Roland FP-80-BK User manual

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Look What You Can Do!

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Play the Piano



Play various sounds

The FP-80 features 372 dierent tones for you to enjoy. You can freely select and perform using these tones.

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Play two layered tones

You can layer two tones on a single key.

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Play dierent tones with your left and right hands

You can divide the keyboard into left and right zones, and select a dierent tone for each zone.

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Sound a metronome

You can sound a metronome.

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Playing with Accompaniment

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Play along with a rhythm

The FP-80 features 90 dierent rhythms that can accompany you as you play. Lets you enjoy performing as though you’re playing with a backup band.

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Play along with a song

The FP-80 has 30 built-in songs that you can play along with. You can also play songs stored on a USB ash drive (sold separately).

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Record Songs

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Record your performances

You can record your performance, including accompaniment.

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Use your computer to create a CD of a song you recorded

A song you’ve recorded can be copied to your computer, and written to a CD.

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 69) and “IMPORTANT NOTES” (p. 71). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

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Designing Sounds

Look What You Can Do!

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

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Add reverberation to the sound

You can add reverberation (ambience) to create the sensation of performing in a concert hall.

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Adjust the tone color (equalizer)

You can use the equalizers to adjust the sound’s tone color.

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Personalize your piano (Piano Designer)

You can customize the individual sound characteristics of the piano sound to create the perfect tone for your performances.

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Personalize your organ

The FP-80’s virtual harmonic bars allow you to recreate and customize the sound of an authentic organ.

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Live Performance Features

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Transpose the pitch of the keyboard or song

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Recall performance settings

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Add vocals to your performance

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Convenient Functions

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Adjust the keyboard touch

You can adjust the touch sensitivity of the keys.

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Disable the buttons

You can transpose the pitch of the keyboard, allowing you to change the key of your performance quickly and easily.

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You can save the settings related to your performance and recall them up anytime, easily.

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You can connect a microphone (sold separately) to the FP-80 and add your voice to your performance. You can even add reverberation and harmonies to your vocals.

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The “Panel Lock function” lets you prevent sounds or settings from being changed when buttons are pressed inadvertently.



Connect to a Wireless LAN

You can use a wireless USB adapter (WNA1100-RL; sold separately) to connect to a wireless LAN and use wireless applications, such as Air Recorder for iPhone.

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Look What You Can Do! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Operation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Using a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Turning the Power On and O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Turning the Power O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Listening to the Demos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Performing with Various Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Switching Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Performing with Two Layered Tones (Dual Play). . . . . . . . . . . .14

Playing Dierent Tones with the Right and Left Hands

(Split Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Performing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Changing the Metronome’s Tempo. . . . . . . . . . . . . . . . . . . . . . . .16

Changing the Metronome’s Time Signature . . . . . . . . . . . . . . .16

Changing the Metronome’s Volume . . . . . . . . . . . . . . . . . . . . . . .16

Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Adding Reverberation (Ambience) . . . . . . . . . . . . . . . . . . . . . . . .17

Adjusting the Tone Color (Equalizer) . . . . . . . . . . . . . . . . . . . . . .17

Adjusting the Keyboard Response

Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Adding Accompaniment to Your Performance . . . . . . . . . . . . . . . . . . . .20

Playing Along with a Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Selecting and Playing a Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . .20

Adding an Intro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Adding an Ending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Adding Variation to the Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . .21

Inserting a Fill-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Selecting Specied Rhythm Parts . . . . . . . . . . . . . . . . . . . . . . . . .22

Starting the Rhythm by Playing a Key (Sync Start) . . . . . . . . .22

Holding the Last Chord (Chord Hold) . . . . . . . . . . . . . . . . . . . . . .22

Playing Along with a Chord Progression (Chord Pattern) . . .23

Playing Along with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Selecting and Playing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Playing Songs Consecutively (All Song Play) . . . . . . . . . . . . . . .24

Adjusting a Song’s Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Lower the Level of an Audio File’s Central Sound

(Center Cancel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Transposing an Audio File (Audio Transpose) . . . . . . . . . . . . . .25

Recording Your Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Audio Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Setting the Save Destination and Song Name . . . . . . . . . . . . . . . . . . .28

Converting an SMF Recording into an Audio Recording . . . . . . . . .29

Burning an Audio Recording (WAV le) onto a CD . . . . . . . . .30

Designing Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Personalizing Your Piano (Piano Designer) . . . . . . . . . . . . . . . . . . . . . . .31

Simulating the Way That Sounds Are Created on an Organ

(Tonewheel Organ ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Selecting the Type of Tonewheel Organ . . . . . . . . . . . . . . . . . . .32

Creating a Tonewheel Organ Sound (Edit Tone Wheel) . . . . .33

(Key Touch) . . . . . . . . . . . . . . . . . . . .18

Using a Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Connecting a Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Adding Harmony to the Vocal Input

via the Microphone (Mic Harmony) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Adjusting the Volume of the Harmony . . . . . . . . . . . . . . . . . . . .34

Changing How Harmony Is Applied (Harmony Type) . . . . . . .35

Adding Reverberation to Your Voice (Mic Ambience) . . . . . . . . . . . .35

Saving Performance Settings (Registrations) . . . . . . . . . . . . . . . . . . . . .36

What Is a Registration? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Recalling a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Saving Current Settings into a Registration . . . . . . . . . . . . . . . . . . . . . .37

Saving a Registration Set (Save Registration Set) . . . . . . . . . . . . . . . .37

Loading a Copying a Deleting a

Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Making the Power Automatically Turn O After a Time (Auto O) .

Adjusting the Brightness of the Display (Display Contrast) . . . . . . .40

Retaining Settings After Power-o (Memory Backup) . . . . . . . . . . . .40

Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Disabling the Buttons (Panel Lock) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . .42

Reformatting Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . .43

Detailed Function Settings (Function Mode) . . . . . . . . . . . . . . . . . . . . . . 44

How to Use Function Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Saved Registration Set (Load Registration Set) . . . . . . . . . . 38

Saved Registration Set (Copy Registration Set) . . . . . . . . . . . . 38

Saved Registration Set (Delete Registration Set) . . . . . . . . 39

Matching the Pitch with Other Instruments (Master Tuning)

Changing the Tuning System (Temperament) . . . . . . . . . . . . .44

Specifying a Song’s Tonic (Temperament Key) . . . . . . . . . . . . .44

Specifying What to Transpose (Transpose Mode) . . . . . . . . . .44

Adjusting the Dual Play Volume Balance (Dual Balance) . . . .45

Adjusting the Split Play Volume Balance (Split Balance) . . . .45

Changing the Pitch of the Tone in Octave Steps

(Octave Shift) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Chord Recognition When Split Is On

(Split-On Chord Recognition) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Setting the Root for Chord Progression

(Chord Pattern Root) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Changing How the Pedal Eects Are Applied

(Damper Pedal Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Changing the Function of the Center Pedal

(Center Pedal Function) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Changing How the Pedal Eects Are Applied

(Center Pedal Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Changing the Function of the Left Pedal (Left Pedal) . . . . . . .46

Changing How the Pedal Eects Are Applied

(Left Pedal Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Using a Pedal to Switch Registrations (Pedal Shift) . . . . . . . . .46

Selecting the Recording Format (Recording Mode) . . . . . . . .47

Sending Tone-Change Information

(Transmit MIDI Information) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Preventing Doubled Notes When Connected to a

Sequencer (Local Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

MIDI Transmit Channel Settings (MIDI Transmit Channel) . .48

Controlling Video Equipment (Visual Control Mode) . . . . . . .48

Specifying the Visual Control Channel

(Visual Control Channel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Changing the USB Driver Settings (USB Driver) . . . . . . . . . . . .49

Changing the USB Flash Drive Mode (USB Memory Mode) .49

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Contents

About the Wireless LAN Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

What Is Wireless LAN Function? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Basic Connection Method (Connect by WPS) . . . . . . . . . . . . . . . . . . . .50

Wireless LAN Function Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Status Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Connecting to a Wireless LAN Access Point That You

Select (Select AP) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Other Settings (Option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Connecting in Ad-Hoc Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

Saved Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59

Rhythm List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Chord Fingering List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Chord Pattern List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

Registration List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71

Information about the and icons

These icons identify settings that can be stored in memory and recalled when power comes back on.

: Registration

: Internal memory

Settings return to their default values as soon as you turn o the power.

By using the Memory Backup function or registration sets, you can make sure the changes you’ve made to these settings are retained.

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Operation Guide

Switching Tones

Describing this area

Switching tones

Press one of the TONE buttons, and then press the [–] [+] buttons.

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Layering two tones (Dual Play)

Press any two TONE buttons simultaneously.

MEMO

When using Dual Play, you can adjust the volume balance by pressing the [

BACKING] or [KEYBOARD ]

Press two buttons

Changing the tones

Tone 1 (Left-side button)

Tone 2 (Right-side button)

Press the [–] [+] buttons.

Hold down the right-most of the lit TONE button, and then use the [–] [+] buttons.

button while holding down the TONE button.

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Display

The display shows information such as the tone name, rhythm name, song name, tempo, and time signature.

Tempo Time Signature Measure

Tone Name

Rhythm Name

Song Name

Volume Balance

Selecting Variation Tones/Adjusting the Settings

You can select tone variations, rhythms, and songs, and adjust various settings.

• Hold down the [–] [+] buttons if you want the value to continue changing.

• To rapidly raise the value, hold down the [+] button and press the [–] button.

• To rapidly reduce the value, hold down the [–] button and press the [+] button.

• To return the setting to its default value, press the [–] and [+] buttons simultaneously.

Recalling Performance Settings (Registration)

You can use the registration feature to save the current performance settings Each registration holds a full set of tone settings, rhythm settings, and other performance-related values.

In this manual, the “ ” icon indicates settings that are saved into registration memory.

Recalling a registration

1. Press the [REGISTRATION] button.

2. Press one of the number buttons, from [1] to [5], to select

the registration.

into a “registration” that you can recall whenever you wish.

Saving current settings into a registration

1. Set the desired performance settings: tone, rhythm, and

so on.

2. While holding down the [REGISTRATION] button, press

a button from [1] to [5] to select a registration and then press the [–] [+] buttons to select a registration variation.

3. Use the [–] [+] buttons and the [ ][ ] (SLOW/FAST)

3. Press the [–] [+] buttons to select the registration

variation.

buttons to give a name to the registration.

4. Press the [METRONOME] button.

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REFERENCE

For details on the settings that can be stored, refer to “Settings Saved in Registrations” (p. 57).

Operation Guide

Playing Dierent Tones with the Right and Left Hands (Split Play)

You can split the keyboard in two, and play one tone with your left hand and another tone with your right hand.

Turning the split feature on

Press the [SPLIT] button.

MEMO

When using Split Play, you can adjust the volume balance by pressing the

BACKING] or [KEYBOARD ] button while holding down the TONE button.

[

Changing the tones

Right-Hand Tone

Left-Hand Tone

Changing the keyboard’s split point

Hold down the [SPLIT] button and press the key at the desired split point.

1. Press the desired TONE button.

2. Press the [–] [+] buttons.

1. Hold down the [SPLIT ] button and press the desired TONE button.

2. Hold down the [SPLIT ] button and press [–] [+] buttons to select the desired tone.

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Adding Harmony to the Vocal Input from the Microphone (Mic Harmony)

Changing the Key (Transpose)

Use this feature to shift the pitch of the keyboard and songs.

Turning the transpose feature on

Press the [TRANSPOSE] button so it’s lit.

Changing the transposition interval

While holding down the [TRANSPOSE] button, press the [–] [+] buttons or play the note.

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Disabling the Buttons (Panel Lock)

Locking the panel

Hold down the [MIC HARMONY] button until the lower right of the display shows the “ ” icon.

Unlocking the panel

Hold down the [MIC HARMONY] button, until the “ ” icon disappears.

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Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Adding Reverberation (Ambience)

Add concert-hall acoustics to your performance.

Turning ambience on

Press the [AMBIENCE] button so it’s lit.

Adjusting the ambience

Hold down the [AMBIENCE] button and press the [–] [+] buttons.

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Add harmony to your singing.

Turning mic harmony on

Press the [MIC HARMONY] button so it’s lit.

Adjusting the volume of the harmony

Hold down the [MIC HARMONY] button and press the [–] [+] buttons.

Adjusting the Tone Color (Equalizer)

Adjust the tone color.

Turning the equalizer on

Press the [EQUALIZER] button so it’s lit.

Selecting the equalizer type

Hold down the [EQUALIZER] button and press [–] [+] buttons.

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Saving your current temperament settings, equalizer settings, and related settings into memory (Memory Backup)

Temperament settings, equalizer settings, and other settings reset to their defaults when power is turned o. By using the Memory Backup function, you can make sure the changes you’ve made to settings are retained in internal memory. In this manual, the “ ” icon indicates settings retained by the Memory Backup function.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Use the [ ] [ ] (SLOW/FAST) buttons to select “Memory

Backup.”

REFERENCE

For details on the settings that can be stored, refer to “Items Stored by Memory Backup” (p. 57).

3. Press the [METRONOME] button.

4. Press the [ ] (FAST) button to select “Yes.”

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Operation Guide

Describing this area

Selecting a Song

Access the song screen, and select a song.

Selecting a song

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1. Press the [SONG] button to access the song screen.

Tempo Time Signature

Panel Descriptions

Music Rest

Attach the included music rest as shown below.

[ ] Switch

Turns the power on and o.

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Insert into the holes

USB MEMORY Port

You can use USB ash drives to do all of the following.

• Play WAV les and standard MIDI les (SMF les) copied from your computer.

• Make audio recordings of your FP-80 performances.

• Play these audio recordings at your computer, or burn them to CDs or other media.

• Save/load registration sets.

• By connecting a wireless USB adapter (WNA1100-RL; sold separately), you can use wireless-connectivity applications, such as Air Recorder for iPhone.

* Carefully insert the USB ash drives all the way in—until it is rmly in place. * Use a USB ash drive sold by Roland. We cannot guarantee operation if any other

USB ash drive is used.

Rear side

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Headphone Jack

Connect your headphones (sold separately) here.

Front Panel

Use these buttons and sliders to control the FP-80.

Page 6

DC IN Jack

Connect the included AC adaptor here.

Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

USB COMPUTER Port

You can use commercially available USB cable to connect the FP-80 to your computer. You can then use MIDI-related software to record and play back FP-80 performances.

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections. * When connection cables with resistors are used, the volume level of equipment connected to the INPUT jack may be low. If this happens, use

connection cables that do not contain resistors.

Panel Descriptions

PEDAL Jacks

Connect pedals to these jacks. Each jack controls a dierent pedal function.

Pedal Jack Explanation

DAMPER/R jack Acts as a damper pedal.

SOSTENUTO/C jack By default, acts as a sostenuto pedal.

SOFT/L jack By default, acts as a soft pedal.

MEMO

• When connecting the included pedal, set the pedal’s side switch to “Continuous.”

• If you wish, you can assign dierent functions to the pedals connected to the SOSTENUTO/C and SOFT/L jacks (p. 46).

• The separately available RPU-3 pedal allows you to enjoy piano performances at their fullest, since you can use three pedals.

• Use only the specied expression pedal (EV-5, EV-7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Damper pedal

Use this to sustain the sound. While you hold down the damper pedal, notes will be sustained even if you take your ngers o the keyboard. You can control the amount of sustain applied by the way you press the pedal. On an acoustic piano, pressing the damper pedal allows other strings to resonate sympathetically with the notes you play, producing a rich and spacious resonance. The FP-80 simulates this natural damper resonance.

Sostenuto pedal

The notes you are pressing when this pedal is depressed will be sustained.

Soft pedal

Use this to soften the sound. When you play the keyboard while holding down the soft pedal, the sound will be softer than normal for the same keyboard playing strength. This is the same function as the left pedal of an acoustic piano. You can control how soft the sound will be by the way you press the pedal.

MIDI Connectors

Connect these jacks to external MIDI devices.

MIC Jack and MIC VOLUME Knob

Connect a microphone (sold separately) to this jack. Use the MIC [VOLUME] knob to adjust the microphone’s loudness.

* If the volume is excessive, you may hear noise from the speakers.

* Howling could be produced depending on the location of

microphones relative to speakers. This can be remedied by:

1. Changing the orientation of the microphone(s).

2. Relocating microphone(s) at a greater distance from speakers.

3. Lowering volume levels.

Page 34

OUTPUT Jacks

If you connect these jacks to amplied speakers, the sound of FP-80 will be heard through them.

INPUT Jack

This is a stereo miniature phone type jack. Use it to connect to an audio player or similar source, so that you can play the source’s sound through the FP-80. Adjust the volume, as necessary, from the source side.

Ground Terminal

Refer to “Ground Terminal” (p. 72).

MaxMin

[SPEAKER] Switch

Turns the FP-80’s speakers on or o.

ONOFF

Getting Ready

Using a Stand

Be careful not to pinch your ngers when setting up the stand. Please use one of the following Roland stands to support your FP-80: KSC-76, KS-G8, KS-18Z, or KS-12. Refer to the following when using a stand.

KSC-76

Refer to the KSC-76 Owner’s Manual.

KS-G8

Align the back panel of the FP-80 with the rubber base of the stand

KS-18Z

Align the front of the FP-80 with the front of the stand

Adjust the stand to the lowest level

Place the FP-80 so that its rubber feet are on the inner side of the stand

Top view

Adjust the width of the stand so that the rubber feet of the FP-80 straddle the stand

Top view

KS-12

Adjust the stand to a level no higher than the second level from the bottom

Adjust the width of the stand so that the rubber feet of the FP-80 t into the holes provided for the rubber feet

Top view

Getting Ready

Turning the Power On and O

Turning the Power On

NOTE

Once everything is properly connected (p. 10), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

1. Move the [VOLUME] slider all the way to the left to

minimize the volume.

Minimize the volume.

2. Press the [ ] switch.

Listening to the Demos

Here’s how to listen to the demo songs.

1. Hold down the [EQUALIZER] button and press the

[MIC HARMONY] button.

The TONE buttons starts blinking.

2. Press one of the TONE buttons.

Demo playback starts.

MEMO

The tone used for the demo song depends on which TONE button you press.

When the last demo has nished, playback starts again from the rst demo.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

The unit turns on and a TONE button along with other buttons light up.

* This unit is equipped with a protection circuit. A brief interval (a

few seconds) after turning the unit on is required before it will operate normally.

3. Move the [VOLUME] slider to adjust the volume (p. 8).

* Before turning the unit on/o, always be sure to turn the volume

down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

Turning the Power O

1. Move the [VOLUME] slider all the way to the left to

minimize the volume.

2. Press and hold the [ ] switch until the display turns o.

The unit turns o.

3. To stop playback, press the blinking TONE button.

4. To terminate demo play, press the [EQUALIZER] button or

the [MIC HARMONY] button.

* The demo songs are for your personal enjoyment only.

Unauthorized use is a violation of applicable laws.

* No data for the music that is played will be output from the MIDI

OUT connector and USB COMPUTER port.

Concerning the Auto O function

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 40).

• Any settings that you are in the process of editing will be lost when the power is turned o. If you have any settings that you want to keep, you should save them beforehand.

• To restore power, turn the power on again.

Performing

: Indicates settings saved in registrations (p. 36). : Indicates settings retained by the Memory Backup function (p. 40).

Performing with Various Sounds

In addition to piano sounds, the FP-80 lets you enjoy performing with many other sounds (372 dierent tones).

These sounds are called “Tones.” The tones are organized into ve groups, and each group is assigned to a TONE button.

Switching Tones

Let’s start by performing with a piano tone.

1. Press the [PIANO] button to select the tone group.

The currently selected tone number and tone name are displayed.

Performing with Two Layered Tones (Dual Play)

You can play two tones simultaneously from each note of the keyboard. This feature is called “Dual Play.”

