Roland FP-4F User Manual

Introduction

Full-edged Piano Performance

The FP-4F features the SuperNATURAL piano sound generator and the Ivory Feel-G keyboard.

You’ll enjoy full-edged piano performances with richly expressive piano sounds and a keyboard that allows you to express every nuance of your musical inspiration.

Functions for Even More Playing Enjoyment

Session Partner (p. 34)

This provides a realistic-sounding accompaniment for your performance, letting you enjoy the sensation of playing a session with a backing band.

Registrations (p. 39)

Allows you to save your favorite performance settings, including settings for the sounds and settings for Session Partner, then call them up again anytime you like.

EXT MEMORY connector (p. 57)

Allows you to save some of your most memorable performances and your favorite performance settings to a USB memory.

You will also be able to have backing music be played while you perform, whether it be songs stored on USB memory, or songs from music CDs that you play using a CD drive.

* USB memory, CD drive, and music CDs are sold separately.

Easy to read display makes it easy to use

A variety of information, such as the name of sounds, is shown in the LCD screen, making operation of the instrument a lot easier.

Conventions in this Manual

• Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the [DISPLAY] button.

• Lines that begin with an asterisk * are cautionary statements that you must be sure to read.

• The numbers of pages that you can turn to for additional, related information are given like this: (p. **).

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit

may incorporate a newer, enhanced version of the system (the names of tones, rhythms, etc.), so what you actually see in the display may not always match what appears in the manual.

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 6), and “IMPORTANT NOTES” (p. 8). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2010 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland is a registered trademark of Roland Corporation in the United States and/or other countries.

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Before You Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Getting Ready to Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Connecting the AC adaptor . . . . . . . . . . . . . . . . . . . . . . . . . 13

Turning the Power On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Adjusting the Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Adjusting the Volume Balance between Your Keyboard

Performance and the Accompaniment . . . . . . . . . . . . . .14

Attaching the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Connecting Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Adjusting the Display Brightness . . . . . . . . . . . . . . . . . . . . . . . . .17

Listening to the Demo Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Performing Various Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Performing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . 20

Changing the Metronome’s Time Signature . . . . . . . . . . 21

Changing the Metronome Tempo . . . . . . . . . . . . . . . . . . .21

Changing the Metronome’s Volume . . . . . . . . . . . . . . . . . 22

Adding a Count-in to Synchronize Your Performance .22

Adding Reverberation (Reverb Eect) . . . . . . . . . . . . . . . . . . . . .23

Changing the Depth of the Reverb Eect . . . . . . . . . . . .23

Adjusting the Tone Quality (Equalizer) . . . . . . . . . . . . . . . . . . . . 24

Playing Two Tones Layered (Dual Play) . . . . . . . . . . . . . . . . . . . . 25

Playing Two Dierent Tones in the Right and Left Sides of the

Keyboard (Split Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Right-hand Tone and Left-hand Tone . .27

Changing the Point at which the Keyboard is Divided

(Split Point) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Changing the Pitch of the Keyboard or the Song Playback

(Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Disabling the Buttons (Panel Lock) . . . . . . . . . . . . . . . . . . . . . . . . 30

Listening to Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Playing Back Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Playing All Songs Successively (Play All) . . . . . . . . . . . . . . . . . . .32

Adjusting the Song Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Changing the Playback Key (Playback Transpose) . . . . . . . . . 33

Performing Along with Rhythm (Session Partner) . . . . 34

What is Session Partner?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Performing with Session Partner . . . . . . . . . . . . . . . . . . . . . . . . . .34

Selecting a Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Adding Variation to the Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Creating an Original Chord Progression Pattern . . . . . . . . . . . 37

Changing the Number of Measures for Recording a

Chord Progression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Registering Your Favorite Performance Settings . . . . . 39

What is a Registration? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Storing Your Performance Settings (Registration) . . . . . . . . . . 40

Recalling a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Recording Your Performance . . . . . . . . . . . . . . . . . . . . . . . 42

Recording Your Keyboard Performance . . . . . . . . . . . . . . . . . . . 42

Recording Your Performance with Session Partner . . . . . . . .44

Saving a Recorded Song (SONG SAV) . . . . . . . . . . . . . . . . . . . . . 45

Deleting a Saved Song (SONG DEL) . . . . . . . . . . . . . . . . . . . . . . .47

Detailed Settings for Various Functions . . . . . . . . . . . . . 48

Basic Operation in Function Mode . . . . . . . . . . . . . . . . . . . . . . . . 48

Adjusting the Keyboard Sensitivity (KEYTOUCH) . . . . . . . . . .50

Matching the Pitch with Other Instruments (TUNING) . . . . . 50

Adjusting the Tuning (TEMPRMNT) . . . . . . . . . . . . . . . . . . . . . . . 50

Specifying the Keynote (TMPR KEY) . . . . . . . . . . . . . . . . . . . . . . . 50

Adjusting the Dual Play Volume Balance (DUAL BAL) . . . . . . 51

Changing the Pitch of the Tone in Octave Steps

(OCT SHFT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Specifying What the Transpose will Aect (TRNSPOSE) . . . . 51

Select the Parts that Will Play (SP PART) . . . . . . . . . . . . . . . . . . . 51

Turning the Intro and Ending On/O (SP INTRO) . . . . . . . . . . 51

Selecting the Chord Progression for the Rhythm (SP PTN) . 51 Specifying the Root Note for the Chord Progression

(SP ROOT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Fixing the Chord Progression Pattern (SP FIX) . . . . . . . . . . . . .51

Turning the Rhythm’s Chord Progression On/O

(SP CHORD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Editing the Equalizer Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Setting the Tuning Curve (STR TUNE) . . . . . . . . . . . . . . . . . . . . .52

Adjusting Resonance when the Damper Pedal is Depressed

(DMPR RES) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Adjusting the Resonant Sounds when the Keys are Pressed

(STRG RES) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Playing Sounds When the Keys Are Released (KOFF RES) . . . 53 Changing How the Pedal Eects Are Applied (D.PDL PRT) .53 Changing How the Pedals Work (C.PDL FNC/L.PDL FNC) . . . 53 Decreasing the Playback Volume of Sounds in the Center

(C CANCEL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Using a Specic Part’s Sound as a Guide (MUTE VOL) . . . . . . 54

Playing Back with the Right-hand Part Muted (RIGHT TR) . . 54

Playing Back with the Left-hand Part Muted (LEFT TR) . . . . . 54

Playing Back with the Accompaniment Part Muted

(ACMP TR) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Saving a Registration Set (RGST SAV) . . . . . . . . . . . . . . . . . . . . .54

Loading a Registration Set You Saved (RGST LD) . . . . . . . . . . . 55

Deleting a Registration Set You Saved (RGST DEL) . . . . . . . . . 55

Using a Pedal to Switch Registrations (RGST PDL) . . . . . . . . . 55

Adjusting the Volume (M. GAIN) . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Setting the Type of CD to be Played Back (CD/A TYP) . . . . . . 55

Remembering Your Settings (MEM BKUP) . . . . . . . . . . . . . . . . . 56

Restoring the Factory-set Condition (FCT RSET) . . . . . . . . . . . 56

Connections with Other Equipment . . . . . . . . . . . . . . . . 57

Connecting External Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57

Connecting a CD Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Connecting USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Formatting Memory (FORMAT) . . . . . . . . . . . . . . . . . . . . . .58

Switching the External Memory Setting (EXT MODE) .58

Playing Back Songs From External Media . . . . . . . . . . . . 58

Changing the Tempo of an Audio File or Music CD . . . 59

Connecting to Audio Equipment . . . . . . . . . . . . . . . . . . . . . . . . .60

Having Audio from an External Device be Sounded

Through the FP-4F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Connecting Speakers to the FP-4F and Outputting

Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Connecting to MIDI Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Connecting a MIDI Sequencer to the FP-4F . . . . . . . . . .61

Producing Sounds from a MIDI Sound Module by

Playing the FP-4F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Preventing Doubled Notes When Connected to a

Sequencer (LOCAL.CTL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Transmitting Recorded Performance Data to a MIDI

Device (COMP OUT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Changing the MIDI Transmit Channel (MIDI CH) . . . . . . 62

Transmitting Tone Selection Data

(RGST CH/RGST PC/RGST MSB/RGST LSB) . . . . . . . . . . . . 63

Connecting a Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

Changing the USB Driver Settings (USB DRV) . . . . . . . .63

Using the V-LINK Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Specifying the V-LINK Transmit Channel (VLINK CH) . .64

Contents

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Stored Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Rhythm List (Session Partner) . . . . . . . . . . . . . . . . . . . . . . 73

Chord Progression Pattern List . . . . . . . . . . . . . . . . . . . . . 74

Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Chord Fingering List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Registration List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

About WARNING and CAUTION Notices

ALWAYS OBSERVE THE FOLLOWING

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse eects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specic meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specic thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specic thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

Do not open (or modify in any way) the unit or its AC adaptor.

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Never install the unit in any of the following locations.

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

This unit should be used only with a stand that is recommended by Roland.

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Immediately turn the power o, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

USING THE UNIT SAFELY

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

Protect the unit from strong impact. (Do not drop it!)

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the knob bolts securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the AC adaptor.

• Disconnect all cords coming from external devices.

• Remove the music rest.

Before cleaning the unit, turn o the power and unplug the AC adaptor from the outlet (p. 13).

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

Should you remove the music rest attachment screws and the ground terminal screw, keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

This (FP-4F) for use only with Roland stand KSC-44, KS-G8, KS-18Z, or KS-12. Use with other stands is capable of resulting in instability causing possible injury.

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Never climb on top of, nor place heavy objects on the unit.

Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

• Before connecting this unit to other devices, turn o the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow rubber, vinyl, or similar materials to remain on this unit for long periods of time. Such objects can discolor or otherwise harmfully aect the nish.

Maintenance

• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the nish.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB memories, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on USB memories.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or USB memories once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When connecting / disconnecting all cables, grasp the connector itself—

never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. In particular, when using headphones, please take care not to cause annoyance to others nearby.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Do not paste stickers, decals, or the like to this instrument. Peeling such matter o the instrument may damage the exterior nish.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

• Do not put anything that contains water (e.g., ower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Do not apply undue force to the music rest while it is in use.

• Use only the specied expression pedal (EV-5 or EV-7; sold separately).

By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specications, contact the manufacturer of the cable.

• Recording, duplication, distribution, sale, lease, performance, or broadcast of copyrighted material (musical works, visual works, broadcasts, live performances, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation and/or Atelier Vision Corporation.

• Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

Before Using USB Memories

Using USB Memories

• Carefully insert the USB memories all the way in—until it is rmly in place.

EXT MEMORY connector

IMPORTANT NOTES

USB memory

• Never touch the terminals of the USB memories. Also, avoid getting the terminals dirty.

• USB memories are constructed using precision components; handle the USB memories carefully, paying particular note to the following.

• To prevent damage to the USB memories from static electricity, be sure to discharge any static electricity from your own body before handling the USB memories.

• Do not touch or allow metal to come into contact with the contact portion of the USB memories.

• Do not bend, drop, or subject USB memories to strong shock or vibration.

• Do not keep USB memories in direct sunlight, in closed vehicles, or other such locations.

• Do not allow USB memories to become wet.

• Do not disassemble or modify the USB memories.

Care of the keyboard

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

* GS ( ) is a registered trademark of Roland Corporation.

* XGlite (

Yamaha Corporation.

* All product names mentioned in this document are trade-

marks or registered trademarks of their respective owners.

* MMP (Moore Microprocessor Portfolio) refers to a patent

portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

) is a registered trademark or a trademark of

Panel Descriptions

Front Panel

[VOLUME] knob

Adjusts the overall volume of the FP-4F (p. 14).

If headphones are connected, this adjusts the headphone volume (p. 17).

[BALANCE] knob

Adjusts the volume balance between the keyboard performance and the accompaniment (Song, Session Partner) (p. 14).

SESSION PARTNER [START/STOP] button

This button starts/stops Session Partner playback. By starting Session Partner, you can produce an accompaniment in a style such as jazz or rock (p. 34).

SESSION PARTNER [VARIATION] button

This button switches the accompaniment pattern of the rhythm to the variation accompaniment pattern (p. 36).

SONG [PLAY/STOP] button

Plays/stops a recorded performance, internal song, or a song saved in internal memory or USB memory (p. 31).

Also used to start the recording of a performance (p. 42).

2 3 4 5 6 7 8 9 10

TEMPO [-] button

Slows down the song tempo (p. 32).

TEMPO [+] button

Speeds up the song tempo (p. 32).

[METRONOME] button

Turns the metronome on/o (p. 20).

You’ll also use this button to set the time signature (p. 21).

Display

Shows information such as the tone name, song number, and tempo.

[CONTRAST] knob

Adjusts the brightness of the screen (p. 17).

SONG [REC] button

Press this button when you want the sound of your own performance or the Session Partner performance to be recorded on the FP-4F (p. 42).

Panel Descriptions

15 16 17 18 191312 14

[DISPLAY] button

Used to switch screen or to cancel a procedure.

[-] button

Selects sounds or edits a function’s setting.

By pressing the [-] button and [+] button simultaneously, you can reset the setting to its default value.

If the song select screen is shown and a song is playing, you can rewind by holding down this button.

[+] button

Selects sounds or edits a function’s setting.

By pressing the [-] button and [+] button simultaneously, you can reset the setting to its default value.

If the song select screen is shown and a song is playing, you can fast-forward by holding down this button.

TONE buttons

Used to select the type of sound that’s to be played on the keyboard (tone group) (p. 19), and to switch among or write favorite performance settings (registrations).

In some screens, pressing the [PIANO] button will conrm an operation or take you to the next screen. In such cases, the [PIANO] button will blink.

[SPLIT] button

Allows you to play dierent tones in the left and right zones of the keyboard (p. 26).

By holding down this button and pressing the [TRANSPOSE] button, you can turn the V-LINK function on/o (p. 64).

[TRANSPOSE] button

Transposes the pitch of the keyboard or song (p. 29).

By holding down the [TRANSPOSE] button while you press the [SPLIT] button, you can switch the V-LINK function on/o (p. 64). Additionally, you can listen to demo songs by holding down the [TRANSPOSE] button and pressing the [REVERB] button (p. 18).

[REVERB] button

Applies reverberation to the sound, creating the impression that you are performing in a concert hall (p. 23).

By holding down the [REVERB] button and pressing the [TRANSPOSE] button, you can listen to demo songs (p. 18). Additionally, you can enter Function mode (p. 48) by holding down the [REVERB] button while you press the [EQUALIZER] button.

[EQUALIZER] button

Turns the equalizer on/o (p. 24).

You can enter Function mode (p. 48) by holding down this button while you press the [REVERB] button.

By holding down the [EQUALIZER] button for several seconds, you can disable all operations that involve the use of the panel’s buttons (Panel Lock; p. 30).

Panel Descriptions

Rear Panel

103 5 6 874 9

EXT MEMORY connector

Connect your USB memory here.

Songs saved on USB memory can be played back (p. 58), and songs you recorded on the FP-4F can be saved to USB memory (p. 45).

USB (MIDI) connector

Connect your computer for transferring performance data (p. 63).

MIDI connectors

Connect an external MIDI device here to transfer performance data (p. 61).

PEDAL jacks

Connect the included pedal or a separately available pedal (RPU-3) here (p. 16).

INPUT jacks

Connect an audio device or another electronic music instrument here, so that its sound can be heard through the FP-4F’s speakers (p. 60).

OUTPUT jacks

Connect these to your external speaker system.

The sound of the FP-4F can be output from connected audio equipment or speakers (p. 60).

Grounding terminal

Depending on where and how you have your equipment set up, you may experience an uncomfortable sensation or notice that the surface feels gritty when you touch the metal portions of this instrument. This is due to an innitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see gure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in re or explosion)

• Telephone-line ground or lightning rod (may be dangerous in

the event of lightning)

PHONES jacks

Connect your headphones here (p. 17).

The FP-4F allows you to use two sets of headphones simultaneously.

[POWER] switch

Turns the power on/o (p. 13).

DC IN jack

Connect the included AC adaptor here (p. 13).

Before You Play

Getting Ready to Play

Connecting the AC adaptor

1. Make sure that the [POWER] switch is o (outward position).

O

2. Turn the [VOLUME] knob all the way toward the left to

minimize the volume.

Turning the Power On/O

* Once the connections have been completed, turn on power to your

various devices in the order specied. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

* Always make sure to have the volume level turned down before

switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.

Turning the power on

1. Turn the [VOLUME] knob all the way toward the left to minimize the volume.

3. Connect the included AC adaptor to the DC IN jack located on the FP-4F’s rear panel, and plug the power cord into an electrical outlet.

AC adaptor

Indicator

Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards.

The indicator will light when you plug the AC adaptor into an AC outlet.

Power cord

To AC outlet

2. Press the [POWER] switch to turn it on.

The power will turn on, and buttons such as the TONE buttons will light.

O

3. Use the [VOLUME] knob to adjust the volume (p. 14).

Now you can play the keyboard to produce sound.

* This unit is equipped with a protection circuit. A brief interval (a

few seconds) after power up is required before the unit will operate normally.

Before You Play

Turning the Power O

1. Turn the [VOLUME] knob all the way toward the left to minimize the volume.

2. Press the [POWER] switch to turn it o.

The power will turn o.

O

Adjusting the Volume

Here’s how to adjust the volume of the sounds you play from the keyboard, or the volume of songs played back from internal memory or USB memory.

If headphones are connected, this adjusts the headphone volume.

1. Turn the [VOLUME] knob to adjust the overall volume.

Play the keyboard to produce sound while you adjust the volume.

Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.

Adjusting the Volume Balance between Your Keyboard Performance and the Accompaniment

Here’s how to adjust the volume balance between the sound of your keyboard performance and the accompaniment (Song or Session Partner).

1. Turn the [BALANCE] knob to adjust the volume balance.

Turning the knob toward the left (toward “ACCOMP”) will decrease the volume of your keyboard performance.

Turning the knob toward the right (toward “KEYBOARD”) will decrease the volume of the accompaniment.

Attaching the Music Rest

Here’s how to attach the included music rest.

1. Loosen the music rest attachment screws located on the back of the piano (two locations).

2. Place the music rest between the screws and the chassis.

Before You Play

3. While using one hand to support the music rest, tighten the screws (two locations) to fasten the music rest rmly in place.

When attaching the music rest, you must use your hand to support it rmly so that it does not fall. Be careful not to pinch your hand.

To remove the music rest, support it with one hand while you loosen the screws. Remove the music rest, and then securely retighten the screws.

* Don’t apply excessive force to the installed music rest.

* When attaching the music rest, you must use the music rest attach-

ment screws that were attached to the piano.

* Should you remove the music rest attachment screws, keep them

in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

Before You Play

Connecting Pedals

Connect the included pedal to one of the PEDAL jacks. The function of the pedal will depend on the jack to which it’s connected.

Pedal

Damper pedal

Use this to sustain the sound. While you hold down the damper pedal, notes will be sustained even if you take your ngers o the keyboard. This is the same function as the right pedal of an acoustic piano.

The included pedal will detect a continuous value, so the amount by which you press the pedal will smoothly control the depth of the damper pedal eect.

On an acoustic piano, pressing the damper pedal allows other strings to resonate sympathetically with the notes you play, producing a rich and spacious resonance. The FP-4F simulates this natural damper resonance.

