Sherwood R-671 User Manual

1

Introduction

READ THIS BEFORE OPERATING YOUR UNIT

: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT
REMOVE COVER (OR BACK). NO
USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.

: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

CAUTION

WARNING

This symbol is intended to alert the user to the presence of
uninsulated "dangerous voltage" within the product's
enclosure that may be of sufficient magnitude to constitute a
risk of electric shock to persons.

This symbol is intended to alert the user to the presence of

important operating and maintenance (servicing)

instructions in the literature accompanying the appliance.

Units shipped to the U.S.A and Canada are designed for operation on 120 V AC only.

Safety precaution with use of a polarized AC plug.
However, some products may be supplied with a nonpolarized plug.

: To prevent electric shock, match wide blade of plug to wide slot, fully

insert.

: Pour éviter chocs électriques, introduire la lame la plus large de la

fiche dans la borne correspondante de la prise et pousser jusqu’ au
fond.

FOR YOUR SAFETY

U.S.A

CANADA

120 V

•

Avoid high temperatures. Allow for sufficient heat dispersion when installed on a rack.

•

Keep the set free from moisture, water, and dust.

•

Do not let foreign objects in the set.

•

Handle the power cord carefully. Hold the plug when unplugging the cord.

•

Unplug the power cord when not using the set for long periods of time.

•

Do not obstruct the ventilation holes.

•

Do not let insecticides, benzene, and thinner come in contact with the set.

•

Never disassemble or modify the set in any way.

Note to CATV System Installer :

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides
guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the
grounding system of the building, as close to the point of cable entry as practical.

FCC INFORMATION

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to
radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to
try to correct the interference by one or more of the following measures:

•Reorient or relocate the receiving antenna.

•Increase the separation between the equipment and receiver.

•Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

•Consult the dealer or an experienced radio/TV technician for help.

Caution : Any changes or modifications in construction of this device which are not expressly approved by the party

responsible for compliance could void the user’s authority to operate the equipment.

CAUTION

ATTENTION

2

1. Read Instructions - All the safety and operating instructions should

be read before the product is operated.

2. Retain instructions - The safety and operating instructions should

be retained for future reference.

3. Heed Warnings - All warnings on the product and in the operating

instructions should be adhered to.

4. Follow Instructions - All operating and use instructions should be

followed.

5. Cleaning - Unplug this product from the wall outlet before cleaning.

Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for
cleaning.

6. Attachments - Do not use attachments not recommended by the

product manufacturer as they may cause hazards.

7. Water and Moisture - Do not use this product near water - for

example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in
a wet basement, or near a swimming pool; and the like.

8. Accessories - Do not place this product on an unstable cart, stand,

tripod, bracket, or table. The product may fall, causing serious injury
to a child or adult, and serious damage to the product. Use only with
a cart, stand, tripod, bracket, or table recommended by the
manufacturer, or sold with the product. Any mounting of the product
should follow the manufacturer’s instructions, and should use a
mounting accessory recommended by the manufacturer.

9. A product and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause the
product and cart combination to overturn.

10. Ventilation - Slots and openings in the

cabinet are provided for ventilation and to
ensure reliable operation of the product
and to protect it from overheating, and
these openings must not be blocked or
covered. The openings should never be blocked by placing the
product on a bed, sofa, rug, or other similar surface. This product
should not be placed in a built-in installation such as a bookcase or
rack unless proper ventilation is provided or the manufacturer’s
instructions have been adhered to.

11. Power Sources - This product should be operated only from the

type of power source indicated on the marking label. If you are not
sure of the type of power supply to your home, consult your product
dealer or local power company. For products intended to operate
from battery power, or other sources, refer to the operating
instructions.

12. Grounding or Polarization - This product may be equipped with a

polarized alternating-current line plug (a plug having one blade
wider than the other). This plug will fit into the power outlet only one
way. This is a safety feature. If you are unable to insert the plug
fully into the outlet, try reversing the plug. If the plug should still fail
to fit, contact your electrician to replace your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.
Alternate Warnings - This product is equipped with a three-wire
grounding-type plug, a plug having a third(grounding) pin. This plug
will only fit into a grounding-type power outlet. this is a safety
feature. If you are unable to insert the plug into the outlet, contact
your electrician to replace your obsolete outlet. Do not defeat the
safety purpose of the grounding-type plug.

13. Power-Cord Protection - Power-supply cords should be routed so

that they are not likely to be walked on or pinched by items placed
upon or against them, paying particular attention to cords at plugs,
convenience receptacles, and the point where they exit from the
product.

14. Outdoor Antenna Grounding - If an outside antenna or cable

system is connected to the product, be sure the antenna or cable
system is grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides information with
regard to proper grounding of the mast and supporting structure,
grounding of the lead-in wire to an antenna discharge unit, size of

grounding conductors, location of antenna-discharge unit,
connection to grounding electrodes, and requirements for the
grounding electrode. See Figure 1.

15. Lightning - For added protection for this product during a lightning

storm, or when it is left unattended and unused for long periods of
time, unplug it from the wall outlet and disconnect the antenna or
cable system. This will prevent damage to the product due to
lightning and power-line surges.

16. Power Lines - An outside antenna system should not be located in

the vicinity of overhead power lines or other electric light or power
circuits, or where it can fall into such power lines or circuits. When
installing an outside antenna system, extreme care should be taken
to keep from touching such power lines or circuits as contact with
them might be fatal.

17. Overloading - Do not overload wall outlets, extension cords, or

integral convenience receptacles as this can result in a risk of fire
or electric shock.

18. Object and Liquid Entry - Never push objects of any kind into this

product through openings as they may touch dangerous voltage
points or short-out parts that could result in a fire or electric shock.
Never spill liquid of any kind on the product.

19. Servicing - Do not attempt to service this product yourself as

opening or removing covers may expose you to dangerous voltage
or other hazards. Refer all servicing to qualified service personnel.

20. Damage Requiring Service - Unplug this product form the wall

outlet and refer servicing to qualified service personnel under the
following conditions:
a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the product,
c) If the product has been exposed to rain or water,
d) If the product does not operate normally by following the

operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjustment
of other controls may result in damage and will often require
extensive work by a qualified technician to restore the product to
its normal operation.

e) If the product has been dropped or damaged in any way, and

f) When the product exhibits a distinct change in performance - this

indicates a need for service.

21. Replacement Parts - When replacement parts are required, be

sure the service technician has used replacement parts specified
by the manufacturer or have the same characteristics as the
original part. Unauthorized substitutions may result in fire, electric
shock, or other hazards.

22. Safety Check - Upon completion of any service or repairs to this

product, ask the service technician to perform safety checks to
determine that the product is in proper operating condition.

23. Wall or Ceiling Mounting - The product should be mounted to a

wall or ceiling only as recommended by the manufacturer.

24. Heat - The product should be situated away from heat sources

such as radiators, heat registers, stoves, or other products
(including amplifiers) that produce heat.

SAFETY INSTRUCTION

3

CONTENTS

Introduction

• READ THIS BEFORE OPERATING YOUR UNIT .............................................................................................................. 1

• SAFETY INSTRUCTION .................................................................................................................................................... 2

System Connections ..................................................................................................................................................... 4

Front Panel Controls .....................................................................................................................................................10

Universal Remote Controls .........................................................................................................................................12

• OPERATING COMPONENTS WITH REMOTE CONTROL ............................................................................................. 14

• REMOTE CONTROL OPERATION RANGE .................................................................................................................... 14

• LOADING BATTERIES ..................................................................................................................................................... 14

• USING FUNCTIONS OF REMOTE CONTROL ............................................................................................................... 15

Speaker Setup ................................................................................................................................................................ 18

• SETTING THE SPEAKER SETUP MANUALLY ............................................................................................................... 19

• SETTING THE SPEAKER SETUP AUTOMATICALLY (AUTO SPEAKER SETUP ......................................................... 21

Operations

• LISTENING TO A PROGRAM SOURCE ......................................................................................................................... 24

• SURROUND SOUND ...................................................................................................................................................... 27

• ENJOYING SURROUND SOUND .................................................................................................................................... 29

• LISTENING TO RADIO BROADCASTS ........................................................................................................................... 34

• RECORDING .................................................................................................................................................................... 36

• DIGITAL AUDIO RECORDING WITH MD RECORDER .................................................................................................. 37

• OTHER FUNCTIONS ...................................................................................................................................................... 38

Using the OSD

• CURRENT STATUS DISPLAY ......................................................................................................................................... 39

OSD Menu Settings ....................................................................................................................................................... 39

• SETTING THE SPEAKER SETUP .................................................................................................................................. 41

• SELECTING THE FUNCTION ......................................................................................................................................... 44

• SELECTING THE SURROUND MODE ........................................................................................................................... 46

• SETTING THE CH LEVEL SETUP ................................................................................................................................. 47

Troubleshooting Guide .............................................................................................................................................. 49

Specifications ................................................................................................................................................................ 50

Setup Code Table ......................................................................................................................................................... 51

4

System Connections

• Do not plug the AC input cord into the wall AC outlet until all connections are completed.

• Be sure to observe the color coding when connecting audio, video and speaker cords.

• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.

EXTERNAL IN

1. CONNECTING ANTENNAs

• Change the position of the FM indoor antenna until you
get the best reception of your favorite FM stations.

• Place the AM loop antenna as far as possible
from the receiver, TV set, speaker cords and
the AC input cord and set it to a direction for
the best reception.

• If the reception is poor with the AM loop anten­na, an AM outdoor antenna can be used in
place of the AM loop antenna.

• A 75Ω outdoor FM antenna may be used to fur-

ther improve the reception. Disconnect the indoor
antenna before replacing it with the outdoor one.

5

2. CONNECTING VIDEO COMPONENTS

• There are three types of video jacks(COMPONENT, S-VIDEO, (composite) VIDEO) for connecting video components.
Connect them to the corresponding video jacks according to their capability.

• For your reference, the excellence in picture quality is as follows : “COMPONENT” > “S-VIDEO” > “(composite) VIDEO”.

• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “PB/CB” to “C

B”(or “B-Y”, “PB

”) and “PR/CR” to “CR”(or “R-

Y”, “P

R

” ).

• When connecting to video recording component such as video deck, DVD recorder, etc., you must use the same type of video
jacks that you did connect to video playback components such as DVD player, LD player, etc.

• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or down­converts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. Because of this, one of
three types of MONITOR OUT jacks can be connected to the monitor TV regardless of how the video components are
connected to VIDEO IN jacks of this unit.

• Connect the video components, referring to the following table.

󱇲

Relationship between the video input signal and video output signal

󱇲 Notes :

• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a
movie via MONITOR COMPONENT OUTs, if the OSD menu operation is performed with the OSD, CURSOR control(▲, ▼,
◀, ▶), ENTER buttons, etc., the picture is automatically turned off and only the OSD menu is displayed.

• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is
performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.

• When Sherwood DVD player such as V-768, etc. is connected to the DIGI-LINK jack for system control, you should connect
the DVD player to the “ VIDEO 2” jacks of this unit.
Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input source on
this unit. Then playback, etc. starts.

Video input signals MONITOR OUTs

COMPONENT S-VIDEO (COMPOSITE) VIDEO

COMPONENT S-VIDEO (COMPOSITE) VIDEO

×× ◯Composite video Composite video Composite video
×◯ × S-Video S-Video S-Video
×◯ ◯ S-Video S-Video Composite video
◯× × Component ××
◯× ◯ Component Composite video Composite video
◯◯ × Component S-Video S-Video
◯◯ ◯ Component S-Video Composite video

6

3. CONNECTING AUDIO COMPONENTS

• The AUX jacks may be connected to an additional audio component such as a CD player, a tape deck, etc.

