be stored.

Notes:

• FM stations of weak strength cannot be memorized.

• To memorize AM stations or weak stations, preform "Manual presetting" procedure with using "Manual tuning" operation.

Auto presetting

• The tuner will now search until a station of sufficient strength has been found. The display shows the tuned frequency and "TUNED".

• If the station found is not the desired one, simply repeat this operation.

• Weak stations are skipped during auto tuning.

1. Select the desired band.

2. Press the TUNING UP(+)/DOWN(-) buttons for

more than 0.5 second.

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• The station has now been stored in the memory.

• A stored frequency is erased from the memory by storing another frequency in its place.

• If "MEM" goes off, start again from the above step 2.

MEMORY BACKUP FUNCTION

The following items, set before the receiver is turned off, are memorized.

• INPUT SELECTOR settings

• Surround mode settings

• Preset stations,etc.

Scanning preset stations in sequence

• The receiver will start scanning the stations in the preset sequence and each station is received for 5 seconds.

• At the desired station, press this button again to stop scanning.

Tuning to preset stationsManual presetting

• You can store up to 30 preferred stations in the memory.

• "MEM" is flickering for several seconds.

• After selecting the tuner as an input source, select the desired preset number.

1. Tune in the desired station with auto or manual

tuning.

3. Select the desired preset number (1~30) and

press the MEMORY/ENTER button.

4. Repeat the above steps 1 to 3 to memorize

other stations.

2. Press the MEMORY/ENTER button.

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LISTENING TO RDS BROADCASTS (FM ONLY)

RDS Tuner(Regional Option for some countries in Europe, etc.)

• Use this function to automatically search and receive the stations offering RDS services.

RDS(Radio Data System) is a method for sending information signals together with the transmitter signals. Your tuner is capable of translating these signals and putting the information on the display. These codes contain the following informations. Program Service name(PS), A list of Program Types(PTY), Traffic Announcement(TA), Clock Time(CT), Radio Text(RT).

Note :

• In the other countries, RDS tuner function cannot be available.

RDS search

• Use this function to automatically search and receive the stations broadcasting the traffic program.

• "TP SRCH" is displayed.

TP search

• The tuner automatically searches stations offering RDS services and the station name is displayed.

• If no other RDS station is found, "NO RDS" is displayed.

• When "RDS SRCH" is not displayed, repeat again from the above step 1.

• The tuner automatically searches stations broadcasting the traffic program.

• "NO TRAFF"is displayed if the signal is too weak or there are no stations broadcasting the traffic program.

• When "TP SRCH" is not displayed, repeat again from the above step 1.

• Each time this button is pressed, the search mode changes as follows :

 RDS SRCH  TP SRCH  PTY SRCH  OFF

1. In the FM mode, select the RDS search mode.

1. In the FM mode, select the TP search mode

2. While displaying "TP SRCH".

2. While displaying "RDS SRCH"

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• Use this function to automatically search and receive the stations broadcasting the desired program type.

• "PTY SRCH" is displayed.

• Each time these buttons are pressed, one of 32 different types of programs is selected.

(NEWS, AFFAIRS, INFO, SPORT, EDUCATE, DRAMA, CULTURE, SCIENCE, VARIED, POP M, ROCK M, EASY M, LIGHT M, CLASSICS, OTHER M, WEATHER, FINANCE, CHILDREN, SOCIAL, RELIGION, PHONE IN, TRAVEL, LEISURE, JAZZ, COUNTRY, NATION M, OLDIES, FOLK M, DOCUMENT, TEST, ALARM, NONE)

• When "PTY SRCH" is not displayed, repeat again from the above step 1.

• The tuner automatically searches a station offering PTY services.

• If no station is found, "NO PROG" is displayed.

PTY search

• Each time the DISPLAY button is pressed, the display mode changes as follows:

• If the signals are too weak or no RDS service is available, "NO NAME", "NO PTY", "NO TIME" or "NO TEXT" will be displayed.

• In the FM mode,

DISPLAY

Frequency

Program

Service name

(PS)

Program

Type

(PTY)

Clock

Time (CT)

Radio

Text

(RT)

 

 

1. In the FM mode, select the PTY search mode.

3. While displaying the desired program type.

2. While displaying "PTY SRCH", select the

desired program type.

Input

signal

Surround

mode

Volume

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Operating the sleep timer

• The sleep timer allows the system to continue to operate for a specified period of time before automatically shutting off.

• To set the receiver to automatically turn off after the specified period of time.

• Each time this button is pressed, the sleep time changes as follows:

 10  20  30  ---  90  OFF

Unit : minutes

• While operating the sleep timer, " " lights up.

Displaying the audio information

• You can check the audio information on the input source.

• During playback,

• Each time this button is pressed, the brightness of the fluorescent display changes as follows:

 ON  dimmer  OFF

• In the display OFF mode, pressing any button will cancel the display OFF mode.

Adjusting the brightness of the fluorescent display

OTHER FUNCTIONS

• Each time this button is pressed, the display mode changes as follows :

• When the EXTERNAL IN is selected as an input source, the surround mode is not displayed.

• When RDS tuner function is available in your country, for details on the FM mode information, see "DISPLAY" on page 33.

Input

signal

Surround

mode

Volume

Input

source

  

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• ROOM 2 ~ is displayed for several seconds.

• Each time this button is pressed, the ROOM 2 mode changes as follows :

OFF : To turn off the ROOM 2

 function. ("R2" goes off .)

ON : To turn it on. ("R2" lights up.)

Note :

• When the ROOM 2 mode is set to OFF, you cannot

adjust the ROOM 2 volume.

ROOM 2 SOURCE PLAYBACK

When using the buttons on the remote control unit.

• This function allows enjoying one source in the main room and playing another in a different room at the same time.

• When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the universal remote control unit but also the ROOM 2 remote control unit in a different room, too. (For details, refer to "CONNECTING MULTI-ROOM SYSTEM KIT" on page 12 and "ROOM 2 Remote Controls" on page 21.)

Notes:

• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no playback in a different room.

• You cannot play the ROOM 2 source in any surround mode.

When using the buttons on the front panel.

• Each time the INPUT button on the universal remote control unit is pressed, the ROOM 2 input can be selected among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 4.

• ROOM 2 ~ is displayed for several seconds.

• When the ROOM 2 setting mode disappears, press the ROOM 2 button again.

• Each time these buttons are pressed, the mode changes as follows : ROOM 2 ~ : To turn on or

(ROOM 2 mode) off the ROOM 2

 function. IN ~ : To select the desired ROOM 2 source. (ROOM 2 input)



VOL ~ : To adjust the volume on the power (ROOM 2 volume) amplifier assigned to "BACK 

ROOM 2" or "ROOM 2".

Notes:

• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal can be heard in the different room (ROOM 2).

• Even when this receiver enters the standby mode, in such a case that "R2" lights up still and the POWER ON/STANDBY button lights up blue as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can be played independently.

• When you do not use the ROOM 2 function, turn off the ROOM 2 function to save electricity.

• You can adjust the volume

on the power amplifier assigned to "BACK  ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)

• The MUTE button on the ROOM 2 remote control unit can

be available only when the ROOM 2 function is operating.

When selecting the ROOM 2 mode.

OFF : To turn off the ROOM 2

 function. ("R2" goes off.)

ON : To turn it on. ("R2" lights up.)

When selecting the ROOM 2 input.

• You can select the desired among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 4 as a ROOM 2 source.

When selecting the ROOM 2 volume.

• You can adjust the volume on the power amplifier assigned to "BACK ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)

Note : When the ROOM 2 mode is set to OFF,

the ROOM 2 input and the ROOM 2 volume cannot be selected

1. Press the ROOM 2 button. 1. Press the ROOM 2 button to enter the ROOM 2 mode.

3. Set the selected mode as desired.

4. Start play on the component related to the ROOM 2

source.

2. Select the desired mode while displaying the ROOM 2

setting mode.

2. Select the desired input as a ROOM 2 source.

3. Adjust the ROOM 2 volume.

4. Start play on the component related to the ROOM 2

source.

ENGLISH

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Dubbing the audio and video signals separately onto VIDEO 1

Example: When dubbing the VIDEO 2 video signal and

the CD audio signal separately onto VIDEO 1.

1. Select VIDEO 2 as a video recording source.

2. Select CD as an audio recording source.

3. Start recording on the VIDEO 1.

4. Start play on the VIDEO 2 and the CD

respectively.