MEMO

Set the switch on the included pedal to “Continuous” when the pedal is connected.

Sostenuto pedal

The notes you are pressing when this pedal is depressed will be sustained. This is the same function as the center pedal of an acoustic piano.

Soft pedal

Use this to soften the sound.

When you play the keyboard while holding down the soft pedal, the sound will be softer than normal for the same keyboard playing strength. This is the same function as the left pedal of an acoustic piano.

The included pedal will detect a continuous value, so the amount by which you press the pedal will smoothly control the depth of the soft pedal eect.

Connected Jack Operation

DAMPER/R jack The pedal will operate as a damper pedal.

SOSTENUTO/C (FC2) jack

SOFT/L (FC1) jack

* Unplugging a pedal cord from the unit while the power is on may

cause the pedal’s eect to be applied without stopping. The power of the FP-4F must be turned o before inserting or removing a pedal cord.

The pedal will operate as a sostenuto pedal. Alternatively, you can assign a dierent

function (p. 55, p. 53).

The pedal will operate as a soft pedal. Alternatively, you can assign a dierent

function (p. 55, p. 53).

MEMO

• If you connect the separately available RPU-3 pedal, allows you to

enjoy piano performances at their fullest, since you can use three pedals.

• You can connect an expression pedal to the SOSTENUTO/C (FC2) jack or SOFT/L (FC1) jack, and use it to control the FP-4F’s volume

p. 53).

(

Use only the specied expression pedal (EV-5 or EV-7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• With the pedal connected to the SOSTENUTO/C (FC2) jack or the SOFT/L (FC1) jack, it can be assigned other functions as well (p. 53, p.

55).

Before You Play

Using Headphones

If you use headphones, you’ll be able to play even at night without being heard by others nearby.

Since the FP-4F has two headphone jacks, two people can use headphones simultaneously.

Adjusting the Display Brightness

Here’s how to adjust the brightness of the FP-4F’s display.

1. Turn the [CONTRAST] knob to adjust the brightness of the display.

* At times, you may notice that colors in the screen seem slightly

discolored. This is caused by a phenomenon inherent to liquid crystal displays, and does not indicate a malfunction. By using the [CONTRAST] knob to adjust the contrast of the screen, you can minimize discolor.

* The contrast of the screen may be aected by the temperature.

1. Connect your headphones to the PHONES jack.

If headphones are connected, sound will not be heard from the FP-4F’s speakers.

2. Use the [VOLUME] knob (p. 14) to adjust the headphone volume.

* To avoid damaging the cord’s internal conductive elements,

always grasp either the headset itself or the plug when handling headphones.

* Your headphones may be damaged if the volume of a device is

already turned up when you plug them in. Minimize the volume before you plug in the headphones.

* Excessive input will not only damage your hearing, but may also

strain the headphones. Please enjoy music at an appropriate volume.

* Use headphones that have a stereo 1/4” phone plug.

Before You Play

Listening to the Demo Songs

Here’s how to listen to the demo songs. The FP-4F provides four demo songs.

* You can’t play back the demo songs if your recorded performance has not been saved. You need to save your recorded performance (p. 45).

1. Hold down the [TRANSPOSE] button and press the [REVERB] button.

The TONE buttons will blink.

Button assigned to each demo song Song Name Composer

[PIANO] button Autumnaltints Masashi Hirashita / Kazuko Hirashita

[E. PIANO] button (Original song by Roland) Masashi Hirashita

[ORGAN] button (Original song by Roland) Masashi Hirashita

[OTHERS] button (Original song by Roland) Masashi Hirashita

* The performance data for the demo songs is not output from the MIDI OUT connector.

2. Press one of the TONE buttons to which a demo song is assigned.

The demo songs will play consecutively, starting with the song whose button you pressed. The button corresponding to the currently playing demo song will blink.

When the last demo song has nished playing, playback will continue from the rst demo song.

3. To stop playback, press the blinking button.

4. To end the demo, press either the [TRANSPOSE] button or the [REVERB] button.

The indicators for the TONE buttons will return to their original state.

Performing

Performing Various Sounds

The FP-4F lets you enjoy performing with piano sounds and other types of sounds (a total of more than 300).

These sounds are called “Tones.” The tones are organized into four groups, and each group is assigned to a TONE button.

Let’s start by performing with a piano tone.

1. Press the [PIANO] button.

The number and name of the currently selected tone is shown.

2. Press the [-] or [+] button.

The instrument will switch to another tone within the same group.

About the available tones

Button Explanation

[PIANO] button Allows you to select various instruments, including grand pianos, honky-tonk pianos, and historical instruments.

[E. PIANO] button

[ORGAN] button

[OTHERS] button This button selects violin, guitar, vocal, brass, and GM2 tones.

* For some tones, there are keys that produce no sound.

MEMO

For details on the tones, refer to “Tone List” (p. 70).

Allows you to select various electric piano sounds used in pop or rock, as well as the sound of instruments played using mallets.

Allows you to select organ tones. If you’ve selected a tone to which the rotary eect is applied, pressing the [ORGAN] button will switch the speed of the rotary eect.

Performing

Performing with the Metronome

You can sound the metronome while you play.

You can also change the metronome’s volume and time signature.

If a song is playing, the metronome will sound according to the song’s tempo and time signature.

1. Press the [METRONOME] button.

The [METRONOME] button will begin blinking, and the beat will be indicated in the display.

The [METRONOME] button will blink red and green in keeping with the currently selected time signature.

Red indicates the downbeat and green indicates the weak beats.

Press the [METRONOME] button once again to stop the metronome.

Changing the Metronome’s Time Signature

1. Press the [METRONOME] button.

The metronome will sound.

2. Press the [-] or [+] button.

When set to “0/4,” the bell sound for the strong beat will no longer sound; only the sound for the weaker beats will be sounded.

When you record your performance, it will be recorded using the time signature you specify here.

When you play back a song, the metronome’s time signature will be set to the time signature of that song.

Available time signatures 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

Performing

* You can’t change the metronome’s time signature while a song is playing.

Changing the Metronome Tempo

1. Press the [METRONOME] button.

The metronome will sound.

2. Press the TEMPO [-] or TEMPO [+] button.

Correspondence between beat and tempo display

Beat 2/2 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4 3/8 6/8, 9/8, 12/8

Tempo

= 5–250

= 10–500

= 20–999

= 7–333

Performing

Changing the Metronome’s Volume

1. Hold down the [METRONOME] button and press the [-] or [+] button.

The display will show the volume of the metronome.

If the metronome’s volume is set at “0,” you won’t hear the metronome.

Metronome volume range 0–10

Adding a Count-in to Synchronize Your Performance

By adding a “count-in” before the song starts, you can ensure that you begin playing at the appropriate time.

If you’re performing along with a song, sounding a count-in will make it easier for you to synchronize your performance with the song.

1. Press the [METRONOME] button.

The metronome will sound.

2. Press the SONG [PLAY/STOP] button.

A two-measure count will sound before the song starts playing.

Adding Reverberation (Reverb Eect)

You can add a pleasant reverberation to the sounds you play from the keyboard, creating the impression that you are performing in a concert hall.

This is called the “reverb eect.”

1. Press the [REVERB] button.

The [REVERB] button will light.

If you press the [REVERB] button once again, the button will go out and the reverb eect will be cancelled.

Performing

Changing the Depth of the Reverb Eect

1. Hold down the [REVERB] button and press the [-] or [+] button.

The display will indicate the reverb depth setting.

Higher values produce deeper reverb.

Reverb depth range 1–10

MEMO

The modied setting will return to its original value when you turn o the power. If desired, you can have the setting be retained even while the power is turned o (p. 39).

* The reverb depth cannot be set individually for each tone. The same depth of reverb is applied to each tone.

* The reverb depth for a song being played back will not change.

Performing

Adjusting the Tone Quality (Equalizer)

You can use the equalizer to adjust the sound’s tone quality.

1. Press the [EQUALIZER] button.

The [EQUALIZER] button will light.

If you press the [EQUALIZER] button once again, the button will go out and the equalizer will turn o.

MEMO

You can make detailed adjustments to the equalizer settings. For details, refer to “Editing the Equalizer Settings” (p. 52).

Playing Two Tones Layered (Dual Play)

You can play two tones simultaneously from a single key. This is called “Dual Play.”

As an example, here’s how to layer piano and strings tones.

1. Hold down the [PIANO] button and press the [OTHERS] button.

Both buttons will light.

When you play the keyboard, you’ll hear the piano and strings tones layered.

When you press any TONE button, Dual Play will be cancelled, and only the sound of the button you pressed will be heard.

* You can’t use Dual Play simultaneously with Split Play.

Performing

About the tones

Tone name Corresponding button How to select a tone

Tone 1 TONE button at the left Press the [-] or [+] button.

Tone 2 TONE button at the right Hold down the tone 2 button (the lit TONE button at the right) and press the [-] or [+] button.

* Depending on how you combine tones, Tone 2 may sound dierently than you expect.

MEMO

• You can adjust the volume balance of the two tones (p. 51).

• You can shift the pitch of tone 2 in steps of an octave (p. 51).

• When you press the damper pedal while using Dual Play, the eect will be applied to both tone 1 and tone 2. If desired, you can have the

eect be applied to only one of the tones (p. 53).

Performing

Playing Two Dierent Tones in the Right and Left Sides of the Keyboard (Split Play)

You can play dierent tones in the right and left sides of the keyboard, divided at a specic key.

This is called “Split Play,” and the location at which the keyboard is divided is called the “Split Point.”

1. Press the [SPLIT] button.

The [SPLIT] button will light.

When split is turned on, the keyboard settings will be as follows.

Split Point (upon power-up: F#3, included in left-hand zone)

A0 B0 C1 D1 E1F1G1

When you press the [SPLIT] button once again to turn it o, Split Play will be cancelled.

A1 B1 C2 C3 C4 C5 B7 C8

…

Left-hand tone Right-hand tone

Changing the Right-hand Tone and Left-hand Tone

Changing the Right-hand Tone

1. Press the TONE button.

The TONE button you’ve pressed will light.

2. Press the [-] or [+] button.

A dierent tone will be changed.

Performing

Changing the Left-hand Tone

1. Hold down the [SPLIT] button and press the TONE button.

The number and name of the currently selected left-hand tone will appear.

2. Hold down the [SPLIT] button and press the [-] or [+] button.

A dierent tone will be changed.

MEMO

You can shift the pitch of the left-hand tone in steps of an octave (p. 51).

Performing

Changing the Point at which the Keyboard is Divided (Split Point)

You can change the split point (the key at which the keyboard is divided).

The split point can be set to any value from B1 through B6.

Split point (upon power-up: F#3, included in left-hand zone)

C1 C3 C4 C5

B1 C2 C6 C7 C8B6

Range in which the Split Point can be assigned (B1–B6)

1. Hold down the [SPLIT] button and press the key that you want to be the split point.

The key you pressed will be assigned as the split point, and will appear in the display.

MEMO

• Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

• The modied setting will return to its original value when you turn o the power. If desired, you can have this setting be retained even while the

power is turned o (p. 39).

Changing the Pitch of the Keyboard or the Song Playback (Transpose)

The “Transpose” function lets you shift the pitch of the keyboard.

You can use the Transpose function to do the following things.

• Perform at a pitch that’s comfortable for a singer without changing the notes you read (your keyboard ngering).

• Perform a song written in a dicult key (i.e., with numerous sharps or ats) in a key that’s easier for you to play.

Performing

1. Hold down the [TRANSPOSE] button and press the note that’s the tonic of the key to which you want to transpose.

The transposition setting is shown while you hold down the [TRANSPOSE] button.

Transposition range -6–0–+5 (semitone steps)

The [TRANSPOSE] button will light if the setting is anything other than 0.

MEMO

• You can also change the setting by holding down the [TRANSPOSE] button and pressing the [-] or [+] button.

• By holding down the [TRANSPOSE] button and pressing both the [-] and [+] buttons simultaneously, you can reset the transposition setting to 0 (the

original value).

• You can use the [TRANSPOSE] button to turn the Transpose function on/o (if the transposition setting is anything other than “0”).

• The FP-4F allows you to choose whether to transpose just the keyboard, both the keyboard and the song, or just the song (p. 51).

Example: The song is written in the key of E, and you want to play it in the position of C

1. Hold down the [TRANSPOSE] button and press the E note (the tonic note of the key of E).

Starting from the tonic note of the key of C (i.e., the C note), the tonic of the key of E is four chromatic steps higher, so the display will indicate “+4.”

If you play C E G

It will sound E G

MEMO

The transposition setting will return to “0” when you switch songs or turn o the power.

Performing

Disabling the Buttons (Panel Lock)

The Panel Lock function lets you disable all buttons.

In this state, the settings will not change even if you inadvertently touch a button while performing.

1. Hold down the [EQUALIZER] button for several seconds.

Panel Lock will be activated.

“----” will be shown in the display, and Panel Lock will be activated.

To cancel Panel Lock, hold down the [EQUALIZER] button once again for several seconds.

Panel Lock will also be cancelled when you turn o the power.

* If you activate Panel Lock while a song is playing or recording, playback or recording will stop.

* You cannot set the FP-4F to Panel Lock if it’s in Function mode (p. 48).

Listening to Songs

Playing Back Songs

Here’s how to listen to the built-in songs.

MEMO

You can also play songs from a separately available CD drive or USB memory (p. 57).

1. Press the [DISPLAY] button a number of times to access the SONG screen.

2. Use the [-] [+] buttons to select a song.

MEMO

For details concerning the songs that come with the FP-4F, see “Internal Song List” (p. 76).

3. Press the SONG [PLAY/STOP] button.

Playback will stop when the end of the song is reached.

To pause the playback, press the SONG [PLAY/STOP] button once again.

When you then press the SONG [PLAY/STOP] button, playback will resume from where you paused.

Fast-forward and rewind

Operation Button

To beginning of next song Press the [+] button.

To beginning of song Press the [-] button.

Fast-forward Hold down the [+] button for several seconds during playback.

Rewind Hold down the [-] button for several seconds during playback.

Explanation of the display

Song name

Song number

Letters before song number

Pr. Internal Song

Int. Song in internal memory

Fld. Folder on USB memory

Ex. Song on USB memory

Description

Listening to Songs

Playing All Songs Successively (Play All)

Here’s how to play all the built-in songs (or all the songs in internal memory, or all the songs in USB memory) repeatedly in succession.

This function is called “Play All.”

1. Hold down the [DISPLAY] button and press the SONG [PLAY/STOP] button.

The instrument is set so all songs will be played back, and “ALL SONG” appears in the display.

Play All will turn o when you stop playback or turn o the power.

Adjusting the Song Tempo

You can adjust the tempo at which the song plays.

1. Press the TEMPO [-] or TEMPO [+] button.

The tempo will change.

Correspondence between beat and tempo display

Beat 2/2 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4 3/8 6/8, 9/8, 12/8

Tempo

= 5–250

= 10–500 = 20–999 = 7–333

Changing the Playback Key (Playback Transpose)

You can change the key in which the song plays. This function is called “Playback Transpose.”

1. Play back the song (p. 31).

2. Hold down the [TRANSPOSE] button and press the [-] or [+] button.

The song’s key will change in semitone steps.

Listening to Songs

Transposition range -6–0–+5 (semitone steps)

The playback transposition setting is displayed while you hold down the [TRANSPOSE] button.

If the setting is anything other than 0, the [TRANSPOSE] button will be lit.

The playback transposition setting will return to “0” when you select another song.

MEMO

• To reset the playback transposition setting to the original value (0), hold down the [TRANSPOSE] button and press both the [-] and [+] buttons

simultaneously.

• You can use the [TRANSPOSE] button to turn the Playback Transpose function on/o (if the transposition setting is anything other than “0”).

• The FP-4F lets you to choose whether to transpose just the song, both the keyboard and the song, or just the keyboard (p. 51). With the factory

settings, both the keyboard and song will be transposed simultaneously.

* The tone quality of the sound may change if you use the Playback Transpose function when playing back a music CD song or an audio le.

Performing Along with Rhythm (Session Partner)

What is Session Partner?

“Session Partner” is a function that provides an accompaniment in a style such as jazz or rock.

This realistic-sounding accompaniment lets you enjoy performing as though you’re playing with a backup band.

Session Partner lets you do the following things.

• Make the chords progress automatically while you play along with Session Partner (p. 34).

• Use your left hand (the left-hand zone of the keyboard) to specify the chords, allowing you to perform with the desired chord progression (p. 52).

• Perform with your own original chord progression (p. 37).

Performing with Session Partner

Here’s how you can perform with Session Partner.

1. Press the SESSION PARTNER [START/STOP] button.

The SESSION PARTNER [START/STOP] button will light, and the performance will start with an intro.

The SESSION PARTNER [VARIATION] button will blink during the intro.

The display will indicate the chord. The chords will progress automatically; go ahead and play a melody as desired.

The chord that will be played next

The chord that’s playing now

Instead of the sharp (#) symbol, a quotation mark will be shown in the display (p. 77). Also, just before a chord change, the “chord to be played next” will be shown, blinking, in the display.

Stopping the Session Partner Performance

1. Press the SESSION PARTNER [START/STOP] button.

Session Partner will play an ending, and then stop.

The SESSION PARTNER [VARIATION] button will blink while the ending is playing. When Session Partner has stopped, the SESSION PARTNER [START/ STOP] button will go out.

The performance will stop immediately if you press the SESSION PARTNER [START/STOP] button once again during the intro or ending.

MEMO

By turning SP INTRO (p. 51) “OFF,” you can perform without adding an intro or ending.

Performing Along with Rhythm (Session Partner)

Selecting a Rhythm

Here’s how to select a dierent rhythm that’s suitable for the song you’re playing.

What is a Rhythm?

The FP-4F contains built-in “Rhythms” for musical styles such as jazz and rock.

Each of these rhythms combines elements that create the distinctive atmosphere of that musical style; they are the basis of the accompaniment produced by Session Partner.

Each rhythm consists of the following three elements.

• Drums

• Bass

• Accomp (accompaniment other than drums and bass)

1. Press the [DISPLAY] button a number of times to access the SESSION PARTNER screen.

The display will show the number and name of the rhythm.

MEMO

The “Rh.” that appears before the rhythm number stands for “SESSION PARTNER screen.”

2. Use the [-] [+] buttons to select a rhythm.

For details on the available rhythms, refer to “Rhythm List (Session Partner)” (p. 73).

MEMO

• You can press the TEMPO [-] or TEMPO [+] button to change the rhythm’s tempo.

• You can choose which rhythm parts will sound (p. 51).

Performing Along with Rhythm (Session Partner)

Adding Variation to the Rhythm

Each rhythm provides two accompaniment patterns; the original accompaniment pattern and a more colorful variation accompaniment pattern.

A ll-in (a short phrase) will be inserted when the accompaniment pattern changes, making your song more expressive. For example, it’s eective to use the quieter original pattern during the rst half of the song, and then switch to the variation pattern later in the song as the energy level builds up.

1. Press the SESSION PARTNER [VARIATION] button to switch the accompaniment pattern.

SESSION PARTNER [VARIATION] button Explanation

Unlit The original accompaniment pattern will play.

Lit The variation accompaniment pattern will play.

The SESSION PARTNER [VARIATION] button will blink while the ll-in is playing.

What’s a “Fill-In”?

A short improvisational phrase inserted at the bar line is called a “Fill-In.” The phrase best suited to the selected Rhythm is played.