4. CONNECTING EXTERNAL INs

• Use these jacks to connect the corresponding outputs of a DVD
player or external decoder, etc. that has 6 or 7 channel analog
audio outputs

• In case of 6 channel outputs, do not connect this SURROUND
BACK input to your audio component.(For details, refer to the
operating instructions of the component to be connected.)

5. CONNECTING DIGITAL INs and OUT

• The OPTICAL and the COAXIAL DIGITAL OUTs of the
components that are connected to CD and VIDEO 1~ VIDEO 3 of
this unit can be connected to these DIGITAL INs.

• A digital input should be connected to the components such as a
CD player, LD player, DVD player, etc. capable of outputting DTS
Digital Surround, Dolby Digital or PCM format digital signals, etc.

• If the component with OPTICAL IN jack is connected to the
OPTICAL OUT jack of this unit, you can record the high quality
sound of CDs, etc. without degradation.

• For details, refer to the operating instructions of the component
connected.

• When making the COAXIAL DIGITAL connection, be sure to use a
75 Ω COAXIAL cord, not a conventional AUDIO cord.

• All of the commercially available optical fiber cords cannot be used
for the equipment. If there is an optical fiber cord which cannot be
connected to your equipment, consult your dealer or nearest
service organization.

󱇲 Note :

• Be sure to make either a OPTICAL or a COAXIAL DIGITAL
connection on each component. (You don’t need to do both.)

7

6. CONNECTING SYSTEM CONTROL

• Connect this jack to the DIGI LINK jack of the external
Sherwood component that uses the DIGI LINK II or III
remote control system.

7. SUBWOOFER PREOUT connection

• To emphasize the deep bass sounds, connect a powered
subwoofer.

8. CONNECTING SPEAKERS

• Be sure to connect speakers firmly and correctly according
to the channel(left and right) and the polarity(+ and -). If the
connections are faulty, no sound will be heard from the
speakers, and if the polarity of the speaker connection is
incorrect, the sound will be unnatural and lack bass.

• For installing the speakers, refer to “Speaker placement” on
page 8.

• After installing the speakers, first adjust the speaker settings
according to your environment and speaker layout.(For
details, refer to “Speaker Setup” on page 18.)

Caution :

• Be sure to use the speakers with the impedance of 6 ohms
or above.

• Do not let the bare speaker wires touch each other or any
metal part of this unit. This could damage this unit and/or
the speakers.

8

Ideal speaker placement varies depending on the size of your
room and the wall coverings, etc. The typical example of
speaker placement and recommendations are as follows :

■

Front left and right speakers and center speaker

• Place the front speakers with their front surfaces as flush with TV or
monitor screen as possible.

• Place the center speaker between the front left and right speakers

and no further from the listening position than the front speakers.

• Place each speaker so that sound is aimed at the location of the
listener’s ears when at the main listening position.

■

Surround left and right speakers

• Place the surround speakers approximately 1 meter (40 inches)
above the ear level of a seated listener on the direct left and right of
them or slightly behind.

■

Surround back speaker

• Place the surround back speaker at the rear center facing the front at
a slightly higher position (0 to 10 inches) than the surround speakers.

• We recommend installing the surround back speaker at a slightly
downward facing angle. This effectively prevents the surround back
channel signals from reflecting off the TV or screen at the front center,
resulting in interference and making the sense of movement from the
front to the back less sharp.

■

Subwoofer

• The subwoofer reproduces powerful deep bass sounds.
Place a powered subwoofer anywhere in the front as desired.

■

Notes :

• When using a conventional TV , to avoid interference with the TV
picture, use only magnetically shielded front left and right and center
speakers.

• To obtain the best surround effects, the speakers except the
subwoofer should be full range speakers.

Speaker placement

9

9. CONNECTING MICROPHONE

• To use Auto Speaker Setup function, connect the microphone
to the SETUP MIC jack.(For details, refer to “SETTING THE
SPEAKER SETUP AUTOMATICALLY(AUTO SPEAKER
SETUP)” on page 21.)

Note:

• Because the microphone for Auto Speaker Setup is designed
for use with this receiver, do not use a microphone other than
the one supplied with this receiver.

10. SWITCHED AC OUTLETs

• Theses outlets are switched on(power-on mode) and
off(standby mode) according to power control as
follows(Maximum total capacity is 100 W, 1 A).

Standby mode - Switched AC outlet off
Power-on mode - Switched AC outlet on

11. AC INPUT CORD

• Plug this cord into a wall AC outlet.

■

FLUORESCENT DISPLAY

10

Front Panel Controls

1. POWER switch

2. STANDBY button/indicator

3. HEADPHONE jack

4. SPEAKER button/indicator

5. CHANNEL SELECTOR button

6. ADJUST UP/DOWN(▲/▼) buttons

7. TONE MODE button

8. SPEAKER SETUP button

9. DYNAMIC RANGE button

10. CINEMA EQ button

11. MEMORY/ENTER button

12. TUNING/PRESET UP/DOWN(▲/▼) buttons

13. TUNING/PRESET MODE button

14. FM MODE button

15. BAND button

16. AUTO button

17. DSP MODE UP/DOWN(▶/◀) buttons

18. STEREO button

19. VIDEO 3 INPUT jacks

- For details, see next page.

20. PARAMETER button

21. DIGITAL INPUTS button

22. MASTER VOLUME CONTROL knob

23. FLUORESCENT DISPLAY

- For details, see below.

24. REMOTE SENSOR

25. AUDIO INPUT SELECTOR button

26. VIDEO INPUT SELECTOR button

27. EXTERNAL IN button

1. Input, frequency, volume level, operating information, etc.

2. Surround mode indicators

3. AUTO indicator

4. DIGITAL INPUT indicator

5. DIRECT indicator

6. Preset number, sleep time, speaker distance display

7. MEMORY indicator

8. PRESET indicator

9. SLEEP indicator

10. TUNED indicator

11. STEREO indicator

11

■

VIDEO 3 INPUT JACKS

• The VIDEO 3 jacks may be also connected to an
additional video component such as a camcorder,
LD player, video game player, etc.

12

Universal Remote Controls

This universal remote control can operate not only this receiver but also most popular brands of audio and video
components such as CD players, cassette decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.

• To operate 7 components other than this receiver, you should enter the setup code for each component.
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 15.)

󱇲 Digi link system remote controls

This remote control can also operate Sherwood compatible components bearing the DIGI LINK (II or III) logo.

• For digi link system remote control operation, first make the DIGI LINK connections between Sherwood

components.

• The numbered buttons on the remote control have different functions in different device modes. For details,

refer to “FUNCTION TABLE of the NUMBERED BUTTONS” on the following page 13.

13

󱇲 FUNCTION TABLE of the NUMBERED BUTTONS

Notes:

• Some functions for each component may not be available or may work differently.

• Depending on other kinds of components that are available for each DEVICE button, some functions may not
be available or may work differently, too.

• For details about functions, refer to the operating instructions of each component.

14

LOADING BATTERIES

REMOTE CONTROL OPERATION RANGE

1 2

• Use the remote control unit within a range of
about 7 meters (23 feet) and angles of up to
30 degrees aiming at the remote sensor.

OPERATING COMPONENTS WITH REMOTE CONTROL

• Remove the batteries when they are not used for a
long time.

• Do not use the rechargeable batteries(Ni-Cd type).

• Be sure to use alkaline batteries.

Remove the cover.

Load two batteries(“AAA” size)

matching the polarity.

1

Enter the setup code for each
component other than this receiver you
wish to control. For details, refer to
“Entering a setup code” on page 15.

2

Turn on the component you want to
operate.

3

Press the DEVICE button on the
remote control corresponding to the
component you wish to operate.

4

Aim the remote control at the REMOTE
SENSOR of the component you wish to
control and press the button
corresponding to the operation you
want.

• When operating a Sherwood CD player or tape
deck using digi link system remote control, aim
the remote control at the REMOTE SENSOR of
this receiver.
However, to operate a Sherwood DVD player, aim
at the REMOTE SENSOR of the corresponding
component.

• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within several
minutes after removing old batteries.

• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared. Should
this happen, you should memorize them again.

15

USING FUNCTIONS OF REMOTE CONTROL

Entering a setup code

• This remote control can control up to 8 different components.

• Before operating audio and video components other than this receiver with using this remote control, the setup code for each
component should be entered.

• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for Sherwood CD
player, “DVD” for Sherwood DVD player and “AUX” for Sherwood tape deck respectively as its factory setup code. So, you
don’t need to enter its code for each Sherwood component except in such a case that its code does not work.

Find the setup codes according to the
type and the brand name of your
component, referring to “Setup Code
Table” on page 51.

2

Turn on the component you want to
control.

1

Enter a 3 digit code, aiming the remote
control at the remote sensor on the
component.
Example) When entering “001”.

4

• The LED will flicker once.

Note:

• The “AUD” button is unavailable for the audio
components other than this receiver.

• If entering is performed successfully, the LED will
flicker twice.

• To be sure that the setup code is correct, press the
POWER(or STANDBY) button.
If your component is tuned off, the setup code is
correct.

• When your component is not turned off, repeat the
above steps ②to ④, trying each code for your
component until you find one that works.

Notes:

• If the LED did not flicker twice, then repeat the
above steps ③to ④and try entering the same
code again.

• Manufacturers may use different setup codes for
the same product category. For that reason, it is
important that you check to see if the code you
have entered operates as many controls as
possible. If only a few functions operate, check
to see if another code will work with more
buttons.

• When operating a Sherwood CD player or tape
deck using the system remote control, aim the
remote control at the REMOTE SENSOR on this
receiver.
However, in case of Sherwood DVD player and
MD recorder, aim it at the REMOTE SENSOR on
the corresponding component.

Press and hold down both the “ENTER”
button and the desired one of the
DEVICE buttons for more than 1
second.

3

Repeat the above steps ①to ④for
each of your components.

5

• If removing all punch-through functions is
performed successfully, the LED will flicker twice.

16

Using a punch-through function

This remote control may be programmed to
operate either the AUDIO volume punch-through
or the TV volume and/or TV channel punch­through in conjunction with any of the eight
components controlled by this remote control.
For example, since this receiver will likely be used
as the sound system while watching TV, you may
want to adjust this receiver’s volume although this
remote control is set to control the TV.

• When programming this remote control for the
AUDIO volume punch-through, press and hold

down both “AUD” button and “VOLUME ▲”

button for more than 1 second.

• If programming is performed successfully, the
LED will flicker twice.

•

When you want either TV volume or TV
channel punch-through, press and hold down
both “TV” button and either “VOLUME

▲

” or

“CH/LEVEL

▲

” button for more than 1 second.

Note :

• If you use one of AUDIO and TV volume
punch-through functions, you cannot use the
other.

󱇲

Removing a punch-through function

• When removing the AUDIO volume punch­through, press and hold down both “AUD”

button and “VOLUME ▼” button for more than

1 second.

• If removing is performed successfully, the LED
will flicker twice.

•

When you want to remove either TV volume or
TV channel punch-through, press and hold
down both “TV” button and either “VOLUME

▼

” or “CH/LEVEL ▼” button for more than 1

second.

󱇲

Removing all punch-through functions

Press and hold down both “AUD” button and
“AUTO” button for more than 1 second.

17

Programming a macro function

󱇲 Note:

You should press the corresponding DEVICE
buttons before pressing each operation button.
Example) When playing a DVD on the DVD player

connected to VIDEO 2 jacks of this
receiver.

1. Press “AUDIO” button to control this receiver.

2. Press “POWER” button to turn this receiver on.

3. Press “AUDIO” button to control this receiver.

4. Press “VIDEO 2(7)” button to select the desired
input source.

5. Press “DVD” button to control the DVD player.

6. Press “POWER” button to turn the DVD player
on.

7. Press “DVD” button to control the DVD player.

8. Press “▶” button to start playback.

Press the operation buttons you want to
program in order.

