Panasonic AG-HPX174, AG-HPX172, AG-HPX173 User Manual

AG-HPX170 series

Memory Card Camera-Recorder

(AG-HPX172/AG-HPX173/AG-HPX174)

Lightest P2 HD Model Brings Even Greater Mobility to Video production and News Gathering

A Handheld Camcorder with 28mm Wide-Angle Lens, Superb Image Quality and Advanced Functions

The AG-HPX170 series debuts as the lightest member of the P2
Series of camcorders that have revolutionized news gathering and
video production. Thanks to an exclusive, P2 card recording design,
the new model weighs in at only 1.9 kg, assuring exceptional mobility.
The AG-HPX170 series also introduces a newly designed camera
section that features a 28mm wide-angle zoom lens — widest in the
class — plus a newly developed 1/3-inch 16:9 progressive CCD that
provides low-noise, low-smear performance. These high-end features
combine with use of the DVCPRO HD codec, with its proven track
record in broadcasting, to provide exceptional HD recording quality.
The AG-HPX170 series offers a host of advanced features. Two P2
card slots allow hot swapping for extended recording. Pre-rec and
loop-rec functions help ensure that you never miss an important
shooting opportunity. There is also 20-step variable frame rate
selection, HD-SDI output for uncompressed streaming output, and a
waveform monitor/vector scope for outdoor recording convenience.
With its superb recording quality, impressive feature set and
exceptional mobility, the AG-HPX170 series is an agile, powerful
solution to today’s broadcasting and image production needs.

Compact, Lightweight and Perfectly Balanced

Tape, VTR

Recording tape

Reuse

Initialization

Recording

P2 Card

Camera/recorder he ads,
transport mechanis m

Disposal

At 1.9kg, the super-compact AG-HPX170 series

debuts as the lightest member of

the P2 family. It combines small size and

light weight with an ideal balance - the center of

gravity is in the hand grip – to bring exceptional

comfort and maneuverability to handheld recording.

The zoom lens further enhances shooting ease

and convenience, letting the AG-HPX170 series

handle a wide range of applications without

requiring a conversion lens.

• 28mm wide-angle zoom lens — widest in the class*

• New progressive CCD with low noise and low smear

• 20-step variable frame rate selection

• Waveform Monitoring, vector scope and histogram display

*HD camcorders with integrated lens and 1/3-inch CCD, as of July 2008 (according to a Panasonic survey)

• Comes equipped for HD-SDI output

Ecological Benefits —
Thanks to Solid-State
Technology,
Broadcasting Can Help
Conservation.

Because P2 cards are re-usable and
moving parts are substantially reduced,
P2 HD is an environmentally-friendly
technology.

The wear-free and dropout-free memory
card recording system does not need the
tapes required by conventional VCRs.
The memory card system reduces waste
generated when the heads, tape drive
mechanisms, etc., are replaced.

28mm Wide-Angle, 13x Zoom Leica Dicomar® HD Lens

ø 53mm

Light axis

Configuration of the 13-power zoom lens

The wide-angle zoom lens that gained high popularity in the
HVX200 Series has been reduced in size, lightened, and further
widened in this 13x zoom lens. The new lens structure combines
13 lens elements in 10 groups, with 3 aspherical lenses. The
diameter of the front lens element has been reduced from 67 to

53.2 mm, while still achieving a 28mm wide angle (35mm
equivalent), the widest of the class.*
The new lens covers most shooting situations without requiring a
wide-angle conversion lens. Its minimum object distance (MOD)
of about 0.6 meter at the telephoto setting helps to maximize the
handheld camcorder’s inherent mobility.
The same cam-driven zoom ring that was so popular in previous

models ensures accurate zooming. The Leica Dicomar lens
incorporates Leica optical technology and know-how throughout.

A multi-coating process minimizes flare and ghosting. This results
in sharp, crisp, beautifully rendered images with delicate nuances
and exceptional shading.

*HD camcorders with integrated lens and 1/3-inch CCD, as of July 2008 (according to a

Panasonic survey)

Wide, High-Quality Images

with High Sensitivity from a

Newly Designed Optical System

and High-Performance DSP

Image of an angle of view equivalent to 31.4 mm Image of an angle of view equivalent to 28 mm

Optical Image Stabilizer (OIS)

Panasonic’s advanced OIS dramatically reduces the blurring
caused by hand-held camera work. Optical processing with an
automatic correction function helps assure consistently clear,
sharp images.

New Progressive CCD Raises Sensitivity and Lowers
Noise and Smear

The new 1/3-inch 16:9
progressive CCD on the
AG-HPX170 series further raises
image quality. It combines a
significantly improved S/N ratio
and better low-light performance
than previous models. Backed
by a high-performance digital
signal processor, the CCD brings
higher quality to HD images to
meet the demands of broadcasters and high-end video
producers.

