Panasonic AG-HPX250, AG-HPX255 User Manual

AG-HPX255
AG-HPX250

P2 Handheld Memory Card Camera Recorder

(AG-HPX255P/HPX250P, AG-HPX255EJ/HPX250EJ, AG-HPX255EN/HPX250EN)

1

Shoulder-Type Performance and Functions in a

Full HD (1920 x 1080 Pixels) & 10 bit 4:2:2 Full Sampling Recording

Handheld Camera Recorder for Broadcast Use

The high-performance AG-HPX255/HPX250 P2 handheld camera recorders fill out the P2HD Series by incorporating the newest
technologies throughout — in the lens, camera and recorder sections. The newly developed 22x zoom lens covers a wide
shooting range, from wide-angle to telephoto, and features three manual rings for precise control. Imaging is optimized by the
high-sensitivity, low-noise 1/3-type 2.2-megapixel U.L.T. (Ultra Luminance Technology) 3MOS image sensors. And the
AG-HPX250/HPX255 are the first handheld models to support AVC-Intra codecs. This combination produces a level of
performance that rivals many full-size shoulder-type camera recorders, and adds the high-quality acquisition of Full-HD
(1920 x 1080) in 10 bit, 4:2:2 full sampling. Image expression is also boosted by the Variable Frame Rate (VFR) function, and
system expansion for broadcasting and other production applications is provided by multi-camera synchronizing. The stylish
design of the AG-HPX250/HPX255 adds further to both mobility and operating ease, and opens a new stage for news gathering
and image acquisition. In addition to these specifications, the AG-HPX255 is fully prepared for broadcast use, including camera
remote capabilities when combined with the optional AG-EC4G Extension Control Unit.

28 mm to 616 mm*, 22x Zoom Lens

*35 mm equivalent

2.2-Megapixel U.L.T. Image Sensors

1920 × 1080 10 bit 4:2:2 AVC-Intra Codec

22x Panasonic Lens — Zooming in on New Levels of Image Expression

AG-HPX255/HPX250AG-HPX255/HPX250

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AG-HPX255/HPX250AG-HPX255/HPX250

Packed with Panasonic Optical Technology

The high-performance zoom lens was developed specifically for
professional HD video production. While inheriting the wide-angle
capabilities of the DVX and HVX Series, it adds the same level of
operating ease as you'd expect from an interchangeable lens model for
broadcasting and other professional uses. Combining 18 lens elements in
12 groups, this advanced lens unit further adds a UHR (Ultra High
Refractive) glass element, a low dispersion element and aspherical
lenses. This newest optical technology can provide high resolution.
In addition, it is combined with a unique Panasonic digital signal
processing technology called Chromatic Aberration Compensation
(CAC) to minimize color bleeding in the surrounding image and achieve
rich expression with finely rendered nuances and excellent shading.
Zooming from 28mm to 616mm (35mm equivalent), this 22x zoom lens
covers a wide field of view, from wide-angle to telephoto, without a
conversion lens.

Wide 28 mm Tele 616 mm (22x) 22x optical zoom x

10x digital zoom (220x)

Three Manual Rings — Zoom, Focus and Iris

The lens unit is provided with three rings — a mechanical (cam-driven)
zoom ring, a focus ring, and an iris ring. You can operate them manually
almost like an interchangeable lens including rugged operation of
zoom ring.

Optical Image Stabilizer, Digital Zoom, and ND Filter

• Hand-shake correction with the Optical Image Stabilizer (OIS).

• Digital Zoom function.* It can be assigned to an user button and close

up to 2x, 5x, and 10x. In combination with the optical zoom, this
function provides a telephoto capability up to 220x.

• Four-position (OFF, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density

filter wheel.

* The digital zoom cannot be used while operating the Dynamic Range Stretch (DRS) or Scan Reverse
functions. If either function is operated while digital zooming, the zoom will be automatically turned off.

Also, Flash Band Compensation (FBC) will not operate while digital zooming.

Focus Ring Zoom Ring

Iris Ring

High-Sensitivity, Low-Noise U.L.T. Image Sensor

U.L.T. Image Sensor

High-Sensitivity F10*, 2.2-Megapixel, Low-Noise U.L.T. Image
Sensor and Optimized Signal Processing Circuit

The AG-HPX255/HPX250 feature the Ultra Luminance Technology (U.L.T.)
1/3-type 2.2-megapixel 3MOS image sensor that is incorporated in our

shoulder-type P2HD camera recorders. This advanced image sensor is set
to maximize the performance of the lens and signal processing circuit
under standard shooting conditions. Progressive Advanced Processing
(PAP) technology, which is driven by 3D adaptive processing, has also

been further refined to enable high-sensitivity F10*, low-noise shooting

in dimly lit places.

*AG-HPX255/HPX250 sensitivity is selectable, F10 is PAP Filter Type1 and F7 is PAP Filter Type2 in

59.94Hz mode.
In 50Hz mode, F11 is PAP Filter Type1 and F8 is PAP Filter Type2. The default setting is PAP Filter Type2.

pixels. This lowers power consumption and enables high-speed drive, but
because the exposure timing differs for each line, when an external flash
is used, it tends to produce images where the brightness is divided
between the top and bottom of the image. This is called the flash band

effect. The AG-HPX255/HPX250 are equipped with highly accurate flash
band detection and compensation software. By generating pairs of

frames containing flash bands, and frames in which a flash extends from
the previous frame to the entire screen, and then using the
compensation process to adjust the level, the flash band effect of

MOS-based imagers is eliminated.

Flash

Time Flow

MOS
Image Sensor

Output
Image

1 1

Flash Band

Compensation

2 2

3 3

Process

After
Compensation

Flash Band Compensation

In contrast with the CCD image sensor, which accumulates still images

of single frames that are exposed with identical timing, the MOS image

sensor uses a rolling shutter system that sequentially scans each line of

MOS Output Imager After Compensation Imager

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The High-Quality DSP Matches Image Processing and Quality to match Each Shooting Situation

AG-HPX255/HPX250AG-HPX255/HPX250

AG-HPX255/HPX250AG-HPX255/HPX250

20 bit Digital Signal Processor

The AG-HPX255/HPX250

incorporate a high-performance 20
bit DSP that handles image
rendering processes such as gamma
and various detail enhancement
functions with exceptional
precision.