2

Press and hold down both “ENTER” button
and one of three NUMERIC buttons
(“1”~“3”) corresponding to “M1”~“M3”
buttons for more than 1 second.

1

• If the programming is performed successfully, the
LED will flicker twice.

󱇲

To remove a macro program

• When removing a macro program, perform the
above steps ①and ③, but ignore the step ②.

󱇲

To change a macro program

• When a new macro program is stored into a
MACRO button with performing the above steps

①

to ③, the previous macro program is cleared

from the memory of the MACRO button.

Press “ENTER” button.

3

• The macro function enables you to program a series
of button operations(up to 10) on this remote control
into a single button.

• You can store up to three separate macro command
sequences into “M1”, “M2” and “M3” buttons.

Operating a macro function

󱇲 Notes:

• The codes programmed into a MACRO button
will be transmitted at an interval of 0.5 seconds.
However, some components may not be able to
complete one operation in 0.5 seconds and
may miss the next code.

In this case, the macro function cannot control
the corresponding components correctly.

• Be sure to use the remote control within the

remote control operation range of the
components.

• Depending on the operation status of the

components, etc., the macro function cannot
control the corresponding components
correctly.

• Aim the remote control at the REMOTE SENSORs
of the components to be controlled and press the
MACRO button you want.

Example) When pressing “M1” button.

• If the macro mode is entered, the LED will flicker once.

Example) When programming a series of button

operations into “M1” button.

18

Speaker Setup

󱇲

About the speaker size

The composition of the signals output from the different
channels and the frequency response are adjusted
automatically according to the combination of speakers
actually being used.

• Select “Large” or “Small” not according to the actual size
of the speaker but according to the speaker’s capacity
for playing low frequency (bass sound below frequency
set for the Crossover Frequency mode and below)
signals.

Large : Select this when connecting speakers that can fully reproduce

sounds below crossover frequency(*) of your speaker.

Small : Select this when connecting speakers that cannot fully

reproduce sounds below crossover frequency.
When this setting is selected, sounds below crossover
frequency are sent to the subwoofer or speakers which are set
to “Large”(when not using a subwoofer).

None : Select this when no speakers are connected.

When this is selected, sounds are sent to the speakers which
are not set to None.

Yes / None : Select the desired depending on whether a subwoofer is

connected or not.

• (*) : Crossover frequency is the frequency (Hz) below which the bass

sound of each main speakers is to output from the subwoofer or
from speakers which are set to “Large” (when not using a
subwoofer).

• Refer to the operating instructions of the speakers to be connected. If
the frequency range of your speaker is 100 Hz ~ 20 kHz, the crossover
frequency have to be set to 100 Hz(or slightly higher).

• If you do not know, try comparing the sound at both settings (setting
the volume to a level low enough so as not to damage the speakers) to
determine the proper setting.

󱇲

About the speaker distance

When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the center
and surround speakers, etc. should be the same distance from the main listening position as the front speakers. By
entering the distance between the listening position and each speaker, the delay times of center and surround
speakers are automatically adjusted to create an ideal listening environment virtually as if the center and surround
speakers were at their ideal locations respectively as below:

• After you have installed this receiver and connected all the components, you should adjust the speaker settings

for the optimum sound acoustics according to your environment and speaker layout.

• Even when you change speakers, speaker positions, or the layout of your listening environment, you should

adjust the speaker settings, too.

• Depending or relationship between speakers,
settings possible for each speaker are as follows:

Front L/R Center Surr. L/R Surr. Back Subwoofer

Large

Large Small

Large

None

Small

Small
None

None X

Large

Large Small Yes

Large

Small

None or

Small

Small None
None

None X

Large

Large Small

None None

Small

Small
None

None X

Small

Small

Small None

Small None X Yes

Small

Small

None

None

None X

19

SETTING THE SPEAKER SETUP MANUALLY

• Press the POWER switch to enter the standby mode and then turn the power on.

Before setting the speaker setup

󱇲 Note: When the SPEAKER button is set to off or the EXTERNAL IN is selected as an input source, the speaker setup

procedure cannot be performed.

When selecting each setting mode, When adjusting the selected mode

to the desired setting,

2

1

• Each time the ADJUST UP(▲/›) or DOWN(▼/‹)

button is pressed, one of the settings is selected
and displayed for several seconds as follows.

Y(es) 󱈗 N(one)

• When the subwoofer is set to “N”, the front speaker
is automatically set to “L”.

• You can select one of 2 different speaker settings.

L 󱈗 S

(L: Large, S: Small)

• You can select one of 3 different speaker settings.

(L: Large, S: Small, N: None)

• You can select one of 3 different speaker settings.

• You can select one of 3 different speaker settings.

• Each time the SPEAKER SETUP button is
pressed, the speaker setting mode changes in
succession and is displayed for several seconds
as follows.

• When the speaker setting mode disappears, press
the SPEAKER SETUP button repeatedly to select
the desired mode.

• When selecting the subwoofer,

“SUB-W Y”

• When selecting the front speaker size,

“FRONT L”

• When selecting the center speaker size,

“CENTER L”

• When selecting the surround speaker size,

“SURR L ”

• When selecting the surround back speaker size,

“SURR-B L”

20

Continued

󱇲 Notes:

• You cannot adjust the distances of subwoofer and the speakers set to “None”.

• When speakers are set to “Small”, you should set the crossover frequency according to their frequency characteristics.

Memorize the adjusted speaker settings.

3

• The adjusted settings are
memorized in the memory.

• When selecting the distance of front left speaker,

“FRONT L 10 (ft)”

• When selecting the distance of front right
speaker,

“FRONT R 10 (ft)”

• When selecting the distance of center speaker,

“CENTER 10 (ft)”

• When selecting the distance of surround left
speaker,

“SURR L 05 (ft)”

• When selecting the distance of surround right
speaker,

“SURR R 05 (ft)”

• When selecting the distance of surround back
speaker,

“SURR-B 05 (ft)”

• When selecting the crossover frequency,

“FC 80 Hz”

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the distance within the range of 1
~ 30 feet in 1 foot intervals.

1 (ft) ~ 30 (ft)

• You can adjust the crossover frequency within
the range of 40 ~ 130 Hz in 10 Hz intervals.

40 Hz ~ 130 Hz

21

SETTING THE SPEAKER SETUP AUTOMATICALLY (AUTO SPEAKER SETUP)

Place the microphone on a flat level
surface at your normal listening
position.

2

Press and hold down the SPEAKER SETUP button on the front panel for more than 2 seconds

to enter the auto speaker setup mode.

3

• If possible, use a tripod, etc. to attach the
microphone at the same height as your ears
would be when you are seated in your listening
position.

• Ensure there are no obstacles between the
speakers and the microphone.

• Then “SET ALL S” is displayed.

• For your reference, the default settings for auto
speaker setup are as follows:

Speaker layout: ALL channels, Subwoofer: Yes,
CUToff frequency: 80 Hz

• When performing auto speaker setup
according to the default settings, skip the step

④

and perform the step ⑤.

• However, you can specify these settings
according to the number of speakers installed
and speakers’ frequency characteristics with
performing the step ④.

• To cancel the auto speaker setup mode, press
and hold down the SPEAKER SETUP button on
the front panel for more than 2 seconds again.

• Press the POWER switch to enter the standby mode and then turn the power on.

Connect the optional microphone to the
SETUP MIC jack on the rear panel.(For
details, refer to “CONNECTING
MICROPHONE” on page 9.)

1

Before setting the speaker setup

• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.
You should connect the microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of
test tones emitted from speakers and can adjust the size, distance and sound level of each speaker automatically.

• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the

“SETTING THE SPEAKER SETUP MANUALLY” procedure on page 19, “Adjusting each channel level with test tone”
procedure on page 31 and “Adjusting the current channel level” procedure on page 32.

󱇲 Note:

• Because the microphone for Auto Speaker Setup is designed for use with this receiver, to use the auto speaker setup

function, do not use a microphone other than the one supplied with this receiver.

22

Specify the setting condition.

4

󱇲

When specifying the number of speakers installed.

• Each time this button is pressed, the speaker layout
changes as follows:

󱇲

When specifying the subwoofer or the crossover frequency.

• Each time the ADJUST UP(▲) or CURSOR RIGHT(▶)

button is pressed, the subwoofer changes as follows:

S 󱈇 No display

(Subwoofer: Yes) (None)

• Each time the ADJUST DOWN(▼) or CURSOR
LEFT(◀) button is pressed, the crossover

frequency(“CUT”) changes within the range of 40~130
Hz in 10 Hz intervals.

• In case that the subwoofer setting is
“S”(Subwoofer:Yes), if it is possible to adjust the
volume and crossover frequency on your subwoofer,
set the volume to about medium level (or slightly less),
and set the crossover frequency to the maximum.

Start the auto speaker setup procedure.

5

󱇲 Notes:

• Because the test tones are very loud, ensure
there are no infants or small children in the
room.

• For best results, ensure the room is as quiet as
possible during the auto speaker setup
procedure.

If there is too much ambient noise, the results
may not be satisfactory.

• Loud test tones are output from each speaker.

• To stop the auto speaker setup procedure, press the
(MEMORY/) ENTER button.
To retry the procedure, press the (MEMORY/)
ENTER button again.

•After the auto speaker setup procedure has been

completed, “SET MEMO” will be displayed.

• If “>ERROR<” is displayed, there may be a problem
with the speaker or microphone connection.
While displaying “>ERROR<”, to retry the procedure,

press the ADJUST UP(▲) or CURSOR RIGHT(▶)

button and to exit from the procedure, press the

ADJUST DOWN(▼) or CURSOR LEFT(◀) button.

• If retrying the procedure does not fix the problem, turn
off the power and check the speaker or microphone
connections.

23

While displaying “SET MEMO”, check
the result of each adjustment.

6

• Each time this button is pressed, the result
changes as follows:

Example)

Confirm the results.

7

• Then “COMPLETE” is displayed and the results
are memorized.

• You cannot check the channel level results.
To check the channel level results, perform the
auto speaker setup procedure, using the OSD
menu setting procedure.(For details, refer to
“When selecting the AUTO SPEAKER SETUP”
on page 41.)

• If the results are not satisfactory, set the speaker
setup manually.(For details, refer to “SETTING
THE SPEAKER SETUP MANUALLY” on page

19.)

24

LISTENING TO A PROGRAM SOURCE

Operations

Before operation

Select the desired input source.

3

• Enter the standby mode.

• The STANDBY indicator lights up.

※

When the power operation switch
is in the OFF or STANDBY state,
the apparatus is still connected on
some AC line voltages.

Please be sure to unplug the cord when
you leave home for, say, a vacation.

• To switch the power off, push the POWER switch
again.

• Then the power is cut off and the STANDBY

indicator goes off.

• Then the SPEAKER indicator lights up and the
sound can be heard from the speakers connected
to the speaker terminals.

• When using the headphone for private listening,
press the SPEAKER button again to switch the
speakers off.

󱇲

When selecting the EXTERNAL IN as desired,

• “EXT IN” is displayed and the 7 or 6 separate
analog signals from the component connected to
this input can be controlled only by channel
level(s) and volume depending on the surround
back speaker setting.

• Press the EXTERNAL IN button or select the
desired input source to cancel the external in
function.

• These analog signals can be heard only, not

recorded.

Switch the speakers on.

2

• Note : Before operating this receiver with the supplied remote control, refer to “Universal Remote Controls” on
page 12 for details about operation.

• In the operating mode, if the STANDBY button on
the remote control is pressed, the receiver is
turned off and enters the standby mode.