Performing Along with Rhythm (Session Partner)

Creating an Original Chord Progression Pattern

Session Partner contains chord progression pattern data suitable for each rhythm, but you can also create your own original chord progression pattern.

1. Hold down the SESSION PARTNER [START/STOP] button and press the SONG [REC] button.

The SESSION PARTNER [START/STOP] button and the SONG [REC] button will blink, and the FP-4F will enter recording-standby mode.

A screen like the following will appear.

To exit recording-standby mode, you can press the SESSION PARTNER [START/STOP] button or the SONG [REC] button.

2. To start recording your chord progression, use the left-hand zone of the keyboard to specify chords.

The chord you press is shown in the display. The intro will not play at this time.

You can store up to sixteen chords.

3. Press the SESSION PARTNER [START/STOP] button to stop recording your chord progression.

The recorded chord progression is recorded in “USER.” To select a recorded chord progression, press the [-] button when chord progression pattern number 1 is displayed, and select “USER” (p. 51).

MEMO

• Each chord progression pattern can be up to sixteen measures long. When the FP-4F is shipped from the factory, it is set so that a chord

progression of up to eight measures can be recorded. Recording will stop automatically when you exceed the currently specied number of measures. A maximum of sixteen chords can be stored. If you want to change the number of measures for the chord progression to be recorded, refer to “Changing the Number of Measures for Recording a Chord Progression” (p. 38).

• If desired, you can keep the chord progression pattern from changing even when you switch rhythms. Refer to “Fixing the Chord Progression Pattern (SP FIX)” (p. 51).

• Your original chord progression pattern will not play correctly if you play it using a time signature that’s dierent from when you recorded it.

• Your original chord progression patterns can be saved in a Registration (p. 39).

* The chord progression you record will be lost when you turn o the power. If you want to keep it, save it in a Registration (p. 40).

Switching Chord Progression Patterns while You Perform

If you switch registrations while Session Partner is playing, the chord progression pattern will also change. By switching chord progression patterns, you can perform with accompaniment for an entire song.

For example, store the chord progression pattern for melody “A” in registration 1-1, and store the chord progression pattern for melody “B” in registration 1-2. Then, while Session Partner plays, switch the registration from 1-1 to 1-2 at the right moment. The chord progression used by Session Partner will switch from the melody “A” pattern to the melody “B” pattern.

Performing Along with Rhythm (Session Partner)

Changing the Number of Measures for Recording a Chord Progression

When creating your own original chord progression pattern, you can specify the number of measures for which the chord progression will be recorded. When the power is turned on, this is set to eight measures.

1. Hold down the SESSION PARTNER [START/STOP] button and press the SONG [REC] button.

A screen like the following will appear.

2. Press the [+] button.

The screen shows the number of measures for which the chord progression will be recorded.

3. Use the [-] [+] buttons to select the desired number of measures.

Number of measures 4, 8, 12, 16

4. To start recording, specify the desired chord in the left-hand zone of the keyboard.

5. Press the SESSION PARTNER [START/STOP] button to stop recording.

Registering Your Favorite Performance Settings

What is a Registration?

You can save favorite settings such as the tones you’ve selected, the Dual Play or Split Play setting, and the Session Partner settings.

Each set of these settings is called a “Registration.”

You can save up to a total of 20 registrations, with ve each at the [PIANO], [E. PIANO], [ORGAN], and [OTHERS] buttons.

A collection consisting of all 20 of the stored registrations is known as a “Registration Set.”

Variation

1-1 2-1 3-1 4-1

1-2 2-2 3-2 4-2

1-3 2-3 3-3 4-3

1-4 2-4 3-4 4-4

1-5 2-5 3-5 4-5

20 registrations

Registration set

MEMO

• You can save registration sets to the FP-4F’s internal memory or to separately available USB memory (p. 54).

• For more about the settings saved in a registration, refer to “Items Stored in a Registration” (p. 69).

Saving or Loading Registrations

Registrations saved on the FP-4F can be saved and loaded as follows (p. 54).

USB memoryFP-4F

Registration sets

Registrations you can recall by pressing a button

Internal memory

Tones and Session Partner settings, etc.

Write

Registration sets

Save

Registration sets

Load

Save

Load

Registering Your Favorite Performance Settings

Storing Your Performance Settings (Registration)

Settings for your performances can be stored at the various Tone buttons.

With the factory settings, recommended performance settings have already been stored. If you want to create an original registration, we suggest that you start with registrations 4-1 through 4-5.

* Note that when you store a registration, the settings that were stored at the store destination will be overwritten and lost.

MEMO

For more about the settings saved in a registration, refer to “Items Stored in a Registration” (p. 69).

1. Make the desired Session Partner settings (p. 34) and choose the desired tone(s) (p. 19).

2. Press the [DISPLAY] button a number of times to access the Registration screen.

“REGIST” will be shown on the top line of the display.

3. While continuing to hold down the [DISPLAY] button, press the Tone button ([PIANO], [E. PIANO], [ORGAN], or [OTHERS]) to which you want to store your settings.

4. Continuing on from step 3, hold down the [DISPLAY] button while you select a Variation by pressing the [-] or [+] button.

Variation number

Button number

MEMO

Steps 3 and 4 require that you continue holding down the [DISPLAY] button.

5. Once you’ve completed step 4, you can take your nger away from the [DISPLAY] button.

Your performance settings will be stored.

* Never turn o the power while the entire display is blinking.

MEMO

• To select a registration that you’ve stored, refer to “Recalling a Registration” (p. 41).

• You can return the stored contents to their factory-set condition. Refer to “Restoring the Factory-set Condition (FCT RSET)” (p. 56).

• The registrations you create can be stored (p. 54).

• The registrations you’ve created can be stored together as a registration set.

Registering Your Favorite Performance Settings

Recalling a Registration

You can call up any of the settings you’ve stored at a Tone button.

1. Press the [DISPLAY] button a number of times to access the Registration screen.

“REGIST” will be shown on the top line of the display.

2. Specify the button at which the registration is saved by pressing a Tone button ([PIANO], [E. PIANO], [ORGAN], or [OTHERS]).

3. Use the [-] [+] buttons to select the registration variation.

The performance settings will change.

MEMO

• You can use a pedal to recall registrations (p. 55).

• Any registration set that you’ve saved in internal memory or to USB memory can be called up and made available to the Tone buttons (p. 55).

Recording Your Performance

Recording Your Keyboard Performance

You can record your performance.

You can play back a recorded performance to evaluate your own playing, or to play along with the recorded performance.

If the following screen appears

If you attempt to select another song or record a new song without saving your recorded performance, a conrmation message will appear.

If it’s OK to erase the recorded performance Press the TEMPO [+] button.

If you want to save the recorded performance Press the TEMPO [-] button to store the recorded performance into internal memory or USB memory (p. 45).

Preparing to Record

1. Select the tone you want to play (p. 19).

Sound the metronome if desired (p. 20).

2. Press the SONG [REC] button.

The display will indicate “NEW SONG.”

The SONG [REC] button will light, the SONG [PLAY/STOP] button will blink, and the FP-4F will enter recording-standby mode.

If you decide not to record, press the SONG [REC] button once again.

3. Set the tempo and time signature of the song (p. 21).

Starting and Stopping Recording

1. Press the SONG [PLAY/STOP] button or play the keyboard.

You’ll hear a two-measure count, and recording will start.

MEMO

If you started recording by playing the keyboard, the count will not be sounded.

2. Press the SONG [PLAY/STOP] button or SONG [REC] button.

Recording will stop.

Recording Your Performance

Listening to the Recorded Performance

1. Press the [DISPLAY] button a number of times until “NEW SONG” appears in the display.

2. Press the [-] button.

You’ll return to the beginning of the recorded performance.

3. Press the SONG [PLAY/STOP] button.

The recorded performance will play back.

Playback will stop when you press the SONG [PLAY/STOP] button once again.

MEMO

If you press the SONG [PLAY/STOP] button while the metronome is sounding, a two-measure count-in will be sounded before playback begins.

* The recorded performance will be lost when you turn o the power. If you want to keep your recorded performance, you must save it to internal

memory or USB memory (p. 45).

* You can’t play back another song if a recorded performance exists. You must save (p. 45) it before you can play back another song.

Recording Your Performance

Recording Your Performance with Session Partner

You can record session performances to the session partner.

Preparing to Record

1. Select the tone you want to play (p. 19).

2. Select a rhythm (p. 34).

3. Press the SONG [REC] button.

The display will indicate “NEW SONG.”

The SONG [REC] button will light, the SONG [PLAY/STOP] button will blink, and the FP-4F will enter recording-standby mode.

If you decide not to record, press the SONG [REC] button once again.

4. Specify the tempo of the song (p. 32).

Starting and Stopping Recording

1. Press the SESSION PARTNER [START/STOP] button.

The rhythm will start playing, and recording will begin at the same time.

When recording starts, the SONG [PLAY/STOP] button and SONG [REC] button will light.

MEMO

• For information concerning internal Rhythms and Chord Progression Patterns, refer to “Rhythm List (Session Partner)” (p. 73) and “Chord Progression

Pattern List” (p. 74).

• When recording while specifying chords (p. 52), recording will start when you specify a chord using the keys at the left-hand side of the keyboard.

2. Press the SONG [PLAY/STOP] button or SONG [REC] button.

Recording will stop.

Recording Your Performance

Saving a Recorded Song (SONG SAV)

Here’s how to save your recorded performance in internal memory.

If you’ve recorded a song, but then switch o the FP-4F without saving it, your recorded song will be lost. You must save your recorded song in internal memory if you want to keep it.

MEMO

You can also save your performance on USB memory (sold separately) (p. 45).

Preparing to Save

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode.

2. Use the [-] [+] buttons to select “SONG SAV.”

3. Press the [DISPLAY] button.

Selecting the Song Save-destination and Saving

1. Select the storage destination using the [-] or [+] button.

INT stands for internal memory, while EXT stands for the USB memory that you’ve connected.

2. Press the [PIANO] button.

With this, the storage destination has been determined.

3. Select the number of the destination for the save using the [-] or [+] button.

MEMO

• Whenever there is a “.” (period) at the left of the number (for example, Int. 01), it means that there already is a song stored at that number. When

saving a song, it’s best to select a number that doesn’t have a “.” shown in front of it.

• If you select a number where a song has already been stored (a period appears to the left of the number), and then press the [PIANO] button, you’ll be prompted with the message “SURE?” If you press the TEMPO [+] button, the existing, previously stored song will be overwritten. To cancel the procedure, press TEMPO [-].

Recording Your Performance

4. Press the [PIANO] button.

The screen in which changes in the song name are made will appear.

5. Change the name using the following buttons.

Operation Button

Change character that’s blinking Press the [-] or [+] button.

Shift location that’s blinking Press the TEMPO [-] or [+] button.

6. Press the [PIANO] button.

The song will be stored.

* Never turn o the power while the display is blinking.

MEMO

Anytime from step 3 onwards you can press the [DISPLAY] button to cancel the procedure.

Deleting a Saved Song (SONG DEL)

Here’s how to delete a song that you saved in internal memory.

MEMO

You can also delete songs that were saved on USB memory (sold separately).

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “SONG DEL.”

3. Press the [DISPLAY] button.

4. Select the destination in which to delete the song using the [-] or [+] button.

For internal memory, select “INT”; to erase to USB memory, select “EXT.”

5. Press the [PIANO] button.

6. Select a song using the [-] or [+] button.

7. Press the [PIANO] button.

“SURE?” will appear in the display.

Recording Your Performance

To cancel the procedure, press the TEMPO [-] button.

8. Press the TEMPO [+] button to erase the song.

* Never turn o the power while the display is blinking.

Detailed Settings for Various Functions

Basic Operation in Function Mode

In Function mode you can make detailed settings for various performance and recording functions.

Entering Function mode

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

At this point, “●” will be shown in the upper part of the display.

2. Use the [+] [-] buttons to select the item that you want to edit, and press the [DISPLAY] button.

“●” will be shown in the lower part of the display.

Pressing the [DISPLAY] button again, “●” will be returned in the upper part of the display.

Editing the Setting

1. Use the [-] [+] buttons to change the value of the setting.

By pressing the [-] [+] buttons simultaneously, you can revert to the factory-set value.

Pressing the [DISPLAY] button again, “●” will be returned in the upper part of the display.

If you want to continue editing other settings, return to step 2 of “Entering Function mode” and select the setting that you want to edit.

2. Press the [REVERB] button or the [EQUALIZER] button.

The instrument will exit Function mode.

MEMO

• Settings you modify will return to their original value when you turn o the power.

• For some settings, you can specify that they be stored in memory even while the power is turned o. For details on the settings that can be stored,

refer to “Stored Items” (p. 69).

Settings you can change

Detailed Settings for Various Functions

Setting Page

KEYTOUCH KeyTouch p. 50

TUNING Master Tuning p. 50

TEMPRMNT Temperament p. 50

TMPR KEY Temperament Key p. 50

DUAL BAL Dual Balance p. 51

OCT SHFT Octave Shift p. 51

TRNSPOSE Transpose p. 51

SP PART Session Partner Part p. 51

SP INTRO Session Partner Intro/Ending p. 51

SP PTN Session Partner Chord Progression Pattern p. 51

SP ROOT Session Partner Chord Progression Root p. 51

SP FIX Session Partner Chord Progression Fix p. 51

SP CHORD Session Partner Chord Progression p. 52

EQ LO GN Equalizer Low Gain

EQ LO FQ Equalizer Low Freq

EQ LM GN Equalizer Low-Mid Gain

EQ LM FQ Equalizer Low-Mid Freq

EQ LM Q Equalizer Low-Mid Q

EQ HM GN Equalizer High-Mid Gain

EQ HM FQ Equalizer High-Mid Freq

EQ HM Q Equalizer High-Mid Q

EQ HI GN Equalizer High Gain

EQ HI FQ Equalizer High Freq

STR TUNE Stretch Tuning p. 52

DMPR RES Damper Resonance p. 53

STRG RES String Resonance p. 53

KOFF RES KeyO Resonance p. 53

D.PDL PRT Damper Pedal Part p. 53

C.PDL FNC Center Pedal Function

L.PDL FNC Left Pedal Function

C CANCEL Center Cancel p. 53

MUTE VOL Mute Volume p. 54

RIGHT TR Right Track p. 54

LEFT TR Left Track p. 54

ACMP TR Accomp Track p. 54

SONG SAV Song Save p. 45

SONG DEL Song Delete p. 47

RGST SAV Regist Save p. 54

RGST LD Regist Load p. 55

RGST DEL Regist Delete p. 55

RGST CH Regist MIDI Channel

RGST PC Regist MIDI PC

RGST MSB Regist MIDI MSB

RGST LSB Regist MIDI LSB

RGST PDL Regist Pedal Shift p. 55

p. 52

p. 53

p. 63

Setting Page

M. GAIN Master Gain p. 55

LOCAL.CTL Local Control p. 62

COMP OUT Composer MIDI Out p. 62

MIDI CH MIDI TX Channel p. 62

VLINK CH V-LINK TX Channel p. 64

CD/A TYP CD/Audio Type p. 55

USB DRV USB Driver p. 63

EXT MODE External Memory Mode p. 58

MEM BKUP Memory Backup p. 56

FCT RSET Factory Reset p. 56

FORMAT Format p. 58

Detailed Settings for Various Functions

Adjusting the Keyboard Sensitivity (KEYTOUCH)

You can change the touch sensitivity, or response of the keys.

You can adjust the keyboard touch as appropriate for the playing strength of the person who is performing.

Setting Explanation

FIX (Fixed)

L+ (Super Light)

L (Light)

M (Medium)

H (Heavy)

H+ (Super Heavy)

The sound plays at one set volume, regardless of the force used to play the keys.

This setting produces the lightest keyboard touch.

You can achieve fortissimo ( ) play with a less forceful touch than usual, so the keyboard feels lighter. This setting makes it easy to play, even for children.

This sets the standard keyboard touch. You can play with the most natural touch. This is the closest to the touch of an acoustic piano.

You have to nger the keyboard more forcefully than usual in order to play fortissimo (), so the keyboard touch feels heavier. Dynamic ngering adds even more feeling to what you play.

This setting produces the heaviest keyboard touch.

Matching the Pitch with Other Instruments (TUNING)

When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument.

The standard pitch generally refers to the pitch of the note that’s played when you nger the middle A key. For a cleaner ensemble sound while performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

Setting 415.3 Hz–466.2 Hz

MEMO

When the instrument is shipped from the factory, this is set to “440.0 Hz.”

Adjusting the Tuning (TEMPRMNT)

You can play classical music such as baroque pieces using their original tuning.

Most modern songs are composed and played with the assumption that equal temperament (the most common tuning in use today) will be used, but when classical music was composed, there were a wide variety of other tuning systems in existence.

Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended.

Setting Explanation

EQU (Equal)

MAJ (Just(Major))

MIN (Just(Minor))

ARB (Arabic)

KIRN (Kirnberger)

MEAN (Meantone)

PYTH (Pythagorean)

WERC (Werckmeister)

In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of slight dissonance.

This tuning eliminates ambiguities in the fths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

The Just tunings dier from major and minor keys. You can get the same eect with the minor scale as with the major scale.

This tuning is suitable for the music of Arabia.

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation. Performances are possible in all keys (III).

This scale makes some compromises in just intonation, enabling transposition to other keys.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fths. Dissonance is produced by third-interval chords, but melodies are euphonious.

This temperament combines the Meantone and Pythagorean tunings. Performances are possible in all keys (rst technique, III).

Specifying the Keynote (TMPR KEY)

When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key).

If you choose an equal temperament, there’s no need to select a temperament key.

Setting

, D, E , E, F, F , G, A , A, B , B

C, C

MEMO

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

Detailed Settings for Various Functions

Adjusting the Dual Play Volume Balance (DUAL BAL)

You can adjust the volume balance between the two tones (tone 1 and tone 2) used for Dual Play (p. 25).

Setting

9-1 (tone 1 is louder)–9-9 (same volume)– 1-9 (tone 2 is louder)

Changing the Pitch of the Tone in Octave Steps (OCT SHFT)

You can change the pitch of the Tone 2 in Dual Play (p. 25) and Lower tone in Split Play (p. 26) an octave at a time. Altering the pitch in one-octave units in this way is called “Octave Shift.”

For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play.

Setting -2–0–+2

Specifying What the Transpose will Aect (TRNSPOSE)

This setting species what the transpose will aect.

You can use the transpose to change the pitch of both the song and the keyboard, the pitch of only the song, or the pitch of only the keyboard.

Setting Explanation

KBD (Keyboard) Keyboard notes (p. 29)

SONG Song playback (p. 33)

BOTH Keyboard notes and song playback

Turning the Intro and Ending On/O (SP INTRO)

This is an on/o setting for the intro and ending played by Session Partner.

If this setting is “OFF,” no intro or ending will play when you press the SESSION PARTNER [START/STOP] button.

Setting Explanation

ON An intro and ending will play.

OFF No intro or ending will play.

Selecting the Chord Progression for the Rhythm (SP PTN)

Here you can select the chord progression pattern for the currently selected rhythm.

Setting Explanation

A chord progression pattern that you yourself

USER

1–61

recorded. “USER” will appear only if there is a chord progression pattern that you’ve created (p. 37).

The chord progressions for each of these patterns are listed on “Chord Progression Pattern List” (p. 74).