As an example, here’s how to layer piano and strings tones.

1. Hold down the [PIANO] button and press the [STRINGS]

button.

Both buttons will light. When you play the keyboard, you’ll hear both the piano and the

strings tones.

Tone 1

Tone 2

Tone groups

Button Explanation

[PIANO] button

[E. PIANO] button

[STRINGS] button

[ORGAN] button

[OTHER] button Allows you to select vocal, brass, and GM2 tones.

REFERENCE

For details on the tones, refer to “Tone List” (p. 58).

Allows you to select various historical instruments, including grand pianos, or harpsichords.

Allows you to select various electric piano sounds used in pop or rock, as well as the sound of instruments played using mallets.

Allows you to select the sounds of string instruments such as violins, as well as other instruments used in orchestras, which are appropriate when used for Dual Play with a piano sound.

Allows you to select organ tones. If you’ve selected a tone to which the rotary eect

is applied, pressing the [ORGAN] button will switch the speed of the rotary eect.

If you select one of the “TW-Organ 1–6” tones, you can simulate the way sounds are built on an organ (p. 32).

2. Use the [–] [+] buttons to select the tone variation.

* For some tones, there are keys that produce no sound.

MEMO

When playing a tone that uses tremolo or has a vibrating quality, you can adjust the speed of the modulation by holding down the current TONE button and pressing the [ buttons.

] [ ] (SLOW/FAST)

Tone name

Tone 1

Tone 2

* You can’t use Dual Play simultaneously with Split Play (p. 15). * For some combinations of sounds, the eect is not applied to

Corresponding button

The left-most of the lit TONE buttons

The right-most of the lit TONE buttons

tone 2, and this may aect how the tone sounds.

How to select tones

Press the [–] [+] buttons.

While holding down the TONE button for Tone 2, and press the [–] [+] buttons.

2. To exit Dual Play, press one of the TONE buttons.

MEMO

• You can adjust the volume balance of the two tones (p. 45).

• You can shift the pitch of tone 2 in steps of an octave (p. 45).

• When you press the damper pedal while using Dual Play, the eect will be applied to both tone 1 and tone 2. If desired, you can have the eect be applied to only one of the tones (p. 45).

Performing

Playing Dierent Tones with the Right and Left Hands (Split Play)

You can play dierent tones in the left and right sides of the keyboard, divided at a certain key.

This feature is called “Split Play,” and the key at which the keyboard is divided is called the “Split Point.”

1. Press the [SPLIT] button.

The [SPLIT] button will light, and the split screen appears.

Right-hand tone

Left-hand tone

When Split is turned on, the keyboard settings will be as follows.

Split Point (Power-up default: F#3)

Changing the left-hand tone

1. Hold down the [SPLIT] button and press the TONE button.

The number and name of the tone currently selected for the lefthand zone are shown.

2. Hold down the [SPLIT] button and press the [–] [+]

buttons.

A dierent tone is selected.

MEMO

You can shift the pitch of the left-hand tone in steps of an octave (p. 45).

Operation Guide Before You Play Performing Recording Designing Sounds Microphone Registrations AppendixSettings

…

C1 D1A0 B0 C2 C3 C4 C5 C8

Left-hand tone Right-hand tone

2. To exit Split Play, press the [SPLIT] button once again.

MEMO

You can adjust the volume balance of the right-hand and lefthand tones (p. 45).

Changing the right-hand tone

1. Press the TONE button.

The number and name of tone currently selected for the right-hand zone are shown.

Changing the split point

Range in which you can specify the split point (B1–B6)

C1 C3A0

Split point (Power-up: F#3, included in left-hand zone)

1. Hold down the [SPLIT] button and press the key that you

want to be the split point.

The key you pressed becomes the new split point, and that key will be shown in the display.

B1 C2 C7 C8B6

2. Press the [–] [+] buttons.

A dierent tone is selected.

Performing

Performing with the Metronome

You can sound the metronome while you play. You can also change the metronome’s tempo and time signature. If a song or rhythm is playing, the metronome will sound according

to the song or rhythm’s tempo and time signature.

1. Press the [METRONOME] button.

The [METRONOME] button will blink, and the metronome will sound.

The [METRONOME] button will blink red and green according to the currently selected time signature; red indicates the strong beats, and green indicates the weak beats.

2. To stop the metronome, press the [METRONOME] button

once again.

Changing the Metronome’s Time Signature

1. While holding down the [METRONOME] button, use the

[

] [ ] (SLOW/FAST) buttons.

If you select “0/4,” only the weak beats will sound. When you record your performance, it will be recorded using the

time signature you specify here. When you play back a song or rhythm, the metronome’s time

signature will be set to the time signature of that song or rhythm.

Value

* You can’t change the metronome’s time signature while a song

or rhythm is playing.

2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

Changing the Metronome’s Tempo

1. Press the [METRONOME] button.

The metronome will sound.

2. Press the [ ] [ ] (SLOW/FAST) buttons.

Changing the Metronome’s Volume

1. While holding down the [METRONOME] button, press the

[–] [+] buttons.

The display will indicate the metronome’s volume.

Value Explanation

0–10

If the metronome’s volume is set at “0,” you won’t hear the metronome.

Performing

Adjusting the Sound to Your Taste

The FP-80 lets you add reverberation or modify the tone color.

Adding Reverberation (Ambience)

You can add a pleasant reverberation to the sounds of the FP-80, producing the impression that you are performing in a concert hall.

This eect is called “Ambience.”

1. Press the [AMBIENCE] button.

The [AMBIENCE] button will light.

2. While holding down the [AMBIENCE] button, press the [–]

[+] buttons.

The display will indicate the ambience depth setting.

Adjusting the Tone Color (Equalizer)

You can use the equalizer to adjust the sound’s tone color. There are four equalizer types available. You can adjust the tone color with each equalizer to suit your tastes.

1. Press the [EQUALIZER] button.

The [EQUALIZER] button will light.

2. Hold down the [EQUALIZER] button and use the [–] [+]

buttons to select an equalizer type.

The display will indicate the equalizer’s type.

Operation Guide Before You Play Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Value Explanation

1–10 Higher values apply deeper ambience.

3. To turn o the ambience eect, press the [AMBIENCE]

button once again.

The [AMBIENCE] button will go out.

* The ambience depth cannot be set individually for each tone.

The same amount of ambience is applied to each tone.

Value 1–4

MEMO

You can make detailed adjustments to equalizer settings (p. 18).

3. To turn equalization o, press the [EQUALIZER] button

once again.

The [EQUALIZER] button will go out.

Performing

Editing the equalizer settings

You can use the equalizer to modify the tone color by boosting or reducing just the low-frequency or high-frequency range of the sound.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select

“Equalizer.”

3. Use the [–] [+] buttons to select the type of equalizer that

you want to edit.

4. Press the [METRONOME] button.

The equalizer screen appears.

5. Press the [ ] [ ] (SLOW/FAST) buttons to choose an

equalizer parameter.

Parameter Value Explanation

Low Gain -12–+12 dB

Low Freq 100–1 k (Hz)

Low Mid Gain -12–+12 dB

Low Mid Freq 16–16 k (Hz)

Low Mid Q

High Mid Gain -12–+12 dB

High Mid Freq 16–16 k (Hz)

High Mid Q

High Gain -12–+12 dB

High Freq 1.25–16 k (Hz)

0.5, 1.0, 2.0,

4.0, 8.0

0.5, 1.0, 2.0,

4.0, 8.0

Adjusts the level of the low-frequency range.

Frequency point in the low-frequency range.

This changes the level at and under the specied bandwidth.

Adjusts the level of the low-to midfrequency range.

Frequency point in the low- and mid-frequency range.

This changes the level of the specied bandwidth centered on this frequency.

Changes the bandwidth of the low- and mid-frequency range.

The bandwidth aected narrows as the value increases.

Adjusts the level of the mid- to highfrequency range.

Frequency point in the mid- and high-frequency range.

This changes the level of the specied bandwidth centered on this frequency.

Changes the bandwidth of the mid- and high-frequency range.

The bandwidth aected narrows as the value increases.

Adjusts the level of the high-frequency range.

Frequency point in the high-frequency range.

This changes the level at and over the specied bandwidth.

Adjusting the Keyboard Response

The way in which the keyboard responds to your playing strength can be adjusted to your personal taste.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Use the [ ] [ ] (SLOW/FAST) buttons to select “Key Touch.”

3. Use the [–] [+] buttons to adjust the value.

Value Explanation

Fix, 1–100

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

(Key Touch)

Higher values will make the keyboard feel heavier. If you’ve specied “Fix,” notes will sound at the

same volume regardless of how strongly you play the keyboard.

6. Use the [–] [+] buttons to change the setting.

* Sounds may become distorted as the gain level increases.

7. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Performing

Shifting the Pitch (Transpose)

“Transpose” means to shift the pitches of songs and the keyboard. The Transpose function makes it easy to do the following.

• You can use unchanged ngering to accompany a singer who is singing in a key dierent than the original music.

• A song written in a dicult key with numerous sharps (

For example, if the song is written in E major but you want to play it using the ngering of the key of C major, you would set Transpose to “4.”

If you play C E G It will sound E G B

MEMO

• With the factory settings, both the song and the keyboard will

• You can also transpose audio les and audio input through the

) can be performed in a key that’s easier for you to play.

ats (

be transposed. If you want to transpose only the keyboard or only the song, make the appropriate setting as described in “Specifying What to Transpose (Transpose Mode)” (p. 44).

INPUT jack (p. 25).

Operation Guide Before You Play Performing Recording Designing Sounds Microphone Registrations AppendixSettings

) or

1. Press the [TRANSPOSE] button.

The [TRANSPOSE] button will light.

2. While holding down the [TRANSPOSE] button, press the

[–] [+] buttons.

The display will indicate the amount of transposition.

Value Explanation

-6–0–+5 (semitone steps)

MEMO

You can also specify this value by holding down the [TRANSPOSE] button and playing the note that is the tonic of the key to which you want to transpose.

* If you select a dierent song, the transposition setting will be

canceled.

Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.

3. To cancel the transposition, press the [TRANSPOSE]

button once again.

The [TRANSPOSE] button will go out.

Adding Accompaniment to Your Performance

4. Press the [START/STOP] button.

Playing Along with a Rhythm

Let’s look at how to set up and play rhythm backings.

About the FP-80’s rhythm

The FP-80 can automatically match its rhythmic accompaniment to the chords that you play on the keyboard. This feature is called “rhythm.”

The FP-80 contains 90 built-in rhythms in various musical styles, such as jazz and rock.

Rhythms include not only drum sounds, but also accompaniments featuring instruments such as piano, guitar, bass, and strings.

You can also add intros and endings to your rhythms, and insert ll-ins. These features make it easy to develop eective and expressive rhythmic accompaniment.

Rhythm Flow

The FP-80 starts playing the selected rhythm. When you play a chord, the rhythm performs according to the

chord you play. To turn rhythm play o, press the [START/STOP] button once again.

REFERENCE

For details on the available rhythms, refer to”Rhythm List” (p. 60).

MEMO

• It’s not necessary to strike all the notes of each chord. The FP-80 recognizes various alternative chord voicings (p. 45).

• If you’d like to see what chord the FP-80 is currently using for the rhythm, access the rhythm screen and press the [RHYTHM] button.

Intro

MEMO

• You can also set chord progressions for your rhythms (p.

23).

• You can limit the rhythm part to drums, or select other parts for the rhythm (p. 22).

Accompaniment

Selecting and Playing a Rhythm

Here’s how to select a rhythm, start it, and play along with it.

1. Press the [RHYTHM] button.

The [RHYTHM] button will light and the rhythm screen appears.

Ending

Adding an Intro

Here’s how to add an intro to the rhythm.

1. Press the [INTRO/ENDING] button.

The [INTRO/ENDING] button will light.

2. Play a rhythm.

Now you’ll hear the intro rst, followed by the rhythm. When the intro is completed, the [INTRO/ENDING] button will go

out.

MEMO

The intro will last longer if the Variation feature is enabled (if the [VARIATION] button is lit).

2. Hold down the [RHYTHM] button and press the [–] [+]

buttons to select the rhythm category.

Tempo Time Signature

Adding an Ending

Here’s how to add an ending to the rhythm.

1. Play a rhythm.

2. Press the [INTRO/ENDING] button.

The ending will play, and then the rhythm will stop.

MEMO

The ending will last longer if the Variation feature is enabled (if the [VARIATION] button is lit).

Adding Variation to the Rhythm

Two rhythm accompaniment patterns are available: the original accompaniment pattern and a more colorful variation accompaniment pattern.

Performers often nd it eective to start with the more laid back original pattern, then switch to the variation as energy builds during the latter part of the song.

Inserting a Fill-In

You can insert a short phrase, called a “ll-in,” to your accompaniment. Fill-ins help add variety to your performances.

1. Hold down the [VARIATION] button and press the [–] [+]

buttons.

Value Explanation

On Insert the ll-in.

O Do not insert the ll-in.

The [VARIATION] button blinks while the ll-in is playing.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

1. Press the [VARIATION] button to switch the

accompaniment pattern.

[VARIATION] button Explanation

Unlit The original accompaniment pattern is playing.

Lit The variation accompaniment pattern is playing.

What’s a “Fill-In”?

A short improvisational phrase inserted at the transition is called a “Fill-In.” The ll-in best suited to the selected Rhythm is played.

Adding Accompaniment to Your Performance

Selecting Specied Rhythm Parts

As an example, proceed as follows to select a drum-only rhythm part.

1. Press the [DRUMS & BASS] button.

[DRUMS & BASS] button

Unlit Play all parts.

Lit Play only the selected Rhythm Part.

Selecting the rhythm parts (Rhythm Part)

Explanation

Starting the Rhythm by Playing a Key (Sync Start)

You can have the rhythm start playing when you press a key.

1. Hold down the [START/STOP] button and press the [–] [+]

buttons.

Value Explanation

On The rhythm starts playing when you press a key.

O

The rhythm does not start playing when you press a key.

1. Hold down the [DRUMS & BASS] button, and press the [–]

[+] buttons.

Value Explanation

Drums & Bass

Bass Play only the bass part.

Drums Play only the drum part.

Play only the drum and bass parts.

Holding the Last Chord (Chord Hold)

When you play a chord, the rhythm performs according to the chord you play, and the chord continues to sound until you press another chord. This feature is called “Chord Hold.”

1. Hold down the [INTRO/ENDING] button and press the [–]

[+] buttons.

Value Explanation

O

Continue chord’s rhythm until you play another chord.

All parts play while you hold down the chord. When you lift ngers o keys, the drum part continues but all other parts stop.

You can create a jazz four verse by having the drums play by themselves, feature the piano accompaniment, etc.

* The Chord Hold setting is ignored while Chord Pattern is turned

on.

Adding Accompaniment to Your Performance

Playing Along with a Chord Progression (Chord Pattern)

Set up the chord progression for the accompaniment. The chords will progress automatically; go ahead and play a melody

as desired.

1. Press the [CHORD PATTERN] button.

[CHORD PATTERN] button

Unlit Chord pattern is O.

Lit Chord pattern is On.

MEMO

• The Chord screen is displayed when Chord Pattern is turned on and a rhythm starts playing.

• Shortly before the chord changes, the name of the next chord is displayed.

Explanation

Playing Along with a Song

You can play the keyboard along with a song.

Selecting and Playing a Song

Listen to the available songs. The FP-80 comes with 30 built-in songs.

You can also play songs stored on USB ash drives (sold separately).

* No data for the music that is played will be output from the MIDI

OUT connector and USB COMPUTER port.

1. Press the [SONG] button.

The [SONG] button will light and the song screen appears.

2. Hold down the [SONG] button and press the [–] [+]

buttons to select the category.

Tempo Time Signature

Measure

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Selecting the chord pattern

1. Hold down the [CHORD PATTERN] button and press the [–]

[+] buttons.

Value 1–90

REFERENCE

The “Chord Pattern List” (p. 63) shows the available progressions.

Playing Songs Consecutively (All Song Play)

You can consecutively play back all of the built-in songs, the songs saved in internal memory, or the songs saved on a USB ash drive.

This is called “All Song Play.”

1. Hold down the [SONG] button and press the [–] [+]

buttons to select the category.

2. Hold down the [SONG] button and press the [ ]

button.

“All Songs Play” mode is selected, and the [ ] button starts blinking.

* To cancel “All Song Play” mode, stop the playback or turn o the

power.

Adjusting a Song’s Tempo

Here’s how to change a song’s tempo.

2. Connect the USB ash drive into the FP-80’s USB

MEMORY port.

3. At the song screen, select “USB” as the category.

4. Select the desired song from the list on the display.

Supported song formats

The FP-80 can play data stored in the following formats.

• SMF formats 0/1

• Roland Piano Digital format (i-format)

• Audio les: WAV format, 44.1 kHz, 16-bit linear

1. Press the [ ] [ ] (SLOW/FAST) buttons.

MEMO

The adjustable range for an audio le is 75–100–125%.

2. To return the tempo to its original setting, press the [ ]

(SLOW) and [

] (FAST) buttons simultaneously.

Adding Accompaniment to Your Performance

Lower the Level of an Audio File’s Central Sound (Center Cancel)

This feature lets you reduce the loudness of the central sound of the audio. You can use it, for example, to reduce the level of a melody or vocal, so that you can perform the part yourself.

MEMO

This feature operates both on the selected audio les and on audio input (via the INPUT jack) from a digital audio player.

* This feature does not work perfectly with every song. In some

cases it may be unable to fully eliminate the central sound, or may alter the recording’s tone quality.

* Mic Harmony (p. 34) and Damper Resonance (p. 31) are not applied

while Center Cancel is on.

Transposing an Audio File (Audio Transpose)

An audio le you select and the sound from a digital audio player connected to the INPUT jack can be transposed.

* In some cases, transposition (a transpose setting other than 0)

may cause a change in the song’s tone quality.

* If you select a dierent song, the audio transposition setting will

be reset.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Use the [ ] [ ] (SLOW/FAST) buttons to select “Audio

Transpose.”

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Use the [ ] [ ] (SLOW/FAST) buttons to select “Center

Cancel.”

3. Press the [–] [+] buttons to adjust the value.

Value Explanation

On Lower the central sound when playing.

O Play normally.

4. Use the [SONG] and [RHYTHM] buttons simultaneously to

nish.

3. Press the [–] [+] buttons to adjust the value.

Value Explanation

-6–0–+5 (semitone steps)

Sets the transposition amount, in semitones. Positive values transpose the pitch upward; negative values transpose it downward.

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

MEMO

You can also change the Audio Transpose setting by holding down the [TRANSPOSE] button and pressing one of the [ (SLOW/FAST) buttons.

] [ ]

Recording Your Performances

It’s easy to record a performance. You can play back a recorded performance to check your playing, or

to play along with it. The FP-80 can record performances into both MIDI les (SMF les)

and audio les.

SMF and audio recording

File Type Explanation

A collection of data describing everything that happened while the music was played will be recorded.

SMF recording

Audio recording

* SMFs (Standard MIDI Files) use a standard format for music le

that was formulated so that les containing music le could be widely compatible, regardless of the manufacturer of the listening device. An enormous variety of music is available, whether it be for listening, for practicing musical instruments, for Karaoke, etc.

Such data will include information about which keys (pitches) were played, for how long, what amount of force was applied, etc.

* In most cases you should use SMF recording.

An audio le stores actual sound data. You can easily play these recordings on your computer.

* In order to use audio recording, you must connect

a USB ash drive (sold separately) to the USB MEMORY port (p. 10).

* Thanks to its multiple number of speakers, each of

which can be used to play a dierent portion of the overall sound, the FP-80 is capable of producing piano sounds that possess great depth and threedimensional presence (Acoustic Projection). When playing from the keyboard or from SMF data, the FP-80 applies an acoustic projection eect that makes the sound more natural. This eect is not used with audio recordings, as they are already recorded in stereo (using two channels).