High-Resolution Native Progressive 1080/60p Scan

Progressive to interlace conversion, cross conversion and down
conversion all start with the 1080p/60 scan. That initial 1080p
native progressive scan offers the highest level of vertical
resolution possible at this level of camera. Keep in mind that the
camera does not record this signal but uses it as a basis for all
captures. The result is an HD or SD recording with a level of
image quality that cannot be matched by electronically
processed scans.

DSP with 14-Bit A/D Conversion and 19-Bit Processing

The digital signal processor
developed for the AG-HPX170
series’s 1080/60p video signals
uses 14-bit A/D conversion and
19-bit inner processing to
attain unprecedented accuracy.
While the camera does not
record 1080/60p, it is from this
capture that all other signals
are made. The DSP performs a
variety of adjustments,
including eight types of gamma settings, for each of the R, G and
B channels. It also converts the signals to HD or SD format. With
a performance equivalent to the processors used in many
higher-end HD cameras, this DSP delivers beautiful images in all
video formats.

Dynamic Range Stretch (DRS)

In scenes with mixed contrast, such as when panning from
indoors to outdoors, the DRS function automatically suppresses
blocked shadows and blown highlights. A gamma curve and
knee slope is estimated to match the contrast of each pixel, and
applied in real time. When dark, bright, and intermediate shades
are all contained in the same scene, this produces excellent
gradation for each shade and minimizes blocked shadows and
blown highlights. The images that result are enhanced by a
visually wide dynamic range.

Blocked shadows are suppressed.

7-Mode Gamma for Richer Gradation

Drawing on technologies developed for the VariCam, Panasonic
has equipped the AG-HPX170 series with advanced gamma
functions that address eight different shooting scenarios and

enhance your creative abilities. This includes the Cine-Like

Gamma, which produces the characteristic warm tone of film

VIDEO GAMMA CINE-LIKE GAMMA

recordings.

AG-HPX170 series Gamma Modes

HD NORM: Suitable for HD recording

LOW: Works to flatten out a high contrast scene

SD NORM: Normal setting for SD
(this was available in the DVX100 series)

HIGH: Provides more contrast and color gradation

B.PRESS: Provides more contras and blacks in low contrast scenes

CINE-LIKE-D: The Cine-Like mode shifted to prioritize dynamic range

CINE-LIKE-V: The Cine-Like mode shifted to prioritize contrast

Advanced Image Adjustments Built-In

• Matrix setting including a Cine-Like mode

• Adjustable H detail level, V detail level, detail coring and skin

detail

• Adjustable chroma level, chroma phase, color temp and master

pedestal

• Knee point settings: Auto, Low, Mid and High

• Scene Files and User files can be saved to an SD Memory Card

and shared with other cameras.

Image with DRS OFF Image with DRS ON

Blown highlights are suppressed.

Production Quality DVCPRO HD, DVCPRO50 and
DVCPRO, and Multi-Codec Recording

The AG-HPX170 series records HD video with outstanding image
and audio quality onto a P2 card with the DVCPRO HD codec.
This codec, thanks to a low compression ratio at a video bit rate
of 100 Mbps (1080/50i, 720/50p) and the easy-to-edit intraframe
compression system, is suitable for recording fast-moving
subjects with no motion artifacts other than motion blur.
The 4:2:2 sampling rate minimizes jaggies at chroma edges.
Sound quality is excellent too, thanks to uncompressed 16-bit,
4-channel digital audio recording capability. The AG-HPX170
series can record in 1080/25p or 720/25p HD, and it’s compatible
with the SD (576i) format. The multi-codec system allows you to
record in DVCPRO HD, DVCPRO50, DVCPRO or DV.

Recording Time when using

Recording Video Format Cordec

1080/50i,

1080/25p (over 50i)

720/50p,

720/25p (over 50p)

720/25pN (Native) 128 minutes 256 minutes

DVCPRO HD

two P2 Cards

32GB 64GB*

64 minutes 128 minutes

576/50i,

576/25p (over 50i)

*P2 Card of 64GB to be released in autumn 2008.