• The audio signal from the CD and the video signal from the VIDEO 2 will be dubbed and you can enjoy them on the TV set and from the speakers.

Note : Be sure to observe the order of the above

steps 1 and .

RECORDING

Recording with TAPE

• To record the analog signals onto the recording equipment, be sure to connect the ROOM2 OUT jacks to the recording equipment. (For details, refer to "CONNECTING AUDIO COMPONENTS" on page 7.)

• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be heard but cannot be recorded.

• When recording the analog signals from CD, AUX, VIDEO 1 ~ 4, be sure to select the "ANALOG" for the AUDIO MODE.

(For details, refer to "When selecting the AUDIO MODE" on page 45.)

• The volume and tone (bass, treble) settings have no effect on the recording signals.

1. Select the desired input as a recording source

except for TAPE.

2. Turn on the ROOM 2.

3. Select the MAIN as a ROOM 2 input.

4. Start recording on the TAPE.

5. Start play on the desired input.

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1. Select the desired of CD, AUX, VIDEO 1~4 as a

recording source.

2. For digital recording, select the digital input as

recording signal input.

3. Start recording on the component connected to

the OPTICAL DIGITAL OUT.

4. Start play on the desired input.

DIGIT AL AUDIO RECORDING WITH MD RECORDER

Dubbing from video components onto VIDEO 1

• The audio and video signals from the desired input will be dubbed onto the VIDEO 1 and you can enjoy them on the TV set and from the speakers.

1. Select the desired of VIDEO 2 ~ 4 as a recording

source except VIDEO 1.

2. Start recording on the VIDEO 1.

3. Start play on the desired input.

• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to "CONNECTING VIDEO COMPONENTS", "CONNECTING AUDIO COMPONENTS" and "CONNECTING DIGITAL INS AND OUT" on pages 5~8 and the operating instructions of the MD recorder or CD recorder.

Notes:

• Depending on the digital audio signal format input into the HDMI IN connector, some digital signals cannot be output from the OPTICAL DIGITAL OUT jack.

• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.

• In most DVDs and SACDs as well as some CDs, etc., digital recording may not be available depending on the signal format.

• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of your digital recording equipment to know what restrictions are imposed.

In case of recording the digital audio signal input

into a HDMI IN connector

• Select the desired recording source to which the HDMI IN is connected and assigned and then perform the steps 3 and 4 (, but ignore the step 2).

Note :

• If the AUDIO MODE is set to the mode other than "HDMI" for the corresponding recording source on the INPUT SETUP menu, the digital audio signals will not be output and there will be no recording. (For details, refer to "When selecting the AUDIO MODE" on page

45.)

Note :

• If the AUDIO MODE is set to the mode other than "DIGITAL" for the corresponding recording source on the INPUT SETUP menu, the digital audio signals from the selected digital input will not be output and there will be no recording. (For details, refer to "When CD, AUX, VIDEO 1~ 4 is selected as an input source" on page 23 and "When selecting the AUDIO MODE" on page 45.)

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OSD Menu Settings

• The OSD (On-Screen Display) menu is a setting menu that is displayed on the monitor TV and allows you to perform the setup procedures easily. In most situations, you will only need to set this once during the installation and layout of your home theater, and it rarely needs to be changed later.

The OSD menu consists of 6 main menus ; system setup, input setup, speaker / room EQ setup, CH level setup, sound parameter and multi room setup. These menus are then divided up into various sub-menus.

Notes:

• The OSD menu and the momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI MONITOR OUT jacks.

• Depending on the VIDEO MODE setting and the video connections between this receiver and the video component, the OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) MONITOR OUT jack, (For details, refer to "Relationship between the video input signal and the video output signal" on page 6.)

Navigating through the OSD menu

• The explanations here assume you are using the buttons on the remote control when performing the OSD menu operation. However, you can use the buttons on the front panel as well.

The buttons on the front panel correspond to those on the remote control as shown below.

MULTI

• The main menu will be shown.

• To turn the menu screen off, press this button again.

1. Turn the menu screen on.

2. Select the desired menu using the CURSOR UP()/DOWN() buttons.

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• For the setting details, see page in 

• Adjust the setting(s) in each setting category to your preference.

• When the SETUP button is pressed on a sub-menu, the menu screen will be turned off.



When selecting the SYSTEM SETUP When selecting the INPUT SETUP



When selecting the SOUND PARAMETER When selecting the MULTI ROOM SETUP



When selecting the SPEAKER /ROOM EQ SETUP



When selecting the CH LEVEL SETUP

3. Confirm your selection.

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• AMP ASSIGN : To assign the surround back channels' power amplifier correctly depending on how to use the speakers.

• SUBWOOFER MODE : To select the desired subwoofer mode.

• HDMI AUDIO OUT : To output the digital audio signals from the

HDMI MONITOR OUT connector.

• TONE CONTROL : To adjust the tone (bass and treble) as

desired.

• CINEMA EQ : To select the desired cinema EQ mode.

• BACKGROUND : To select the desired background color of the

momentary OSD and the OSD menu.

• MOMENTARY OSD : To turn on or off the OSD that shows the

status corresponding to each operation momentarily.

• OSD POSITION ADJUST : To adjust the position of the

momentary OSD and the OSD menu.

SETTING THE SYSTEM SETUP

When selecting the items other than OSD POSITION ADJUST

• The surround back channels' power amplifier can drive the surround back speakers, the ROOM 2 speakers or the front bi-amp capable speakers. Depending on how to use the speakers, you should assign the power amplifier correctly. (For details, refer to "CONNECTING SPEAKERS" on page 9 and "CONNECTING ROOM 2 OUTS" on page 11.)

BACK  ROOM 2 : When connecting this

receiver to the surround back speakers and the ROOM 2 speakers both, the power amplifier automatically drives the surround back speakers or the ROOM 2 speakers depending on whether the ROOM 2 function is turned off or on.

BI - AMP : To drive the front bi-amp capable

speakers when connecting the FRONT and the SURROUND BACK/MULTI channels to them.

SURR BACK : To drive the surround back

speakers when connecting the SURROUND BACK/MULTI channels to them.

ROOM 2 : To drive the ROOM 2 speakers when

connecting the ROOM 2 channels to them.

When selecting the AMP ASSIGN

1. Press the CURSOR UP()/DOWN() buttons

to select the desired item.

2. Press the CURSOR LEFT()/RIGHT()

buttons to set the selected item as desired.

ENGLISH

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When selecting the SUBWOOFER MODE

• "SW PLUS" mode is valid only when "FRONT" and "CENTER" are set to "FULL RANGE" and "SUBWOOFER" is set to "YES" on the SPEAKER/ROOM EQ SETUP menu. (For details, refer to "SETTING THE SPEAKER/ ROOM EQ SETUP" on page 48.)

NORMAL : When the low frequency signals of channels set to "FULL RANGE" are reproduced from those

channels only. In this mode, the low frequency signals that are reproduced from the subwoofer channel is only the low frequency signals of LFE (from the multi-channel sources that contains LFE (Low Frequency Effects) channel, also called the ".1" channel) and the channels set to the setting value other than "FULL RANGE".

SW PLUS : When the low frequency signals of channels set to "FULL RANGE" are reproduced

simultaneously from those channels and the subwoofer channel. In this mode, the low frequency range expands more uniformly through the room, but depending on the size and shape of the room, interference may result in a decrease of the actual volume of the low frequency range.

• The HDMI connection can carry uncompressed digital video signals and digital audio signals.

Depending on whether these digital audio signals are output from the HDMI MONITOR OUT of this receiver or not, you should set the HDMI AUDIO OUT correctly.

OFF : Not to output the digital audio signals from the HDMI MONITOR OUT of this receiver, meaning these

 signals are heard from the speakers connected to this receiver.

ON : To output the digital audio signals, meaning these signals are heard from the speakers of your TV.

Notes:

• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this receiver (except ROOM 2 speakers) even though any input source is selected.

• If your TV cannot support some digital audio formats, no sound may be heard from its speakers even when the HDMI AUDIO OUT is set to ON.

OFF : To listen to a program source without the tone effect. ("DIRECT" indicator lights up.)



ON : To adjust the tone for your taste. ("DIRECT" indicator goes off.)

