Panasonic AG-HPX250 User Manual

AG-HPX250

P2 Handheld Memory Card Camera Recorder

(AG-HPX250P, AG-HPX250EJ, AG-HPX250EN)

1

Shoulder-Type Performance and Functions

Full HD (1920 x 1080 Pixels) & 10 bit 4:2:2 Full Sampling Recording

in a Professional Handheld Camera Recorder

The high-performance AG-HPX250 P2 handheld fills out the P2HD Series by incorporating the newest technologies throughout —
in the lens, camera and recorder sections. The newly developed 22x zoom lens covers a wide shooting range, from wide-angle to
telephoto, and features three manual rings for precise control. Imaging is optimized by the high-sensitivity, low-noise 1/3-type

2.2-megapixel U.L.T. (Ultra Luminance Technology) 3MOS image sensor. And the AG-HPX250 is the first handheld model to
support AVC-Intra codecs. This combination produces a level of performance that rivals many full-size shoulder-type camera
recorders, and adds the high-quality acquisition of Full-HD (1920 x 1080) and 10 bit, 4:2:2 full sample, broadcast-level images.
Image expression is also boosted by the Variable Frame Rate (VFR) function, and system expansion for broadcasting and other
production applications is provided by multi-camera synchronizing. The stylish design of the AG-HPX250 adds further to both
mobility and operating ease, and opens a new stage for news gathering and image acquisition.

28 mm to 616 mm, 22x Zoom Lens

2.2-Megapixel U.L.T. Image Sensors

1920 × 1080 10 bit 4:2:2 AVC-Intra Codec

22x Panasonic Lens — Zooming in on New Levels of Image Expression

2

Packed with Panasonic Optical Technology

The high-performance zoom lens was developed specifically for
professional HD video production. While inheriting the wide-angle
capabilities of the DVX and HVX Series, it adds the same level of
operating ease as you'd expect from an interchangeable lens model for
broadcasting and other professional uses. Combining 18 lens elements in
12 groups, this advanced lens unit further adds a UHR (Ultra High
Refractive) glass element, a low dispersion element and aspherical
lenses. This newest optical technology can provide high resolution.
In addition, it is combined with a unique Panasonic digital signal
processing technology called Chromatic Aberration Compensation
(CAC) to minimize color bleeding in the surrounding image and achieve
rich expression with finely rendered nuances and excellent shading.
Zooming from 28mm to 616mm (35mm equivalent), this 22x zoom lens
covers a wide field of view, from wide-angle to telephoto, without a
conversion lens.

Wide 28 mm Tele 616 mm (22x) 22x optical zoom x

10x digital zoom (220x)

Three Manual Rings — Zoom, Focus and Iris

The lens unit is provided with three rings — a mechanical (cam-driven)
zoom ring, a focus ring, and an iris ring. You can operate them manually
almost like an interchangeable lens including rugged operation of
zoom ring.

Optical Image Stabilizer, Digital Zoom, and ND Filter

• Hand-shake correction with the Optical Image Stabilizer (OIS).

• Digital Zoom function.* It can be assigned to an user button and close

up to 2x, 5x, and 10x. In combination with the optical zoom, this
function provides a telephoto capability up to 220x.

• Four-position (OFF, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density

filter wheel.

* The digital zoom cannot be used while operating the Dynamic Range Stretch (DRS) or Scan Reverse

functions. If either function is operated while digital zooming, the zoom will be automatically turned off.

Also, Flash Band Compensation (FBC) will not operate while digital zooming.

Focus Ring Zoom Ring

Iris Ring

High-Sensitivity, Low-Noise U.L.T. Image Sensor

U.L.T. Image Sensor

High-Sensitivity F10*, 2.2-Megapixel, Low-Noise U.L.T. Image
Sensor and Optimized Signal Processing Circuit

The AG-HPX250 features the Ultra Luminance Technology (U.L.T.)

1/3-type 2.2-megapixel 3MOS image sensor that is incorporated in our

shoulder-type P2HD camera recorders. This advanced image sensor is set
to maximize the performance of the lens and signal processing circuit
under standard shooting conditions. Progressive Advanced Processing
(PAP) technology, which is driven by 3D adaptive processing, has also

been further refined to enable high-sensitivity F10*, low-noise shooting

in dimly lit places.

*AG-HPX250 sensitivity is selectable, F10 is PAP Filter Type1 and F7 is PAP Filter Type2 in 59.94Hz mode.
In 50Hz mode, F11 is PAP Filter Type1 and F8 is PAP Filter Type2. The default setting is PAP Filter Type2.

because the exposure timing differs for each line, when an external flash
is used, it tends to produce images where the brightness is divided
between the top and bottom of the image. This is called the flash band
effect. The AG-HPX250 is equipped with highly accurate flash band

detection and compensation software. By generating pairs of frames

containing flash bands, and frames in which a flash extends from the
previous frame to the entire screen, and then using the compensation

process to adjust the level, the flash band effect of MOS-based imagers

is eliminated.