• In the standby mode, if the INPUT SELECTOR
button on the remote control is pressed, the
receiver is turned on automatically and the
desired input is selected.

In the standby mode, turn the power
on.

1

• Each time the “AUDIO” button on the front panel
is pressed, the input source changes as follows;

• Each time the “VIDEO” button on the front panel
is pressed, the input source changes as follows;

To listen with the headphones.

9

• Ensure that the SPEAKER button is set to off.

• Depending on the signal format which is being
input, you can listen in different Dolby
Headphone modes, stereo mode, etc. with

pressing the DSP MODE ◀(<) /▶(>)

buttons.(For details, refer to “Listening in a Dolby
Headphone mode” on page 30).

25

When CD, VIDEO 1~3 is selected as
an input source

Select the digital or analog input
connected as desired.

4

• When playing back the program sources with
surround sound, refer to “ENJOYING
SURROUND SOUND” on page 29.

• When TUNER, TAPE, AUX or EXTERNAL IN is
selected as an input source, the digital input
cannot be selected.

󱇲Notes :

• When the selected optical or coaxial digital
input is not connected, the “DIGITAL” indicator
flickers, meaning no sound. (Refer to
“ENJOYING SURROUND SOUND” on page

29.)

• The sound from the component connected to
the selected digital input can be heard
regardless of the selected input source.

Adjust the (overall) volume.

6

Operate the selected component for
playback.

5

• Then “C-EQ OFF” is scrolled.

• Press it again to work, the “C-EQ ON” is scrolled.

• When 96 kHz PCM(2 CH stereo) signals are input
or the SPEAKER button is set to off, the cinema
EQ function does not work.

To compensate for edgy or shrill movie
sound tracks.

7

• “MUTE” will flicker.

• To resume the previous sound level, press it again.

To mute the sound.

8

• Each time this button is pressed, the
corresponding input is selected as follows ;

26

• Each time this button is pressed, the
corresponding tone mode is selected and
shown for several seconds as follows:

Enter the tone mode.

10

• At “TONE ON” mode, you can select “TONE
OFF” mode and vice versa.

TONE ON : When adjusting the tone for your taste.

󱈘 (“DIRECT” indicator goes off.)

TONE OFF : When listening to a program source

without the tone effect.

(“DIRECT” indicator lights up.)

• In general, we recommend the bass and the

treble to be set to 0(flat) level.

󱇲 Notes:

• If the tone display disappears, start from the

step ⑩again.

• Extreme settings at high volume may damage

your speakers.

• When the digital signals from DTS, Dolby

Digital or MPEG program sources are input or
the EXTERNAL IN is selected as an input
source, you cannot adjust the tone and can
hear a program source without the tone effect.

At the desired tone mode, adjust the
tone as desired.

11

Adjusting the tone(bass and treble)

• When the tone mode is off, “TONE OFF” is
shown.

27

■

DTS Digital Surround

DTS Digital Surround(also called simply DTS) is a multi­channel digital signal format which can handle higher data
rates. Discs bearing the “ ” include the recording of

up to 5.1 channels of digital signals, which can be generally
thought to provide better sound quality due to the lower audio
compression required.
It also provides wide dynamic range and separation, resulting
in magnificent sound.

■

DTS - ES Extended Surround™ ( )

This is a new multi channel digital signal format which greatly
improves the 360- degree surround impression and space
expression thanks to further expanded surround signals,
offering high compatibility with the conventional DTS format.
In addition to the 5.1 channels, DTS-ES Extended Surround
also offers the surround back (sometimes also referred to as
“surround center”) channel for surround playback with a total
of 6.1 channels. DTS-ES Extended Surround includes two
signal formats with different surround signal recording
methods as follows:

• DTS-ES™ Discrete 6.1

Because the signals for 6.1 channels (including the surround back
channel) are fully independent, it is possible to achieve a sense
that the acoustic image are moving about freely among the
background sounds surrounding the listener from 360 degrees.
Though maximum performance is achieved when sound
tracks recorded with this system are played using a DTS -ES
decoder, when played with a conventional DTS decoder, the
surround back channel signals are automatically downmixed
to the surround left and surround right channels so that none
of the signal components are lost.

• DTS - ES™ Matrix 6.1

With this format, the additional surround back channel
signals undergo matrix encoding and are input to the
surround left and surround right channels beforehand. During
playback, they are decoded to the surround left, surround
right and surround back channels.
Because the bit stream format is 100% compatible with
conventional DTS signals, the effect of the DTS-ES Matrix 6.1
format can be achieved even with DTS 5.1- channel signal
sources. Of course, it is possible to play DTS-ES Matrix 6.1 ­channel signal sources with a DTS 5.1 - channel decoder.
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded
with a DTS - ES decoder, the format is automatically detected
upon decoding and the optimum surround mode is selected.
However, some DTS - ES Matrix 6.1 sources may be detected
as DTS sources. In this case, the DTS - ES Matrix mode
should be selected manually to play these sources.

󱇲

DTS Neo : 6™ surround

This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals to the high precision digital
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1­channel surround playback. DTS Neo : 6 surround includes two
modes for selecting the optimum decoding for the signal source.

• DTS Neo : 6 Cinema

This mode is optimum for playing movies. Decoding is
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as with

6.1-channel sources.

• DTS Neo : 6 Music

This mode is suited mainly for playing music. The front left
and front right signals bypass the decoder and are played
directly so there is no loss of sound quality, and the effect of
the surround signals from the center, surround left, surround
right and surround back channels adds a natural sense of
expansion to the sound field.

■

DTS 96/24

Conventional surround formats used sampling frequencies of
48 or 44.1 kHz, so 20 kHz was about the maximum playback
signal frequency. With DTS 96/24, the sampling frequency is
increased to 96 or 88.2 kHz to achieve a wide frequency
range of over 40 kHz. In addition, this format has a resolution
of 24 bits, resulting in the same frequency band and dynamic
range as 96kHz / 24 bit PCM signals.
As with conventional DTS surround, DTS 96/24 is compatible
with a maximum of 5.1 channels. DTS 96/24 is fully
compatible with the conventional DTS surround format, so
DTS 96/24 sources can be played using a conventional DTS

5.1 channel decoder.

“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks of
Digital Theater Systems, Inc.

■

Dolby Digital

Dolby Digital is the multi- channel digital signal format
developed by Dolby Laboratories. Discs bearing the

“ ” includes the recording of up to 5.1 channels of

digital signals, which can reproduce much better sound
quality, spatial expansion and dynamic range characteristics
than the previous Dolby Surround effect.

■

Dolby Digital EX

This mode creates the back (sometimes also referred to as
“surround center”) signals from the surround left and right
signals in Dolby Digital 5.1 channel source using a matrix
decoder and provides 6.1 channel surround playback. For the
best results, this mode should be selected during playback of
sources(bearing the “ ”) recorded in Dolby Digital

EX. With this additional channel, you can experience more
dynamic and realistic moving sound especially.
When Dolby Digital EX sources are decoded with a Dolby
Digital EX decoder, the format is automatically detected upon
decoding and the Dolby Digital EX mode is selected.
However, some Dolby Digital EX sources may be detected as
Dolby Digital sources. In this case, the Dolby Digital EX mode
should be selected manually to play these sources.

Surround modes

SURROUND SOUND

•

This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound
atmosphere in your personal Home Theater.

• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can
enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be
connected.)

For your reference, the sound from each channel can be reproduced according to the surround modes as follows:

(*): Depending on the subwoofer mode setting, the sound from the subwoofer channel may be reproduced.

• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels
cannot be reproduced.(For details, refer to “Speaker Setup” on page 18.)

28

■

Dolby Pro Logic IIx surround

Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1
channel sources and extends to 7.1channel surround
playback. It delivers the most natural, full range and
immersing 7.1 channel listening experience. Dolby Pro Logic
IIx surround includes two modes as follows :

• Dolby Pro Logic IIx Movie

When enjoying movies, this mode allows you to further
enhance the cinematic quality by adding processing that
emphasizes the sounds of the action special effects.

• Dolby Pro Logic IIx Music

When listening to music, this mode allows you to further
enhance the sound quality by adding processing that
emphasizes the musical effects.

■

Dolby Pro Logic II surround

This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals as well as Dolby
Surround signals, etc. to surround processing to offer
improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic II surround includes Dolby Pro Logic II Movie
and Dolby Pro Logic II Music like Dolby Pro Logic IIx
surround.

■

Dolby Virtual Speaker

This mode creates a virtual surround sound field using as few
as two front speakers, allowing you to experience listening
from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo(2 channel) sources.
Dolby VIrtual Speaker includes two listening mode as follows:

• Dolby Virtual Speaker Reference

The width of the front sound image is defined by the actual
distance between front speakers.

• Dolby Virtual Speaker Wide

The width of the front sound image seems to extend beyond
the front speakers.

■

Dolby Headphone

The Dolby Headphone function simulates 5.1 channel
surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like
listening from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo(2 channel) sources.

Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic” and the double-D symbol are trademarks
of Dolby Laboratories.

■

MPEG Multichannel

This mode is a surround system which faithfully reproduces
the ambience and dynamics of movie soundtracks and music
alike. Though the number of audio channels are same as
Dolby Digital, discs bearing the “ ” provides
much better at locating individual sounds to the correct and
stable position in the sound stage.

• The following modes apply conventional 2-channel signals
such as digital PCM or analog stereo signals to high
performance Digital Signal Processor to recreate sound
fields artificially. Select one of the 3 provided surround
modes according to the program source you want to play.

■

Theater

This mode provides the effect of being in a movie theater
when watching a movie.

■

Hall

This mode provides the ambience of a concert hall for
classical music sources such as orchestral, chamber music
or an instrumental solo.

■

Stadium

This mode provides the expansive sound field to achieve the
true stadium effect when watching baseball or soccer games.

Modes Channels FRONT L/R CENTER SURROUND L/R SURROUND BACK SUBWOOFER
DTS, DTS 96/24 󱇩󱇩 󱇩

—

󱇩

DTS ES DISCRETE/MATRIX 󱇩󱇩 󱇩 󱇩 󱇩

DTS NEO 6: CINEMA/MUSIC 󱇩󱇩 󱇩 󱇩

—

(*)

DOLBY DIGITAL 󱇩󱇩 󱇩

—

󱇩

DOLBY DIGITAL EX 󱇩󱇩 󱇩 󱇩 󱇩
DOLBY PRO LOGIC IIx MOVIE/MUSIC 󱇩󱇩 󱇩 󱇩

—

(*)

DOLBY PRO LOGIC II MOVIE/MUSIC 󱇩󱇩 󱇩

——

(*)

DOLBY VIRTUAL SPEAKER 󱇩󱇩 󱇩

——

(*)

MPEG 󱇩󱇩 󱇩

—

󱇩

Other Surrounds 󱇩󱇩 󱇩 󱇩

—

(*)

STEREO 󱇩

—— — —

(*)

EXTERNAL IN 󱇩󱇩 󱇩 󱇩 󱇩

29

ENJOYING SURROUND SOUND

Depending on the input digital signal format, select the desired decoding mode.

1

• Each time the AUTO button is pressed, the decoding mode
changes as follows :

Select the desired surround mode.