Dynamic Range Stretch (DRS)

In scenes with mixed contrast, such as when panning from indoors to
outdoors, the DRS function automatically suppresses blocked shadows
and blown highlights. A gamma curve and knee slope are estimated to
match the contrast of each pixel, and applied in real time. When dark,
bright, and intermediate shades are all contained in the same scene, this
produces excellent gradation for each shade and minimizes blocked
shadows and blown highlights.

* The DRS function does not operate in 1080/24p, 1080/25p or 1080/30p mode.

DSP Processor

HD NORM mode

AG-HPX255/HPX250 Gamma Modes

HD NORM: Suitable for standard HD recording.
LOW: Works to flatten out a high contrast scene.
SD NORM: Normal setting for SD.
HIGH: Expands the tone of dark parts and makes a brighter image.

The contrast softens.

B.PRESS: Makes the contrast sharper than LOW.
CINE-LIKE D: The Cine-Like mode shifted to prioritize dynamic range.
CINE-LIKE V: The Cine-Like mode shifted to prioritize contrast.

Other Camera Image Settings

• Variable shutter speed from 1/6 to 1/2000 sec. plus
Synchro Scan function.

• Matrix setting including a Cine-Like mode

• Adjustable H detail level, V detail level, detail coring and

skin tone detail.

• Adjustable chroma level, chroma phase, color temp and

DRS OFF DRS ON

master pedestal.

• Knee point settings: Auto, Low, Mid and High.

Seven Mode Gamma for Richer Gradation

Drawing on technologies developed for the VariCam, Panasonic has
equipped the AG-HPX255/HPX250 with advanced gamma functions
that address seven different shooting scenarios, including two

Cine-Like Gammas.

CINE-LIKE D mode

Rapid Response with Agile Shooting Assist Functions

Advanced Focus Assist Functions

A variety of focus assist functions support quick and accurate focusing in

Manual Focus mode.

• Turbo-Speed One-Push Auto-Focus: Pressing the PUSH AUTO button

enables focusing in 0.5 sec. or less.*

• Focus-In-Red Display: This function emphasizes the image areas in

focus by marking the edges in red.*

1 *2

2

• Expand: Enlarging the center portion increases visibility.

• Focus Bar: This provides a graphical meter display of the focus level.

*1: Focusing time may vary depending on the shooting conditions and object.
*2: You may need to update the AG-HPX250 firmware. Please refer to "Service and Support" on the
Panasonic Website (http://pro-av.panasonic.net/).

Focus Assist OFF Focus Assist ON

Three Position Gain Selector plus 30dB Super Gain Function

There is a three position gain selector, with L, M and H settings. To each

setting you can assign a gain value from 0, +3, +6, +9, +12, +15 and

+18 dB. There is also a Super Gain such as +24 dB and +30 dB.

Scene File / User File

Set Scene dial for an instant set of shooting conditions. Six preset files
are provided, and you can change any of the six file names and their

settings as desired. One set can be stored internally in the AG-HPX255/
HPX250, and four sets on an SD Memory Card. One file with camera

setting values can also be stored internally, and four files on an SD

Memory Card.

Scene File Description

F1: — Standard settings
F2: FLUO. Indoor shooting under fluorescent lights
F3: SPARK Highlighting subjects at receptions, events etc.
F4: B-STR Enhanced gradations of luminance in low light scenes
F5: CINE V Cine-Like setting shifted to prioritize contrast*
F6: CINE D Cine-Like setting shifted to prioritize dynamic range*

* Selecting a scene file does not change the video recording format. If you want to switch to 25p, 24p

and 30p, you must do so as a separate procedure.

Five User Buttons

There are a total of five User buttons: User Main, User 1 to 3 on the top
panel, and User 4 on the rear of the AG-HPX255/HPX250. Based on

user's requirements, customized operation can be set by assigned 18
versatile functions to these user buttons.

User button allotment function

SPOTLIGHT, BACKLIGHT, ATW, ATW LOCK, S.GAIN, D.ZOOM, Y GET, DRS,
TEXT MEMO, SLOT SEL, SHOT MARK, MAG A. LVL, LVL METER, PRE REC, WFM,
LAST CLIP, FBC, LCD B.L.

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Exclusive P2HD High Image Quality: 10 bit, 4:2:2, AVC-Intra 100 Codec

AG-HPX255/HPX250AG-HPX255/HPX250

AG-HPX255/HPX250AG-HPX255/HPX250

Full-Pixel, Full-Sample AVC-Intra Recording

These are the first handheld camera­recorders to support the AVC-Intra
codecs of the P2HD Series for HD
recording of broadcast and movie

images. Featuring a high compression
ratio based on the new MPEG-4 AVC/
H.264 moving picture compression

technology, this advanced system
maintains intra-frame compression to
provide both high image quality and
excellent editing performance.
It offers recording and playback of
both AVC-Intra 100 and AVC-Intra 50 modes, and also supports

DVCPRO HD recording and playback.

•AVC-Intra 100: 1920 x 1080,* 10 bit, 4:2:2

High-quality images with full-pixel HD and full sampling are recorded at

the same bit rate as DVCPRO HD, bringing agile mobility to high-end

production.

•AVC-Intra 50: 1440 x 1080,* 10 bit, 4:2:0

Image quality is the same level as DVCPRO HD, but with the SD (DVCPRO

50) bit rate. You get twice the recording time of DVCPRO HD, and about

half the required data transmission time.

* These figures are for 1080i/p mode. The AG-HPX255/HPX250 also supports 720p mode.

AVC-Intra Codec LSI

Multi-Format Recording with Native 24p/25p Support and More

•Native recording modes: In addition to 1080/59.94i with the AVC-Intra
codec, native recording is supported at 1080/23.98p or 1080/29.97p and
1080/25p. In 720p, native recording is possible for both DVCPRO HD and

AVC-Intra, making it possible to extend recording time by 2 to 2.5 times
in comparison with pull-down recording.

*Camera through output and playback image output are pulled-down 59.94 (50) frames.

•Pulldown record mode: This VariCam-compatible mode records*1 with

the DVCPRO HD codec. A 2:3 pulldown is applied to 23.98p, and a 2:2
pulldown is applied to 29.97p, to record 1080/59.94i or 720/59.94p and
1080/25p over 50i or 720/25p over 50p. The 23.98pA (2:3:3:2 advanced

pulldown) mode is also supported, allowing editing on applicable
nonlinear systems*

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with little image degradation.