Specifying the Root Note for the Chord Progression (SP ROOT)

Here you can specify the root note of the rst chord in the currently selected chord progression pattern.

Setting

, D, E , E, F, F , G, A , A, B , B

C, C

Select the Parts that Will Play (SP PART)

Here you can select the rhythm parts that will be played by Session Partner.

Setting Explanation

ALL

D+B (Drums+Bass) Drums, Bass

DRUM (Drums) Drums only

Drums, Bass, Accomp (accompaniment other than drums and bass)

MEMO

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

Fixing the Chord Progression Pattern (SP FIX)

For each rhythm, Session Partner has information about the chord progression pattern suitable for that rhythm.

Here you can specify whether Session Partner will automatically switch to a chord progression suitable for the rhythm when you switch the rhythm.

Setting Explanation

OFF

The chord progression pattern will not change when you switch the rhythm.

When you switch the rhythm, the chord progression will change to one that is suitable for the selected rhythm.

Detailed Settings for Various Functions

Turning the Rhythm’s Chord Progression On/O (SP CHORD)

Here you can specify whether the rhythm will follow the chord progression pattern or the chords you specify from the keyboard.

Setting Explanation

AUTO

MANL (Manual)

MEMO

• You can also change the SP CHORD setting by holding down the

SESSION PARTNER [START/STOP] button and using the SESSION PARTNER [VARIATION] button.

• When SP CHORD is set to “MANL,” the SESSION PARTNER [START/ STOP] button will start ashing, and the instrument will enter a standby state, waiting for performance. When you enter a chord from the keyboard, the rhythm will start playing. To stop playback, press the SESSION PARTNER [START/STOP] button once again.

• When entering chords from the keyboard, you don’t have to continue holding down the chord. The accompaniment will keep using the same chord until you specify the next chord.

• Instead of pressing all notes in the chord, you can use a simplied ngering to specify the chords. Refer to “Chord Fingering List” (p. 77) for more about how to specify chords.

• You can play the left-hand tone while specifying the chords with your left hand. Press the [SPLIT] button to turn it o, and then press the [SPLIT] button once again so it’s lit. When you play in the left-hand zone of the keyboard, you’ll hear the left-hand tone.

The rhythm performance will follow the specied chord progression pattern.

Split mode (p. 29) will automatically be selected, allowing you to specify chords in the left-hand zone of the keyboard.

* The left-hand zone of the keyboard will

not play the left-hand tone. If you press the [SPLIT] button once again, full-keyboard chord detection mode will be selected.

Editing the Equalizer Settings

You can use the equalizer to modify the tonal character of the sound by boosting or reducing just the low-frequency or high-frequency range of the sound.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select the equalizer item that you want to edit.

3. Press the [DISPLAY] button.

4. Use the [-] [+] buttons to edit the setting.

Indication Setting Explanation

EQ LO GN (Equalizer Low Gain)

EQ LO FQ (Equalizer Low Freq)

EQ LM GN (Equalizer Low-Mid Gain)

EQ LM FQ (Equalizer Low-Mid Freq)

EQ LM Q (Equalizer Low-Mid Q)

EQ HM GN (Equalizer High-Mid Gain)

EQ HM FQ (Equalizer High-Mid Freq)

EQ HM Q (Equalizer High-Mid Q)

EQ HI GN (Equalizer High Gain)

EQ HI FQ (Equalizer High Freq)

-12–+12 dB

100–1 k (Hz)

-12–+12 dB

16–16 k (Hz)

0.5, 1.0, 2.0,

4.0, 8.0

-12–+12 dB

16–16 k (Hz)

0.5, 1.0, 2.0,

4.0, 8.0

-12–+12 dB

1.25 k–16 k (Hz)

Adjusts the level of the lowfrequency range.

Frequency point in the lowfrequency range. Generally, this changes the level at and below this frequency.

Adjusts the level of the lowfrequency range to midrange.

Frequency point in the lowfrequency range to midrange. This changes the level of the specied bandwidth centered on this frequency.

Changes the bandwidth of the lowfrequency range to midrange. The bandwidth aected by the controls narrows as the value increases.

Adjusts the level of the mid- to high-frequency range.

Frequency point in the mid- to high-frequency range. This changes the level of the specied bandwidth centered on this frequency.

Changes the bandwidth of the mid- to high-frequency range. The bandwidth aected by the controls narrows as the value increases.

Adjusts the level of the highfrequency range.

Frequency point in the highfrequency range. Generally, this changes the level at and over this frequency.

* Sounds may become distorted as the Gain level increases.

Setting the Tuning Curve (STR TUNE)

Pianos are generally tuned so that the low range is atter and the high range is sharper than equal tempered pitches. This method of tuning is unique to the piano, and is known as “stretched tuning.”

Setting Explanation

OFF

This tuning curve expands the bass and treble ends somewhat. It is suitable for performances such as piano solos.

This is the standard tuning curve. This is suitable for when using Dual play (p. 25) or when playing in an ensemble with other instruments.

Detailed Settings for Various Functions

Adjusting Resonance when the Damper Pedal is Depressed (DMPR RES)

You can change the volume of the damper pedal resonance. On an acoustic piano, depressing the damper pedal makes the notes you play resonate with other strings, adding rich reverberations and fatness to the sound. The damper pedal on the FP-4F recreates this resonance (Damper Resonance) when depressed.

Setting Explanation

The resonance volume decreases as the value

OFF, 1–10

is lowered, while raising the value increases the volume of the Damper Resonance. The Damper Resonance function is not active when the value is set to “OFF.”

Adjusting the Resonant Sounds when the Keys are Pressed (STRG RES)

When you play the keys on an acoustic piano, the strings that are already playing resonate as well. The function that reproduces this eect is called “String Resonance.”

Setting Explanation

The resonance level decreases as the value is

OFF, 1–10

decreased, while increasing the value increases the amount of resonance. The String Resonance function is not active when the value is set to “OFF.”

Changing How the Pedals Work (C.PDL FNC/L.PDL FNC)

You can change the functions that are assigned to the pedals connected to the SOFT/L (FC1) jack and SOSTENUTO/C (FC2) jack.

Setting Explanation

SOFT

SOST (Sostenuto)

EXPR (Expression)

PLAY (Play/Stop)

STRT (Session Partner Start/ Stop)

L.BSS (Leading Bass)

B. UP (Bend Up) Pitch rises by pressing the pedal.

B.DWN (Bend Down) Pitch lowers by pressing the pedal.

MOD (Modulation) Vibrato is added by pressing the pedal.

* If a pedal connected to the FP-4F is set so it switches registrations,

that pedal will be dedicated to the switching of registrations. The pedal function you’ve assigned here will be ignored (p. 55).

Sets function to soft pedal.

* This can only be set with respect to a pedal

connected to the SOFT/L (FC1) jack.

Sets function to sostenuto pedal.

* This can only be set with respect to a pedal

connected to the SOSTENUTO/C (FC2) jack.

Allows control of the volume. You will nd it convenient to connect a

separately sold expression pedal. You cannot change volume of the Session Partner or recorded performance.

The pedal will have the same function as the SONG [PLAY/STOP] button.

You can start/stop Session Partner by pressing the pedal instead of pressing SESSION PARTNER [START/STOP] button.

Allows control the on/o of leading bass function. It is turned on while having stepped on the pedal.

Playing Sounds When the Keys Are Released (KOFF RES)

You can play the “key o” sound (the subtle sound produced when the keys are released) obtained when playing an acoustic piano.

Setting Explanation

The volume of the Key O sound decreases as

OFF, 1–10

the value is lowered, while raising the value increases the volume of the Key O sound. The Key O Resonance function is not active when the value is set to “OFF.”

Changing How the Pedal Eects Are Applied (D.PDL PRT)

When you press the damper pedal during Dual play or Split play, the pedal eect is normally applied to both tones, but you can also select the tone to which the eect is to be applied.

Setting Explanation

R+L (Right+Left) All enabled

R (Right)

L (Left)

Applied only to the Tone 1 (in dual mode)/ Right-hand Tone (in split mode)

Applied only to the Tone 2 (in dual mode)/ Left-hand Tone (in split mode)

What is the leading bass function?

The function that sounds the lowest note of a ngered chord as

the bass tone is called “Leading Bass.”

Decreasing the Playback Volume of Sounds in the Center (C CANCEL)

You can decrease the volume of sounds (vocals, some melodic instruments, etc.) heard at the center of the stereo sound eld when playing an audio le or a music CD song.

Setting Explanation

ON The volume of the melody or vocal will decrease.

OFF Center Cancel will not be used.

* The Center Cancel setting will be cancelled when you select a

dierent song.

* For some songs, this function might not completely eliminate

the sounds heard from the middle. Also, the tone quality may be aected by this function.

Detailed Settings for Various Functions

Using a Specic Part’s Sound as a Guide (MUTE VOL)

This setting lets you specify that when the RIGHT TR (p. 54), LEFT TR (p. 54), or ACMP TR (p. 54) setting is set to “MUTE,” the muted part is played at a lower volume, rather than being completely silenced. This allows you to play a specic part at a lower volume, so you can use it as a guide while you play along.

Setting Explanation

0–10 Higher values make the sound louder

Playing Back with the Right-hand Part Muted (RIGHT TR)

This lets you carry out playback while muting the right-hand part of the internal song or the SMF music les.

This is a convenient way to practice along with a song one hand at a time.

Setting Explanation

No sound will be heard.

MUTE

ON The sound will be heard.

- - - - No data exists.

* The setting will be “ON” when you switch to a dierent song.

What is a Mute?

You can “mute” a specic part so that it will not be heard.

* You can change the MUTE VOL (p. 54) so that

the part will play back at a low volume, allowing you to use it as a guide for your own playing.

Playing Back with the Accompaniment Part Muted (ACMP TR)

This lets you play back while muting the accompaniment part of the internal song or the SMF music les.

Setting Explanation

No sound will be heard.

MUTE

ON The sound will be heard.

- - - - No data exists.

* The setting will be “ON” when you switch to a dierent song.

* You can change the MUTE VOL (p. 54) so that the

part will play back at a low volume, allowing you to use it as a guide for your own playing.

Saving a Registration Set (RGST SAV)

Here’s how the 20 registrations stored at the Tone buttons can be saved as a single set to the FP-4F’s internal memory or to USB memory.

If you’re saving to USB memory, connect your USB memory to the EXT MEMORY connector.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “RGST SAV.”

3. Press the [DISPLAY] button.

4. Select the destination in which to save the registration set

using the [-] or [+] button.

For internal memory, select “INT”; to save to USB memory, select “EXT.”

5. Press the [PIANO] button.

With this, the storage destination has been determined.

6. Select the number of the destination for the save using the [-] or [+] button.

Playing Back with the Left-hand Part Muted (LEFT TR)

This lets you carry out playback while muting the left-hand part of the internal song or the SMF music les.

This is a convenient way to practice along with a song one hand at a time.

Setting Explanation

No sound will be heard.

MUTE

ON The sound will be heard.

- - - - No data exists.

* The setting will be “ON” when you switch to a dierent song.

* You can change the MUTE VOL (p. 54) so that

the part will play back at a low volume, allowing you to use it as a guide for your own playing.

For numbers where a song has already been saved, a period is displayed at the left of the number (for example, Int. 01).

7. Press the [PIANO] button.

The registration set will be saved.

If you select a number where data has already been stored (a period is appended to it) and press the [PIANO] button, you’ll be prompted with the message “SURE?”

Press TEMPO [+] to overwrite existing data; press TEMPO [-] to cancel the procedure.

* Never turn o the power while the display is blinking.

MEMO

• If desired, you can reset the contents saved at the TONE buttons

to their factory-set condition. Refer to “Restoring the Factory-set Condition (FCT RSET)” (p. 56).

• For details on how to select a saved registration set, refer to “Loading a Registration Set You Saved (RGST LD)” (p. 55).

• Anytime from step 6 onwards you can press the [DISPLAY] button to cancel the procedure.

Detailed Settings for Various Functions

Loading a Registration Set You Saved (RGST LD)

Here’s how an entire set of registrations you saved in internal memory or USB memory can be loaded back to the Tone buttons.

If you want to load a registration set that was saved on USB memory, connect your USB memory to the EXT MEMORY connector.

* Note that when you load a registration set, all of the settings that

were stored at the Tone buttons will be overwritten and lost.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “RGST LD.”

3. Press the [DISPLAY] button.

4. Select the destination from which to load using the [-] or [+]

button.

For internal memory, select “INT”; to save to USB memory, select “EXT.”

5. Press the [PIANO] button.

With this, the destination from which to load has been determined.

6. Select the number you want to load using the [-] or [+] button.

7. Press the [PIANO] button.

The registration set will be loaded to the various Tone buttons.

* Never turn o the power while the display is blinking.

Deleting a Registration Set You Saved (RGST DEL)

Using a Pedal to Switch Registrations (RGST PDL)

You can assign a pedal to successively switch registrations. Each time you press the pedal, you will switch to the next registration.

Setting Explanation

Pressing a pedal connected to the

OFF

FC 1

FC 2

SOSTENUTO/C (FC2) jack or SOFT/L (FC1) jack will not switch registrations. The functions assigned to the SOSTENUTO/C (FC2) jack and SOFT/L (FC1) jack will be available for use (p. 53).

The pedal connected to the SOFT/L (FC1) jack can be used only for switching registrations. In this case, the function assigned to the SOFT/L (FC1) jack cannot be used.

The pedal connected to the SOSTENUTO/C (FC2) jack can be used only for switching registrations. In this case, the function assigned to the SOSTENUTO/C (FC2) jack cannot be used.

Adjusting the Volume (M. GAIN)

If you are playing the FP-4F through a connected external system, there may be cases in which the volume from your external system is too low even when the FP-4F’s volume is turned to the maximum setting.

In such cases, you can adjust the master gain setting as follows.

Adjusting the master gain will also aect the volume of the internal speakers and headphones.

Setting -12–0–12

* The sound may distort if you increase the volume excessively.

Here’s how to delete a registration set that’s been saved in internal memory or USB memory.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “RGST DEL.”

3. Press the [DISPLAY] button.

4. Select the storage destination using the [-] or [+] button.

For internal memory, select “INT”; to save to USB memory, select “EXT.”

5. Press the [PIANO] button.

With this, the storage destination has been determined.

6. Select the number that you want to erase using the [-] or [+] button.

7. Press the [PIANO] button.

“SURE?” will appear in the display.

8. Press the TEMPO [+] button to carry out the erasure; press TEMPO [-] to cancel the procedure.

* Never turn o the power while the display is blinking.

Setting the Type of CD to be Played Back (CD/A TYP)

The FP-4F may be unable to correctly recognize the type of CD being used. In such instances, you can specify the type of CD manually.

Setting Description

AUTO The CD type is detected automatically

TYPE A General CDs for Player Piano contain audio and

TYPE B

STEREO

* Note that some commercial player piano CDs cannot be played back

on the FP-4F.

MIDI data, and the data format may vary from one CD to the next. If the CD’s data format does not match the FP-4F’s settings, a “beep” will sound. Certain general Piano player CDs may not be playable on the FP-4F.

Commercial Audio CD (CDs other than those designed for use with the player piano)

Detailed Settings for Various Functions

Remembering Your Settings (MEM BKUP)

The settings you edit in Function mode will return to their default state when you turn o the power. However, if desired, you can have these settings be retained even while the power is turned o.

This is called the “Memory Backup” function.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “MEM BKUP.”

3. Press the [PIANO] button.

If you decide not to carry out the Memory Backup, press the TEMPO [-] button.

4. Press the TEMPO [+] button.

Memory Backup will be carried out.

When Memory Backup is complete, the Function mode menu screen will appear.

* Never turn o the power while the display is blinking.

MEMO

For details on the items that are stored, refer to “Items Stored by Memory Backup” (p. 69).

Restoring the Factory-set Condition (FCT RSET)

The settings stored by Memory Backup as well as the registration settings can be restored to their factory-set condition. This function is called “Factory Reset.”

* When you execute Factory Reset, all settings you’ve stored up to

that point will revert to the factory-set condition.

MEMO

Even if you execute this operation, songs and registration sets stored in internal memory will not be lost.

If you want to erase all songs and registration sets from internal memory, refer to “Formatting Memory (FORMAT)” (p. 58).

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “FCT RSET.”

3. Press the [PIANO] button.

If you decide not to execute Factory Reset, press the TEMPO [-] button.

4. Press the TEMPO [+] button.

Factory Reset will be executed.

* Never turn o the power while the display is blinking.

When the factory reset has been completed, “END” will appear in the display.

5. Turn the power o, then on again (p. 13).

Connections with Other Equipment

Connecting External Media

By connecting separately sold external media (CD drive, USB memory) you’ll be able to do the following things.

Device What you can do

• Play back music CDs

CD drive

USB memory

* Before using a new USB memory, you must format (initialize) it on

the FP-4F. For details, refer to “Formatting Memory (FORMAT)” (p. 58).

* CDs containing a mixture of music tracks and data cannot be played

back correctly.

SMF Music Files

SMFs (Standard MIDI Files) use a standard format for music le that was formulated so that les containing music le could be widely compatible, regardless of the manufacturer of the listening device. An enormous variety of music is available, whether it be for listening, for practicing musical instruments, for Karaoke, etc.

• Play back SMF music les

• Play back songs on VIMA CD-ROMs (VIMA

TUNES) (sold by Roland)

• Play back SMF music le

• Save performance data

• Play back audio les (WAV format, 44.1 kHz,

16-bit, linear)

• Save/load registration sets

For details on installation and connections, refer to the owner’s manual of your CD drive.

* Use a CD drive sold by Roland. We cannot guarantee operation if any

other CD drive is used.

* CD-R/RW discs to which music tracks have been added and CDs

containing a mixture of music tracks and SMF or other data (CD extra) cannot be played back.

* The FP-4F is capable of playing back only commercial CDs that

conform the ocial standards-those that carry the “COMPACT DISC DIGITAL AUDIO” logo.

* The usability and sound quality of audio discs that incorporate

* For more detailed information on audio discs featuring copyright

protection technology and other non-standard CDs, please consult the disc vendor.

* You cannot save songs and styles to CDs, and you cannot delete

songs or styles recorded to CDs. Furthermore, you cannot format CDs.

Connecting USB Memory

Connect your USB memory to the EXT MEMORY connector, as shown in the illustration below.

VIMA TUNES

VIMA TUNES is a Roland specication for music les that contains image and lyric data, allowing you to enjoy songs with lyrics and images simultaneously. When data bearing the “VIMA TUNES” logo is played back on a device that bears the same logo, lyrics can be shown on the screen of a connected external display or television, letting you enjoy karaoke or watch a slide show.

* The FP-4F is not capable of showing images and lyrics for

VIMA TUNES.

Connecting a CD Drive

Connect your CD drive to the EXT MEMORY connector.

If you’re using a stand KSC-44, attach the CD drive using the holes located on the bottom panel of the FP-4F, as shown in the illustration below.

EXT MEMORY connector

USB memory

* Carefully insert the USB memories all the way in—until it is rmly in

place.

* Use USB memory sold by Roland. We cannot guarantee operation if

any other USB memory is used.

Connections with Other Equipment

Formatting Memory (FORMAT)

This operation will erase the entire contents of internal memory or USB memory.

* Please be aware that everything stored in internal memory or USB

memory will be erased when you format it.

