PreSonus StudioLive 32S User Manual

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STUDIOLIVE 32S
32-channel/26-bus digital mixer with AVB networking and dual-core FLEX DSP Engine
Key Features
Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 33 touch-sensitive motorized faders
26 mix buses including 16 individually configurable FlexMixes (aux, matrix, or subgroup options)
286 simultaneous processors with State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-eects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated eects buses
Applicaons
Installed Sound
Live Touring
Mobile Applications
House of Worship
Theatre
Broadcast
Corporate
Studio
Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required, shortening analog cable runs and streamlining large installations. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network.
Recongure your mix without unplugging a cable.
StudioLive Series III digital mixers let you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 32S as part of a complete networked audio system.
Each of the 16 FlexMixes can be configured to function as an aux bus, a subgroup, or a matrix mix. Matrix mixes support blending any bus with any input channel for ultimate control. Four designated eects buses plus four dedicated subgroups make a total of 26 mix buses in addition to an independent solo bus. 24 DCAs are also provided to more easily control groups of channels. Bus configuration and routing is stored in a master Project that can be locked out from any changes, keeping critical functions safe.
The best digital mixer for recording
- with or without a computer.
With 128 (64x64) channels of recording over USB and an integrated 34-track SD recorder, the StudioLive 32S provides redundant recording options and an automated Virtual Soundcheck mode. Record every input channel plus any stereo mix to USB as well as to an SD Card. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. 33 touch-sensitive motorized faders can be used to control Studio One, Logic, or Pro Tools with optimized control modes for each.
Fat Channel plug-ins bring your mix to life for stage or studio.
The small format mixer with one-to-one control.
The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large format features into a small format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors – including four stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus.
As the centerpiece of a complete ecosystem of AVB networking products, the StudioLive 32S allows you to create a customizable, scalable system.
The dynamic Fat Channel on the StudioLive 32S digital mixer puts critical EQ and dynamics processing beneath your fingertips while giving you fast access to every parameter. The ten included vintage EQ and classic compressor Fat Channel plug-in models can be inserted on every input and bus. An additional 15 models are available to provide a host of new signal processing options.
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A complete networked soluon.
SW5E AVB Switch. PreSonus’ SW5E AVB switch supplies five AVB ports with secure locking XLR Ethernet jacks. Four PoE ports provide power for EarMix 16M personal monitor mixer and other PoE devices. Network Link/ Activity indicators help you ensure that network data is flowing properly.
StudioLive Shelf Mount. Up to three StudioLive Shelf Mounts can be attached to a StudioLive 64S, allowing you to use UC Surface running on your favorite Android™ tablet or iPad® as a second, third, or fourth screen.
The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The StudioLive 32S is your command center to create the ultimate AVB network. Route audio to EarMix 16M personal monitor mixers. Control the gain staging and add remote inputs and outputs using NSB­series stage boxes and other StudioLive Series III digital mixers. With powerful plug-in processing, a fader for every channel, and integrated networking onboard, the StudioLive 32S delivers an unmatched mixing experience that combines digital power with analog ease of use.
Oponal Accessories (Sold Separately)
The following optional accessories are available:
NSB-series stage boxes. The NSB 8.8 and NSB 16.8 oers 8 or 16 locking combo mic/line inputs with remote-controlled XMAX preamps that include gain compensation for shared input scenarios. Eight outputs employ locking XLR jacks. A built-in 2-port AVB switch lets you daisy-chain multiple units.
Technical Specicaons
Microphone Preamplifier
Type
Frequency Response to Main
Output (at unity gain)
Input Impedance 1 kΩ
THD to Main Output
S/N Ratio to Main Output (Ref = +4
dB, 20 kHz BW, unity gain, A-wtd)
Common Mode Rejection
Ratio (1 kHz at unity gain)
Gain Control Range (±1 dB) 0 dB to +60 dB
Maximum Input Level (unity gain) +12 dBu
Phantom Power (±2 VDC) 48 VDC, switchable per channel
Type
Frequency Response to Main
Output (at unity gain)
Input Impedance 10 kΩ
THD to Main Output
S/N Ratio to Main Output (Ref = +4
dB, 20 kHz BW, unity gain, A-wtd)
Maximum Input Level +18 dBu
32 XLR Female, balanced (16 XLRF, 16 Combo)
20-20 kHz, ±0.5 dBu
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
94 dB
65 dB
Line Inputs
16 ¼” TRS Female, balanced (Combo connectors)
20-20 kHz, ±0.5 dBu
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
94 dB
EarMix 16M Personal Monitor Mixer. The PreSonus EarMix 16M personal monitor mixer provides 16 input channels over AVB each with 3-band EQ and limiter. Power-over-Ethernet (PoE) allows for easy deployment.