4. Press the [REC] button.

The display shows the message “New Song.” The [REC] button lights up, the [

FP-80 enters recording-standby mode.

If you decide not to record, press the [REC] button once again.

MEMO

If you selected a previous recording in step 2, press the [+] button.

] button blinks, and the

Starting and stopping recording

1. Press the [ ] button.

You’ll hear a two-measure count-in (the measure number in the upper right of the display shows “-2” and then “-1”), and then recording starts.

When recording starts, the [REC] and [

MEMO

You can also initiate recording by hitting a key on the keyboard. If you start this way, recording starts immediately (without the count-in).

2. Press the [ ] button.

Recording stops, and the Save Song screen appears.

] buttons light.

SMF Recording

Here’s how to record your performance as an SMF le.

Preparing to record

1. Select the tone that you want to play on the keyboard

(p. 14).

2. If desired, you can select an accompaniment to be played

while you’re recording.

MEMO

Refer to “Selecting and Playing a Song” (p. 23) if you want to select a song, or “Selecting and Playing a Rhythm” (p. 20) if you want to select a rhythm.

* You cannot record an audio le as an accompaniment.

MEMO

• While a rhythm is playing, you can press the [INTRO/ENDING] button to start playing the ending and stop recording.

• If you want to check your performance, press the [ button in the Save Song screen to start playback.

Saving a recorded performance

* If you want to save to a USB ash drive (sold separately), plug

the drive into the USB MEMORY port before proceeding.

1. Press the [ ] (FAST) button.

If a USB drive is present in the USB MEMORY port, the recording is saved into the drive. Otherwise the recording is saved into internal memory.

By default, the recorded song is given the name “Song” followed by a free song number.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

MEMO

You can select the save location and song name for your recording (p. 28).

]

3. Start the metronome if desired (p. 16).

Recording Your Performances

Erasing a recorded performance

1. Press the [ ] (SLOW) button to select “Erase.”

A conrmation message appears.

If you decide not to delete the performance, press the [ ] (SLOW) button once again.

2. Press the [ ] (FAST) button.

The recording is erased.

Listening to a recorded performance

1. Press the [ ] button.

Playback starts from the beginning of the recorded performance.

Audio Recording

Here’s how to record your performance as audio data. The recorded song can be used on your computer.

When making the recording, you can also record vocals through the microphone, and external audio via the INPUT jack.

* In order to use audio recording, you must connect a USB ash

drive (sold separately) to the USB MEMORY port (p. 10).

Preparing to record

1. Connect a USB ash drive (sold separately) to the USB

MEMORY port (p. 10).

* Audio data cannot be saved into internal memory.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

2. Hold down the [REC] button and press the [–] [+] buttons

to select “Audio.”

3. Select the tone that you want to play on the keyboard (p.

14).

MEMO

If also recording through the microphone or from the INPUT jack, adjust the sound level accordingly.

4. If desired, you can select an accompaniment to be played

while you’re recording.

MEMO

Refer to “Selecting and Playing a Song” (p. 23) if you want to select a song, or “Selecting and Playing a Rhythm” (p. 20) if you want to select a rhythm.

* You cannot record an audio le as an accompaniment.

5. Start the metronome if desired (p. 16).

6. Press the [REC] button.

The display shows the message “New Song.” The [REC] button lights up, the [

FP-80 enters recording-standby mode.

] button blinks, and the

If you decide not to record, press the [REC] button once again.

MEMO

If you select a song in step 4 that has already been recorded, press the [+] button.

Recording Your Performances

Starting and stopping recording

1. Press the [ ] button.

Recording starts and the [REC] and [ ] buttons light.

2. Press the [ ] button.

Recording stops, and the Save Song screen appears.

MEMO

• When an ending is playing and the rhythm stops, or when performing until the end of a song, recording continues so that the nal sustained sound is recorded, and therefore recording does not stop automatically.

• If you want to check your performance, press the [ button in the Save Song screen to start playback.

Saving a recorded performance

1. Press the [ ] (FAST) button.

The recording is saved on the USB ash drive. By default, the recorded song is given the name “AUDIO” followed

by a free song number.

Setting the Save Destination and Song Name

You can select the save destination and song name for your recording.

1. Conrm that the Save Song screen is on the display, and

press the [METRONOME] button.

2. Press the [–] [+] buttons to select the desired storage

location.

Display Storage location

Favorite Internal memory

USB Memory USB ash drive

* Audio data cannot be saved into internal memory. * “USB Memory” is available only if a USB ash drive (sold

]

separately) is connected to the USB MEMORY port.

3. Press the [ ] (FAST) button.

The selection screen appears, so that you can set the destinationside song number for the recording.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

MEMO

You can select the save location and song name for your recording (p. 28).

Erasing a recorded performance

1. Press the [ ] (SLOW) button to select “Erase.”

A conrmation message appears.

If you decide not to erase the performance, press the [ ] (SLOW) button once again.

2. Press the [ ] (FAST) button.

The recording is erased.

Listening to a recorded performance

1. Press the [ ] button.

Playback starts from the beginning of the recorded performance.

4. Press the [–] [+] buttons to select the song number at the

save destination.

If a song name is displayed when you select a song number, a song has already been saved in that number. If you select a song number that already contains a song, the recorded song will be overwritten.

If you do not want to overwrite the previously recorded song, select a song number that displays “(Empty)” as the song name.

5. Press the [ ] (FAST) button.

The entry screen appears, where you can enter the desired song name.

6. Change the song name.

Button Operation

[–] [+] buttons Change the character.

[

] [ ] (SLOW/FAST)

buttons

* Note that character availability varies according to whether you

are saving an SMF le or an audio le.

If you decide not to save the song, press the [REC] button.

Select the character to change.

7. Press the [METRONOME] button.

The song is saved.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

Recording Your Performances

Converting an SMF Recording into an Audio Recording

Converting from SMF to audio allows you to listen to the recordings on your computer. You can also use your computer to burn the song to a music CD, or upload it to the Internet.

Copying an audio recording to your computer

Use computer software (such as iTunes) to burn song onto CDs.

WAV

Songs recorded on the FP-80 can be moved or copied to your computer using a USB ash drive.

To listen to an audio recording, just connect the USB ash drive to your computer and then select and start the song.

To listen to an SMF recording on your computer, you should rst convert it into an audio (WAV) le. The FP-80 converts SMF les into 16-bit, 44.1 kHz WAV les.

You can use your computer to burn the audio les onto a CD, or upload them to the Internet.

Page 30

7. Press the [ ] button.

The song plays back, and conversion begins.

MEMO

If, during conversion, you play the FP-80 (using its keyboard or by controlling it with an external MIDI device) or input sound via the INPUT jack, those sounds will also be converted.

NOTE

• Do NOT turn o the power or disconnect the USB ash drive while conversion is in progress.

• Note that some SMF les may fail to produce perfect audio conversions.

8. Press the [ ] button.

Song playback stops, and the FP-80 converts the section that was just played. A conrmation message asks whether to save or erase the le.

9. Choose whether to save or erase the converted le (p. 28).

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

1. Connect a USB ash drive (sold separately) to the USB

MEMORY port (p. 10).

* Audio data cannot be saved into internal memory.

2. Press the [SONG] button.

3. Select the song that you want to convert (p. 23).

4. Hold down the [REC] button and press the [–] [+] buttons

to select “Audio.”

5. Press the [REC] button.

The display shows the message “New Song.” The [REC] button lights up, the [

FP-80 enters recording-standby mode.

If you decide not to record, press the [REC] button once again.

] button blinks, and the

6. Press the [+] button and select the song again you

selected in step 3.

Burning an Audio Recording (WAV le) onto a CD

After saving an audio recording to a USB ash drive, you can copy the recording to your computer and burn it to a CD. If you want to burn a CD from a song that you recorded as an SMF, you must rst convert it to audio (WAV le) (p. 29).

WAV

To burn music from your computer to a CD, you will need to use appropriate software, such as “iTunes.” For instructions, refer to the user manual or online help for the software you are using.

Copying a recorded song to your computer

1. Connect the USB ash drive

containing the song to your computer.

If you’re using Windows, a “Removable disk” icon will appear in “Computer.” If you’re using Mac OS X, a “NO NAME” icon will appear on the desktop.

2. Double-click the icon.

The screen lists the contents of the USB drive. The list includes the audio recording of the song (as a WAV le).

Using iTunes to burn the song to CD

The following explanation uses iTunes 10 for Windows. If you’re using a dierent version or other software, refer to its online help or owner’s manual.

Songs recorded on the FP-80 can be copied to your computer using a USB ash drive.

3. Copy the song (WAV le) that you want to burn to your

computer’s desktop or another location where you can easily nd it.

Copy to desktop

5. Select the playlist that you created in step 2, then open

the [File] menu and click [Burn Playlist to Disc].

Use computer software (such as iTunes) to burn the song to a CD.

1. From the Start menu, click [All Programs] - [iTunes].

2. From the iTunes [File] menu, click [New Playlist] to create

a playlist.

New playlist

3. From the desktop (or other location) where you copied

it, drag and drop the song (WAV le) to add it to the playlist you just created in step 2.

Drag & drop

4. Insert a blank CD-R into your computer.

6. Enter the appropriate settings in the disc-creation dialog

box, and then click the [Burn] button.

Designing Sounds

Personalizing Your Piano (Piano Designer)

What is Piano Designer?

The FP-80 allows you to personalize your piano sound by adjusting various factors that aect the sound, such as the piano’s strings, the resonance produced using the pedals, and the sound of the hammers striking the strings.

This function is called “Piano Designer.”

The sound of the hammers striking the strings

Adjusting the piano sound to your taste

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Use the [ ] [ ] (SLOW/FAST) buttons to select “Piano

Designer.”

3. Press the [METRONOME] button.

The Piano Designer screen appears, and the “ConcertPiano” tone will be selected.

* Once you access the Piano Designer screen, Mic Harmony,

Center Cancel, and Audio Transpose are turned o.

4. Press the [ ] [ ] (SLOW/FAST) buttons to select a

parameter (sound element) that you’d like to adjust.

5. Use the [–] [+] buttons to adjust the value.

String resonance

Temperament

Piano designer parameters

Indication Value Explanation

Damper Resonance

Hammer Noise

Hammer Response

Duplex Scale O, 1–10

String Resonance

Key O Resonance

Cabinet Resonance

Soundboard Behavior

Damper Noise O, 1–10

Stretch Tuning

O, 1–10

-2–0–2

O, 1–10

O, Preset, User (User:

-50–0–+50)

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

This adjusts the damper resonance of the acoustic piano sound (the sympathetic vibration produced in strings other than those actually played when you press the damper pedal).

Higher settings will make the sympathetic vibration louder.

This adjusts the sound of the hammer when it strikes the string of an acoustic piano.

Higher settings will produce a louder sound of the hammer striking the string.

This adjusts the time from when you play a key until the piano sound is heard.

Higher settings will produce slower response.

This adjusts the sympathetic vibrations of an acoustic piano’s Duplex Scale.

Higher settings will make the sympathetic vibration louder.

This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played notes that occur when you play another note).

Higher settings will make the sympathetic vibration louder.

This adjusts sympathetic vibrations such as an acoustic piano’s key-o sound (the subtle sound that occurs when you release a note).

Higher settings will make the sympathetic vibration louder.

Adjusts the body resonance of the grand piano itself.

Higher values will produce a larger body resonance.

When you play a chord, this setting improves the clarity of the individual notes in the chord, creating a more beautiful resonance.

Higher settings produce a clearer resonance.

This adjusts the damper noise of the acoustic piano sound (the sound of the damper releasing the strings when you press the damper pedal).

* If Damper Resonance is turned “O,”

damper noise will not be heard.

This lets you specify the amount of “stretch tuning,” a tuning method specically for pianos, in which the high range is tuned slightly sharper, and the low range is tuned slightly atter.

If you select “Preset,” a standard tuning curve created for the FP-80 will be used.

To adjust the stretch tuning, rst select “User” and then press the [METRONOME] button. Play the key whose pitch you want to adjust, then use the [–] [+] buttons to adjust its pitch.

Pressing the [REC] button will take you back to the previous screen.

6. Repeat steps 4–5 to create your own personalized piano

sound.

7. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

3131

Designing Sounds

Temperaments

Temperament Qualities

Equal

Just Major

Just Minor

Pythagorean

Kirnberger

Meantone

Werckmeister

Arabic This tuning is suitable for the music of Arabia.

In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of slight dissonance.

This tuning eliminates ambiguities in the fths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

There are two types of Just tunings: major and minor. You can get the same eect with the minor scale as with the major scale.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fths. Dissonance is produced by third-interval, but melodies are euphonious.

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation. Performances are possible in all keys (III).

This scale makes some compromises in just intonation, enabling transposition to other keys.

This temperament combines the Meantone and Pythagorean tunings. Performances are possible in all keys (rst technique, III).

What is the Duplex Scale?

The Duplex Scale is a system of sympathetically vibrating strings sometimes included in grand pianos.

These sympathetically vibrating strings are not struck directly with hammers, but sound by vibrating in sympathy with the vibrations of other strings. By resonating with the overtones, these strings add richness and brilliance to the sound. These sympathetic strings are added only to the high register above approximately C4. Since they do not have a damper (a mechanism that stops them from sounding), they will continue sounding even after you play a note and then release it to stop the sound of the string that was actually struck.

Simulating the Way That Sounds Are Created on an Organ (Tonewheel Organ )

On the FP-80, you can use the [ORGAN] button to select one of the “TW-Organ 1–6” tones to play tones that simulate the way in which sound is produced by an organ.

On a tonewheel organ, you can create original sounds by sliding nine harmonic bars (drawbars) forward or backward to change their relative balance. Each bar is assigned a dierent footage, and this footage determines the pitch of the sound. 8’ is the footage that forms the basic pitch of the sound; this is the center around which you create the tone.

By assigning the footage to the TONE buttons, you can simulate the way in which these harmonic bars are used to create the sound.

What’s the Footage?

“Footage” is a term that began as a measurement of the length of the pipes in a pipe organ.

The pipes that produce the basic pitch (fundamental) for each note are considered to be 8 feet in length.

Therefore, a pipe producing a pitch one octave below that of the reference of 8’ (eight feet) would be 16’; for one octave above the reference, the pipe would be 4’, and to take the pitch up yet another octave it would be shortened to 2’.

Selecting the Type of Tonewheel Organ

1. Press the [ORGAN] button so it’s lit.

2. Use the [–] [+] buttons to select one of the “TW-Organ

1–6” tones.

Designing Sounds

Creating a Tonewheel Organ Sound (Edit Tone Wheel)

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Edit Tone

Wheel.”

3. Use the [–] [+] buttons to select the tonewheel organ tone

that you want to edit.

4. Press the [METRONOME] button.

The TW Edit screen appears.

5. Select the desired footage by pressing the corresponding

button.

Adding sparkle to the sound (percussion)

1. From the TW Edit screen, press the [EQUALIZER] button.

The cursor moves to the switch that selects the percussion type.

2. Use the [–] or [+] buttons to select the percussion type.

Value Explanation

OFF Percussion will not sound.

2ND

3RD

Pressing the [REC] button will take you back to the previous screen.

* The Percussion is applied only to the Upper Tone. * When percussion is on, the 1’ pitch will not be produced.

Percussion sounds at a pitch one octave above that of the key pressed.

Percussion sounds at a pitch an octave and a fth above that of the key pressed.

Adjusting the rate at which the percussion

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

16’

5-1/3’8’4’

Button Footage

[PIANO] button

[E. PIANO] button

[STRINGS] button

[ORGAN] button 4’

[OTHER] button

[REGISTRATION] button

[SPLIT] button

[TRANSPOSE] button

[AMBIENCE] button

2-1/3’

1-3/5’

2’ 1-1/3’

1’

’

5-1/3

’

2-2/3

’

1-3/5

’

1-1/3

1’

6. Use the [–] [+] buttons to adjust the volume of the

footage.

Value 0–8

decays

1. From the TW Edit screen, press the [MIC HARMONY]

button.

The cursor moves to the switch that selects the speed at which the percussion sound will decay.

2. Use the [–] [+] buttons to select the speed at which the

percussion sound will decay.

Value Explanation

SLOW

FAST

Pressing the [REC] button will take you back to the previous screen.

The percussion sound will decay slowly. The percussion will have a more gentle attack.

The percussion sound will decay quickly. The percussion will have a sharper attack.

7. Repeat steps 5–6 to create your own personalized organ

sound.

8. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

What is Percussion?

Percussion adds an attack-type sound to the beginning of the note to give the sound more sparkle.

When notes were played legato (smoothly and connectedly), percussion was applied only to the rst-played note. When notes were played staccato (articulating each note separately), percussion was applied to all notes. This method is referred to as single trigger algorithm, and is a very important element in organ performance. The FP-80 faithfully simulates this characteristic.

Using a Microphone

You can connect a microphone (sold separately) to the MIC jack and sing while playing.

You can also add harmony and reverberation (ambience) to your singing.

MEMO

• You can use the Center Cancel feature (p. 25) to reduce the volume of sounds located in the center of the sound eld of audio les.

You can use it, for example, to reduce the level of the melody or

vocal so that you can perform the part yourself.

• You can use the Audio Transpose feature (p. 25) to transpose the pitch of audio les and audio input through the INPUT jack.

Connecting a Microphone

Here’s how to connect a microphone to the MIC jack.

Adding Harmony to the Vocal Input via the Microphone (Mic Harmony)

This feature adds harmony to your singing. Suitable harmony will be generated according to the chord data of

the song or the chords you play on the keyboard. In the following cases, chord data will be assigned automatically.

• Harmony will be generated according to the chord data detected from your keyboard performance.

• When Chord Pattern (p. 23) is turned on and a rhythm is played, harmony will be generated according to the chord pattern.

1. Turn the MIC [VOLUME] knob all the way toward the left

to minimize the microphone volume.

2. Connect the microphone to the MIC jack.

The microphone input will turn on.

3. Turn the MIC [VOLUME] knob to adjust the microphone

volume.

MaxMin

* If the volume is excessive, you may hear noise from the speakers.

1. Press the [MIC HARMONY] button.

The [MIC HARMONY] button will light. If you press the [MIC HARMONY] button once again, the button will

go out and the harmony eect will be canceled.

* Certain eects and Piano Designer parameters will no longer

be applied when you add harmony; this may cause the tone to sound dierently.

* The Audio Transpose (p. 25) and Center Cancel (p. 25) features

cannot be used at the same time that harmony is used.

MEMO

You can assign a pedal to turn the harmony on/o (p. 46).

Adjusting the Volume of the Harmony

You can adjust the volume of the harmony.

1. Hold down the [MIC HARMONY] button and press the [–]

[+] buttons.

The display will indicate the volume of the harmony.

Using a Microphone

Changing How Harmony Is Applied (Harmony Type)

You can select the type of harmony that is applied.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Harmony

Type.”

Adding Reverberation to Your Voice (Mic Ambience)

You can add reverberation (ambience) to your voice when using a microphone.

Reverberation can improve the sound of your vocals.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Mic

Ambience.”

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

3. Use the [–] [+] buttons to adjust the value.

Value Explanation

Duet One voice of harmony will be added to your voice.

Trio

Two voices of harmony will be added to your voice.

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

3. Use the [–] [+] buttons to adjust the value.

Value Explanation

O, 1–10 Higher values apply more ambience.

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Saving Performance Settings (Registrations)

What Is a Registration?

You can use the [REGISTRATION] button to save settings such as those for the tones you’ve selected, the Dual Play or Split Play setting, and Rhythm settings.