* Before using a new USB memory with the FP-4F for the rst time,

you must format the USB memory.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “FORMAT.”

3. Press the [DISPLAY] button.

4. Use the [-] [+] buttons to choose the memory that you want

to format.

Indication Setting

INT Internal memory

EXT USB memory

5. Press the [PIANO] button.

“SURE?” will appear in the display.

Press TEMPO [+] to begin the initialization; press TEMPO [-] to cancel the procedure.

* Never turn o the power while the display is blinking.

* Even if you format the internal memory, settings not associated

with internal memory will not be initialized. If you want to return the other settings (those that are not included in the contents of internal memory) to their factory-set state, execute the Factory Reset operation (p. 56).

* Do not disconnect the USB memory while USB memory is being

formatted.

Switching the External Memory Setting (EXT MODE)

In some cases when USB memory is connected to the EXT MEMORY connector, it may take an excessive length of time for data to be read, or data might not be read successfully. If this occurs, you may be able to solve the problem by switching the external memory mode setting.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “EXT MODE.”

3. Press the [DISPLAY] button.

4. Use the [-] [+] buttons to choose the mode.

Setting -1-, -2-

5. Turn the power o, then on again (p. 13).

MEMO

This setting is remembered even while the power is turned o.

Playing Back Songs From External Media

Here’s how to play back songs from external media (CD/USB memory).

1. Connect external media that contains songs.

2. Press the [DISPLAY] button a number of times to access the

SONG screen.

3. Select the song that you want to play.

Refer to “Selecting a song” (p. 59), below.

4. Press the SONG [PLAY/STOP] button.

For details on operations during playback, refer to “Playing the song” (p. 31).

Selecting a song

1. When the SONG screen displayed, press the [-] [+] buttons to choose a song.

Order in which Memories Are Selected

Select a song

1. Songs from CD or USB memory

* This cannot be selected

if nothing is connected to the EXT MEMORY connector.

Select a song

2. Songs from internal memory

* This cannot be selected if

there are no songs.

Select a song

3. Internal songs

Displayed for audio les and music CDs

Connections with Other Equipment

Selecting a song within a folder

1. Use the [-] [+] buttons to select a folder.

2. Press the SONG [PLAY/STOP] button.

3. Use the [-] [+] buttons to select a song.

To exit the folder, select “Fld. UP” and press the SONG [PLAY/STOP] button.

* If a single folder contains more than 100 les or folders, some of the les or folders might not be

displayed.

Changing the Tempo of an Audio File or Music CD

You can change the tempo of an audio le or a music CD song.

1. Play back an audio le or music CD (p. 58).

2. Press the TEMPO [-] or TEMPO [+] button.

Setting 75–100–125(%)

MEMO

The tempo will return to “100” when you reselect a song or turn o the power.

Connections with Other Equipment

Connecting to Audio Equipment

If you connect an audio playback device, such as a digital audio player, you’ll be able to listen to music from your audio playback device as it is played through the FP-4F’s speakers.

Or, if you want, you can connect equipment such as powered speakers or a miniature stereo system equipped with line inputs. You’ll then be able to enjoy the sound of the FP-4F that is produced by the powered speakers or miniature stereo system.

Use audio cables (sold separately) to make connections.

* To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn o the power on all devices before making any connections.

* When connection cables with resistors are used, the volume level

of equipment connected to the INPUT jacks may be low. If this happens, use connection cables that do not contain resistors.

Having Audio from an External Device be Sounded Through the FP-4F

INPUT jack

Connecting Speakers to the FP-4F and Outputting Sounds

OUTPUT jack

1/4” plug

Amplied speakers, Audio system, etc.

RCA phono type

Input jacks

RCA phono type

Output jack

Stereo miniature phone type

Digital audio player, etc.

1. Turn the volume all the way down on the FP-4F and on the audio device.

2. Turn o the power to the FP-4F and audio device.

3. Use audio cables to make the connection.

4. Switch on the connected audio device.

5. Switch on the FP-4F.

6. Adjust the volume level on the FP-4F and the connected

audio device.

The sounds from the connected audio device are played by the FP-4F.

MEMO

Adjust the volume by using the controls of your audio device.

1. Turn the volume all the way down on the FP-4F and on the speaker.

2. Turn o the power to the FP-4F and speakers.

3. Use audio cables to make the connection.

4. Switch on the FP-4F.

5. Switch on the connected speakers.

6. Adjust the volume level on the FP-4F and the connected

speakers.

When you play the FP-4F’s keyboard, the sound is played from the connected speakers.

Turning O the Power

1. Turn the volume all the way down on the FP-4F and on the speakers you’re about to connect.

2. Turn o the connected speakers.

3. Turn o the FP-4F.

MEMO

The FP-4F is designed so that when you connect headphones, the sound is optimized for listening through headphones. For this reason, the sound heard from speakers connected to the FP-4F will be dierent depending on whether or not headphones are connected.

* If you connect the FP-4F to an external device (such as an external

speaker) in monaural, it may sound dierently than when using a stereo connection.

Turning O the Power

1. Turn the volume all the way down on the FP-4F and on the audio device you’re about to connect.

2. Turn o the FP-4F.

3. Turn o the connected audio device.

Connections with Other Equipment

Connecting to MIDI Devices

By connecting an external MIDI device and exchanging performance data, you can control one device from the other.

For instance, you can output sound from the other instrument or switch Tones on the other instrument.

What’s MIDI?

MIDI, short for “Musical Instrument Digital Interface,” was developed as a universal standard for the exchange of performance data between electronic instruments and computers.

Connecting a MIDI Sequencer to the FP-4F

MIDI connectors

Producing Sounds from a MIDI Sound Module by Playing the FP-4F

MIDI connectors

MIDI cable

MIDI sequencer

* When the FP-4F is connected to a MIDI sequencer, set it to “Local

O” (p. 62).

MIDI device

Making the Connection

1. Turn the volume all the way down on the FP-4F and on the MIDI device.

2. Switch o the power to the FP-4F and the MIDI device.

3. Use a MIDI cables (sold separately) to connect the MIDI

connectors to each other.

4. Switch on the power to the FP-4F and the connected MIDI device.

5. Adjust the volume level on the FP-4F and the connected MIDI device.

6. You should also set the MIDI transmit channel as needed.

MEMO

For details on the MIDI transmit channel, refer to “Changing the MIDI Transmit Channel (MIDI CH)” (p. 62).

Connections with Other Equipment

Preventing Doubled Notes When Connected to a Sequencer (LOCAL.CTL)

If you connect the FP-4F to a MIDI sequencer, turn o the Local Control setting as described below.

Since most sequencers have their “thru” function turned on, the data from your keyboard performance and the notes played back by the sequencer will arrive at the sound generator by the two routes marked (1) and (2) in the illustration. This will cause notes to be doubled or interrupted. To prevent this, turn Local Control o so that route (1) will be disconnected.

(1) Local On

Sound Generator

Each note played is sounded twice

MIDI

MIDI OUT

Local On

The keyboard and sequencer are connected to the internal sound generator.

Sound is emitted

Sound Generator

Local On

Local O

The keyboard and sequencer are not connected to the internal sound generator.

Playing the keyboard or playing back a song will not produce sound.

No sound produced

Sound Generator

Local O

Sequencer

MIDI OUT

Memory

MIDI

(2) Soft Thru On

Transmitting Recorded Performance Data to a MIDI Device (COMP OUT)

The performance data you’ve recorded on the FP-4F can be transmitted to a connected MIDI device or computer.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “COMP OUT.”

3. Press the [DISPLAY] button.

4. Use the [-] or [+] button to edit the setting.

Setting Explanation

ON Performance data will be transmitted.

OFF Performance data will not be transmitted.

Changing the MIDI Transmit Channel (MIDI CH)

Here’s how to specify the MIDI channel that the FP-4F will use for transmission.

MIDI uses sixteen “MIDI channels,” numbered 1–16. If MIDI devices are connected and set to the same MIDI channel, you can use one device to play or switch sounds on the other device.

The FP-4F receives all channels, 1–16.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “MIDI CH.”

3. Press the [DISPLAY] button.

4. Use the [-] or [+] button to edit the setting.

Setting (channel) OFF, 1–16

MEMO

If you choose “OFF,” the keyboard’s performance data will not be transmitted.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “LOCAL.CTL.”

3. Press the [DISPLAY] button.

4. Use the [-] or [+] button to edit the setting.

Setting Explanation

OFF

Local Control is on. The keyboard and sequencer are connected to the internal sound generator.

Local Control is o. The keyboard and sequencer are disconnected from the internal sound generator. Playing the keyboard or playing back a song will not produce sound.

Connections with Other Equipment

Transmitting Tone Selection Data (RGST CH/RGST PC/RGST MSB/RGST LSB)

When you switch registrations, program change, bank select MSB, and bank select LSB messages will be transmitted to a MIDI device. You can also specify the transmit channel.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select the item that you want to edit.

Item Setting Explanation

RGST CH (Regist MIDI Channel)

RGST PC (Regist MIDI PC)

RGST MSB/RGST LSB (Regist MIDI MSB/ Regist MIDI LSB)

OFF, 1–16

1 (00)–128 (7F)

0 (00)–127 (7F)

3. Press the [DISPLAY] button.

4. Use the [-] [+] buttons to change the setting.

Press the [DISPLAY] button to return to the screen you were in before performing step 3.

5. Repeat steps 2–4 to make the desired settings.

Species the program change transmit channel.

Species the program change number.

Species the bank select MSB/LSB.

Connecting a Computer

The following become possible once you connect a USB cable (available separately) between the USB (MIDI) connector on the FP-4F’s left end of the rear panel and the USB connector of your computer.

• You can use the FP-4F to play sounds from SMF music les played back with MIDI software.

• By exchanging MIDI data with sequencer software, you can save songs recorded with the FP-4F to your computer, and enjoy a variety of musical control and editing features.

USB (MIDI) connector

Computer

USB cable

USB connector

* Refer to the Roland website for system requirements.

Roland website: http://www.roland.com/

Changing the USB Driver Settings (USB DRV)

Normally, you don’t need to install a driver in order to connect the FP-4F to your computer. However, if some problem occurs, or if the performance is poor, using the Roland original driver may solve the problem.

Specify the USB driver you want to use, and then install the driver.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “USB DRV.”

3. Press the [DISPLAY] button.

4. Use the [-] or [+] button to edit the setting.

Setting Explanation

GEN (Generic)

ORG (Original)

Choose this if you want to use the standard USB driver that was included with your computer. Normally, you should use this mode.

Choose this if you want to use a USB driver downloaded from the Roland website.

5. Turn on the power once again.

MEMO

• This setting is remembered even when the power is turned o.

• For details on downloading and installing the Roland original driver,

refer to the Roland website. Roland website: http://www.roland.com/

Connections with Other Equipment

Using the V-LINK Function

Connecting the FP-4F to a V-LINK compatible image device allows you to control the images with the FP-4F.

* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn o the power on all devices before

making any connections.

V-LINK

V-LINK ( ) is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual eects that are linked to the expressive elements of a music performance.

1. Hold down the [SPLIT] button and press the [TRANSPOSE] button.

When V-LINK is on, “ ” will be shown at the left side of the display.

You can control images using the twelve keys at the left end of the keyboard.

A0 B0 C1 D1 E1 F1 G1

A0–G#1

* While V-LINK is switched on, no sound is produced when you press any of the twelve keys at the left end of the keyboard.

To cancel V-LINK, hold down the [SPLIT ] button and press the [TRANSPOSE] button.

Specifying the V-LINK Transmit Channel (VLINK CH)

Here’s how to specify the channel on which messages used to control video will be sent.

1. Hold down the [REVERB] button and press the [EQUALIZER] button.

You’ll enter function mode (p. 48).

2. Use the [-] [+] buttons to select “VLINK CH.”

3. Press the [DISPLAY] button.

4. Use the [-] or [+] button to edit the setting.

Setting 1–16

Troubleshooting

If you suspect a malfunction, please read this section rst.

Problem Cause/Action Page

Power will not turn on Is the AC adaptor connected correctly? p. 13

Buttons don’t work

Colors in the display are irregular/ Color is faded at the edge of the screen

Pedal does not work, or remains stuck

Can’t read or write USB memory

A buzzing sound is heard from an external device

The volume level of the instrument connected to the INPUT jacks is too low

Could Panel Lock be activated? Deactivate Panel Lock.

These occur due to the nature of a liquid crystal display, and do not indicate a malfunction. By adjusting the screen contrast you can make these artifacts less noticeable.

Is the pedal connected correctly? Insert the plug all the way into the pedal jack.

Could you be using a pedal made by another manufacturer? Use the included pedal or the RPU-3 (sold separately).

The pedal eect may remain stuck if you disconnect the pedal cord while the power is on. Switch o the FP-4F’s power before you connect or disconnect the pedal cord.

If you’ve assigned the soft pedal or sostenuto pedal as a registration select switch, or assigned it to some other function, the pedal won’t operate as a Soft pedal or Sostenuto pedal. The RGST PDL setting of the each pedal set to “OFF.”

Are you using Roland USB memory (sold separately)? Operation cannot be guaranteed if any other USB memory is used.

If you cannot correctly write to, or read from USB memory, you should change the setting for “EXT MODE.”

Could you be powering your external equipment from two or more electrical outlets? If external equipment is connected, it must be powered from the same electrical outlet.

Could you be using a connection cable that contains a resistor? When connection cables with resistors are used, the volume level of equipment connected to the inputs (INPUT jacks) may be low. Use a connection cable that does not contain a resistor.

p. 30

p. 17

p. 16

—

p. 55

—

p. 58

—

No sound

Problem Cause/Action Page

Could the FP-4F’s volume or the volume of a connected device be minimized? p. 14

Could headphones be connected? Could a plug have been left in the headphone jack? No sound will be output from the speakers if headphones or any other device is connected to the

No sound

No sound when you play back a song

No sound from the left-hand zone of the keyboard

No sound (when a MIDI device is connected)

headphone jack.

Could the [BALANCE] knob be turned all the way toward “ACCOMP” or “KEYBOARD”? p. 14

Could the Local Control setting be “OFF”? If Local Control is turned o, no sound will be heard when you play the keyboard. Turn Local Control “ON.”

Could the Local Control setting be “OFF”? If Local Control is turned o, no sound will be heard when you play back a song. Turn Local Control “ON.”

Could V-LINK be on? If V-LINK is on, the lowest twelve keys are used to control images, and will not produce sound.

Are all devices powered up?

Are the MIDI cables connected correctly?

Does the MIDI transmit channel match the setting of the connected device? p. 62

p. 17

p. 62

p. 64

p. 61

Troubleshooting

Sound does not play correctly

Problem Cause/Action Page

The maximum simultaneous polyphony is 128 notes.

Not all the notes you play are heard

Keyboard or song pitch is incorrect

Two sounds are heard when you play the keyboard

Pressing the [E. PIANO], [ORGAN], or [OTHERS] button causes other tones to be heard

Eect not applied

Reverberation is heard even when the reverb eect is switched o

Sound changes abruptly at a certain note in the upper range

A “whining” noise is heard

Something wrong with low-frequency sounds/Buzzing resonance occurs

When using Dual Play or when performing along with a song or rhythm, or when making heavy use of the damper pedal, it is possible for the performance data to exceed the polyphony, causing some of the notes you play to be omitted.

Could you have made transpose settings? p. 23

Is the master tuning setting appropriate? p. 50

Is the temperament setting appropriate? p. 50

Is the stretch tuning setting appropriate? p. 52

Could the FP-4F be set to Dual Play? p. 25

If an external sequencer is connected, set the FP-4F to the Local O state, and turn your sequencer’s Soft Thru setting o.

The [E. PIANO], [ORGAN], and [OTHERS] buttons can also function in selecting “recommended tones.” With the FP-4F’s factory settings, if you connect a commercially available CD-ROM drive to the EXT MEMORY connector, then select a song from a VIMA CD-ROM (VIMA TUNES), suitable tones for the song will automatically be assigned to the [E. PIANO], [ORGAN], and [OTHERS] buttons, allowing you to select appropriate tones by pressing these buttons.

When you’re using Dual Play or Split Play, and the two tones use dierent eects, no eect will be applied to tone 2 (when using Dual Play) or the left-hand tone (when using Split Play).

Since the FP-4F’s piano sounds faithfully simulate the depth and resonance of an acoustic piano, this may sound like reverberation even when the reverb eect is o.

On an acoustic piano, the top one and a half octaves of notes will sound until they decay naturally, regardless of the damper pedal. The tone quality of these notes will also be dierent. The FP-4F faithfully simulates this and other characteristics of an acoustic piano. The range that is unaected by the damper pedal will change depending on the transposition setting.

If you hear this in the headphones:

Some brilliant and sharply dened piano sounds contain signicant high-frequency components, which may sound like a metallic resonance has been added. This is due to the faithful simulation of a piano’s actual characteristics, and does not indicate a malfunction. This sound can be adjusted by altering the reverb depth (p. 23).

If you don’t hear this in headphones:

Some other reason may be responsible (e.g., resonance in the FP-4F itself). Please contact your dealer or Roland Service Center.

If you don’t hear this in headphones:

When performing at a high volume, the speakers or an object near the FP-4F might resonate. It is also possible for uorescent lights or glass doors in the room to resonate. For the low notes in particular, this is more likely to occur at high volume. To minimize such resonance, take the following measures.

• Locate the speakers 10–15 cm away from the wall.

• Lower the volume.

• Move the resonating object farther away.

If you hear this in headphones:

Some other reason may be responsible. Please contact your dealer or Roland Service Center.

At high volumes, the sound may be distorted due to the way in which you are playing. If so, reduce the volume.

—

p. 62

—

p. 25 p. 26

—

p. 14

Song does not play correctly

Problem Cause/Action Page

Can’t play a song

A specic instrument within the song is not heard

Song tempo is unstable

Can’t see the song names on USB memory

Could the screen indicate “DEL. SONG”? You can’t play back a built-in song if recorded performance data remains in internal memory. Delete the performance data before you play back the song.

Is Track Mute on? Muted parts will not be heard.

If there is an excessive amount of performance data when playing a song from USB memory, the tempo might become unstable.

If the song name data in the le is blank or consists only of spaces, the song name will not be displayed. —

Is the le name extension “MID”? If the le name extension is wrong, the le cannot be handled as song data.

Can’t record or play back

Problem Cause/Action Page

Your recorded performance was lost

Can’t play back a song saved on USB memory

When you turn o the FP-4F’s power, the recorded performance will be lost. The lost performance cannot be recovered. Save the recorded performance to internal memory before you turn o the power.

Is the le name extension “MID”? If the le name extension is wrong, the le cannot be handled as song data.

Problems with audio les

Problem Cause/Action Page

Is the audio le in a format supported by the FP-4F?

Can’t play an audio le

Can’t record along with an audio le/ Can’t copy an audio le to internal memory

To be playable, audio les must be in the following format.

• File name extension is “.wav”

• 16-bit linear sampling

• Sampling rate is 44.1 kHz

The FP-4F does not allow recording using audio les, and cannot be used to copy audio les into internal memory.

Troubleshooting

p. 47

p. 54

—

p. 45

—

MEMO

Functions that cannot be used with audio le playback

• Reverb (p. 23)

• Save to internal memory (p. 45)

6767

Error Messages

Indication Meaning

ERROR 1 The music le you attempted to save is read-only. It cannot be saved.