When selecting the TONE CONTROL

When selecting the HDMI AUDIO OUT

When the TONE CONTROL is set to ON to adjust the tone (bass and treble) . Press the ENTER button to enter the tone adjustment mode.

Continued

ENGLISH

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. Press the CURSOR LEFT()/RIGHT() buttons to adjust the selected tone as desired.

• The tone level can be adjusted within the range of -10 ~ +10 dB.

• In general, we recommend the bass and treble to be adjusted to 0 dB (flat level).

• Extreme settings at high volume may damage your speakers.

• To complete tone adjustment, repeat the above steps  and .

OFF : To turn off the cinema EQ function.



ON : To compensate for edgy or shrill movie sound tracks.

When selecting the CINEMA EQ

BLACK : To display the black as the color background of the momentary OSD and the OSD menu.



BLUE : To display the blue.

Note : Only when no video signals are input into this unit, the selected background color will be displayed.

When selecting the BACKGROUND

ON : To turn on the OSD function that shows the status corresponding to each operation on this unit

 momentarily.

OFF : To turn it off.

When selecting the MOMENTARY OSD

Note : The momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI

MONITOR OUT jacks.

Continued

. Press the CURSOR UP()/DOWN() buttons to select the desired tone mode.

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When selecting the OSD POSITION ADJUST

• You can adjust the position of the momentary OSD and the OSD menu that are displayed on the monitor TV.

1. Press the CURSOR UP()/DOWN() buttons to select the OSD POSITION ADJUST, then press the

ENTER button.

2. Press the CURSOR UP()/DOWN()/LEFT()/RIGHT() buttons to adjust the position of the momentary

OSD and the OSD menu as desired.

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• This menu allows you to make the various settings depending on how to use the input sources connected to this receiver.

SETTING THE INPUT SETUP

When selecting the items other than NAME

Example: When selecting the VIDEO 1

Note :

• Depending on the input source, some items other than DC TRIGGER cannot be selected.

1. Press the CURSOR UP()/DOWN() buttons to select the desired input source, then press the ENTER

button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired item.

3. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.

When selecting the menu of page 2 or page 1.

• Press the CURSOR UP()/DOWN() buttons to select "GO TO NEXT ~ ", then press the ENTER button.

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When selecting the HDMI ASSIGN

When selecting the VIDEO ASSIGN

When selecting the AUDIO ASSIGN

• You should assign the connected HDMI INs to the desired of VIDEO 1 ~ VIDEO 4.

(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)

• You can select HDMI 1 or HDMI 2.

Note :

• In such a case that a HDMI IN is assigned to two input sources or more, when these input sources are selected, the

uncompressed digital video signals (and digital audio signals when the HDMI AUDIO OUT is set to ON) input into the same HDMI IN can be output from the HDMI MONITOR OUT of this receiver.

• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1 ~ 4.

(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)

• You can select the desired of COMP 1 ~ 2.

Note :

• In such a case that a COMPONENT VIDEO IN is assigned to two input sources or more, when these input sources are selected, the component video signals can be viewed from the same COMPONENT VIDEO IN.

• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1 ~ VIDEO 4.

(For details, refer to "CONNECTING DIGITAL INS AND OUT" on page 8.)

• You can select the desired of OPT 1, OPT 2, COAX1 and COAX 2.

Note :

• In such a case that a DIGITAL IN is assigned to two input sources or more, when these input sources are selected, the digital

audio signals can be heard from the same DIGITAL IN.

When selecting the AUDIO MODE

• You can select the desired audio input signal to be played.

Notes :

• Be sure to set the AUDIO MODE to the audio input which is connected and assigned to the selected input source.

• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this receiver (except ROOM

2 speakers).

• When the AUDIO MODE is set to HDMI, you should set the HDMI ASSIGN correctly. If not, "H1", "H2" (, meaning no digital

audio signal input from it) or "Hd" (, meaning no HDMI assignment) flickers on the unit's display and no sound will be heard.

• When the AUDIO MODE is set to DIGITAL, you should set the AUDIO ASSIGN correctly. If not, "o1", "c1", etc.(, meaning no

digital signal input from it) or "d" (, meaning no audio assignment) flickers on the unit's display and no sound will be heard.

AUTO : When there are multiple audio input signals, the audio input signals are detected and the audio input signal to be played

is selected automatically in the priority order of them : HDMI audio > DIGITAL audio > ANALOG audio

HDMI : The signal that is input into the HDMI IN is always played. DIGITAL : The signal that is input into the OPTICAL or the COAXIAL DIGITAL IN is always played. ANALOG : The signal that is input into the analog AUDIO INs is always played.

Continued

When selecting the VIDEO MODE

• You can select the video input signal to be output from the MONITOR OUTs.

AUTO : When there are multiple video input signals, the video input signals are detected and the video input signal to be output

from the MONITOR OUTs is selected automatically in the following order : component video, S-video, composite video.

COMPOSITE : The signal that is input into the (COMPOSITE) VIDEO jack is always played. The composite video input signal is

up-converted and output from the S-VIDEO MONITOR OUT jack.

S-VIDEO : The signal that is input into the S-VIDEO jack is always played. The S-video input signal is down-converted and

output from the (COMPOSITE) VIDEO MONITOR OUT jack.

COMPONENT : The signals that are input into the COMPONENT jacks are always played.

Because video conversion is not performed, no video signals are output from the MONITOR OUT jacks when there are no video signals that are input into the COMPONENT jacks.

• For details, refer to "Relationship between the video input signal and the video output signal" on page 6.

Note :

• When selecting the VIDEO 4, S-VIDEO cannot be selected.

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• Depending on how to select a surround mode, you can select the auto surround mode or the manual surround mode.

ON : The optimum surround mode will be automatically selected depending on the signal

(Auto surround mode) format being input.



OFF : You can select the desired of different surround modes selectable for the signal being

(Manual surround mode) input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN

( >/< ) buttons. (For details, refer to "When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel" on page 26.)

Notes :

• When the auto surround mode is selected, the surround modes other than the optimum surround mode cannot be selected.

When selecting the AUTO SURROUND

• The remastering processes the input signal digitally and converts its digital sampling frequency to twice the current frequency (88.2/96 kHz) for a more detailed sound reproduction.

ON : To process the input signal digitally and to convert its sampling frequency to 88.2/96 kHz for a more

 detailed sound reproduction.

OFF : To turn off the remastering function.

Note :

• The remastering function have no effect on the input digital signal from the 88.2/96 kHz source or higher as well as the digital signal that is output from the OPTICAL DIGITAL OUT of this receiver.

• There may be a slight time delay between the video and audio signals in case that some video playback equipments may process the video signals later than the audio signals due to signal processing procedure, etc.. Should this happen, you can adjust the time delay of audio signals to synchronize the sound with the picture.

• The time delay can be adjusted within the range of 0 ~ 200 msec.

When selecting the AV SYNC

When selecting the AUDIO REMASTER

• To turn on the component connected to the DC TRIGGER OUT jack when this input source is selected, you should set the DC TRIGGER to ON for this input source.

OFF : To turn off the DC trigger function.



ON: To turn it on.

• For details, refer to "CONNECTING DC TRIGGER OUT" on page 8.

When selecting the DC TRIGGER

Continued

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When selecting the NAME

• You can give names to the input sources other than tuner.

• Up to 7 characters can be entered for each name.

Example: When selecting the VIDEO 1

• The name is stored in the memory.

To resume its factory input source name.

• Make a blank on each digit and press the ENTER button.

• The first digit flickers.

• Then the selected digit will flicker.

• You can enter the desired among blank, A ~ Z, a ~ z, 0 ~ 9, (, ), , +, , , -, ., /.

1. Press the CURSOR UP()/DOWN() buttons

to select the desired input source, then press the ENTER button.

3. Press the CURSOR LEFT()/ RIGHT()

buttons to select the desired digit.

4. Press the CURSOR UP()/DOWN() buttons

to enter the desired character on the flickering digit.

5. Repeat the above steps 3 and 4 to enter the

desired characters on the rest of the digits.

6. Confirm your entry.

2. Press the CURSOR UP()/DOWN() buttons

to select the NAME, then press the ENTER button.

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SETTING THE SPEAKER / ROOM EQ SETUP

• After you have installed this receiver and connected all the components, you should adjust the speaker settings for the optimum sound acoustics according to your environment and speaker layout.

• Even when you change speakers, speaker positions, or the layout of your listening environment, you should adjust the speaker settings, too.

