Roland FANTOMXA Service Manual

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Model: Fantom-Xa

MIDI Implementation

Date: Aug. 1, 2004 Version: 1.00

1. Data Reception (Sound Generator Section)

Channel Voice Messages

* Not received in Performance mode when the Receive Switch parameter (PERFORM/

MIDI) is OFF.

Note off

Status 2nd byte 3rd byte

8nH kkH vvH

9nH kkH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = note number: 00H - 7FH (0 - 127)

vv = note off velocity: 00H - 7FH (0 - 127)

* Not received when the Envelope Mode parameter (PATCH/CONTROL and RHYTHM/

COMMON) is NO-SUS.

Note on

Status 2nd byte 3rd byte

9nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = note number: 00H - 7FH (0 - 127)

vv = note on velocity: 01H - 7FH (1 - 127)

Polyphonic Key Pressure

Status 2nd byte 3rd byte

AnH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = note number: 00H - 7FH (0 - 127)

vv = Polyphonic Key Pressure: 00H - 7FH (0 - 127)

* Not received in Performance mode when the Receive Poly Key Pressure parameter

(PERFORM/MIDI) is OFF.

Control Change

* If the corresponding Controller number is selected for the Patch Control Source 1, 2, 3 or

4 parameter (PATCH/CONTROL/CTRL1-4), the corresponding effect will occur.

* If a Controller number that corresponds to the System Control Source 1, 2, 3 or 4

parameter (SYSTEM/CTRL) is selected, the specified effect will apply if Patch Control

Source 1, 2, 3 or 4 parameter (PATCH/CONTROL/CTRL1-4) is set to SYS-CTRL1, SYS-

CTRL2, SYS-CTRL3 or SYS-CTRL4.

Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

* Not received in Performance mode when the Receive Bank Select (PERFORM/MIDI) is

OFF.

* The Performances, Patches, and Rhythms corresponding to each Bank Select are as

follows.

* The SRX series corresponding to each Bank Select are to see the SRX series owner’s

manual.

-----+-----------+-----------+----------------------+---------- 000 | | 001 - 128 | GM Patch | 001 - 256 : | | | | 063 | | 001 - 128 | GM Patch | 001 - 256 085 | 000 | 001 - 064 | User Performance | 001 - 064 | 032 | 001 - 064 | Card Performance | 001 - 064 | 064 | 001 - 064 | Preset Performance | 001 - 064 086 | 000 | 001 - 032 | User Rhythm | 001 - 032 | 032 | 001 - 032 | Card Rhythm | 001 - 032 | 064 | 001 - 036 | Preset Rhythm | 001 - 036 087 | 000 | 001 - 128 | User Patch | 001 - 128 | 001 | 001 - 128 | User Patch | 129 - 256 | 032 | 001 - 128 | Card Patch | 001 - 128 | 033 | 001 - 128 | Card Patch | 129 - 256 | 064 | 001 - 128 | Preset Patch A | 001 - 128 | 065 | 001 - 128 | Preset Patch B | 001 - 128 | : | | : | 092 | 000 - | 001 - | SRX Rhythm | 001 | : | | : | 093 | 000 - | 001 - | SRX Patch | 001 | : | | : | 120 | | 001 - 057 | GM Rhythm | 001 - 009 121 | 000 - | 001 - 128 | GM Patch | 001 - 256

Modulation (Controller number 1)

Status

BnH 01H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Modulation depth: 00H - 7FH (0 - 127)

* Not received in Performance mode when the Receive Modulation parameter

(PERFORM/MIDI) is OFF.

2nd byte 3rd byte

Breath type (Controller number 2)

Status

BnH 02H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

2nd byte 3rd byte

Foot type (Controller number 4)

Status

BnH 04H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

2nd byte 3rd byte

Portamento Time (Controller number 5)

Status

BnH 05H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Portamento Time: 00H - 7FH (0 - 127)

* In Performance mode, the Part Portament Time parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Data Entry (Controller number 6, 38)

Status

BnH 06H mmH

BnH 26H llH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = the value of the parameter specified by RPN/NRPN

mm = MSB, ll = LSB

2nd byte 3rd byte

Volume (Controller number 7)

Status

BnH 07H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Volume: 00H - 7FH (0 - 127)

* Not received in Performance mode when the Receive Volume parameter (PERFORM/

MIDI) is OFF.

* In Performance mode, the Part Level parameter (PERFORM/PART) will change.

2nd byte 3rd byte

Balance (Controller number 8)

Status

BnH 08H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Balance: 00H - 7FH (0 - 127)

2nd byte 3rd byte

Panpot (Controller number 10)

Status

BnH 0AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),

* Not received in Performance mode when the Receive Pan parameter (PERFORM/MIDI)

is OFF.

* In Performance mode, the Part Pan parameter (PERFORM/PART) will change.

2nd byte 3rd byte

Expression (Controller number 11)

Status

BnH 0BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Expression: 00H - 7FH (0 - 127)

* Not received when Tone Receive Expression parameter (PATCH/CONTROL or

RHYTHM/COMMON) is OFF.

* Not received in Performance mode when Receive Expression parameter (PERFORM/

MIDI) is OFF.

2nd byte 3rd byte

No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

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MIDI Implementation

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Hold 1 (Controller number 64)

Status

BnH 40H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON

* Not received when Tone Receive Hold-1 parameter (PATCH/CONTROL or RHYTHM/

COMMON) is OFF.

* Not received in Performance mode when Receive Hold-1 parameter (PERFORM/MIDI)

is OFF.

* When the Tone Redamper Switch parameter (PATCH/CONTROL) is turned ON, 128

discrete steps are recognized for the value.

2nd byte 3rd byte

Portamento (Controller number 65)

Status

BnH 41H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* In Performance mode, the Part Portamento Switch parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Sostenuto (Controller number 66)

Status

BnH 42H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

2nd byte 3rd byte

Soft (Controller number 67)

Status

BnH 43H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

2nd byte 3rd byte

Legato Foot Switch (Controller number 68)

Status

BnH 44H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* In Performance mode, the Part Legato Switch parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Hold-2 (Controller number 69)

Status

BnH 45H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

*A hold movement isn’t done.

2nd byte 3rd byte

Resonance (Controller number 71)

Status

BnH 47H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* In Performance mode, the Part Resonance Offset parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Cutoff (Controller number 74)

Status

BnH 4AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* In Performance mode, the Part Cutoff Offset parameter (PERFORM/PART) will change.

2nd byte 3rd byte

Decay Time (Controller number 75)

Status

BnH 4BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* In Performance mode, the Part Decay Time Offset parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Vibrato Rate (Controller number 76)

Status

BnH 4CH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* In Performance mode, the Part Vibrato Rate parameter (PERFORM/PART) will change.

2nd byte 3rd byte

Vibrato Depth (Controller number 77)

Status

BnH 4DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* In Performance mode, the Part Vibrato Depth parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Vibrato Delay (Controller number 78)

Status

BnH 4EH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* In Performance mode, the Part Vibrato Delay parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

General Purpose Controller 5 (Controller number 80)

Status

BnH 50H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

* The Tone Level parameter (PATCH/TVA) of Tone 1 will change.

2nd byte 3rd byte

General Purpose Controller 6 (Controller number 81)

Status

BnH 51H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

* The Tone Level parameter (PATCH/TVA) of Tone 2 will change.

2nd byte 3rd byte

Release Time (Controller number 72)

Status

BnH 48H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* In Performance mode, the Part Release Time Offset parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Attack time (Controller number 73)

Status

BnH 49H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* In Performance mode, the Part Attack Time Offset parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

2

General Purpose Controller 7 (Controller number 82)

Status

BnH 52H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

* The Tone Level parameter (PATCH/TVA) of Tone 3 will change.

2nd byte 3rd byte

General Purpose Controller 8 (Controller number 83)

Status

BnH 53H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

* The Tone Level parameter (PATCH/TVA) of Tone 4 will change.

2nd byte 3rd byte

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MIDI Implementation

Portamento control (Controller number 84)

Status

BnH 54H kkH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = source note number: 00H - 7FH (0 - 127)

*A Note-on received immediately after a Portamento Control message will change

continuously in pitch, starting from the pitch of the Source Note Number.

* If a voice is already sounding for a note number identical to the Source Note Number,

this voice will continue sounding (i.e., legato) and will, when the next Note-on is

received, smoothly change to the pitch of that Note-on.

* The rate of the pitch change caused by Portamento Control is determined by the

Portamento Time value.

2nd byte 3rd byte

Effect 1 (Reverb Send Level) (Controller number 91)

Status

BnH 5BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Reverb Send Level: 00H - 7FH (0 - 127)

* In Performance mode, the Part Reverb Send Level parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Effect 3 (Chorus Send Level) (Controller number 93)

Status

BnH 5DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Chorus Send Level: 00H - 7FH (0 - 127)

* In Performance mode, the Part Chorus Send Level parameter (PERFORM/PART) will

change.

2nd byte 3rd byte

Program Change

Status

CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - 16)

pp = Program number: 00H - 7FH (prog.1 - prog.128)

* Not received in Performance mode when the Receive Program Change parameter

(PERFORM/MIDI) is OFF.

2nd byte

Channel Pressure

Status

DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Channel Pressure: 00H - 7FH (0 - 127)

* Not received in Performance mode when the Receive Channel Pressure parameter

(PERFORM/MIDI) is OFF.

2nd byte

Pitch Bend Change

Status

EnH llH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

* Not received when the Tone Receive Bender parameter (PATCH/CONTROL) is OFF.

* Not received in Performance mode when the Receive Pitch Bend parameter

(PERFORM/MIDI) is OFF.

2nd byte 3rd byte

RPN MSB/LSB (Controller number 100, 101)

Status

BnH 65H mmH

BnH 64H llH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm = upper byte (MSB) of parameter number specified by RPN

ll = lower byte (LSB) of parameter number specified by RPN

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended.

When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any

order) should be sent in order to select the parameter, then Data Entry (Controller numbers

6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry

messages that is received at the same MIDI channel after that are recognized as changing

toward the value of the RPN messages. In order not to make any mistakes, transmitting

RPN Null is recommended after setting parameters you need.

This device receives the following RPNs.

RPN Data entry

MSB, LSB

00H, 00H mmH, llH Pitch Bend Sensitivity

* In Performance mode, the Part Bend Range parameter (PERFORM/PART) will change.

00H, 01H mmH, llH Channel Fine Tuning

* In Performance mode, the Part Fine Tune parameter (PERFORM/PART) will change.

00H, 02H mmH, llH Channel Coarse Tuning

* In Performance mode, the Part Coarse Tune parameter (PERFORM/PART) will change.

00H, 05H mmH, llH Modulation Depth Range

* Not received in Patch mode.

7FH, 7FH ---, --- RPN null

RPN and NRPN will be set as “unspecified.” Once this setting has been made, subsequent

Parameter values that were previously set will not change.

2nd byte 3rd byte

MSB, LSB Notes

mm: 00H - 18H (0 - 24 semitones)

ll: ignored (processed as 00H)

Up to 2 octave can be specified in semitone steps.

mm, ll: 20 00H - 40 00H - 60 00H

(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)

ll: ignored (processed as 00H)

mm, ll: 00 00H - 00 06H

(0 - 16384 x 600 / 16384 cent)

mm, ll: ignored

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MIDI Implementation

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Channel Mode Messages

* Not received in Performance mode when the Receive Switch parameter (PERFORM/

MIDI) is OFF.

All Sounds Off (Controller number 120)

Status

BnH 78H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* When this message is received, all notes currently sounding on the corresponding

channel will be turned off.

Reset All Controllers (Controller number 121)

Status 2nd byte 3rd byte

BnH 79H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* When this message is received, the following controllers will be set to their reset values.

Controller Reset value

Pitch Bend Change +/-0 (center)

Polyphonic Key Pressure 0 (off)

Channel Pressure 0 (off)

Modulation 0 (off)

Breath Type 0 (min)

Expression 127 (max)

Hold 1 0 (off)

Sostenuto 0 (off)

Soft 0 (off)

Hold 2 0 (off)

RPN unset; previously set data will not change

NRPN unset; previously set data will not change

All Notes Off (Controller number 123)

Status 2nd byte 3rd byte

BnH 7BH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* When All Notes Off is received, all notes on the corresponding channel will be turned

off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are

turned off.

OMNI OFF (Controller number 124)

Status 2nd byte 3rd byte

BnH 7CH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

OMNI ON (Controller number 125)

Status 2nd byte 3rd byte

BnH 7DH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. OMNI ON

will not be turned on.

MONO (Controller number 126)

Status 2nd byte 3rd byte

BnH 7EH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm = mono number: 00H - 10H (0 - 16)

* The same processing will be carried out as when All Notes Off is received.

* In Performance mode, the Part Mono/Poly parameter (PERFORM/PART) will change.

POLY (Controller number 127)

Status 2nd byte 3rd byte

BnH 7FH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

* In Performance mode, the Part Mono/Poly parameter (PERFORM/PART) will change.

2nd byte 3rd byte

However the controller will be at minimum.

System Realtime Message

Active Sensing

Status

FEH

* When Active Sensing is received, the unit will begin monitoring the intervals of all

further messages. While monitoring, if the interval between messages exceeds 420 ms,

the same processing will be carried out as when All Sounds Off, All Notes Off and Reset

All Controllers are received, and message interval monitoring will be halted.

System Exclusive Message

Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose

dd,...,ee = data: 00H - 7FH (0 - 127)

F7H: EOX (End Of Exclusive)

Of the System Exclusive messages received by this device, the Universal Non-realtime

messages and the Universal Realtime messages and the Data Request (RQ1) messages and

the Data Set (DT1) messages will be set automatically.

Universal Non-realtime System Exclusive Messages

Identity Request Message

Status

F0H 7EH, dev, 06H, 01H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

dev Device ID (dev: 10H - 1FH, 7FH)

06H Sub ID#1 (General Information)

01H Sub ID#2 (Identity Request)

F7H EOX (End Of Exclusive)

* When this message is received, Identity Reply message (p. 9) will be transmitted.

GM1 System On

Status

F0H 7EH, 7FH, 09H, 01H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

01H Sub ID#2 (General MIDI 1 On)

F7H EOX (End Of Exclusive)

* When this messages is received, this instrument will turn to the Performance mode.

* Not received when the Receive GM1 System On parameter (SYSTEM/MIDI) is OFF.

GM2 System On

Status

F0H 7EH 7FH 09H 03H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

03H Sub ID#2 (General MIDI 2 On)

F7H EOX (End Of Exclusive)

* When this messages is received, this instrument will turn to the Performance mode.

* Not received when the Receive GM2 System On parameter (SYSTEM/MIDI) is OFF.

Data byte Status

Exclusive message this is. Roland’s manufacturer ID is 41H.

ID numbers 7EH and 7FH are extensions of the MIDI standard;

Universal Non-realtime Messages (7EH) and Universal Realtime

Messages (7FH).

Data byte Status

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MIDI Implementation

GM System Off

Status

F0H 7EH, 7F, 09H, 02H F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

09H Sub ID#1 (General MIDI Message)

02H Sub ID#2 (General MIDI Off)

F7H EOX (End Of Exclusive)

* When this messages is received, this instrument will return to the Performance mode.

Data byte Status

Universal Realtime System Exclusive Messages

Master Volume

Status

F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

01H Sub ID#2 (Master Volume)

llH Master Volume lower byte

mmH Master Volume upper byte

F7H EOX (End Of Exclusive)

* The lower byte (llH) of Master Volume will be handled as 00H.

* The Master Level parameter (SYSTEM/GENERAL) will change.

Data byte Status

Global Parameter Control

* Not received in Patch mode and Piano mode.

Reverb Parameters

Status

F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

Byte

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

05H Sub ID#2 (Global Parameter Control)

01H Slot path length

01H Parameter ID width

01H Value width

01H Slot path MSB

01H Slot path LSB (Effect 0101: Reverb)

ppH Parameter to be controlled.

vvH Value for the parameter.