ERROR 2 An error occurred while writing. It’s possible that the external media has not been initialized. Initialize the external media (p. 58).

ERROR 10 External media is not inserted. Insert external media, and try the operation once again.

ERROR 11

ERROR 14

ERROR 15 The le could not be read. This data format is not supported by the FP-4F.

ERROR 16

ERROR 18 This audio format is not supported. Please use WAV format 44.1 kHz 16-bit linear audio les.

ERROR 30 The FP-4F has insucient storage space.

ERROR 40

ERROR 41 A MIDI cable was disconnected. Connect the MIDI cable correctly.

ERROR 43 An error occurred during MIDI communication. Check the MIDI cable and the connected MIDI device.

ERROR 51

ERROR 65

There is insucient free space at the save destination. Either insert other external media, or delete unwanted data (song data, registration sets) and try the operation again.

An error occurred while attempting to read data. Change the setting for EXT MODE (p. 58). If you still experience an error, it may mean that the external media is damaged. Insert dierent external media, then try the procedure again. Alternatively, format the external media (p. 58).

The data could not be read fast enough during song playback. In some cases you may be able to play back if you wait several seconds and then press the SONG [PLAY/STOP] button once again.

Too much MIDI data was transmitted by an external MIDI device all at once, and the FP-4F was unable to process it. Reduce the amount of data being transmitted by the external MIDI device.

The system may have malfunctioned. Try the operation again. If this indication still appears after trying the operation several times, contact Roland Service Center.

Excessive current ow occurred in the EXT MEMORY connector. Verify that there is no malfunction in the external media, and then turn the power o, then on again.

* External media: USB memory, CD-ROM, etc.

Stored Items

Items Stored in a Registration

Stored Item Explanation Page

— Selected tone p. 19

— Dual performance On/O p. 25

— Tone 1/Tone 2 (Dual performance) p. 25

— Split performance On/O p. 26

— Right-hand tone/Left-hand tone (Split performance) p. 26

— Split point p. 28

— Speed of the rotary eect for organ sounds p. 19

— Transpose’s on or o, its value, and Transpose mode p. 29

— Reverb’s on or o, and the depth of reverb p. 23

KEYTOUCH Key touch p. 50

SP Settings for Session Partner (including chord progressions) p. 34

DUAL BAL Dual balance p. 51

TRNSPOSE Transpose mode p. 51

OCT SHFT Octave shift p. 51

D.PDL PRT Setting for the Damper Pedal part p. 53

C.PDL FNC FC1 pedal function

L.PDL FNC FC2 pedal function

MIDI CH MIDI transmit channel p. 62

RGST CH

RGST PC

RGST MSB

RGST LSB

Program Change data p. 63

p. 53

Items Stored by Memory Backup

Stored Item Explanation Page

TUNING Master tuning p. 50

TEMPRMNT Temperament p. 50

TMPR KEY Temperament key p. 50

EQ On/o status of the equalizer, values of the various settings p. 52

STR TUNE Stretch Tuning p. 52

DMPR RES Damper Resonance p. 53

STRG RES String Resonance p. 53

KOFF RES Key O Resonance p. 53

CD/A TYP CD/Audio type p. 55

VLINK CH V-LINK transmit channel p. 64

Settings Stored Immediately When Edited

Stored Item Explanation Page

USB DRV USB driver setting p. 63

EXT MODE External Memory Mode p. 58

Tone List

PIANO

No. Display Tone name

1 PIANO Grand Piano1

2 PNO+STR Piano + Str.

3 PIANO 2 Grand Piano2

4 PNO+PAD Piano + Pad

5 PIANO 3 Grand Piano3

6 MAGCL PN MagicalPiano

7 ROCK PNO Rock Piano

8 PNO+CHO Piano+Choir

9 HONKYTNK Honky-tonk

10 HARPSI Harpsichord

11 C.HARPSI Coupled Hps.

E. PIANO

No. Display Tone name

1 E. PIANO Vintage EP

2 POP EP Pop E.Piano

3 '60S EP '60s E.Piano

4 FM EP FM E.Piano

5 '70S EP '70s E.Piano

6 STG PHSR Stage Phaser

7 E.GRAND E.Grand

8 CLAV. Clav.

9 VIB Vibraphone

10 MARIMBA Marimba

11 CELESTA Celesta

12 MLT ISLE Mallet Isle

13 MRNG LIT Morning Lite

14 EP BELLE EP Belle

15 BALAD BL Ballad Bells

ORGAN

No. Display Tone name

1 JAZZ ORG Combo Jz.Org

2 BALAD OR Ballad Organ

3 GSPL SPN Gospel Spin

4 FULL STP Full Stops

5 MELW BAR Mellow Bars

6 LITE ORG Light Organ

7 LOWR ORG Lower Organ

8 PRPL SPN Purple Spin

9 '60S ORG '60s Organ

10 CHURCH 1 ChurchOrgan1

11 CHURCH 2 ChurchOrgan2

12 NASN FLT Nason t 8'

13 ACORDION Accordion

OTHERS

No. Display Tone name

1 STRINGS Rich Strings

2 JZ SCAT Jazz Scat

3 BRS SECT BrassSection

4 FLUTE Flute

5 ALTO SAX Alto Sax

6 JAZZ GT Jazz Guitar

7 ORCH STR OrchestraStr

8 VELO STR Velo Strings

9 DECY STR DecayStrings (*1)

10 SYN STR SynthStrings

11 SOFT PAD Soft Pad

12 GLAS PAD Glass Pad

13 SLKY WAY Silky Way

14 LUNR STR Lunar Strngs

15 DCY C.PD Dcy ChoirPad (*1)

16 ORCHSTRA Orchestra

17 ORCH BRS OrchestraBrs

18 HARP Harp

19 VIOLIN Violin

20 CELLO Cello

21 PIZZ STR PizzicatoStr

22 NYLON GT Nylon-str.Gt

23 STEEL GT Steel-str.Gt

24 CLEAN GT Clean Guitar

25 OVRDV GT Overdrive Gt

26 AC. BASS AcousticBass

27 BASS+CYM A.Bass+Cymbl

28 FINGR BS FingeredBass

29 FRTLS BS FretlessBass

30 SLAP BS Slap Bass

31 SYN BASS Synth Bass

32 THUM VO Thum Voice

33 AERL CHO Aerial Choir

34 FEM AAHS Female Aahs

35 ANGL CHO Angels Choir

36 BEAU VOX Beauty Vox

37 MALE AAH Male Aahs

38 HARPVOX Harpvox

39 DECY CHO Decay Choir (*1)

40 TEN SAX Tenor Sax

41 CHAM WIN ChamberWinds

GM2

No. Display Tone name

42 STD SET STANDARD Set

43 ROOM SET ROOM Set

44 POWR SET POWER Set

45 ELEC SET ELEC.Set

46 ANLG SET ANALOG Set

No. Display Tone name

47 JAZZ SET JAZZ Set

48 BRSH SET BRUSH Set

49 ORCH SET ORCH.Set

50 SFX SET SFX Set

51 PIANO 1 Piano 1

52 PIANO 1W Piano 1w

53 PIANO 1D Piano 1d

54 PIANO 2 Piano 2

55 PIANO 2W Piano 2w

56 PIANO 3 Piano 3

57 PIANO 3W Piano 3w

58 HONKYTNK Honky-tonk

59 HONKY W Honky-tonk w

60 E.PIANO1 E.Piano 1

61 DETU EP1 Detuned EP 1

62 E. PIANO Vintage EP

63 '60S EP '60s E.Piano

64 E.PIANO2 E.Piano 2

65 DETU EP2 Detuned EP 2

66 ST.FM EP St.FM EP

67 EP LEGND EP Legend

68 EP PHASE EP Phase

69 HARPSI Harpsichord

70 C.HARPSI Coupled Hps.

71 HARPSI.W Harpsi.w

72 HARPSI.O Harpsi.o

73 CLAV. Clav.

74 PLS CLAV Pulse Clav.

75 CELESTA Celesta

76 GLOCKEN Glockenspiel

77 MUSIC BX Music Box

78 VIB Vibraphone

79 VIB W Vibraphone w

80 MARIMBA Marimba

81 MARMBA W Marimba w

82 XYLOPHN Xylophone

83 TUBLR BL TubularBells

84 CHRCH BL Church Bell

85 CARILLON Carillon

86 SANTUR Santur

87 ORGAN 1 Organ 1

88 TREM ORG TremoloOrgan

89 '60S ORG '60s Organ

90 ORGAN 2 Organ 2

91 PERC OR1 Perc.Organ 1

92 CHRS ORG Chorus Organ

93 PERC OR2 Perc.Organ 2

94 ROCK ORG Rock Organ

95 CHRH OR1 Church Org.1

96 CHRH OR2 Church Org.2

97 CHRH OR3 Church Org.3

Tones indicated by “*1” are suitable for playing layered with a piano tone.

* In the tone group “Others” when you hold down the [-] or [+] button to switch tone in succession, the tones will stop changing at number 42 and

number 51. To select the next sound, release the [-] or [+] button, then press it again.

Tone List

No. Display Tone name

98 REED ORG Reed Organ

99 PUFF ORG Pu Organ

100 ACCORD 1 Accordion 1

101 ACCORD 2 Accordion 2

102 HARMONCA Harmonica

103 BANDNEON Bandoneon

104 NYLON GT Nylon-str.Gt

105 UKULELE Ukulele

106 NYLN GTO Nylon Gt o

107 NYLN GT2 Nylon Gt 2

108 STEEL GT Steel-str.Gt

109 12STR.GT 12-str.Gt

110 MANDOLIN Mandolin

111 STL+BDY Steel+Body

112 JAZZ GT Jazz Guitar

113 HAWAI GT Hawaiian Gt

114 CLEAN GT Clean Guitar

115 CHRS GT1 Chorus Gt 1

116 M.TON GT Mid Tone Gt

117 MUTED GT Muted Guitar

118 FUNK GT1 Funk Guitar1

119 FUNK GT2 Funk Guitar2

120 CHRS GT2 Chorus Gt 2

121 OVRDV GT Overdrive Gt

122 GT PINCH Guitar Pinch

123 DIST GT DistortionGt

124 GT FDBK1 Gt Feedback1

125 DIST.RTM Dist.Rtm Gt

126 GT HARMO Gt Harmonics

127 GT FEED2 Gt Feedback2

128 AC. BASS AcousticBass

129 FINGR BS FingeredBass

130 FING SLP Finger Slap

131 PICKD BS Picked Bass

132 FRTLS BS FretlessBass

133 SLAP BS1 Slap Bass 1

134 SLAP BS2 Slap Bass 2

135 SYN BS1 Synth Bass 1

136 WRM S.BS WarmSyn.Bass

137 SYN BS3 Synth Bass 3

138 CLAV BS Clav.Bass

139 HAMMER Hammer

140 SYN BS2 Synth Bass 2

141 SYN BS4 Synth Bass 4

142 RBR S.BS RubberSyn.Bs

143 ATK PLS Attack Pulse

144 VIOLIN Violin

145 SLW VILN Slow Violin

146 VIOLA Viola

147 CELLO Cello

148 CONTRABS Contrabass

149 TREM STR Tremolo Str.

150 PIZZ STR PizzicatoStr

151 HARP Harp

152 YANG QIN Yang Qin

No. Display Tone name

153 TIMPANI Timpani

154 STRINGS Strings

155 ORCHSTRA Orchestra

156 '60S STR '60s Strings

157 SLOW STR Slow Strings

158 SYN STR1 Syn.Strings1

159 SYN STR3 Syn.Strings3

160 SYN STR2 Syn.Strings2

161 CHOIR 1 Choir 1

162 CHOIR 2 Choir 2

163 VOICE Voice

164 HUMMING Humming

165 SYN VO Synth Voice

166 ANLG VO Analog Voice

167 ORCH HIT OrchestraHit

168 BASS HIT Bass Hit

169 6TH HIT 6th Hit

170 EURO HIT Euro Hit

171 TRUMPET Trumpet

172 DARK TP Dark Trumpet

173 TROMBNE1 Trombone 1

174 TROMBNE2 Trombone 2

175 BRGHT TB Bright Tb

176 TUBA Tuba

177 MUTE TP1 MuteTrumpet1

178 MUTE TP2 MuteTrumpet2

179 FR HORN1 French Horn1

180 FR HORN2 French Horn2

181 BRASS 1 Brass 1

182 BRASS 2 Brass 2

183 SYN BRS1 Synth Brass1

184 SYN BRS3 Synth Brass3

185 ANLG BR1 AnalogBrass1

186 JUMP BRS Jump Brass

187 SYN BRS2 Synth Brass2

188 SYN BRS4 Synth Brass4

189 ANLG BR2 AnalogBrass2

190 SOPR SAX Soprano Sax

191 ALTO SAX Alto Sax

192 TEN SAX Tenor Sax

193 BARI SAX Baritone Sax

194 OBOE Oboe

195 ENG HORN English Horn

196 BASSOON Bassoon

197 CLARINET Clarinet

198 PICCOLO Piccolo

199 FLUTE Flute

200 RECORDER Recorder

201 PAN FLT Pan Flute

202 BTL BLOW Bottle Blow

203 SHAKUHAC Shakuhachi

204 WHISTLE Whistle

205 OCARINA Ocarina

206 SQR LD1 Square Lead1

207 SQR LD2 Square Lead2

No. Display Tone name

208 SINE LD Sine Lead

209 SAW LD1 Saw Lead 1

210 SAW LD2 Saw Lead 2

211 DR. SOLO Doctor Solo

212 NATRL LD Natural Lead

213 SEQ SAW SequencedSaw

214 SYN CALI Syn.Calliope

215 CHIFF LD Chier Lead

216 CHARANG Charang

217 WIRE LD Wire Lead

218 SOLO VOX Solo Vox

219 5.SAW LD 5th Saw Lead

220 BASS-LD Bass+Lead

221 DELYD LD Delayed Lead

222 FANTASIA Fantasia

223 WARM PAD Warm Pad

224 SINE PAD Sine Pad

225 POLYSYN Polysynth

226 SPACE VO Space Voice

227 ITOPIA Itopia

228 BOWD GLS Bowed Glass

229 METAL PD Metallic Pad

230 HALO PAD Halo Pad

231 SWEP PAD Sweep Pad

232 ICE RAIN Ice Rain

233 SOUNDTRK Soundtrack

234 CRYSTAL Crystal

235 SYN MALT Synth Mallet

236 ATMOSPHR Atmosphere

237 BRIGHTNS Brightness

238 GOBLINS Goblins

239 ECHO DRP Echo Drops

240 ECHO BEL Echo Bell

241 ECHO PAN Echo Pan

242 STAR THM Star Theme

243 SITAR 1 Sitar 1

244 SITAR 2 Sitar 2

245 BANJO Banjo

246 SHAMISEN Shamisen

247 KOTO Koto

248 TAISH KT Taisho Koto

249 KALIMBA Kalimba

250 BAGPIPE Bagpipe

251 FIDDLE Fiddle

252 SHANAI Shanai

253 TINKL BL Tinkle Bell

254 AGOGO Agogo

255 STEL DRM Steel Drums

256 WOODBLOK Woodblock

257 CASTANET Castanets

258 TAIKO Taiko

259 CONCT BD Concert BD

260 MELO TM1 Melodic Tom1

261 MELO TM2 Melodic Tom2

262 SYN DRUM Synth Drum

7171

Tone List

No. Display Tone name

263 TR808 TM TR-808 Tom

264 ELEC PER Elec.Perc.

265 REVS CYM Reverse Cym.

266 G.FRT NS Gt FretNoise

267 GT CT NS Gt Cut Noise

268 B.STR SL BsStringSlap

269 BRETH NS Breath Noise

270 FL.KY CL Fl.Key Click

271 SEASHORE Seashore

272 RAIN Rain

273 THUNDER Thunder

274 WIND Wind

275 STREAM Stream

276 BUBBLE Bubble

277 BIRD 1 Bird 1

278 DOG Dog

279 HORS GLP Horse Gallop

280 BIRD 2 Bird 2

281 TELPHN 1 Telephone 1

282 TELPHN 2 Telephone 2

283 DOOR-CRK DoorCreaking

284 DOOR Door

285 SCRATCH Scratch

286 WIND CHM Wind Chimes

287 HELICPTR Helicopter

288 CAR ENGN Car Engine

289 CAR STOP Car Stop

290 CAR PASS Car Pass

291 CAR CRSH Car Crash

292 SIREN Siren

293 TRAIN Train

294 JETPLANE Jetplane

295 STARSHIP Starship

296 BURST NS Burst Noise

297 APPLAUSE Applause

298 LAUGHING Laughing

299 SCREAM Screaming

300 PUNCH Punch

301 HEART BT Heart Beat

302 FOOTSTEP Footsteps

303 GUN SHOT Gun Shot

304 MACHN GN Machine Gun

305 LASR GUN Laser Gun

306 EXPLSION Explosion

STANDARD Set

27 High-Q

31 Sticks

33 Metronome Click

C2 36

38 Snare Drum

43 Low Tom 1

45 Mid Tom 2

C3 48

50 High Tom 1

55 Splash Cymbal

57 Crash Cymbal 2

C4 60

62 Mute High Conga 1

67 High Agogo

69 Cabasa

C5 72

74 Long Guiro [EXC3]

79 Open Cuica [EXC4]

81 Open Triangle [EXC5]

C6 84

86 Mute Surdo [EXC6]

Slap Scratch Push [EXC7]

30 Scratch Pull [EXC7]

32 Square Click

34 Metronome Bell

Kick Drum 2 Kick Drum 1

37 Side Stick

39 Hand Clap

Electric Snare 3 Low Tom 2

42 Closed Hi-Hat 1 [EXC1]

44 Pedal Hi-Hat 1 [EXC1]

46 Open Hi-Hat 1 [EXC1]

Mid Tom 1 High Tom 2

49 Crash Cymbal 1

51 Ride Cymbal 1

Chinese Cymbal 1 Ride Bell 1

54 Tambourine

56 Cowbell

58 Vibraslap

Ride Cymbal 2 High Bongo 1

61 Low Bongo 1

63 Open High Conga

Low Conga High Timbale

66 Low Timbale

68 Low Agogo

70 Maracas

Short High Whistle [EXC2] Long Low Whistle [EXC2]

73 Short Guiro [EXC3]

75 Claves

High Woodblock Low Woodblock

78 Mute Cuica [EXC4]

80 Mute Triangle [EXC5]

82 Shaker

Jingle Bell Bar Tree

85 Castanets

87 Open Surdo [EXC6]

-----

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instru-

ments of the same number.