2

• Each time the DSP MODE ◀(<) or ▶(>) button is pressed,

the surround mode changes depending on the input signal
format and the selected decoding mode as follows :

Signal format being input Selected decoding mode Selectable surround mode

Dolby Digital EX 6.1 channel sources IN-AUTO mode DOLBY DIGITAL EX, DOLBY D VS REF, DOLBY D VS WIDE
Dolby Digital 5.1 channel sources <DOLBY D PLIIx MUSIC>, DOLBY DIGITAL, DOLBY D VS REF, DOLBY D VS WIDE
Dolby Digital 2 channel sources <DOLBY D PLIIx MOVIE, DOLBY D PLIIx MUSIC,> / [DOLBY D PLII MOIVE,

DOLBY D PLII MUSIC,] DOLBY PRO LOGIC, DOLBY D VS REF, DOLBY D VS

WIDE
DTS sources IN-AUTO, IN-DTS mode (DTS +NEO: 6,) corresponding DTS mode, DOLBY VS REF, DOLBY VS WIDE
MPEG sources IN-AUTO mode MPEG
96 kHz PCM(2 channel) sources IN-AUTO, IN-PCM mode DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PRO LOGIC, DOLBY VS

REF, DOLBY VS WIDE
PCM( 2 channel ) sources <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC,> / [DOLBY PLII MOVIE, DOLBY
Analog stereo sources

-

PLII MUSIC,] DOLBY PRO LOGIC, DOLBY VS REF, DOLBY VS WIDE, NEO: 6

CINEMA, NEO: 6 MUSIC, THEATER, HALL, STADIUM

• Depending on surround back speaker setting, some surround modes can be selected or not as follows:
< >: Possible only when surround back speaker is not set to “None”.

[ ] : Possible only when surround back speaker is set to “None”.
( ): Possible only when surround back speaker is not set to “None” while playing the digital signals from DTS sources except DTS ES 6.1 channel sources.

■ Notes:

• When the selected decoding mode is not matched to the input signal format, the “DIGITAL” indicator
flickers and no sound is heard. Therefore, be sure to select the required decoding mode and the available
surround mode according to the input signal format.

• When the EXTERNAL IN is selected as an input source, the decoding and surround modes cannot be
selected.

• When the digital signals are not inputted, the desired surround mode cannot be selected.

■ Notes :

• Only when the digital input is selected as signal input for the input sources except TUNER, TAPE, AUX
and EXTERNAL IN, the decoding mode can be selected.

• Noise may be generated at the beginning of playback and while searching during DTS playback in the IN­AUTO mode. In this case, try playing in the IN-DTS mode.

󱇲 Note:

• Before surround playback, first perform the SPEAKER SETUP procedure, etc. for optimum performance. (For details, refer to
“Speaker Setup” on page 18.)

• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

■ Note : Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected. However, in

case of playing the digital signals from MPEG source, either the stereo mode or the 2CH downmix
mode will be automatically selected depending on its signal format.

• While listening with headphones, select the desired Dolby Headphone mode.

• Each time the DSP MODE ◀(<) or ▶(>) button is pressed, the

mode changes as follows :

■ In case of playing analog stereo, PCM 2 channel or Dolby Digital 2 channel source in a Dolby Headphone

mode, press the PARAMETER button to select the desired listening mode.

• Each time this button is pressed, the mode changes as follows :

󱇲

To cancel the surround mode for stereo operation

• Depending on the signal format which is being input, either the
stereo mode or the 2CH downmix mode is selected.

• To cancel either the stereo mode or the 2 CH downmix mode,

select the desired surround mode with using the DSP MODE ◀(<)
or ▶(>) button.

󱇲

2CH downmix mode

• This mode allows the multi-channel signals encoded in DTS, Dolby Digital or MPEG format to be mixed down
into 2 front channels and to be reproduced through only two front speakers or through headphones.

• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while playing
the multi- channel digital signals from DTS or Dolby Digital sources, it will enter the 2 CH downmix mode
automatically.

• To cancel the 2 CH downmix mode, select the desired Dolby Headphone mode with using the DSP MODE ◀
(<) or ▶(>) button.(For details, refer to the following “Listening in a Dolby Headphone mode” procedure.)

• Each time this button is pressed, the parameter changes and is
displayed for several seconds as follows;

※※

Panorama mode(“PANO”, default value : OFF)

This mode extends the front stereo image to include the surround speakers for
an exciting “wraparound” effect with side wall imaging. Select “OFF” or “ON”.

※※

Center width control(“C-WID”, default value : 0)

This adjusts the center image so it may be heard only from the center
speaker, only from the left/right speakers as a phantom image, or from all
three front speakers to varying degrees.

The control can be set in 8 steps from 0 to 7.

※※

Dimension control(“DIMEN”, default value : -1)

This gradually adjusts the soundfield either towards the front or towards the
rear. The control can be set in 7 steps from -4 to +2.

30

Listening in a Dolby Headphone mode

• When selecting the Dolby Pro Logic IIx Music mode or the Dolby Pro Logic II Music mode, you can adjust the
various surround parameters for optimum surround effect.

Adjusting the Dolby Pro Logic IIx/Dolby Pro Logic II Music parameters

Press the PARAMETER button
to select the desired parameter.

1

Continued

31

• If the parameter display disappears, start from

the step ① again.

At the desired parameter, adjust it as
desired.

2

Repeat the above steps ①and ②to
adjust other parameters.

3

• When selecting the Dolby Virtual Speaker Reference mode(“DOLBY (D) VS REF”) or the Dolby Virtual
Speaker Wide mode(“DOLBY (D) VS WIDE”), you can select the desired one of different speaker layouts
for actual speakers to be used.

• Press the PARAMETER button to select the desired speaker layout.

• Each time this button is pressed, the speaker layout mode
changes depending on the selected Dolby Virtual Speaker
mode as follows:

* In case of Dolby Virtual Speaker Reference mode,

* In case of Dolby Virtual Speaker Wide mode,

Selecting the desired speaker layout for Dolby Virtual Speaker mode

Enter the test tone mode.

1

• The volume level of each channel can be adjusted easily with the test tone function.

■ Note : When the EXTERNAL IN is selected as an input source, the SPEAKER button is set to off or it

is in the stereo mode, the test tone function does not work.

Adjusting each channel level with test tone

• The test tone will be heard from the speaker of each
channel for 2 seconds as follows:

■ Note : When the speakers are set to “None”, the corresponding speaker layout modes cannot be

selected.

• When the speaker setting is “N”, the test tone of the
corresponding channel is not available.

32

At each channel, adjust the level as
desired until the sound level of each
speaker is heard to be equally loud.

2

Cancel the test tone function.

3

• You can select the desired channel and adjust its
level with repeating the steps ①and ②in
“Adjusting the current channel level” procedure.

Adjusting the current channel level

Press the CHANNEL SELECTOR button.

1

• Each time this button is pressed, “REF. 1” (or
“USER”) is displayed and the corresponding
channel is selected as follows:

< >: Possible only when the digital signals from Dolby Digital or DTS

program sources that include LFE signal are input.

• Depending on the speaker setting and surround mode, etc., some channels cannot be selected.

• When the SPEAKER button is set to off, only the front L/R channel can be selected.

• After adjusting each channel level with test tone, adjust the channel levels either according to the
program sources or to suit your tastes.

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into
user’s memory(“USER”), not into preset memory(“REF. 1”, “REF. 2”).

Adjust the level of the selected channel as
desired.

2

• The LFE level can be adjusted within the range of

-10~0 dB and other channel levels within the range
of -15~+15 dB.

• In general, we recommend the LFE level to be
adjusted to 0 dB.(However, the recommended LFE
level for some early DTS software is -10 dB.) If the
recommended levels seem too high, lower the
setting as necessary.

• If the channel display disappears, start from the
step ①again.

Repeat the above steps ①and ②to adjust each channel level.

3

33

Memorizing the adjusted channel levels

• The “1” of “REF. 1” indication flickers.

After performing the steps ①~③in “Adjusting the current channel level” procedure on
page 32, press the (MEMORY/) ENTER button.

1

Select the desired one of REF. 1
and REF. 2.

2

Confirm your selection.

3

• You can memorize the adjusted channel levels into preset memory(“REF. 1”, “REF. 2”) and recall the
memorized whenever you want.

• The adjusted channel levels have now been
memorized into the selected memory.

Press the CHANNEL SELECTOR button.

1

Select the desired one of REF. 1
and REF. 2.

2

Recalling the memorized channel levels

• “REF.1” (or “USER”) is displayed for several
seconds.

• If the channel level mode display disappears,
press the CHANNEL SELECTOR button
again.

• Then the channel levels memorized into the
selected preset memory are recalled.

LISTENING TO RADIO BROADCASTS

Presetting radio stations

Auto tuning

• Each time this button is pressed, the mode
changes as follows;

• The tuner will now search until a station of
sufficient strength has been found. The display
shows the tuned frequency and “TUNED”.

• If the station found is not the desired one, simply
repeat this operation.

• Weak stations are skipped during auto tuning.

• When pressing the TUNE +/- buttons for more
than 0.5 second on the remote control, you need
not select the auto tuning mode on step ③.

• Manual tuning is useful when you already know the
frequency of the desired station.

• Select the manual tuning mode performing the
steps ①to ③in “Auto tuning” procedure and press

the TUNING/PRESET ▲/▼or TUNE +/- buttons

repeatedly until the right frequency has been
reached.

• When pressing the TUNE +/- buttons repeatedly
on the remote control, you need not select the
manual tuning mode on step ③in “Auto tuning”
procedure.

• You can store up to 30 preferred stations in the
memory.

• “MEM” is flickering for several seconds.

Manual tuning

• Each time this button is pressed, the band is

changed to FM or AM.

• When pressing the BAND button without

selecting the TUNER, the tuner will be selected
automatically.

Select the tuner.

1

Select the auto tuning mode.

3

Select the desired band.

2

Press the TUNING/PRESET ▲/▼

buttons briefly or press the TUNE +/­buttons for more than 0.5 second.

4

Tune in the desired station with auto or
manual tuning.

1

Press the MEMORY/ENTER button.

2

34

35

Repeat the above steps ①to ③to
memorize other stations.

4

After selecting the tuner as an input
source, select the preset tuning mode.

1

Listening to FM stereo broadcasts

• The station has now been stored in the memory.

• A stored frequency is erased from the memory
by storing another frequency in its place.

• If “MEM” goes off, start again from the above
step ②.

• Then “PRESET” lights up.

󱇲MEMORY BACKUP FUNCTION

The following items, set before the receiver is
turned off, are memorized.

• INPUT SELECTOR settings

• Surround mode settings

• Preset stations,etc.

• While listening to FM broadcasts.

• Each time this button is pressed, the FM mode
changes as follows;

Scanning preset stations in sequence

• The receiver will start scanning the stations in the
preset sequence and each station is received for 5
seconds.

• At the desired station, press this button again to
stop scanning.

• When pressing the PRESET +/- buttons on the
remote control, you need not select the preset
tuning mode on step ①.

Tuning to preset stations

Select the desired preset number.

2

Select the desired preset number
(1~30) and press the MEMORY/ENTER
button.

3

• When FM stereo broadcasts are poor because
of weak broadcast signals, select the FM mono
mode to reduce the noise, then FM broadcasts
are reproduced in monaural sound.

36

RECORDING

Start recording on the TAPE.

2

Select the desired input as a recording
source except for TAPE.

1

Recording with TAPE

Select VIDEO 2 or VIDEO 3 as a
recording source.

1

Dubbing from video components onto
VIDEO 1

Select VIDEO 2 as a video recording
source.

1

Dubbing the audio and video signals
separately onto VIDEO 1

Start play on the desired input.

3

Select CD as an audio recording
source.

2

Start recording on the VIDEO 1.

2

Start play on the VIDEO 2 or the VIDEO 3.

3

• The audio and video signals from the VIDEO 2 or
the VIDEO 3 will be dubbed onto the VIDEO 1 and
you can enjoy them on the TV set and from the
speakers.

Example) When dubbing the VIDEO 2 video signal and

the CD audio signal separately onto VIDEO 1.

• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be heard
but cannot be recorded.