DVCPRO 50 128 minutes 256 minutes

DVCPRO/DV 256 minutes 512 minutes

Large-Capacity P2 Cards — Compact, Speedy and Reliable

The P2 card is an AV media for professional use. It features a large
capacity of up to 64 GB*

1

(with the AJ-P2C064 to be released in
autumn 2008), and about 4 times the data transfer speed of an
SDHC Memory Card (Class 6). Extremely light at approximately
45 grams, it is very thin and resists impact up to 1,500 G and
vibration up to 15 G. Some of its other solid-state memory
features that make it ideal for news gathering include operation in
temperatures from -20 to 60°C and storage from -40 to 80°C.
AV data is recorded in MXF files for direct transfer to nonlinear

2

editors*

*1: Total card capacity includes space for data management such as system data; therefore,
actual usable area is less than the capacity indicated on the card.
*2: PCs must be installed with the included P2 driver in order to mount P2 cards.
*3: For editing, PCs must be installed with P2-compatible editing software available from

various companies. Read “Notes Regarding the Handling of P2 Files Using a PC” on the

back page.

or networks*3 without the need for digitizing.

Advanced P2 Card Recording

Boosts Reliability and

Gets Your Finger

to the Record Button Faster

Immediate Startup and Better Data Protection

When you press the Record button in standby mode, the
AG-HPX170 series instantly finds a blank area on the P2 card and
begins recording. It can begin recording immediately even when
you’re using it to preview video. In normal use, there is no chance
of accidentally overwriting a recording. Recordings will not be
erased unless you intentionally delete a file or initialize the card.

Clip Thumbnail and Metadata Functions

The P2 cam records each recording as a clip (file) and
automatically attaches a thumbnail image and file information to

it. To preview a clip on the LCD monitor or to check clip data,

simply choose the clip you want from the list of thumbnails.
It also supports metadata input using a new software keyboard.

Hot-Swap Recording and Other Versatile Functions

•Hot-swap recording: Thanks to the two card slots, you can
hot-swap P2 cards for continuous non-stop recording. With
multiple cards you can record for hours without interruption.

•Pre-rec: While in standby mode, you can continuously store,
and subsequently record, up to 3 seconds in HD (7 seconds in
SD). This will help to get your shot every time.

•Last clip delete: Only the most recently recorded clip is deleted
with this one-touch function, adding practical convenience to

everyday operation. It can be assigned as a User button function

if desired.

•Rec check: You can check the end of the most recently
recorded clip with one-touch ease.

Versatile Recording Modes Handle Various Situations

•Loop recording: Using two P2 cards and setting the

AG-HPX170 series for consecutive overwriting, you can
repeatedly re-record during a particular recurring time slot,

always mai ntaining a recording of the most recent period. Unlike

video tape, P2 cards need no rewinding. They minimize wasted
time and allow seamless, continuous recording. This makes them
especially useful for unattended monitoring.

•One-shot rec: Convenient for producing animation, this mode
records for a set time (from 1 frame to 1 second) each time you
press the Start button.

•Interval rec: Recording one frame at a time at set intervals (from
2 frames to 10 min), this mode is
useful for monitoring and special
ultra-undercranking effects.

•Time stamp: The date and
time can be stamped onto
recorded images. Commonly
used for evidential images.

Time stamp

4-Channel Uncompressed PCM Audio

You can record 4 channels of uncompressed, high-quality, 16-bit
digital audio. In addition to the built-in stereo microphone, the

AG-HPX170 series is equipped with two XLR audio input

terminals with 48-V phantom power for professional use. Both
input 1 and input 2 can be switched between line and mic levels.
A switch lets you select built-in mic, input 1, or input 2 for the

audio input of both channel-1 and channel-2. Large dials make it

easy to manually adjust the levels.

SMPTE Time-Code Generator/Reader

The built-in SMPTE time-code generator/reader lets you select
the Drop Frame/Non-Drop Frame and Free Run/Rec Run modes,

preset and regenerate,* User bits are also provided.

Shot Marker and Text Memo

A shot mark, which allows convenient OK and NG marking, can
be added to each clip during or after recording. When a P2 card
with marked clips is inserted in a PC,* it’s possible to have only
the marked clips displayed. The AG-HPX170 series also has a
text memo function. When recording or previewing a clip, press
the Text Memo button at any of up to 100 locations and a blank
text memo label is registered.

*This function requires P2 viewer or P2CMS software for Windows PC or Mac computers,
which P2 users can download for free. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and

click “P2 Support and Download.”

20-Step Variable Frame Rate

Panasonic’s VariCam — named for its ground-breaking variable
frame rate capability — is widely used in the production of
movies, TV programs and commercials. The first application of
the variable frame rate function to a handheld camera came with
the AG-HVX200 Series, and proved extremely popular. It has now
been further expanded to 20-step selection* in the AG-HPX170
series. In 720p mode*, the AG-HPX170 series allows the
undercranking and overcranking that are used with film cameras
to create fast-motion and slow-motion effects.

*In 1080 and 576 modes, the frame rate can be set only to 25p.