• When performing the AUTO SETUP procedure, you need not perform the SPEAKER CONFIGURATION, SPEAKER DISTANCE, SPEAKER CROSSOVER and CH LEVEL SETUP procedures.

• AUTO SETUP : To set the speaker setup and channel level setup automatically.

• SPEAKER CONFIGURATION : To adjust the speakers depending on

whether they are connected or not.

• SPEAKER DISTANCE: To select the distance between the listening

position and each speaker to set the delay

time automatically for optimum surround playback.

• SPEAKER CROSSOVER : To select the desired crossover

frequency.

• ROOM EQ SETUP : To adjust the room EQ as desired.

When selecting the AUTO SETUP

• Auto Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound. Auto Setup has the feature that provides the optimum listening environment at the listening position in your room, where there are often multiple listeners viewing programs together. You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of test tones emitted from speakers at the listening position and can adjust the configuration, distance, sound level, crossover frequency and frequency response of each speaker automatically.

• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the "When selecting the SPEAKER CONFIGURATION" on page 50, "When selecting the SPEAKER DISTANCE" on page 51, "When selecting the SPEAKER CROSSOVER" on page 52, "Adjusting each channel level with test tone" on page 27 and "Adjusting the current channel level" on page 28.

• After the auto setup has been completed, set the room EQ as desired. (For details, refer to "When selecting the ROOM EQ SETUP" on page 53.)

Preparations . Check that the speakers are securely connected

to this receiver.

• If your subwoofer has adjustable volume and crossover frequency, set the volume halfway and set the crossover frequency to the maximum or the low pass filter off.

. Connect the supplied microphone to the SETUP

MIC jack on the front panel.(For details, refer to "SETUP MIC JACK" on page 14.)

• If possible, use a tripod, etc. to attach the microphone at the same height as your ears would be when you are seated in your listening position.

• Ensure there are no obstacles between the speakers and the microphone.

Notes :

• Because the microphone for Auto Setup is designed for use with this receiver, to use the auto setup function, do not use a microphone other than the one supplied with this receiver.

• After you have completed the auto setup procedure, disconnect the microphone.

1. Place the microphone on a flat level surface at the listening position.

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• Loud test tones are output successively and then if a series of auto setup procedure has been completed, "COMPLETED" will be displayed.

• To stop the auto setup procedure while performing it, press the ENTER button.

In such a case that the auto setup procedure is stopped before "COMPLETED" is displayed, the results of each adjustment may not be memorized.

• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case, turn off the

power, check the connection and then retry the auto setup procedure.

Notes :

• Before starting auto setup, be sure not to set the HDMI AUDIO OUT to ON.

• Because the test tones are loud, ensure there no infants or small children in the room.

• For best results, ensure the room is as quiet as possible during the auto setup procedure.

If there is too much ambient noise, the results may not be satisfactory.

When the auto setup has been completed.

Continued

2. Press the CURSOR UP()/DOWN() buttons to select the AUTO SETUP, then press the ENTER button.

3. Press the CURSOR UP()/DOWN() buttons to select the START, then press the ENTER button.

4. To memorize the results, press the CURSOR LEFT()/ RIGHT() buttons to select the APPLY, then press

the ENTER button.

• Then the results are memorized and the SPEAKER/ ROOM EQ SETUP menu is displayed.

• Each time the CURSOR LEFT()/ RIGHT() buttons are pressed, the APPLY or the CANCEL is selected.

• When the CANCEL is selected, the results are not memorized.

• Check the results on each setup menu(SPEAKER CONFIGURATION menu on page 50, SPEAKER DISTANCE menu on page 51, SPEAKER CROSSOVER menu on page 52 and CH LEVEL SETUP menu for "CALIBRATE" mode on page 55).

• If the results are not satisfactory, you can retry the auto setup procedure or personalize your speaker setup and channel level setup by making the settings manually. (For details, refer to "When selecting the SPEAKER CONFIGURATION" on page 50, "When selecting the SPEAKER DISTANCE" on page 51, "When selecting the SPEAKER CROSSOVER" on page 52, "Adjusting each channel level with test tone" on page 27 and "Adjusting the current channel level" on page 28.)

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YES/NO: Select the desired depending on whether the

speakers are connected or not.

2CH/1CH: Select the desired depending on the number of

speakers connected to SURROUND BACK/ MULTI channels.

Notes :

• When speakers are not set to "NO", you should set their distances from listening position and crossover frequencies according to their frequency characteristics. (For details, refer to "When selecting the SPEAKER DISTANCE" on page 51 and "When selecting the SPEAKER CROSSOVER" on page 52.)

• When the "SURROUND" is set to "NO", "BACK/MULTI" cannot be set to "2CH" or "1CH".

• When the surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2", the "BACK/MULTI" cannot be selected. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)

3. Press the CURSOR LEFT()/ RIGHT( buttons to set the selected speaker as desired.

4. Repeat the above steps 2 and 3 until the speakers are all set as desired.

When selecting the SPEAKER CONFIGURATION

1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER CONFIGURATION, then press the

ENTER button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired speaker.

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When selecting the desired unit

• You can select either METERS or FEET.

• Once a unit is selected, the distances are automatically changed in the selected unit.

When setting the distance

• You can set the distance within the range of 0.1 ~ 9.0 meters in 0.1 meter intervals (or 0.5 ~ 30 feet in 0.5 feet intervals).

When selecting the SPEAKER DISTANCE

Note :

• You cannot select the subwoofer and the speakers set to "NO".



About the speaker distance

When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the center, surround and surround back speakers should be the same distance from the main listening position as the front speakers. By entering the distance between the listening position and each speaker, the delay times of center, surround and surround back speakers are automatically adjusted to create an ideal listening environment virtually as if the center, surround and surround back speakers were at their ideal locations respectively.

1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER DISTANCE, then press the ENTER

button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired item.

3. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.

4. Repeat the above steps  and 3 until the distances are all set as desired.

ENGLISH

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• You can adjust the crossover frequency within the range of 40 ~ 250 Hz.

• Select "FULL RANGE" when the selected speaker can fully reproduce the low frequencies below 40 Hz.

When selecting the SPEAKER CROSSOVER

Note :

• You cannot select the subwoofer and the speakers set to "NO".

• Set the crossover frequency according to the frequency characteristics of the speakers connected. (For details on the frequency characteristics, refer to the operating instructions of the speakers.)

• If the frequency range of your speaker is 100 Hz ~ 20 kHz, the crossover frequency should be set to 100 Hz

(or slightly higher).

• The low frequencies below the crossover frequency are to output from subwoofer or the speakers which are

set to "FULL RANGE" (when not using a subwoofer).

1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER CROSSOVER, then press the

ENTER button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired speaker.

3. Press the CURSOR LEFT()/RIGHT() buttons to set the crossover frequency as desired.

4. Repeat the above steps  and 3 until the crossover frequencies are all set as desired.

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When selecting the ROOM EQ SETUP

• The room EQ is a kind of room equalizer for your speakers. According to the acoustic characteristics of your room measured by the auto setup, the room EQ automatically adjusts the frequency response of your speakers.

• If you use different brands or sizes of speakers for some channels or have a room with unique acoustic characteristics, such as walls, furniture, and the dimensions or the shape of the room, we recommend using the room EQ.

Note :

• To use the room EQ, first you should finish measuring the acoustic characteristics of your room performing the auto setup.

(For details, refer to "When selecting the AUTO SETUP" on page 48.)

OFF : When turning off the room EQ. FLAT : To adjust the frequency response of all speakers to

the flattest response. This mode is suitable for multi channel music surround sound sources.

FRONT : To adjust the frequency response of the surround

and the surround back speakers to match the characteristics of the front speakers.

USER : To adjust the tonal quality of the different speakers

(except the subwoofer) manually.

Note :

• Only when the auto setup has been performed, the FLAT and the FRONT modes can be selected.

1. Press the CURSOR UP()/DOWN() buttons to select the ROOM EQ SETUP, then press the ENTER

button.

2. Press the CURSOR UP()/DOWN() buttons to select the MODE.

3. Press the CURSOR LEFT()/RIGHT() buttons to select the desired room EQ mode.

Parameter mode

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

When selecting the USER mode

• You can adjust the parametric EQ settings to optimize the frequency characteristics of this unit's parametric equalizer to match the acoustic characteristics of your room.