F7H EOX (End Of Exclusive)

Data byte Status

01H, 01H, 01H, ppH, vvH

Explanation

pp=0 Reverb Type

vv = 00H Small Room

vv = 01H Medium Room

vv = 02H Large Room

vv = 03H Medium Hall

vv = 04H Large Hall

vv = 08H Plate

pp=1 Reverb Time

vv = 00H - 7FH 0 - 127

Master Fine Tuning

Status

F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

03H Sub ID#2 (Master Fine Tuning)

llH Master Fine Tuning LSB

mmH Master Fine Tuning MSB

F7H EOX (End Of Exclusive)

mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])

* The Master Tune parameter (SYSTEM/GENERAL) will change.

Data byte Status

Master Coarse Tuning

Status

F0H 7FH, 7FH, 04H, 04H, llH, mmH F7

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

04H Sub ID#2 (Master Coarse Tuning)

llH Master Coarse Tuning LSB

mmH Master Coarse Tuning MSB

F7H EOX (End Of Exclusive)

llH: ignored (processed as 00H)

mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])

Data byte Status

Chorus Parameters

Status

F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

04H Sub ID#1 (Device Control)

05H Sub ID#2 (Global Parameter Control)

01H Slot path length

01H Parameter ID width

01H Value width

01H Slot path MSB

02H Slot path LSB (Effect 0102: Chorus)

ppH Parameter to be controlled.

vvH Value for the parameter.

F7H EOX (End Of Exclusive)

Data byte Status

01H, 01H, 02H, ppH, vvH

pp=0 Chorus Type

vv=0 Chorus1

vv=1 Chorus2

vv=2 Chorus3

vv=3 Chorus4

vv=4 FB Chorus

vv=5 Flanger

pp=1 Mod Rate

vv= 00H - 7FH 0 - 127

pp=2 Mod Depth

vv = 00H - 7FH 0 - 127

pp=3 Feedback

vv = 00H - 7FH 0 - 127

pp=4 Send To Reverb

vv = 00H - 7FH 0 - 127

* The Master Key Shift parameter (SYSTEM/GENERAL) will change.

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MIDI Implementation

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Channel Pressure

Status

F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

09H Sub ID#1 (Controller Destination Setting)

01H Sub ID#2 (Channel Pressure)

0nH MIDI Channel (00 - 0F)

ppH Controlled parameter

rrH Controlled range

F7H EOX (End Of Exclusive)

Data byte Status

pp=0 Pitch Control

rr = 28H - 58H -24 - +24 [semitones]

pp=1 Filter Cutoff Control

rr = 00H - 7FH -9600 - +9450 [cents]

pp=2 Amplitude Control

rr = 00H - 7FH 0 - 200%

pp=3 LFO Pitch Depth

rr = 00H - 7FH 0 - 600 [cents]

pp=4 LFO Filter Depth

rr = 00H - 7FH 0 - 2400 [cents]

pp=5 LFO Amplitude Depth

rr = 00H - 7FH 0 - 100%

Controller

Status

F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

09H Sub ID#1 (Controller Destination Setting)

03H Sub ID#2 (Control Change)

0nH MIDI Channel (00 - 0F)

ccH Controller number (01 - 1F, 40 - 5F)

ppH Controlled parameter

rrH Controlled range

F7H EOX (End Of Exclusive)

Data byte Status

pp=0 Pitch Control

rr = 28H - 58H -24 - +24 [semitones]

pp=1 Filter Cutoff Control

rr = 00H - 7FH -9600 - +9450 [cents]

pp=2 Amplitude Control

rr = 00H - 7FH 0 - 200%

pp=3 LFO Pitch Depth

rr = 00H - 7FH 0 - 600 [cents]

pp=4 LFO Filter Depth

rr = 00H - 7FH 0 - 2400 [cents]

pp=5 LFO Amplitude Depth

rr = 00H - 7FH 0 - 100%

Scale/Octave Tuning Adjust

Status

F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... F7

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

7FH Device ID (Broadcast)

08H Sub ID#1 (MIDI Tuning Standard)

08H Sub ID#2 (scale/octave tuning 1-byte form)

ffH Channel/Option byte 1

ggH Channel byte 2

hhH Channel byte 3

ssH 12 byte tuning offset of 12 semitones from C to B

F7H EOX (End Of Exclusive)

Data byte Status

bits 0 to 1 = channel 15 to 16

bit 2 to 6 = Undefined

bits 0 to 6 = channel 8 to 14

bits 0 to 6 = channel 1 to 7

00H = -64 [cents]

40H = 0 [cents] (equal temperament)

7FH = +63 [cents]

Key-based Instrument Controllers

Status

F0H 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH F7H

Byte Explanation

F0H Exclusive status

7FH ID number (universal realtime message)

7FH Device ID (Broadcast)

0AH Sub ID#1 (Key-Based Instrument Control)

01H Sub ID#2 (Controller)

0nH MIDI Channel (00 - 0FH)

kkH Key Number

nnH Control Number

vvH Value

::

F7 EOX (End Of Exclusive)

* This parameter affects drum instruments only.

Data byte Status

nn=07H Level

vv = 00H - 7FH 0 - 200% (Relative)

nn=0AH Pan

vv = 00H - 7FH Left - Right (Absolute)

nn=5BH Reverb Send

vv = 00H - 7FH 0 - 127 (Absolute)

nn=5D Chorus Send

vv = 00H - 7FH 0 - 127 (Absolute)

6

Data Transmission

This instrument can use exclusive messages to exchange many varieties of internal settings

with other devices.

The model ID of the exclusive messages used by this instrument is 00H 6BH.

Data Request 1 (RQ1)

This message requests the other device to transmit data. The address and size indicate the

type and amount of data that is requested.

When a Data Request message is received, if the device is in a state in which it is able to

transmit data, and if the address and size are appropriate, the requested data is transmitted

as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

Status

F0H 41H, dev, 00H, 6BH, 11H, aaH, bbH, ccH, F7H

Byte Remarks

F0H Exclusive status

41H ID number (Roland)

dev device ID (dev: 10H - 1FH, 7FH)

00H model ID #1 (Fantom-Xa)

6BH model ID #2 (Fantom-Xa)

11H command ID (RQ1)

aaH address MSB

bbH address

ccH address

ddH address LSB

ssH size MSB

ttH size

uuH size

vvH size LSB

sum checksum

F7H EOX (End Of Exclusive)

data byte status

ddH, ssH, ttH, uuH, vvH, sum

●

❍

MIDI Implementation

Data byte Status

Status

F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, F7H

ddH, ... eeH, sum

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

dev Device ID (dev: 10H - 1FH, 7FH)

42H Model ID (GS)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the transmitted data

bbH Address: middle byte of the starting address of the transmitted data

ccH Address LSB: lower byte of the starting address of the transmitted data

ddH Data: the actual data to be transmitted. Multiple bytes of data are

: :

eeH Data

sum Checksum

F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address

and size given in Parameter Address Map (p. 13).

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

* Regarding the checksum, please refer to p. 31.

* Not received when the Receive Exclusive parameter (SYSTEM/MIDI) is OFF.

transmitted starting from the address.

* The size of data that can be transmitted at one time is fixed for each type of data. And

data requests must be made with a fixed starting address and size. Refer to the address

and size given in Parameter Address Map (p. 13).

* For the checksum, refer to p. 31.

* Not received when the Receive Exclusive parameter (SYSTEM/MIDI) is OFF.

Data set 1 (DT1)

Status

Data byte Status

F0H 41H, dev, 00H, 6BH, 12H, aaH, bbH, F7H

ccH, ddH, eeH, ... ffH, sum

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

dev Device ID (dev: 00H - 1FH, 7FH)

00H Model ID #1 (Fantom-Xa)

6BH Model ID #2 (Fantom-Xa)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the data to be sent

bbH Address: upper middle byte of the starting address of the data to be sent

ccH Address: lower middle byte of the starting address of the data to be sent

ddH Address LSB: lower byte of the starting address of the data to be sent.

eeH Data: the actual data to be sent. Multiple bytes of data are transmitted

: :

ffH Data

sum Checksum

F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address

and size given in Parameter Address Map (p. 13).

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

* Regarding the checksum, please refer to p. 31.

* Not received when the Receive Exclusive parameter (SYSTEM/MIDI) is OFF.

in order starting from the address.

7

MIDI Implementation

■

●

❍

2. Data Transmission (Sound Generator Section)

Channel Voice Messages

Note off

Status

8nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = note number: 00H - 7FH (0 - 127)

vv = note off velocity: 00H - 7FH (0 - 127)

Note on

Status

9nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = note number: 00H - 7FH (0 - 127)

vv = note on velocity: 01H - 7FH (1 - 127)

Control Change

* By selecting a controller number that corresponds to the setting of parameters of

controllers (REALTIME CONTROL knob, and so on), the Fantom-Xa can transmit any

control change message.

Bank Select (Controller number 0, 32)

Status

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

* These messages are transmitted when Patch, Rhythm Set or Performance is selected. But

not transmitted when Transmit Program Change or Transmit Bank Select parameter

(SYSTEM/MIDI) is OFF.

* In Performance mode, these messages are not transmitted when External Bank Select

MSB or External PC Number parameter (PERFORMANCE/PART) is OFF.

* Although with the Fantom-Xa you can select the Bank Select messages to be transmitted,

be sure to refer to

for the Bank Select messages transmitted when the Fantom-Xa is select a Patch, Rhythm

Set or Performance.

* The Bank Select Numbers corresponding to SRX series should be referred to the SRX

series owner’s manual.

Modulation (Controller number 1)

Status

BnH 01H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Modulation depth: 00H - 7FH (0 - 127)

Breath type (Controller number 2)

Status

BnH 02H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

Portamento Time (Controller number 5)

Status

BnH 05H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Portamento Time: 00H - 7FH (0 - 127)

Data Entry (Controller number 6, 38)

Status

BnH 06H mmH

BnH 26H llH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = the value of the parameter specified by RPN/NRPN

mm = MSB, ll = LSB

2nd byte 3rd byte

Bank Select and Program Change Correspondence Chart

2nd byte 3rd byte

(p. 32)

Volume (Controller number 7)

Status

BnH 07H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Volume: 00H - 7FH (0 - 127)

* In Performance mode, these messages are not transmitted when External Level

parameter (PERFORMANCE/PART) is OFF.

2nd byte 3rd byte

Panpot (Controller number 10)

Status 2nd byte 3rd byte

BnH 0AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),

* In Performance mode, these messages are not transmitted when External Pan parameter

(PERFORMANCE/PART) is OFF.

Expression (Controller number 11)

Status

BnH 0BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Expression: 00H - 7FH (0 - 127)

2nd byte 3rd byte

Hold 1 (Controller number 64)

Status 2nd byte 3rd byte

BnH 40H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON

* When Continuous Hold Pedal parameter (SYSTEM/CTRL) is OFF, just only 00H (0FF)

and 7FH (0N) can be send as the control value.

Portamento (Controller number 65)

Status

BnH 41H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

2nd byte 3rd byte

Resonance (Controller number 71)

Status

BnH 47H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

2nd byte 3rd byte

Release Time (Controller number 72)

Status

BnH 48H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

2nd byte 3rd byte

Attack time (Controller number 73)

Status

BnH 49H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

2nd byte 3rd byte

Cutoff (Controller number 74)

Status

BnH 4AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

2nd byte 3rd byte

General Purpose Controller 5 (Controller number 80)

Status

BnH 50H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

2nd byte 3rd byte

General Purpose Controller 6 (Controller number 81)

Status

BnH 51H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

2nd byte 3rd byte

8

MIDI Implementation

❍

General Purpose Controller 7 (Controller number 82)

Status

BnH 52H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

2nd byte 3rd byte

General Purpose Controller 8 (Controller number 83)

Status 2nd byte 3rd byte

BnH 53H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Control value: 00H - 7FH (0 - 127)

❍Portamento control (Controller number 84)

Status 2nd byte 3rd byte

BnH 54H kkH

n = MIDI channel number: 0H - FH (ch.1 - 16)

kk = source note number: 00H - 7FH (0 - 127)

●Program Change

Status 2nd byte

CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - 16)

pp = Program number: 00H - 7FH (prog.1 - prog.128)

* These messages are transmitted when Patch, Rhythm Set or Performance is selected. But

not transmitted when Transmit Program Change parameter (SYSTEM/MIDI) is OFF.

* In Performance mode, these messages are not transmitted when External PC Num

parameter (PERFORMANCE/PART) is OFF.

●Channel Pressure

Status 2nd byte

DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16)

vv = Channel Pressure: 00H - 7FH (0 - 127)

●Pitch Bend Change

Status 2nd byte 3rd byte

EnH llH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

■Channel Mode Messages

●MONO (Controller number 126)

Status 2nd byte 3rd byte

BnH 7EH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16)

mm = mono number: 00H - 10H (0 - 16)

●POLY (Controller number 127)

Status 2nd byte 3rd byte

BnH 7FH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

■System Exclusive Messages

Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only

System Exclusive messages transmitted by the Fantom-Xa.

●Universal Non-realtime System Exclusive Message

❍Identity Reply Message (Fantom-Xa)

Receiving Identity Request Message (p. 4), the Fantom-Xa send this message.

Status

F0H 7EH, dev, 06H, 02H, 41H, 6BH, 01H, F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

dev Device ID (dev: 10H - 1FH)

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

6BH 01H Device family code

02H 01H Device family number code

04H 03H 00H 00H Software revision level

F7H EOX (End of Exclusive)

●Data Transmission

❍Data set 1 (DT1)

Status Data byte Status

F0H 41H, dev, 00H, 6BH, 12H, aaH, bbH, F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

dev Device ID (dev: 00H - 1FH, 7FH)

00H Model ID #1 (Fantom-Xa)

6BH Model ID #2 (Fantom-Xa)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the data to be sent

bbH Address: upper middle byte of the starting address of the data to be sent

ccH Address: lower middle byte of the starting address of the data to be sent

ddH Address LSB: lower byte of the starting address of the data to be sent.

eeH Data: the actual data to be sent. Multiple bytes of data are transmitted

: :

ffH Data

sum Checksum

F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address

and size given in Parameter Address Map (p. 13).

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

Data byte Status

02H, 01H, 04H, 03H, 00H, 00H

ccH, ddH, eeH, ... ffH, sum

in order starting from the address.

■System Realtime Messages

●Active Sensing

Status

FEH

* This message is transmitted at intervals of approximately 250 msec.

* This message is not sent when Transmit Active Sensing parameter (SYSTEM/MIDI) is

OFF.

9

MIDI Implementation

3. Data Reception (Sequencer Section)

3.1 Messages recorded during recording

■Channel Voice Messages

●Note Off

Status 2nd byte 3rd byte

8nH kkH vvH

9nH kkH 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

kk=note number: 00H - 7FH (0 - 127)

vv=note off velocity: 00H - 7FH (0 - 127)

* Not received when the Note parameter (Recording Select window) is OFF.

●Note on

Status 2nd byte 3rd byte

9nH kkH vvH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

kk=note number: 00H - 7FH (0 - 127)

vv=note on velocity: 01H - 7FH (1 - 127)

* Not received when the Note parameter (Recording Select window) is OFF.

●Polyphonic Aftertouch

Status 2nd byte 3rd byte

AnH kkH vvH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

kk=note number: 00H - 7FH (0 - 127)

vv=Polyphonic Aftertouch: 00H - 7FH (0 - 127)

* Not received when the Poly Afertouch parameter (Recording Select window) is OFF.

●Control Change

Status 2nd byte 3rd byte

BnH kkH vvH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

kk=Control number: 00H - 78H (0 - 120)

vv=value: 00H - 7FH (0 - 127)

* Not received when the Control Change parameter (Recording Select window) is OFF.

●Program Change

Status 2nd byte

CnH ppH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

pp=Program number: 00H - 7FH (prog.1 - prog.128)

* Not received when the Program Change parameter (Recording Select window) is OFF.

●Channel Aftertouch

Status 2nd byte

DnH vvH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

vv=Channel Aftertouch: 00H - 7FH (0 - 127)

■Channel Mode messages

●All Sound Off (Controller number 120)

Status 2nd byte 3rd byte

BnH 78H 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

●Reset All Controller (Controller number 121)

Status 2nd byte 3rd byte

BnH 79H 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

●Omni Off (Controller number 124)

Status 2nd byte 3rd byte

BnH 7CH 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

* The same processing will be done as when an All Note Off message is received.