• The volume and tone (bass, treble) settings have no effect on the recording signals.

37

• The audio signal from the CD and the video
signal from the VIDEO 2 will be dubbed and you
can enjoy them on the TV set and from the
speakers.

Note : Be sure to observe the order of the above

steps ①and ②.

Start recording on the VIDEO 1.

3

Start play on the VIDEO 2 and the CD
respectively.

4

DIGITAL AUDIO RECORDING WITH MD RECORDER

For digital recording, select the desired
digital input as recording signal input.

2

Select a desired input of CD, VIDEO
1~3 as a recording source.

1

Start recording on the component
connected to OPTICAL DIGITAL
OUT.

3

• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “CONNECTING
VIDEO COMPONENTS”, “CONNECTING AUDIO COMPONENTS” and “CONNECTING DIGITAL INs and OUT” on pages
5~6 and the operating instructions of the MD recorder or CD recorder.

󱇲 Notes:

• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.

• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.

• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of
your digital recording equipment to know what restrictions are imposed.

Start play on the desired input.

4

• Each time this button is pressed, the
corresponding input is selected as follows:

󱇲Note : When the selected digital input is not

connected, “DIGITAL” indicator flickers.
There will be no recording as well as no
sound.

38

Operating the sleep timer

• The sleep timer allows the system to continue
to operate for a specified period of time before
automatically shutting off.

• To set the receiver to automatically turn off
after the specified period of time.

• Each time this button is pressed, the sleep time
changes as follows:

Compressing the dynamic range (Dolby Digital sources only)

• This function compresses the dynamic range of
previously specified parts of the Dolby Digital
sound track(with extremely high volume) to
minimize the difference in volume between the
specified and non-specified parts.

This makes it easy to hear all of the sound track
when watching movies at night at low levels.

• When the digital signals from Dolby Digital
program source are input in available surround
mode.

• Each time this button is pressed, the mode
changes and the display scrolls.

• Each time this button is pressed, the
brightness of all fluorescent displays of
Sherwood components connected by the DIGI
LINK III changes together as follows;

Adjusting the brightness of the
fluorescent displays

OTHER FUNCTIONS

• While operating the sleep timer " " lights up.

• When the sleep time is selected, all display
panels of Sherwood components connected by
the DIGI LINK III are dimly lit.

• In some Dolby Digital softwares, this function
may not be available.

• In the display OFF mode, pressing any button
will restore the display ON mode.

39

Using the OSD

This mode shows the status corresponding to each operation.

• The on-screen display will automatically disappear in several seconds.

• For examples, there are 2 status displays as follows.
󱇲 Notes

• When watching a movie earnestly, if you want to turn off the current status display function, set the OSD auto display mode to
Off(For details, refer to “When selecting the AUTO OSD” on page 40)

※Current status display function might not operate as expected if :

• You view a movie via MONITOR COMPONENT OUTs while component video signals are input into this receiver.

• You view a movie via MONITOR COMPOSITE OUT while S-Video signals and composite video signals are input into this receiver.

󱇲

When selecting the desired input source 󱇲When selecting the TEST TONE mode

This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and
to simplify the setup procedures.
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as
current status display and menu screen.

■ Notes: • Any on-screen display shown on the monitor TV will not be recorded.

• Because this unit cannot support the OSD function for the progressively scanned video signal, the OSD for
current status and menu settings may be displayed abnormally or may not be displayed.

• When adjusting overall volume, the volume level display will be shown.

• The test tone display will be shown until the test tone mode is canceled.

CURRENT STATUS DISPLAY

OSD Menu Settings

• The OSD menu allows you to perform the setup procedures easily. In most situations, you will only need to set this
once during the installation and layout of your home theater, and it rarely needs to be changed later. The OSD menu
consists of 5 main menus : speaker setup, function select, surround mode, CH level setup and auto OSD. Some of
these menus are divided into sub-menus.

• The OSD menu settings are performed easily with the CURSOR control(▲, ▼, ◀, ▶), OSD and ENTER buttons.

■Notes :

• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while
viewing a movie via the MONITOR COMPONENT OUTs, if the OSD menu operation is performed, the picture is
automatically turned off and only the OSD menu is displayed.

• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is

performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.

• The main menu will be shown.

• To turn the menu screen off, press this button again.

• In the bottom of the display, “OSD” stands for the

OSD button. “ENTER” for “ENTER”, “▲”, “▼”,
“◀”, and “▶” for CURSOR UP(▲), DOWN(▼),
LEFT(◀) and RIGHT(▶).

Turn the menu screen on.

1

40

Confirm your selection.

3

• For the setting details, see page in ⇨.

• Adjust the setting(s) in each setting category to your preference.

• When the OSD button is pressed on a sub-menu, the previous menu is resumed.

■

When selecting the AUTO OSD

• Each time the ENTER button is pressed, the AUTO OSD mode is set to ON to turn on the current display or OFF to
turn it off.

• When the AUTO OSD mode is set to ON, the current status display overlays the program image on the monitor TV
and may interference with your movie enjoyment. In such a case, set it to OFF.

Select the desired menu using the

CURSOR UP(▲)/DOWN(▼) buttons.

2

■

When selecting the SPEAKER SETUP ■When selecting the FUNCTION SELECT

■

When selecting the SURROUND MODE ■When selecting the CH LEVEL SETUP

41

Press the CURSOR UP(▲)/DOWN(▼)

buttons to select the AUTO SPEAKER
SETUP, then press the ENTER button.

1

Press the CURSOR UP(▲)/DOWN(▼)/
LEFT(◀)/RIGHT(▶) buttons to specify

the setting condition according to the
number of speakers installed and
speakers’ frequency characteristics.

2

• After you have installed this receiver and connected all the components, you should adjust the speaker settings for the
optimum sound acoustics according to your environment and speaker layout.

• Even when you change speakers, speaker positions, or the layout of your listening environment, you should adjust the
speaker settings, too.

󱇲Note:

• Because the microphone for Auto Speaker Setup is designed for use
with this receiver, to use the auto speaker setup function, do not use a
microphone other than the one supplied with this receiver.

SETTING THE SPEAKER SETUP

When selecting the AUTO SPEAKER SETUP

• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.
You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the
information from a series of test tones emitted from speakers and can adjust the size, distance and sound level of
each speaker automatically.

• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform

the “When selecting the MANUAL SPEAKER SETUP” procedure on page 42, “Adjusting each channel level with
test tone” procedure on page 31 and “Adjusting the current channel level”on page 32.

• To specify the layout of the installed speakers, press

the CURSOR UP(▲) or DOWN(▼) button.

• To specify the crossover frequency, press the

CURSOR LEFT(◀) button.

You can specify the crossover frequency with the
range of 40~130 Hz in 10 Hz intervals.

• To specify the subwoofer, press the CURSOR

RIGHT(▶) button.

󱇲 Preparations

1. Connect the supplied microphone to the SETUP MIC

jack on the rear panel,(For details, refer to
“CONNECTING MICROPHONE” on page 9)

2. Place the microphone on a flat level surface at your
normal listening position.

• If possible, use a tripod, etc. to attach the microphone

at the same height as your ears would be when you
are seated in your listening position.

• Ensure there are no obstacles between the speakers

and the microphone.

Press the ENTER button to start the auto speaker setup procedure.

3

Confirm the results.

4

42

• Loud test tones are output from each speaker and then if the auto speaker setup procedure has been
completed, the results of each adjustment will be displayed.

• To stop the auto speaker setup procedure while outputting the test tones, press the ENTER button.

• If the polarity is incorrect, “-” will be displayed.

• If there may be a problem with the speaker or microphone connection, “▶▶ ERROR ◀◀” message will be

displayed.

• When “▶▶ ERROR ◀◀” message is displayed, press the CURSOR RIGHT(▶) button to retry the auto

speaker setup procedure.

• If retrying the procedure dose not fix the problem, turn off the power and check the speaker or microphone
connections.

■ Notes :

• For details on speaker size, crossover frequency and speaker distance, refer to “About the speaker size”
and “About the speaker distance” on page 18.

• Because the test tones are very loud, ensure there no infants or small children in the room.

• It is possible to lower the volume of the test tomes, but this could result in incorrect speaker settings.

• For best results, ensure the room is as quiet as possible during the auto speaker setup procedure.
If there is too much ambient noise, the results may not be satisfactory.

• If the results are not satisfactory, set the speaker setup manually. (For details, refer to “When selecting the
MANUAL SPEAKER SETUP” on page 42)

• Then the results are memorized.

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the MANUAL SPEAKER SETUP,

then press the ENTER button.

1

When selecting the MANUAL SPEAKER SETUP

43

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired item.

2

Repeat the above steps ②and

③

until the items are all set to the
desired.

4

Confirm your selection.

5

■ In case of speaker size, you can select one of these following types.

YES/NONE: Select the desired depending on whether a subwoofer is connected or

not.

LARGE: Select this when connecting speakers that can fully reproduce sounds

below crossover frequency.

SMALL: Select this when connecting speakers that can not fully reproduce sounds

below crossover frequency. When this is selected, sounds below crossover
frequency are sent to the subwoofer or speakers which are set to
LARGE(when not using a subwoofer)

NONE: Select this when no speakers are connected. When this is selected, sounds

are sent to the speakers which are not set to NONE.

• Crossover frequency is the frequency(Hz) below which the bass
sound of each main speakers is to output from the subwoofer or
from speakers which are set to LARGE(when not using a
subwoofer).

• Refer to the operating instructions of the speakers to be
connected. If the frequency range of your speaker is
100Hz~20kHz, the crossover frequency have to be set to
100Hz(or slightly higher)

■ In case of speaker distance, you can adjust the distance between the

listening position and each speaker within the range of 1~30 feet in 1 foot
intervals.

■ In case of crossover frequency, you can adjust the crossover frequency

within the range of 40~130Hz in 10Hz intervals.

■ Notes :

• When speakers are set to “SMALL”, you should set the CROSSOVER FREQUENCY correctly according
to their frequency characteristics.

• When “SUBWOOFER” is set to “NONE”, “FRONT” is automatically set to “LARGE”.

• When the “FRONT” is set to “SMALL”, “CENTER”, ”SURR” , ”SURR B” cannot be set to “LARGE”.

• When the “SURR” is set to “SMALL”, “SURR B” cannot be set to “LARGE”.

• You cannot adjust the distances of subwoofer and the speakers set to “NONE”.

• The adjusted settings are memorized.

Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to set the selected item as desired.

3

DEVICE SELECT

VOLUME

TUNER CD

AUX

TAPE

VIDEO1

VIDEO2

VIDEO3

EXT.IN

AUD

44

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the DIGITAL INPUT, then press the

ENTER button.

1

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the digital or analog input as

desired.

2

SELECTING THE FUNCTION

When selecting the DIGITAL INPUT

󱇲 Note: When TUNER, TAPE, AUX or EXTERNAL IN is selected as an input source, the DIGITAL

INPUT cannot be selected.

• The sound from the component connected to
the selected digital input can be heard
regardless of the selected input source.

45

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the VIDEO SELECT, then press the

ENTER button.

1

When selecting the VIDEO SELECT

• Only when one of TUNER, CD, TAPE, AUX and EXTERNAL IN is selected, you can select a video
input source on the VIDEO SELECT menu and enjoy the audio and video signals separately.

• When dubbing them onto VIDEO 1, select either VIDEO2 or VIDEO 3 on the VIDEO SELECT menu.

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired video input

source.

2

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired mode.

2

■Note: When the digital signals from DTS, Dolby Digital or MPEG program sources are input or the

EXTERNAL IN is selected as an input source, you cannot select the TONE CONTROL and can
hear a program source without the tone effect.