• The parametric equalizer uses a combination of the following three parameters to provide highly precise adjustment of the frequency characteristics.

 Frequency

• This unit has 5 equalizer bands for each channel. You can adjust the specified frequency bands each within the following frequency ranges :

20 Hz ~ 120 Hz, 130Hz ~ 500 Hz, 550 Hz ~ 1.9 kHz, 2 kHz ~ 7.5 kHz, 8 kHz ~ 20 kHz

 Gain

• This parameter is adjustable within the range of -24 ~ +24 dB in 1 dB intervals.

 Q factor

• The width of the specified frequency band is referred to as the Q factor. This parameter is adjustable within the range of 0 ~ 24 in 1 intervals.



Notes :

• When selecting the mode other than "USER" mode, you cannot select the EQ parameters for each channel.

• You cannot select the channel of the subwoofer and the speakers set to "NO".

. Press the CURSOR UP()/DOWN() buttons to select the CHANNEL, then press the CURSOR

LEFT()/RIGHT() buttons to select the desired channel.

. Press the CURSOR UP()/DOWN() buttons to select the parameter mode, then press the CURSOR

LEFT()/RIGHT() buttons to select the Fc (Frequency) mode.

. Press the CURSOR UP()/DOWN() buttons to select the desired frequency band, then press the

CURSOR LEFT()/RIGHT() buttons to select the desired frequency.

. Repeat the above step  until the desired frequency is selected for each frequency band. . Repeat the above steps  ~  to adjust the gain of each specified frequency band. . Repeat the above steps  ~  to adjust the Q factor of each specified frequency band. . Repeat the above steps  ~  until the EQ parameters of other channels are all adjusted as desired.

Continued

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SETTING THE CH LEVEL SETUP

Note :

• Depending on the speaker settings("NO", etc.), some channels cannot be selected.

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s memory("CALIBRATE"), not into preset memory("REFERENCE 1", "REFERENCE 2").

• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources or to suit your tastes.(For details, refer to "Adjusting each channel level with test tone" on page 27.)

• The LFE level can be adjusted within the range of

-10 ~ 0 dB and other channel levels within the range of -15 ~ +15 dB

Adjusting the current channel level

When adjusting the LFE LEVEL . Press the CURSOR UP()/DOWN()buttons to select the LFE LEVEL SETUP, then press the ENTER

button.

. Press the CURSOR UP()/DOWN() buttons to select the desired program source.

Memory mode

ENGLISH

1. Press the CURSOR UP()/DOWN() buttons to select the desired channel.

3. Repeat the above steps 1 and  to adjust each channel level.

2. Press the CURSOR LEFT()/RIGHT() buttons to adjust the level of the selected channel or program

source's LFE as desired.

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Memorizing the adjusted channel levels

• You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2") and recall the memorized whenever you want.

• The "REFERENCE 1" indication flickers.

• Each time the CURSOR LEFT() or RIGHT() button is pressed, "REFERENCE 1" or "REFERENCE 2" is selected.

• The adjusted channel levels have now been memorized into the selected memory.

• "CALIBRATE" may be displayed instead of "REFERENCE 1" or "REFERENCE 2".

• Then the channel levels memorized into the selected preset memory are recalled.

Recalling the memorized channel levels

1. After performing the steps 1 ~ 3 in "Adjusting the current channel level" procedure on page 55, press the

CURSOR UP()/DOWN() buttons to select a channel (, not the MODE (memory mode) and the LFE LEVEL SETUP), then press the ENTER button.

2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired preset memory, then press the

ENTER button.

2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired one of REFERENCE 1 and

REFERENCE 2.

1. Press the CURSOR UP()/DOWN() buttons to select the MODE(memory mode).

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SETTING THE SOUND PARAMETER

When selecting the NIGHT MODE

• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track (with extremely high volume) to minimize the difference in volume between the specified and non-specified parts. This makes it easy to hear all of the sound track when watching movies at night at low levels.

Notes:

• The night mode setting is valid only when the digital signals from the Dolby Digital program source are being input.

• In some Dolby Digital softwares, the night mode setting may not be valid.

• NIGHT MODE : To adjust the dynamic range compression that makes faint sound easier to hear at low volume levels.

• DOLBY PLII MUSIC : To adjust the various surround

parameters for optimum surround effect.

• DOLBY HEADPHONE : To select the desired listening mode for

Dolby Headphone mode.

• DOLBY VIRTUAL SPEAKER : To select the speaker layout to be

used actually for each Dolby Virtual Speaker mode.

0.0 (OFF)



0.1 Lower compression



0.2 : : :

0.9

 Higher compression

1.0 (MAX)

1. Press the CURSOR UP()/DOWN() buttons to select the NIGHT MODE, then press the ENTER button.

2. Press the CURSOR LEFT()/ RIGHT() buttons to adjust the dynamic range compression as desired.

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When selecting the DOLBY PLII MUSIC

• You can adjust the various surround parameters for optimum surround effect.

Note:

• The parameter settings are valid only when listening in either Dolby Pro Logic II Music mode or the Dolby Pro Logic IIx Music mode.

When selecting the PANORAMA mode

This mode extends the front stereo image to include the surround speakers for an exciting "wraparound" effect with side wall imaging. Select "OFF" or "ON"(default value:OFF).

When selecting the CENTER WIDTH control

This adjusts the center image so it may be heard only from the center speaker, only from the left/right speakers as a phantom image, or from all three front speakers to varying degrees. The control can be set in 8 steps from 0 to 7 (default value : 3).

When selecting the DIMENSION control

This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7 steps from -3 to +3(default value : 0).

1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY PLII MUSIC, then press the ENTER

button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired parameter.

3. Press the CURSOR LEFT()/ RIGHT() buttons to adjust the selected parameter as desired.

4. Repeat the above steps  and 3 to adjust other parameters.

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When selecting the DOLBY HEADPHONE

• You can select the desired listening mode for Dolby Headphone mode.

Note:

• The listening mode setting is valid only when playing analog stereo, PCM 2 channel or Dolby Digital 2 channel source.

MOVIE : This provides the surround effect suitable for movie

sources.

MUSIC 1 : This provides the surround effect suitable for

music sources.

MUSIC 2 : This provides less surround effect compared to

MUSIC 1 mode.

1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY HEADPHONE, then press the ENTER

button.

2. Press the CURSOR LEFT()/ RIGHT() buttons to select the desired listening mode.

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When selecting the Dolby Virtual Speaker Reference mode

2 SPK : When using 2 front speakers only.

3 SPK : When using 2 front and center speakers.

When selecting the Dolby Virtual Speaker Wide mode

2 SPK : When using 2 front speakers only. 3 SPK : When using 2 front and center speakers. 4 SPK : When using 2 front and 2 surround speakers. 5 SPK : When using 2 front, center and 2 surround speakers.

When selecting the DOLBY VIRTUAL SPEAKER

• You can select the speaker layout to be used actually for each Dolby Virtual Speaker mode.

Note:

• The speaker layout settings are valid only when listening in a Dolby Virtual Speaker mode.

Note:

• When the speakers are set to "NO", the corresponding speaker layouts cannot be selected.

1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY VIRTUAL SPEAKER, then press the

ENTER button.

2. Press the CURSOR UP()/DOWN() buttons to select the desired Dolby Virtual Speaker mode.

3. Press the CURSOR LEFT()/RIGHT() buttons to select the desired speaker layout.

4. Repeat the above steps  and 3 to select the desired speaker layout for another Dolby Virtual Speaker

mode.

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OFF : To turn off the ROOM 2 function.



ON : To turn it on.

Notes:

• When the ROOM 2 is set to OFF, the INPUT and the VOLUME cannot be selected.

• When you do not use the ROOM 2 function, set the ROOM 2 to OFF to save electricity.

When selecting the ROOM 2

• The ROOM 2 function allows enjoying one source in the main room while playing another in a different room at the same time.

• You can adjust the volume on the power amplifier assigned to "BACK ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room.

Note:

• You can adjust the VOLUME only when the surround back channels' power amplifier is assigned to "BACK ROOM 2" or "ROOM 2". (For details, refer to "When selecting the AMP ASSIGN" on page 40.)

• ROOM 2 : To turn on or off the ROOM 2 function.

• INPUT : To select the desired ROOM 2 source.