Each set of these settings is called a “Registration.” After saving these registrations, you can recall them instantly

during a performance.

The FP-80 has ve registration buttons ([1]–[5]), and you can save ve dierent registrations under each button. This means that you can save as many as 25 registrations.

An entire group of 25 registrations is called a “Registration Set.”

Variation

1–5 2–5 3–5 4–5 5–5

1–1 2–1 3–1 4–1 5–1

25 registrations

Registration set

Recalling a Registration

You can easily recall settings you’ve saved with the [REGISTRATION] button.

1. Press the [REGISTRATION] button.

The rst time you press the [REGISTRATION] button after turning on the power, a screen like the following will appear.

2. Press a number button ([1] to [5]) to choose the location

where the desired registration is saved.

MEMO

• Within this manual, the “ saved in a registration.

• For more about the settings saved in a registration, refer to “Settings Saved in Registrations” (p. 57).

• You can save registration sets to the FP-80’s internal memory or to a USB ash drive (sold separately; p. 37).

” icon identies settings that are

3. Press the [–] [+] buttons to select the registration

variation.

The settings change accordingly.

MEMO

• You can also use a pedal to recall registrations (p. 46).

• You can reload registration sets that you’ve saved to internal memory or a USB ash drive (p. 38).

Saving Performance Settings (Registrations)

Saving Current Settings into a Registration

Use the [REGISTRATION] button to store your current settings into a registration. With the factory settings, recommended performance settings have already been stored. If you want to create an original registration, we suggest that you start with registrations 5-1 through 5-5.

NOTE

When you save a registration into a location, it will overwrite any registration already stored at that location.

1. Set the desired performance settings: tone, rhythm, and

so on.

2. While holding down the [REGISTRATION] button, press

a button from [1] to [5] to select a registration and then press the [–] [+] buttons to select a registration variation.

When you release the [REGISTRATION] button, you will see a screen like the one shown below.

Saving a Registration Set (Save Registration Set)

You can save all registrations held in registration memory into a registration set in internal memory or on a USB ash drive.

* If you’re saving to a USB ash drive, connect your USB ash drive

to the USB MEMORY port before proceeding.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Save

Regist. Set.”

3. Press the [METRONOME] button.

The save

4. Press the [–] [+] buttons to select the destination memory.

5. Press the [ ] (FAST) button.

registration set

Display Explanation

Favorite Internal memory

USB Memory USB ash drive

screen appears.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

3. Rename the registration.

Button Operation

[–] [+] buttons Change the character.

[

] [ ] (SLOW/FAST)

buttons

If you decide to cancel, press the [REC] button.

Select the character to change.

4. Press the [METRONOME] button.

The performance settings are saved. The [REGISTRATION] button stops blinking and lights up solid.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

MEMO

You can reset all registrations to their factory defaults. For details, refer to “Restoring the Factory Settings (Factory Reset)” (p. 42).

6. Press the [–] [+] buttons to select the destination number.

If you see a registration name next to the number, the number is already in use.

If you choose to save to a used number, your new registration will replace the existing registration.

If you don’t want to erase an existing registration, save to a number where the name column shows “(Empty).”

7. Press the [ ] (FAST) button.

8. Renaming the registration set.

Button Operation

[–] [+] buttons Change the character.

[

] [ ] (SLOW/FAST)

buttons

If you decide to cancel, press the [REC] button.

Select the character to change.

9. Press the [METRONOME] button.

The registration set is saved.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

10. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Saving Performance Settings (Registrations)

Loading a (

Load Registration Set)

Use this feature to reload a saved registration set from internal memory or a USB ash drive to the registration memory.

* If you want to load a registration set from a USB ash drive,

connect your USB ash drive to the USB MEMORY port before proceeding.

NOTE

Note that when you load a registration set, it will overwrite (and erase) all of the registrations already in registration memory. If you wish to retain your existing registrations, save them to internal memory or a USB ash drive.

Saved Registration Set

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Load

Regist. Set.”

3. Press the [METRONOME] button.

The load registration set screen appears.

Copying a

Saved Registration Set (Copy

Registration Set)

You can copy saved registration sets from internal memory to a USB ash drive, or from a USB ash drive to internal memory.

1. Connect a USB ash drive (sold separately) to the USB

MEMORY port (p. 10).

2. Press the [SONG] and [RHYTHM] buttons simultaneously.

3. Press the [ ] [ ] (SLOW/FAST) buttons to select “Copy

Regist. Set.”

* The following steps are not available if there are no registration

sets saved in internal memory, or if no USB ash drive is connected.

4. Press the [METRONOME] button.

The Copy Regist. Set screen appears.

5. Use the [–] [+] buttons to select the copy source and

destination memory locations.

4. Press the [–] [+] buttons to select the destination memory.

Display Explanation

Favorite Internal memory

USB Memory USB ash drive

5. Press the [ ] (FAST) button.

6. Use the [–] [+] buttons to select the registration set you

want to load.

7. Press the [METRONOME] button.

A conrmation message appears.

Display Explanation

Favorite to USB Copy from internal memory to a USB ash drive.

USB to Favorites Copy from a USB ash drive to internal memory.

6. Press the [ ] (FAST) button.

7. Use the [–] [+] buttons to select the registration set to be

copied.

If you select “Copy All,” all registration sets will be copied. The registration sets will be copied to numbers in which no

registration set is saved, starting with the number you selected as the copy-destination.

8. Press the [ ] (FAST) button.

If you decide to cancel, press the [ ] (SLOW) button.

8. Press the [ ] (FAST) button.

The registration set will be loaded.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

9. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Saving Performance Settings (Registrations)

9. Press the [–] [+] buttons to select the copy-destination

number.

If you see a registration name next to the number, the number is already in use.

If you choose to copy to a used number, your new registration will replace the existing registration.

If you don’t want to erase an existing registration, save to a number where the name column shows “(Empty).”

10. Press the [METRONOME] button.

The registration set is copied.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

11. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Deleting a

Saved Registration Set

(Delete Registration Set)

Here’s how to delete a saved registration set from internal memory or USB ash drive.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Delete

Regist. Set.”

* The following steps are not available if there are no registration

sets saved in internal memory, or if no USB ash drive is connected.

3. Press the [METRONOME] button.

The delete registration set screen appears.

4. Press the [–] [+] buttons to select the memory where the

set you want to delete is located.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Display Explanation

Favorite Internal memory

USB Memory USB ash drive

5. Press the [ ] (FAST) button.

6. Press the [–] [+] buttons to select the registration set that

you want to delete.

7. Press the [METRONOME] button.

A conrmation message appears.

If you decide to cancel, press the [ ] (SLOW) button.

8. Press the [ ] (FAST) button.

The selected registration set is deleted.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

9. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Convenient Functions

Making the Power Automatically Turn O After a Time (Auto O)

With the factory settings, the unit’s power will automatically be switched o a certain amount of time after you stop playing or operating the unit.

If you don’t need the power to turn o automatically, set “Auto O” to the “O” setting as described below.

MEMO

This setting is automatically saved in the FP-80.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Auto O.”

3. Press the [–] [+] buttons to adjust the value.

Value Explanation

O The power will not turn o automatically.

10min.

30min. (default)

240min.

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

The power will automatically turn o if no operation is performed for 10 minutes.

The power will automatically turn o if no operation is performed for 30 minutes.

The power will automatically turn o if no operation is performed for 240 minutes (4 hours).

Retaining Settings After Power-o (Memory Backup)

Temperament settings, equalizer settings, and other settings are reset to their default values when the FP-80 is turned on. You can automatically restore the desired settings if you save them in internal memory.

MEMO

In this manual, the “ Memory Backup function.

REFERENCE

For a list of settings saved by Memory Backup, see “Items Stored by Memory Backup” (p. 57).

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Memory

Backup.”

3. Press the [METRONOME] button.

The Memory Backup screen appears.

If you decide to cancel, press the [ ] (SLOW) button.

4. Press the [ ] (FAST) button to select “Yes.”

Memory Backup will be carried out.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

” icon indicates settings retained by the

Adjusting the Brightness of the Display (Display Contrast)

Use this setting to adjust the brightness of the screen.

MEMO

This setting is automatically saved in the FP-80.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Display

Contrast.”

3. Press the [–] [+] buttons to adjust the value.

Value 1 (dark)–10 (bright)

4. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

MEMO

Another way to access this adjustment is to hold down the [METRONOME] button while turning the power on.

After adjusting the brightness, turn the power o, then on again.

5. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Convenient Functions

Copying a Saved Song (Copy Song)

You can copy a saved song from internal memory to a USB ash drive, or from a USB ash drive to internal memory.

* Audio les cannot be copied.

1. Connect a USB ash drive (sold separately) to the USB

MEMORY port (p. 10).

2. Press the [SONG] and [RHYTHM] buttons simultaneously.

3. Press the [ ] [ ] (SLOW/FAST) buttons to select “Copy

Song.”

4. Press the [METRONOME] button.

The Copy Song screen appears.

9. Press the [–] [+] buttons to select the copy-destination

number.

If you do not want to overwrite the previously recorded song, select a song number that displays “(Empty)” as the song name.

If you decide to cancel, press the [REC] button.

10. Press the [METRONOME] button.

The selected song is copied.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

11. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Deleting a Saved Song (Delete Song)

Here’s how to delete a song that you saved into internal memory or on a USB ash drive.

* If you want to delete a song from a USB ash drive, connect it to

the USB MEMORY port before proceeding.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

5. Use the [–] [+] buttons to select the source memory and

the destination memory.

Display Explanation

Favorite to USB Copy from internal memory to a USB ash drive.

USB to Favorite Copy from a USB ash drive to internal memory.

6. Press the [ ] (FAST) button.

7. Press the [–] [+] buttons to select the song to copy.

MEMO

If you select “Copy All,” the FP-80 will copy all songs (other than audio les) from the source side.

8. Press the [ ] (FAST) button.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Delete

Song.”

3. Press the [METRONOME] button.

The delete song screen appears.

4. Press the [–] [+] buttons to select the memory that holds

the song you want to delete.

Display Explanation

Favorite Internal memory

USB Memory USB ash drive

5. Press the [ ] (FAST) button.

Convenient Functions

6. Press the [–] [+] buttons to select the song that you want

to delete.

Restoring the Factory Settings

7. Press the [METRONOME] button.

A conrmation message appears.

If you decide to cancel, press the [ ] (SLOW) button.

8. Press the [ ] (FAST) button.

The selected song is deleted.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

9. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Disabling the Buttons (Panel Lock)

The Panel Lock feature disables all buttons. You can use this feature to protect against accidental button

presses during a performance.

1. Hold down the [MIC HARMONY] button until the “ ” icon

appears at the lower right of the display.

The Panel Lock feature disables all buttons.

(Factory Reset)

Use this feature to return all settings stored in Memory Backup (p. 40) to their factory values. This feature is called “Factory Reset.”

NOTE

A factory reset returns all of your saved settings to their factory values.

MEMO

Songs and registration sets that are saved in the internal memory or on a USB ash drive are not erased when you execute a factory reset. If you want to erase all songs and registration sets from internal memory or from a USB ash drive, refer to “Reformatting Memory (Format Media)” (p. 43).

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Factory

Reset.”

3. Press the [METRONOME] button.

The Factory Reset screen appears.

2. To unlock the panel, hold down the [MIC HARMONY]

button until the “ ” icon disappears.

Panel lock is also canceled when the FP-80 is turned o.

* If you activate Panel Lock while a song or rhythm is playing,

playback will stop.

* Under the following circumstances, Panel Lock cannot be

activated.

• When the FP-80 is in Function mode (p. 44).

• When the Demo song screen is displayed.

• When recording a performance

If you decide to cancel, press the [ ] (SLOW) button.

4. Press the [ ] (FAST) button to select “Yes.”

The memory is reset to its factory values. Once the memory has been reset, “Power o, then on.” is displayed.

NOTE

Do NOT turn o the power while “Executing...” is displayed.

5. Turn the power o, then on again (p. 13).

Convenient Functions

Reformatting Memory (Format Media)

You can completely erase all songs that were saved in internal memory or on a USB ash drive.

NOTE

• All data saved in internal memory or on the USB ash drive will be erased when you initialize the media. This erased data cannot be recovered. Please recheck the content of the memory before formatting it.

• If you’re using new USB ash drive (sold separately) with the FP-80 for the rst time, you’ll need to initialize (format) the USB ash drive before using it. The FP-80 can’t use USB ash drive that has not been initialized.

• If you see “Error” on the screen, please refer to “Error Messages” (p. 56).

• If you want to reformat a USB drive, please connect it to the USB MEMORY port before proceeding.

MEMO

Formatting the internal memory will not erase settings that are stored elsewhere. If you wish to erase these other settings, perform a factory reset (p. 42).

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

6. Press the [ ] (FAST) button.

The memory is formatted.

NOTE

Do NOT turn o the power or disconnect the USB ash drive while “Executing...” is displayed.

7. Press the [SONG] and [RHYTHM] buttons simultaneously

to nish.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Format

Media.”

3. Press the [METRONOME] button.

The Format Media screen appears.

4. Press the [–] [+] buttons to select the memory you want to

format.

Display Explanation

Favorite Internal memory

USB Memory USB ash drive

5. Press the [METRONOME] button.

A conrmation message appears.

If you decide to cancel, press the [ ] (SLOW) button.

Detailed Function Settings (Function Mode)

How to Use Function Mode

You can use Function Mode to congure performance and recording settings.

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

FP-80 enters Function Mode.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select the setting you want to change.

MEMO

Depending on the item you select, an additional screen may be displayed.

3. Press the [–] [+] buttons to adjust the value.

A description of the setting and its value are displayed. To change other settings, repeat steps 2 and 3.

4. Press the [SONG] and [RHYTHM] buttons simultaneously to nish.

MEMO

Settings return to their default values as soon as you turn o the power. You can save any changes you’ve made by using registrations (p. 36) and the Memory Backup function (p. 40).

Parameter Value Explanation

Key Touch

Lets you adjust how the keyboard responds to the performer’s playing force.

REFERENCE

For details, refer to “Adjusting the Keyboard Response (Key Touch)” (p. 18).

: Indicates settings saved in registrations (p. 36).

: Indicates settings retained by the Memory Backup function (p. 40).

Master Tuning

Temperament

Temperament Key

Piano Designer

Edit Tone Wheel

Matching the Pitch with Other Instruments (Master Tuning)

When playing ensemble with other instruments and in other such instances, you can match the reference pitch with another instrument. The reference pitch generally refers to the pitch of the note that’s played when you nger the middle A key. For a cleaner ensemble sound

while performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments.

415.3–440.0–466.2 Hz

Changing the Tuning System (Temperament)

You can play classical music such as baroque pieces using their original tuning. Most modern songs are composed and played with the assumption that equal temperament (the most common tuning in use today) will

be used, but when classical music was composed, there were a wide variety of other tuning systems in existence. Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended.

REFERENCE

For details, refer to “Temperaments” (p. 32).

Specifying a Song’s Tonic (Temperament Key)

When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to be performed (that is, the note that corresponds to “Do” for a major key or to “La” for a minor key).

If you choose an equal temperament, there’s no need to select a temperament key.

C–B

Lets you personalize your piano sound by adjusting various elements that aect the sound: the piano’s physical strings, the resonances produced by the pedals, the sound of hammers striking the strings, and more.

REFERENCE

Lets you build an organ sound by adjusting footage volumes, percussion, and other settings.

REFERENCE

For details, refer to “Personalizing Your Piano (Piano Designer)” (p. 31).

For details, refer to “Creating a Tonewheel Organ Sound (Edit Tone Wheel)” (p. 33).

Transpose Mode

Specifying What to Transpose (Transpose Mode)

This setting species what the transpose will aect. You can use the transpose to change the pitch of both the song and the keyboard, the pitch of only the song, or the pitch of only the keyboard.

Keyboard Keyboard only

Song Song play only

Keyboard & Song Both keyboard play and song play

For details about how to make function mode settings, see p. 44.

Detailed Function Settings (Function Mode)

Parameter Value Explanation

Adjusting the Dual Play Volume Balance (Dual Balance)

Dual Balance

You can adjust the volume balance between the two tones (tone 1 and tone 2) used for Dual Play (p. 14).

MEMO

9-1 (tone 1 is louder)–9-9 (same volume)–1-9 (tone 2 is louder)

During Dual play, you can also adjust the volume balance between tone 1 and tone 2 by holding down the TONE button and pressing the [

BACKING] or [KEYBOARD ] button.

Adjusting the Split Play Volume Balance (Split Balance)

Split Balance

You can adjust the volume balance between the two tones (right-hand tone and left-hand tone) used for Split Play (p. 15).

MEMO

9-1 (left-hand tone is louder)–9-9 (same volume)–1-9 (right-hand tone is louder)

During Split play, you can also adjust the volume balance between the right-hand tone and left-hand tone by holding down the TONE button and pressing the [ BACKING] or [KEYBOARD ] button.

Changing the Pitch of the Tone in Octave Steps (Octave Shift)

Octave Shift

You can change the pitch of the Tone 2 in Dual Play (p. 14) and Left-hand tone in Split Play (p. 15) an octave at a time. Altering the pitch in one-octave units in this way is called “Octave Shift.” For example, you can raise the pitch of the Left-hand tone to the same pitch of the Right-hand tone in Split Play.

-2–0–+2 (octave)

Chord Recognition When Split Is On (Split-On Chord Recognition)

Sets how the FP-80 recognizes rhythm chords while Split Play is on.

Split On Recognize

(Split On Chord Recognize)

MEMO

While the damper pedal is not pressed, the FP-80 recognizes a chord when 3 or more keys are struck. While the damper pedal is pressed, the FP-80 recognizes a chord when 1–5 keys are struck.

Standard Normal chord recognition.

Intelligent

Easy

When Split Play is o, chords are recognized as follows.

Play chords even when basic chord tones are missing. Allows you to generate chords with very simple keyboard playing.

REFERENCE

Allows you to specify chords with very simple keyboard playing. Major: Just play the chord root. Minor: Play the root and a black key to the left of the root. Seventh: Play the root and a white key to the left of the root. Minor Seventh: Play the root and both a white key and a black key to the left of the root.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

For details about chord ngering, see “Chord Fingering List” (p. 61).

Chord Pattern Root

Equalizer

Damper Pedal Part

Setting the Root for Chord Progression (Chord Pattern Root)

Specify the root of the rst chord when you turn on the chord pattern play to start the rhythm.

C, C

, D, E , E, F, F , G, A , A, B , B

Use equalizers to modify the tone color by boosting or attenuating various frequency ranges.

REFERENCE

For details, refer to “Editing the equalizer settings” (p. 18).

Changing How the Pedal Eects Are Applied (Damper Pedal Part)

When you press the pedal connected to the DAMPER/R jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Right & Left All enabled

Right Applied only to the Tone 1 (in Dual Play mode)/Right-hand Tone (in Split Play mode)

Left Applied only to the Tone 2 (in Dual Play mode)/Left-hand Tone (in Split Play mode)

Detailed Function Settings (Function Mode)

Parameter Value Explanation

Changing the Function of the Center Pedal (Center Pedal Function)

Use this feature to change the function of the pedal connected to the SOSTENUTO/C jack.

Sostenuto *1 Sets function to sostenuto pedal.

Soft *2 Sets function to soft pedal.

Expression *3

Start/Stop

Intro/Ending *4 The pedal will have the same function as the [INTRO/ENDING] button.

Variation *4 The pedal will have the same function as the [VARIATION] button.

Reset/Start (Rhythm Reset/Start) *4

Center Pedal Func (Center Pedal Function)

Chord Hold *4 Turns chord holding on and o.

Fill-In *4 Inserts a ll-in.

Leading Bass

Bend Up *3 Pitch rises when pedal is depressed.