Rhythm List (Session Partner)

No. Display Rhythm name

1 ROCK POP Rock Pop 5 108

2 STRE. POP Street Pop 57 100

3 8-BTPOP1 8-Beat Pop 1 55 108

4 PIANOBLD Piano Ballad 58 84

5 ORGANBLD Organ Ballad 10 75

6 R&B BLD R&B Ballad 41 60

7 ACOUSTIC Acoustic 12 92

8 STRA.ROCK StraightRock 54 136

9 S.8BTRCK2 S.8-Bt Rock2 59 115

10 LOOSERCK Loose Rock 13 174

11 GTR FUNK Guitar Funk 19 104

12 8-BTFUNK 8-Beat Funk 16 108

13 FUSION Fusion 21 95

14 8BTFUSN1 8-Bt Fusion1 23 113

15 JAZZ Jazz 35 136

16 FASTJAZ1 Fast Jazz 1 36 128

17 LATINPOP Latin Pop 47 150

18 LATNFUSN Latin Fusion 48 125

19 MOTOWN Motown 3 95

20 GTR POP Guitar Pop 60 82

21 16-BTPOP 16-Beat Pop 14 116

22 8BTSHFFL 8-Bt Shue 28 96

23 POP Pop 17 100

24 S. POP S.Pop 17 100

25 CONTEMP Contemporary 23 93

26 MED POP Medium Pop 24 86

27 S.MED POP S.Medium Pop 24 86

28 8-BTPOP2 8-Beat Pop 2 14 126

29 S.8BTPOP2 S.8-Bt Pop 2 14 126

30 PIANOPOP Piano Pop 52 116

31 CNTRYPOP Country Pop 27 98

32 SHUFFLE Shue 28 116

33 S.SHUFFLE S.Shue 28 116

34 SMOTHPOP Smooth Pop 53 88

35 6/8 BLD 6/8 Ballad 61 216

36 BALLAD Ballad 39 82

37 GTBALLAD Gt Ballad 12 80

38 E. PNOBLD E.Piano Bld 40 67

39 808 BLD 808 Ballad 42 65

40 NWAGEBLD New Age Bld 43 66

41 PNOWALTZ Piano Waltz 50 90

42 8BTROCK1 8-Beat Rock1 52 128

43 8BTROCK2 8-Beat Rock2 19 106

44 8BTROCK3 8-Beat Rock3 29 140

45 S.8BTRCK3 S.8-Bt Rock3 29 140

46 16BTRCK1 16-BeatRock1 53 142

47 16BTRCK2 16-BeatRock2 54 86

48 BOUNCERK Bounce Rock 11 105

49 S.BOUNCRK S.BounceRock 11 105

50 16BTFNK1 16-BeatFunk1 24 120

51 16BTFNK2 16-BeatFunk2 38 110

52 SLOWFUNK Slow Funk 33 85

53 CNTMPFNK Contemp Funk 16 103

54 RHYTHM.GT Rhythmic Gt 20 100

Chord progression

pattern number

Tempo

No. Display Rhythm name

55 70S SOUL '70s Soul 22 96

56 8BTFUSN2 8-Bt Fusion2 25 112

57 16BTFUSN 16-Bt Fusion 21 124

58 JAZBRUSH Jazz Brush 37 60

59 FASTJAZ2 Fast Jazz 2 34 220

60 WTIMEFEL W Time Feel 36 140

61 S.WTIMEFL S.W Time Feel 36 140

62 SCATSWNG Scat Swing 37 120

63 PIANOJAZ Piano Jazz 38 110

64 JAZWALTZ Jazz Waltz 56 90

65 FASTBOSA Fast Bossa 47 110

66 BOSANOVA Bossa Nova 48 125

67 SALSA Salsa 45 92

68 LATIN Latin 46 116

69 S. LATIN S.Latin 46 116

70 MAMBO Mambo 45 92

71 BEGUINE Beguine 49 105

72 HIP HOP Hip Hop 18 98

73 808HIPHP 808 Hip Hop 25 102

74 S.808HPHP S.808 HipHop 25 102

75 EURDANCE Euro Dance 15 135

76 HONKYPOP Honky Pop 32 185

77 S.HONKYPP S.Honky Pop 32 185

78 BOOGIE Boogie 33 170

79 GOSPEL Gospel 30 120

80 GSPSHOUT Gospel Shout 31 150

Chord progression

pattern number

Tempo

Chord Progression Pattern List

It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 61.

Accompaniment

No.

pattern

1 Original/Variation C Am Dm7 G7 C Am Dm7 G7 2 Original/Variation Am G F E7 Am G F E7 3 Original/Variation CM7 Am7 Dm7 G7 CM7 Am7 Dm7 G7 4 Original/Variation Dm7 G7 CM7 Am7 Dm7 G7 CM7 A7 5 Original/Variation C Bm7 Em7 Am F G Csus4 C

6 Original/Variation Dm7 G7 CM7 FM7

7 Original/Variation C7 F7 C7

8 Original/Variation CM7 9 Original/Variation C Am7 Dm7 G7sus4

10 Original/Variation C C/B Am Am/G F G C

Original C C7sus4 F

Variation Am E7 C7 F Fm6 Em7 F G Original Dm G7 C A7 Dm G7 Am D7

Variation F G C C7sus4 F G Am A7

Original Am

Variation D

Original C

Variation C7sus4 C7

Original Am

Variation C

Original F

Variation Dm C Dm C

Original C Gm7 FM7

Variation FM9 F/G C Am7 FM9 F/G

Original C

Variation C G7 C G7 C G7 C

Original C Am7 Dm7 G7 C Am7 Dm7 G7

Variation FM7 Original Am7 D7 Am7 D7 Am7 D7 Am7 F/G

Variation C

Original CM9

Variation

Original CM9

Variation FM9 G6 FM9 G6 FM9 G6 FM9 G6 CM9 F/G Original C

Variation Dm7 G7 C Am7 Dm7 G7 C

Original C

Variation FM7

Original Am7 D7 Am7 D7 Gm7 C7 Gm7

Variation Am7 D7sus4 Am7 D7 FM7

Original CM7

Variation C F Dm G C F G C Original C Am C Am C Am F G

Variation C G F G C G F G7

Original C

Variation FM7 G7 C Original C

Variation F Am G7 Dm7 F Am7 G7

Original C

Variation F

Original C

Variation C C7 G F7 G7 F7 G7 Original C

Variation F C F G

Original A7 D7 A7

Variation C F C C7 F7

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

E7 Am7 A7

Bm7

F7 C7 G7 F7 C7 G7

Cdim Dm9 G7 CM7 Dm9 CM7 Cdim Dm9 G7 CM7

C C7sus4 F Fm6

7sus4

G Am F D

C D F G

F7 C

E 7

B7 C7sus4 C7

7sus4

D Am G

C Gm7 C

CM7 Am7 FM7 Fm7 F/G

Am7 C F/G

CM9

M9 B 9 A M9 B 9

dim

A M7

Am9 CM9 Am9 FM9 G6

FM7 C F/G

G G7 C C7 F C Am7 Dm7 G C C7 G FM7 G FM7 G G7 C F/G

Am7 Dm7 G7

G C G

Fm7 C

C/G A7 D7

C Gm7 F F/G

CM9

A M7

F7sus4 F7 G7sus4 G7

FM7 G7 C

dim

F G

D7 A7 E7 D7 A7 E7

Chord progression

E 7 B

A 7sus4 B 7sus4

Gm C

F/G

C Gm7

FM9 F/G

Am7

B M7

Dm7 G7

F C F C F C G7

C A7 D7 G7 C G7

Chord Progression Pattern List

Accompaniment

No.

pattern

Original F C7 Am7 C7 F7

Variation A7

Original C6

Variation C6

Original C

Variation C F C C7 F7 Original C

Variation Em7

Original CM9

Variation FM9 F/G CM9 Am9

Original C

Variation F G7 C C7 F G7 Am F/G

Original CM7

Variation FM7 G7 CM7 Original Cm7 Fm7 Cm7 Fm7 Cm7 Fm7 Cm7 Fm7

Variation Ddim

Original Gm

Variation

Original C Dm Dm7/G C F Em7

Variation C Bm7 Em9 A7 Am D7 Dm9 G7sus4

Original C Am F G C Am F G

Variation F Original C G7

Variation F C G7 C7 F C G7 C Original Am E7 Am E7 Am E7 Dm7 E7

Variation Am E7 Am E7 Dm7 G7 Bm7 E7

Original DM7

Variation DM7

Original C

Variation F Fm C F Fm G7sus4 G7 Original C

Variation C G7 C G7 Dm7 G7 C

Original C

Variation Dm

Original C G7

Variation C G7

Original C

Variation FM7 C FM7 C

Original Cm CmM7 Cm7 F7 Cm

Variation Cm CmM7 Cm7 F7

Original D C/D G/D

Variation

Original C Cmaj7 C6 Cmaj7 C C Dm DmM7 Dm DmM7 Dm7 DmM7 Dm G C C

Variation Dm G C C Dm G Am Am Dm G Am Am Dm G C C

Original Fm7

Variation

57 Original/Variation F C Dm

58 Original/Variation D A A7 D G D A D 59 Original/Variation D D Bm Bm G A Bm Bm 60 Original/Variation Am E G D F C Dm E F C E7 Am F C Dm E7 61 Original/Variation Am C D F Am C E E Am C D F Am E Am Am

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

D7 G7 C7

Dm7 G7 Dm7 G7 C6 Am Am9 Dm7 G(11) C6 F/G

Dm7 G7 Dm7 G7 C6 Am

C7 F C G7 F7 C G7

F C F

Dm7 G7 Em7

dim

D7 Gm7 C7

m7 5

dim

(D dim)

Bm D

m7 E 7 A

F/G CM9 C9 FM9 F/G

Gm7 C Gm7

Dm7 G7 CM7

Ddim

G7 9

Am7 5

D7 Gm

Em Dm C Em Am F F/G G7

C G7 C

CM7

Bm7 Am7 GM7

D6 Dm7 G7 C

CM7 C7 F CM7

Em7 A7 Dm7 G7 C

F C G7

D7 C G7

Am C Am

C 7 F m7

Fm7

B 7

C (D ) F

dim

5 G7 9

Dm7

C dim

FM7 G7 C C7

Ddim

G7 9

E M7

F m9

D7 Gm Gm

F9 Em9

Fm7 5

C G7

G7 Cm F7

D C/D G/D

Bm G A7

Fm7

B 7

F C Dm

Chord progression

F/C C7

Dm7

aug

C A7 D7 G7 C G7

Dm7 G7

CM7 F/G

Dm7 G7

Ddim

G7 9

Am7 5

C 7(D 7)

Gm7

E 9

Em9 A7

G G7 G G7 C

B /D

C7 Fm7

F C Dm

B 7

Fm7

G(11) C6 C6

Dm7 Fm C

dim

Fm7

B 7

F C Dm

B 7

C7 Fm

7575

Internal Song List

No. Display Song name Composer

01 SWAN Swan-derful Samba * John Maul 02 POLON 53 Polonaise op.53 Fryderyk Franciszek Chopin

03 WLZ 34-1 Valse, op.34-1 Fryderyk Franciszek Chopin

04 NOCT 20 Nocturne No.20 Fryderyk Franciszek Chopin 05 PLEASURE My Pleasure * Masashi Hirashita

06 LA FILLE

07 CAMPANEL La Campanella Franz Liszt 08 TRIO GRN Trio Grande * John Maul 09 SCHERZO2 Scherzo No.2 Fryderyk Franciszek Chopin 10 ETD.10-12 Étude, op.10-12 Fryderyk Franciszek Chopin 11 SONATE15 Sonate No.15 Wolfgang Amadeus Mozart 12 LIEBESTR Liebesträume 3 Franz Liszt 13 ETUD.10-3 Étude, op.10-3 Fryderyk Franciszek Chopin 14 JETEVEUX Je te veux Erik Satie 15 WLZ 64-1 Valse, op.64-1 Fryderyk Franciszek Chopin 16 G. CAKEWK Golliwog's Cakewalk Claude Achille Debussy 17 FANT-IMP Fantaisie-Impromptu Fryderyk Franciszek Chopin 18 ARABSQ 1 Arabesque 1 Claude Achille Debussy

19 DONAU

20 FLUEGELN

21 MAZURKA.5 Mazurka No.5 Fryderyk Franciszek Chopin 22 GYMNO 1 Gymnopédie 1 Erik Satie 23 ETUD.25-1 Étude, op.25-1 Fryderyk Franciszek Chopin 24 CLAIR DE Clair de Lune Claude Achille Debussy 25 ETUD.10-5 Étude, op.10-5 Fryderyk Franciszek Chopin

26 GRADUS A

27 G.WLZ BRI Grande Valse Brillante Fryderyk Franciszek Chopin 28 PRIERE La prière d'une Vierge Tekla Badarzewska 29 TROIKA Course en Troïka Peter Ilyich Tchaikovsky 30 SPRING To The Spring Edvard Hagerup Grieg 31 WLZ 64-2 Valse, op.64-2 Fryderyk Franciszek Chopin 32 RADETZKY Radetzky Marsch Johann Baptist Strauss 33 TRAEUMER Träumerei Robert Alexander Schumann 34 M. MUSIC3 Moments Musicaux 3 Franz Peter Schubert 35 PRE.28-15 Prélude, op.28-15 Fryderyk Franciszek Chopin 36 B. SMITH Harmonious Blacksmith Georg Friedrich Händel 37 UNGAR-T5 Ungarische Tänze 5 Johannes Brahms 38 TURKISCH Türkischer Marsch Ludwig van Beethoven 39 NOCT 2 Nocturne No.2 Fryderyk Franciszek Chopin 40 FRUHLING Frühlingslied Felix Mendelsshon 41 PRALUDIU Präludium Johann Sebastian Bach 42 JAGERLIE Jägerlied Felix Mendelsshon 43 PASSEPIE Passepied Claude Achille Debussy 44 FUR.ELISE Für Elise Ludwig van Beethoven 45 TURKISCH Türkischer Marsch Wolfgang Amadeus Mozart 46 STANDCHE Ständchen Franz Peter Schubert 47 HUMORESK Humoreske Antonín Dvořák 48 BLUMENLI Blumenlied Gustav Lange 49 ALPENGLO Alpenglöckchen Theodor Oesten 50 MENUET.BE Menuett G dur Ludwig van Beethoven

La Fille aux Cheveux de Lin

An der schönen, blauen Donau

Auf Flügeln des Gesanges

Dr. Gradus ad Parnassum

Claude Achille Debussy

Johann Strauss, Sohn

Felix Mendelsshon

Claude Achille Debussy

No. Display Song name Composer

51 VENEZIAN

52 ALPENABE Alpenabendröte Theodor Oesten 53 FAREWELL Farewell to the Piano Ludwig van Beethoven 54 BRAUTCHO Brautchor Wilhelm Richard Wagner 55 FORGET Forget-Me-Not Heinrich Lichner 56 WN. MARCH Wiener Marsch Carl Czerny 57 COUCOU Le Coucou Louis Claude Daquin 58 MENUET.BA Menuett G dur Johann Sebastian Bach 59 SPINNERL Spinnerlied Albert Ellmenreich 60 GAVOTTE Gavotte François Joseph Gossec 61 HEIDENRO Heidenröslein Gustav Lange 62 ZIGEUNER Zigeuner Tanz Heinrich Lichner 63 CINQUANT La Cinquantaine Gabriel Marie 64 CSIKOS P. Csikos Post Hermann Necke

65 DOLLYS D.

66 VIOLETTE La Violette Louis Streabbog 67 LANDMANN Fröhlicher Landmann Robert Alexander Schumann 68 SONA.36-1 Sonatine op.36-1 Muzio Clementi 69 SONA.20-1 Sonatine op.20-1 Friedrich Kuhlau 70 SONATI 5 Sonatine No.5 Ludwig van Beethoven 71 L. CHOPIN Late Night Chopin * John Maul 72 FLY FREE Fly Free * John Maul 73 AMOUR L'éveil de l'amour * Masashi Hirashita

Venezianisches Gondellied

Dolly's Dreaming Awakening

Felix Mendelsshon

Theodor Oesten

other than private, personal enjoyment is a violation of applicable laws.

* Songs marked by an asterisk “*” are original songs composed for the

Roland Corporation. The copyrights to these songs are owned by the Roland Corporation.

Chord Fingering List

symbol: Indicates the constituent notes of chords.

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

symbol: Chords shown with an “ ” can be played by pressing just the key marked with the “ ”.

* “Turning the Rhythm’s Chord Progression On/O (SP CHORD)” (p. 52)

CM7

Cm7

Cdim

Cm7( 5)

C# / D D

C#M7 / D M7 DM7

C#7 / D 7 D7

C#m / D m Dm

C#m7 / D m7 Dm7

C#dim / D dim Ddim

C#m7( 5) / D m7( 5) Dm7( 5)

Caug

Csus4

C7sus4

Cm6

C other

C#aug / D aug Daug

C#sus4 / D sus4 Dsus4

C#7sus4 / D 7sus4 D7sus4

C#6 / D 6 D6

C#m6 / D m6 Dm6

C# other / D other D other

Chord Fingering List

symbol: Indicates the constituent notes of chords.

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

symbol: Chords shown with an “ ” can be played by pressing just the key marked with the “ ”.

* “Turning the Rhythm’s Chord Progression On/O (SP CHORD)” (p. 52)

EE F

EM7E M7 FM7

E7E 7 F7

EmE m Fm

Em7E m7 Fm7

EdimE dim Fdim

Em7( 5)E m7( 5) Fm7( 5)

EaugE aug Faug

Esus4E sus4 Fsus4

E7sus4E 7sus4 F7sus4

E6E 6 F6

Em6E m6 Fm6

E otherE other F other

symbol: Indicates the constituent notes of chords.

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

symbol: Chords shown with an “ ” can be played by pressing just the key marked with the “ ”.

* “Turning the Rhythm’s Chord Progression On/O (SP CHORD)” (p. 52)

GF# / G A

GM7F#M7 / G M7 A M7

G7F#7 / G 7 A 7

GmF#m / G m A m

Chord Fingering List

Gm7F#m7 / G m7 A m7

GdimF#dim / G dim A dim

Gm7( 5)F#m7( 5) / G m7( 5) A m7( 5)

GaugF#aug / G aug A aug

Gsus4F#sus4 / G sus4 A sus4

G7sus4F#7sus4 / G 7sus4 A 7sus4

G6F#6 / G 6 A 6

Gm6F#m6 / G m6 A m6

G otherF# other / G other A other

7979

Chord Fingering List

symbol: Indicates the constituent notes of chords.

Instead of the sharp (#) symbol, a quotation mark will be shown in the display.

symbol: Chords shown with an “ ” can be played by pressing just the key marked with the “ ”.

* “Turning the Rhythm’s Chord Progression On/O (SP CHORD)” (p. 52)

BA B

B M7AM7 BM7

B 7A7 B7

B mAm Bm

B m7Am7 Bm7

B dimAdim Bdim

B m7( 5)Am7( 5) Bm7( 5)

B augAaug Baug

B sus4Asus4 Bsus4

B 7sus4A7sus4 B7sus4

B 6A6 B6

B m6Am6 Bm6

B otherA other B other

Registration List

The recommended settings were stored in the instrument when it shipped from the factory.

No. Registration name

1-1 Piano + Str.

1-2 Piano+EPiano

1-3 Gt + Harpvox

1-4 Winds + Str.

1-5 Lead + Pad

2-1 E.Piano / Bs

2-2 Vib. / BsCym

2-3 Piano / Pad

2-4 ChorusGt/Bs

2-5 Brass / E.Bs

3-1 JazzComboSes

3-2 LatinPno Ses

3-3 BalladEP Ses

3-4 BossaEP Ses

3-5 Funk Session

4-1 FP REGIST.

4-2 FP REGIST.

4-3 FP REGIST.

4-4 FP REGIST.

4-5 FP REGIST.

MEMO

Registration from 4-1 to 4-5 include the “Basic Registration.” Use this when creating registration from scratch.