• VOLUME : To adjust the volume on the power amplifier assigned to "BACK ROOM 2"

or "ROOM 2".

Notes:

• The analog signals from the EXTERNAL INs and the

digital signals cannot be output to the different room, meaning no playback in a different room.

• You cannot play the ROOM 2 source in any surround

mode.

Note:

• The VOLUME cannot be adjusted when the AMP ASSIGN

is assigned to "BI-AMP" or "SURR BACK". (For details, refer to "When selecting the AMP ASSIGN" on

page 40.)

SETTING THE MULTI ROOM SETUP

When selecting the INPUT

• You can select the desired among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 4 as a ROOM 2 source.

Note:

• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal can be heard in the different room (ROOM 2).

When selecting the VOLUME

1. Press the CURSOR UP()/DOWN() buttons to select the desired item.

2. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.

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Troubleshooting Guide

If a fault occurs, run through the table below before taking your receiver for repair. If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.

PROBLEM POSSIBLE CAUSE REMEDY

No power

No sound

No sound from the surround speakers

No sound from the center speaker

No sound from the surround back speakers

No picture

No picture with an HDMI connection

Stations cannot be received

Preset stations cannot be received

Poor FM reception

Continuous or intermittent hissing noise during AM reception, especially at night.

Remote control unit does not operate.

OSD function is not available.

• The AC input cord is disconnected.

• Poor connection at AC wall outlet or the outlet is dead or off.

• The speaker wires are disconnected.

• The master volume is adjusted too low.

• The MUTE button is pressed to ON.

• Incorrect selection of input source.

• Incorrect connections between the components.

• The HDMI AUDIO OUT is set to ON.

• The settings related to audio are set incorrectly.

• Surround mode is switched off(stereo mode).

• Master volume and surround level are too low.

• Monaural source is used.

• Surround speaker setting is "NO".

• Dolby Virtual Speaker, stereo mode, etc is selected.

• Center speaker setting is "NO".

• Master volume and center level are too low.

• The input signal format or the current surround mode cannot support the 7.1(or 6.1) surround.

• The surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2".

• Master volume and surround back level are too low.

• Surround back speaker setting is "NO".

• Video connections between this unit and the monitor TV are not made correctly.

• Incorrect selection of input source on the monitor TV.

• The settings related to video are set incorrectly.

• HDMI connection between this unit and the monitor TV are not made correctly.

• The monitor TV or other equipments do not support HDCP.

• No antenna is connected.

• The desired station frequency is not tuned in.

• Antenna is in wrong position.

• An incorrect station frequency has been memorized.

• The memorized stations are cleared.

• No antenna is connected.

• The antenna is not positioned for the best reception.

• Weak signals.

• Noise is caused by motors, fluorescent lamps or lightning, etc.

• Batteries are not loaded or exhausted.

• The remote sensor is obstructed.

• Video connections between this unit and the monitor TV are not made correctly.

• Connect cord securely.

• Check the outlet using a lamp or another appliance.

• Check the speaker connections.

• Adjust the master volume.

• Press the MUTE button to cancel the muting effect.

• Select the desired input source correctly.

• Make connections correctly.

• Set it to OFF. (For details, refer to "When selecting the HDMI AUDIO OUT" on page 41.)

• Set the settings correctly. (For details, refer to "SETTING THE INPUT SETUP" on page 44.)

• Select a surround mode.

• Adjust master volume and surround level.

• Select a stereo or surround source.

• Select the desired surround speaker setting.

• Select the desired surround mode.

• Select the desired center speaker setting.

• Adjust master volume and center level.

• Under the proper situations, perform the 7.1(or

6.1) surround playback.(For details, refer to "ENJOYING SURROUND SOUND" on page 26.)

• Assign the power amplifier to the surround back channels.(For details, refer to "When selecting the AMP ASSIGN"on page 40.)

• Adjust master volume and surround back level.

• Select the desired surround back speaker setting.

• Make proper video connections.

• Select the input source correctly.

• Set the settings correctly. (For details, refer to "SETTING THE INPUT SETUP" on page 44.)

• Make proper HDMI connection.

• This unit will not output video signal unless the connected equipments supports HDCP.

• Connect an antenna.

• Tune in the desired station frequency.

• Move antenna and retry tuning.

• Memorize the correct station frequency.

• Memorize the stations again.

• Connect an antenna.

• Change the position of the antenna.

• Install an outdoor FM antenna.

• Keep the receiver away from noise sources.

• Install an outdoor AM antenna.

• Replace the batteries.

• Remove the obstacle.

• Make proper video connections.

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Specifications

AMPLIFIER SECTION

• Power output, stereo mode, 6 Ω, THD 1.0 %, 40 Hz~20 kHz | 2100 W

• Total harmonic distortion, at -3 dB, 6 Ω, 1 kHz | 0.05%

• Intermodulation distortion 60 Hz : 7 kHz= 4 : 1 SMPTE, 6 Ω, 95 W | 0.05%

• Input sensitivity/impedance Line (CD, TAPE, VIDEO) | 300 mV/47kΩ

• Signal to noise ratio, IHF "A" weighted Line (CD, TAPE, VIDEO) | 100 dB

• Frequency response Line (CD, TAPE, VIDEO), 10 Hz ~ 100 kHz | +0, -3 dB

• Output level ROOM 2 OUT, 2.2 kΩ | 300 mV

• Bass/Treble control, 100 Hz/10 kHz | ±10 dB

• Surround mode, only channel driven Front power output, 6 Ω, 1 kHz, THD 1.0 % | 110W/110W Center power output, 6 Ω, 1 kHz, THD 1.0 % | 110W Surround power output, 6 Ω, 1 kHz, THD 1.0 % | 110W/110W Surround back (/MULTI) / ROOM 2 power output, 6 Ω, 1 kHz, THD 1.0 % | 110W/110W

DIGITAL AUDIO SECTION

• Sampling frequency | 32, 44.1, 48, 96 kHz

• Digital input level Coaxial, 75 Ω | 0.5 Vp-p Optical, 660 nm | -15 ~ -21 dBm

VIDEO SECTION

• Video format | PAL

• Input sensitivity(=Output level), 75 Ω

Video (Composite(normal)) | 1 Vp-p

S-Video (luminance signal) | 1 Vp-p

(chrominance signal) | 0.286 Vp-p

Component video (R-Y signal) | 0.5 Vp-p

(B-Y signal) | 0.5 Vp-p (Y signal) | 1.0 Vp-p

• HDMI connector | 19 pin

FM TUNER SECTION

• Tuning frequency range | 87.5~108 MHz

• Usable sensitivity, THD 3%, S/N 26 dB | 12.8 dBf

• 46 dB quieting sensitivity, mono/stereo | 20.2 / 45.3 dBf

• Signal to noise ratio, 65 dBf, mono/stereo | 70 / 65 dB

• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo | 0.5 / 0.8 %

• Frequency response, 30 Hz~15 kHz | ±3 dB

• Stereo separation, 1 kHz | 32 dB

• Capture ratio | 4.0 dB

• IF rejection ratio | 60 dB

AM TUNER SECTION

• Tuning frequency range | 522~1611 kHz

• Usable sensitivity | 500 µV/m

• Signal to noise ratio | 40 dB

• Selectivity | 25 dB

GENERAL

• Power supply | 230 V ~ 50 Hz

• Power consumption | 370 W

• Switched AC outlet | TOTAL 100 W (0.43 A) max.

• Dimensions (WHD, including protruding parts) | 440141370 mm(17-3/85-1/214-1/2 inches)

• Weight (Net) | 10.1 kg (22.3 Ibs)

Note: Design and specifications are subject to change without notice for improvements.