•Normal cinematic shooting (at 25 fps) refers to the same rate as

used in film cameras. The AG-HPX170 can record in 1080/25p
(over 50i) or 576/25p (over 50i) mode, as well as 720/25p mode.
25 fps is the standard frame rate used in the production of TV
commercials, music clips and video software. The AG-HPX170
can also record in 1080/25p (over 50i) or 576/25p (over 50i)
mode, as well as 720/25p mode.

•Higher-speed shooting (at over 26 fps*) produces slow-motion

effects.
This is especially effective for high-action scenes like car chases
or crashes, or to create a dramatic impact in a scene.

*When the standard speed is 25fps mode, anything over 26 fps will be overcranked.

VariCam Style Expression

with Expanded, 20-Step

•Lower-speed shooting (at under 24 fps*) lets you attain a fast-

motion effect. This technique can be combined with a warp­speed effect to give special emphasis to flowing water, fast­moving clouds, etc.

*When the standard speed is 25 fps, anything under 24 fps will be undercranked.

720p Native Mode

In Native mode, the AG-HPX170 series records images at the
frame rate set in the camera. For example in 25p mode, it only

records 25 frames instead of the normal 50 frames*. Using the

AG-HPX170 series to play back the recording at the normal rate,
you can preview the speed effect right on the spot, without using
a frame rate converter. Native mode also extends the recording
time of a P2 card.

*In 25pN mode, AG-HPX170 series records only 25 frames instead of the normal 50 frames.

720p over 50p Mode

For example, in 25p mode it records 50 frames by applying a 2:2
pulldown. The recording time is the same as in 1080i or 720p
mode, but the unit can output a DVCPRO HD stream from the
IEEE 1394 connector as it records. This lets you produce a
backup copy using a connected external Hard Disk recorder,

such as the FOCUS

FireStore FS-100.

•FOCUS and FireStore are registered trademarks of FOCUS Enhancements, Inc..

Variable Frame Rate Selection

Framerate

Effect of 25p

standard

12p 15p 18p 20p 21p 22p 23p 24p 25p 26p 27p 28p 30p 32p 34p 37p 42p 45p 48p 50p

208% 167% 139% 125% 119% 114% 109% 104% 100% 96% 93% 89% 83% 78% 74% 68% 60% 56% 52% 50%

(Quick) (Standard) (Slow)

1080/576 25p Shooting Mode

The 1080 and 576 progressive recording systems convert
recordings to 50i in 25p shooting mode. The 25p shooting mode
uses 2:2 pulldown and performs 25p/50i conversion with
minimum image degradation when recording data is uploaded via
an IEEE 1394 interface to a compatible nonlinear editing system.
This lets you maintain superior image quality throughout the
production process.

16:9/4:3 Aspect Ratio Conversion

The 16:9/4:3 Conversion mode can be used with SD-recorded
images or SD output down-converted from HD playback. You can
select from three modes: side crop, letterbox, and squeeze.

Side crop Letter box Squeeze

Slow, Synchro and High-Speed Shutter

Used with the variable frame rate function, this allows you to

create a blurring effect or crystal-clear stop motion sports action.
The AG-HPX170 series also features a synchro scan function
that’s suitable for capturing screen shots from a computer
monitor.

Shown above is a sample of operation styles.

Superb Mobility for Low-Angle Shots and Interviews

• The 1.9kg weight (lowest in the class) and comfortable weight

balance provide highly stable handheld shooting, while the
magnesium alloy diecast chassis boosts ruggedness and
durability.

• The upper part of the handle

grip contains both the Rec Start/
Stop button and a lens zoom
speed control (three speed).
This design assures easy
shooting even at low angles.

• The new LCD monitor mirror

mode is convenient when shooting interviews.

13x Cam-Driven Optical Zoom and 10x Digital Zoom

The cam-driven (mechanical) manual zoom ring provides the
same fast, precise zooming and feeling as cameras with
interchangeable lenses. The servo-driven zoom also allows slow
zooming. The AG-HPX170 series is equipped with a digital zoom
that instantly magnifies the image by any of three fixed values —
2x, 5x or 10x. Use it together with the 13x optical zoom lens,
and you get super-telephoto magnification equivalent to a 130x
zoom, without the drop in light intensity that happens when using
a lens extender.

Standard 13x optical zoom 13x optical zoom x

10x digital zoom (130x)

Manual Focus and Aperture Control

The manual focus ring, which gives you a level of operating ease
that approaches an interchangeable lens, can be used to control
the aperture too, by switching the Ring (Focus/Iris) selector. You
can also add backlight correction or spotlight correction to the
auto aperture function.