Flash

Time Flow

MOS
Image Sensor

Output
Image

1 1

Flash Band

Compensation

2 2

3 3

Process

After
Compensation

Flash Band Compensation

In contrast with the CCD image sensor, which accumulates still images

of single frames that are exposed with identical timing, the MOS image

sensor uses a rolling shutter system that sequentially scans each line of
pixels. This lowers power consumption and enables high-speed drive, but

MOS Output Imager After Compensation Imager

3

The High-Quality DSP Matches Image Processing and Quality to match Each Shooting Situation

20 bit Digital Signal Processor

The AG-HPX250 incorporates a
high-performance 20 bit DSP that
handles image rendering processes
such as gamma and various detail
enhancement functions with
exceptional precision.

Dynamic Range Stretch (DRS)

In scenes with mixed contrast, such as when panning from indoors to
outdoors, the DRS function automatically suppresses blocked shadows
and blown highlights. A gamma curve and knee slope are estimated to
match the contrast of each pixel, and applied in real time. When dark,
bright, and intermediate shades are all contained in the same scene, this
produces excellent gradation for each shade and minimizes blocked
shadows and blown highlights.

* The DRS function does not operate in 1080/24p, 1080/25p or 1080/30p mode.

DSP Processor

HD NORM mode

AG-HPX250 Gamma Modes

HD NORM: Suitable for standard HD recording.
LOW: Works to flatten out a high contrast scene.
SD NORM: Normal setting for SD.
HIGH: Expands the tone of dark parts and makes a brighter image.

The contrast softens.

B.PRESS: Makes the contrast sharper than LOW.
CINE-LIKE D: The Cine-Like mode shifted to prioritize dynamic range.
CINE-LIKE V: The Cine-Like mode shifted to prioritize contrast.

Other Camera Image Settings

• Variable shutter speed from 1/6 to 1/2000 sec. plus
Synchro Scan function.

• Matrix setting including a Cine-Like mode

• Adjustable H detail level, V detail level, detail coring and

DRS OFF DRS ON

7-Mode Gamma for Richer Gradation

Drawing on technologies developed for the VariCam, Panasonic has
equipped the AG-HPX250 with advanced gamma functions that address
seven different shooting scenarios, including two Cine-Like Gammas.

skin tone detail.

• Adjustable chroma level, chroma phase, color temp and
master pedestal.

• Knee point settings: Auto, Low, Mid and High.

CINE-LIKE D mode

Rapid Response with Agile Shooting Assist Functions

Focus Assist Functions

Press the Focus Assist button and the center section of the screen

expands in size, making it easier to determine if the focus is correct.

Also, the Focus Bar that visually indicates the focus level can be

displayed on the screen.

Focus Assist OFF Focus Assist ON

Scene File / User File

Set Scene dial for an instant set of shooting conditions. Six preset files
are provided, and you can change any of the six file names and their

settings as desired. One set can be stored internally in the AG-HPX250,
and four sets on an SD Memory Card. One file with camera setting values
can also be stored internally, and four files on an SD Memory Card.

Scene File Description

F1: — Standard settings
F2: FLUO. Indoor shooting under fluorescent lights
F3: SPARK Highlighting subjects at receptions, events etc.
F4: B-STR Enhanced gradations of luminance in low light scenes
F5: CINE V Cine-Like setting shifted to prioritize contrast*
F6: CINE D Cine-Like setting shifted to prioritize dynamic range*

* Selecting a scene file does not change the video recording format. If you want to switch to 25p, 24p

and 30p, you must do so as a separate procedure.

3-Position Gain Selector plus 30dB Super Gain Function

There is a 3-position gain selector, with L, M and H settings. To each
setting you can assign a gain value from 0, +3, +6, +9, +12, +15 and
+18 dB. There is also a Super Gain such as +24 dB and +30 dB.

Simplified Waveform and Vectorscope Display

The AG-HPX250 has Waveform and Vectorscope Display functions for the
captured video signal on the LCD monitor.

Waveform Vectorscope

Five User Buttons

There are a total of five User buttons: User Main, User 1 to 3 on the top
panel, and User 4 on the rear of the AG-HPX250. Based on user's

requirements, customized operation can be set by assigned 18 versatile
functions to these user buttons.

User button allotment function

SPOTLIGHT, BACKLIGHT, ATW, ATW LOCK, S.GAIN, D.ZOOM, Y GET, DRS,
TEXT MEMO, SLOT SEL, SHOT MARK, MAG A. LVL, LVL METER, PRE REC, WFM,
LAST CLIP, FBC, LCD B.L.

4

Exclusive P2HD High Image Quality: 10 bit, 4:2:2, AVC-Intra 100 Codec

Full-Pixel, Full-Sample AVC-Intra Recording

This is the first handheld camera­recorder to support the AVC-Intra
codecs of the P2HD Series for HD
recording of broadcast and movie

images. Featuring a high compression
ratio based on the new MPEG-4 AVC/
H.264 moving picture compression

technology, this advanced system
maintains intra-frame compression to
provide both high image quality and
excellent editing performance. It
offers recording and playback of both

AVC-Intra 100 and AVC-Intra 50 modes, and also supports DVCPRO HD

recording and playback.