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Setup Code Table

ADMIRAL 050 134 AKAI 093 049 123 ALBA 068 ALBIRAL 116 ALCATEL 022 AMSTRAD 000 021 ANAM 155 156 157 ARC EN CIEL 028 039 043 145 081 ARISTONA 099 049 050 019 142 149

078

ARTHUR MARTIN 053 139 117 120 122 123

125 128 ASA 050 055 057 113 134 ATLANTIC 099 111 AUDIOSONIC 054 AUSIND 053 AUTOVOX 099 144 055 019 057 069 BAIRD 083 BASICLINE 006 BAUR 011 BEKO 023 049 BLAUPUNKT 094 100 102 111 114 BRANDT 028 039 040 043 145 081 BRION VEGA 050 BRUNS 048 050 BSR 059 110 132 BUSH 033 068 124 074 CENTURY 098 101 050 079 136 CGE 016 101 124 079 132 136 CIHAN 065 CLARIVOX 048 116 CONDOR 099 111 CONTEC 087 CONTINENTAL EDITION 028 039 040 043 145 081 CROSLEY 101 050 109 CROWN 147 CTC CLATRONIC 046 DAEWOO 089 DECCA 099 060 063 115 118 DEGRAAF 036 DIXI 049 090 DRYNATRON 049 DUAL 099 141 DUAL-TEC 096 099 132 DUMONT 046 050 057 073 ELBE 016 116 ELBIT 065

ELCIT 046 097 103 050 109 127

132 ELMAN 046 132 ELTA 090 EMERSON 158 098 050 ERRES 049 142 EUROPHON 098 046 097 099 051 115

132 FERGUSON 146 040 041 150 057 061

116 149 FIDELITY 099 149 FINLUX 034 046 053 055 057 109

113 073 074 079 FISHER 015 048 050 052 109 136 FORGESTONE 149 FORMENTI 099 053 109 111 125 FORTRESS 137 FRABA 075 FRONTECH 054 FUJITSU 025 FUNAI 054 059 GBC 109 132 GEC 099 060 109 115 134 088 GELOSO 103 109 132 134 090 GOLDSTAR 092 003 017 099 049 075

076 077 090 152 GOODMANS 033 049 060 077 GORENJE 066 136 GREATZ 001 058 109 122 123 128

129 130 134 GRANADA 033 099 049 058 060 142

115 125 134 GRUNDIG 094 100 057 058 108 112

114 082 HANSEATIC 033 047 099 049 109 139

111 HANTAREX 097 HEMMERMANN 127 HIFIVOX 028 039 043 145 081 HINARI 158 033 045 143 090 HITACHI 014 033 034 036 099 145

056 109 139 110 067 117

132 134 084 091 081 088 HYPER 093 099 IMPERIAL 016 101 124 079 132 133 INGELEN 001 058 109 122 128 129

130 134

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INNO HIT 093 098 097 099 143 077

090

INTERFUNK 047 049 050 145 058 109

142 123 128 129 091 IRRADIO 093 143 053 077 090 ITT 001 140 058 105 109 122

123 128 148 129 130 134

135 083 089 JVC 033 154 KTV 099 KAISUI 006 KARCHER 006 KENDO 098 KENNEDY 144 019 109 KORTING 050 059 111 KRIESLER 099 049 050 019 142 149

078 LENOIR 099 LOEWE OPTA 008 097 047 049 050 115

072 LOGIK 118 149 LUMA 049 120 134 LUXOR 058 139 117 120 123 129

135 083 MAGNADYNE 046 097 103 050 109 115

127 132 MAGNAFON 046 097 099 051 053 115 MARANTZ 049 MATSUI 158 099 106 060 118 068

134 090 McMICHAEL 088 MEMOREX 090 METZ 094 050 114 133 MINERVA 094 100 057 058 114 MISTRAL 149 MITSUBISHI 033 035 047 049 050 062

118 119 148 080 138 MIVAR 097 099 115 077 MULTITECH 046 099 115 136 MURPHY 134 MAONIS 096 144 019 110 134 NATIONAL 042 104 109 NEC 033 085 NECKERMANN 099 050 139 120 136 NEI 049 NIKKAI 060 NOBLEX 015 NOBLIKO 098 046 099 053 057 NOGAMATIC 028 039 043 145 081 NOKIA 001 140 058 105 109 122

123 128 148 129 130 134

135 083 089

NORDMENDE 028 032 039 043 145 131

091 081 OCEANIC 109 064 123 ONCEAS 099 OPTONICA 137 ORION 000 059 118 068 127 090 OSAKI 060 OSIO 077 OSUME 087 OTTO VERSAND 033 047 049 109 139 P.T ACTTRON 065 PAEL 099 053 PANASONIC 030 042 095 104 107 109

121 126 PATHE CINEMA 099 111 116 132 PERDIO 060 PHILCO 016 030 101 050 109 124

079 132 136 PHILIPS 009 010 013 018 024 099

049 050 019 142 148 149

078 088 PHOENIX 099 053 109 111 125 PHONOLA 099 049 050 019 142 149

078 PIONEER 020 049 145 091 PRANDONIPRINCE 098 097 053 115 134 PREMIER 124 PRINCE 098 097 053 134 PROTECH 049 054 PYE 099 049 050 019 142 148

149 078 QUASAR 046 097 051 053 077 QUELLE 047 099 100 049 053 055

057 058 111 112 113 114

118 123 073 074 128 RADIOLA 099 049 050 019 142 149

078 RADIOMARELLI 046 097 103 050 109 062

127 132 RANK 074 RBM 074 REDIFFUSION 062 123 134 REX 096 144 019 141 110 069

134 ROBOTRON 048 050 RTF 048 050 SABA 028 031 032 037 039 040

043 097 050 145 115 120

086 091 081 SAISHO 158 099 118 119 068 090 SALORA 053 139 117 120 122 123

125 128 135 083

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UNIVERSUM 092 034 054 077 UNIVOX 116 VEGAVOX 079 VOXSON 050 134 WATSON 111 WATT RADIO 046 099 051 109 116 127 WEGA 033 WHITE WESTINGHOUSE 099 111 YOKO 099 ZANUSSI 096 144 019 110 069 134 ZOPPAS 096 144 019 110 134

AKAI 042 022 052 032 033 ALBA 008 020 AMSTRAD 011 ANITSCH 009 ARC EN CIEL 042 056 052 ARISTONA 045 031 ASA 018 AWIA 011 042 BAIRD 042 033 BAUER. BOSCH 014 043 BLAUPUNKT 014 043 055 031 054 040 BRANDT ELECTRONIQUE 042 056 052 BRIONVEGA 041 BUSH 008 020 C.EDISON 041 CANON 014 CAPEHART 020 CGE 011 042 052 CONTINENTAL EDISON 042 056 052 CRAIG 000 013 CURTIS MATHES 019 DAEWOO 001 020 021 DAYTRON 020 DECCA 011 042 DEGRAAF 003 006 011 045 018 DUAL 042 052 DUMONT 003 011 018 DYNATECH 011 EMERSON 002 010 011 019 025 FERGUSON 042 059 030 052 034 036 FIDELITY 011 FINLANDIA 003 018 FINLUX 003 006 011 018 FISHER 000 003 005

VCR

SAMBERS 046 097 051 053 115 077 SAMPO 121 SAMSUNG 015 026 099 054 077 136

090 151 153

SANYO 001 002 005 033 044 048

060 113 118 071 054 136 SBR 049 142 148 149 088 SCHAUB LORENZ 001 058 109 122 123 128

129 130 134 SCHNEIDER 096 099 049 050 052 019

141 109 142 125 149 078

132 SEG 046 SEI 158 059 SELECO 016 096 144 019 141 110

069 134 SHARP 033 087 137 Sherwood 000 SIAREM 046 097 050 109 115 SICATEL 116 SIEMENS 005 094 036 100 111 114

087 SIERA 099 049 050 019 142 149

078 SILVER 054 SINGER 016 046 050 109 SINUDYNE 158 046 050 059 109 127 SONOKO 049 090 SONY 146 007 027 033 038 118 STERN 096 144 019 110 069 134 TANDBERG 133 TANDY 099 060 137 TASHIKO 002 033 TATUNG 099 060 063 065 115 118 TEC 096 099 132 TELEAVIA 028 039 040 043 145 091

081 TELEFUNKEN 028 041 145 150 086 091 TELETECH 090 TELEVIDEON 099 053 109 111 125 TENSAI 049 THOMSON 012 028 032 039 040 043

145 091 081 THORNFERGUSON 014 040 041 054 150 057

061 116 149 086 TOCOM 029 TOSHIBA 004 016 033 070 074 TRANS CONTINENTS 098 097 053 134 TRIUMPH 158 UHER 052 111 125 ULTRA VOX 098 046 099 050 109 120

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FUNAI 011 GE 019 GENERAL 014 GOLDSTAR 004 062 GOODMANS 008 011 046 GRAETZ 041 042 056 050 052 038 GRANADA 003 005 018 GRUNDIG 014 043 018 055 031 053