Focus Assist and Other New Functions

A new focus assist function
with HD compatibility has also
been added to the AG-HPX170
series. This is in addition to a
center zoom function that
enlarges the center of the
frame, and a histogram display.
You can select from three
display modes: center zoom,
histogram, or combined center
zoom and histogram. A new focus
bar display further helps to speed up focusing by indicating the
level of focus by the length of the bar. An Electric View Finder

(EVF) DTL (detail) button has also been added that lets you
emphasize the outline of the image in either the EVF or the LCD

monitor for easier viewing.

Center Zoom

Focus assist ON (BOTH Mode)

Histogram

Focus Bar

Simplified Waveform and Vectorscope Display

The AG-HPX170 series has waveform and vectorscope display
functions as well. A single touch of the Waveform Monitoring
(WFM) key displays the waveform and vectors of the captured

video signal on the LCD monitor.

Excellent Operation,

Versatile Assist Functions,

and System Functions for

Broadcasting Work

Waveform Monitoring(WFM)

VECTOR (Vector scope)

Gain Selector and ND Filter

Camera-1 Camera-3Camera-1

IEEE 1394

The TC value of the camera-2 and 3 are matched to the camera-1

The gain selector has three positions: L is fixed at 0 dB; and M and

H can be set to 0, +3, +6, +9, or +12 dB. +18dB can also be
accessed as a User button function. Three ND filters (1/4 ND,
1/16 ND, 1/64 ND) are built-in.

Three User Buttons

The AG-HPX170 series allows 16 functions (listed below) to be

assigned to the User buttons. The three buttons are arranged in a

group for easy use. Assigned functions can be accessed at the
touch of a button.

Assignable Functions

REC CHECK: Rec check function

SPOTLIGHT: Spotlight compensation

BACKLIGHT: Backlight compensation

BLACKFADE: Black fade in/out

WHITEFADE: White fade in/out

ATW: Auto tracking white balance

ATW LOCK: ATW lock function

GAIN 18dB: +18dB gain up

D. ZOOM: Digital zoom (x2/x5/x10) New

TEXT MEMO: Add a text memo

SHOT MARK: Add a shot mark

LVL METER: Switch audio level meters (Ch1 & 2/Ch3 & 4) New

LAST CLIP: Delete a last clip New

PRE REC: Pre-rec function New

F.RATE＋: Flame rate up New

F.RATE－: Flame rate down New

Scene File Dial

Set this dial for a set of shooting conditions instantly. Six preset
files are provided, and you can change any of the six file names
and their settings as desired.
You can also store and load the settings to an SD card.

File Description

F1: — Standard settings

F2: FLUO. Indoor shooting under fluorescent lights

F3: SPARK Highlighting subjects at receptions, dinners etc.

F4: B-STR Enhanced gradations of luminance in low light scenes

F5: CINE V Cine-Like setting shifted to prioritize contrast

F6: CINE D Cine-Like setting shifted to prioritize dynamic range

Support Functions for Greater Convenience

• White balance: Three values (A/B/Preset) of white balance
with the auto tracking white function.

• Mode check: Displays a list of the camera settings on the
viewfinder and LCD monitor.

• Zebra: Select any two levels from among 50% to 105%,
in 5% steps.

• Center marker: Provides an accurate numeric display of the

brightness at screen center.

Standard HD-SDI Output

An SDI (HD/SD) output terminal enables serial transfer of
uncompressed video and audio data. In addition to its use in
ordinary digital broadcasting environments, it also allows
synchronized recording with a Panasonic digital recorder (P2 HD/
HD-D5/DVCPRO HD).

USB 2.0 and IEEE 1394 PC Interfaces

• The USB 2.0 interface lets you transfer P2 files to a Windows

PC for use with a nonlinear editing system.

• The IEEE 1394 (6-pin) port supports SBP2 (Serial Bus Protocol

2) and allows direct connection to a Mac, making it easy to
transfer P2 files for use with Final Cut Pro. It also allows
synchronized recording with a DVCPRO HD VTR and file transfers
to an external hard disk drive.

*Neither operates with bus power.
*PCs must have the P2 driver installed in order to mount P2 cards. For editing, PCs must
have P2 compatible editing software installed. Read “Notes Regarding the Handling of P2
Files Using a PC” on the back page.
*For information on compatible nonlinear editing systems, visit https://eww.pavc.panasonic.

co.jp/pro-av/ and click “Nonlinear Compatibility Information.” For the operating requirements

and other details of editing software, visit the web site of the relevant software manufacturer.

TC Set and User File Copy with Multi-Cameras

Connecting two AG-HPX170 series cameras with an IEEE 1394
cable allows the slave camera to synchronize with the master
camera which enables time-code-matched editing with multiple

cameras for “TC synchro editing”.

Other Professional Features and Interfaces

• Tally lamps: Provided on the unit’s front and rear.

• Remote: Controls zoom, rec, focus and aperture.

• D-4 out: The analog component output lets you preview on an

ordinary HD/SD TV monitor.