Bend Down *3 Pitch is lowered when pedal is depressed.

Modulation *3 Vibrato is added when pedal is depressed.

Harmony Sw (Harmony Switch)

*1 Only works on the Center Pedal Function. *2 Only works on the Left Pedal Function.

*3 Works only on the tone set as the corresponding pedal part (Center Pedal Part or Left Pedal Part). *4 Available when using a rhythm.

For details about how to make function mode settings, see p. 44.

Allows control of the volume. You may nd it convenient to connect an expression pedal (EV-5: sold separately). Does not change the volume of rhythm play or recorded performance play.

When the [RHYTHM] button is lit: Starts and stops rhythm play (same function as the [START/STOP] button). When the [SONG] button is lit: The pedal will have the same function as the [

When you depress the pedal, the selected rhythm begins playing from the top. This is convenient when you lose the beat or forget where you are in the song.

Allows control of the on/o of leading bass function. It is turned on while the pedal is depressed.

What is the leading bass function?

The function that sounds the lowest note of a ngered chord as the bass tone is called “Leading Bass.”

* The Leading Bass feature is always on while Split is o, or while Chord Pattern is on.

The pedal will turn Harmony on/o.

] button.

Center Pedal Part

Left Pedal Func (Left Pedal Function)

Left Pedal Part

Regist. Pedal Shift

Audio Transpose

Changing How the Pedal Eects Are Applied (Center Pedal Part)

When you press the pedal connected to the SOSTENUTO/C jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Right & Left All enabled

Right Applied only to the Tone 1 (in Dual Play mode)/Right-hand Tone (in Split Play mode)

Left Applied only to the Tone 2 (in Dual Play mode)/Left-hand Tone (in Split Play mode)

Changing the Function of the Left Pedal (Left Pedal)

Use this feature to change the function of the pedal connected to the SOFT/L jack.

REFERENCE

For a list of available functions, refer to “Changing the Function of the Center Pedal (Center Pedal Function)” (p. 46).

Changing How the Pedal Eects Are Applied (Left Pedal Part)

When you press the pedal connected to the SOFT/L jack during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Right & Left All enabled

Right Applied only to the Tone 1 (in Dual Play mode)/Right-hand Tone (in Split Play mode)

Left Applied only to the Tone 2 (in Dual Play mode)/Left-hand Tone (in Split Play mode)

Using a Pedal to Switch Registrations (Pedal Shift)

You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration.

O

Left Pedal

Center Pedal

The selected audio le and the sound of a digital audio player connected to the Input jack can both be transposed for playback.

* For some songs, an audio transpose setting other than 0 may aect the tone quality of the sound.

REFERENCE

For details, refer to “Transposing an Audio File (Audio Transpose)” (p. 25).

Pressing a pedal connected to the SOFT/L jack or SOSTENUTO/C jack will not switch registrations. The functions assigned to the SOFT/L jack and SOSTENUTO/C jack will be available for use (p. 46).

The pedal connected to the SOFT/L jack can be used only for switching registrations. In this case, the function assigned to the SOFT/L jack cannot be used.

The pedal connected to the SOSTENUTO/C jack can be used only for switching registrations. In this case, the function assigned to the SOSTENUTO/C jack cannot be used.

For details about how to make function mode settings, see p. 44.

Detailed Function Settings (Function Mode)

Parameter Value Explanation

You can minimize the playback of sounds located in the center of the sound eld (e.g., vocals or melody instruments) of the selected audio

Center Cancel

Mic Ambience

Harmony Type

le or music from a digital audio player connected to the INPUT jack.

* For some songs, sounds located in the center might not disappear completely, or the tone quality of the sound might be aected.

REFERENCE

Lets you add reverberation to vocals from the microphone. Reverberation can improve the sound of your vocals.

REFERENCE

Lets you adjust the way that harmony is applied.

REFERENCE

For details, refer to “Lower the Level of an Audio File’s Central Sound (Center Cancel)” (p. 25).

For details, refer to “Adding Reverberation to Your Voice (Mic Ambience)” (p. 35).

For details, refer to “Changing How Harmony Is Applied (Harmony Type)” (p. 35).

Selecting the Recording Format (Recording Mode)

Select whether performances are recorded in SMF format or audio format.

Recording Mode

Copy Song

Delete Song

Save Regist. Set

Load Regist. Set

Copy Regist. Set

Delete Regist. Set

Format Media

MEMO

SMF

Audio Record as audio data. The recorded song can be used in your computer.

Use this function to copy a song from internal memory to a USB ash drive, or from a USB ash drive to internal memory.

REFERENCE

Use this function to delete a song from internal memory or a USB ash drive.

REFERENCE

Save all registrations from the [REGISTRATION] button’s memory into internal memory or on a USB ash drive.

REFERENCE

Load a registration set from internal memory or a USB ash drive into the [REGISTRATION] button’s memory.

REFERENCE

Copy a saved registration set from internal memory to a USB ash drive, or from a USB ash drive to internal memory.

REFERENCE

Delete a saved registration set from internal memory or a USB ash drive.

REFERENCE

Formats internal memory or a USB ash drive, deleting all songs stored in that memory.

REFERENCE

You can also switch the recording mode by holding down the [REC] button and pressing the [–] [+] buttons.

Record as MIDI data. This data holds information about each note played (its pitch, duration, force, etc.). It does not hold any actual audio data.

For details, refer to “Copying a Saved Song (Copy Song)” (p. 41).

For details, refer to “Deleting a Saved Song (Delete Song)” (p. 41).

For details, refer to “Saving a Registration Set (Save Registration Set)” (p. 37).

For details, refer to “Loading a Saved Registration Set (Load Registration Set)” (p. 38).

For details, refer to “Copying a Saved Registration Set (Copy Registration Set)” (p. 38).

For details, refer to “Deleting a Saved Registration Set (Delete Registration Set)” (p. 39).

For details, refer to “Reformatting Memory (Format Media)” (p. 43).

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Sending Tone-Change Information (Transmit MIDI Information)

When you switch registrations, the FP-80 simultaneously transmits the following: Program Change, Bank Select MSB, and Bank Select LSB. You can also set the transmit channel.

Regist. Tx Ch.

Regist. Bank MSB 0 (00)–127 (7F) Sets the Bank Select MSB/LSB.

Regist. Bank LSB 0 (00)–127 (7F) Sets the Bank Select MSB/LSB.

Regist. PC 1 (00)–128 (7F) Sets the Program Change number.

O, 1–16 Sets the Program Change transmit channel.

Detailed Function Settings (Function Mode)

Parameter Value Explanation

Preventing Doubled Notes When Connected to a Sequencer (Local Control)

When you have a MIDI sequencer connected, set this parameter to Local O. Since most sequencers have their Thru function turned on, notes you play on the

keyboard may be sounded in duplicate, or get dropped. To prevent this, you can enable the “Local O ” setting, so that the keyboard and internal sound generator

Local Control

are disconnected.

For details about how to make function mode settings, see p. 44.

Local Control

MIDI

Sound Generator

MIDI Out

MIDI Sequencer

MIDI Transmit Channel

O

Local Control is o. The keyboard and composer are disconnected from the internal sound generator. Playing the keyboard will not produce sound.

Local Control is on. The keyboard and composer are connected to the internal sound generator.

MIDI Transmit Channel Settings (MIDI Transmit Channel)

This setting species the MIDI channel on which the FP-80 will transmit. MIDI uses sixteen “MIDI channels,” which are numbered 1 through 16. By connecting MIDI devices and specifying the appropriate MIDI

channel for each device, you can play or select sounds on those devices. The FP-80 will receive all sixteen channels (1–16).

1–16

Controlling Video Equipment (Visual Control Mode)

Visual Control is a function that lets you control images along with your performance. If you’ve set Visual Control mode to MVC or V-LINK, playing the keyboard of the FP-80 will control the images produced by the Visual Control device connected to the FP-80 using a MIDI cable.

O Visual Control is o.

MVC MIDI Visual Control mode is selected.

V-LINK V-LINK mode is selected.

What is MIDI visual control?

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specication so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

Visual Control Mode

What is V-LINK?

V-LINK is Roland’s proprietary specication that allows visual expression to be linked with musical performance. Video equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI ports, making it easy to enjoy a variety of visual eects that are linked with the performance.

Connection examples

Connect a MIDI cable from this unit’s MIDI Out connector (p. 11) to the MIDI In connector of your Visual Control compatible device.

* You’ll need a MIDI cable (sold separately) in order to connect this unit to a device that supports Visual

Control.

Visual control function chart

Playing the lowest 12 keys of this unit (A0–G#1) will transmit the following MIDI messages.

Visual Control Function Transmitted MIDI Message Operation on FP-80

Switch images

CC0 (Bank Select): 0–4 Play black keys

Program Change: 1–7 Play white keys

MIDI OUT connector

MIDI IN connector

Visual Control compatible equipment

For details about how to make function mode settings, see p. 44.

Detailed Function Settings (Function Mode)

Parameter Value Explanation

Specifying the Visual Control Channel (Visual Control Channel)

Visual Control Channel

Here’s how to specify the channel on which messages used to control video will be sent (Visual Control Channel).

1–16 Sets the MIDI channel used to transmit MIDI messages to the controlled video device.

Changing the USB Driver Settings (USB Driver)

Normally, you don’t need to install a driver in order to connect the FP-80 to your computer. However, if some problem occurs, or if the performance is poor, using the Roland original driver may solve the problem.

In this case, after setting “USB Driver” to “Original” on the FP-80, install the driver on your personal computer. After changing this setting, you need to turn o the FP-80, then turn it back on again.

USB Driver

MEMO

For details on downloading and installing the Roland original driver, refer to the Roland website. Roland website:

http://www.roland.com/

Generic

Original Choose this if you want to use a USB driver downloaded from the Roland website.

This setting is automatically saved in the FP-80.

Choose this if you want to use the standard USB driver that was included with your computer. Normally, you should use this mode.

Changing the USB Flash Drive Mode (USB Memory Mode)

USB Memory Mode

Display Contrast

Auto O

Wireless

Memory Backup

Factory Reset

In some cases, when a USB ash drive is connected to the USB MEMORY port, it may take longer for data to be loaded, or data may fail to be loaded successfully. If this occurs, you may be able to solve the problem by changing the USB ash drive setting.

Normally, there is no need to make this setting.

MEMO

Adjusts the brightness of the FP-80 display.

REFERENCE

MEMO

With the factory settings, the unit’s power will automatically be switched o a certain amount of time after you stop playing or operating the unit. If you don’t want the power to turn o automatically, change the “Auto O ” setting to “O.”

REFERENCE

MEMO

You can easily use popular wireless applications, such as the iPhone app “Air Recorder,” with the FP-80. To enable wireless use, just connect the WNA1100-RL wireless USB adapter (sold separately) to the USB MEMORY port.

REFERENCE

MEMO

The FP-80 settings return to their factory defaults when you turn o the power. But if you backup the current settings into internal memory, they will be restored the next time the power comes on.

REFERENCE

A factory reset returns all Function Mode settings to their factory defaults.

REFERENCE

This setting is automatically saved in the FP-80.

For details, refer to “Adjusting the Brightness of the Display (Display Contrast)” (p. 40).

This setting is automatically saved in the FP-80.

For details, refer to “Making the Power Automatically Turn O After a Time (Auto O)” (p. 40).

This setting is automatically saved in the FP-80.

For details, refer to “Wireless LAN” (p. 50).

This setting is automatically saved in the FP-80.

For details, refer to “Retaining Settings After Power-o (Memory Backup)” (p. 40).

For details, refer to “Restoring the Factory Settings (Factory Reset)” (p. 42).

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

About the Wireless LAN Function

What Is Wireless LAN Function?

By connecting a wireless USB adapter (WNA1100-RL; sold separately) to the FP-80, you can use wireless-connectivity applications, such as Air Recorder for iPhone.

iPhone, etc.

What you need to use wireless LAN

*1 Note that your wireless LAN access point should support the

WPS standard. If it doesn’t, you can connect by following the procedure in “Connecting to a Wireless LAN Access Point That You Select (Select AP)” (p. 51).

*2 The ability to connect with all kinds of wireless LAN access

points is not guaranteed.

*3 If you’re unable to connect to the wireless LAN access point, try

connecting using Ad-Hoc mode (p. 52).

*4 In some countries, the Wireless USB Adapter is not sold due to

regulations concerning radio-frequency equipment. For information on whether the Wireless USB Adapter can be used in your country, please contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Icons in the display

The wireless LAN status is shown in the lower right part of the display.

Wireless LAN access point (e.g., wireless LAN router)

Wireless LAN Wireless LAN

 A wireless USB adapter (WNA1100-RL; sold separately) *4  Wireless LAN access point (e.g., wireless LAN router) *1 *2 *3  iPhone, etc.

FP-80

Wireless USB Adapter (WNA1100-RL; sold separately)

Basic Connection Method (Connect by WPS)

The rst time you connect to a wireless network using WPS, you must go through the following procedure.

This procedure is necessary only the rst time you connect. (Once you’ve joined the network, the procedure is no longer needed.)

What is WPS?

This is a standard that makes it easy to make security settings when connecting to a wireless LAN access point. We recommend that you use WPS when connecting to a wireless LAN access point.

1. Connect your wireless USB adapter (WNA1100-RL; sold

separately) to the USB MEMORY port.

2. Press the [SONG] and [RHYTHM] buttons simultaneously.

3. Press the [ ] [ ] (SLOW/FAST) buttons to select “Wireless,”

and then press the [METRONOME] button.

4. Press the [ ] [ ] (SLOW/FAST) buttons to select “Connect,”

and then press the [METRONOME] button.

5. Press the [ ] [ ] (SLOW/FAST) buttons to select “WPS,” and

then press the [METRONOME] button.

The screen shows “Connect OK?”

6. Perform the WPS operation on your wireless LAN access

point (e.g., press the WPS button on your wireless LAN access point).

For details on the WPS functionality of your wireless LAN access point, refer to the documentation for your wireless LAN access point.

7. Press the [ ] (FAST) button of the FP-80.

If connection is successful, the display will show “Completed.” If not successful, please refer to “Problems when connecting to a

wireless LAN” (p. 55).

Icon Explanation

Currently connected to the wireless LAN access point. Three bars are used to indicate the signal level (the strength of the connected wireless LAN access point’s radio signal).

The wireless USB adapter is inserted, but not connected with a wireless LAN access point.

The wireless USB adapter is not inserted (nothing is displayed).

Ad-Hoc mode (p. 52).

8. Press the [REC] button to return to function mode.

NOTE

Note that the device running the application you want to use (such as your iPhone) must be connected to the same network.

MEMO

• The rst time you connect with WPS, your connection information will be saved. From the second time on, connection is automatic.

• A factory reset will erase all connection data. If you perform a factory reset, you have to repeat the connection procedure to reestablish a connection.

This completes the setup. You can now use your wireless application, such as the iPhone app “Air Recorder.”

About the Wireless LAN Function

Wireless LAN Function Settings

You can view and change your wireless settings.

MEMO

These settings are automatically retained in memory.

Basic operation

1. Press the [SONG] and [RHYTHM] buttons simultaneously.

2. Press the [ ] [ ] (SLOW/FAST) buttons to select “Wireless.”

3. Press the [METRONOME] button.

4. Press the [ ] [ ] (SLOW/FAST) buttons to select the

desired menu, and then press the [METRONOME] button.

Menu Explanation

Status This shows the wireless LAN status.

Connect Connect to a wireless LAN access point.

Option Make setting for wireless ID or Ad-Hoc mode (p. 52).

In the explanations below, arrows indicate the selection sequence (For example: “Wireless” ¦ “Status”).

Status Indication

This shows the wireless LAN status.

Connecting to a Wireless LAN Access Point That You Select (Select AP)

This method lets you connect by choosing a wireless LAN access point from the list that is displayed.

* Wireless standards 802.11g/n (2.4 GHz) and authentication

methods WPA/WPA2 are supported.

1. Select “Wireless” ¦ “Connect” ¦ “Select AP,” and then

press the [METRONOME] button.

The Access Point screen appears.

• An asterisk (*) marks the currently connected access point.

2. Press the [–] [+] buttons to select the wireless LAN

access point you want to connect to, and then press the [METRONOME] button.

• You will be connected to the selected wireless LAN access point.

• If you’re using this wireless LAN access point for the rst time, you’ll proceed to the Passphrase screen.

• If this is a wireless LAN access point to which you have connected in the past, just press the [METRONOME] button and you’ll be connected. Once successfully connected, “Completed” appears.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

1. Select “Wireless” ¦ “Status.”

The status screen appears.

Display Explanation

Not Connected

Not Available The wireless USB adapter is not inserted.

ID (Ad-Hoc SSID)

The wireless USB adapter is inserted, but not connected to a wireless LAN access point.

Currently connected to the wireless LAN access point.

Three bars are used to indicate the signal level (the strength of the connected wireless LAN access point’s radio signal).

The identier (name) of the connected wireless LAN access point is shown.

Ad-Hoc mode (p. 52) The Ad-Hoc SSID is shown. Press the [

button to display the Ad-Hoc key. For details, refer to “Connecting in Ad-Hoc Mode”

(p. 52).

] (Fast)

Passphrase screen

3. Enter your passphrase for this wireless LAN, and then

press the [METRONOME] button.

Entering the passphrase

Press the [ character position. Press the [–] [+] buttons to change the character.

* Do NOT insert a space at the end of the passphrase.

If connection is successful, “Completed” appears on the screen. If not successful, please refer to “Problems when connecting to a

wireless LAN” (p. 55).

4. Press the [REC] button to return to function mode.

] [ ] (SLOW/FAST) buttons to select the desired

2. Press the [ ] (FAST) button to display the IP address.

About the Wireless LAN Function

Other Settings (Option)

Make settings for Wireless ID or Ad-Hoc mode.

1. Select “Wireless” ¦ “Option.”

2. Press the [ ] [ ] (SLOW/FAST) buttons to select the

parameter you want to change.

3. Press the [–] [+] buttons to change the value.

Parameter Explanation

Wireless ID

Ad-Hoc

Species the nal digits of the and Ad-Hoc SSID ( instrument in the wirelessly connected app.

Normally, you should specify “0,” but if you have more than one of the same instrument, you can set the Wireless ID in the range of 1–99 to change the device name and Ad-Hoc SSID for each instrument, as follows.

If wireless ID = 0, then “FP-80” (default). If wireless ID = 1, then “FP-80_1.” : If wireless ID = 99, then “FP-80_99.”

Species the channel (Ch. 1–11) for Ad-Hoc mode. Normally, you won’t need to change the channel.

Try changing the channel only if you have problems connecting.

FP-80

) that will be shown as the

’s device name

1. Select “Wireless” ¦ “Option” ¦ “Ad Hoc” and then press

the [METRONOME] button.

2. Press the [ ] (FAST) button to set Ad-Hoc mode to “ON.”

* If you decide to quit without connecting, press the [ ] (SLOW)

button.

3. When Ad-Hoc mode starts, the Ad-Hoc SSID appears on

the display. Press the [ ] (FAST) button to display the Ad-Hoc key (a 5-digit number). Write down the value and save it.

The Ad-Hoc key is the ve-digit number shown on the screen.

Each piano has a dierent number.

MEMO

• The Ad-Hoc SSID appears as the “Wireless ID” setting in the Options screen.

• You can also see the Ad-Hoc SSID and Ad-Hoc key in the status screen.

Connecting in Ad-Hoc Mode

Here’s how to connect in Ad-Hoc mode.

What is Ad-Hoc mode?

Ad-Hoc mode lets you connect the FP-80 directly to an iPhone or other wireless device without using a wireless LAN access point. This is a convenient way to use the FP-80 with an iPhone or other wireless device if you’re in a location where the wireless LAN access point you normally use is unavailable, such as when you’re away from home.

iPhone, etc.