•59.94Hz/50Hz selector: Supports worldwide HD/SD production.

•SD image acquisition: The DVCPRO 50/DVCPRO/DV multi-codec

enables 480/576 image acquisition, with aspect ratio conversion. Select
from Side Crop, Letter Box and Squeeze modes.

*1: Not compatible with the AVC-Intra codecs.
*2: See the following website for details on applicable systems.
http://pro-av.panasonic.net/en/sales_o/p2comp/index.html

High Quality/16 bit, Four Channel Digital Audio

The AG-HPX255/HPX250 can record high quality/16 bit digital audio on

all four channels. You can freely select the audio source for each

channel, choosing from built-in mic, external mic and line-in. Level

volume is also supported on all four channels.

P2 Card Recording Boasts High Reliability and Easy Operation

Double Slot System with Two P2 Card Slots

In addition to allowing continuous recording onto two P2 cards, this
system offers the following functions.

• Card select: The recording slot can be switched in Standby mode.

• Hot-swap recording: The card in the standby slot can be exchanged

while the other card is being recorded on.

P2 Card Recording Offers High Reliability
and a Proven Record for Broadcasting

The P2 card was originally developed for

broadcast use. In addition to its large 64 GB*

capacity, it strongly resists impacts, vibration and
temperature changes, and withstands repeated
recording and initialization cycles for extended
recording use. The card connector section is
designed specifically for professional use,
resulting in extremely high durability for insertion
and removal. The P2 card and P2HD Series are
widely used in broadcast and movie production
studios and have a proven track record for
reliability, durability and easy operation.

*Total card capacity includes space for data management such as system data; therefore, the actual
usable area is less than the capacity indicated on the card.

Versatile MXF File-Based Recording

File-based recording onto memory cards enables high-speed starts,

recording starts with no need for cueing, and protection against

accidental data overwriting. The recorded data is organized into MXF

files. The files can be transferred to a nonlinear editor or over a network
without the need for digitizing.*

*PCs must be installed with the included P2 driver in order to mount P2 cards. For editing, PCs must be
installed with P2-compatible editing software available from various companies. Read "Notes Regarding
the Handling of P2 Files Using a PC" on the back page.

AG-HPX255/HPX250 Recording Format & Recording Time

Codec & Recording Time (with two 64 GB P2 Card)

HD Format

1080/59.94i —
1080/29.97p over 59.94i 2-2 — —
1080/23.98p over 59.94i 2-3 — —
1080/23.98pA over 59.94i 2-3-3-2 — —
1080/29.97pN (Native)*
1080/23.98pN (Native)*
1080/50i —
1080/25p (over 50i) — — —
1080/25pN (Native)*
720/59.94p —
720/50p — Approx. 128 min. Approx. 256 min.
720/29.97p over 59.94p*
720/25p over 50p*
720/23.98p over 59.94p*
720/29.97pN (Native)*
720/25pN (Native)*
720/23.98pN (Native)*

SD Format

480/59.94i —
480/29.97p over 59.94i 2-2
480/23.98p over 59.94i 2-3
480/23.98pA over 59.94i 2-3-3-2
576/50i —
576/25p (over 50i) 2-2

*1: Native modes record only the effective frames.
*2: When you select 24 FRAME/30 FRAME in VFR mode in DVCPRO HD 59.94p mode.
*3: When you select 25 FRAME in VFR mode in DVCPRO HD 50p mode.

Pull
down

DVCPRO HD AVC-Intra 100 AVC-Intra 50

Approx. 128 min.

1

— — Approx. 128 min. Approx. 256 min.

1

— — Approx. 160 min. Approx. 320 min.

1

2

3

2

1

1

1

Approx. 128 min.

— — Approx. 128 min. Approx. 256 min.

2-2 — —

Approx.128 min.
2-2 — —
2-3 — —
—

Approx. 256 min. Approx. 256 min. Approx. 512 min.

—
— Approx. 320 min. Approx. 320 min. Approx. 640 min.

Codec & Recording Time (with two 64 GB P2 Card)

Pull
down

DVCPRO 50 DVCPRO DV

Approx. 256 min. Approx. 512 min. Approx.512 min.

Approx. 256 min. Approx. 512 min. Approx. 512 min.

Approx. 128 min. Approx. 256 min.

Approx. 128 min. Approx. 256 min.

Approx. 128 min. Approx. 256 min.

5

Variable Frame Rate Function Enhances the Image Expression

AG-HPX255/HPX250AG-HPX255/HPX250

AG-HPX255/HPX250AG-HPX255/HPX250

REC START REC START REC START

REC START

REC STOP REC STOP REC STOP

Single Clip

…………max. 99
consecutive cuts

TEXT MEMO 2TEXT MEMO 1 TEXT MEMO 3 TEXT MEMO 4

Variable Frame Rate — Also Supported in 1080p Mode

The Variable Frame Rate (VFR) function was inherited from the Panasonic

VariCam, which is widely used for producing movies, TV series, and TV
commercials. It creates a wide range of film-camera-like images, such as
overcranking for slow-motion and undercranking for quick-motion
effects.

Image Modes and Variable Frame Rates

1080/59.94i, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/27/
28/30 fps (frames per second)

1080/50i, 25p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
720/59.94p, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/

27/28/30/32/34/36/40/44/48/54/60 fps
720/50p, 25p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25/

26/27/28/30/32/34/37/42/45/48/50 fps

Undercranking (lower-speed shooting) Overcranking (higher-speed shooting)

• Normal cinematic shooting (at 24 fps, 25 fps or 30 fps) refers to the

same rate as used in film cameras. The AG-HPX255/HPX250 can record
in 24 fps. Note that 25 fps and 30 fps are the standard frame rates used

in the production of TV commercials, music clips and video media.

• Overcranking (higher-speed shooting) produces a slow-motion effect.
This is especially effective for high-action scenes like car chases or

crashes, or to create a dramatic impact in a scene. For example, when a
scene is shot at 48 fps and played at 24 fps, a slow-motion effect of
1/2x is attained.

• Undercranking (lower-speed shooting) gives you a quick-motion
effect. This technique can be combined with a warp-speed effect to give

special emphasis to flowing water, fast-moving clouds, etc. For example,
when a scene is shot at 12 fps and played at 24 fps, a quick-motion

effect of 2x is attained.