• XLR audio input: 2-channel mic/line inputs supporting 48V

phantom power supply.

AG-HPX170 series

P2 gear

AG-HPG10

P2 gear

AG-HPG10

P2 drive
AJ-PCD20

NLE

P2 card

(Recorded)

P2 card

(Blank)

USB 2.0

USB2.0
IEEE1394b

P2 card

IEEE 1394

IEEE 1394

AG-HPX170 series

VARICAM/AJ-HDX900

USB2.0

IEEE1394b

P2 drive
AJ-PCD20

NLE

AJ-HD1400

DVCPRO HD
Tape

DVCPRO HD
Studio VTR

P2 gear

AG-HPG10

AG-HPG10 or
AJ-PCD20

P2 card

FOCUS FS-100

FOCUS FS-100

AJ-HD1400

DVCPRO HD
Tape

Usual Work Flow

AG-HPX170 series

IEEE 1394

IEEE 1394

USB 2.0

IEEE 1394

NLE

AG-HPX170 series

Windows PC
or Mac

P2 card

USB2.0

Portable HDD Portable HDD

USB 2.0 (PC)/

IEEE 1394 (Mac)

AG-HPX170series

P2 card

P2 gear

AG-HPG10

Live switcher
AV-HS400

HD-SDI

HD-SDI

HD-SDI

HD-SDI

AG-HPX170 series

AG-HPX500 series

AJ-HD1400

On-Air

Versatile Operating Style

Simple Solution

Using just an AG-HPX170 series and a

laptop computer (PC or Mac) you can

access each clip or transfer clips via USB

2.0 (PC) or IEEE 1394 (Mac) without a
capturing process. By using the P2 gear
AG-HPG10, you can also copy files
between cards.

News Gathering

Out in the field, the P2 store hard-disk
drive lets you use and re-use the same
P2 cards repeatedly. Back in the editing
room, connect the P2 store (or a P2

drive) directly to a NLE system. Mobile,

reliable and easy to use, the AG-HPX170
series is a perfect solution for the news
environment as it can get in places that
bigger cameras may not be allowed.

HDTV Program Production

Programs for HDTV can be created in the
1080i or 720p format with the
AG-HPX170 series. Recordings can be
output to a DVCPRO HD VTR via the
IEEE 1394 interface and added to the
existing HD production flow. When used
with the Focus Enhancements Firestore,
virtually any event can be recorded due
to the extended recording time available.
The P2 gear AG-HPG10 can be used as
a backup recorder, or as a drive for
uploading to or downloading from a
nonlinear editor.

Film, Commercial and Video
Production

Use the AG-HPX170 series as a main

camera on an independent film shoot, or
as a second camera on a VariCam or
AJ-HDX900 HD production. The
AG-HPX170 series records in all of these
formats so it can go wherever it's
needed. Its size and flexibility make it
the camera of choice for many
applications, and it's mobile and
maneuverable, ready for all kinds of
specialty shots.

Matches SDI Environments for
Both Broadcasting and Production

The AG-HPX170 series comes with a
standard HD/SD-SDI output terminal for
the serial digital interface in most
broadcast studios and high-end image
production environments. This also
allows it to be used as a compact live
broadcast camera.

*Synchronized input is not supported.

Compatibility with Nonlinear Editing Systems

In developing P2 products, Panasonic has been working in collaboration
with a number of strategic P2 Partners.
There are many nonlinear editing products in the market which have
already supported DVCPRO HD-P2, for example, Adobe, Apple, Avid,
GrassValley, and so many P2 customers are using such editing systems.
P2-based DVCPRO HD native editing makes it possible for you to keep
high quality video and flexible editing workflow.*

* For information on compatible nonlinear editing systems,

visit <https://eww.pavc.panasonic.co.jp/pro-av/> and click “Nonlinear Compatibility Information.” For

the operating requirements and other details of editing software, visit the website of the relevant
software manufacturer.

Optional Accessories

AG-MC200G

XLR microphone

•Sensitivity: •40 •3.5 dB (0 dB=1V/Pa, 1KHz)

•Maximum Input level: 127 dB (1000Hz,
Distortion within 1%) •S/N: More than 69 dB

CGA-D54

Battery Pack (5,400 mAh)

AG-B25

AC adapter kit

AJ-P2C016RG
AJ-P2C032RG

R-series memory card

SD/SDHC memory card

AJ-PCD20

P2 Memory Card drive

AJ-PCS060G

P2 “Store” portable hard disk unit

AG-HPG10

P2 “Gear” memory card portable

recorder

FOCUS Enhancements, Inc.
FireStore FS-100

Portable DTE Recorder

HD/SD LCD Monitors

BT-LH80WU

7.9” HD/SD LCD monitor

BT-LH900A

8.4” HD/SD LCD monitor

BT-LH1700W

17” HD/SD LCD monitor

BT-LH1760

17” 100Hz/120Hz
HD/SD LCD monitor

BT-LH2600W

26” HD/SD LCD monitor

Details

Specifications

GENERAL

Power Supply: DC7.2V (with Battery)
DC7.9V (with AC adaptor)

Power Consumption: 10.9W (when LCD monitor is not used.)

