DSP with asymmetric three-way
crossover; Fulcrum Temporal
Equalization™ for uncolored
response and exceptionally
crisp transient response,coaxialspeaker coherence alignment,
and performance contouring;
temperature and over-voltage
protection; excursion limiting
Wireless and wired control over
output level, DSP presets, and
much more with SL Room Control
for iPad, Mac OS X, and Windows
Control speakers individually
and in groups
Three DSP contours
100 Hz highpass filter
XMAX
15V phantom power
Balanced, combo line
input with attenuation
Audio mix output
Speaker attenuation control
USB port for use with included USB
Wi-Fi module and disaster recovery
Etherconn connection
for wired control
Comfortable, ergonomic handles
Integrated M10 fly points and
dual-position pole mount
Optional Dante networking card
™
MF/LF speaker with
™
mic preamp with
tudioLive™ AI-Series 312AI
3-way active loudspeakers
S
combine high power and advanced coaxial configuration with
the most powerful DSP engine ever
built into a compact PA system.
Through seamlessly integrated software, StudioLive AI speakers can be
set up, adjusted and continuously
monitored via wired or wireless remote control using Windows®, OS X®
or iPad®. An optional card provides
Dante networking.
Advanced 24-bit floating point
digital signal processing.
StudioLive AI-Series loud-speakers were tuned by master speaker
designer Dave Gunness using
Fulcrum Acoustic’s trade-marked
Temporal Equalization™ algorithms.
Previously possible only using powerful outboard rack processors, TQ™
is used to manage horn reflections,
linear time and amplitude anomalies
correction, performance contouring,
and dynamic and excursion limiting.
The result is a coaxial speaker
system with:
• Crisper stereo image
• Greater soundstage depth
• More separation between
complex mix components
• Increased resistance to feedback
• More seamless transitions
between distributed loudspeakers
StudioLive
™
312AI
2,000 Watt, 3-way, CoActual™
Loudspeaker with TQ™ DSP
and SL Room Control
• Less fatiguing listening
experience at very high SPLs
• Exceptional clarity and coherence
Complete remote control.
The robust onboard CPU in all
StudioLive AI speakers also makes
possible an extensive set of control
features for customizing and optimizing the system and for monitoring and fine-tuning performance in
real time.
Since system EQ can be set up per
speaker, independently of a mixer,
mixer output EQs are freed up for
other uses.
SL Room Control software for Mac
OS X, Windows, and iPad provides
each full-range speaker and groups
of speakers with wired and wireless
remote control of a variety of features.
Remote Control over:
• DSP contours
• 100 Hz highpass filter
Network setup wizard
• Network scanning automatically
detects connected speakers
• Network browser
Performance monitoring over:
• Excursion limiting
• Real-time temperature
• ADC clip detection
• Power-amp soft limiting
Individual speaker DSP settings:
• 8-band parametric EQ
• 8 notch filters
• Speaker delay (up to 500 ms)
• Mute and solo
• Level
See the back page of this document for a list ofile Resources andelated Products.
FR
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Group speaker management
SL328AI
• Group level control
• 31-band graphic EQ
• Store/load graphic EQ presets
• Speaker-group browser
• Store multiple speaker
groups together
• Custom labels for each
speaker and group
Settings are automatically stored in
the User Layer onboard each loudspeaker for use away from SL Room
Control.
Optional Dante networking.
The SL-Dante-SPK upgrade option
card houses one Ethercon connection for Dante™ audio networking
and remote control via SL Room
Control. It oers two Dante Transmit
and two Receive channels and operates at 48 kHz.
Dante-enabled StudioLive AI-
series loudspeakers allow users to
create a complete, networked audio
system with any Dante-enabled mixer using a standard 1 GB Ethernet
switch and Audinate’s Dante digitalmedia networking technology, which
oers self-configuring, true plug-
and-play digital audio networking.
Users can also connect non-Dante
mixers, such as a first-generation
StudioLive, to the analog inputs of a
Dante-equipped AI loudspeaker and
then broadcast the signal over the
Dante network using CAT5 cables.
This makes Dante-enabled StudioLive AI an ideal solution for large
front-of-house systems.
The CoActual approach to better
speaker design.
The new CoActual driver uses a
single magnet structure, shared by
the midrange/woofer and compression driver. This results in a much
more compact, lightweight assembly
that keeps the compression-driver
diaphragm located in close proximity
to the larger cone voicecoil.
A purpose-built, high-frequency
horn is used for high frequency pattern control and also to keep the HF
energy o of the woofer cone. This
allows the StudioLive AI PA to remain
sonically stable at high levels.
The crossover overlaps the HF
horn and woofer, thereby allowing the compression driver to fill in
SL312AI
3-way PA
Loudspeaker
®
the woofer frequency range that is
shadowed by the horn. TQ™ processing allows the compression driver to
work at lower frequencies without
sonic artifacts.