Versatile Recording Functions Enabled by File-Based Recording

One-Clip Rec Mode

Whereas normal Rec mode produces a clip for each Rec start/stop cut,
One-Clip Rec mode records up to 99 consecutive cuts as a single clip,

which greatly improves the nonlinear editing work that follows. A text
memo is automatically attached when recording begins, making it easy to
find desired cuts within the clip.

Clip Thumbnail Display and Clip Editing

Recorded clips are automatically allocated a thumbnail image and

metadata. This lets you display the thumbnail images on the LCD

monitor, delete clips, and confirm or edit metadata (using the built-in

Software Keyboard function).

• Last clip delete: The clip that was most recently recorded is deleted
with a single touch.

• Rec check: The beginning and ending of the clip that was most
recently recorded are checked with a single touch.

Shot Marker and Text Memo*

• Shot marker: Clips can be marked during or after recording. When
mounted to a PC,*

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the user can display only the marked clips if desired.

• Text memo: This lets you post a memo on any scene of any clip, up to
100 memos in all, similar to a sticky note.

*1: Shot marker and text memo cannot be used in loop rec, interval rec, or one-shot rec.
*2: When using P2 viewer, a Windows PC viewing application that can be downloaded free of charge by

P2 users. See the following website for details.

http://pro-av.panasonic.net/en/sales_o/p2/index.html

1

Recording Modes That Meet a Wide Variety of Needs

• Loop rec: This repeatedly re-records a particular recurring time slot,
always maintaining a recording of the most recent period.

• Pre-rec*: While in standby mode, you can continuously store, and

subsequently record, up to 3 seconds in HD (7 seconds in SD). This will

help you to get the shot you want every time.

• Interval rec*: This gives you automatic intermittent recording based on
a set interval and recording time.

• One-shot rec*: This frame-shot recording function is useful for
producing animations.

• Time stamp: The date and time can be stamped onto recorded images.
Commonly used for evidential images.

* These functions cannot be used during Variable Frame Rate recording.

6

Proxy Image Recording and Wireless Connection Option*1 (Available Soon)

AG-HPX255/HPX250AG-HPX255/HPX250

AG-HPX255*

1

AG-HPX250*

1

FOCUS

FS-P250

SDI

PC such as
Panasonic

Toughbook

MacBook Air etc.

Tablet terminal
such as iPad

Wireless LAN

IEEE802.11b/g

Smartphone*

4

such as iPhone

Portable media player*

4

such as iPod Touch

AJ-WM30

Wireless Module

Focus FS-P250 (by VITEC) Proxy File Recorder
(Optional/Available Soon)

The optional Focus FS-P250 Proxy Recorder (available
soon) is compatible with the AG-HPX255/ HPX250
camera recorders. The Focus FS-P250 records proxy files
onto SD/SDHC memory cards in parallel with the AVC-Intra or DVCPRO

format files recorded onto the P2 cards in the camera recorder.*
proxy files are compatible with P2 file format and are linked to the P2
footage via filename, ID and metadata. This allows the proxy files to be
easily used for offline editing applications; the editor only needs to
replace the proxy data with P2 data before rendering the final video
production.*

3

The Focus FS-P250 supports high quality video (Quick Time/
H.264) and audio formats (see chart below) at a low bit rate. The Focus
FS-P250 high quality proxy files can be used for breaking news and other
scenarios that would benefit from proxy workflows. Moreover, the Focus
FS-P250 streamlines production workflow by allowing the editor to

review the content details during offline editing.

2

The

Proxy Viewing by Wireless Connection
(Optional/Available Soon)

The Focus FS-P250 Proxy Recorder also features a wireless web
interface. When using the AJ-WM30 Wireless Module with the Focus
FS-P250, proxy files can be streamed / viewed via standard web browser
on a PC/Mac, tablet, or smartphone.*
metadata can be added to the proxy files. Using a PC/Mac also enables a

cloud-based workflow by uploading and sharing video data via a network.

4

While viewing the streamed files,

*Optional bracket is required for mounting to a
camera recorder.

FS-P250 Recording Format

*1: You may need to update AG-HPX255/HPX250 firmware. Please refer to "Service and Support" on the
Panasonic Website (http://pro-av.panasonic.net/).
*2: Proxy data cannot be recorded when using the Loop REC or Interval REC function. Proxy data is a

low-resolution video and audio data with time code, metadata, and other management data in a file
format.

*3: It doesn't guarantee the zero frame error. For the latest information about offline editing support, see
"Service and Support" on the Panasonic website.

Mounts to the camera recorder's accessory
shoe. (This application example also shows
the AJ-WM30 Wireless Module attached.)

Mode Wrapper

5

SHQ*

5

HQ*

5*6

LOW*

LOW (NTSC)*

LOW (PAL)*

MOV 960 x 540 Progressive 30/25/24 fps High 3 to 4 Mbps 2 CH 48 kHz Linear PCM

MOV 640 x 360 Progressive 30/25/24 fps High 1.5 Mbps 2 CH 64 kbps, 48 kHz AAC-LC

MOV 480 x 270 Progressive 30/25/24 fps Baseline 800 kbps 2 CH 64 kbps, 48 kHz AAC-LC

7

MOV 352 x 240 Progressive 30 fps Baseline 800 kbps 2 CH 64 kbps, 48 kHz AAC-LC

7

MOV 352 x 288 Progressive 25 fps Baseline 800 kbps 2 CH 64 kbps, 48 kHz AAC-LC

resolution Scanning Mode Frame Rate H.264 Profile Bit Rate CH Bit Rate Codec

Focus FS-P250

Proxy Recorder (Manufactured by VITEC)

• Records P2-compatible proxy video files (.MOV/H.264).

• Includes a built-in wireless web interface. When used with the
optional AJ-WM30 Wireless Module, the Focus FS-P250 allows a
PC/Mac or iOS device to view the proxy files and input metadata.

• High quality, low-bit-rate files enable faster media sharing and video

uploading.

• Compact size and light weight (approx. 320 g/approx. 0.71 lb).

• Battery powered and AC adaptor operation.

• Equipped with SDI (HD/SD) input and loop-through output.

• Includes desktop application for a PC/Mac that allows the user to

manage and synchronize the metadata form both the P2 and proxy files.