■Note :

• Only when the TONE CONTOL mode is set to
on, the tone(BASS and TREBLE)modes can be
select.

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the TONE CONTROL, then press the

ENTER button.

1

When selecting the TONE CONTROL

46

SELECTING THE SURROUND MODE

Example) When digital signals from Dolby Digital EX 6.1 channel source are input.

■ Notes :

• Depending on the input signal format, surround back speaker setting
and the selected decoding mode, the selectable surround modes may
differ.

• When the EXTERNAL IN is selected as input source, the
SURROUND MODE cannot be selected.

• Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired surround mode.

• In case of playing analog stereo, PCM 2
channel or Dolby Digital 2 channel source in a
Dolby Headphone mode, press the CURSOR

LEFT(◀)/ RIGHT(▶) buttons to select the

desired listening mode.

Set the selected mode as desired.

3

■When the TONE CONTROL mode is selected, press

the ENTER button to select the desired mode.

• Each time this button is pressed, the mode
changes as follows:

ON: When adjusting the tone for your taste.

󱈘 (“DIRECT” indicator goes off.)

OFF: When listening to a program source without the

tone effect.(“DIRECT”indicator lights up.)

■When the BASS or TREBLE mode is selected, press
the CURSOR LEFT(◀)/RIGHT(▶) buttons to adjust
the tone as desired.

• The tone level can be adjusted within the range

of -10 ~+10 dB

• In general, we recommend the bass and treble

to be adjusted to 0 dB(flat level)

• Extreme settings at high volume may damage

your speakers.

• To complete tone adjustment, repeat the above

steps ② and ③.

47

SETTING THE CH LEVEL SETUP

■Notes :

• Depending on the speaker settings and surround mode, etc., some channels cannot be selected.

• When the SPEAKER button is set to off, only the Front Left and Right channels can be selected.

• Only when the digital signals from Dolby Digital or DTS program sources that include LFE signal are input, “DD L”(Dolby
Digital LFE) or “DTS L” can be selected.

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into
user’s memory(“USER”), not into preset memory(“REF. 1”, “REF. 2”)

• After adjusting each channel level with test tone, adjust the channel levels either according to the
program sources or to suit your tastes.(For details, refer to “Adjusting each channel level with test tone”
on page 31.)

• The LFE level can be adjusted within the range of ­10 ~ 0 dB and other channel levels within the range
of -15 ~ +15 dB

• In general, we recommend the LFE level to be
adjusted to 0 dB.(However, the recommended LFE
level for some early DTS software is -10 dB.) If the
recommended levels seem too high, lower setting
as necessary.

Adjusting the current channel level

Press the CURSOR UP(▲)/DOWN(▼) buttons to select the desired channel.

1

Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to adjust the level of the selected channel as

desired.

2

Repeat the above steps ① and ② to adjust each channel level.

3

DEVICE SELECT

VOLUME

TUNER CD

AUX

TAPE

VIDEO1

VIDEO2

VIDEO3

EXT.IN

AUD

48

After performing the steps ①~③ in “Adjusting the current channel level” procedure on page

47, press the ENTER button.

1

Memorizing the adjusted channel levels

• You can memorize the adjusted channel levels into preset memory(“REF. 1”, “REF. 2”) and recall the
memorized whenever you want.

• The “1” of “REF. 1” indication flickers.

• Each time the CURSOR LEFT(◀) or
RIGHT(▶) button is pressed, “REF. 1” or “REF.

2” is selected.

• The adjusted channel levels has now been
memorized into the selected memory.

Press the CURSOR LEFT(◀)/RIGHT(▶) buttons to select the desired preset memory,

then press the ENTER button.

2

• “USER” may be displayed instead of “REF. 1”
or “REF. 2”.

Press the CURSOR

UP(▲)/DOWN(▼) buttons to select

the preset memory mode.

1

• Then the channel levels memorized into the
selected preset memory are recalled.

Press the CURSOR LEFT(◀)/
RIGHT(▶) buttons to select the

desired one of REF. 1 and REF. 2.

2

Recalling the memorized channel levels

DEVICE SELECT

VOLUME

TUNER CD

AUX

TAPE

VIDEO1

VIDEO2

VIDEO3

EXT.IN

AUD

49

Troubleshooting Guide

PROBLEM POSSIBLE CAUSE REMEDY

No power

No sound

No sound from the surround
speakers

No sound from the center
speaker

No sound from the surround
back speaker

Stations cannot be received

Preset stations cannot be
received

Poor FM reception

Continuous hissing noise during
FM reception, especially when a
stereo broadcast is received.

Continuous or intermittent
hissing noise during AM
reception, especially at night.

Remote control unit does not
operate.

Other Sherwood components do
not react to remote control
commands.

OSD function is not available

• The AC input cord is disconnected.

• Poor connection at AC wall outlet or the outlet
is inactive.

• The speaker cords are disconnected.

• The master volume is adjusted too low.

• The MUTE button on the remote control is
pressed to ON.

• Speakers are not switched on.

• Incorrect selection of the input source.

• Incorrect connections between the components.

• Surround mode is switched off(stereo mode).

• Master volume and surround level are too low.

• A monaural source is used.

• Surround speaker setting is “N”.

• Dolby Virtual Speaker, stereo mode, etc. is
selected.

• Center speaker setting is “N”.

• Master volume and center level are too low.

• The input signal format or the current surround
mode cannot support the 6.1 surround playback.

• Master volume and surround back level are
too low.

• Surround back speaker setting is “N”.

• No antenna is connected.

• The desired station frequency is not tuned in.

• The antenna is in wrong position.

• An incorrect station frequency has been
memorized.

• The memorized stations are cleared.

• No antenna is connected.

• The antenna is not positioned for the best
reception.

• Weak signals.

• Noise is caused by motors, fluorescent lamps
or lightning, etc.

• Batteries are not loaded or exhausted.

• The remote sensor is obstructed.

• DIGI LINK connections are not made properly.

• Video connections between this unit and the
TV monitor are not made correctly.

• Connect the cord securely.

• Check the outlet using a lamp or another
appliance.

• Check the speaker connections.

• Adjust the master volume.

• Press the MUTE button to cancel the muting
effect.

• Press the SPEAKER button to ON.

• Select the desired input source correctly.

• Make connections correctly.

• Select a surround mode.

• Adjust master volume and surround level.

• Select a stereo or surround source.

• Select the desired surround speaker setting.

• Select the desired surround.

• Select the desired center speaker setting.

• Adjust master volume and center level.

• Under the proper situations, perform the 6.1
surround playback.

• Adjust master volume and surround back
level.

• Select the desired surround back speaker
setting.

• Connect an antenna.

• Tune in the desired station frequency.

• Move the antenna and retry tuning.

• Memorize the correct station frequency.

• Memorize the stations again.

• Connect an antenna.

• Change the position of the antenna.

•

Change the position of the antenna.

•

Install an outdoor antenna.

• Keep the receiver away from noise sources.

• Install an outdoor AM antenna.

• Replace the batteries.

• Remove the obstacle.

• Make proper DIGI LINK connections.

• Make proper video connections.

If a fault occurs, run through the table below before taking your receiver for repair.
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation,
consult your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the
warranty.

50

󱇲 AMPLIFIER SECTION

• Power output stereo mode, 6Ω, THD 0.2%, 40Hz ~ 20 KHz.......................................................................................... 2 X 100 W

• Total harmonic distortion, 6Ω, 95 W, 1 KHz ........................................................................................................................ 0.09 %

• Intermodulation distortion

60 Hz : 7 KHz = 4 : 1 SMPTE,6Ω,95 W ........................................................................................................................ 0.1 %

• Input sensitivity / impedance

Line (CD, TAPE, VIDEO) ................................................................................................................................. 230 mV/47 KΩ

• Signal to noise ratio, IHF "A" weighted

Line (CD, TAPE, VIDEO) .............................................................................................................................................. 90 dB

• Frequency response

Line (CD, TAPE, VIDEO), 20 Hz~50 KHz ........................................................................................................ 230 mV/47 KΩ

• Out put level

TAPE REC, 2.2 kΩ ...................................................................................................................................................... 200 mV

• Bass/Treble control, 100 Hz/10 kHz ................................................................................................................................. ±10 dB

• Surround mode, only channel driven

Front power output, 6 Ω ,1 kHz, THD 0.7 ............................................................................................................

110 W+110 W

Center power output, 6 Ω, 1 kHz, THD 0.7 % .................................................................................................................

110 W

Surround power output, 6 Ω, 1 kHz, THD 0.7 % ...................................................................................................

110 W+110 W

Surround back power output, 6 Ω, 1 kHz, THD 0.7 % ....................................................................................................

110 W

󱇲 DIGITAL AUDIO SECTION

• Sampling frequency ....................................................................................................................................... 32, 44.1, 48, 96 kHz

• Digital input level

Coaxial, 75 ................................................................................................................................................................. 0.5 Vp-p

Optical, 660 nm ................................................................................................................................................. -15~-21 dBm

󱇲 VIDEO SECTION

• Video format .......................................................................................................................................................................... NTSC

• Input sensitivity(=Output level), 75 Ω

Video (Composite(normal)) ............................................................................................................................................ 1 Vp-p

S-Video (luminance signal) ............................................................................................................................................ 1 Vp-p

(chrominance signal) ................................................................................................................................ 0.286 Vp-p

Component video (R-Y signal) ................................................................................................................................... 0.5 Vp-p

(B-Y signal) .................................................................................................................................. 0.5 Vp-p

(Y signal) ...................................................................................................................................... 1.0 Vp-p

󱇲 FM TUNER SECTION

• Tuning frequency range .......................................................................................................................................... 87.5~108 MHz

• Usable sensitivity, THD 3%, S/N 30 dB ............................................................................................................................. 12.8 dBf

• 50 dB quieting sensitivity, mono/stereo ................................................................................................................... 20.2 / 45.3 dBf

• Signal to noise ratio, 65 dBf, mono/stereo ...................................................................................................................... 70 / 65 dB

• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo ................................................................................................... 0.5 / 0.8 %

• Frequency response, 30 Hz~15 kHz .................................................................................................................................... ±3 dB

• Stereo separation, 1 kHz ....................................................................................................................................................... 32 dB

• Capture ratio ........................................................................................................................................................................ 4.0 dB

• IF rejection ratio ..................................................................................................................................................................... 60 dB

󱇲 AM TUNER SECTION

• Tuning frequency range ........................................................................................................................................... 520~1710 kHz

• Usable sensitivity ............................................................................................................................................................. 500 µV/m

• Signal to noise ratio .............................................................................................................................................................. 40 dB

• Selectivity .............................................................................................................................................................................. 25 dB

󱇲 GENERAL

• Power supply ............................................................................................................................................................ 120 V ~ 60 Hz

• Power consumption ................................................................................................................................................................ 2.7 A

• Switched AC outlets ................................................................................................................................ TOTAL 100 W, 1 A max.

• Dimensions (W×H×D) .................................................................................... 440

×

141×330 mm(17-3/8×5-1/2×13 inches)

• Weight (Net) ....................................................................................................................................................... 10.1 kg (22.3 Ibs)

Note: Design and specifications are subject to change without notice for improvements.