The woofer’s larger radiating
surface works in conjunction with
the HF horn to improve directional
control at the bottom of the horn’s
operating range. This increases directional control beyond what can
be accomplished by the horn alone.
At the low-frequency end of its
range, a coaxial horn “leaks” sound
back onto the woofer cone. This
reflects forward, out of time, and
produces tonal colorations that
don’t respond to conventional EQ.
TQ™ eliminates these colorations,
thereby removing one of the primary
shortcomings of conventional coaxial designs. The result is extremely
accurate transient reproduction,
making the speaker less subject to
intermodulation distortion.
STUDIOLIVE 312AI ARCHITECT AND ENGINEERING SPECIFICATIONS
General
The loudspeaker shall be self-powered and shall
include one 12-inch LF cone transducer and one
CoActual transducer with one 8-inch diameter,
low-frequency/mid-frequency cone transducer
and one integrated, horn-loaded 1.75-inch
compression driver. Transducer protection shall
consist of a 4-channel multi-threat limiter.
Internal Amplification
The loudspeaker shall incorporate four Class D
power amplifiers, each with a burst capability
of 500W total. Distortion (THD, IM, TIM) shall
not exceed <0.05% (20 Hz - 20 kHz). Dynamic
range shall be 119 dB (A-weighted). Bandwidth
shall be 20 Hz - 20 kHz. Amplifier protection
shall be overcurrent, DC, over/under voltage,
over-temperature, and high frequency.
Performance Specifications
Performance for a typical production unit shall
be as follows, measured at 1/3-octave resolution: operating frequency range 56 Hz to 22 kHz
@ -10 dB; directivity index (DI) 10 dB, >500 Hz;
directivity factor (Q) 10.0, >500 Hz; maximum
peak SPL 131 dB at 1 meter. Horizontal and
vertical coverage shall be 90 degrees by 60
degrees.
Rear Panel
Input connectors shall consist of one microphone (XLR F) with XMAX™ microphone
preamplifier and one line (combo) input. 15 VDC
phantom power shall be provided to CH1 mic
preamp. Mic input impedance shall be 1 kΩ; line
input impedance shall be 10 kΩ. Maximum input
shall be +22 dBu. An output connector (XLR M)
shall be provided for Mix output. Controls shall
consist of Mic Level (Variable: Off to +48 dB),
Line Attenuation (Variable: -24 dB to 0 dB),
Speaker Attenuation (Variable: -24 dB to 0 dB).
Indicators shall consist of DSP Preset, HPF On/
Off, Network Connected, Network Activity, Wi-Fi
Setup, Wi-Fi On, Signal, Limit, Clip, and Thermal.
A USB socket shall be provided for Wi-Fi communication and internal software recovery.
A CAT 5 Ethercon connection shall also be
provided.
Digital Signal Processing
The speaker processing shall have 24-bit depth
and 96 kHz sample rate. The speaker shall have
Normal, LBR Source, and Floor Monitor Control
presets and a 100 Hz 4th-order Linkwitz-Riley
highpass filter.
Software
The speaker shall have the option to be controlled by SL Room Control for Windows 7 and
8 (32- and 64-bit support), Mac OS X 10.7 Lion
and 10.8 Mountain Lion, and iPad iOS 7 or later.
SL Room Control shall provide remote control
over onboard DSP contours and highpass
filter; network scanning to detect all speakers;
network browser; performance monitoring of excursion limiting, real-time temperature, ADC clip
detection, and soft limiting; multiple speaker
group management with relative level control,
31-band graphic EQ with preset browser, and
speaker mapping; 8-band parametric EQ, 8
notch filters (Q:24), alignment delay (up to 500
ms), limiter with variable threshold, DSP input
level, solo, mute, custom labels, and preset
browser for each speaker; and onboard User
layer to store speaker settings, with or without
SL Room Control connected.
Dante Networking Option
An optional card shall be available that houses
one Ethercon connection for Dante™ audio networking and remote control via SL Room Control
software. The option card shall provide two
Dante transmitting and two receiving channels
and shall operate at 48 kHz.
Power Requirements
The power requirements for the loudspeaker
shall 100 to 230V~ 50-60 Hz. Current draw for
the loudspeaker at 1/8 power shall be 250W.
STUDIOLIVE 312AI FLY POINTS • See Rigging Guide before attempting to fly the speakers.
SL312AI
3-way PA
Loudspeaker
Physical
Loudspeaker components shall be housed in
an enclosure composed of 15 mm birch with
a black Chemline™ coating. Grille shall be
perforated metal with black, weather-resistant
powder coating. Weight-balanced polymer
handles shall be installed on each side of the
enclosure.
Dimensions shall be 20" (509 mm) wide by
23.8" (604.5 mm) high by 19" (483 mm) deep,
including the grille. Weight shall be 62 lbs
(28.12 kg). A 35 mm, 2-position pole socket
shall be provided in the base of the speaker.
Twelve M-10 inserts on the enclosure shall accommodate standard rigging hardware.
The loudspeaker shall be
the PreSonus StudioLive 312AI.
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