Specications (Tentative, as of June 2012)

Power Source: DC 12 V
Power Consumption: 3.6 W for main unit only,

4.2 W with AJ-WM30 Wireless Module

Dimensions (WxHxD): 84 mm x 34 mm x 135 mm
(3-5/16 inches x 1-3/8 inches x 5-3/8 inches)

Weight: Approx. 210 g (approx. 0.46 lb) for main unit only,

Approx. 320 g (approx. 0.71 lb) with battery pack

Video Audio

*4: For the latest information, see "Service and Support" on the Panasonic website
(http://pro-av.panasonic.net/).
*5: SHQ/HQ/LOW are HD modes. When the camera recorder recording in SD mode, these modes cannot

be selected.

*6: The resolution for 720/60p and 720/50p input is 320 x 180, and the frame rate is 60 fps and 50 fps,

respectively.

*7: When the camera recorder records in SD (NTSC), the proxy will be recorder in LOW (NTSC). When it
records in SD (PAL), it will be recorded in LOW (PAL). No other modes can be selected.

7

A Camera Remote Function Prepares the AG-HPX255 for Studio Use

AG-HPX255AG-HPX255

AG-HPX255/HPX250AG-HPX255/HPX250

BT-LH910G

LCD Monitor etc.

AG-EC4G

Extension Control Unit

VBS10-pin C able (10m/ 50ｍ)

→ Camer a Image
← Remote Control

AG-HPX255

New 10-pin Remote Terminal

A remote terminal is provided for

the optional AG-EC4G Extension

Control Unit. This enables camera
settings to be made and recording
to be controlled while watching the
monitor at the remote end.* This
handheld unit also supports studio
integration.

AG-HPX255 Remote Tterminal

*Only functions that are supported by the AG-HPX255 can be controlled.

AG-EC4G

Extension Control Unit

• Compatible camera recorders: AG-HPX255, AG-HPX370 series,

AG-HPX500 series, AJ-HPX3100G

• The maximum length of the remote control cable is 50 m (164 feet).

• A 10 m (32 feet) remote cable is bundled.

• The AG-EC4G is both compact and light at 630 g (1.4 lb).

Control Functions

Camera Settings: Gain Up/Down, White Balance A/B/Preset Selection and
AWB/ABB Execution, Iris Auto/Manual Selection and
Adjustment, Master Pedestal, Painting,
Shutter SS/Fix/Off Selection and Speed Setting

Operation: Menu Operation, User Buttons (x3),
Rec/Play/FF/Rew/Rec Check

Monitor Output: Cam/Bar Select (linked to Auto Knee), Character On/Off

Specications

Power Supply: DC 12 V
Power Consumption: 2.5 W
Weight: 630 g (1.4 lb)
Dimensions (WxHxD): 82 mm x 180 mm x 56 mm

(3-1/4 inches x 7-1/8 inches x 2-1/4 inches)

excluding knobs

High Resolution and High Brightness Color Viewfinder and LCD

High Resolution and High
Brightness Color Viewfinder
and LCD

The AG-HPX255/HPX250's color
EVF uses a 11.43 mm (0.45 inches),

approximately 1,226,000

dot-equivalent (852 x 480 x 3
[RGB]) LCOS (liquid crystal on

silicon) display panel. It delivers
bright, detailed, high-resolution

LCOS Color EVF

images and a high response speed.

High Resolution LCD Monitor

The AG-HPX255/HPX250's LCD
monitor has a 87.63 mm (3.45

inches), approximately

921,000-dot (1920 x 480) high-

resolution panel.

Color LCD Monitor

Simplified Waveform and Vectorscope Display

The AG-HPX255/HPX250 have Waveform and Vectorscope Display
functions for the captured video signal on the LCD monitor.

Waveform Vectorscope

Other Functions

• White Balance Selector: Two values (A/B) memory and one value preset.

• ATW (Automatic Tracing White balance) function.

• Mode check: Displays a list of the camera settings on the viewfinder

and LCD monitor.

• Zebra: Select any two levels from among 50% to 109%, in 1% steps.

• Y-GET: Measures brightness at the screen center and displays precise

numerical data.

• Tally lamps: Provided on the unit's front and rear.

8

AG-HPX255/HPX250AG-HPX255/HPX250

System Functions for Multi-Camera and Other Broadcast Applications

AG-HPX255/HPX250AG-HPX255/HPX250

TC IN/OUT

The TC value of the
camera 2 and 3 are
matched to the camera 1

GENLOCK

HD SDI OUT

REMOTE

MONITOR
(VBS)

GENLOCK IN

Switcher/AV Mixer

AG-HPX255

AG-HPX255

AG-HPX255

AG-EC4G

Monitor

Multi-Camera Synchronizing with Genlock IN and TC IN/OUT

These handheld cameras support a multi-camera configuration. They

feature a built-in SMPTE time-code generator/reader, TC input/output,

and Genlock input for multi-camera recording with time-code
synchronization. Images can be synched and output to a switcher,
providing the same level of operation as many shoulder-type models.

Digital A/V Output with SDI and HDMI

• SDI OUT (HD/SD): Allows camera-through output during HD/SD

recording, or outputs high-quality 10 bit, 4:2:2 images for playback of
AVC-Intra 100 footage. Includes embedded audio, and supports Rec S/S

linked backup recording with a Panasonic recorder equipped with HD SDI
input. When outputting SD SDI down-converted from an HD source, the
Aspect Ratio Conversion mode can also be selected.

• HDMI OUT: This is a next-generation interface for HD video and audio.

It allows digital A/V output from a wide range of devices with both

professional and consumer specifications.

• VIDEO OUT: SD composite output. HD playback is down-converted.

Other Interfaces

• USB 2.0 HOST: This allows files to be copied between an external HDD

and a P2 card *
the HDD.

• USB 2.0 DEVICE: Uploads P2 card files to a PC/Mac.

• DVCPRO/DV (IEEE 1394): Enables backup recording and dubbing by

inputting or outputting a DV stream, including DVCPRO HD.*

• Camera Remote: Controls focus, iris, zoom and REC start/stop.

• XLR audio input: 2-channel mic/line inputs supporting 48V phantom

power supply.

*1: AG-HPX255EJ/HPX250EJ don't support to copy the files onto a P2 card via USB 2.0.
*2: Excluding 720p native mode. Does not support AVC-Intra input/output. Also does not output loop rec,
interval rec or one-shot rec content. AG-HPX255EJ/HPX250EJ don't support input.