•AVC-Intra 100: 1920 x 1080,* 10 bit, 4:2:2

High-quality images with full-pixel HD and full sampling are recorded at

the same bit rate as DVCPRO HD, bringing agile mobility to high-end

production.

•AVC-Intra 50: 1440 x 1080,* 10 bit, 4:2:0

Image quality is the same level as DVCPRO HD, but with the SD (DVCPRO

50) bit rate. You get twice the recording time of DVCPRO HD, and about

half the required data transmission time.

* These figures are for 1080i/p mode. The AG-HPX250 also supports 720p mode.

AVC-Intra Codec LSI

Multi-Format Recording with Native 24p/25p Support and More

•Native recording modes: In addition to 1080/59.94i with the AVC-Intra
codec, native recording is supported at 1080/23.98p or 1080/29.97p and
1080/25pN or 720/25pN. In 720p, native recording is possible for both
DVCPRO HD and AVC-Intra, making it possible to extend recording time

by 2 to 2.5 times in comparison with pull-down recording.

*Camera image output and playback image output are pulled-down 59.94 (50) frames.

•Pulldown record mode: This VariCam-compatible mode records*1 with
the DVCPRO HD codec. A 2:3 pulldown is applied to 23.98p, and a 2:2
pulldown is applied to 29.97p, to record 1080/59.94i or 720/59.94p and
1080/25p over 50i or 720/25p over 50p. The 23.98pA (2:3:3:2 advanced

pulldown) mode is also supported, allowing editing on applicable

nonlinear systems*

2

with little image degradation.

•59.94Hz/50Hz selector: Supports worldwide HD/SD production.

•SD image acquisition: The DVCPRO 50/DVCPRO/DV multi-codec

enables 480/576 image acquisition, with aspect ratio conversion. Select
from Side Crop, Letter Box and Squeeze modes.

*1: Not compatible with the AVC-Intra codecs.
*2: See the following website for details on applicable systems. http://panasonic.biz/sav/p2comp

High Quality/16 bit, 4-Channel Digital Audio

The AG-HPX250 can record high quality/16 bit digital audio on all four

channels. You can freely select the audio source for each channel,
choosing from built-in mic, external mic and line-in. Level volume is also
supported on all four channels.

P2 Card Recording Boasts High Reliability and Easy Operation

Double Slot System with Two P2 Card Slots

In addition to allowing continuous recording onto two P2 cards, this
system offers the following functions.

• Card select: The recording slot can be switched in Standby mode.

• Hot-swap recording: The card in the standby slot can be exchanged

while the other card is being recorded on.

P2 Card Recording Offers High Reliability
and a Proven Record for Broadcasting

The P2 card was originally developed for broadcast use. In addition to its

large 64 GB* capacity, it strongly resists impacts, vibration and

temperature changes, and withstands repeated recording and
initialization cycles for extended recording use. The card connector
section is designed specifically for professional use, resulting in
extremely high durability for insertion and removal. The P2 card and
P2HD Series are widely used in
broadcast and movie production
studios and have a proven track
record for reliability, durability and
easy operation.

*Total card capacity includes space for data

management such as system data; therefore, the
actual usable area is less than the capacity indicated on the card.

Versatile MXF File-Based Recording

File-based recording onto memory cards enables high-speed starts,

recording starts with no need for cueing, and protection against

accidental data overwriting. The recorded data is organized into MXF

files. The files can be transferred to a nonlinear editor or over a network

without the need for digitizing.*

*PCs must be installed with the included P2 driver in order to mount P2 cards. For editing, PCs must be
installed with P2-compatible editing software available from various companies. Read "Notes Regarding
the Handling of P2 Files Using a PC" on the back page.

AG-HPX250 Recording Format & Recording Time

Codec & Recording Time (with two 64 GB P2 Card)

HD Format

1080/59.94i —
1080/29.97p over 59.94i 2-2 — —
1080/23.98p over 59.94i 2-3 — —
1080/23.98pA over 59.94i 2-3-3-2 — —
1080/29.97pN (Native)*
1080/23.98pN (Native)*
1080/50i —
1080/25p (over 50i) — — —
1080/25pN (Native)*
720/59.94p —
720/50p — Approx. 128 min. Approx. 256 min.
720/29.97p over 59.94p*
720/25p over 50p*
720/23.98p over 59.94p*
720/29.97pN (Native)*
720/25pN (Native)*
720/23.98pN (Native)*

SD Format

480/59.94i —
480/29.97p over 59.94i 2-2
480/23.98p over 59.94i 2-3
480/23.98pA over 59.94i 2-3-3-2
576/50i —
576/25p (over 50i) 2-2

*1: Native modes record only the effective frames.
*2: When you select 24 FRAME/30 FRAME in VFR mode in DVCPRO HD 59.94p mode.
*3: When you select 25 FRAME in VFR mode in DVCPRO HD 50p mode.

Pull
down

DVCPRO HD AVC-Intra 100 AVC-Intra 50

Approx. 128 min.

1

— — Approx. 128 min. Approx. 256 min.

1

— — Approx. 160 min. Approx. 320 min.

1

2

3

2

1

1

1

Approx. 128 min.

— — Approx. 128 min. Approx. 256 min.