11.7W (when LCD monitor is used.)

13.8W (MAX)

Operating Temperature: 0˚C to +40˚C

Operating Humidity: 10% to 85% (No condensation)

Weight: Approx. 1.9kg Camcorder only

Dimensions (W x H x D): 154 × 179.5 × 397 mm

Approx. 2.25kg Incl. two P2 cards and supplied battery

CAMERA

Pick-up Device: 3CCD

Lens: LEICA DICOMAR lens with optical image stabilizer,
motorized/manual mode switching, 13×zoom,

(f=3.9mm to 51mm / 35mm equivalent: 28mm ro 368mm)

Optical Color Separation: Prism system

ND Filter: 1/4, 1/16, 1/64

Gain Selection: 50i/50p mode: 0/+3/+6/+9/+12/+18 dB,
25p/25pN mode: 0/+3/+6/+9/+12 dB,
when using slow shutter (1/12), 0dB fixed.
when using under 25 fps flame rate, 0dB fixed.

Shutter Speed: 50i/50p mode:
1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000, 1/2000 sec.
25p/25pN mode:
1/25, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec.

Shutter Speed: 50i/50p mode: 1/50.0 sec. to 1/248.9 sec.
(Synchro Scan) 25p/25pN mode: 1/25.0 sec. to 1/248.9 sec.

Shutter Angle: 10° to 360° by 0.5° steps

“FILM CAM” mode in scene file operation type

Slow Shutter Speed: 50i/50p mode: 1/25, 1/12
25p/25pN mode: 1/12

Frame Rate: variable 12/15/18/20/21/22/23/24/25/26/27/28/30/32/34/37/
42/45/48/50 fps (20steps)

Minimum Luminance: 3lux, (F1.6, Gain: +12dB, Shutter: 1/24sec.)

Lens Hood: Wide-field large type

Filter Diameter: 72 mm

(1/3-inch interline transfer type, and progressive modes supported)

F1.6 - 3.0

Video P2 General

Sampling Frequency: Y: 74.25 MHz, PB/PR: 37.125 MHz

Quantizing: 8 bits

Video Compression System

Video Recording Bit Rate

(DVCPRO HD, 1080i / 720p)

: Compression ratio 1/6.7, DCT + variable length code

: 100 Mbps

Audio P2 General

Sampling Frequency: 48 kHz

Quantizing: 16 bits / 4ch

Frequency characteristics

(DVCPRO HD, 1080i / 720p)

: 20 Hz to 20kHz

Memory Card

Recording Format: DVCPRO HD:
1080/50i, 1080/25p (over 50i),
720/50p, 720/25p (over 50p), 720/25pN (Native)
DVCPRO 50/DVCPRO/DV:
576/50i, 576/25p (over 50i)

Audio Recording Format: PCM digital recording 48 kHz / 16 bits
4ch (DVCPRO HD / DVCPRO 50),
2ch/4ch selectable (DVCPRO/DV)

Recording/Playback Time
(Using one AJ-P2C016HG, DVCPRO HD, recording in 1080/60i)
Approx.32 minutes

(Using one AJ-P2C032HG, DVCPRO HD, recording in 1080/60i)

*: Approx.16 minutes

VIDEO connectors

SDI Out: BNC x 1, 0.8Vp-p, 75
HD: SMPTE292M/296M/299M Standard

SD: SMPTE259M-C/272M-A/ITU-R.BT656-4 Standard

Analog Component Output

Y: 1.0Vp-p, 75Ω, PB/PR: 0.7Vp-p, 75Ω

Analog Composite Output

: Component Video Terminal x 1,

: Pin jack x 1, 1.0Vp-p, 75Ω

Audio Connectors

XLR Input: XLR (3-pin) ×2 (Input 1/Input 2)
Input High-Impedance Line: 0dBu,
MIC: -50/-60dBu (selectable in menu GUI)

Line Output: Pin-jack × 2 (ch1,ch2) 316mV, 600 Ω

Built-in Microphone: Stereo micropnone

Phones: Stereo mini jack (3.5mm diameter)

Built-in Speaker: 20mm round shape x 1

Other Connectors

IEEE 1394: 6-pin Digital x 1 (Input/Output), based on IEEE 1394 standard

USB: Type mini B connector (USB ver.2.0)