1

, and lets you view the thumbnails of P2 files saved onto

2

Advanced Design and Versatile Specifications Facilitate Interviews and Production Work

A multi-camera system using GENLOCK synchronization

(only the AG-HPX255 is able to use the AG-EC4G and monitor).

A multi-camera system using TC IN/OUT synchronization.

New, Stylish Design Boosts Mobility

Even with its high-powered zoom lens, the integrated camera and

recorder sections are compact and stylish. Shifting the handle grip and

LCD position forward (toward the lens) has improved the weight balance

and visibility for handheld shooting, enabling a comfortably wide view.
The magnesium alloy die cast chassis also excels in both ruggedness and
durability.

Low-Angle Shots and Interviews

• The upper part of the handle grip contains both the Rec Start/Stop

button and a lens zoom speed control (three speed levels). This design
assures easy shooting even at low angles.

• The LCD monitor mirror mode is convenient when shooting interviews.

9

P2HD Interview and Recording Workflows Using the AG-HPX255/HPX250

AG-HPX255/HPX250AG-HPX255/HPX250

P2 Viewer

P2 CMS

HDD

AJ-PCD30

AG-HPX255
AG-HPX250

USB 2.0 (DEVICE)

USB 2.0 (HOST)

USB 3.0

P2 card

IEEE 13 94 (AVC)

P2 Viewer Note PC/

P2 CMS Mac

USB 2.0*

eSATA

P2 card

(Blank)

P2 card

(Recorded)

AG-MSU10

SSD

NLE

AJ-PCD30
AJ-PCD35

USB 3.0
PCI ExpressP2 drive

AG-HPX255
AG-HPX250

USB 3.0

P2 card

(Blank)

P2 card

(Recorded)

AG-HPD24

LCD Monitor

HDD HDD

NLE

P2 drive

HD SDI

AG-HPX255
AG-HPX250

AJ-PCD30
AJ-PCD35

USB 3.0
PCI Express

P2 card

Internet

NLE

FOCUS

FS-P250

SDI

PC/Mac

iOS Device

AJ-WM30

AG-HPX255*

1

AG-HPX250*

1

P2 drive

AJ-PCD30
AJ-PCD35

USB 3.0
PCI Express

SDXC/SDHC/SD Memory card

USB 2.0

e-SATA

P2 card

(Blank)

P2 card

(Recorded)

AJ-HPM200

P2/AVCHD*

File

Internet

FPU

HDD HDD

HD SDI

NLE/Server

AG-HPX255
AG-HPX250

With a Portable HDD or Notebook PC

Files recorded by the AG-HPX255/HPX250 can be copied using
only a portable HDD. Or, a notebook PC* can be used for viewing

the results and editing metadata and text memos.

* A Windows PC or Mac with P2 Viewer or P2 CMS (available free of charge) installed.
* For details, see the rear cover page (Notes Regarding the Handling of P2 Files Using a PC).

A Workflow Using the AG-MSU10 Mobile Storage Unit

By copying files at high speed to an SSD, the card can be reused, and the

files can be uploaded directly from the SSD to a PC.

* The optional AG-MBX10G Removable Interface Box is required to connect the SSD to a nonlinear editor via
USB 2.0 or eSATA.

A Proxy and Wireless Workflow
(FOCUS FS-P250)

The Focus FS-P250 Proxy Recorder
(manufactured by VITEC) records

low-bit-rate proxy files in parallel
with P2 card recording.* This can be
conveniently used for news flashes
or offline editing. Attaching the

AJ-WM30 Wireless Module makes it

possible to view proxy images and

edit metadata on a PC/Mac, tablet,
or smartphone. Using a PC or Mac

computer also enables a cloud-based
workflow by uploading data to a
network.

* You may need to update AG-HPX255/HPX250
firmware. Please refer to "Service and Support" on
the Panasonic Website (http://pro-av.panasonic.net/).

Field Recording Workflow for
TV Program Production

Combination with the AG-HPD24 P2

deck provides a variety of functions,
including backup recording, viewing,
metadata editing, and high-speed
copying to an external HDD.

News Workflow — Interviews,
Flash Reports, and Data
Transmission

The AG-HPX255/HPX250's file-based

format allows full use of IT
infrastructures for instantaneous
response and operation.

The AJ-HPM200 Memory Card
Portable Recorder/Player supports

everything from on-location news
production to on-air broadcasting,
network transmission, and copying
to an HDD.

* The optional AJ-YCX250G AVCHD Codec Board is

required for AVCHD file conversion and output.

10

Optional Accessories and P2HD Series Equipment

As of June, 2012

AG-MC200G

XLR Microphone

•Sensitivity: –40 dB ±3.5 dB
(0 dB=1V/Pa, 1 kHz)

•Maximum input level: 127 dB

(1000 Hz, distortion within 1%)

•S/N: more than 69 dB

CGA-D54/CGA-D54s

Battery Pack
(5,400 mAh)

AG-B25

AC Adaptor Kit*

AJ-P2E064FG
AJ-P2E032FG
AJ-P2E016FG

Memory Card (P2 card F series)

1

NEW

NEW

NEW

AJ-PCD30

Memory Card Drive
“P2 drive”

Three slots drive with USB 3.0 interface

for high-speed 1.5 Gbps data transfer.

AJ-PCD35*

3

Memory Card Drive
“P2 drive”

High-speed PCI Express interface.

AG-MSU10

Mobile Storage Unit
“P2 MSU”

Fast copying from P2 cards to a

removable solid-state drive*

3

.
It simplifies backing-up P2 content in
the field.

AG-HPD24

Memory Card Portable Recorder
“P2 portable deck”

Equipped with USB 3.0 and RS-422A

interfaces, this compact two slots
P2 deck supports 3D recording.

SD/SDHC Memory Card

AJ-HPM200

Memory Card Recorder/Player
“P2 mobile”

Advanced P2 mobile with versatile
functions such as networking, AVCHD
compatibility (option) and eSATA
interface.

P2 Viewer 3.6

Viewing Software
(download free)

Supports P2 HD. This Windows PC
utility makes it easy to view and copy

P2 files and edit Metadata.*

2

AJ-WM30

Wireless Module*

4

Use with the optional Focus FS-P250

Proxy Recorder allows streaming
playback and metadata input on a

PC/Mac or iOS device.