2-2 — —

Approx.128 min.
2-2 — —
2-3 — —
—

Approx. 256 min. Approx. 256 min. Approx. 512 min.

—
— Approx. 320 min. Approx. 320 min. Approx. 640 min.

Codec & Recording Time (with two 64 GB P2 Card)

Pull
down

DVCPRO 50 DVCPRO DV

Approx. 256 min. Approx. 512 min. Approx.512 min.

Approx. 256 min. Approx. 512 min. Approx. 512 min.

Approx. 128 min. Approx. 256 min.

Approx. 128 min. Approx. 256 min.

Approx. 128 min. Approx. 256 min.

5

Variable Frame Rate Function Enhances the Image Expression

REC START REC START REC START

REC START

REC STOP REC STOP REC STOP

Single Clip

…………max. 99
consecutive cuts

TEXT MEMO 2TEXT MEMO 1 TEXT MEMO 3 TEXT MEMO 4

Variable Frame Rate — Also Supported in 1080p Mode

The Variable Frame Rate (VFR) function was inherited from the Panasonic

VariCam, which is widely used for producing movies, TV series, and TV
commercials. It creates a wide range of film-camera-like images, such as
overcranking for slow-motion and undercranking for quick-motion
effects.

Image Modes and Variable Frame Rates

1080/59.94i, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/27/
28/30 fps (frames per second)

1080/50i, 25p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
720/59.94p, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/

27/28/30/32/34/36/40/44/48/54/60 fps
720/50p, 25p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25/

26/27/28/30/32/34/37/42/45/48/50 fps

Undercranking (lower-speed shooting) Overcranking (higher-speed shooting)

• Normal cinematic shooting (at 24 fps, 25 fps or 30 fps) refers to the

same rate as used in film cameras. The AG-HPX250 can record in 24 fps.
Note that 25 fps and 30 fps are the standard frame rates used in the

production of TV commercials, music clips and video media.

• Overcranking (higher-speed shooting) produces a slow-motion effect.
This is especially effective for high-action scenes like car chases or

crashes, or to create a dramatic impact in a scene. For example, when a
scene is shot at 48 fps and played at 24 fps, a slow-motion effect of
1/2x is attained.

• Undercranking (lower-speed shooting) gives you a quick-motion
effect. This technique can be combined with a warp-speed effect to give

special emphasis to flowing water, fast-moving clouds, etc. For example,
when a scene is shot at 12 fps and played at 24 fps, a quick-motion

effect of 2x is attained.

Versatile Recording Functions Enabled by File-Based Recording

One-Clip Rec Mode

Whereas normal Rec mode produces a clip for each Rec start/stop cut,
One-Clip Rec mode records up to 99 consecutive cuts as a single clip,

which greatly improves the nonlinear editing work that follows. A text
memo is automatically attached when recording begins, making it easy to
find desired cuts within the clip.

Clip Thumbnail Display and Clip Editing

Recorded clips are automatically allocated a thumbnail image and
metadata. This lets you display the thumbnail images on the LCD
monitor, delete clips, and confirm or edit metadata (using the built-in

Software Keyboard function).

• Last clip delete: The clip that was most recently recorded is deleted
with a single touch.

• Rec check: The beginning and ending of the clip that was most
recently recorded are checked with a single touch.

Shot Marker and Text Memo*

• Shot marker: Clips can be marked during or after recording. When

mounted to a PC,*

2

the user can display only the marked clips if desired.

• Text memo: This lets you post a memo on any scene of any clip, up to
100 memos in all, similar to a sticky note.

*1: Shot marker and text memo cannot be used in loop rec, interval rec, or one-shot rec.
*2: When using P2 viewer, a Windows PC viewing application that can be downloaded free of charge by

P2 users. See the following website for details.

http://panasonic.biz/sav/p2/index_j.html

1

Recording Modes That Meet a Wide Variety of Needs

• Loop rec: This repeatedly re-records a particular recurring time slot,
always maintaining a recording of the most recent period.

• Pre-rec*: While in standby mode, you can continuously store, and

subsequently record, up to 3 seconds in HD (7 seconds in SD). This will

help you to get the shot you want every time.

• Interval rec*: This gives you automatic intermittent recording based on
a set interval and recording time.

• One-shot rec*: This frame-shot recording function is useful for
producing animations.

• Time stamp: The date and time can be stamped onto recorded images.
Commonly used for evidential images.

* These functions cannot be used during Variable Frame Rate recording.

6

System Functions for Multi-Camera and Other Broadcast Applications

G/L

G/L G/LG/L

TC IN/OUT

The TC value of the camera-2 and 3 are matched to the camera-1

SDISDISDI

Switcher/AV Mixer

Multi-Camera Synchronizing with Genlock IN and TC IN/OUT

The AG-HPX250 is the first handheld camera recorder to support multi-

camera synchronizing. It features a built-in SMPTE time-code generator/
reader, TC input/output, and Genlock input, ideal for multi-camera live

relay and recording systems.