Wireless USB Adapter

Wireless LAN

Limitations

The iPhone or other wireless device connected in Ad-Hoc mode will be unable to communicate with the Internet or with another wireless device. However, an iPhone or other wireless device that has cellular capability will be able to connect to the Internet via the cellular connection.

Please be aware that if you use a cellular connection for Internet connectivity, you may incur costs depending on your rate plan.

(WNA1100-RL; sold separately)

FP-80

4. An iPhone or other wireless device can be connected

by selecting the Ad-Hoc SSID displayed in the screen indicated above. (Example: iPhone [Settings] ¦ [Wi-Fi] ¦ [Select Network] to select the above Ad-Hoc SSID (FP-80). When the password entry screen appears, enter the above-mentioned Ad-Hoc key.)

For details on how to connect to a wireless LAN from an iPhone or other device, refer to the owner’s manual of that device.

5. Press the [REC] button to return to function mode.

6. After ending your Ad-Hoc connection, go back to iPhone

[Settings] ¦ [Wi-Fi] ¦ [Select Network] and restore the original values.

Checking the MAC address

The MAC address is indicated on the bottom of the wireless USB adapter (WNA1100-RL; sold separately).

Troubleshooting

If you suspect a malfunction, please read this section rst.

Problem Cause/Action Page

Power will not turn on Is the AC adaptor connected correctly? p. 10

With the factory settings, the unit’s power will automatically be switched o a certain amount of time

Power turns o on its own

Buttons don’t work

Screen display is irregular when power is turned on/o

Vertical stripes appear in the display/Color is faded at the edge of the display

Pedal does not work, or remains stuck

Can’t read or write USB ash drive

A buzzing sound is heard from an external device

The volume level of the instrument connected to INPUT jack is too low

after you stop playing or operating the unit. If you don’t need the power to turn o automatically, turn the “Auto O ” setting “O.”

Could Panel Lock be activated? Deactivate Panel Lock.

Since the FP-80 uses a liquid-crystal display, you may nd that it is unable to display letters or other things in environments where temperatures go below 0 degrees Celsius (32 degrees Fahrenheit). This does not indicate a malfunction.

These occur due to the nature of a liquid crystal display, and do not indicate a malfunction. By adjusting the screen contrast you can make these artifacts less noticeable.

Is the pedal connected correctly? Insert the plug all the way into the pedal jack.

Could you be using a pedal made by another manufacturer? Use the included pedal or the RPU-3.

The pedal eect may remain stuck if you disconnect the pedal’s cord while the power is on. Switch o the FP-80’s power before you connect or disconnect the pedal cord.

If you’ve assigned the soft pedal or sostenuto pedal as a registration select switch, or assigned it to some other function, the pedal won’t operate as a Soft pedal or Sostenuto pedal.

Are you using Roland USB Flash Memory (sold separately)? We cannot guarantee operation if any other USB ash drive is used.

If you’re unable to read from or write to a USB ash drive, change the USB Memory Mode setting. p. 49

Could you be powering your external equipment from two or more electrical outlets? If external equipment is connected, it must be powered from the same electrical outlet.

Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor.

p. 40

p. 42

p. 40

p. 11

p. 46

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

–

No sound

Problem Cause/Action Page

Could the FP-80’s volume or the volume of a connected device be minimized? p. 8

Could headphones be connected? Could a plug have been left in the headphone jack? No sound will be output from the speakers if headphones or any other device is connected to the

headphone jack.

No sound

No sound when you play back a song

No sound from the left-hand zone of the keyboard

No sound (when a MIDI device is connected)

No sound from the microphone

Is the Volume Balance setting set so that the backing is louder than the keyboard? p. 8

Could the [SPEAKER] switch be “OFF”? If the [SPEAKER] switch is “OFF,” sound will not be heard from the built-in speakers.

Could the Local Control setting be “O”? The Local Control is turned o, no sound will be heard when you play the keyboard. Set Local Control to

“ON.”

Could the Local Control setting be “O”? The Local Control is turned o, no sound will be heard when you play back a song. Set Local Control to

“ON.”

Could the Visual Control mode setting be “MVC” or “V-LINK”? If the mode is set to “MVC” or “V-LINK,” the lowest twelve keys are used to control images, and do not

produce sound.

When a rhythm is playing, Chord Pattern is on, and Split Play is on, the left side of the keyboard does not produce any sound because chord entry is given priority.

You can play sounds on the left side of the keyboard when the rhythm part is set to “Drums.”

Are all devices powered up?

Are the MIDI cables connected correctly?

Does the MIDI Transmit Channel match the setting of the connected device? p. 48

Could the MIC [VOLUME] knob be set to the minimum?

Is the microphone connected correctly?

Could the switch on the microphone turned o? –

p. 10

p. 11

p. 48

p. 49

p. 22

p. 10

p. 34

5353

Troubleshooting

Sound does not play correctly

Problem Cause/Action Page

The maximum simultaneous polyphony is 128 notes.

Not all of the notes you play are heard

Keyboard or song pitch is incorrect

Two sounds are heard when you play the keyboard

Pressing the [STRINGS], [ORGAN], or [OTHER] button causes other tones to be heard

Eect not applied

Reverberation remains even if you turn o the Ambience eect

Sound changes abruptly at a certain note in the upper range

A “whining” noise is heard

Something wrong with low-frequency sounds/Buzzing resonance occurs

When using Dual Play or when performing along with a song or rhythm, or when making heavy use of the damper pedal, it is possible for the performance data to exceed the polyphony, causing some of the notes you play to be omitted.

Could you have made Transpose settings? p. 19

Is the Master Tuning setting appropriate? p. 44

Is the Temperament setting appropriate? p. 32, p. 44

Is the Stretch Tuning setting appropriate? p. 31

Could the FP-80 be set to Dual Play? p. 14

When the FP-80 is connected to an external sequencer, set the Local Control to o. Alternatively, the sequencer could be set so its Soft Thru feature is O.

The [STRINGS], [ORGAN], and [OTHER] buttons can also function in selecting “recommended tones.” With the factory settings, when you select a song from VIMA TUNES, tones which match the song will be

assigned automatically to the [STRINGS], [ORGAN], and [OTHER] tone buttons.

When you’re using Dual Play or Split Play, and the two tones use dierent eects, no eect will be applied to tone 2 (when using Dual Play) or the left-hand tone (when using Split Play).

The FP-80’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may give the impression of reverberation even if you’ve turned o the Ambience eect.

On an acoustic piano, the top one and a half octaves of notes will sound until they decay naturally, regardless of the damper pedal. The tone quality of these notes will also be dierent.

FP-80 faithfully simulate this characteristic of acoustic pianos. The range that is unaected by the damper pedal will change depending on the Transpose setting.

If you hear this in headphones:

Some brilliant and sharply dened piano sounds contain signicant high-frequency components, which may sound like a metallic resonance has been added. This is due to the faithful simulation of a piano’s actual characteristics, and does not indicate a malfunction.

You can adjust this resonance by editing the following settings.

• Duplex Scale setting (p. 31)

• String Resonance setting (p. 31)

• Ambience Depth setting (p. 17)

If you don’t hear this in headphones:

Some other reason may be responsible (e.g., resonance in the FP-80 itself). Please contact your dealer or Roland Service Center.

If you don’t hear this in headphones:

Performing at high volumes may cause the speakers or objects near the FP-80 to resonate. It is also possible for uorescent lights or glass doors in the room to resonate. For the low notes in particular, this is more likely to occur at high volume. To minimize such resonance, take the following measures.

• Locate the speakers 10–15 cm away from the wall.

• Lower the volume.

• Move the resonating object farther away.

If you hear this in headphones:

Some other reason may be responsible. Please contact your dealer or Roland Service Center.

At high volumes, the sound may be distorted due to the way in which you are playing. If so, adjust the equalizer settings or reduce the volume.

–

p. 48

–

p. 14 p. 15

–

p. 8

p. 17

Song does not play correctly

Problem Cause/Action Page

Is the data format compatible with the FP-80?

Can’t play a song

Song tempo is unstable

Can’t see the song names on a USB ash drive

Can’t play back a song saved on a USB ash drive

To be playable, audio les must be in the following format.

• SMF formats 0/1

• Roland Piano Digital format (i-format)

• Audio les: WAV format, 44.1 kHz, 16-bit linear

If there is an excessive amount of performance data when playing a song from a USB ash drive, the tempo might become unstable.

If the song name data in the le is blank or consists only of spaces, the song name will not be displayed. –

Is the le name extension “MID”? If the le name extension is wrong, the le cannot be handled as song data.

Song names that contain characters other than letters, numbers, and certain symbols will not be displayed properly.

Is the le name extension “MID”? If the le name extension is wrong, the le cannot be handled as song data.

–

Troubleshooting

Can’t record

Problem Cause/Action Page

Can’t record audio

Is a USB ash drive connected to the USB MEMORY port? In order to use audio recording, you must connect a USB ash drive (sold separately) to the USB MEMORY

port.

Problems with audio les

Problem Cause/Action Page

Can’t record along with an audio le/ Can’t copy an audio le to internal memory

The FP-80 does not allow recording using audio les, and cannot be used to copy audio les into internal memory.

MEMO

Functions that cannot be used with audio le playback

• Ambience (p. 17)

• Save to internal memory (p. 40)

• Copy song (p. 41)

• Save song

Problems when connecting to a wireless LAN

* For problems related to communication, refer also to the owner’s manual of your wireless LAN access point. * For details on operating your wireless LAN access point, refer to its owner’s manual.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

p. 10

–

Problem Cause/Action Page

• Check that your wireless LAN access point supports the WPS standard. If your wireless LAN access point does not support WPS, connect using the procedure described in “Connecting to a Wireless LAN Access Point That You Select (Select AP)” (p. 51).

• The FP-80 does not support the 802.11a and 802.11b wireless standards. Please use 802.11g or 802.11n (both at 2.4 GHz).

• WEP authentication is not supported. Please use WPA or WPA2 authentication.

• Be sure that your wireless LAN access point is set to use DHCP.

Cannot connect to wireless LAN

“Error : 46” appears on the display and the FP-80 cannot connect to the wireless LAN access point

Connection is unstable

The FP-80 does not appear among the instruments connected to your application (such as Air Recorder for iPhone)

The iPhone cannot connect to the Internet

• If the FP-80 cannot connect to a wireless LAN access point that it previously could connect to, make sure the “Connecting in Ad-Hoc mode” (p. 52) setting is set to “OFF.”

• You may not be able to connect to the wireless network depending on the condition of the wireless signal. In this case, refer to the procedure described in “Connecting to a Wireless LAN Access Point That You Select (Select AP)” (p. 51) and try selecting and connecting to the wireless LAN access point again.

• The FP-80 remembers a limited amount of information about network connections. Once the limit is reached, data from new connections may overwrite older data. All connection data will be erased if you perform a factory reset. If network connection information is erased, repeat the connection procedure and connect again.

The access point is not supported. Please use WPA or WPA2 authentication. p. 50

Wireless communications may be unstable if the condition of the wireless signal is poor. If the wireless communications are unstable, responsiveness may deteriorate and audio drop-outs may

occur. The following may solve the trouble.

• Move the FP-80 and the wireless LAN access point closer to each other.

• Change the channel setting on the wireless LAN access point.

• Is the FP-80 turned on?

• Is a wireless USB adapter (WNA1100-RL) connected to the FP-80’s USB MEMORY port?

• Is the FP-80 connected to the wireless LAN?

• Are the FP-80 and the iPhone connected to the same network (i.e., the same wireless LAN access point)?

• Is the wireless LAN access point set to allow communication among the devices connected to it? Refer to the wireless LAN’s documentation for information about the relevant settings.

• Is the wireless LAN access point connected to the Internet?

• Could you be connected in Ad-Hoc mode? The iPhone or other wireless device connected in Ad-Hoc mode will be unable to communicate with the Internet or with another wireless device. However, an iPhone or other wireless device that has cellular capability will be able to connect to the Internet via the cellular connection. Please be aware that if you use a cellular connection for Internet connectivity, you may incur costs depending on your rate plan.

p. 50

Error Messages

Display Meaning

Error: 1 The music le you attempted to save is read-only. It cannot be saved.

Error: 2

Error: 10 No USB ash drive connected. Connect a USB ash drive and try the operation again.

Error: 11

Error: 14

Error: 15 The le could not be read. The data format is not compatible with the FP-80.

Error: 16

Error: 18 This audio format is not supported. Please use WAV format, 44.1 kHz, 16-bit linear audio les.

Error: 30 The FP-80’s internal memory is full.

Error: 40

Error: 41 A MIDI cable was disconnected. Connect the MIDI cable correctly.

Error: 43 An error occurred during MIDI communication. Check the MIDI cable and the connected MIDI device.

Error: 46 The access point is not supported. Please use WPA or WPA2 authentication.

Error: 51

Error: 65

An error occurred while writing. It may be that the protect tab of the external media is in the “Protect (write prohibit)” position, or that the external media has not been formatted.

There is insucient free space at the save destination. Either connect a dierent USB ash drive, or delete unwanted data (song data, registration sets) and try the operation again.

An error occurred while reading. The USB ash drive may be damaged. Connect a dierent USB ash drive and try the operation again. You may also format the USB ash drive (p. 43).

The data could not be read fast enough during song playback. After waiting several seconds, you may be able to play back the song by pressing the [

The FP-80 cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of data being transmitted by the external MIDI device.

The system may have malfunctioned. Try the operation again. If this indication still appears after trying the operation several times, contact a Roland Service Center.

The USB MEMORY port was subjected to excessive current. Verify that there is no malfunction in the USB ash drive, and then turn the power o, then on again (p. 13).

] button once again.

Saved Settings

Settings Saved in Registrations

Setting Explanation Page

– Selected tone p. 14

– Dual play on/o p. 14

– Tone 1/Tone 2 (Dual play) p. 14

– Split play on/o p. 15

–

– Split point p. 15

–

– Ambience on/o and depth p. 17

–

– Rotary eect’s pulse speed p. 14

Modulation Speed Speed of sound modulation p. 14

Key Touch Key touch p. 18

Rhythm Rhythm settings p. 20

Edit Tone Wheel Settings for each tone wheel organ p. 32

Dual Balance Dual balance p. 45

Split Balance Split balance p. 45

Audio Transpose Audio transpose p. 25

Transpose Mode Transpose mode p. 44

Octave Shift Octave shift p. 45

Damper Pedal Part Setting for the damper pedal part p. 45

Center Pedal Part Setting for the center pedal part p. 46

Center Pedal Func Function of the center pedal p. 46

Left Pedal Part Setting for the left pedal p. 46

Left Pedal Func Function of the left pedal p. 46

MIDI Transmit Ch. MIDI transmit channel p. 48

Regist. Tx Ch.

Regist. PC

Regist. Bank MSB

Regist. Bank LSB

Split On Chord Recognize

Chord Prog. Root Chord progression root p. 45

Mic Ambience Mic ambience p. 35

– Harmony on/o setting p. 34

Harmony Type Harmony type p. 35

Harmony Level Harmony volume p. 34

Right-hand tone/Left-hand tone (Split play)

Transpose’s on or o, its value, and Transpose mode

The Volume balance between the keyboard performance and the accompaniment

Program change data p. 47

Split on chord recognize p. 45

p. 15

p. 19

p. 8

Items Stored by Memory Backup

Setting Explanation Page

Piano Designer Piano designer p. 31

Master Tuning Master tuning p. 44

Temperament Temperament p. 44

Temperament Key Temperament key p. 44

Equalizer Equalizer on/o and equalizer settings p. 17

Visual Control Channel Visual Control channel p. 49

Settings Stored Immediately When Edited

Setting Explanation Page

USB Driver USB driver settings p. 49

USB Memory Mode USB ash drive settings p. 49

Display Contrast Display contrast p. 40

Auto O Auto o p. 40

Wireless Wireless LAN settings p. 50

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

5757

Tone List

PIANO

No. Tone name

1 ConcertPiano

2 BalladePiano

3 Bright Piano

4 Dreamy Piano

5 Piano + EP

6 Piano + Str.

7 Piano + Pad

8 Piano+Choir

9 MagicalPiano

10 Comp Piano

11 Rock Piano

12 RagtimePiano

13 Harpsichord

14 Coupled Hps.

E. PIANO

No. Tone name

1 Trem. TineEP

2 ChorusTineEP

3 PhaserTineEP

4 Tine EP

5 Vib. ReedEP

6 DrivenReedEP

7 RotaryReedEP

8 Reed EP

9 Twinkling EP

10 Bright FM EP

11 Woody FM EP

12 FM E.Piano

13 Pop E.Piano

14 E.Grand

15 Clav.

16 Wah Clav.

17 Phaser Clav.

18 Vibraphone

19 Marimba

20 Celesta

21 Mallet Isle

22 Morning Lite

23 Fantasia

24 EP Belle

25 Ballad Bells

STRINGS

No. Tone name

1 SymphonicStr

2 Rich Strings

3 OrchestraStr

4 Velo Strings

5 DecayStrings

6 Syn.Strings1

7 Syn.Strings2

8 Soft Pad

9 Glass Pad

10 Silky Way

11 Lunar Strngs

12 Dcy ChoirPad

13 Orchestra

14 OrchestraBrs

15 Harp

16 Violin

17 Cello

18 PizzicatoStr

ORGAN

No. Tone name

1 TW-Organ 1

2 TW-Organ 2

3 TW-Organ 3

4 TW-Organ 4

5 TW-Organ 5

6 TW-Organ 6

7 Combo Jz.Org

8 Ballad Organ

9 Gospel Spin

10 Full Stops

11 Mellow Bars

12 Light Organ

13 Lower Organ

14 Purple Spin

15 ‘60s Organ

16 ChurchOrgan1

17 ChurchOrgan2

18 Nason t 8’

19 Accordion

OTHER

No. Tone name

1 SymphonicCho

2 Aerial Choir

3 Jazz Scat

4 Female Aahs

5 Angels Choir

6 Beauty Vox

7 Male Aahs

8 Harpvox

9 Decay Choir

10 Trance Synth

11 Jump Brass

12 Africa Brass

13 SynthPhrase1

14 SynthPhrase2

15 Nylon-str.Gt

16 Steel-str.Gt

17 Clean Guitar

18 Jazz Guitar

19 Overdrive Gt

20 AcousticBass

21 A.Bass+Cymbl

22 FingeredBass

23 FretlessBass

24 Slap Bass

25 Synth Bass

26 Thum Voice

27 Alto Sax

28 Tenor Sax

29 BrassSection

30 Flute

31 ChamberWinds

32–296 GM2

Internal Song List

No. Song name Composer

1 Midsummer * Masashi Hirashita

2 The Nutcracker “Waltz of the Flowers” (Jazz Arrangement) * Peter Ilyich Tchaikovsky, Arranged by Masashi Hirashita

3 The Marriage of Figaro “Overture” Wolfgang Amadeus Mozart

4 Floral Pursuits * Léo Delibes, Arranged by John Maul

5 Swan-der ful Samba * Peter Ilyich Tchaikovsky, Arranged by John Maul

6 My Pleasure * Masashi Hirashita

7 Barcarolle Fryderyk Franciszek Chopin

8 Zhavoronok Mikhail Ivanovich Glinka, Arranged by Mily Alexeyevich Balakirev

9 Valse, op.34-1 Fryderyk Franciszek Chopin

10 Polonaise op.53 Fryderyk Franciszek Chopin

11 Nocturne No.20 Fryderyk Franciszek Chopin

12 Die Forelle Franz Peter Schubert, Arranged by Franz Liszt

13 Reets dans l’Eau Claude Achille Debussy

14 La Fille aux Cheveux de Lin Claude Achille Debussy

15 La Campanella Franz Liszt

16 Scherzo No.2 Fryderyk Franciszek Chopin

17 Liebesträume 3 Franz Liszt

18 Étude, op.10-3 Fryderyk Franciszek Chopin

19 Je te veux Erik Satie

20 Fantaisie-Impromptu Fryderyk Franciszek Chopin

21 Clair de Lune Claude Achille Debussy

22 Nocturne No.2 Fryderyk Franciszek Chopin

23 Für Elise Ludwig van Beethoven

24 Late Night Chopin * Fryderyk Franciszek Chopin, Arranged by John Maul

25 Fly Free * John Maul

26 L’éveil de l’amour * Masashi Hirashita

27 Wedding Song * John Maul

28 Yesterday’s Dream * John Maul

29 Windy Afternoon * Masashi Hirashita

30 Scrambled Egg * Masashi Hirashita

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

* Songs marked by an asterisk “*” are original songs composed for the Roland Corporation. The copyrights to these songs are owned by the Roland