●Omni On (Controller number 125)

Status 2nd byte 3rd byte

BnH 7DH 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

* The same processing will be done as when an All Note Off message is received.

●Mono (Controller number 126)

Status 2nd byte 3rd byte

BnH 7EH mmH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

mm=mono number: 00H - 10H (0 - 16)

* The same processing will be done as when an All Note Off message is received.

●Poly (Controller number 127)

Status 2nd byte 3rd byte

BnH 7FH 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

* The same processing will be done as when an All Note Off message is received.

■System Exclusive Messages

Status Data byte Status

F0H iiH, ddH, ......, eeH F7H

F0H: System Exclusive message status

ii=ID number: This is the ID number (manufacturer ID) that specifies the

manufacturer whose exclusive message this is. Roland’s manufacturer

ID is 41H. ID numbers 7EH and 7FH are defined in an expansion of

the MIDI standard as Universal Non-real-time messages (7EH) and

Universal Realtime Messages (7FH).

dd,..., ee = data: 00H - 7FH (0 - 127)

F7H: EOX (End of System Exclusive)

* Not received when the System Exclusive parameter (Recording Select window) is OFF.

* MIDI Machine Control and MIDI Time code is not recorded. (Refer to “1.3 Messages

acknowledged for synchronization”)

* Not received when the Channel Aftertouch parameter (Recording Select window) is

OFF.

●Pitch Bend Change

Status 2nd byte 3rd byte

EnH llH mmH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

mm, ll=Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

* Not received when the Pitch Bend parameter (Recording Select window) is OFF.

10

MIDI Implementation

3.2 Messages not recorded during recording

■Channel mode messages

●Local On/Off (Controller number 122)

Status 2nd byte 3rd byte

BnH 7AH vvH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

vv=Value: 00H, 7FH (Local Off, Local On)

●All notes off (Controller number 123)

Status 2nd byte 3rd byte

BnH 7BH 00H

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

* When an All Note Off message is received, all notes of the corresponding channel that

are on will be sent Note Off’s, and the resulting Note Off messages will be recorded.

3.3 Messages acknowledged for synchronization

■System Common messages

●Tune Request

Status

F6H

●MIDI Time Code Quarter Frame Messages

MIDI Time Code Quarter Frame Messages can be transmitted while the sequencer is

running (Playing or Recording) if the Sync Mode parameter (SYSTEM/TEMPO/SYNC) is

MASTER and MTC Sync Output parameter (SYSTEM/MIDI/MMC MTC) is ON. The

transmitted time counts are summed to MTC Offset Time parameter (SYSTEM/MIDI/

MMC MTC) as the song top is “00:00:00:00.”

The sequencer synchronizes with the time counts which are summed to MTC Offset Time

parameter (SYSTEM/MIDI/MMC MTC) as the song top is “00:00:00:00” if the Sync Mode

parameter (SYSTEM/TEMPO/SYNC) is SLAVE(MTC).

■System Realtime Messages

●Timing Clock

Status

F8H

* Received when Sync Mode parameter (SYSTEM/TEMPO/SYNC) is set to SLAVE-MIDI.

●Start

Status

FAH

* Received when Sync Mode parameter (SYSTEM/TEMPO/SYNC) is set to SLAVE-MIDI

or REMOTE.

●Continue

Status

FBH

* Received when Sync Mode parameter (SYSTEM/TEMPO/SYNC) is set to SLAVE-MIDI

or REMOTE.

●Stop

Status

FCH

* Received when Sync Mode parameter (SYSTEM/TEMPO/SYNC) is set to SLAVE-MIDI

or REMOTE.

Status Second

F1H mmH (= 0nnndddd)

nnn = Message type :

0 = Frame count LS nibble

1 = Frame count MS nibble

2 = Seconds count LS nibble

3 = Seconds count MS nibble

4 = Minutes count LS nibble

5 = Minutes count MS nibble

6 = Hours count LS nibble

7 = Hours count MS nibble

dddd = 4 bit nibble data : h - FH (0 - 15)

Bit Field is assigned as follows.

Frame Count xxxyyyyy

xxx Reserved (000)

yyyyy Frame No.(0-29)

Seconds Count xxyyyyyy

Minutes Count xxyyyyyy

Hours Count xyyzzzzz

xx Reserved (00)

yyyyyy Seconds (0-59)

xx Reserved (00)

yyyyyy Minutes (0-59)

x Reserved (0)

yy Time Code type

0 = 24 Frames / Sec

1 = 25 Frames / Sec

2 = 30 Frames / Sec (Drop Frame)

3 = 30 Frames / Sec (Non Drop Frame

zzzzz Hours (0-23)

●Song Position Pointer

Status 2nd byte 3rd byte

F2H mmH llH

mm, ll=value: 00 00H - 7F 7FH (0 - 16383)

11

MIDI Implementation

■System Exclusive Message

●MIDI Machine Control (MMC)

* Received when the MMC Mode parameter (SYSTEM/MIDI/MMC MTC) is SLAVE.

❍STOP (MCS)

Status Data byte Status

F0H 7FH, dev, 06H, 01H F7H

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

01H STOP (MCS)

F7H EOX (End of Exclusive)

❍DEFERRED PLAY (MCS)

Status Data byte Status

F0H 7FH, dev, 06H, 03H F7H

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

03H DEFERRED PLAY (MCS)

F7H EOX (End of Exclusive)

❍LOCATE (MCP)

❍Format2-LOCATE [TARGET]

Status Data byte Status

F0H 7FH, dev, 06H, 44H, 06H, 01H, F7H

hrH, mnH, scH, frH, ffH

4. Data Transmission (Sequencer Section)

4.1 Messages transmitted during playing

Recorded messages are transmitted during playback.

4.2 Soft Thru setting

Messages (except System Common and System Realtime Messages) that are received are

then sent out when Soft Thru parameter (SYSTEM/MIDI) is switched to ON.

4.3 Messages that are generated and transmitted

4.3.1 Messages Appearing When Synchronizing with Other Devices

■System Common Messages

* Sent when Sync Output parameter (SYSTEM/TEMPO/SYNC) is set to ON.

●Song Position Pointer

Status 2nd byte 3rd byte

F2H mmH llH

mm, ll=value: 00 00H - 7F 7FH (0 - 16383)

■System Realtime Messages

* Sent when Sync Output parameter (SYSTEM/TEMPO/SYNC) is set to ON.

●Timing Clock

Status

F8H

●Start

Status

FAH

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

44H LOCATE (MCP)

06H Byte count

01H “TARGET” sub-Command

hrH Standard Time Specification with subframes

mnH

scH

frH

ffH

F7H EOX (End of Exclusive)

●Continue

Status

FBH

●Stop

Status

FCH

●Quarter Frame Messages

Status 2nd byte

F1H mmH (= 0nnndddd)

* Sent when Sync Mode parameter (SYSTEM/TEMPO/SYNC) is set to MASTER and

MTC Sync Output parameter (SYSTEM/MIDI/MMC MTC) is set to ON. Furthermore,

sending a Quarter Frame Message with “00h00m00s00f00” at the beginning of the song

adds the MTC Offset Time parameter (SYSTEM/MIDI/MMC MTC).

12

MIDI Implementation

■System Exclusive Message

●MIDI Time code

❍Full Message

Full Messages are used, which encode the complete time into a single message.

This message transmitted when the song position moves.

Status Data Byte Status

F0H, 7FH xxH, 01H, 01H, hrH, mnH, scH, frH F7H

F0H, 7FH : Realtime Universal System Exclusive Header

xxH : 7F (Device ID)

01H : sub-ID #1 (MIDI Time code)

01H : sub-ID #2 (Full Message)

hrH : hours and type: 0 yy zzzzz

yy type:

00 = 24 Flame/sec

01 = 25 Flame/sec

10 = 30 Flame/sec

11 = 30 Flame/sec

zzzzz : Hours (00 - 23)

mnH : Minutes (00 - 59)

scH : Seconds (00 - 59)

frH : Frames (00 - 29)

F7H : EOX (End of Exclusive)

●MIDI Machine Control (MMC)

* Not received when the MMC Mode parameter (SYSTEM/MIDI/MMC MTC) is Master.

❍STOP (MCS)

Status Data byte Status

F0H 7FH, dev, 06H, 01H F7H

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

01H STOP (MCS)

F7H EOX (End of Exclusive)

❍DEFFERRED PLAY (MCS)

Status Data byte Status

F0H 7FH, dev, 06H, 03H F7H

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

03H DEFERRED PLAY (MCS)

F7H EOX (End of Exclusive)

❍LOCATE (MCP)

❍Format2-LOCATE [TARGET]

Status Data byte Status

F0H 7FH, dev, 06H, 44H, 06H, 01H, F7H

hrH, mnH, scH, frH, ffH

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

7FH Device ID

06H MMC command message

44H LOCATE (MCP)

06H Byte count

01H “TARGET” sub-Command

hrH Standard Time Specification with subframes

mnH

scH

frH

ffH

F7H EOX (End of Exclusive)

5. Parameter Address Map

* Transmission of “#” marked address is divided to some packets. For example, ABH in

hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this

order.

* “<*>” marked address or parameters are ignored when the Fantom-Xa received them.

5.1 Fantom-Xa (ModelID = 00H 6BH)

+——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 01 00 00 00 | Setup | |—————————————+————————————————————————————————————————————————————————————————| | 02 00 00 00 | System | |—————————————+————————————————————————————————————————————————————————————————| | 10 00 00 00 | Temporary Performance | | 11 00 00 00 | Temporary Patch/Rhythm (Performance Mode Part 1) | | 11 20 00 00 | Temporary Patch/Rhythm (Performance Mode Part 2) | | : | | | 14 60 00 00 | Temporary Patch/Rhythm (Performance Mode Part 16) | | 1E 00 00 00 | Temporary Rhythm Pattern | | 1E 01 00 00 | Temporary Arpeggio (Performance Mode) | | 1E 02 00 00 | Temporary Chord (Performance Mode) | | 1E 03 00 00 | Temporary Rhythm Group (Performance Mode) | | 1E 11 00 00 | Temporary Arpeggio (Patch Mode) | | 1E 12 00 00 | Temporary Chord (Patch Mode) | | 1E 13 00 00 | Temporary Rhythm Group (Patch Mode) | | 1F 00 00 00 | Temporary Patch/Rhythm (Patch Mode Part 1) | | 1F 20 00 00 | Temporary Patch/Rhythm (Patch Mode Part 2) | +——————————————————————————————————————————————————————————————————————————————+

❍System

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | System Common | | 00 02 00 | System Mastering | | 00 03 00 | System External Input | | 00 40 00 | System Controller | +——————————————————————————————————————————————————————————————————————————————+

❍Temporary Patch/Rhythm

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Temporary Patch | | 10 00 00 | Temporary Rhythm | +——————————————————————————————————————————————————————————————————————————————+

❍Performance

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Performance Common | | 00 02 00 | Performance Common MFX1 | | 00 04 00 | Performance Common Chorus | | 00 06 00 | Performance Common Reverb | | 00 08 00 | Performance Common MFX2 | | 00 0A 00 | Performance Common MFX3 | | 00 10 00 | Performance MIDI (Channel 1) | | 00 11 00 | Performance MIDI (Channel 2) | | : | | | 00 1F 00 | Performance MIDI (Channel 16) | | 00 20 00 | Performance Part (Part 1) | | 00 21 00 | Performance Part (Part 2) | | : | | | 00 2F 00 | Performance Part (Part 16) | | 00 50 00 | Performance Zone (Channel 1) | | 00 51 00 | Performance Zone (Channel 2) | | : | | | 00 5F 00 | Performance Zone (Channel 16) | | 00 60 00 | Performance Controller | +——————————————————————————————————————————————————————————————————————————————+

❍Patch

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Patch Common | | 00 02 00 | Patch Common MFX | | 00 04 00 | Patch Common Chorus | | 00 06 00 | Patch Common Reverb | | 00 10 00 | Patch TMT (Tone Mix Table) | | 00 20 00 | Patch Tone (Tone 1) | | 00 22 00 | Patch Tone (Tone 2) | | 00 24 00 | Patch Tone (Tone 3) | | 00 26 00 | Patch Tone (Tone 4) | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Rhythm Common | | 00 02 00 | Rhythm Common MFX | | 00 04 00 | Rhythm Common Chorus | | 00 06 00 | Rhythm Common Reverb | | 00 10 00 | Rhythm Tone (Key # 21) | | 00 12 00 | Rhythm Tone (Key # 22) | | : | | | 01 3E 00 | Rhythm Tone (Key # 108) | +——————————————————————————————————————————————————————————————————————————————+

❍Arpeggio

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Arpeggio Common | | 00 10 00 | Arpeggio Pattern (Note 1) | | 00 11 00 | Arpeggio Pattern (Note 2) | | : | | | 00 1F 00 | Arpeggio Pattern (Note 16) | +——————————————————————————————————————————————————————————————————————————————+

13

MIDI Implementation

❍Chord

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Chord Pattern | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Group

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Rhythm Group | +——————————————————————————————————————————————————————————————————————————————+