Multi-Camera Recording System

Digital A/V Output with SDI and HDMI

• SDI OUT (HD/SD): Allows camera-through output during HD/SD
recording, or outputs high-quality 10 bit, 4:2:2 images for playback of
AVC-Intra 100 footage. Includes embedded audio, and supports Rec S/S

linked backup recording with a Panasonic recorder equipped with HD SDI
input. When outputting SD SDI down-converted from an HD source, the
Aspect Ratio Conversion mode can also be selected.

• HDMI OUT: This is a next-generation interface for HD video and audio.

It allows digital A/V output from a wide range of devices with both

professional and consumer specifications.

• VIDEO OUT: SD composite output. HD playback is down-converted.

Other Interfaces

• USB 2.0 HOST: This allows files to be copied between an external HDD

and a P2 card *

the HDD.

• USB 2.0 DEVICE: Uploads P2 card files to a PC/Mac.

• DVCPRO/DV (IEEE 1394): Enables backup recording and dubbing by

inputting or outputting a DV stream, including DVCPRO HD.*

• Camera Remote: Controls focus, iris, zoom and REC start/stop.

• XLR audio input: 2-channel mic/line inputs supporting 48V phantom

power supply.

*1: AG-HPX250EJ does not support to copy the files onto a P2 card via USB 2.0.
*2: Excluding 720p native mode. Does not support AVC-Intra input/output. Also does not output loop rec,
interval rec or one-shot rec content. AG-HPX250EJ does not support input.

1

, and lets you view the thumbnails of P2 files saved onto

2

Advanced Design and Versatile Specifications Facilitate Interviews and Production Work

New, Stylish Design Boosts Mobility

Even with its high-powered zoom lens, the integrated camera and

recorder sections are compact and stylish. Shifting the handle grip and
LCD position forward (toward the lens) has improved the weight balance
and visibility for handheld shooting, enabling a comfortably wide view.
The magnesium alloy die cast chassis also excels in both ruggedness and
durability.

Low-Angle Shots and Interviews

• The upper part of the handle grip contains both the Rec Start/Stop

button and a lens zoom speed control (three speed revels). This design
assures easy shooting even at low angles.

• The LCD monitor mirror mode is convenient when shooting interviews.

High Resolution and High Brightness Color Viewfinder and LCD

The AG-HPX250's color EVF uses a 11.43 mm (0.45 inches),
approximately 1,226,000 dot-equivalent (852 x 480 x 3 [RGB]) LCOS

(liquid crystal on silicon) display panel. It delivers bright, detailed, high­resolution images and a high response speed. The AG-HPX250's LCD

monitor has a 87.63 mm (3.45 inches), approximately 921,000-dot (1920
x 480) high-resolution panel.

LCOS Color EVF Color LCD Monitor

Other Functions

• White Balance Selector: Two values (A/B) memory and
one value preset.

• ATW (Automatic Tracing White balance) function.

• Mode check: Displays a list of the camera settings on the viewfinder

and LCD monitor.

• Zebra: Select any two levels from among 50% to 109%, in 1% steps.

• Y-GET: Measures brightness at the screen center and displays precise

numerical data.

• Tally lamps: Provided on the unit's front and rear.

7

P2HD Interview and Recording Workflows Using the AG-HPX250

P2 Viewer

P2 CMS

P2 Viewer Note PC/

P2 CMS Mac

HDD

AG-PCD2G

AG-HPX250

USB 2.0 (DEVICE)

USB 2.0 (HOST)

USB 2.0

P2 card

AG-HPX250 NLE

IEEE 13 94 (AVC)

USB 2.0*

eSATA

P2 card

(Blank)

P2 card

(Recorded)

AG-MSU10

SSD

NLE

AJ-PCD30
AJ-PCD35
AG-PCD20

USB 3.0
PCI Express
IEEE 1394/USB 2.0

P2 drive

AG-HPX250

USB 3.0

P2 card

(Blank)

P2 card

(Recorded)

AG-HPD24

LCD Monitor

HDD HDD

NLE

AJ-PCD30
AJ-PCD35

USB 3.0
PCI Express

P2 drive

HD SDI

AG-HPX250

USB 2.0

e-SATA

P2 card

(Blank)

P2 card

(Recorded)

AJ-HPM200

P2/AVCHD*

File

Internet

FPU

HDD HDD

HD SDI

NLE/Server

AG-HPX250

With a Portable HDD or Notebook PC

Files recorded by the AG-HPX250 can be copied using only a portable
HDD. Or, a notebook PC* can be used for viewing the results and

editing metadata and text memos.

* A Windows PC or Mac with P2 Viewer viewing software (available free of charge) installed.
* For details, see the rear cover page (Notes Regarding the Handling of P2 Files Using a PC).

Interview Workflow —
Maximizing Mobility and Speed

Files can be copied at high speed

from a P2 card to the removable SSD

of the AG-MSU10 Mobile Storage
Unit.* Or, the P2 card can be

mounted to a PC via the P2 drive,

which is equipped with USB 3.0
(2.0), PCI Express, and IEEE 1394

interfaces.

* The optional AG-MBX10G Removable Interface Box

is required to connect the SSD to a nonlinear editor

via USB 2.0 or eSATA.

Field Recording Workflow for
TV Program Production

Combination with the AG-HPD24 P2

deck provides a variety of functions,
including backup recording, viewing,
metadata editing, and high-speed
copying to an external HDD.