Corporation. * No data for the music that is played will be output from the MIDI OUT connector and USB COMPUTER port. * All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

5959

Rhythm List

Pop Rock

No. Rhythm name

1 GoldMediumBeat

2 Frank’s Way

3 Easy Ballad

4 Sky Beat

5 Home Beat

6 AcousticBallad

7 Gold Slow Beat

8 Blue Pop

9 Jessie Beat

10 Gold Beat

11 US Shue

12 Strummin’Pop

13 Amazing Gospel

14 6_8 Ballad

15 Love Sl Rock

16 Unplugged Pop

17 Unplugged Bld

18 Cool Live Band

19 Acoustic Pop

20 Spring Rock

21 Joe’s Rock

22 Breaky Rock

23 Electro Rock

Disco Dance

No. Rhythm name

24 Seventies

25 Edge Disco

26 Volare Gipsy

27 Jamiro Dance

28 Gold Disco

29 Survive Disco

30 Dancin’

31 Hitmix

32 Club House

33 Hard Techno

34 Baby Beat

35 Breath Rap

36 Now Hip Hop

Jazz Blues

No. Rhythm name

37 OrganJazzFast

38 BlueEyesBand

39 OrganSwingMed

40 Gold Swing

41 MidngtSlSwing

42 Big Band Slow

43 Big Band Med

44 Swing Medium

45 JzGuitarSwing

46 Slow Jz Waltz

47 Cool Soul

48 Soul

49 Cool Blues

50 Go! Rock’N

51 Blue Boogie

52 Rock’N Slow

Ball Room

No. Rhythm name

53 It Valzer

54 Gold Wien Waltz

55 Gold Slow Waltz

56 Moon Waltz

57 Polca Disco

58 Gold Tango

59 Gold Foxtrot

60 Quick Step

61 Gold Rhumba

62 Beguine

63 Gold Cha Cha

64 Go! Twist

65 Gold Samba

66 Gold Bossa

Latin World1

No. Rhythm name

67 That’s Mambo

68 OrchstChaCha

69 Go!Salsa

70 Cuba Salsa

71 Acoustic Samba

72 Jazz Bossa

73 Fast Bossa

74 Pop Reggae Br

75 Samba

Tradit World2

No. Rhythm name

76 Country Rock

77 Love Reggae

78 Country Flyer

79 Gospel Shue

80 Ska

81 Southern Twang

82 StmtrnCountr

83 Posaunenpolka

84 Posaunenwalzer

85 Country Ballad

86 Country Beat

87 Country Pop

88 6_8 March

89 US March

90 OrchstralWaltz

Chord Fingering List

C C# D E E F

symbol: Indicates the constituent notes of chords. symbol: Chords shown with an “ ” can be played by pressing just the key marked with the “ .”

* These may dier from the chord notation shown in the display.

CM7 C#M7 DM7 E M7 EM7 FM7

C7 C#7 D7 E 7 E7 F7

Cm C#m Dm E m Em Fm

Cm7 C#m7 Dm7 E m7 Em7 Fm7

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7

Cdim C#dim Ddim E dim Edim Fdim

Cm7 ( 5 )

Caug C#aug Daug E aug Eaug Faug

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4

Dm7 ( 5 ) Em7 ( 5 )

Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4

C7/13 C#7/13 D7/13 E 7/13 E7/13 F7/13

6161

Chord Fingering List

F# G A A B B

F#M7 GM7 A M7 AM7 B M7 BM7

F#7 G7 A 7 A7 B 7 B7

F#m Gm A m Am B m Bm

F#m7 Gm7 A m7 Am7 B m7 Bm7

F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7

F#dim Gdim A dim Adim B dim Bdim

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F#aug Gaug A aug Aaug B aug Baug

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4

B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4

F#7/13 G7/13 A 7/13 A7/13 B 7/13 B7/13

Chord Pattern List

It is the Chord Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 90.

* These may dier from the chord notation shown in the display.

Accompaniment

No.

pattern

1 Original/Variation C Am Dm7 G7 C Am Dm7 G7

2 Original/Variation Am G F E7 Am G F E7

3 Original/Variation CM7 Am7 Dm7 G7 CM7 Am7 Dm7 G7

4 Original/Variation Dm7 G7 CM7 Am7 Dm7 G7 CM7 A7

5 Original/Variation C Bm7 Em7 Am F G Csus4 C

6 Original/Variation Dm7 G7 CM7 FM7

7 Original/Variation C7 F7 C7

8 Original/Variation CM7

9 Original/Variation C Am7 Dm7 G7sus4

10 Original/Variation C C/B Am Am/G F G C

Original C C7sus4 F

Variation Am E7 C7 F Fm6 Em7 F G

Original Dm G7 C A7 Dm G7 Am D7

Variation F G C C7sus4 F G Am A7

Original Am

Variation D

Original C

Variation C7sus4 C7

Original Am

Variation C

Original F

Variation Dm C Dm C

Original C Gm7 FM7

Variation FM9 F/G C Am7 FM9 F/G

Original C

Variation C G7 C G7 C G7 C

Original C Am7 Dm7 G7 C Am7 Dm7 G7

Variation FM7

Original Am7 D7 Am7 D7 Am7 D7 Am7 F/G

Variation C

Original CM9

Variation

Original CM9

Variation FM9 G6 FM9 G6 FM9 G6 FM9 G6 CM9 F/G

Original C

Variation Dm7 G7 C Am7 Dm7 G7 C

Original C

Variation FM7

Original Am7 D7 Am7 D7 Gm7 C7 Gm7

Variation Am7 D7sus4 Am7 D7 FM7

Original CM7

Variation C F Dm G C F G C

Original C Am C Am C Am F G

Variation C G F G C G F G7

Original C

Variation FM7 G7 C

Original C

Variation F Am G7 Dm7 F Am7 G7

Original C

Variation F

Original C

Variation C C7 G F7 G7 F7 G7

Original C

Variation F C F G

Original A7 D7 A7

Variation C F C C7 F7

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

E7 Am7 A7

Bm7

F7 C7 G7 F7 C7 G7

Cdim Dm9 G7 CM7 Dm9 CM7 Cdim Dm9 G7 CM7

B 7sus4

G Am F D

C D F G

E 7

B 7sus4

M9 B 9 A M9 B 9

dim

B 7

D Am G

C Gm7 C

CM7 Am7 FM7 Fm7 F/G

Am7 C F/G

CM9

A M7

Am9 CM9 Am9 FM9 G6

FM7 C F/G

G G7 C C7 F C Am7 Dm7 G C C7

G FM7 G FM7 G G7 C F/G

Am7 Dm7 G7

G C G

Fm7 C

C/G A7 D7

C C7sus4 F Fm6

F7 C

C7sus4 C7

C Gm7 F F/G

CM9

A M7

F7sus4 F7 G7sus4 G7

FM7 G7 C

dim

F G

D7 A7 E7 D7 A7 E7

Chord progression

E 7 B

A 7sus4 B 7sus4

Gm C

F/G

C Gm7

FM9 F/G

Am7

Dm7 G7

F C F C F C G7

C A7 D7 G7 C G7

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

6363

Chord Pattern List

Accompaniment

No.

pattern

Original F C7 Am7 C7 F7

Variation A7

Original C6

Variation C6

Original C

Variation C F C C7 F7

Original C

Variation Em7

Original CM9

Variation FM9 F/G CM9 Am9

Original C

Variation F G7 C C7 F G7 Am F/G

Original CM7

Variation FM7 G7 CM7

Original Cm7 Fm7 Cm7 Fm7 Cm7 Fm7 Cm7 Fm7

Variation Ddim

Original Gm

Variation

Original C Dm Dm7/G C F Em7

Variation C Bm7 Em9 A7 Am D7 Dm9 G7sus4

Original C Am F G C Am F G

Variation F

Original C G7

Variation F C G7 C7 F C G7 C

Original Am E7 Am E7 Am E7 Dm7 E7

Variation Am E7 Am E7 Dm7 G7 Bm7 E7

Original DM7

Variation DM7

Original C

Variation F Fm C F Fm G7sus4 G7

Original C

Variation C G7 C G7 Dm7 G7 C

Original C

Variation Dm

Original C G7

Variation C G7

Original C

Variation FM7 C FM7 C

Original Cm CmM7 Cm7 F7 Cm

Variation Cm CmM7 Cm7 F7

Original D C/D G/D

Variation

Original C Cmaj7 C6 Cmaj7 C

Variation Dm G C Dm G Am Dm G Am Dm G C

Original Fm7

Variation

57 Original/Variation F C Dm

58 Original/Variation D A A7 D G D A D

59 Original/Variation D

60 Original/Variation Am E G D F C Dm E F C E7 Am F C Dm E7

61 Original/Variation Am C D F Am C E

62 Original/Variation F7

63 Original/Variation G7 C7 G7

64 Original/Variation C F C F G C D7 G7

65 Original/Variation Am G F C/E Dm C B E7

66 Original/Variation F Gm7 C7 Fmaj7

67 Original/Variation F7

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

D7 G7 C7

Dm7 G7 Dm7 G7 C6 Am Am9 Dm7 G(11) C6 F/G

Dm7 G7 Dm7 G7 C6 Am

C7 F C G7 F7 C G7

F C F

Dm7 G7 Em7

dim

D7 Gm7 C7

C m7 5

E dim

dim)

Bm D

m7 E 7 A

F/G CM9 C9 FM9 F/G

Gm7 C Gm7

Dm7 G7 CM7

Ddim

G7 9

Am7 5

D7 Gm

Em Dm C Em Am F F/G G7

C G7 C

CM7

Bm7 Am7 GM7

D6 Dm7 G7 C

CM7 C7 F CM7

Em7 A7 Dm7 G7 C

F C G7

D7 C G7

Am C Am

C 7 F m7

Fm7

B 7

C (D ) F

Bm G A Bm

dim

Dm7

5 G7 9

C dim

FM7 G7 C C7

Ddim

G7 9

E M7

F m9

D7 Gm Gm

F9 Em9

Fm7

C G7

G7 Cm F7

D C/D G/D

Bm G A7

Fm7

B 7

F C Dm

B 7

C7 G7 E7 A7 D7 G7 Daug

B 7

Chord progression

F/C C7

Dm7

aug

C A7 D7 G7 C G7

Dm7 G7

CM7 F/G

Dm7 G7

Ddim

G7 9

Am7 5

(D 7)

Gm7

Em9 A7

G G7 G G7 C

B /D

Dm DmM7 Dm DmM7 Dm7 DmM7 Dm G C

C7 Fm7

F7 C7

F C Dm

Am C D F Am E Am

Fm7

F7 C7

G(11) C6 C6

Dm7 Fm C

dim

Fm7

B 7

F C Dm

B 7

C7 Fm

Chord Pattern List

Accompaniment

No.

pattern

68 Original/Variation Fm7

69 Original/Variation Cmaj7

70 Original/Variation Fmaj7

71 Original/Variation Cm

72 Original/Variation Fmaj7

73 Original/Variation D A A7 D7 G D E7 A7

74 Original/Variation Cm7 Gm7

75 Original/Variation A D E7 A

76 Original/Variation G Gmaj7 G7 C Cm G A7 D7

77 Original/Variation F7

78 Original/Variation F

79 Original/Variation D Dmaj7 D7 G Gm D E7 A7

80 Original/Variation Am Dm7 Gm7 C7 A7/G

Original Cm7 F7

Variation

82 Original/Variation F7

Original Fmaj7

Variation

Original C

Variation C

85 Original/Variation C G Am Em F C F G

86 Original/Variation C G/B Am Em/G F C/E Dm G

87 Original/Variation Fmaj7 G7 Em7 Am

Original Dm7 G7 Cmaj7 Fmaj7

Variation Dm7 G7 Em7 Am7 Dm7 G7 Cmaj7 Fmaj7

89 Original/Variation Cm7

Original

Variation

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

7 E maj7 A maj7

D7 Dm7 G7 Cmaj7 G7

Am7

maj7

B m7 5

7 A m E 7 A m

Am7 D7 Gm7 Am7

maj7

G7 Gm7 C7 Fmaj7 C7

Am Dm

maj7 E maj7 Am7 5

D7 Gm

G7 G7 Gm7

Bm7 E7 A7 Dm7 Dm6

Bm7 E7 A7 Dm7 Dm6 F Fm7 Cmaj7 A7

Fm7

E 7 A m

Dm7 G7 Cm C7

Fm Cm Gm Cm

B 7

Am Gm C7 F

D7/F

D7 Gm

Cm7 F7

Bdim F7 D7 Gm7 C7 F7 C7

B 7

F m7

E7 Am7

G7 Cm7

E 7 A m

Bm7

Dm7 5

B m7 5

Chord progression

B m7 E 7

F7 C7

G7/F C7/E

maj7 E maj7 Am7 5

D7 Gm7

F7 C7

Am Dm Gm C7 F C7

Am7

Fmaj7

G 7

Bm7

Dm7 G7 Em7 Am7 Dm7 G7 Em7 A7

E 7

F m7 5

E m7 A 7 D Dm7 5

Gm7

D7 Gm

E7 Am

B7 Em7 A7 Dm7 A7 Dm7 G7

Dm7

5/E

C7 Am7 D7 Gm7 C7

5/D

Am7 5

G7 Gm7

E 7

Am7 D7 Gm7 C7

D7 Dm7 G7

Dm7

D7 Gm

G7 C G7

G7 Cm7 G7

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

Registration List

The recommended settings were stored in the instrument when it shipped from the factory.

No. Registration name

1-1 Piano + Str.

1-2 Piano+EPiano

1-3 Gt + SoftPad

1-4 Winds + Str.

1-5 Lead + Pad

2-1 DreamPno/Pad

2-2 Vib. / BsCym

2-3 Piano / Pad

2-4 CleanGt / Bs

2-5 Brass / E.Bs

3-1 DanceSession

3-2 Jazz Session

3-3 R&B Session

3-4 LatinSession

3-5 Dance Sess 2

4-1 JazzOrg Ses

4-2 JazzPno Ses

4-3 RockPno Ses

4-4 BossaEP Ses

4-5 '70sEP Ses

5-1 FP REGIST.

5-2 FP REGIST.

5-3 FP REGIST.

5-4 FP REGIST.

5-5 FP REGIST.

MEMO

Registration from 5-1 to 5-5 include the “Basic Registration.” Use this when creating registration from scratch.

Main Specications

Roland FP-80: Digital Piano

Keyboard Keyboard 88 keys (Ivory Feel-S Keyboard with Escapement)

Touch Sensitivity

Keyboard Modes

Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2/GS/XG Lite Max. Polyphony 128 voices

Tones

Temperaments 8 types, selectable temperament key

Stretched Tuning (Only for piano tones)

Master Tuning 415.3–466.2 Hz (adjustable in increments of 0.1 Hz)

Transpose

Eects

Metronome

Tempo

Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8 Volume 11 levels

SMF Recorder Parts 2 parts (Keyboard, Accompaniment) Save Format Standard MIDI Files (Format 0) Songs 1 song Note Storage Approx. 30,000 notes

Controls

Tempo

Resolution 120 ticks per quarter note

Rhythm

Rhythms

Chord Progression

Controls

Audio Playable format Audio les ( WAV format, 44.1 kHz, 16-bit linear)

Recording (when using sold separately USB Flash Memory)

Recording format (when using sold separately USB Flash Memory)

Transpose

Key Touch: 100 levels, Fixed Touch Hammer Response: O, 1–10

Whole Dual (volume balance adjustable) Split (split point, volume balance adjustable)

Grand Piano: 14 tones E. Piano: 25 tones Strings: 18 tones Organ: 19 tones Other: 296 tones (including 8 drum sets, 1 SFX set)

Preset User tuning (adjustable in individual notes: -50.0–+50.0 cent) O

Key Transpose: -6–+5 (in semitones) Playback Transpose: -6–+5 (in semitones)

Ambience (O, 1–10) Equalizer (4-band digital equalizer)

Only for piano tones (Piano Designer):

Soundboard Behavior (O, 1–10) Cabinet Resonance (O, 1–10) Hammer Noise (-2–+2) Damper Noise (O, 1–10) Duplex Scale (O, 1–10) Damper Resonance (O, 1–10) String Resonance (O, 1–10) Key O Resonance (O, 1–10)

Only for organ tones:

Rotary (Slow/Fast)

Only for some tones:

Modulation speed (1–127)

Only for MIC INPUT:

Harmony (O, 2 types) Ambience (O, 1–10)

Quarter note = 10–500 (When rhythm function turns on: Quarter note = 20–250)

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Beginning of song, Previous song, Next song, Tempo, All Songs Play, Count-in

Quarter note = 10 to 500 (When rhythm function turns on: Quarter note = 20–250)

90 types x 2 variations Input with keyboard or automatic

Start/Stop, Sync Start, Intro/Ending, Fill In, Variation, Chord Hold, Leading Bass, Rhythm Part, Chord Pattern (90 types, 2 variations)

Keyboard SMF data Audio from MIC INPUT and INPUT jacks

Audio les (WAV format, 44.1 kHz, 16-bit linear)

Playback Transpose (with audio from INPUT jack): -6–+5 (in semitones)

Tempo Audio Playback Speed: 75–125 %

Controls

Internal Memory

Save Format

External Memory External Storage USB Flash Memory

Playable Song Format

Save Format

Others Internal Songs 30 songs Registrations 25 Registrations (capable of pedal shift)

Rated Power Output

Volume Level (SPL)

Speakers

Display Graphic LCD 128 x 64 dots Controls Volume (slider), MIC VOLUME, [SPEAKER] switch

Other Functions

Connectors

Power Supply AC adaptor

Power Consumption

Dimensions

Weight

Accessories

Options (sold separately)

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Beginning of song, Previous song, Next song, Tempo, All Songs Play, Center Cancel (with audio from INPUT jack)

Standard MIDI Files (Format 0) Registration Set Files (Roland original format)

Standard MIDI Files (Format 0, 1) Roland original format (i-Format) Audio Files (WAV format, 44.1 kHz, 16-bit linear)

Standard MIDI Files (Format 0) Audio Files (WAV format, 44.1 kHz, 16-bit linear) Registration set les (Roland original format)

7 W x 2 6 W x 2

101 dB * This gure was measured according to the method that is based

on Roland’s technical standard.