❍Setup

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Sound Mode (0 — 4) | | | | PATCH, PERFORM, GM1, GM2, GS | |—————————————+———————————+————————————————————————————————————————————————————| | 00 01 | 0aaa aaaa | Performance Bank Select MSB (CC# 0) (0 — 127) | | 00 02 | 0aaa aaaa | Performance Bank Select LSB (CC# 32) (0 — 127) | | 00 03 | 0aaa aaaa | Performance Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 04 | 0aaa aaaa | Kbd Patch Bank Select MSB (CC# 0) (0 — 127) | | 00 05 | 0aaa aaaa | Kbd Patch Bank Select LSB (CC# 32) (0 — 127) | | 00 06 | 0aaa aaaa | Kbd Patch Program Number (PC) (0 — 127) | | 00 07 | 0aaa aaaa | Pad Patch Bank Select MSB (CC# 0) (0 — 127) | | 00 08 | 0aaa aaaa | Pad Patch Bank Select LSB (CC# 32) (0 — 127) | | 00 09 | 0aaa aaaa | Pad Patch Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0A | 0000 000a | MFX1 Switch (0 — 1) | | | | BYPASS, ON | | 00 0B | 0000 000a | MFX2 Switch (0 — 1) | | | | BYPASS, ON | | 00 0C | 0000 000a | MFX3 Switch (0 — 1) | | | | BYPASS, ON | | 00 0D | 0000 000a | Chorus Switch (0 — 1) | | | | OFF, ON | | 00 0E | 0000 000a | Reverb Switch (0 — 1) | | | | OFF, ON | | 00 0F | 0000 000a | Input Effect Switch (0 — 1) | | | | OFF, ON | | 00 10 | 0000 000a | Patch Mode Chorus Source (0 — 1) | | | | KBD, PAD | | 00 11 | 0000 000a | Patch Mode Reverb Source (0 — 1) | | | | KBD, PAD | |—————————————+———————————+————————————————————————————————————————————————————| | 00 12 | 0000 aaaa | Transpose Value (59 — 70) | | | | —5 — +6 | | 00 13 | 0000 0aaa | Octave Shift (61 — 67) | | | | —3 — +3 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 14 | 0000 0aaa | D Beam Select (0 — 3) | | | | OFF, PAD—TRIG, SOLO—SYN, ASGN | | 00 15 | 0000 00aa | Knob Select (0 — 3) | | | | OFF, FLT—ENV, ARP—RHY, ASGN | | 00 16 | 0000 000a | (reserve) <*> | | 00 17 | 0aaa aaaa | Arp/Ptn Grid (0 — 8) | | | | 04_, 08_, 08L, 08H, 08t, | | | | 16_, 16L, 16H, 16t | | 00 18 | 0aaa aaaa | Arp/Ptn Duration (0 — 9) | | | | 30, 40, 50, 60, 70, 80, 90, | | | | 100, 120, FUL | | 00 19 | 0000 000a | Arpeggio Switch (0 — 1) | | | | OFF, ON | | 00 1A | 0aaa aaaa | Arpeggio Bank (0 — 1) | | | | USER, PRESET | | 00 1B | 0aaa aaaa | Arpeggio Style (0 — 127) | | | | 1 — 128 | | 00 1C | 0aaa aaaa | Arpeggio Motif (0 — 11) | | | | UP/L, UP/H, UP/_, dn/L, dn/H, | | | | dn/_, Ud/L, Ud/H, Ud/_, rn/L, | | | | rn/_, PHRASE | | 00 1D | 0000 0aaa | Arpeggio Octave Range (61 — 67) | | | | —3 — +3 | | 00 1E | 0000 000a | Arpeggio Hold (0 — 1) | | | | OFF, ON | | 00 1F | 0aaa aaaa | Arpeggio Accent Rate (0 — 100) | | 00 20 | 0aaa aaaa | Arpeggio Velocity (0 — 127) | | | | REAL, 1 — 127 | | 00 21 | 0000 000a | Rhythm Pattern Switch (0 — 1) | | | | OFF, ON | | 00 22 | 0aaa aaaa | Rhythm Pattern Bank (0 — 1) | | | | USER, PRESET | |# 00 23 | 0000 aaaa | | | | 0000 bbbb | Rhythm Pattern Style (0 — 255) | | | | 1 — 256 | | 00 25 | 0000 000a | Rhythm Pattern Group Bank (0 — 1) | | | | USER, PRESET | | 00 26 | 0aaa aaaa | Rhythm Pattern Group Number (0 — 31) | | | | 1 — 32 | | 00 27 | 0aaa aaaa | Rhythm Pattern Accent Rate (0 — 100) | | 00 28 | 0aaa aaaa | Rhythm Pattern Velocity (0 — 127) | | | | REAL, 1 — 127 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 29 | 0000 000a | Chord Switch (0 — 1) | | | | OFF, ON | | 00 2A | 0aaa aaaa | Chord Bank (0 — 1) | | | | USER, PRESET | | 00 2B | 00aa aaaa | Chord Form (0 — 63) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 2C | 0000 000a | Bender and Modulation Part Select (0 — 1) | | | | KBD, PAD | | 00 2D | 0000 000a | Beam Part Select (0 — 1) | | | | KBD, PAD | | 00 2E | 0000 000a | Knob Part Select (0 — 1) | | | | KBD, PAD | |—————————————+———————————+————————————————————————————————————————————————————| | 00 2F | 0000 000a | (reserve) <*> | | 00 30 | 0aaa aaaa | (reserve) <*> | |—————————————+———————————+————————————————————————————————————————————————————| | 00 31 | 0000 000a | Rolled Chord (0 — 1) | | | | OFF, ON | | 00 32 | 0000 00aa | Rolled Chord Type (0 — 2) | | | | UP, DOWN, ALTERNATE | | 00 33 | 00aa aaaa | Arpeggio Step (0 — 32) | | | | AUTO, 1 — 32 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 34 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍System Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| |# 00 00 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Master Tune (24 — 2024) | | | | —100.0 — 100.0 [cent] | | 00 04 | 00aa aaaa | Master Key Shift (40 — 88) | | | | —24 — +24 | | 00 05 | 0aaa aaaa | Master Level (0 — 127) | | 00 06 | 0000 000a | Scale Tune Switch (0 — 1) | | | | OFF, ON | | 00 07 | 0000 000a | Patch Remain (0 — 1) | | | | OFF, ON | | 00 08 | 0000 000a | Mix/Parallel (0 — 1) | | | | MIX, PARALLEL | |—————————————+———————————+————————————————————————————————————————————————————| | 00 09 | 000a aaaa | Performance Control Channel (0 — 16) | | | | 1 — 16, OFF | | 00 0A | 0000 aaaa | Kbd Patch Rx/Tx Channel (0 — 15) | | | | 1 — 16 | | 00 0B | 0000 aaaa | Pad Patch Rx/Tx Channel (0 — 15) | | | | 1 — 16 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0aaa aaaa | Patch Scale Tune for C (0 — 127) | | | | —64 — +63 | | 00 0D | 0aaa aaaa | Patch Scale Tune for C# (0 — 127) | | | | —64 — +63 | | 00 0E | 0aaa aaaa | Patch Scale Tune for D (0 — 127) | | | | —64 — +63 | | 00 0F | 0aaa aaaa | Patch Scale Tune for D# (0 — 127) | | | | —64 — +63 | | 00 10 | 0aaa aaaa | Patch Scale Tune for E (0 — 127) | | | | —64 — +63 | | 00 11 | 0aaa aaaa | Patch Scale Tune for F (0 — 127) | | | | —64 — +63 | | 00 12 | 0aaa aaaa | Patch Scale Tune for F# (0 — 127) | | | | —64 — +63 | | 00 13 | 0aaa aaaa | Patch Scale Tune for G (0 — 127) | | | | —64 — +63 | | 00 14 | 0aaa aaaa | Patch Scale Tune for G# (0 — 127) | | | | —64 — +63 | | 00 15 | 0aaa aaaa | Patch Scale Tune for A (0 — 127) | | | | —64 — +63 | | 00 16 | 0aaa aaaa | Patch Scale Tune for A# (0 — 127) | | | | —64 — +63 | | 00 17 | 0aaa aaaa | Patch Scale Tune for B (0 — 127) | | | | —64 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 18 | 0aaa aaaa | System Control 1 Source (0 — 97) | | | | OFF, CC01 — CC31, CC33 — CC95, | | | | BEND, AFT | | 00 19 | 0aaa aaaa | System Control 2 Source (0 — 97) | | | | OFF, CC01 — CC31, CC33 — CC95, | | | | BEND, AFT | | 00 1A | 0aaa aaaa | System Control 3 Source (0 — 97) | | | | OFF, CC01 — CC31, CC33 — CC95, | | | | BEND, AFT | | 00 1B | 0aaa aaaa | System Control 4 Source (0 — 97) | | | | OFF, CC01 — CC31, CC33 — CC95, | | | | BEND, AFT | |—————————————+———————————+————————————————————————————————————————————————————| | 00 1C | 0000 000a | Receive Program Change (0 — 1) | | | | OFF, ON | | 00 1D | 0000 000a | Receive Bank Select (0 — 1) | | | | OFF, ON | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 1E | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍System Mastering

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Mastering Switch (0 — 1) | | | | OFF, ON | | 00 01 | 0aaa aaaa | Low band Attack time (0 — 100) | | 00 02 | 0aaa aaaa | Low band Release time (0 — 100) | | 00 03 | 00aa aaaa | Low band Threshold (0 — 36) | | | | —36, —35, —34, —33, —32, —31, | | | | —30, —29, —28, —27, —26, —25, | | | | —24, —23, —22, —21, —20, —19, | | | | —18, —17, —16, —15, —14, —13, | | | | —12, —11, —10, —9, —8, —7, | | | | —6, —5, —4, —3, —2, —1, 0 [dB] | | 00 04 | 0000 aaaa | Low band Ratio (0 — 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, | | | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, | | | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, | | | | 1:16, 1:INF | | 00 05 | 000a aaaa | Low band Level (0 — 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, | | | | 9, 10, 11, 12, 13, 14, 15, | | | | 16, 17, 18, 19, 20, 21, 22, | | | | 23, 24 [dB] | | 00 06 | 0aaa aaaa | Mid band Attack time (0 — 100) | | 00 07 | 0aaa aaaa | Mid band Release time (0 — 100) | | 00 08 | 00aa aaaa | Mid band Threshold (0 — 36) | | | | —36, —35, —34, —33, —32, —31, | | | | —30, —29, —28, —27, —26, —25, | | | | —24, —23, —22, —21, —20, —19, | | | | —18, —17, —16, —15, —14, —13, | | | | —12, —11, —10, —9, —8, —7, | | | | —6, —5, —4, —3, —2, —1, 0 [dB] | | 00 09 | 0000 aaaa | Mid band Ratio (0 — 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, | | | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, | | | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, | | | | 1:16, 1:INF | | 00 0A | 000a aaaa | Mid band Level (0 — 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, | | | | 9, 10, 11, 12, 13, 14, 15, | | | | 16, 17, 18, 19, 20, 21, 22, | | | | 23, 24 [dB] | | 00 0B | 0aaa aaaa | High band Attack time (0 — 100) | | 00 0C | 0aaa aaaa | High band Release time (0 — 100) | | 00 0D | 00aa aaaa | High band Threshold (0 — 36) | | | | —36, —35, —34, —33, —32, —31, | | | | —30, —29, —28, —27, —26, —25, | | | | —24, —23, —22, —21, —20, —19, | | | | —18, —17, —16, —15, —14, —13, | | | | —12, —11, —10, —9, —8, —7, | | | | —6, —5, —4, —3, —2, —1, 0 [dB] | | 00 0E | 0000 aaaa | High band Ratio (0 — 13) | | | | 1:1.0, 1:1.1, 1:1.2, 1:1.4, | | | | 1:1.6, 1:1.8, 1:2.0, 1:2.5, | | | | 1:3.2, 1:4.0, 1:5.6, 1:8.0, | | | | 1:16, 1:INF |

14

MIDI Implementation

| 00 0F | 000a aaaa | High band Level (0 — 24) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, | | | | 9, 10, 11, 12, 13, 14, 15, | | | | 16, 17, 18, 19, 20, 21, 22, | | | | 23, 24 [dB] | | 00 10 | 0000 0aaa | Split Freq Low (0 — 6) | | | | 200, 250, 315, 400, 500, | | | | 630, 800 [Hz] | | 00 11 | 0000 0aaa | Split Freq High (0 — 6) | | | | 2000, 2500, 3150, 4000, 5000, | | | | 6300, 8000 [Hz] | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 12 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍System External Input

❍System Controller

15

MIDI Implementation

❍Performance Common

|—————————————+———————————+————————————————————————————————————————————————————| | 00 35 | 00aa aaaa | MFX2 Control Channel (0 — 16) | | | | 1 — 16, OFF | | 00 36 | 00aa aaaa | MFX3 Control Channel (0 — 16) | | | | 1 — 16, OFF | | 00 37 | 0000 aaaa | MFX Structure (0 — 15) | | | | 1 — 16 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 38 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Common MFX

16

MIDI Implementation

❍Performance Common Chorus

❍Performance Common Reverb

17

MIDI Implementation

❍Performance MIDI

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Receive Program Change (0 — 1) | | | | OFF, ON | | 00 01 | 0000 000a | Receive Bank Select (0 — 1) | | | | OFF, ON | | 00 02 | 0000 000a | Receive Bender (0 — 1) | | | | OFF, ON | | 00 03 | 0000 000a | Receive Polyphonic Key Pressure (0 — 1) | | | | OFF, ON | | 00 04 | 0000 000a | Receive Channel Pressure (0 — 1) | | | | OFF, ON | | 00 05 | 0000 000a | Receive Modulation (0 — 1) | | | | OFF, ON | | 00 06 | 0000 000a | Receive Volume (0 — 1) | | | | OFF, ON | | 00 07 | 0000 000a | Receive Pan (0 — 1) | | | | OFF, ON | | 00 08 | 0000 000a | Receive Expression (0 — 1) | | | | OFF, ON | | 00 09 | 0000 000a | Receive Hold—1 (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0A | 0000 000a | Phase Lock (0 — 1) | | | | OFF, ON | | 00 0B | 0000 0aaa | Velocity Curve Type (0 — 4) | | | | OFF, 1 — 4 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 0C | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Part

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 aaaa | Receive Channel (0 — 15) | | | | 1 — 16 | | 00 01 | 0000 000a | Receive Switch (0 — 1) | | | | OFF, ON | | 00 02 | 0000 0000 | (reserve) <*> (1 — 0) | | | | | | 00 03 | 0000 0000 | (reserve) <*> (1 — 0) | | | | | |—————————————+———————————+————————————————————————————————————————————————————| | 00 04 | 0aaa aaaa | Patch Bank Select MSB (CC# 0) (0 — 127) | | 00 05 | 0aaa aaaa | Patch Bank Select LSB (CC# 32) (0 — 127) | | 00 06 | 0aaa aaaa | Patch Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 07 | 0aaa aaaa | Part Level (CC# 7) (0 — 127) | | 00 08 | 0aaa aaaa | Part Pan (CC# 10) (0 — 127) | | | | L64 — 63R | | 00 09 | 0aaa aaaa | Part Coarse Tune (RPN# 2) (16 — 112) | | | | —48 — +48 | | 00 0A | 0aaa aaaa | Part Fine Tune (RPN# 1) (14 — 114) | | | | —50 — +50 | | 00 0B | 0000 00aa | Part Mono/Poly (MONO ON/POLY ON) (0 — 2) | | | | MONO, POLY, PATCH | | 00 0C | 0000 00aa | Part Legato Switch (CC# 68) (0 — 2) | | | | OFF, ON, PATCH | | 00 0D | 000a aaaa | Part Pitch Bend Range (RPN# 0) (0 — 25) | | | | 0 — 24, PATCH | | 00 0E | 0000 00aa | Part Portamento Switch (CC# 65) (0 — 2) | | | | OFF, ON, PATCH | |# 00 0F | 0000 aaaa | | | | 0000 bbbb | Part Portamento Time (CC# 5) (0 — 128) | | | | 0 — 127, PATCH | | 00 11 | 0aaa aaaa | Part Cutoff Offset (CC# 74) (0 — 127) | | | | —64 — +63 | | 00 12 | 0aaa aaaa | Part Resonance Offset (CC# 71) (0 — 127) | | | | —64 — +63 | | 00 13 | 0aaa aaaa | Part Attack Time Offset (CC# 73) (0 — 127) | | | | —64 — +63 | | 00 14 | 0aaa aaaa | Part Release Time Offset (CC# 72) (0 — 127) | | | | —64 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 15 | 0000 0aaa | Part Octave Shift (61 — 67) | | | | —3 — +3 | | 00 16 | 0aaa aaaa | Part Velocity Sens Offset (1 — 127) | | | | —63 — +63 | | 00 17 | 0aaa aaaa | (reserve) <*> | | 00 18 | 0aaa aaaa | (reserve) <*> | | 00 19 | 0aaa aaaa | (reserve) <*> | | 00 1A | 0aaa aaaa | (reserve) <*> | | 00 1B | 0000 000a | Mute Switch (0 — 1) | | | | OFF, MUTE |