Camera Remote: 2.5mm diameter super mini jack for zoom and rec start/stop

3.5mm diameter mini jack for focus and iris

Monitor, AC Adapter, and Other packages

LCD Monitor: 3.5 inches, LCD color monitor, 210,000 pixels

Viewfinder: 0.44 inches, LCD color viewfinder, 235,000 pixels

AC Adapter: Weight: 160 g
Dimensions: 70 (W) x 44.5 (H) x 116 (D) mm

Supplied Accessories: AC adapter/charger, AC cord, DC cord, Eye cup,
5400mAh battery pack,
Wireless remote controller with button-type battery,
Microphone holder, Shoulder strap, Ferrite core,
Component video cable, Pin-BNC conversion plug,
P2 card software driver install CD-ROM

*Time shown above is when you record a series of 1 shot to P2 card.

Depending on numbers of shots you record, time will get shorter than the number shown
above.

P2 – BRINGING GREATER SPEED AND CREATIVITY TO THE CONTENT CREATORS

https://eww.pavc.panasonic.co.jp/pro-av/index.html

Please refer to the latest Non-linear Compatibilty Information, 

P2 Support and Downlord and Service Information, etc. at panasonic web site.

Notes Regarding the Handling of P2 Files Using a PC

Mounting and Transferring Files

The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files
stored on a hard-disk device, such as P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer to
the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from a Panasonic website. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and click "P2 Support
and Download."

Preview and Nonlinear Editing

The PC must be installed with the P2 Viewer software for Windows PC, P2 CMS, or P2-compatible editing software available from Adobe, Apple, Avid, Grass Valley, or Matrox in order to
preview P2 files. Note that the specified operating requirements must be met to operate these applications. For playing and editing HD video clips, the PC or Mac must meet additional
operating requirements.
For software download or other information, visit https://eww.pavc.panasonic.co.jp/pro-av/ and click "P2 Support and Download" or "Nonlinear Compatibility Information."
For the operating requirements of other editing software, visit the website of the relevant software manufacturer.

•DV Logo is a trademark. •Leica and Dicomar are registered trademarks of Leica Microsystems IR GmbH. •FOCUS and FireStore are registered trademarks of FOCUS Enhancements, Inc..

•Adobe, the Adobe logo, Adobe Creative Suite and Adobe Premire are either trademarks or registered trademarks of Adobe Systems Incorporated. •Apple, Macintosh, Mac OS, Quick Time and
Final Cut Studio are trademarks of Apple, Inc., registered in the U.S. and other countries. •Avid Xpress, Media Composer, and NewsCutter are trademarks registered in the United States of Avid
Technology, Inc. or its subsidiaries. •EDIUS is registered trademarks of Grass Valley, Inc. •MainConcept is a registered trademark of MainConcept AG. •Matrox is a registered trademark of
Matrox Electronic Systems Ltd. •Microsoft, Windows, Windows Vista, Windows Server and Direct X are registered trademarks of Microsoft corporation.

[Countries and Regions]

Matsushita Electric Industrial Co., Ltd.
Systems Business Group

2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan
Phone [phone] Fax [phone]

https://eww.pavc.panasonic.co.jp/pro-av/

Argentina [phone]
Australia [phone]
Bahrain [phone]
Belgium [phone]
Bulgaria [phone]
China [phone]
(Hong Kong [phone])
Czech Republic [phone]/511
Denmark [phone]
Egypt [phone]
Finland, Latvia, Lithuania, Estonia
[phone]
France [phone]
Germany, Austria
[phone]
Greece [phone]
Hungary [phone]
India [phone]
Indonesia [phone]
Iran [phone]
Italy [phone]
Jordan [phone]
Kazakhstan [phone]

Kuwait [phone]
Lebanon [phone]
Malaysia [phone] (PSE)
[phone] (PM)
Montenegro, Serbia
[phone]
Netherlands [phone]
New Zealand [phone]
Norway [phone]
Pakistan [phone]
Philippines [phone]
Poland [phone]
Portugal [phone]
Romania [phone]
Russia & CIS [phone]
Saudi Arabia [phone]
Singapore [phone]
Slovak Republic [phone]
Slovenia, Croatia, Bosnia, Macedonia
[phone]
South Africa [phone]
Spain [phone]
Sweden [phone]

Switzerland [phone]
Thailand [phone]
Turkey [phone]
U.A.E. [phone]
Ukraine [phone]
[phone]
[ext. 112]
U.K [phone]

Factories of Systems Business Group have received
ISO14001:2004-the Environmental Management
System certification. (Except for 3rd party's peripherals.)

SP-HPX172E1

30K803ZM-1 Printed in Japan