P2 CMS 1.4

Content Management Software
(download free)

Easy to Ingest and Manage P2

Content. The newest version is

compatible with Mac OS X 10.6
“Snow Leopard”.*

*1: It can be used as a battery charger only. It cannot be used as a AC adaptor for AG-HPX255/HPX250. *2: For P2 Viewer or P2 CMS download and operating requirement information, visit WEB site http://pro-av.
panasonic.net/en/index.html
*3: Use a commercially available removable SSD that is recommended by Panasonic. In addition to the removable SSD interface box that comes with the AG-MSU10 as a standard accessory, an additional
AG-MBX10 can be purchased as an option. Do not use a hard disk drive instead of an SSD. For compatible SSD information, please refer to the following WEB site: http://pro-av.panasonic.net/en/sales_o/p2/
ag-msu10/
*4: You may need to update AG-HPX255/HPX250 firmware. Please refer to "Service and Support" on the Panasonic Website (http://pro-av.panasonic.net/).

2

AG-HPX255/HPX250 Specifications

General Specication

Supply Voltage: DC 7.2 V (when the battery is used)
DC 7.9 V (when the AC adaptor is used)

Power Consumption: AG-HPX255: 15.0 W (when the LCD monitor is used)

17.5 W (when the LCD monitor and
AG-EC4G are used)
AG-HPX250: 15.0 W (when the LCD monitor is used)

Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Operating Humidity: 10% to 80% (no condensation)
Weight: Approx. 2.5 kg (5.5 lb)

excluding battery and accessories

Dimensions (W x H x D): 180 mm x 195 mm x 438 mm
(7 inches x 7-11/16 inches x 17-1/4 inches)

excluding battery, accessories and protrusions

Camera Section

Pickup Devices: 1/3-type progressive, 2.2-megapixel, 3MOS sensor
Effective Pixels: 1920 (H)×1080 (V)
Lens: Optical image stabilizer lens, 22x motorized zoom,

F1.6 – 3.2 (f=3.9 mm – 86 mm),
35 mm conversion: 28 mm – 616 mm (16:9)

Filter Diameter: 72 mm
Optical System: Prism color separation
ND lter: OFF, 1/4, 1/16, 1/64
Minimum Shooting Distance:
Hood: Large-sized lens hood with wide angle of view
Gain Settings: 0/+3/+6/+9/+12/+15/+18/+24/+30 dB,

(+24 dB, +30 dB: USER SW allocation only)
Shutter Speed Settings: • 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250,

1/500, 1/1000, 1/2000 sec.

• 30p mode: 1/30 (OFF), 1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 24p mode: 1/24 (OFF),1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 50i/50p mode: 1/50 (OFF),1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

• 25p mode: 1/25 (OFF),1/50, 1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.

Slow Shutter: • 60i/60p mode: 1/15 sec., 1/30 sec.

• 30p mode: 1/7.5 sec., 1/15 sec.

• 24p mode: 1/6 sec., 1/12 sec.

• 50i/50p mode: 1/12.5 sec., 1/25 sec.

• 25P mode: 1/6.25 sec., 1/12.5 sec.
Synchro Shutter: • 60i/60p mode: 1/60.0 sec. to 1/249.8 sec.

• 30p mode: 1/30.0 sec. to 1/249.8 sec.

• 24p mode: 1/24.0 sec. to 1/249.8 sec.

• 50i/50p mode: 1/50.0 sec. to 1/250.0 sec.

• 25p mode: 1/25.0 sec. to 1/250.0 sec.
Shutter Opening Angle: 3 degrees to 359.5 degrees in 0.5 degree increments
Frame Rates: • 59.94 Hz mode:

1080p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30 fps (frames per second) 17 step
720p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30/32/34/36/40/44/48/54/60 fps, 25 step

• 50 Hz mode:
1080p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
(frames per second) 14 step
720p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25/
26/27/28/30/32/34/37/42/45/48/50 fps, 25 step

Sensitivity: • 59.94 Hz mode:
F7 (1080/59.94i, P.A.P FILTER: TYPE2)
F10 (1080/59.94i, P.A.P FILTER: TYPE1)

• 50 Hz mode:
F8 (1080/50i, P.A.P FILTER: TYPE2)
F11 (1080/50i, P.A.P FILTER: TYPE1)

Minimum Illumination: 0.2 lx (F1.6, Gain +30 dB, shutter speed 1/30 sec.,
P.A.P FILTER: TYPE1)

Digital Zoom: ×2, ×5, ×10

Memory Card Recorder Section

Recording Media: P2 card
Recording Formats: AVC-Intra 100/AVC-Intra 50/DVCPRO HD/

DVCPRO50/DVCPRO/DV formats switchable
Recording/Playback Time*

with a 64 GB P2 card AVC-Intra 50/DVCPRO50: approx. 128 min
DVCPRO/DV: approx. 256 min

Approx. 1 m

(at 2000 lx, 3200 K, 89.9% reection)

(at 2000 lx, 3200 K, 89.9% reection)

1

: AVC-Intra 100/DVCPRO HD: approx. 64 min

As of June, 2012

Recording/Playback Time*1: AVC-Intra 100/DVCPRO HD: approx. 32 min
with a 32 GB P2 card AVC-Intra 50/DVCPRO50: approx. 64 min
DVCPRO/DV: approx. 128 min

Recording/Playback Time*
with a 16 GB P2 card AVC-Intra 50/DVCPRO50: approx. 32 min
DVCPRO/DV: approx. 64 min

Digital Video Specication

Recorded Video Signals: 1080/59.94i, 1080/29.97p, 1080/29.97pN,
1080/23.98p, 1080/23.98pA, 1080/23.98pN,
720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p,
720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p,
480/23.98pA, 1080/50i, 1080/25p, 1080/25pN,
720/50p, 720/25p, 720/25pN, 576/50i, 576/25p

Sampling Frequency: AVC-Intra 100/DVCPRO HD:
Y: 74.1758 MHz, P
Y: 74.2500 MHz, P
DVCPRO50: Y: 13.5 MHz, P
DVCPRO: Y: 13.5 MHz, P

Quantizing: AVC-Intra 100/AVC-Intra 50: 10 bits
DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits

Video Compression: AVC-Intra 100/AVC-Intra 50:
MPEG-4 AVC/H.264 Intra Prole
DVCPRO HD: DV-Based Compression (SMPTE 370M)
DVCPRO50/DVCPRO:
DV-Based Compression (SMPTE 314M)
DV: DV Compression (IEC 61834-2)