|—————————————+———————————+————————————————————————————————————————————————————| | 00 1C | 0aaa aaaa | Part Dry Send Level (0 — 127) | | 00 1D | 0aaa aaaa | Part Chorus Send Level (CC# 93) (0 — 127) | | 00 1E | 0aaa aaaa | Part Reverb Send Level (CC# 91) (0 — 127) | | 00 1F | 0000 aaaa | Part Output Assign (0 — 13) | | | | MFX, A, B, ———, ———, | | | | 1, 2, 3, 4, ———, ———, ———, ———, | | | | PATCH | | 00 20 | 0000 00aa | Part Output MFX Select (0 — 2) | | | | MFX1, MFX2, MFX3 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 21 | 0aaa aaaa | Part Decay Time Offset (CC# 75) (0 — 127) | | | | —64 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 22 | 0aaa aaaa | Part Vibrato Rate (CC# 76) (0 — 127) | | | | —64 — +63 | | 00 23 | 0aaa aaaa | Part Vibrato Depth (CC# 77) (0 — 127) | | | | —64 — +63 | | 00 24 | 0aaa aaaa | Part Vibrato Delay (CC# 78) (0 — 127) | | | | —64 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 25 | 0aaa aaaa | Part Scale Tune for C (0 — 127) | | | | —64 — +63 | | 00 26 | 0aaa aaaa | Part Scale Tune for C# (0 — 127) | | | | —64 — +63 | | 00 27 | 0aaa aaaa | Part Scale Tune for D (0 — 127) | | | | —64 — +63 | | 00 28 | 0aaa aaaa | Part Scale Tune for D# (0 — 127) | | | | —64 — +63 | | 00 29 | 0aaa aaaa | Part Scale Tune for E (0 — 127) | | | | —64 — +63 | | 00 2A | 0aaa aaaa | Part Scale Tune for F (0 — 127) | | | | —64 — +63 | | 00 2B | 0aaa aaaa | Part Scale Tune for F# (0 — 127) | | | | —64 — +63 | | 00 2C | 0aaa aaaa | Part Scale Tune for G (0 — 127) | | | | —64 — +63 | | 00 2D | 0aaa aaaa | Part Scale Tune for G# (0 — 127) | | | | —64 — +63 | | 00 2E | 0aaa aaaa | Part Scale Tune for A (0 — 127) | | | | —64 — +63 | | 00 2F | 0aaa aaaa | Part Scale Tune for A# (0 — 127) | | | | —64 — +63 | | 00 30 | 0aaa aaaa | Part Scale Tune for B (0 — 127) | | | | —64 — +63 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 31 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Zone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 000a aaaa | (reserve) <*> | | 00 01 | 0000 000a | Zone Switch (0 — 1) | | | | OFF, ON | | 00 02 | 0000 000a | (reserve) <*> | |—————————————+———————————+————————————————————————————————————————————————————| |# 00 03 | 0000 aaaa | | | | 0000 bbbb | External Bank Select MSB (CC# 0) (0 — 128) | | | | 0 — 127, NO—SEND | | 00 05 | 0aaa aaaa | External Bank Select LSB (CC# 32) (0 — 127) | |# 00 06 | 0000 aaaa | | | | 0000 bbbb | External Program Number (PC) (0 — 128) | | | | 0 — 127, NO—SEND | |# 00 08 | 0000 aaaa | | | | 0000 bbbb | External Level (CC# 7) (0 — 128) | | | | 0 — 127, NO—SEND | |# 00 0A | 0000 aaaa | | | | 0000 bbbb | External Pan (CC# 10) (0 — 128) | | | | L64 — 63R, NO—SEND | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0aaa aaaa | Keyboard Range Lower (0 — 127) | | | | C—1 — UPPER | | 00 0D | 0aaa aaaa | Keyboard Range Upper (0 — 127) | | | | LOWER — G9 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0E | 0000 000a | Control Bender (0 — 1) | | | | OFF, ON | | 00 0F | 0000 000a | Control Aftertouch (0 — 1) | | | | OFF, ON | | 00 10 | 0000 000a | Control Modulation (0 — 1) | | | | OFF, ON | | 00 11 | 0000 000a | Control Hold Pedal (0 — 1) | | | | OFF, ON | | 00 12 | 0000 000a | Control Pedal (0 — 1) | | | | OFF, ON | | 00 13 | 0000 000a | (reserve) <*> | | 00 14 | 0000 000a | Control D Beam (0 — 1) | | | | OFF, ON | | 00 15 | 0000 000a | Control Knob 1 (0 — 1) | | | | OFF, ON | | 00 16 | 0000 000a | Control Knob 2 (0 — 1) | | | | OFF, ON | | 00 17 | 0000 000a | Control Knob 3 (0 — 1) | | | | OFF, ON | | 00 18 | 0000 000a | Control Knob 4 (0 — 1) | | | | OFF, ON | | 00 19 | 0000 000a | (reserve) <*> | | 00 1A | 0000 000a | (reserve) <*> | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 1B | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Controller

18

MIDI Implementation

|—————————————+———————————+————————————————————————————————————————————————————| |# 00 54 | 0000 aaaa | | | | 0000 bbbb | Recommended Tempo (20 — 250) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 56 | 0000 000a | Rolled Chord (0 — 1) | | | | OFF, ON | | 00 57 | 0000 00aa | Rolled Chord Type (0 — 2) | | | | UP, DOWN, ALTERNATE | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 58 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Arpeggio Common

❍Arpeggio Pattern

19

MIDI Implementation

❍Chord Pattern

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Chord Note1 (0 — 1) | | | | OFF, ON | | 00 01 | 0000 000a | Chord Note2 (0 — 1) | | | | OFF, ON | | 00 02 | 0000 000a | Chord Note3 (0 — 1) | | | | OFF, ON | | 00 03 | 0000 000a | Chord Note4 (0 — 1) | | | | OFF, ON | | 00 04 | 0000 000a | Chord Note5 (0 — 1) | | | | OFF, ON | | 00 05 | 0000 000a | Chord Note6 (0 — 1) | | | | OFF, ON | | 00 06 | 0000 000a | Chord Note7 (0 — 1) | | | | OFF, ON | | 00 07 | 0000 000a | Chord Note8 (0 — 1) | | | | OFF, ON | | 00 08 | 0000 000a | Chord Note9 (0 — 1) | | | | OFF, ON | | 00 09 | 0000 000a | Chord Note10 (0 — 1) | | | | OFF, ON | | 00 0A | 0000 000a | Chord Note11 (0 — 1) | | | | OFF, ON | | 00 0B | 0000 000a | Chord Note12 (0 — 1) | | | | OFF, ON | | 00 0C | 0000 000a | Chord Note13 (0 — 1) | | | | OFF, ON | | 00 0D | 0000 000a | Chord Note14 (0 — 1) | | | | OFF, ON | | 00 0E | 0000 000a | Chord Note15 (0 — 1) | | | | OFF, ON | | 00 0F | 0000 000a | Chord Note16 (0 — 1) | | | | OFF, ON | | 00 10 | 0000 000a | Chord Note17 (0 — 1) | | | | OFF, ON | | 00 11 | 0000 000a | Chord Note18 (0 — 1) | | | | OFF, ON | | 00 12 | 0000 000a | Chord Note19 (0 — 1) | | | | OFF, ON | | 00 13 | 0000 000a | Chord Note20 (0 — 1) | | | | OFF, ON | | 00 14 | 0000 000a | Chord Note21 (0 — 1) | | | | OFF, ON | | 00 15 | 0000 000a | Chord Note22 (0 — 1) | | | | OFF, ON | | 00 16 | 0000 000a | Chord Note23 (0 — 1) | | | | OFF, ON | | 00 17 | 0000 000a | Chord Note24 (0 — 1) | | | | OFF, ON | | 00 18 | 0000 000a | Chord Note25 (0 — 1) | | | | OFF, ON | | 00 19 | 0000 000a | Chord Note26 (0 — 1) | | | | OFF, ON | | 00 1A | 0000 000a | Chord Note27 (0 — 1) | | | | OFF, ON | | 00 1B | 0000 000a | Chord Note28 (0 — 1) | | | | OFF, ON | | 00 1C | 0000 000a | Chord Note29 (0 — 1) | | | | OFF, ON | | 00 1D | 0000 000a | Chord Note30 (0 — 1) | | | | OFF, ON | | 00 1E | 0000 000a | Chord Note31 (0 — 1) | | | | OFF, ON | | 00 1F | 0000 000a | Chord Note32 (0 — 1) | | | | OFF, ON | | 00 20 | 0000 000a | Chord Note33 (0 — 1) | | | | OFF, ON | | 00 21 | 0000 000a | Chord Note34 (0 — 1) | | | | OFF, ON | | 00 22 | 0000 000a | Chord Note35 (0 — 1) | | | | OFF, ON | | 00 23 | 0000 000a | Chord Note36 (0 — 1) | | | | OFF, ON | | 00 24 | 0000 000a | Chord Note37 (0 — 1) | | | | OFF, ON | | 00 25 | 0000 000a | Chord Note38 (0 — 1) | | | | OFF, ON | | 00 26 | 0000 000a | Chord Note39 (0 — 1) | | | | OFF, ON | | 00 27 | 0000 000a | Chord Note40 (0 — 1) | | | | OFF, ON | | 00 28 | 0000 000a | Chord Note41 (0 — 1) | | | | OFF, ON | | 00 29 | 0000 000a | Chord Note42 (0 — 1) | | | | OFF, ON | | 00 2A | 0000 000a | Chord Note43 (0 — 1) | | | | OFF, ON | | 00 2B | 0000 000a | Chord Note44 (0 — 1) | | | | OFF, ON | | 00 2C | 0000 000a | Chord Note45 (0 — 1) | | | | OFF, ON | | 00 2D | 0000 000a | Chord Note46 (0 — 1) | | | | OFF, ON | | 00 2E | 0000 000a | Chord Note47 (0 — 1) | | | | OFF, ON | | 00 2F | 0000 000a | Chord Note48 (0 — 1) | | | | OFF, ON | | 00 30 | 0000 000a | Chord Note49 (0 — 1) | | | | OFF, ON | | 00 31 | 0000 000a | Chord Note50 (0 — 1) | | | | OFF, ON | | 00 32 | 0000 000a | Chord Note51 (0 — 1) | | | | OFF, ON | | 00 33 | 0000 000a | Chord Note52 (0 — 1) | | | | OFF, ON | | 00 34 | 0000 000a | Chord Note53 (0 — 1) | | | | OFF, ON | | 00 35 | 0000 000a | Chord Note54 (0 — 1) | | | | OFF, ON | | 00 36 | 0000 000a | Chord Note55 (0 — 1) | | | | OFF, ON | | 00 37 | 0000 000a | Chord Note56 (0 — 1) | | | | OFF, ON | | 00 38 | 0000 000a | Chord Note57 (0 — 1) | | | | OFF, ON | | 00 39 | 0000 000a | Chord Note58 (0 — 1) | | | | OFF, ON | | 00 3A | 0000 000a | Chord Note59 (0 — 1) | | | | OFF, ON | | 00 3B | 0000 000a | Chord Note60 (0 — 1) | | | | OFF, ON | | 00 3C | 0000 000a | Chord Note61 (0 — 1) | | | | OFF, ON | | 00 3D | 0000 000a | Chord Note62 (0 — 1) | | | | OFF, ON | | 00 3E | 0000 000a | Chord Note63 (0 — 1) | | | | OFF, ON | | 00 3F | 0000 000a | Chord Note64 (0 — 1) | | | | OFF, ON | | 00 40 | 0000 000a | Chord Note65 (0 — 1) | | | | OFF, ON | | 00 41 | 0000 000a | Chord Note66 (0 — 1) | | | | OFF, ON |

| 00 42 | 0000 000a | Chord Note67 (0 — 1) | | | | OFF, ON | | 00 43 | 0000 000a | Chord Note68 (0 — 1) | | | | OFF, ON | | 00 44 | 0000 000a | Chord Note69 (0 — 1) | | | | OFF, ON | | 00 45 | 0000 000a | Chord Note70 (0 — 1) | | | | OFF, ON | | 00 46 | 0000 000a | Chord Note71 (0 — 1) | | | | OFF, ON | | 00 47 | 0000 000a | Chord Note72 (0 — 1) | | | | OFF, ON | | 00 48 | 0000 000a | Chord Note73 (0 — 1) | | | | OFF, ON | | 00 49 | 0000 000a | Chord Note74 (0 — 1) | | | | OFF, ON | | 00 4A | 0000 000a | Chord Note75 (0 — 1) | | | | OFF, ON | | 00 4B | 0000 000a | Chord Note76 (0 — 1) | | | | OFF, ON | | 00 4C | 0000 000a | Chord Note77 (0 — 1) | | | | OFF, ON | | 00 4D | 0000 000a | Chord Note78 (0 — 1) | | | | OFF, ON | | 00 4E | 0000 000a | Chord Note79 (0 — 1) | | | | OFF, ON | | 00 4F | 0000 000a | Chord Note80 (0 — 1) | | | | OFF, ON | | 00 50 | 0000 000a | Chord Note81 (0 — 1) | | | | OFF, ON | | 00 51 | 0000 000a | Chord Note82 (0 — 1) | | | | OFF, ON | | 00 52 | 0000 000a | Chord Note83 (0 — 1) | | | | OFF, ON | | 00 53 | 0000 000a | Chord Note84 (0 — 1) | | | | OFF, ON | | 00 54 | 0000 000a | Chord Note85 (0 — 1) | | | | OFF, ON | | 00 55 | 0000 000a | Chord Note86 (0 — 1) | | | | OFF, ON | | 00 56 | 0000 000a | Chord Note87 (0 — 1) | | | | OFF, ON | | 00 57 | 0000 000a | Chord Note88 (0 — 1) | | | | OFF, ON | | 00 58 | 0000 000a | Chord Note89 (0 — 1) | | | | OFF, ON | | 00 59 | 0000 000a | Chord Note90 (0 — 1) | | | | OFF, ON | | 00 5A | 0000 000a | Chord Note91 (0 — 1) | | | | OFF, ON | | 00 5B | 0000 000a | Chord Note92 (0 — 1) | | | | OFF, ON | | 00 5C | 0000 000a | Chord Note93 (0 — 1) | | | | OFF, ON | | 00 5D | 0000 000a | Chord Note94 (0 — 1) | | | | OFF, ON | | 00 5E | 0000 000a | Chord Note95 (0 — 1) | | | | OFF, ON | | 00 5F | 0000 000a | Chord Note96 (0 — 1) | | | | OFF, ON | | 00 60 | 0000 000a | Chord Note97 (0 — 1) | | | | OFF, ON | | 00 61 | 0000 000a | Chord Note98 (0 — 1) | | | | OFF, ON | | 00 62 | 0000 000a | Chord Note99 (0 — 1) | | | | OFF, ON | | 00 63 | 0000 000a | Chord Note100 (0 — 1) | | | | OFF, ON | | 00 64 | 0000 000a | Chord Note101 (0 — 1) | | | | OFF, ON | | 00 65 | 0000 000a | Chord Note102 (0 — 1) | | | | OFF, ON | | 00 66 | 0000 000a | Chord Note103 (0 — 1) | | | | OFF, ON | | 00 67 | 0000 000a | Chord Note104 (0 — 1) | | | | OFF, ON | | 00 68 | 0000 000a | Chord Note105 (0 — 1) | | | | OFF, ON | | 00 69 | 0000 000a | Chord Note106 (0 — 1) | | | | OFF, ON | | 00 6A | 0000 000a | Chord Note107 (0 — 1) | | | | OFF, ON | | 00 6B | 0000 000a | Chord Note108 (0 — 1) | | | | OFF, ON | | 00 6C | 0000 000a | Chord Note109 (0 — 1) | | | | OFF, ON | | 00 6D | 0000 000a | Chord Note110 (0 — 1) | | | | OFF, ON | | 00 6E | 0000 000a | Chord Note111 (0 — 1) | | | | OFF, ON | | 00 6F | 0000 000a | Chord Note112 (0 — 1) | | | | OFF, ON | | 00 70 | 0000 000a | Chord Note113 (0 — 1) | | | | OFF, ON | | 00 71 | 0000 000a | Chord Note114 (0 — 1) | | | | OFF, ON | | 00 72 | 0000 000a | Chord Note115 (0 — 1) | | | | OFF, ON | | 00 73 | 0000 000a | Chord Note116 (0 — 1) | | | | OFF, ON | | 00 74 | 0000 000a | Chord Note117 (0 — 1) | | | | OFF, ON | | 00 75 | 0000 000a | Chord Note118 (0 — 1) | | | | OFF, ON | | 00 76 | 0000 000a | Chord Note119 (0 — 1) | | | | OFF, ON | | 00 77 | 0000 000a | Chord Note120 (0 — 1) | | | | OFF, ON | | 00 78 | 0000 000a | Chord Note121 (0 — 1) | | | | OFF, ON | | 00 79 | 0000 000a | Chord Note122 (0 — 1) | | | | OFF, ON | | 00 7A | 0000 000a | Chord Note123 (0 — 1) | | | | OFF, ON | | 00 7B | 0000 000a | Chord Note124 (0 — 1) | | | | OFF, ON | | 00 7C | 0000 000a | Chord Note125 (0 — 1) | | | | OFF, ON | | 00 7D | 0000 000a | Chord Note126 (0 — 1) | | | | OFF, ON | | 00 7E | 0000 000a | Chord Note127 (0 — 1) | | | | OFF, ON | | 00 7F | 0000 000a | Chord Note128 (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 01 00 | 0aaa aaaa | Chord Pattern Name 1 (32 — 127) | | | | | | 01 01 | 0aaa aaaa | Chord Pattern Name 2 (32 — 127) | | | | | | 01 02 | 0aaa aaaa | Chord Pattern Name 3 (32 — 127) | | | | | | 01 03 | 0aaa aaaa | Chord Pattern Name 4 (32 — 127) | | | | | | 01 04 | 0aaa aaaa | Chord Pattern Name 5 (32 — 127) | | | | | | 01 05 | 0aaa aaaa | Chord Pattern Name 6 (32 — 127) | | | | |