Linking with DVCPRO (HD/50M/25M) and DV Devices

The AG-HPX250's DVCPRO/DV terminal (IEEE 1394 interface) links to
conventional DVCPRO/DV codec-based systems.

News Workflow — Interviews,
Flash Reports, and Data
Transmission

The AG-HPX250's file-based format
allows full use of IT infrastructures
for instantaneous response and
operation.

The AJ-HPM200 Memory Card
Portable Recorder/Player supports

everything from on-location news
production to on-air broadcasting,
network transmission, and copying
to an HDD.

* The optional AJ-YCX250G AVCHD Codec Board is

required for AVCHD file conversion and output.

8

Optional Accessories and P2HD Series Equipment

As of August, 2011

AG-MC200G

XLR Microphone

•Sensitivity: –40 dB ±3.5 dB
(0 dB=1V/Pa, 1 kHz)

•Maximum input level: 127 dB

(1000 Hz, distortion within 1%)

•S/N: more than 69 dB

CGA-D54/CGA-D54s

Battery Pack
(5,400 mAh)

AG-B25

AC Adaptor Kit*

1

AJ-P2E064XG
AJ-P2E032XG
AJ-P2E016XG

Memory Card (P2 card E series)

AJ-PCD2G

Memory Card Drive
“P2 drive”

USB-Bus-powered 1-Slot P2 drive

ideal for mobile application.

AJ-PCD30

Memory Card Drive
“P2 drive”

3-slot drive with USB 3.0 interface for

high-speed 1.5 Gbps data transfer.

AJ-PCD35*

Memory Card Drive
“P2 drive”

High-speed PCI Express interface.

NEW

3

AJ-PCD20

Memory Card Drive
“P2 drive”

USB2.0 and IEEE 1394b interface.

SD/SDHC Memory Card

BT-LH910G

228.6 mm (9 inches)
HD/SD LCD monitor

P2 Viewer 3.6

Viewing Software
(download free)

Supports P2 HD. This Windows PC
utility makes it easy to view and copy

P2 files and edit Metadata.*

2

P2 CMS 1.4

Content Management Software
(download free)

Easy to Ingest and Manage P2

Content. The newest version is

compatible with Mac OS X 10.6
“Snow Leopard”.*

2

AG-MSU10

Mobile Storage Unit
“P2 MSU”

Fast copying from P2 cards to a
removable solid-state drive*

It simplifies backing-up P2 content in
the field.

4

.

AG-HPG20

Memory Card Portable Recorder
“P2 portable”

AVC-Intra supported. SDI-Input
available.

AG-HPD24

Memory Card Portable Recorder
“P2 portable deck”

Equipped with USB 3.0 and RS-422A

interfaces, this compact 2-slot P2 deck
supports 3D recording.

NEW

AJ-HPM200

Memory Card Recorder/Player
“P2 mobile”

Advanced P2 mobile with versatile
functions such as networking, AVCHD
compatibility (option) and eSATA
interface.

*1: It can be used as a battery charger only. It cannot be used as a AC adaptor for AG-HPX250. *2: For P2 Viewer or P2 CMS download and operating requirement information, visit WEB site
http://pro-av.panasonic.net/en/index.html *3: Before using P2 card E series, you must install the latest version of the software in the AJ-PCD35. For the latest version information, please go to the P2 support
page from the Panasonic WEB site https://eww.pavc.panasonic.co.jp/pro-av/ *4: Use a commercially available removable SSD that is recommended by Panasonic. In addition to the removable SSD interface box
that comes with the AG-MSU10 as a standard accessory, an additional AG-MBX10 can be purchased as an option. Do not use a hard disk drive instead of an SSD. For compatible SSD information, please refer to
the following WEB site: http://pro-av.panasonic.net/en/sales_o/p2/ag-msu10/

AG-HPX250 Details

9

AG-HPX250 Specifications

10

As of August, 2011

General Specication

Supply Voltage: DC 7.2 V (when the battery is used)
DC 7.9 V (when the AC adaptor is used)

Power Consumption: 15.0 W (when the LCD monitor is used)
Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Operating Humidity: 10% to 80% (no condensation)
Weight: Approx. 2.5 kg (5.5 lb)

excluding battery and accessories

Dimensions (W x H x D): 180 mm x 195 mm x 438 mm
(7 inches x 7-11/16 inches x 17-1/4 inches)

excluding battery, accessories and protrusions

Camera Section

Pickup Devices: 1/3-type progressive, 2.2-megapixel, 3MOS sensor
Effective Pixels: 1920 (H)×1080 (V)
Lens: Optical image stabilizer lens, 22x motorized zoom,

F1.6 – 3.2 (f=3.9 mm – 86 mm),
35 mm conversion: 28 mm – 616 mm (16:9)

Filter Diameter: 72 mm
Optical System: Prism color separation
ND lter: OFF, 1/4, 1/16, 1/64
Minimum Shooting Distance:

Approx. 1 m

Hood: Large-sized lens hood with wide angle of view
Gain Settings: 0/+3/+6/+9/+12/+15/+18/+24/+30 dB,

(+24 dB, +30 dB: USER SW allocation only)
Shutter Speed Settings: • 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250,

1/500, 1/1000, 1/2000 sec.