054 HANSEATIC 043 HARMANKARDON 004 HIFIVOX 042 056 052 HINARI 002 008 024 027 HITACHI 006 007 011 042 057 IMPERIAL 011 INGELEN 042 056 052 038 INGERSOL 027 ITT 005 041 042 056 050 052

033 038 JENSEN 042 JVC 042 056 060 030 052 063 KENWOOD 005 042 060 KRIESLER 045 031 KUBA 043 LLOYD 011 LOEWE OPTA 014 018 029 031 LOGIK 008 027 LUXOR 033 038 MAGNADYNE 041 MAGNASONIC 038 MAGNAVOX 019 MARANTZ 004 014 046 018 031 MATUI 010 025 027 MEMOREX 000 003 005 011 045 METZ 014 043 031 054 037 MGA 017 MINERVA 055 054 MINOLTA 006 007 MITSUBISHI 060 017 049 MTC 011 013 MULTITECH 008 011 MURPHY 011 NAONIS 042 056 052 NATIONAL 040 NEC 004 042 060 052 NECKERMANN 002 041 014 042 052 NOGAMATIC 042 056 052 NOKIA 003 005 041 042 056 050

052 033 038 NORDMENDE 039 042 056 052 053 035 OPTONICA 045 046 ORION 002 010 025 027

OSAKI 011 OTTO VERAND 043 P. CINEMA 014 PALLADIUM 041 014 PANASONIC 023 051 040 PATHE MARCONI 042 056 052 PENTAX 006 007 PERDIO 011 PHILIPS 012 014 045 046 018 029

031 PHONOLA 014 045 018 029 031 PIONEER 060 PORTLAND 020 PROLINE 011 PYE 014 045 018 029 031 QUARTZ 005 QUELLE 002 044 054 RADIOLA 045 031 RADIOMARELLI 041 RCA 019 REALISTIC 000 003 005 011 013 045

046 REX 042 056 052 SABA 039 042 056 052 035 SAISHO 002 010 025 027 SALORA 005 017 SAMSUNG 013 019 032 061 SANSUI 042 060 SANYO 000 003 005 025 038 SBR 018 029 SCHAUB LORENZ 041 042 056 050 052 038 SCHNEIDER 008 011 045 031 SEI-SINUDYNE 027 SELECO 042 056 052 SENTRA 020 SHARP 045 046 105 048 SHINTOM 008 SIEMENS 014 043 055 031 054 038 SIERA 045 031 SINUDYNE 027 SONY 044 015 016 026 028 STERN 042 056 052 STS 006 SUNKAI 025 SYLVANIA 011 017 SYMPHONIC 011 017 TASHIKO 011 TATUNG 011 042 TEAC 011 042 TEKNIKA 011 TELEAVIA 042 056 052 TELEFUNKEN 042 056 052 TENOSAL 008

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THOMSON 042 056 052 THORNFERGUSON 039 042 059 030 052 034

036 TOSHIBA 001 042 056 017 058 052 TOTELEVISION 013 UHER 042 ULTRA VOX 041 UNITECH 013 UNIVERSUM 041 014 043 URANYA 041 VECTOR 004 VICTOR 042 060 VIDITAL 041 WESTING HOUSE 041 WARDS 019 YAMAHA 004 042 ZANUSSI 042 056 052 ZENDER 052 ZOPPAS 042 056

DENON 017 GE 003 004 JVC 007 LG 011 010 MAGNAVOX 019 MITSUBISHI 001 ONKYO 009 PANASONIC 015 PHILIPS 019 PIONEER 002 023 PROSCAN 003 004 RCA 003 004 SAMSUNG 016 008 SHERWOOD 000 010 011 012 013 014

022 020 021 SONY 005 THOMSON 003 004 TOSHIBA 006 VIETA 014 YAMAHA 019 ZENITH 011 010

DVD

ABC 002 003 009 030

007 006 008 Allegro 018 021 Archer 018 026 Bell&Howell 009 Century 018 Citizen 018 021 Comtronics 014 Contec 011 Easten 001 Emerson 026 Everquest 010 014 Focus 022 Garrard 018 Gemini 010 General Instrument

033 276 006 034 GoldStar 017 040 Goodmind 026 Hamlin 012 020 004 013 Hitachi 006 Hytex 007 Jasco 010 018 021 Jerrold 002 007 033 032 009 010

006 034 Movie Time 015 NSC 015 Oak 011 Optimus 031 Panasonic 016 031 Philips 018 Pioneer 017 025 Popular Mechanics 022 RCA 031 Radio Shack 010 021 026 028 Recoton 022 Regal 012 020 Regency 001 Rembrandt 006 Sherwood 000 SL Marx 014 Smasung 017 014 Scientific Atlanta 003 023 030 027 Signal 010 014 Signature 006 Sprucer 031 Starcom 002 010

CBL

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MAGAI 022 MARANTZ 012 MASPRO 016 METZ 036 MINERVA 036 MULTISTAR 022 MURATO 004 NEC 040 NEIRU 021 NOKIA 026 037 NORSAT 015 PACE 001 042 016 017 018 044 PANASONIC 032 PHILIPS 003 011 012 029 PHONOLA 016 PROSAT 030 PYE 016 QUADRAL 030 QUELLE 036 RADIOLA 016 REDIFFUSION 015 SABA 035 SALORA 026 SAMSUNG 003 022 SAT PARTNER 004 SATPORTNER 021 SCHAUB LORENZ 026 037 SCHNEIDER 005 016 SHERWOOD 000 SIEMENS 033 036 SIERA 016 SILVA 004 021 SKY 039 STARCOM 038 STARSAT 022 TECHNISAT 003 TELEFUNKEN 025 TELESYSTEM 005 THORNFERGUSON 010 014 041 016 017 018

043 TRIAD 004 UNIDEN 022 UNITED CABLE 038 VTECHNOLOGY 004 VORTEC 003 024 025 ZENDER 022

Stargate 010 014 026 Starquest 010 TV86 015 Teleview 014 Tocom 007 008 Tusa 010 Unika 018 United Artists 007 Universal 153 019 Viewstar 015 Zenith 024 Zentek 022

ALBA 030 AMSTRAD 008 019 027 ARCON 021 ARISTONA 016 ASTRA 028 BLAUPUNKT 033 BUSH 016 CH.MASTER 030 CITY COM 005 DDC 030 DYNASAT 005 ECHOSTAR 002 009 032 020 EMME ESSE 005 FAIT 005 FERGUSON 014 041 016 017 018 FINLUX 006 007 013 FRACARRO 005 FTE 022 GOLDSTAR 004 021 GRAETZ 026 037 GROTHUSEN 004 GRUNDIG 033 016 018 036 HINARI 030 HIRSCHMANN 003 006 HITACHI 013 INGELEN 026 037 ITT 034 ITT-NOKIA 032 018 026 037 JERROLD 038 014 KATHREIN 005 022 023 KOSMOS 004 KRIESLER 016 LENCO 004 021 LUXOR 026 037

SAT

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ADCOM 021 AIWA 045 039 022 AKAI 046 AUDIO 016 ARC EN CIEL 036 014 027 030 031 018

230 DENON 054 FISHER 006 H/K 017 012 047 016 JVC 028 034 001 KENWOOD 003 020 010 029 006 MARANTZ 015 014 MONDIAL 033 NAD 048 002 042 NAKAMICHI 049 NIKKO 016 ONKYI 013 037 011 021 038 PANASONIC 051 052 PHILPS 014 PIONEER 005 008 041 RCA 007 009 REALISTIC 045 SANSUI 040 SHARP 019 053 SHERWOOD 000 035 023 019 056 057

058 SONY 050 024 025 026 TEAC 055 032 TECHNICS 051 004 052 VICTOR 001 YAMAHA 044 043 016

SHERWOOD 000(for tape deck)

015 016(for MD recorder)

AUX-TAPE/MD

DAEWOO 002 DENON 012 GOLDSTAR 004 KENWOOD 003 MAGNAVOX 010 OPTIMUS 007 PANASONIC 013 PHILIPS 010 POINNEER 000 009 RCA 006 REALISTIC 007 SAMSUNG 001 005 SHARP 003 011 TECHINCS 013 TOSHIBA 003 YAMAHA 008

AUX-LD

ENGLISH

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Sherwood R-772 User Manual 2

Specifications and Main Features

Frequently Asked Questions

User Manual