20

MIDI Implementation

❍Rhythm Group

❍Patch Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Patch Name 1 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 01 | 0aaa aaaa | Patch Name 2 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 02 | 0aaa aaaa | Patch Name 3 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 03 | 0aaa aaaa | Patch Name 4 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 04 | 0aaa aaaa | Patch Name 5 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 05 | 0aaa aaaa | Patch Name 6 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 06 | 0aaa aaaa | Patch Name 7 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 07 | 0aaa aaaa | Patch Name 8 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 08 | 0aaa aaaa | Patch Name 9 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 09 | 0aaa aaaa | Patch Name 10 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0A | 0aaa aaaa | Patch Name 11 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0B | 0aaa aaaa | Patch Name 12 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0C | 0aaa aaaa | Patch Category (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0D | 0000 000a | (reserve) <*> | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0E | 0aaa aaaa | Patch Level (0 — 127) | | 00 0F | 0aaa aaaa | Patch Pan (0 — 127) | | | | L64 — 63R | | 00 10 | 0000 000a | Patch Priority (0 — 1) | | | | LAST, LOUDEST | | 00 11 | 0aaa aaaa | Patch Coarse Tune (16 — 112) | | | | —48 — +48 | | 00 12 | 0aaa aaaa | Patch Fine Tune (14 — 114) | | | | —50 — +50 | | 00 13 | 0000 0aaa | Octave Shift (61 — 67) | | | | —3 — +3 | | 00 14 | 0000 00aa | Stretch Tune Depth (0 — 3) | | | | OFF, 1 — 3 | | 00 15 | 0aaa aaaa | Analog Feel (0 — 127) | | 00 16 | 0000 000a | Mono/Poly (0 — 1) | | | | MONO, POLY | | 00 17 | 0000 000a | Legato Switch (0 — 1) | | | | OFF, ON | | 00 18 | 0000 000a | Legato Retrigger (0 — 1) | | | | OFF, ON | | 00 19 | 0000 000a | Portamento Switch (0 — 1) | | | | OFF, ON | | 00 1A | 0000 000a | Portamento Mode (0 — 1) | | | | NORMAL, LEGATO | | 00 1B | 0000 000a | Portamento Type (0 — 1) | | | | RATE, TIME | | 00 1C | 0000 000a | Portamento Start (0 — 1) | | | | PITCH, NOTE | | 00 1D | 0aaa aaaa | Portamento Time (0 — 127) | | 00 1E | 0000 000a | (reserve) <*> | |# 00 1F | 0000 aaaa | | | | 0000 bbbb | (reserve) <*> | | 00 21 | 0000 000a | (reserve) <*> |

21

MIDI Implementation

❍Patch Common MFX

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | MFX Type (0 — 127) | | 00 01 | 0aaa aaaa | MFX Dry Send Level (0 — 127) | | 00 02 | 0aaa aaaa | MFX Chorus Send Level (0 — 127) | | 00 03 | 0aaa aaaa | MFX Reverb Send Level (0 — 127) | | 00 04 | 0000 00aa | MFX Output Assign (0 — 3) | | | | A, B, ———, ——— | |—————————————+———————————+————————————————————————————————————————————————————| | 00 05 | 0aaa aaaa | MFX Control 1 Source (0 — 101) | | | | OFF, CC01 — CC31, CC33 — CC95, | | | | BEND, AFT, SYS1 — SYS4 |

22

MIDI Implementation

❍Patch Common Chorus

23

MIDI Implementation

❍Patch Common Reverb

❍Patch TMT (Tone Mix Table)

❍Patch Tone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Tone Level (0 — 127) | | 00 01 | 0aaa aaaa | Tone Coarse Tune (16 — 112) | | | | —48 — +48 | | 00 02 | 0aaa aaaa | Tone Fine Tune (14 — 114) | | | | —50 — +50 | | 00 03 | 000a aaaa | Tone Random Pitch Depth (0 — 30) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, | | | | 10, 20, 30, 40, 50, 60, 70, 80, | | | | 90, 100, 200, 300, 400, 500, | | | | 600, 700, 800, 900, 1000, 1100, | | | | 1200 | | 00 04 | 0aaa aaaa | Tone Pan (0 — 127) | | | | L64 — 63R | | 00 05 | 000a aaaa | Tone Pan Keyfollow (54 — 74) | | | | —100 — +100 | | 00 06 | 00aa aaaa | Tone Random Pan Depth (0 — 63) | | 00 07 | 0aaa aaaa | Tone Alternate Pan Depth (1 — 127) | | | | L63 — 63R | | 00 08 | 0000 000a | Tone Env Mode (0 — 1) | | | | NO—SUS, SUSTAIN | | 00 09 | 0000 00aa | Tone Delay Mode (0 — 3) | | | | NORMAL, HOLD, KEY—OFF—NORMAL, | | | | KEY—OFF—DECAY | |# 00 0A | 0000 aaaa | | | | 0000 bbbb | Tone Delay Time (0 — 149) | | | | 0 — 127, MUSICAL—NOTES | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0aaa aaaa | Tone Dry Send Level (0 — 127) | | 00 0D | 0aaa aaaa | Tone Chorus Send Level (MFX) (0 — 127) | | 00 0E | 0aaa aaaa | Tone Reverb Send Level (MFX) (0 — 127) | | 00 0F | 0aaa aaaa | Tone Chorus Send Level (non MFX) (0 — 127) | | 00 10 | 0aaa aaaa | Tone Reverb Send Level (non MFX) (0 — 127) | | 00 11 | 0000 aaaa | Tone Output Assign (0 — 12) | | | | MFX, A, B, ———, ———, | | | | 1, 2, 3, 4, ———, ———, ———, ——— |

24

MIDI Implementation

|—————————————+———————————+————————————————————————————————————————————————————| | 00 12 | 0000 000a | Tone Receive Bender (0 — 1) | | | | OFF, ON | | 00 13 | 0000 000a | Tone Receive Expression (0 — 1) | | | | OFF, ON | | 00 14 | 0000 000a | Tone Receive Hold—1 (0 — 1) | | | | OFF, ON | | 00 15 | 0000 000a | Tone Receive Pan Mode (0 — 1) | | | | CONTINUOUS, KEY—ON | | 00 16 | 0000 000a | Tone Redamper Switch (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 00 17 | 0000 00aa | Tone Control 1 Switch 1 (0 — 2) | | | | OFF, ON, REVERSE | | 00 18 | 0000 00aa | Tone Control 1 Switch 2 (0 — 2) | | | | OFF, ON, REVERSE | | 00 19 | 0000 00aa | Tone Control 1 Switch 3 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1A | 0000 00aa | Tone Control 1 Switch 4 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1B | 0000 00aa | Tone Control 2 Switch 1 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1C | 0000 00aa | Tone Control 2 Switch 2 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1D | 0000 00aa | Tone Control 2 Switch 3 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1E | 0000 00aa | Tone Control 2 Switch 4 (0 — 2) | | | | OFF, ON, REVERSE | | 00 1F | 0000 00aa | Tone Control 3 Switch 1 (0 — 2) | | | | OFF, ON, REVERSE | | 00 20 | 0000 00aa | Tone Control 3 Switch 2 (0 — 2) | | | | OFF, ON, REVERSE | | 00 21 | 0000 00aa | Tone Control 3 Switch 3 (0 — 2) | | | | OFF, ON, REVERSE | | 00 22 | 0000 00aa | Tone Control 3 Switch 4 (0 — 2) | | | | OFF, ON, REVERSE | | 00 23 | 0000 00aa | Tone Control 4 Switch 1 (0 — 2) | | | | OFF, ON, REVERSE | | 00 24 | 0000 00aa | Tone Control 4 Switch 2 (0 — 2) | | | | OFF, ON, REVERSE | | 00 25 | 0000 00aa | Tone Control 4 Switch 3 (0 — 2) | | | | OFF, ON, REVERSE | | 00 26 | 0000 00aa | Tone Control 4 Switch 4 (0 — 2) | | | | OFF, ON, REVERSE | |—————————————+———————————+————————————————————————————————————————————————————| | 00 27 | 0000 00aa | Wave Group Type (0 — 3) | | | | INT, SRX, SAMPLE, MULTISAMPLE | |# 00 28 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Wave Group ID (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 2C | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Wave Number L (Mono) (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 30 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Wave Number R (0 — 16384) | | | | OFF, 1 — 16384 | | 00 34 | 0000 00aa | Wave Gain (0 — 3) | | | | —6, 0, +6, +12 [dB] | | 00 35 | 0000 000a | Wave FXM Switch (0 — 1) | | | | OFF, ON | | 00 36 | 0000 00aa | Wave FXM Color (0 — 3) | | | | 1 — 4 | | 00 37 | 000a aaaa | Wave FXM Depth (0 — 16) | | 00 38 | 0000 000a | Wave Tempo Sync (0 — 1) | | | | OFF, ON | | 00 39 | 00aa aaaa | Wave Pitch Keyfollow (44 — 84) | | | | —200 — +200 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 3A | 000a aaaa | Pitch Env Depth (52 — 76) | | | | —12 — +12 | | 00 3B | 0aaa aaaa | Pitch Env Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 3C | 0aaa aaaa | Pitch Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 3D | 0aaa aaaa | Pitch Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 3E | 000a aaaa | Pitch Env Time Keyfollow (54 — 74) | | | | —100 — +100 | | 00 3F | 0aaa aaaa | Pitch Env Time 1 (0 — 127) | | 00 40 | 0aaa aaaa | Pitch Env Time 2 (0 — 127) | | 00 41 | 0aaa aaaa | Pitch Env Time 3 (0 — 127) | | 00 42 | 0aaa aaaa | Pitch Env Time 4 (0 — 127) | | 00 43 | 0aaa aaaa | Pitch Env Level 0 (1 — 127) | | | | —63 — +63 | | 00 44 | 0aaa aaaa | Pitch Env Level 1 (1 — 127) | | | | —63 — +63 | | 00 45 | 0aaa aaaa | Pitch Env Level 2 (1 — 127) | | | | —63 — +63 | | 00 46 | 0aaa aaaa | Pitch Env Level 3 (1 — 127) | | | | —63 — +63 | | 00 47 | 0aaa aaaa | Pitch Env Level 4 (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 48 | 0000 0aaa | TVF Filter Type (0 — 6) | | | | OFF, LPF, BPF, HPF, PKG, LPF2, | | | | LPF3 | | 00 49 | 0aaa aaaa | TVF Cutoff Frequency (0 — 127) | | 00 4A | 00aa aaaa | TVF Cutoff Keyfollow (44 — 84) | | | | —200 — +200 | | 00 4B | 0000 0aaa | TVF Cutoff Velocity Curve (0 — 7) | | | | FIXED, 1 — 7 | | 00 4C | 0aaa aaaa | TVF Cutoff Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 4D | 0aaa aaaa | TVF Resonance (0 — 127) | | 00 4E | 0aaa aaaa | TVF Resonance Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 4F | 0aaa aaaa | TVF Env Depth (1 — 127) | | | | —63 — +63 | | 00 50 | 0000 0aaa | TVF Env Velocity Curve (0 — 7) | | | | FIXED, 1 — 7 | | 00 51 | 0aaa aaaa | TVF Env Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 52 | 0aaa aaaa | TVF Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 53 | 0aaa aaaa | TVF Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 54 | 000a aaaa | TVF Env Time Keyfollow (54 — 74) | | | | —100 — +100 | | 00 55 | 0aaa aaaa | TVF Env Time 1 (0 — 127) | | 00 56 | 0aaa aaaa | TVF Env Time 2 (0 — 127) | | 00 57 | 0aaa aaaa | TVF Env Time 3 (0 — 127) | | 00 58 | 0aaa aaaa | TVF Env Time 4 (0 — 127) | | 00 59 | 0aaa aaaa | TVF Env Level 0 (0 — 127) | | 00 5A | 0aaa aaaa | TVF Env Level 1 (0 — 127) | | 00 5B | 0aaa aaaa | TVF Env Level 2 (0 — 127) | | 00 5C | 0aaa aaaa | TVF Env Level 3 (0 — 127) | | 00 5D | 0aaa aaaa | TVF Env Level 4 (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 5E | 000a aaaa | Bias Level (54 — 74) | | | | —100 — +100 | | 00 5F | 0aaa aaaa | Bias Position (0 — 127) | | | | C—1 — G9 |

| 00 60 | 0000 00aa | Bias Direction (0 — 3) | | | | LOWER, UPPER, LOWER&UPPER, ALL | | 00 61 | 0000 0aaa | TVA Level Velocity Curve (0 — 7) | | | | FIXED, 1 — 7 | | 00 62 | 0aaa aaaa | TVA Level Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 63 | 0aaa aaaa | TVA Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 64 | 0aaa aaaa | TVA Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 65 | 000a aaaa | TVA Env Time Keyfollow (54 — 74) | | | | —100 — +100 | | 00 66 | 0aaa aaaa | TVA Env Time 1 (0 — 127) | | 00 67 | 0aaa aaaa | TVA Env Time 2 (0 — 127) | | 00 68 | 0aaa aaaa | TVA Env Time 3 (0 — 127) | | 00 69 | 0aaa aaaa | TVA Env Time 4 (0 — 127) | | 00 6A | 0aaa aaaa | TVA Env Level 1 (0 — 127) | | 00 6B | 0aaa aaaa | TVA Env Level 2 (0 — 127) | | 00 6C | 0aaa aaaa | TVA Env Level 3 (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 6D | 0000 aaaa | LFO1 Waveform (0 — 12) | | | | SIN, TRI, SAW—UP, SAW—DW, SQR, | | | | RND, BEND—UP, BEND—DW, TRP, S&H, | | | | CHS, VSIN, STEP | |# 00 6E | 0000 aaaa | | | | 0000 bbbb | LFO1 Rate (0 — 149) | | | | 0 — 127, MUSICAL—NOTES | | 00 70 | 0000 0aaa | LFO1 Offset (0 — 4) | | | | —100, —50, 0, +50, +100 | | 00 71 | 0aaa aaaa | LFO1 Rate Detune (0 — 127) | | 00 72 | 0aaa aaaa | LFO1 Delay Time (0 — 127) | | 00 73 | 000a aaaa | LFO1 Delay Time Keyfollow (54 — 74) | | | | —100 — +100 | | 00 74 | 0000 00aa | LFO1 Fade Mode (0 — 3) | | | | ON—IN, ON—OUT, OFF—IN, OFF—OUT | | 00 75 | 0aaa aaaa | LFO1 Fade Time (0 — 127) | | 00 76 | 0000 000a | LFO1 Key Trigger (0 — 1) | | | | OFF, ON | | 00 77 | 0aaa aaaa | LFO1 Pitch Depth (1 — 127) | | | | —63 — +63 | | 00 78 | 0aaa aaaa | LFO1 TVF Depth (1 — 127) | | | | —63 — +63 | | 00 79 | 0aaa aaaa | LFO1 TVA Depth (1 — 127) | | | | —63 — +63 | | 00 7A | 0aaa aaaa | LFO1 Pan Depth (1 — 127) | | | | —63 — +63 | | 00 7B | 0000 aaaa | LFO2 Waveform (0 — 12) | | | | SIN, TRI, SAW—UP, SAW—DW, SQR, | | | | RND, BEND—UP, BEND—DW, TRP, S&H, | | | | CHS, VSIN, STEP | |# 00 7C | 0000 aaaa | | | | 0000 bbbb | LFO2 Rate (0 — 149) | | | | 0 — 127, MUSICAL—NOTES | | 00 7E | 0000 0aaa | LFO2 Offset (0 — 4) | | | | —100, —50, 0, +50, +100 | | 00 7F | 0aaa aaaa | LFO2 Rate Detune (0 — 127) | | 01 00 | 0aaa aaaa | LFO2 Delay Time (0 — 127) | | 01 01 | 000a aaaa | LFO2 Delay Time Keyfollow (54 — 74) | | | | —100 — +100 | | 01 02 | 0000 00aa | LFO2 Fade Mode (0 — 3) | | | | ON—IN, ON—OUT, OFF—IN, OFF—OUT | | 01 03 | 0aaa aaaa | LFO2 Fade Time (0 — 127) | | 01 04 | 0000 000a | LFO2 Key Trigger (0 — 1) | | | | OFF, ON | | 01 05 | 0aaa aaaa | LFO2 Pitch Depth (1 — 127) | | | | —63 — +63 | | 01 06 | 0aaa aaaa | LFO2 TVF Depth (1 — 127) | | | | —63 — +63 | | 01 07 | 0aaa aaaa | LFO2 TVA Depth (1 — 127) | | | | —63 — +63 | | 01 08 | 0aaa aaaa | LFO2 Pan Depth (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 01 09 | 0000 aaaa | LFO Step Type (0 — 1) | | 01 0A | 0aaa aaaa | LFO Step1 (28 — 100) | | | | —36 — +36 | | 01 0B | 0aaa aaaa | LFO Step2 (28 — 100) | | | | —36 — +36 | | 01 0C | 0aaa aaaa | LFO Step3 (28 — 100) | | | | —36 — +36 | | 01 0D | 0aaa aaaa | LFO Step4 (28 — 100) | | | | —36 — +36 | | 01 0E | 0aaa aaaa | LFO Step5 (28 — 100) | | | | —36 — +36 | | 01 0F | 0aaa aaaa | LFO Step6 (28 — 100) | | | | —36 — +36 | | 01 10 | 0aaa aaaa | LFO Step7 (28 — 100) | | | | —36 — +36 | | 01 11 | 0aaa aaaa | LFO Step8 (28 — 100) | | | | —36 — +36 | | 01 12 | 0aaa aaaa | LFO Step9 (28 — 100) | | | | —36 — +36 | | 01 13 | 0aaa aaaa | LFO Step10 (28 — 100) | | | | —36 — +36 | | 01 14 | 0aaa aaaa | LFO Step11 (28 — 100) | | | | —36 — +36 | | 01 15 | 0aaa aaaa | LFO Step12 (28 — 100) | | | | —36 — +36 | | 01 16 | 0aaa aaaa | LFO Step13 (28 — 100) | | | | —36 — +36 | | 01 17 | 0aaa aaaa | LFO Step14 (28 — 100) | | | | —36 — +36 | | 01 18 | 0aaa aaaa | LFO Step15 (28 — 100) | | | | —36 — +36 | | 01 19 | 0aaa aaaa | LFO Step16 (28 — 100) | | | | —36 — +36 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 01 1A | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Common