• 30p mode: 1/30 (OFF), 1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 24p mode: 1/24 (OFF),1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 50i/50p mode: 1/50 (OFF),1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 25p mode: 1/25 (OFF),1/50, 1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

Slow Shutter: • 60i/60p mode: 1/15 sec., 1/30 sec.

• 30p mode: 1/7.5 sec., 1/15 sec.

• 24p mode: 1/6 sec., 1/12 sec.

• 50i/50p mode: 1/12.5 sec., 1/25 sec.

• 25P mode: 1/6.25 sec., 1/12.5 sec.
Synchro Shutter: • 60i/60p mode: 1/60.0 sec. to 1/249.8 sec.

• 30p mode: 1/30.0 sec. to 1/249.8 sec.

• 24p mode: 1/24.0 sec. to 1/249.8 sec.

• 50i/50p mode: 1/50.0 sec. to 1/250.0 sec.

• 25p mode: 1/25.0 sec. to 1/250.0 sec.
Shutter Opening Angle: 3 degrees to 359.5 degrees in 0.5 degree increments
Frame Rates: • 59.94 Hz mode:

1080p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30 fps (frames per second) 17 step
720p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30/32/34/36/40/44/48/54/60 fps, 25 step

• 50 Hz mode:
1080p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
(frames per second) 14 step
720p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25/
26/27/28/30/32/34/37/42/45/48/50 fps, 25 step

Sensitivity: • 59.94 Hz mode:
F7 (1080/59.94i, P.A.P FILTER: TYPE2)
F10 (1080/59.94i, P.A.P FILTER: TYPE1)

• 50 Hz mode:
F8 (1080/50i, P.A.P FILTER: TYPE2)

(at 2000 lx, 3200 K, 89.9% reection)

(at 2000 lx, 3200 K, 89.9% reection)

F11 (1080/50i, P.A.P FILTER: TYPE1)
Minimum Illumination: 0.2 lx (F1.6, Gain +30 dB, shutter speed 1/30 sec.,

P.A.P FILTER: TYPE1)
Digital Zoom: ×2, ×5, ×10

Memory Card Recorder Section

Recording Media: P2 card
Recording Formats: AVC-Intra 100/AVC-Intra 50/DVCPRO HD/

DVCPRO50/DVCPRO/DV formats switchable
Recording/Playback Time*

1

: AVC-Intra 100/DVCPRO HD: approx. 64 min
with a 64 GB P2 card AVC-Intra 50/DVCPRO50: approx. 128 min
DVCPRO/DV: approx. 256 min

with a 32 GB P2 card AVC-Intra 100/DVCPRO HD: approx. 32 min
AVC-Intra 50/DVCPRO50: approx. 64 min
DVCPRO/DV: approx. 128 min

with a 16 GB P2 card AVC-Intra 100/DVCPRO HD: approx. 16 min
AVC-Intra 50/DVCPRO50: approx. 32 min
DVCPRO/DV: approx. 64 min

Digital Video Specication

Recorded Video Signals: 1080/59.94i, 1080/29.97p, 1080/29.97pN,
1080/23.98p, 1080/23.98pA, 1080/23.98pN,
720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p,
720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p,
480/23.98pA, 1080/50i, 1080/25p, 1080/25pN,
720/50p, 720/25p, 720/25pN, 576/50i, 576/25p

Sampling Frequency: AVC-Intra 100/DVCPRO HD:
Y: 74.1758 MHz, P
Y: 74.2500 MHz, P
DVCPRO50: Y: 13.5 MHz, P
DVCPRO: Y: 13.5 MHz, P

: 37.0879 MHz (59.94 Hz)

B/PR

: 37.1250 MHz (50 Hz)

B/PR

B/PR

: 3.375 MHz

B/PR

: 6.75 MHz

Quantizing: AVC-Intra 100/AVC-Intra 50: 10 bits
DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits

Video Compression: AVC-Intra 100/AVC-Intra 50:
MPEG-4 AVC/H.264 Intra Prole
DVCPRO HD: DV-Based Compression (SMPTE 370M)
DVCPRO50/DVCPRO:
DV-Based Compression (SMPTE 314M)
DV: DV Compression (IEC 61834-2)

Digital Audio Specication

Recording Audio Signal: AVC-Intra 100/AVC-Intra 50/DVCPRO HD:
48 kHz/16 bits, 4CH
DVCPRO50: 48 kHz/16 bits, 4CH
DVCPRO/DV: 48 kHz/16 bits, 2CH/4CH switchable

Video Input/Output

GENLOCK IN: BNC × 1, 1.0 V [p-p], 75Ω
VIDEO OUT: Pin jack × 1, 1.0 V [p-p], 75Ω
SDI OUT: BNC × 1, 0.8 V [p-p], 75Ω, HD/SD switching via menu,

10 bit 4:2:2 via camera through out
HDMI OUT: HDMI TypeA

Audio Input/Output

Built-In MIC IN: Supports stereo microphones
AUDIO IN: XLR 3 pin × 2 (INPUT 1, INPUT 2)