Digital Audio Specication

Recording Audio Signal: AVC-Intra 100/AVC-Intra 50/DVCPRO HD:
48 kHz/16 bits, 4CH
DVCPRO50: 48 kHz/16 bits, 4CH
DVCPRO/DV: 48 kHz/16 bits, 2CH/4CH switchable

Video Input/Output

GENLOCK IN: BNC × 1, 1.0 V [p-p], 75Ω
VIDEO OUT: Pin jack × 1, 1.0 V [p-p], 75Ω
SDI OUT: BNC × 1, 0.8 V [p-p], 75Ω, HD/SD switching via menu,

10 bit 4:2:2 via camera through out
HDMI OUT: HDMI TypeA

Audio Input/Output

Built-In MIC IN: Supports stereo microphones
AUDIO IN: XLR 3 pin × 2 (INPUT 1, INPUT 2)

LINE/MIC/+48 V switchable,
LINE: 0 dBu,
MIC: –40 dBu/–50d Bu/–60 dBu switching via menu

AUDIO OUT: Pin jack × 2 (CH1/CH2), Output: 316 mV, 600 Ω
Headphone: ø3.5 mm stereo mini jack × 1
Internal Speaker: 20 mm diameter × 1

Other Input/Output

REMOTE: 10 pin, for AG-EC4G (AG-HPX255 only)
TC IN/OUT: BNC× 1,

IN: 0.5 V [p-p] to 8 V [p-p], 10 kΩ
OUT: low impedance, 2.0±0.5 V [p-p]

CAM REMOTE: 2.5 mm diameter, Super mini jack × 1 (ZOOM, S/S)

3.5 mm diameter Mini jack × 1 (FOCUS, IRIS)
IEEE 1394*
USB 2.0 (DEVICE)*
USB 2.0 (HOST)*

Monitor, EVF and Seaker

LCD Monitor: 87.63 mm (3.45 inches) color LCD monitor
with approx. 921,000 dots (16:9)

EVF: 11.43 mm (0.45 inches) color LCD monitor
with approx. 1,226,000 dots (16:9)

Included Accessories

AC adaptor Battery charger, AC cord, DC cord, 5400 mAh battery pack,
Wireless remote controller with button-type battery, Microphone holder,
Eye cup, Shoulder strap, P2 card driver software install CD-ROM

*1: The Recording/playback times listed are continuously recorded time as one clip. The number of

recording clips may reduce the recording time.

*2: AG-HPX255EJ/HPX250EJ don't support input via IEEE 1394 and USB 2.0.

Weight and dimensions are approximate. Specifications are subject to change without notice.

2

: 6 pin, digital input/output (compliant with IEEE 1394)

1

: AVC-Intra 100/DVCPRO HD: approx. 16 min

: 37.0879 MHz (59.94 Hz)

B/PR

: 37.1250 MHz (50 Hz)

B/PR

2

: Type-miniB, 4 pin USB (compliant with USB ver. 2.0)

2

: Type-A, 4 pin USB (compliant with USB ver. 2.0)

B/PR

: 3.375 MHz

B/PR

: 6.75 MHz

11

AG-HPX255/HPX250 Details

AG-HPX250

12

AG-HPX250

AG-HPX255

AG-HPX250 AG-HPX250

Notes Regarding the Handling of P2 Files Using a PC

http://pro-av.panasonic.net/

Please refer to the latest Non-linear Compatibilty Information,

P2 Support, Downlord and Service Information, etc. at the following Panasonic web site.

Mounting and Transferring Files

The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files
stored on a hard-disk device, such as the P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer
to the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from the following Panasonic website. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and
click "P2 Support and Download."

Preview and Nonlinear Editing

To preview (play) P2 files on a PC, it is necessary to install the P2 Viewer software (downloadable for free, for Windows only) or P2 CMS content management software (downloadable for free, for both
Windows and Mac), both from Panasonic, or P2-compatible editing software available from other companies (for details, visit https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2/partners.html).
Note that each software places specific requirements on the operating environment, and the operating environment must meet additional requirements to play and edit HD content on Windows PCs
and Macs. For P2 Viewer or P2 CMS download and operating requirement information, visit https://eww.pavc.panasonic.co.jp/pro-av/. For operating requirements and details of other P2 editing
software, visit the website of the relevant software manufacturer.

*P2HD, AVC-Int ra, DVCPRO HD” an d “DVCPRO 50” logo are reg istered trademarks of Pa nasoni c Corporation. SD Lo go is a trademark. SDH C logo mar ks are a regi stered trademarks.

Panasonic Corporation
Professional AV Business Unit

2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan

http://pro-av.panasonic.net/

[Countries and Regions]

Argentina [phone]
Australia [phone]
Bahrain [phone]
Belgium [phone]
Brazil [phone]
Canada [phone]
China [phone]
Hong Kong [phone]
Czech Republic [phone]/511
Denmark [phone]
Egypt [phone]
Finland, Latvia, Lithuania, Estonia
[phone]
France [phone]
Germany, Austria, Switzerland
[phone]
Greece [phone]
Hungary [phone]
India [phone]
Indonesia [phone]
Iran
(Vida) [phone]
(Panasonic Office)
Italy [phone]
Jordan [phone]
Kazakhstan [phone]
Korea [phone]

[phone]

Kuwait [phone]
Lebanon [phone]
Malaysia [phone]
Mexico [phone]
Netherlands [phone]
New Zealand [phone]
Norway [phone]
Pakistan [phone] (SNT)
Palestine [phone]
Panama [phone]
Peru [phone]
Philippines [phone]
Poland [phone]
Portugal [phone]
Puerto Rico [phone]
Romania [phone]
Russia & CIS [phone]
Saudi Arabia [phone]
Singapore [phone]
Slovak Republic [phone]
Slovenia, Albania, Bulgaria, Serbia,
Croatia, Bosnia, Macedonia, Montenegro
[phone]
South Africa [phone]
Spain [phone]
Sweden [phone]
Syria [phone]/4

SP-HPX255PE1

Taiwan [phone]
Thailand [phone]
Turkey [phone]
U.A.E. (for All Middle East)
[phone]
Ukraine [phone]
U.K. [phone]
U.S.A. [phone]
Vietnam [phone]

Factories of Business Solutions Business Group have
received ISO14001:2004-the Environmental Management
System certification. (Except for 3rd party’s peripherals.)

25K201206ZP-2 Printed in Japan