25

MIDI Implementation

| 00 0A | 0aaa aaaa | Rhythm Name 11 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0B | 0aaa aaaa | Rhythm Name 12 (32 — 127) | | | | 32 — 127 [ASCII] | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0aaa aaaa | Rhythm Level (0 — 127) | | 00 0D | 0000 000a | (reserve) <*> | |# 00 0E | 0000 aaaa | | | | 0000 bbbb | (reserve) <*> | | 00 10 | 0000 000a | (reserve) <*> | |—————————————+———————————+————————————————————————————————————————————————————| | 00 11 | 0000 aaaa | Rhythm Output Assign (0 — 13) | | | | MFX, A, B, ———, ———, | | | | 1, 2, 3, 4, ———, ———, ———, ———, | | | | TONE | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 12 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Common MFX

❍Rhythm Common Chorus

26

MIDI Implementation

❍Rhythm Common Reverb

❍Rhythm Tone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Tone Name 1 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 01 | 0aaa aaaa | Tone Name 2 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 02 | 0aaa aaaa | Tone Name 3 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 03 | 0aaa aaaa | Tone Name 4 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 04 | 0aaa aaaa | Tone Name 5 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 05 | 0aaa aaaa | Tone Name 6 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 06 | 0aaa aaaa | Tone Name 7 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 07 | 0aaa aaaa | Tone Name 8 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 08 | 0aaa aaaa | Tone Name 9 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 09 | 0aaa aaaa | Tone Name 10 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0A | 0aaa aaaa | Tone Name 11 (32 — 127) | | | | 32 — 127 [ASCII] | | 00 0B | 0aaa aaaa | Tone Name 12 (32 — 127) | | | | 32 — 127 [ASCII] | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0000 000a | Assign Type (0 — 1) | | | | MULTI, SINGLE | | 00 0D | 000a aaaa | Mute Group (0 — 31) | | | | OFF, 1 — 31 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0E | 0aaa aaaa | Tone Level (0 — 127) | | 00 0F | 0aaa aaaa | Tone Coarse Tune (0 — 127) | | | | C—1 — G9 | | 00 10 | 0aaa aaaa | Tone Fine Tune (14 — 114) | | | | —50 — +50 | | 00 11 | 000a aaaa | Tone Random Pitch Depth (0 — 30) | | | | 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, | | | | 10, 20, 30, 40, 50, 60, 70, 80, | | | | 90, 100, 200, 300, 400, 500, | | | | 600, 700, 800, 900, 1000, 1100, | | | | 1200 | | 00 12 | 0aaa aaaa | Tone Pan (0 — 127) | | | | L64 — 63R | | 00 13 | 00aa aaaa | Tone Random Pan Depth (0 — 63) | | 00 14 | 0aaa aaaa | Tone Alternate Pan Depth (1 — 127) | | | | L63 — 63R | | 00 15 | 0000 000a | Tone Env Mode (0 — 1) | | | | NO—SUS, SUSTAIN | |—————————————+———————————+————————————————————————————————————————————————————| | 00 16 | 0aaa aaaa | Tone Dry Send Level (0 — 127) | | 00 17 | 0aaa aaaa | Tone Chorus Send Level (0 — 127) | | 00 18 | 0aaa aaaa | Tone Reverb Send Level (0 — 127) | | 00 19 | 0aaa aaaa | Tone Chorus Send Level (non MFX) (0 — 127) | | 00 1A | 0aaa aaaa | Tone Reverb Send Level (non MFX) (0 — 127) | | 00 1B | 0000 aaaa | Tone Output Assign (0 — 12) | | | | MFX, A, B, ———, ———, | | | | 1, 2, 3, 4, ———, ———, ———, ——— | |—————————————+———————————+————————————————————————————————————————————————————| | 00 1C | 00aa aaaa | Tone Pitch Bend Range (0 — 48) | | 00 1D | 0000 000a | Tone Receive Expression (0 — 1) | | | | OFF, ON | | 00 1E | 0000 000a | Tone Receive Hold—1 (0 — 1) | | | | OFF, ON | | 00 1F | 0000 000a | Tone Receive Pan Mode (0 — 1) | | | | CONTINUOUS, KEY—ON | |—————————————+———————————+————————————————————————————————————————————————————| | 00 20 | 0000 00aa | WMT Velocity Control (0 — 2) | | | | OFF, ON, RANDOM | |—————————————+———————————+————————————————————————————————————————————————————| | 00 21 | 0000 000a | WMT1 Wave Switch (0 — 1) | | | | OFF, ON | | 00 22 | 0000 00aa | WMT1 Wave Group Type (0 — 3) | | | | INT, SRX, SAMPLE, MULTISAMPLE | |# 00 23 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT1 Wave Group ID (0 — 16384) | | | | OFF, 1 — 16384 |

27

MIDI Implementation

|# 00 27 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT1 Wave Number L (Mono) (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 2B | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT1 Wave Number R (0 — 16384) | | | | OFF, 1 — 16384 | | 00 2F | 0000 00aa | WMT1 Wave Gain (0 — 3) | | | | —6, 0, +6, +12 [dB] | | 00 30 | 0000 000a | WMT1 Wave FXM Switch (0 — 1) | | | | OFF, ON | | 00 31 | 0000 00aa | WMT1 Wave FXM Color (0 — 3) | | | | 1 — 4 | | 00 32 | 000a aaaa | WMT1 Wave FXM Depth (0 — 16) | | 00 33 | 0000 000a | WMT1 Wave Tempo Sync (0 — 1) | | | | OFF, ON | | 00 34 | 0aaa aaaa | WMT1 Wave Coarse Tune (16 — 112) | | | | —48 — +48 | | 00 35 | 0aaa aaaa | WMT1 Wave Fine Tune (14 — 114) | | | | —50 — +50 | | 00 36 | 0aaa aaaa | WMT1 Wave Pan (0 — 127) | | | | L64 — 63R | | 00 37 | 0000 000a | WMT1 Wave Random Pan Switch (0 — 1) | | | | OFF, ON | | 00 38 | 0000 00aa | WMT1 Wave Alternate Pan Switch (0 — 2) | | | | OFF, ON, REVERSE | | 00 39 | 0aaa aaaa | WMT1 Wave Level (0 — 127) | | 00 3A | 0aaa aaaa | WMT1 Velocity Range Lower (1 — 127) | | | | 1 — UPPER | | 00 3B | 0aaa aaaa | WMT1 Velocity Range Upper (1 — 127) | | | | LOWER — 127 | | 00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower (0 — 127) | | 00 3D | 0aaa aaaa | WMT1 Velocity Fade Width Upper (0 — 127) | | 00 3E | 0000 000a | WMT2 Wave Switch (0 — 1) | | | | OFF, ON | | 00 3F | 0000 00aa | WMT2 Wave Group Type (0 — 3) | | | | INT, SRX, SAMPLE, MULTISAMPLE | |# 00 40 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT2 Wave Group ID (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 44 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT2 Wave Number L (Mono) (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 48 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT2 Wave Number R (0 — 16384) | | | | OFF, 1 — 16384 | | 00 4C | 0000 00aa | WMT2 Wave Gain (0 — 3) | | | | —6, 0, +6, +12 [dB] | | 00 4D | 0000 000a | WMT2 Wave FXM Switch (0 — 1) | | | | OFF, ON | | 00 4E | 0000 00aa | WMT2 Wave FXM Color (0 — 3) | | | | 1 — 4 | | 00 4F | 000a aaaa | WMT2 Wave FXM Depth (0 — 16) | | 00 50 | 0000 000a | WMT2 Wave Tempo Sync (0 — 1) | | | | OFF, ON | | 00 51 | 0aaa aaaa | WMT2 Wave Coarse Tune (16 — 112) | | | | —48 — +48 | | 00 52 | 0aaa aaaa | WMT2 Wave Fine Tune (14 — 114) | | | | —50 — +50 | | 00 53 | 0aaa aaaa | WMT2 Wave Pan (0 — 127) | | | | L64 — 63R | | 00 54 | 0000 000a | WMT2 Wave Random Pan Switch (0 — 1) | | | | OFF, ON | | 00 55 | 0000 00aa | WMT2 Wave Alternate Pan Switch (0 — 2) | | | | OFF, ON, REVERSE | | 00 56 | 0aaa aaaa | WMT2 Wave Level (0 — 127) | | 00 57 | 0aaa aaaa | WMT2 Velocity Range Lower (1 — 127) | | | | 1 — UPPER | | 00 58 | 0aaa aaaa | WMT2 Velocity Range Upper (1 — 127) | | | | LOWER — 127 | | 00 59 | 0aaa aaaa | WMT2 Velocity Fade Width Lower (0 — 127) | | 00 5A | 0aaa aaaa | WMT2 Velocity Fade Width Upper (0 — 127) | | 00 5B | 0000 000a | WMT3 Wave Switch (0 — 1) | | | | OFF, ON | | 00 5C | 0000 00aa | WMT3 Wave Group Type (0 — 3) | | | | INT, SRX, SAMPLE, MULTISAMPLE | |# 00 5D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT3 Wave Group ID (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 61 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT3 Wave Number L (Mono) (0 — 16384) | | | | OFF, 1 — 16384 | |# 00 65 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT3 Wave Number R (0 — 16384) | | | | OFF, 1 — 16384 | | 00 69 | 0000 00aa | WMT3 Wave Gain (0 — 3) | | | | —6, 0, +6, +12 [dB] | | 00 6A | 0000 000a | WMT3 Wave FXM Switch (0 — 1) | | | | OFF, ON | | 00 6B | 0000 00aa | WMT3 Wave FXM Color (0 — 3) | | | | 1 — 4 | | 00 6C | 000a aaaa | WMT3 Wave FXM Depth (0 — 16) | | 00 6D | 0000 000a | WMT3 Wave Tempo Sync (0 — 1) | | | | OFF, ON | | 00 6E | 0aaa aaaa | WMT3 Wave Coarse Tune (16 — 112) | | | | —48 — +48 | | 00 6F | 0aaa aaaa | WMT3 Wave Fine Tune (14 — 114) | | | | —50 — +50 | | 00 70 | 0aaa aaaa | WMT3 Wave Pan (0 — 127) | | | | L64 — 63R | | 00 71 | 0000 000a | WMT3 Wave Random Pan Switch (0 — 1) | | | | OFF, ON | | 00 72 | 0000 00aa | WMT3 Wave Alternate Pan Switch (0 — 2) | | | | OFF, ON, REVERSE | | 00 73 | 0aaa aaaa | WMT3 Wave Level (0 — 127) | | 00 74 | 0aaa aaaa | WMT3 Velocity Range Lower (1 — 127) | | | | 1 — UPPER | | 00 75 | 0aaa aaaa | WMT3 Velocity Range Upper (1 — 127) | | | | LOWER — 127 | | 00 76 | 0aaa aaaa | WMT3 Velocity Fade Width Lower (0 — 127) | | 00 77 | 0aaa aaaa | WMT3 Velocity Fade Width Upper (0 — 127) | | 00 78 | 0000 000a | WMT4 Wave Switch (0 — 1) | | | | OFF, ON | | 00 79 | 0000 00aa | WMT4 Wave Group Type (0 — 3) | | | | INT, SRX, SAMPLE, MULTISAMPLE | |# 00 7A | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT4 Wave Group ID (0 — 16384) | | | | OFF, 1 — 16384 |