Specifications

51

Setup Code Table

AOC 005 003
Admiral 041 031

Aiko 014

Akai 005

Alaron 026

Ambassador 024

America Action 027

Ampro 043

Anam 027 047 048 049

Audiovox 030 027 014 034

Baysonic 027

Belcor 003

Bell & Howell 019 001

Bradford 027

Brockwood 003

Broksonic 028 031

CXC 027

Candle 005 011

Carnivale 005

Carver 010

Celebrity 050

Cineral 030 014

Citizen 012 005 011 006 014

Concerto 011

Contec 027

Craig 027

Crosley 010

Crown 027 006

Curtis Mathes 007 010 019 008 030 041

012 005 016 011 001 006

022 032 038 040

Daewoo 030 003 006 014 034 035

Daytron 003

Denon 016

Dumont 002 003

Dwin 044 036

Electroband 050

Emerson 019 028 031 027 029 025

003 026 006 024 034 035

Envision 005

Fisher 019

Fujitsu 026

Funai 027 026 023

Futuretech 027

GE 007 008 030 041 029 025

004 015 038 040

Gibralter 002 005 003

TV

Goldstar 005 025 003 011
Gradiente 009 011

Grunpy 027 026

Hallmark 025

Harley Davidson 026

Harman/Kardon 010

Havard 027

Hitachi 016 011 018

Infinity 010

Inteq 002

JBL 010

JCB 050

JVC 009 046

KEC 027

KTV 027 005 006

Kenwood 005 003

LG 011 003

LXI 007 010 019 020 025

Logik 001

Luxman 011

MGA 017 005 025 003

MTC 012 005 003 011

Magnavox 010 005 026

Magestic 001

Marantz 010 005

Matsushita 042

Magatron 025 016

Memorex 019 042 031 017 025 011

001

Midland 007 002 008 006 015

Minutz 004

Mitsubishi 041 017 025 003

Motorola 041

Multitech 027

NAD 020 025 022

NEC 005 003 011

NTC 014

Nikko 005 025 014

Onwa 027

Optimus 019 042 022

Optonica 041 021

Orion 028 031 026

Panasonic 008 042

Penney 007 020 008 012 005 025

004 003 011 006 015 040

Pilco 010 031 005 016 003

Philips 010

52

Admiral 027 021
Adventura 000

Aiko 025

Aiwa 005 000

Akai 026

America Action 025

America High 004

Asha 023

Audiovox 005

Beaumark 023

Bell & Howell 017

Brocksonic 021

Broksonic 020 018 021 001

CCE 015 025

Calix 005

Canon 004

Carver 081

Cineral 025

Citizen 005 025

Colt 015

Craig 005 012 023 015 024

Curtis Mathes 013 004 026 028

Cybernex 023

Daewoo 010 025

Denon 008

Dynatech 000

Electrohome 005

Electrophonic 005

Emerex 002

Emerson 005 020 000 018 009 021

001 025

Fisher 012 017

Fuji 004 003

Funai 000

GE 013 004 027 023

Garrard 000

Go Video 052

GoldStar 005 006

Gradiente 000

HI-Q 012

Harley Davidson 000

Harman/Kardon 016 006

Harwood 015

VCR

Pilot 005 003 006
Pioneer 022

Portland 003 006 014

Prism 008

Proscan 007

Proton 025 032

Pulsar 002 003

Quasar 008 042 021

RCA 007 008 041 003 013 015

037 038 039 040

Radio Shack 007 019 021 027 005 025

003 011 006

Realistic 019 021 027 005 025 003

011 006

Runco 002 005 033

SSS 027 003

Sampo 005 006

Samsung 012 005 025 003 011 045

Samsux 006

Sansei 030

Sansui 031

Sanyo 019

Scimitsu 003

Scotch 025

Scott 028 027 025 003 026

Sears 007 010 019 020 025 026

011 006

Semivox 027

Semp 020

Sharp 041 021 006

Sherwood 000

Shogun 003

Signature 001

Sony 050

Soundesign 027 025 026

Squareview 023

Starlite 027

Supreme 050

Sylvania 010 005

Symphonic 023

TMK 025 011 024

Tandy 041

Technics 008 042

Technoi Ace 026

Techwood 008 011

Teknika 010 027 017 012 003 026

011 001 006 014

Telefunken 011

Toshiba 019 020 012

Totevision 006

Vector Research 005

Victor 009

Vidikron 010

Vidtech 025 003
Wards 010 021 005 025 004 003

026 011 001

White Westinghouse

031 034 035

Yamaha 005 003

Zenith 002 031 001 014

53

Headquarter 011
Hitachi 000 008 026

Hughes Net.Sys 008

JVC 014 026

Jensen 026

KEC 005 025

KLH 015

Kenwood 014 026 006

Kodak 004 005

LXI 005

Lloyd’s 000

Logik 015

MEI 004

MGA 023 009

MGN Technology 023

MTC 023 000

Magnasonic 025

Magnavox 004 007 016 000 019

Magnin 023

Marantz 004 016

Marta 005

Matsushita 004 028 029

Memorex 004 005 027 007 012 023

000 017 021 011 031 032

Minolta 008

Mitsubishi 027 014 009

Motorola 004 027

Multitech 000 015

NEC 017 014 026 006

Nikko 005

Noblex 023

Olympus 004

Opimus 005 027 017 028 029 030

031 032

Orion 020 021 001

Panasonic 004 028 022 029 031

Penny 004 005 023 008 006

Pentax 008

Philco 004 021

Philips 004 016

Pilot 005

Pioneer 014

Profitronic 023

Proscan 013

Protec 015

Pulsar 007

Quarter 011

Quartz 011

Quasar 004 028 029 031

RCA 013 004 027 023 008 019

Radio Shack 000

Radix 005

Randex 005

Realistic 004 005 027 012 000 017

011

Runco 007

STS 008

Samsung 023 010 033

Sanky 027 007

Sansui 000 014 021 026 024

Sanyo 012 023 017 011

Scott 020 010 018 009

Sears 004 005 012 000 008 017

011

Semp 010

Sharp 027

Shintom 015

Shogun 023

Singer 015

Sony 004 002 000 003

Syvania 004 016 000 009

Symphonic 000

TMK 023

Tatung 026

Teac 000 026

Technics 004 028

Teknika 004 005 000

Thomas 000

Toshiba 010 009

Totevision 005 023

Unitech 023

Vector 010

Vector Research 006

Video Concepts 010

Videosonic 023

Wards 013 004 027 012 016 023

000 008 015 019

White WestingHouse

021 025

XR-100 004 000 015

Yamaha 006

Zenith 007 000 021 003

Ameira High 004 (TV use 008)

Brocksonic 001

Colt 015

Cutis Mathes 004 (TV use 008)

Daewoo 025

Emerson 001

Funai 000

GE 004 (TV use 008) 013 (TV use 012)

027 (TV use 041) 023

Hitachi 004 (TV use 008) 000

HQ 000

Lloyds 000

MGA 023

Megavox 016 (TV use 010) 004 (TV use 008)

000

54

Magnin 023
Memorex 005 028 (TV use 025)

Mitsubishi 027 (TV use 041)

Orion 001

Panasonic 004 (TV use 008) 028 (TV use 042)

Penney 004 (TV use 008) 023

028 (TV use 042)

Quasar 004 (TV use 008) 028 (TV use 042)

RCA 013 (TV use 012) 004 (TV use 008)

027 (TV use 041)

Sansui 000

Sanyo 023

Sear 000 005

Sharp 027 (TV use 041)

Sony 002 (TV use 000)

Symphonic 000

Zenith 000

Harman/Kardon 009
JVC 008

Kenwood 005

Megavox 011

Mitsubishi 016

Onkyo 011

Panasonic 013

Philips 011 006

Pioneer 003 014 026

Proscan 002

RCA 002

Samsung 017

Sherwood 001 012 000 018 019

020 021 022 023 025

Sony 004

Technics 013

Theta Digital 014

Toshiba 011

Yamaha 013 007

Zenith 011 010

ABC 002 003 009 030

007 006 008

Allegro 018 021

Archer 018 026

Bell&Howell 009

Century 018

Citizen 018 021

Comtronics 014

Contec 011

Easten 001

Emerson 026

Everquest 010 014

Focus 022

Garrard 018

Gemini 010

General Instrument

033 276 006 034

GoldStar 017 040

Goodmind 026

Hamlin 012 020 004 013

Hitachi 006

Hytex 007

Jasco 010 018 021

Jerrold 002 007 033 032 009 010

006 034

Memolex 000

Movie Time 015

NSC 015

Oak 011

Optimus 031

Panasonic 000 016 031

Paragon 000

Philips 018

Pioneer 017 025

Popular Mechanics 022

Pulsar 000

Quasar 000

RCA 031

Radio Shack 010 021 026 028

Recoton 022

Regal 012 020

Regency 001

Rembrandt 006

Runco 000

SL Marx 014

Smasung 017 014

Scientific Atlanta 003 023 030 027

Signal 010 014

Signature 006

Sprucer 031

Starcom 002 010

DVD

CBL

55

Stargate 010 014 026
Starquest 010

TV86 015

Teleview 014

Tocom 007 008

Toshiba 000

Tusa 010

Unika 018

United Artists 007

Universal 153 019

Viewstar 015

Zenith 000 024

Zentek 022

AlphaStar 008
Chaparral 001

Echostar 009

Expreevu 009

General Instrument

016 015 018

HTS 009

Hitachi 011

Hughes Net.Sys 007

JVC 009

Jerrold 016 015

Megavox 006 005

Memorex 006

Next Level 006

Panasonic 017

Philips 006 005

Primestar 016 015

RCA 003 000 002 012

Radio Shack 018

Realistic 014

Sony 004

Star Choice 018

Toshiba 010

Uniden 006 005 014

Zenith 013

Denon 007
Mitsubishi 007

NAD 007

Pioneer 007

Sony 017 018

SAT

AUX-LD

Aiwa 004 034
Carver 004

Harman/Kardon 016 004

JVC 022 024

Kenwood 008

Megavox 004

Marantz 004

Onkyo 012 025

Opimus 002 020

Panasonic 038

Pioneer 002 020 011

Sansui 004

Sony 021 014 026

Technics 038

Victor 024

Wards 002

Yamaha 010 009

AUX-TAPE

Awia 029
Carver 023

Curtis Mathes 027

Denon 037

Harman/Kardon 040

Linn 023

Megavox 023

Marantz 023

Panasonic 039

Philips 023 040

Pioneer 003 027

Sony 019 033

Technics 039

Wards 003

Yamaha 028

AUX-AMP

Sherwood 000 (for tape deck)

035 (for MD recorder)

AUX-TAPE/MD

56

GE 043
Lutron 044

One For All 042

Radio Shack 043

Security System 042

Universal X10 042

X10 042

Awia 045 059 029
Fisher 005

Harman/Kardon 046

JBL 046

JVC 047

Jerrold 031

RCA 006

Scientific Artlanta 032

Sony 045

Starcom 031

AUX-DBS

Archer 013
GC Electronics 013

Jebsee 013

Rabbit 036

Radio Shack 013

AUX-ACCESSARY

AUX-HOME AUTOMATION

Awia 010 030
Burmester 019

California Audio Lab

002

Carver 010 012 020

DKK 001

Denon 028 034

Emerson 035

Fisher 012 033

Garrard 019 018

Genexxa 004 035

Harman/Kardon 010 011

Hitachi 004

JVC 007

CD

Kenwood 003 029 016 024 025
Krell 010

LXI 035

Linn 010

MCS 002

MTC 019

Megavox 010 035

Marantz 002 010 013

Mission 010

NSM 010

Nikko 033

Onkyo 008 026

Opimus 001 004 012 035 029

019 009 021 020

Panasonic 002 031

Parasound 019

Philips 010 023

Pioneer 004 035 021 017

Proton 010

QED 010

Quasar 002

RCA 012 035 006 036

Realistic 012 019 013

Rotel 010 019

SAE 010

Sansui 010 035

Sanyo 012

Scott 035

Sears 035

Sharp 029 013 037

Sherwood 013 027 038 039 040 041

000

Sony 001 014 022

Soundesign 009

Tascam 019

Teac 019 018 033 013

Technics 002 031

Victor 007

Wards 010 006

Yamaha 005 015

Yorx 032