Tape Inputs
Type
Maximum Input Level +12 dBu, ±0.5 dBu
FlexMix Outputs
Type 16 XLR Male, balanced
Maximum Output Level +24 dBu, ±0.5 dBu
Output Impedance 100Ω
RCA Female, unbalanced (stereo pair)
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Subgroup Outputs
Type
4 ¼” TRS balanced (Stereo Left/Right, Main Mono)
Maximum Output Level +24 dBu, ±0.5 dBu
Output Impedance 100Ω
Main Outputs
Type
3 XLR Male, balanced (Stereo Left/Right, Main Mono/Center)
Maximum Output Level +24 dBu, ±0.5 dBu
Output Impedance 100Ω
Monitor Outputs
Type
¼” TRS Female, balanced (stereo pair)
Maximum Output Level +18 dBu, ±0.5 dBu
Output Impedance 100Ω
Tape Outputs
Type
RCA Female, unbalanced (stereo pair)
Maximum Output Level +18 dBu, ±0.5 dBu
Output Impedance 100Ω
Headphone Output
Type ¼” TRS Female, active stereo
Maximum Output 100 mW/ch. @ 60Ω load
Frequency Response 20 Hz – 20 kHz (± 0.5 dB)
THD+N
S/N Ratio
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output
Adjacent Channels
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Power / Environmental
Connector IEC
Input-Voltage Range 90 to 230 VAC (±10%)
Power Requirements (continuous) 85W
Recommended Ambient
Operating Temperature
Physical
Height 6.51” (165.36 mm)
Width 32.37” (822.21 mm)
Depth 22.97” (583.48 mm)
Weight 37.2 lbs. (16.9 kg)
Level
Mix 1
Mix 3
Mix 5
Mix 7
Mix 9
Mix 11
Mix 13
Mix 15
MIX SELECT
On
OL
-2 Processor
-12
-24
-36
Analog
-48
-65
USB
Inputs
User
BANK
Aux/Sub/Matrix
Mix 2
dB
dB
dB
dB
dB
dB
dB
dB
dB
Mix 4
10
10
10
10
10
10
10
10
10
10
Mix 6
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
Mix 8
5
5
5
5
5
Mix 10
10
10
10
10
10
Mix 12
20
20
20
20
20
Mix 14
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
Mix 16
50
50
50
50
50
60
60
60
60
60
dB
10
10
10
10
10
10
10
10
10
10
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
50
50
50
50
50
60
60
60
60
60
Network
O
+48V
SD Card
Input Mic/Line Assign
dB
dB
10
10
10
10
5
5
U
U
U
U
5
5
10
10
20
20
30
30
40
40
40
40
50
50
60
60
A/B
Page
EQ / Dyn
Channel
Load
Copy
Main
Link
Save
SubGrp
Preset
Stereo
dB
dB
dB
dB
10
10
10
10
10
10
10
10
5
5
5
5
U
U
U
U
U
U
U
U
5
5
5
5
10
10
10
10
20
20
20
20
30
30
30
30
40
40
40
40
40
40
40
40
50
50
50
50
60
60
60
60
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
Comp Gate
-2
-12
-24
FX A FX B
-36
MuteMute
FX
Home
-48
FX C
FX D
-65
DCA
MuteMute
Groups
TAP
dB
dB
dB
dB
dB
dB
10
10
10
10
5
5
U
U
U
U
5
5
10
10
20
20
30
30
40
40
40
40
50
50
60
60
dB
10
10
10
10
10
10
10
10
10
10
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
50
50
50
50
50
60
60
60
60
60
DAWUCNET
Monitor
Phones
ScenesRecallStore
Edit
EditClear
Talk
Hold to
( )
Lock Main
AUX Inputs
DCA
GEQ
Groups
Mix/FX Master
BANK
dB
dB
dB
dB
dB
dB
dB
dB
dB
1
10
10
10
10
10
10
10
5
5
U
U
U
U
5
5
10
10
20
20
30
30
40
40
40
40
50
50
60
60
MASTER
USER FUNCTION
10
10
10
2
5
5
5
U
U
U
U
U
U
3
5
5
5
4
10
10
10
5
20
20
20
6
30
30
30
40
40
40
40
40
40
7
50
50
50
60
60
60
8
dB
10
10
10
10
10
10
10
10
10
10
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
50
50
50
50
50
60
60
60
60
60
Digital Audio and Control
ADC Dynamic Range 115 dB (A-wtd, 48 kHz)
DAC Dynamic Range 115 dB (A-wtd, 48 kHz)
USB Recording Port USB 2.0, Type-B
Bluetooth™ Input 4.1, stereo
AES/EBU Output XLR Male
Network Control Port RJ-45
AVB Audio Network Port Locking XLR Ethernet
Internal Processing 32-bit, floating point
DSP Engine Quad-core FLEX DSP
Sampling Rate 44.1 and 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu
Total System Latency
1.9 ms (local routing, analog in­analog out, all processing active)
Jitter <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation >60 dB (1 ns in, 1 ps out)
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