|# 00 7E | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT4 Wave Number L (Mono) (0 — 16384) | | | | OFF, 1 — 16384 | |# 01 02 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | WMT4 Wave Number R (0 — 16384) | | | | OFF, 1 — 16384 | | 01 06 | 0000 00aa | WMT4 Wave Gain (0 — 3) | | | | —6, 0, +6, +12 [dB] | | 01 07 | 0000 000a | WMT4 Wave FXM Switch (0 — 1) | | | | OFF, ON | | 01 08 | 0000 00aa | WMT4 Wave FXM Color (0 — 3) | | | | 1 — 4 | | 01 09 | 000a aaaa | WMT4 Wave FXM Depth (0 — 16) | | 01 0A | 0000 000a | WMT4 Wave Tempo Sync (0 — 1) | | | | OFF, ON | | 01 0B | 0aaa aaaa | WMT4 Wave Coarse Tune (16 — 112) | | | | —48 — +48 | | 01 0C | 0aaa aaaa | WMT4 Wave Fine Tune (14 — 114) | | | | —50 — +50 | | 01 0D | 0aaa aaaa | WMT4 Wave Pan (0 — 127) | | | | L64 — 63R | | 01 0E | 0000 000a | WMT4 Wave Random Pan Switch (0 — 1) | | | | OFF, ON | | 01 0F | 0000 00aa | WMT4 Wave Alternate Pan Switch (0 — 2) | | | | OFF, ON, REVERSE | | 01 10 | 0aaa aaaa | WMT4 Wave Level (0 — 127) | | 01 11 | 0aaa aaaa | WMT4 Velocity Range Lower (1 — 127) | | | | 1 — UPPER | | 01 12 | 0aaa aaaa | WMT4 Velocity Range Upper (1 — 127) | | | | LOWER — 127 | | 01 13 | 0aaa aaaa | WMT4 Velocity Fade Width Lower (0 — 127) | | 01 14 | 0aaa aaaa | WMT4 Velocity Fade Width Upper (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 01 15 | 000a aaaa | Pitch Env Depth (52 — 76) | | | | —12 — +12 | | 01 16 | 0aaa aaaa | Pitch Env Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 17 | 0aaa aaaa | Pitch Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 18 | 0aaa aaaa | Pitch Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 19 | 0aaa aaaa | Pitch Env Time 1 (0 — 127) | | 01 1A | 0aaa aaaa | Pitch Env Time 2 (0 — 127) | | 01 1B | 0aaa aaaa | Pitch Env Time 3 (0 — 127) | | 01 1C | 0aaa aaaa | Pitch Env Time 4 (0 — 127) | | 01 1D | 0aaa aaaa | Pitch Env Level 0 (1 — 127) | | | | —63 — +63 | | 01 1E | 0aaa aaaa | Pitch Env Level 1 (1 — 127) | | | | —63 — +63 | | 01 1F | 0aaa aaaa | Pitch Env Level 2 (1 — 127) | | | | —63 — +63 | | 01 20 | 0aaa aaaa | Pitch Env Level 3 (1 — 127) | | | | —63 — +63 | | 01 21 | 0aaa aaaa | Pitch Env Level 4 (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 01 22 | 0000 0aaa | TVF Filter Type (0 — 6) | | | | OFF, LPF, BPF, HPF, PKG, LPF2, | | | | LPF3 | | 01 23 | 0aaa aaaa | TVF Cutoff Frequency (0 — 127) | | 01 24 | 0000 0aaa | TVF Cutoff Velocity Curve (0 — 7) | | | | FIXED, 1 — 7 | | 01 25 | 0aaa aaaa | TVF Cutoff Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 26 | 0aaa aaaa | TVF Resonance (0 — 127) | | 01 27 | 0aaa aaaa | TVF Resonance Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 28 | 0aaa aaaa | TVF Env Depth (1 — 127) | | | | —63 — +63 | | 01 29 | 0000 0aaa | TVF Env Velocity Curve Type (0 — 7) | | | | FIXED, 1 — 7 | | 01 2A | 0aaa aaaa | TVF Env Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 2B | 0aaa aaaa | TVF Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 2C | 0aaa aaaa | TVF Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 2D | 0aaa aaaa | TVF Env Time 1 (0 — 127) | | 01 2E | 0aaa aaaa | TVF Env Time 2 (0 — 127) | | 01 2F | 0aaa aaaa | TVF Env Time 3 (0 — 127) | | 01 30 | 0aaa aaaa | TVF Env Time 4 (0 — 127) | | 01 31 | 0aaa aaaa | TVF Env Level 0 (0 — 127) | | 01 32 | 0aaa aaaa | TVF Env Level 1 (0 — 127) | | 01 33 | 0aaa aaaa | TVF Env Level 2 (0 — 127) | | 01 34 | 0aaa aaaa | TVF Env Level 3 (0 — 127) | | 01 35 | 0aaa aaaa | TVF Env Level 4 (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 01 36 | 0000 0aaa | TVA Level Velocity Curve (0 — 7) | | | | FIXED, 1 — 7 | | 01 37 | 0aaa aaaa | TVA Level Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 38 | 0aaa aaaa | TVA Env Time 1 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 39 | 0aaa aaaa | TVA Env Time 4 Velocity Sens (1 — 127) | | | | —63 — +63 | | 01 3A | 0aaa aaaa | TVA Env Time 1 (0 — 127) | | 01 3B | 0aaa aaaa | TVA Env Time 2 (0 — 127) | | 01 3C | 0aaa aaaa | TVA Env Time 3 (0 — 127) | | 01 3D | 0aaa aaaa | TVA Env Time 4 (0 — 127) | | 01 3E | 0aaa aaaa | TVA Env Level 1 (0 — 127) | | 01 3F | 0aaa aaaa | TVA Env Level 2 (0 — 127) | | 01 40 | 0aaa aaaa | TVA Env Level 3 (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 01 41 | 0000 000a | One Shot Mode (0 — 1) | | | | OFF, ON | | 01 42 | 0aaa aaaa | Aftertouch Time Ctrl Sens (1 — 127) | | | | —63 — +63 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 01 43 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

28

MIDI Implementation

5.2 GS (Model ID = 42H)

❍System Parameter

❍Common Parameter

❍Part Parameter

+——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| |# 40 1x 00 | 0aaa aaaa | Tone Number CC#00 Value (0 — 127) | | | 0aaa aaaa | Tone Number PC Value (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 40 1x 02 | 0aaa aaaa | Rx. Channel (0 — 16) | | | | 1 — 16, OFF | | 40 1x 03 | 0000 000a | Rx. Pitch Bend (0 — 1) | | | | OFF, ON | | 40 1x 04 | 0000 000a | Rx. Channel Pressure (0 — 1) | | | | OFF, ON | | 40 1x 05 | 0000 000a | Rx. Program Change (0 — 1) | | | | OFF, ON | | 40 1x 06 | 0000 000a | Rx. Control Change (0 — 1) | | | | OFF, ON | | 40 1x 07 | 0000 000a | Rx. Poly Pressure (0 — 1) | | | | OFF, ON | | 40 1x 08 | 0000 000a | Rx. Note Message (0 — 1) | | | | OFF, ON | | 40 1x 09 | 0000 000a | Rx. RPN (0 — 1) | | | | OFF, ON | | 40 1x 0A | 0000 000a | Rx. NRPN (0 — 1) | | | | OFF, ON | | 40 1x 0B | 0000 000a | Rx. Modulation (0 — 1) | | | | OFF, ON | | 40 1x 0C | 0000 000a | Rx. Volume (0 — 1) | | | | OFF, ON | | 40 1x 0D | 0000 000a | Rx. Panpot (0 — 1) | | | | OFF, ON | | 40 1x 0E | 0000 000a | Rx. Expression (0 — 1) | | | | OFF, ON | | 40 1x 0F | 0000 000a | Rx. Hold—1 (0 — 1) | | | | OFF, ON | | 40 1x 10 | 0000 000a | Rx. Portamento (0 — 1) | | | | OFF, ON | | 40 1x 11 | 0000 000a | Rx. Sostenuto (0 — 1) | | | | OFF, ON | | 40 1x 12 | 0000 000a | Rx. Soft (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 40 1x 13 | 0aaa aaaa | Mono / Poly Mode (0 — 1) | | | | MODE, POLY | | 40 1x 14 | 0aaa aaaa | Assign Mode<*> (0 — 2) | | | | SINGLE, LIMITED—MULTI, | | | | FULL—MULTI | | 40 1x 15 | 0aaa aaaa | Use for Rhythm Part (0 — 2) | | | | OFF, MAP1, MAP2 | |—————————————+———————————+————————————————————————————————————————————————————| | 40 1x 16 | 0aaa aaaa | Pitch Key Shift (40 — 88) | | | | —24 — +24 [semitone] | |# 40 1x 17 | 0000 aaaa | | | | 0000 bbbb | Pitch Offset Fine (8 — 248) | | | | —12.0 — +12.0 [Hz] | | 40 1x 19 | 0aaa aaaa | Part Level (CC# 7) (0 — 127) | | 40 1x 1A | 0aaa aaaa | Velocity Sens Depth (0 — 127) | | | | —64 — +63 | | 40 1x 1B | 0aaa aaaa | Velocity Sens Offset (0 — 127) | | | | —64 — +63 | | 40 1x 1C | 0aaa aaaa | Part Panpot (CC# 10) (0 — 127) | | | | RANDOM, L63 — 63R | | 40 1x 1D | 0aaa aaaa | Keyboard Range Low (0 — 127) | | 40 1x 1E | 0aaa aaaa | Keyboard Range High (0 — 127) | | 40 1x 1F | 0aaa aaaa | CC1 Controller Number (0 — 95) | | 40 1x 20 | 0aaa aaaa | CC2 Controller Number (0 — 95) | | 40 1x 21 | 0aaa aaaa | Chorus Send Level (CC# 93) (0 — 127) | | 40 1x 22 | 0aaa aaaa | Reverb Send Level (CC# 93) (0 — 127) |

29

MIDI Implementation

x: BLOCK NUMBER (0-F)

Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 : : : Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B : : : Part16 (MIDI ch = 16) x = F

❍Drum Setup Parameter

m: Map number (0 = MAP1, 1 = MAP2)

rr: drum part note number (00H-7FH)

6. Supplementary Material

■Decimal and Hexadecimal Table

(An “H” is appended to the end of numbers in hexadecimal notation.)

In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are

expressed as hexadecimal values for each 7 bits.

The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | D | H || D | H || D | H || D | H | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

D: decimal

H: hexadecimal

* Decimal values such as MIDI channel, bank select, and program change are listed as one

greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa

bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above chart. In

the case of two types, 00 00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191. For example, if

aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x

128.

* Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value

expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as

hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52

18 x 128+52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03

09 0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13

((10 x 16+3) x 16+9) x 16+13 = 41885

30

<Example4> What is the nibbled expression of the decimal value 1258?

16 ) 1258 16 ) 78 ...10 16 ) 4 ...14 0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E

0AH.

MIDI Implementation

■Examples of Actual MIDI Messages

<Example1> 92 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and

5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4),

and velocity 95.

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and

49H = 73, this is a Program Change message with MIDI CH = 15, program number 74.

<Example3> EA 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H

= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed

number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is

28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to

change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being

applied to MIDI channel 11.

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,

the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or

more messages consecutive messages have the same status, MIDI has a provision called

“running status” which allows the status byte of the second and following messages to be

omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H

(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H

(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH

(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H

(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH

(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number

00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates

semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/-12

semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored,

but the LSB should be transmitted anyway (with a value of 0) so that operation will be

correct on any device.)

Once the parameter number has been specified for RPN or NRPN, all Data Entry messages

transmitted on that same channel will be valid, so after the desired value has been

transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.

This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

■Example of an Exclusive Message and

Calculating a Checksum

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before

F7) to make sure that the message was correctly received. The value of the checksum is

determined by the address and data (or size) of the transmitted Exclusive message.

●How to calculate the checksum

(hexadecimal numbers are indicated by “H”)

The checksum is a value derived by adding the address, size, and checksum itself and

inverting the lower 7 bits.

Here’s an example of how the checksum is calculated. We will assume that in the Exclusive

message we are transmitting, the address is aabbccddH and the data or size is eeffH.

aa + bb + cc + dd + ee + ff = sum

sum ÷ 128 = quotient ... remainder

128 - remainder = checksum

<Example> Setting CHORUS TYPE of PERFORMANCE COMMON to

DELAY (DT1)

According to the Parameter Address Map (p. 13), the start address of Temporary

Performance is 10 00 00 00H, the offset address of CHORUS at PERFORMANCE COMMON

is 04 00H, and the address of CHORUS TYPE is 00 00H. Therefore the address of CHORUS

TYPE of PERFORMANCE COMMON is;

10 00 00 00H 04 00H +) 00 00H 10 00 04 00H

DELAY has the value of 02H.

So the system exclusive message should be sent is;

F0 41 10 00 6B 12 10 00 04 00 02 ?? F7

(1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17)

(4) Model ID (Fantom-Xa) (5) Command ID (DT1) (6) End of Exclusive

Then calculate the checksum.

10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 2 = 22 (sum)

22 (sum) ÷ 128 = 0 (quotient) ... 22 (remainder)

checksum = 128 - 22 (remainder) = 106 = 6AH

This means that F0 41 10 00 6B 12 10 00 04 00 02 6A F7 is the message should be sent.

It is not desirable for performance data (such as Standard MIDI File data) to contain many

events with running status as given in <Example 4>. This is because if playback is halted

during the song and then rewound or fast-forwarded, the sequencer may not be able to

transmit the correct status, and the sound generator will then misinterpret the data. Take

care to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting

be done in the proper order. On some sequencers, events occurring in the same (or

consecutive) clock may be transmitted in an order different than the order in which they

were received. For this reason it is a good idea to slightly skew the time of each event (about

1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

* TPQN: Ticks Per Quarter Note

31

MIDI Implementation

■The Scale Tune Feature (address: 40 1x 40)

The scale tune feature allows you to finely adjust the individual pitch of the notes from C

through B. Though the settings are made while working with one octave, the fine

adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can

obtain a complete variety of tuning methods other than equal temperament. As examples,

three possible types of scale setting are explained below.

* The scale tune value received by the part 1 is used in Patch mode and Piano mode.

❍Equal Temperament

This method of tuning divides the octave into 12 equal parts. It is currently the most widely

used form of tuning, especially in occidental music. On the Fantom, the default settings for

the Scale Tune feature produce equal temperament.

❍Just Temperament (Tonic of C)

The principal triads resound much more beautifully than with equal temperament, but this

benefit can only be obtained in one key. If transposed, the chords tend to become

ambiguous. The example given involves settings for a key in which C is the keynote.

❍Arabian Scale

By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for

ethnic music. For example, the settings introduced below will set the unit to use the Arabian

Scale.

Example Settings

Note name Equal Temperament Just Temperament (Key-tone C) Arabian Scale

C0 0 -6

C# 0 -8 +45

D0 +4 -2

Eb 0 +16 -12

E0 -14 -51

F0 -2 -8

F# 0 -10 +43

G0 +2 -4

G# 0 +14 +47

A0 -16 0

Bb 0 +14 -10

B0 -12 -49

The values in the table are given in cents. Convert these values to hexadecimal, and transmit

them as Exclusive data.

For example, to set the tune (C-B) of the Part 1 Arabian Scale, send the following data:

F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

■ASCII Code Table

Patch Name and Performance Name, etc., of MIDI data are described the ASCII

code in the table below.

Bank Select and Program Change Correspondence Chart

Patch

Group Number Bank Select Program

MSB LSB

USER 001–128 87 0 1–128

CARD 001–128 87 32 1–128

PR-A 001–128 87 64 1–128 PR-B 001–128 87 65 1–128 PR-C 001–128 87 66 1–128 PR-D 001–128 87 67 1–128 PR-E 001–128 87 68 1–128 PR-F 001–128 87 69 1–128 GM(2) 001–256 121 0– 1–128 EXP (SRX-01)

(SRX-02)

:

* The EXP group vary depending on the Wave Expansion Board you’ve installed. For

information about an SRX series board, refer to the Owner’s Manual that came with it.

129–256 87 1 1–128

129–256 87 33 1–128

001– 001–

:

93 93

:

0 1

:

Rhythm Set

Group Number Bank Select Program

USER 001–032 86 0 1–32 CARD 001–032 86 32 1–32 PRST 001–036 86 64 1–36 GM(2) 001–009 120 --- 1–57 EXP (SRX-01)

(SRX-02)

:

* The EXP group vary depending on the Wave Expansion Board you’ve installed. For

information about an SRX series board, refer to the Owner’s Manual that came with it.

001– 001–

:

MSB LSB

92 92

:

0 1

:

Performance

Group Number Bank Select Program

USER 01–64 85 0 1–64 CARD 01–64 85 32 1–64 PRST 01–64 85 64 1–64

* To switch multitimbres, the external MIDI device’s transmit channel needs to be

matched up with the Performance Control Channel (SYSTEM/MIDI/GENERAL) of the

Fantom-Xa.

MSB LSB

Number

1– 1–

:

Number

1– 1–

:

Number

+——————+——————+——————++——————+——————+——————++——————+——————+——————+ | D | H | Char || D | H | Char || D | H | Char | +——————+——————+——————++——————+——————+——————++——————+——————+——————+ | 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` | | 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a | | 34 | 22H | “ || 66 | 42H | B || 98 | 62H | b | | 35 | 23H | # || 67 | 43H | C || 99 | 63H | c | | 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d | | 37 | 25H | % || 69 | 45H | E || 101 | 65H | e | | 38 | 26H | & || 70 | 46H | F || 102 | 66H | f | | 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g | | 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h | | 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i | | 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j | | 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k | | 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l | | 45 | 2DH | — || 77 | 4DH | M || 109 | 6DH | m | | 46 | 2EH | . || 78 | 4EH | N || 110 | 6EH | n | | 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o | | 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p | | 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q | | 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r | | 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s | | 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t | | 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u | | 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v | | 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w | | 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x | | 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y | | 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z | | 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { | | 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | | | 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } | | 62 | 3EH | > || 94 | 5EH | ^ ||——————+——————+——————+ | 63 | 3FH | ? || 95 | 5FH | _ | +——————+——————+——————++——————+——————+——————+

D: decimal

H: hexadecimal

* “SP” is space.

32

Roland FANTOMXA Service Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

1. Data Reception (Sound Generator Section)

2. Data Transmission (Sound Generator Section)

3. Data Reception (Sequencer Section)

4. Data Transmission (Sequencer Section)

5. Parameter Address Map

6. Supplementary Material