LINE/MIC/+48 V switchable,
LINE: 0 dBu,
MIC: –40 dBu/–50d Bu/–60 dBu switching via menu

AUDIO OUT: Pin jack × 2 (CH1/CH2), Output: 316 mV, 600 Ω
Headphone: ø3.5 mm stereo mini jack × 1

Other Input/Output

TC IN/OUT: BNC× 1,
IN: 0.5 V [p-p] to 8 V [p-p], 10 kΩ
OUT: low impedance, 2.0±0.5 V [p-p]

Camera Remote: 2.5 mm diameter, Super mini jack × 1 (ZOOM, S/S)

3.5 mm diameter Mini jack × 1 (FOCUS, IRIS)
IEEE 1394*
USB 2.0 (DEVICE)*
USB 2.0 (HOST)*

2

: 6 pin, digital input/output (compliant with IEEE 1394)

2

: Type-miniB, 4 pin USB (compliant with USB ver. 2.0)

2

: Type-A, 4 pin USB (compliant with USB ver. 2.0)

Monitor, EVF and Seaker

LCD Monitor: 87.63 mm (3.45 inches) color LCD monitor
with approx. 921,000 dots (16:9)

EVF: 11.43 mm (0.45 inches) color LCD monitor
with approx. 1,226,000 dots (16:9)

Internal Speaker: 20 mm diameter × 1

Included Accessories

AC adaptor Battery charger, AC cord, DC cord, 5400 mAh battery pack,
Wireless remote controller with button-type battery, Microphone holder,
Eye cup, Shoulder strap, P2 card driver software install CD-ROM

*1: The Recording/playback times listed left can be continuously recorded as one clip. The number of

recording clips will reduce the left figures somewhat.

*2: AG-HPX250EJ does not support input via IEEE 1394 and USB 2.0.

Weight and dimensions are approximate.
Specifications are subject to change without notice.

Notes Regarding the Handling of P2 Files Using a PC

http://pro-av.panasonic.net/

Please refer to the latest Non-linear Compatibilty Information,

P2 Support, Downlord and Service Information, etc. at the following Panasonic web site.

Mounting and Transferring Files

The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files
stored on a hard-disk device, such as the P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer
to the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from the following Panasonic website. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and
click "P2 Support and Download."

Preview and Nonlinear Editing

To preview (play) P2 files on a PC, it is necessary to install the P2 Viewer software (downloadable for free, for Windows only) or P2 CMS content management software (downloadable for free, for both
Windows and Mac), both from Panasonic, or P2-compatible editing software available from other companies (for details, visit https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2/partners.html).
Note that each software places specific requirements on the operating environment, and the operating environment must meet additional requirements to play and edit HD content on Windows PCs
and Macs. For P2 Viewer or P2 CMS download and operating requirement information, visit https://eww.pavc.panasonic.co.jp/pro-av/. For operating requirements and details of other P2 editing
software, visit the website of the relevant software manufacturer.

*P2HD, AVC-Int ra, DVCPRO HD” an d “DVCPRO 50” l ogo are re gistere d tradema rk of Panas onic Cor poration. SD Logo i s a tradema rk. SDHC logo marks a re a registered trademark.

Panasonic Corporation
Business Solutions Business Group

2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan

http://pro-av.panasonic.net/

[Countries and Regions]

Argentina [phone]
Australia [phone]
Bahrain [phone]
Belgium [phone]
Brazil [phone]
Canada [phone]
China [phone]
Hong Kong [phone]
Czech Republic [phone]/511
Denmark [phone]
Egypt [phone]
Finland, Latvia, Lithuania, Estonia
[phone]
France [phone]
Germany, Austria [phone]
Greece [phone]
Hungary [phone]
India [phone]
Indonesia [phone]
Iran
(Vida) [phone]
(Panasonic Office)
Italy [phone]
Jordan [phone]
Kazakhstan [phone]
Korea [phone]
Kuwait [phone]

[phone]

Lebanon [phone]
Malaysia [phone]
Mexico [phone]
Netherlands [phone]
New Zealand [phone]
Norway [phone]
Pakistan [phone] (SNT)
Palestine [phone]
Panama [phone]
Peru [phone]
Philippines [phone]
Poland [phone]
Portugal [phone]
Puerto Rico [phone]
Romania [phone]
Russia & CIS [phone]
Saudi Arabia [phone]
Singapore [phone]
Slovak Republic [phone]
Slovenia, Albania, Bulgaria, Serbia,
Croatia, Bosnia, Macedonia, Montenegro
[phone]
South Africa [phone]
Spain [phone]
Sweden [phone]
Switzerland [phone]
Syria [phone]/4

SP-HPX250PE1

Taiwan [phone]
Thailand [phone]
Turkey [phone]
U.A.E. (for All Middle East)
[phone]
Ukraine [phone]
U.K. [phone]
U.S.A. [phone]
Vietnam [phone]

Factories of Business Solutions Business Group have
received ISO14001:2004-the Environmental Management
System certification. (Except for 3rd party’s peripherals.)

25K201108ZP-1 Printed in Japan