Main Specications

Digital Piano: FP-4F

Keyboard

Keyboard 88 keys (Ivory Feel-G Keyboard)

Touch Sensitivity Touch: 5 levels, Fixed Touch

Whole

Keyboard Mode

Sound Generator (conforms to GM2/GS/XGlite)

Piano Sound SuperNATURAL Piano Sound

Piano Eects

Max. Polyphony 128 voices

Tone 345 tones (including 8 drum sets, 1 SFX set)

Temperaments 8 types, selectable temperament key

Stretched Tuning On, O

Master Tuning 415.3–466.2 Hz (adjustable in increments of 0.1 Hz)

Transpose -6–+5 (in semitones)

Eects

Equalizer 4-band Digital Equalizer

Dual (volume balance adjustable) Split (split point adjustable)

Damper Resonance (O, 1–10) String Resonance (O, 1–10) Key O Resonance (O, 1–10)

Reverb: O, 1–10 Only for Organ Tones: Rotary Speaker Eect (Slow, Fast)

Metronome

Tempo Quarter Note=10–500

Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

Recorder

Song 1 Song

Note Storage Approx. 30,000 notes

Tempo Quarter Note = 10–500

Resolution 120 ticks per quarter note

Playable Software

Transpose -6–+5 (in semitones)

Standard MIDI Files (Format 0/1), Roland Original Format (i-Format)

Session Partner

Rhythm 80 types x 2 variations

Chord Progression Automatic or input with keyboard (User Programmable)

Audio

Playable Software Audio File (WAV 44.1 kHz / 16-bit Linear Format), Audio CDs (CD-DA) (when using optional CD drive)

Audio Playback

Center Cancel Audio Playback Speed: 75–125 % Playback Transpose: -6–+5 (in semitones)

Internal Memory

Songs Max. 99 songs

Save Song Standard MIDI Files (Format 0)

External Memory

External Storage USB Flash Memory (sold separately)

Songs Max. 99 songs

Save Song Standard MIDI Files (Format 0)

Others

Internal Songs 73 songs

Display Custom LCD (with backlit)

Registration 20 (To Internal Memory: max. 25 sets, To External Memory: max. 99 sets)

Other Functions Panel Lock, V-LINK, Tone Demo

EXT MEMORY connector USB (MIDI) connector PEDAL jacks (DAMPER/R, SOFT/L (FC1)*, SOSTENUTO/C (FC2)*): 1/4-inch phone type (* Assignable)

Connectors

Rated Power Output 12 W x 2

Speakers (8 x 12 cm) x 2

Volume Level (SPL) 98 dB (This value was measured according to the method that is based on Roland’s technical standard.)

Control Volume, Balance, LCD Contrast

Power Supply DC 12 V (AC Adaptor)

Power Consumption 24 W

Dimensions

Weight

Accessories

Options

OUTPUT jacks (L/MONO, R): 1/4-inch phone type INPUT jacks (L/MONO, R): RCA phono type PHONES jack x 2: Stereo 1/4-inch phone type MIDI connectors (IN, OUT) DC IN jack

1,342 (W) x 305 (D) x 135 (H) mm 52-7/8 x 12-1/16 x 5-3/8 inches

1,342 (W) x 341 (D) x 940 (H) mm 52-7/8 x 13-7/16 x 37-1/16 inches (FP-4F with dedicated stand KSC-44 and music rest)

16.6 kg / 36 lbs 10 oz

29.1 kg / 64 lbs 3 oz (FP-4F with dedicated stand KSC-44 and music rest)

Owner’s Manual AC Adaptor Power Cord (for AC Adaptor) Music Rest Damper Pedal (capable of continuous detection)

Dedicated Stand: KSC-44 Keyboard Stand: KS-12, KS-18Z, KS-G8

Pedal Unit: RPU-3 Damper Pedal: DP-10 Pedal Switch: DP-2 Expression Pedal: EV-5, EV-7 CD Drive USB Flash Memory (Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used.)

Main Specications

* In the interest of product improvement, the specications and/or appearance of this unit are subject to change without prior notice.

8383

Index

Symbols

[-] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

[+] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

AC adaptor

Connect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

ACMP TR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

ARAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Audio device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Audio equipment

Connecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Audio le

Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Balance

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 14, 51

[BALANCE] knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 14

Brightness

Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Built-in songs

Listen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

C CANCEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

CD/A TYP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

CD drive

Connecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Chord

Fingering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Chord Progression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34, 37

Pattern. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 38

Root note . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

COMP OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Connect

AC adaptor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Audio equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

CD drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

MIDI Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

USB memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

[CONTRAST] knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 17

C.PDL FNC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Damper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Damper pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

DAMPER/R jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

DC IN jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12, 13

Delete

Registration set. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Saved song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

[DISPLAY] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

DMPR RES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

D.PDL PRT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

DUAL BAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Dual Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Volume balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Eect

Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Ending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34, 51

EQ HI FQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ HI GN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ HM FQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ HM GN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ HM Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ LM FQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ LM GN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ LM Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ LO FQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQ LO GN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

EQU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

[EQUALIZER] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 24, 30

ERROR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68

Error message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68

Expression pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

External Media

Connecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

External Memory

Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

EXT MEMORY connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

EXT MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

, 53

Favorite settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

Recalling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

FCT RSET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

Fill-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

FIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

FORMAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Format Media

Internal memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

USB memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Function Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Grounding terminal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

GST MSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

H . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

H+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Connect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 14

INPUT jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 60

Internal memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Intro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34, 51

Index

Keyboard Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

KEYTOUCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

KIRN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

L . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

L+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Leading bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

LEFT TR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Listen

All songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Built-in songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Demo songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Recorded performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Load

Registration set. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Local Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

LOCAL.CTL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Local O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Local On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

L.PDL FNC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

MAJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

MEAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

MEM BKUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

Memory

Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

[METRONOME] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 20, 21

M. GAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61, 62

Sound module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Transmit channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

MIDI CH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

MIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Music CD

Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Music rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Mute

Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

MUTE VOL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

OCT SHFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

OUTPUT jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12, 60

Panel Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Pattern

Chord Progression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Pedal

Connect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Damper pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Soft pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Sostenuto pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Pedal Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

PEDAL jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 16

Pedals Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Performance settings

Storing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

PHONES jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Pitch of the tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Play

Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Play All. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Playback Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Playing back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Center Cancel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Demo songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

External media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Music CDs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Session Partner. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Type of CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

[PLAY/STOP] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 31, 32, 42

Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Power cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

[POWER] switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12, 13, 14

Program change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

PYTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Recalling

Favorite settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

[REC] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 42, 44

Recording

Chord progression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 38

Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39, 40

Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Recalling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Storing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Registration Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

Deleting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Loading. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Remembering

Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Depth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

[REVERB] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Reverberation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

RGST CH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

RGST DEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

RGST LD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

RGST LSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

RGST PC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

RGST PDL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

RGST SAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

8585

Index

Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Chord progression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

RIGHT TR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Root note

Chord progression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Rotary eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Save

Internal memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Recorded song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Registration Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Sequencer

Connect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Session Partner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34, 44

Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

SESSION PARTNER [START/STOP] button . . . . . . . . . . . . . . . . . . . . . . . . 10, 34, 44

SESSION PARTNER [VARIATION] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10, 36

Setting

External memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Shift the pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

SMF Music Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Soft . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

SOFT/L (FC1) jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16, 53

Soft pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Song

Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

SONG DEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

SONG SAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Sostenuto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

SOSTENUTO/C (FC2) jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16, 53

Sostenuto pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

SP CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Speakers

Connecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

SP FIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

SP INTRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

[SPLIT] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11, 26

Split Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26, 28

SP PART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

SP PTN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

SP ROOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Storing

Performance settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

STR TUNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

, 57

Tempo

Audio le . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Music CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

TEMPO [-] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

TEMPO [+] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

TEMPRMNT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Time Signature

Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

TMPR KEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 25, 26, 27

TONE button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 19, 27

Tone list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70

Tone quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Tonic of the key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Touch sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Transmit channel

V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 29, 33

Playback Transpose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

[TRANSPOSE] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11, 29, 33

TRNSPOSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65

Tuning

Temperament key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

USB cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

USB DRV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

USB memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Connecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

USB (MIDI) connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

VIMA TUNES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57

V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64

Transmit channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

VLINK CH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 14, 51

Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 14

Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Overall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 14

[VOLUME] knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10, 13, 14, 17, 55

WERC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

MEMO

Information

AFRICA

EGYPT

Al Fanny Trading O ce

9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-417-1828

REUNION

MARCEL FO-YAM Sarl

25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

SOUTH AFRICA

T.O.M.S. Sound & Music (Pty)Ltd.

2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011) 417 3400

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA TEL: (021) 799 4900

ASIA

CHINA

Roland Shanghai Electronics Co.,Ltd.

5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800

Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE)

3F, Soluxe Fortune Building 63 West Dawang Road, Chaoyang District, Beijing, CHINA TEL: (010) 5960-2565

HONG KONG

Tom Lee Music

11/F Silvercord Tower 1 30 Canton Rd Tsimshatsui, Kowloon, HONG KONG TEL: 852-2737-7688

Parsons Music Ltd.

8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 852-2333-1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra Mahalaxmi Flats Compound O . Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051

INDONESIA

PT. Citra Intirama

Ruko Garden Shopping Arcade Unit 8 CR, Podomoro City Jl.Letjend. S.Parman Kav.28 Jakarta Barat 11470, INDONESIA TEL: (021) 5698-5519/5520

KOREA

Cosmos Corporation

1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

MALAYSIA/ SINGAPORE

Roland Asia Paci c Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.

9F-5, No. 112 Chung Shan North Road Sec. 2 Taipei 104, TAIWAN R.O.C. TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

100-108 Soi Verng Nakornkasem, New Road,Sumpantawong, Bangkok 10100, THAILAND TEL: (02) 224-8821

VIET NAM

VIET THUONG CORPORATION

386 CACH MANG THANG TAM ST. DIST.3, HO CHI MINH CITY, VIET NAM TEL: (08) 9316540

OCEANIA

AUSTRALIA/ NEW ZEALAND

Roland Corporation Australia Pty.,Ltd.

38 Campbell Avenue Dee Why West. NSW 2099, AUSTRALIA

For Australia TEL: (02) 9982 8266 For New Zealand TEL: (09) 3098 715

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055 (1123) Buenos Aires, ARGENTINA TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park Wildey, St.Michael, BARBADOS TEL: (246) 430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 211 Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9 Medellin, COLOMBIA TEL: (574) 3812529

COSTA RICA

JUAN Bansbach Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30 Curacao, Netherland Antilles TEL: (305) 5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3 Ens.La Esperilla Santo Domingo, DOMINICAN REPUBLIC TEL: (809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma Guayaquil - ECUADOR TEL: (593-4) 2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final Alameda Juan Pablo II, Edi cio No.4010 San Salvador, EL SALVADOR TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala, GUATEMALA TEL: (502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, HONDURAS TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle 97232 Le Lamentin, MARTINIQUE F.W.I. TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie 97200 Fort De France MARTINIQUE F.W.I. TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F., MEXICO TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos Musicales Nicaragua

Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, NICARAGUA TEL: (505) 277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

PARAGUAY

Distribuidora De Instrumentos Musicales

J.E. Olear y ESQ. Manduvira Asuncion, PARAGUAY TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC Juan Fanning 530 Mira ores Lima - PERU TEL: (511) 4461388

TRINIDAD

AMR Ltd

Ground Floor Maritime Plaza Barataria TRINIDAD W.I. TEL: (868) 638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales Allegro,C.A.

Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, VENEZUELA TEL: (212) 244-1122

EUROPE

BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

CROATIA

ART-CENTAR

Degenova 3. HR - 10000 Zagreb, CROATIA TEL: (1) 466 8493

CZECH REP.

CZECH REPUBLIC DISTRIBUTOR s.r.o

Voctárova 247/16 180 00 Praha 8, CZECH REP. TEL: (2) 830 20270

DENMARK

Roland Scandinavia A/S

Skagerrakvej 7 Postbox 880 DK-2100 Copenhagen, DENMARK TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial Finland

Vanha Nurmijarventie 62 01670 Vantaa, FINLAND TEL: (0) 9 68 24 020

GERMANY/AUSTRIA

Roland Elektronische Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

GREECE/CYPRUS

STOLLAS S.A. Music Sound Light

155, New National Road Patras 26442, GREECE TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

2045. Törökbálint, FSD Park 3. ép., HUNGARY TEL: (23) 511011

IRELAND

Roland Ireland

E2 Calmount Park, Calmount Avenue, Dublin 12, Republic of IRELAND TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

NORWAY

Roland Scandinavia Avd. Kontor Norge

Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo, NORWAY TEL: 2273 0074

POLAND

ROLAND POLSKA SP. Z O.O.

ul. Kty Grodziskie 16B 03-289 Warszawa, POLAND TEL: (022) 678 9512

PORTUGAL

Roland Systems Group EMEA, S.L. Branch O ce Porto

Edifício Tower Plaza Rotunda Eng. Edgar Cardoso 23, 9ºG 4400-676 Vila Nova de Gaia, PORTUGAL TEL: (+351) 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609

RUSSIA

Roland Music LLC

Dorozhnaya ul.3,korp.6 117 545 Moscow, RUSSIA TEL: (495) 981-4967

SERBIA

Music AP Ltd.

Sutjeska br. 5 XS - 24413 Palic, SERBIA TEL: (024) 539 395

SLOVAKIA

DAN Acoustic s.r.o.

Povazská 18. SK - 940 01 Nové Zámky, SLOVAKIA TEL: (035) 6424 330

SPAIN

Roland Systems Group EMEA, S.L.

Paseo García Faria, 33-35 08005 Barcelona, SPAIN TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE

Mårbackagatan 31, 4 tr. SE-123 43 Farsta, SWEDEN TEL: (0) 8 683 04 30

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 975-9987

UKRAINE

EURHYTHMICS Ltd.

P.O.Box: 37-a. Nedecey Str. 30 UA - 89600 Mukachevo, UKRAINE TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701

MIDDLE EAST

BAHRAIN

Moon Stores

No.1231&1249 Rumaytha Building Road 3931, Manama 339, BAHRAIN TEL: 17 813 942

IRAN

MOCO INC.

Jadeh Makhsous Karaj (K-9), Nakhe Zarin Ave. Jalal Street, Reza Alley No.4 Tehran 1389716791, IRAN TEL: (021)-44545370-5

ISRAEL

Halilit P. Greenspoon & Sons Ltd.

8 Retzif Ha'alia Hashnia St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666

JORDAN

MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC

P. O. Box 922846 Amman 11192, JORDAN TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI & SONS CO.

Al-Yousi Service Center P.O.Box 126 (Safat) 13002, KUWAIT TEL: 00 965 802929

LEBANON

Chahine S.A.L.

George Zeidan St., Chahine Bldg., Achra eh, P.O.Box: 16-5857 Beirut, LEBANON TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443

QATAR

AL-EMADI TRADING & CONTRACTING CO.

P.O. Box 62, Doha, QATAR TEL: 4423-554

SAUDI ARABIA

aDawliah Universal Electronics APL

Behind Pizza Inn Prince Turkey Street aDawliah Building, PO BOX 2154, Alkhobar 31952, SAUDI ARABIA TEL: (03) 8643601

SYRIA

Technical Light & Sound Center

PO Box 13520 Bldg No.49 Khaled Abn Alwalid St. Damascus, SYRIA TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.33 Beyoglu, Istanbul, TURKEY TEL: (0212) 249 85 10

U.A.E.

Zak Electronics & Musical Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg., No. 14, Ground Floor, Dubai, U.A.E. TEL: (04) 3360715

NORTH AMERICA

CANADA

Roland Canada Ltd. (Head O ce)

5480 Parkwood Way Richmond B. C., V6V 2M4, CANADA TEL: (604) 270 6626

Roland Canada Ltd. (Toronto O ce)

170 Admiral Boulevard Mississauga On L5T 2N6, CANADA TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

As of Feb. 1, 2011 (ROLAND)

For EU Countries

For China

This product complies with the requirements of EMC Directive 2004/108/EC.

For EU Countries

For the U.K.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

For C.A. US (Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

FP-4F Digital Piano Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

)

* 5 1 0 0 0 1 9 7 4 6 - 0 2 *

Roland FP-4F User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Introduction

Contents

IMPORTANT NOTES

Panel Descriptions

Front Panel

Rear Panel

Before You Play

Getting Ready to Play

Connecting the AC adaptor

Adjusting the Volume

Adjusting the Volume Balance between Your Keyboard Performance and the Accompaniment

Attaching the Music Rest

Connecting Pedals

Using Headphones

Adjusting the Display Brightness

Listening to the Demo Songs

Performing

Performing Various Sounds

Performing with the Metronome

Changing the Metronome’s Time Signature

Changing the Metronome Tempo

Changing the Metronome’s Volume

Adding a Count-in to Synchronize Your Performance

Adjusting the Tone Quality (Equalizer)

Playing Two Tones Layered (Dual Play)

Changing the Right-hand Tone and Left-hand Tone

Changing the Point at which the Keyboard is Divided (Split Point)

Changing the Pitch of the Keyboard or the Song Playback (Transpose)

Disabling the Buttons (Panel Lock)

Listening to Songs

Playing Back Songs

Playing All Songs Successively (Play All)

Adjusting the Song Tempo

Changing the Playback Key (Playback Transpose)

Performing Along with Rhythm (Session Partner)

What is Session Partner?

Performing with Session Partner

Selecting a Rhythm

Adding Variation to the Rhythm

Creating an Original Chord Progression Pattern

Changing the Number of Measures for Recording a Chord Progression

Registering Your Favorite Performance Settings

What is a Registration?

Storing Your Performance Settings (Registration)

Recalling a Registration

Recording Your Performance

Recording Your Keyboard Performance

Recording Your Performance with Session Partner

Saving a Recorded Song (SONG SAV)

Deleting a Saved Song (SONG DEL)

Detailed Settings for Various Functions

Basic Operation in Function Mode

Adjusting the Keyboard Sensitivity (KEYTOUCH)

Matching the Pitch with Other Instruments (TUNING)

Adjusting the Tuning (TEMPRMNT)

Specifying the Keynote (TMPR KEY)

Adjusting the Dual Play Volume Balance (DUAL BAL)

Changing the Pitch of the Tone in Octave Steps (OCT SHFT)

Selecting the Chord Progression for the Rhythm (SP PTN)

Specifying the Root Note for the Chord Progression (SP ROOT)

Select the Parts that Will Play (SP PART)

Fixing the Chord Progression Pattern (SP FIX)

Editing the Equalizer Settings

Setting the Tuning Curve (STR TUNE)

Adjusting Resonance when the Damper Pedal is Depressed (DMPR RES)

Adjusting the Resonant Sounds when the Keys are Pressed (STRG RES)

Changing How the Pedals Work (C.PDL FNC/L.PDL FNC)

Playing Sounds When the Keys Are Released (KOFF RES)

Decreasing the Playback Volume of Sounds in the Center (C CANCEL)

Playing Back with the Right-hand Part Muted (RIGHT TR)

Playing Back with the Accompaniment Part Muted (ACMP TR)

Saving a Registration Set (RGST SAV)

Playing Back with the Left-hand Part Muted (LEFT TR)

Loading a Registration Set You Saved (RGST LD)

Deleting a Registration Set You Saved (RGST DEL)

Using a Pedal to Switch Registrations (RGST PDL)