(8 x 12 cm) x 2 (with speaker box) (5 x 12 cm) x 2

Panel Lock V-LINK MIDI Visual Control Tone Demo Edit Tone Wheel Roland Wireless Connect

DC IN jack PEDAL (DAMPER/R, SOFT/L *, SOSTENUTO/C *) jacks: 1/4-inch phone type (* assignable) INPUT jack: Stereo miniature phone type OUTPUT (L/MONO, R) jacks: 1/4-inch phone type MIC INPUT jack: 1/4-inch phone type USB COMPUTER port: USB Type B USB MEMORY port: USB Type A MIDI (IN, OUT) connectors PHONES jack: Stereo 1/4-inch phone type

10 W (7–33 W)

10 W: Average power consumption while piano is played with

volume at center position

7 W: Power consumption immediately after power-up;

nothing being played

33 W: Rated power consumption

1,396 (W) x 371 (D) x 134 (H) mm 55 (W) x 14-5/8 (D) x 5-5/16 (H) inches

1,396 (W) x 458 (D) x 935 (H) mm 55 (W) x 18-1/16 (D) x 36-13/16 (H) inches (FP-80 with dedicated stand KSC-76 and music rest)

23.8 kg 52 lbs 8 oz

36.3 kg 80 lbs 1 oz (FP-80 with dedicated stand KSC-76 and music rest)

Owner’s Manual AC adaptor Power cord Music rest Damper pedal (capable of continuous detection)

Dedicated Stand: KSC-76 Keyboard Stand: KS-18Z, KS-G8, KS-12 Pedal Unit: RPU-3 Damper Pedal: DP-10 Pedal Switch: DP-2 Expression Pedal: EV-5, EV-7 USB Flash Memory (*) * Use USB Flash memory sold by Roland. We cannot guarantee

operation if other products are used.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

* In the interest of product improvement, the specications and/or appearance of this unit are subject to change without prior notice.

6767

Index

Contents

[ ] switch . . . . . . . . . . . . . . . . . . . . . . . . . . 13

[-] [+] buttons . . . . . . . . . . . . . . . . . . . . . . . . . 6

[

] button . . . . . . . . . . . . . . . . . . . . 9, 24

[

] button . . . . . . . . . . . . . . . . . . . . 9, 24

[

] button . . . . . . . . . . . . . . . . . . . . . . 9, 24

[

] [ ] (SLOW/FAST) buttons . . . . . . 9, 16

] button . . . . . . . . . . . . . . . . . . . 9, 24

[

AC adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Ad-Hoc Mode . . . . . . . . . . . . . . . . . . . . . . . . 52

All Song Play . . . . . . . . . . . . . . . . . . . . . . . . . 24

Ambience . . . . . . . . . . . . . . . . . . . . . . . . 7, 17

[AMBIENCE] button . . . . . . . . . . . . . . . 7, 17

Audio Recording . . . . . . . . . . . . . . . . . . . . . 26

Audio Transpose . . . . . . . . . . . . . . . . . . . . . 25

Auto O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

[ BACKING] button . . . . . . . . . . . . . . . . . . . 8

BALANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

BEAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Center Cancel . . . . . . . . . . . . . . . . . . . . . . . . 25

Center Pedal . . . . . . . . . . . . . . . . . . . . . . . . . 46

Center Pedal Func . . . . . . . . . . . . . . . . . . . . 46

Center Pedal Part . . . . . . . . . . . . . . . . . . . . 46

Chord

Fingering . . . . . . . . . . . . . . . . . . . . . . . . 61

Chord Hold . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Chord Pattern . . . . . . . . . . . . . . . . . . . . . 9, 23

[CHORD PATTERN] button . . . . . . . . . 9, 23

Chord Pattern Root . . . . . . . . . . . . . . . . . . 45

Chord Progression . . . . . . . . . . . . . . . . . . . 23

Chord Prog. Root . . . . . . . . . . . . . . . . . 45

Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Connect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Copy

Registration set . . . . . . . . . . . . . . . . . . 38

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Copy Regist. Set . . . . . . . . . . . . . . . . . . . . . . 38

Copy Regist. Set screen . . . . . . . . . . . . . . . 38

Copy Song . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Copy Song screen . . . . . . . . . . . . . . . . . . . . 41

Damper Pedal . . . . . . . . . . . . . . . . . . . . . . . 11

Damper Pedal Part . . . . . . . . . . . . . . . . . . . 45

DAMPER/R jack . . . . . . . . . . . . . . . . . . . . . . 11

DC IN jack . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Delete

Registration set . . . . . . . . . . . . . . . . . . 39

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Delete Regist. Set . . . . . . . . . . . . . . . . . . . . 39

Delete Song . . . . . . . . . . . . . . . . . . . . . . . . . 41

DEMO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Demo song . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Contrast . . . . . . . . . . . . . . . . . . . . . . . . . 40

Display Contrast . . . . . . . . . . . . . . . . . . . . . 40

[DRUMS & BASS] button . . . . . . . . . . . 9, 22

Dual Balance . . . . . . . . . . . . . . . . . . . . . . . . . 45

Dual Play . . . . . . . . . . . . . . . . . . . . . . . . . 6, 14

Duplex Scale . . . . . . . . . . . . . . . . . . . . . . . . . 32

Edit Tone Wheel . . . . . . . . . . . . . . . . . . . . . . 33

Ending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

[E. PIANO] button . . . . . . . . . . . . . . . . . . . . 14

Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . 7, 17

[EQUALIZER] button . . . . . . . . . . . . . . . 7, 17

Factory Reset . . . . . . . . . . . . . . . . . . . . . . . . 42

Factory Reset screen . . . . . . . . . . . . . . . . . 42

Factory Settings . . . . . . . . . . . . . . . . . . . . . . 42

Fill-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Format Media . . . . . . . . . . . . . . . . . . . . . . . . 43

Format Media screen . . . . . . . . . . . . . . . . . 43

FUNCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Function Mode . . . . . . . . . . . . . . . . . . . . . . 44

Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Harmony Type . . . . . . . . . . . . . . . . . . . . . . . 35

Headphone Jack . . . . . . . . . . . . . . . . . . . . . 10

INPUT jack . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Intro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

[INTRO/ENDING] button . . . . . . . . . . . 9, 20

[KEYBOARD ] button. . . . . . . . . . . . . . . . . . 8

Key Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Left Pedal Func . . . . . . . . . . . . . . . . . . . . . . 46

Left Pedal Part . . . . . . . . . . . . . . . . . . . . . . . 46

Load

Registration set . . . . . . . . . . . . . . . . . . 38

Load Regist. Set . . . . . . . . . . . . . . . . . . . . . . 38

Local Control . . . . . . . . . . . . . . . . . . . . . . . . 48

MAC address . . . . . . . . . . . . . . . . . . . . . . . . . 52

Master Tuning . . . . . . . . . . . . . . . . . . . . . . . 44

Memory Backup . . . . . . . . . . . . . . . . . . 7, 40

Memory Backup screen . . . . . . . . . . . . . . 40

Metronome . . . . . . . . . . . . . . . . . . . . . . . 9, 16

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . 16

[METRONOME] button . . . . . . . . . . . . 9, 16

Mic Ambience . . . . . . . . . . . . . . . . . . . . . . . 35

Mic Harmony . . . . . . . . . . . . . . . . . . . . . 7, 34

[MIC HARMONY] button . . . . . . . . . . . 7, 34

MIC jack . . . . . . . . . . . . . . . . . . . . . . . . . 11, 34

Microphone . . . . . . . . . . . . . . . . . . . . . 11, 34

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . 34

MIC [VOLUME] knob . . . . . . . . . . . . . 11, 34

MIDI Transmit Channel . . . . . . . . . . . . . . . 48

MIDI Visual Control . . . . . . . . . . . . . . . . . . . 48

Music rest. . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Name

Registration . . . . . . . . . . . . . . . . . . . . . . 37

Registration Set . . . . . . . . . . . . . . . . . . 37

Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . 45

Options screen . . . . . . . . . . . . . . . . . . . . . . . 52

[ORGAN] button . . . . . . . . . . . . . . . . . 14, 32

[OTHER] button . . . . . . . . . . . . . . . . . . . . . . 14

OUTPUT jacks . . . . . . . . . . . . . . . . . . . . . . . . 11

Panel Lock . . . . . . . . . . . . . . . . . . . . . . . . 7, 42

Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

PEDAL jacks . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Pedal Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . 33

[PIANO] button . . . . . . . . . . . . . . . . . . . . . . 14

Piano Designer. . . . . . . . . . . . . . . . . . . . 8, 31

[REC] button . . . . . . . . . . . . . . . . . . . 9, 26, 29

Recording . . . . . . . . . . . . . . . . . . . . . . . . 9, 26

Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Recording Mode . . . . . . . . . . . . . . . . . . . . . 47

Reformatting Memory . . . . . . . . . . . . . . . 43

Regist. Bank LSB . . . . . . . . . . . . . . . . . . . . . 47

Regist. Bank MSB . . . . . . . . . . . . . . . . . . . . . 47

Regist. PC . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Regist. Pedal Shift . . . . . . . . . . . . . . . . . . . . 46

Registration . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Call Up . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

[REGISTRATION] button . . . . . . . . . . . 6, 36

Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Registration set . . . . . . . . . . . . . . . . . . . . . . 36

Copy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Regist. Tx Ch. . . . . . . . . . . . . . . . . . . . . . . . . . 47

Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Play . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 20

Select . . . . . . . . . . . . . . . . . . . . . . . . . 8, 20

[RHYTHM] button . . . . . . . . . . . . . . . . . 8, 20

Save

Registrations . . . . . . . . . . . . . . . . . . . . . 37

Registration set . . . . . . . . . . . . . . . . . . 37

Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Save Regist. Set . . . . . . . . . . . . . . . . . . . . . . 37

Save Song screen . . . . . . . . . . . . . . . . 26, 28

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . 26

Converting . . . . . . . . . . . . . . . . . . . . . . . 29

SOFT/L jack . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Soft pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 24

Copy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Play All. . . . . . . . . . . . . . . . . . . . . . . . 9, 24

Playback . . . . . . . . . . . . . . . . . . . . . . 9, 23

Select . . . . . . . . . . . . . . . . . . . . . . . . . 8, 23

Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Transpose . . . . . . . . . . . . . . . . . . . . . . . . 19

[SONG] button . . . . . . . . . . . . . . . . . . . . 8, 23

SOSTENUTO/C jack . . . . . . . . . . . . . . . . . . . 11

Sostenuto pedal . . . . . . . . . . . . . . . . . . . . . 11

[SPEAKER] switch . . . . . . . . . . . . . . . . . . . . 11

Split Balance . . . . . . . . . . . . . . . . . . . . . . . . . 45

[SPLIT] button . . . . . . . . . . . . . . . . . . . . 7, 15

Split On Recognize . . . . . . . . . . . . . . . . . . . 45

Split Play. . . . . . . . . . . . . . . . . . . . . . . . . . 7, 15

Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

[START/STOP] button . . . . . . . . . . . . . . 9, 20

[STRINGS] button . . . . . . . . . . . . . . . . . . . . 14

Sync Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Temperament . . . . . . . . . . . . . . . . . . . . 32, 44

Temperament Key . . . . . . . . . . . . . . . . . . . 44

Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 16

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

TEMPO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Time Signature . . . . . . . . . . . . . . . . . . . . 9, 16

Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 14

Designing. . . . . . . . . . . . . . . . . . . . . . . . 31

Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

TONE buttons . . . . . . . . . . . . . . . . . . . . . 6, 14

Tone Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Tone Quality . . . . . . . . . . . . . . . . . . . . . . . . . 17

Tonewheel organ . . . . . . . . . . . . . . . . . . . . 32

Transmit MIDI Information . . . . . . . . . . . 47

Transpose . . . . . . . . . . . . . . . . . . . . . . . . 7, 19

Audio le . . . . . . . . . . . . . . . . . . . . . . . . 25

[TRANSPOSE] button . . . . . . . . . . . . . . 7, 19

Transpose Mode . . . . . . . . . . . . . . . . . . . . . 44

TW Edit screen . . . . . . . . . . . . . . . . . . . . . . . 33

USB COMPUTER Port . . . . . . . . . . . . . . . . . 10

USB Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

USB ash drive . . . . . . . . . . . . . . . . . . . . . . . 10

USB Memory Mode . . . . . . . . . . . . . . . . . . 49

USB MEMORY port . . . . . . . . . . . . . . . . . . . 10

Variation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

[VARIATION] button . . . . . . . . . . . . . . . 9, 21

Visual Control Channel . . . . . . . . . . . . . . . 49

Visual Control Mode. . . . . . . . . . . . . . . . . . 48

V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Harmony . . . . . . . . . . . . . . . . . . . . . . . . 34

Metronome . . . . . . . . . . . . . . . . . . . . . . 16

Microphone. . . . . . . . . . . . . . . . . . . . . . 34

Wireless Communication . . . . . . . . . . . . . 50

Wireless LAN . . . . . . . . . . . . . . . . . . . . . . . . . 50

WPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

USING THE UNIT SAFELY

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Concerning the Auto O function

Do not disassemble or modify by yourself

Do not open (or modify in any way) the unit or its AC adaptor.

Do not repair or replace parts by yourself

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

Use only stand that is recommended

This unit should be used only with a stand that is recommended by Roland.

Do not place in an unstable location

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

Precautions regarding placement of this unit on a stand

Be sure to follow the instructions in the Owner’s Manual carefully when placing this unit on a stand (p. 12).

If it is not set up properly, you risk creating an unstable situation which could lead to the unit falling or the stand toppling, and may result in injury.

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor included with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

6969

USING THE UNIT SAFELY

WARNING

Avoid extended use at high volume

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Don’t allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Adults must provide supervision in places where children are present

When using the unit in locations where children are present, be careful so no mishandling of the unit can take place. An adult should always be on hand to provide supervision and guidance.

Do not drop or subject to strong impact

Protect the unit from strong impact. (Do not drop it!)

WARNING

Do not share an outlet with an unreasonable number of other devices

Do not force the unit’s powersupply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Do not use overseas

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

CAUTION

Place in a well ventilated location

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

Use only the specied stand (s)

This unit is designed to be used in combination with specic stands (model: KSC-76, KS-G8, KS-18Z, KS-12) manufactured by Roland. If used in combination with other stands, you risk sustaining injuries as the result of this product dropping down or toppling over due to a lack of stability.

Evaluate safety issues before using stands

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

Grasp the plug when connecting or disconnecting the AC adaptor

Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

Periodically clean the AC adaptor’s plug

At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

CAUTION

Manage cables for safety

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Avoid climbing on top of the unit, or placing heavy objects on it

Never climb on top of, nor place heavy objects on the unit.

Do not connect or disconnect the AC adaptor with wet hands

Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

Cautions when moving this unit

If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the knob bolts securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the AC adaptor.

• Disconnect all cords coming from external devices.

• Remove the music rest.

Unplug the AC adaptor from the outlet before cleaning

Before cleaning the unit, turn it o and unplug the AC adaptor from the outlet (p. 10).

If there is a possibility of lightning strike, disconnect the AC adaptor from the outlet

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

Handle the ground terminal carefully

If you remove the screw from the ground terminal, be sure to replace it; don’t leave it lying around where it could accidently be swallowed by small children. When refastening the screw, make that it is rmly fastened, so it won’t come loose.

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

• To prevent malfunction and equipment failure, always make sure to turn o the power on all your equipment before you make any connections.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

• Do not put anything that contains water on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB ash drives, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on USB ash drives.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the internal memory or USB ash drives once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Do not apply undue force to the music rest while it is in use.

• Use only the specied expression pedal (EV-5, EV-7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specications, contact the manufacturer of the cable.

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Operation Guide Getting Ready Performing Recording Designing Sounds Microphone Registrations AppendixSettings

7171

IMPORTANT NOTES

Ground Terminal

• Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects. This is due to an innitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see gure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in re or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

Using USB ash drives

• Carefully insert the USB ash drives all the way in—until it is rmly in place.

• Never touch the terminals of the USB ash drives. Also, avoid getting the terminals dirty.

• USB ash drives are constructed using precision components; handle the memories carefully, paying particular note to the following.

• To prevent damage to the USB ash drives from static electricity, be sure to discharge any static electricity from your own body before handling the USB ash drives.

• Do not touch or allow metal to come into contact with the contact portion of the USB ash drives.

• Do not bend, drop, or subject USB ash drives to strong shock or vibration.

• Do not keep USB ash drives in direct sunlight, in closed vehicles, or other such locations.

• Do not allow USB ash drives to become wet.

• Do not disassemble or modify the USB ash drives.

Care of the keyboard

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

Copyrights/Licence/Trademark

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

• XGlite ( Corporation.

• Microsoft product screen shot(s) reprinted with permission from Microsoft Corporation.

• Roland, GS, SuperNATURAL, and Air Recorder are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

• Microsoft, Windows, Windows Vista, and DirectX are either registered trademarks or trademarks of Microsoft Corporation.

• iPhone and iTunes are either registered trademarks or trademarks of Apple Inc.

) is a registered trademark or a trademark of Yamaha

For EU Countries

For China

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

This product complies with the requirements of EMC Directive 2004/108/EC.

NEUTRAL LIVE

For EU Countries

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

For C.A. US (Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

FP-80 Digital Piano Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

)

* 5 1 0 0 0 3 1 9 5 9 - 0 2 *

Roland FP-80-BK User manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Look What You Can Do!

Contents

Operation Guide

Panel Descriptions

Getting Ready

Using a Stand

Turning the Power On

Listening to the Demos

Performing

Performing with Various Sounds

Switching Tones

Performing with Two Layered Tones (Dual Play)

Performing with the Metronome

Changing the Metronome’s Time Signature

Changing the Metronome’s Tempo

Changing the Metronome’s Volume

Adjusting the Sound to Your Taste

Adding Reverberation (Ambience)

Adjusting the Tone Color (Equalizer)

Shifting the Pitch (Transpose)

Adding Accompaniment to Your Performance

Playing Along with a Rhythm

Selecting and Playing a Rhythm

Adding an Intro

Adding an Ending

Adding Variation to the Rhythm

Inserting a Fill-In

Starting the Rhythm by Playing a Key (Sync Start)

Holding the Last Chord (Chord Hold)

Playing Along with a Chord Progression (Chord Pattern)

Playing Along with a Song

Selecting and Playing a Song

Playing Songs Consecutively (All Song Play)

Adjusting a Song’s Tempo

Lower the Level of an Audio File’s Central Sound (Center Cancel)

Transposing an Audio File (Audio Transpose)

Recording Your Performances

SMF recording

Audio Recording

Setting the Save Destination and Song Name

Converting an SMF Recording into an Audio Recording

Designing Sounds

Personalizing Your Piano (Piano Designer)

Simulating the Way That Sounds Are Created on an Organ (Tonewheel Organ )

Selecting the Type of Tonewheel Organ

Creating a Tonewheel Organ Sound (Edit Tone Wheel)

Using a Microphone

Connecting a Microphone

Adding Harmony to the Vocal Input via the Microphone (Mic Harmony)

Adjusting the Volume of the Harmony

Changing How Harmony Is Applied (Harmony Type)

Adding Reverberation to Your Voice (Mic Ambience)

Saving Performance Settings (Registrations)

What Is a Registration?

Recalling a Registration

Saving Current Settings into a Registration

Saving a Registration Set (Save Registration Set)

Convenient Functions

Adjusting the Brightness of the Display (Display Contrast)

Copying a Saved Song (Copy Song)

Deleting a Saved Song (Delete Song)

Disabling the Buttons (Panel Lock)

Reformatting Memory (Format Media)

Detailed Function Settings (Function Mode)

How to Use Function Mode

Matching the Pitch with Other Instruments (Master Tuning)

Changing the Tuning System (Temperament)

Specifying a Song’s Tonic (Temperament Key)

Specifying What to Transpose (Transpose Mode)

Adjusting the Dual Play Volume Balance (Dual Balance)

Adjusting the Split Play Volume Balance (Split Balance)

Changing the Pitch of the Tone in Octave Steps (Octave Shift)

Chord Recognition When Split Is On (Split-On Chord Recognition)

Setting the Root for Chord Progression (Chord Pattern Root)

Changing the Function of the Center Pedal (Center Pedal Function)

Changing the Function of the Left Pedal (Left Pedal)