Mackie 808S, 406M, 408M, 408S, 808M Owner's Manual

	U	1
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.1

	U	2
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.2

	U	3
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.3

	U	4
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.4

	U	5
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.5

	U	6
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.6

	U	7
		MON
OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.7

	U	8
		MON
OO	+15
	U
		EFX
OO	+10
	U
		HI
		12kHz
-15	+15
	U
		MID
		2.5kHz
-12	+12
	U
		LOW
		80Hz
-15	+15

PAN

LR

NORMAL INPUT LEVEL

LOW	HI
	U
OO	+20dB
VOLUME CH. 8

CUSTOM 32-BIT PRECISION	POWER	MASTER OUTPUT SECTION
DIGITAL STEREO EFFECTS PROCESSING

NORMAL
		EFX	EFX BYPASS
0	12	CLIP
EFX DRIVE
LEVEL

	EFX WIDE
REVERSE	DELAY 1
GATED	DELAY 2
CATHEDRAL	DELAY 3
LG. HALL	DELAY 4
MD. HALL	CHORUS
LG. PLATE	FLANGE
MD. PLATE	PHASER
SM. ROOM	SPRING

63	125		250		500		1K		2K	4K	8K	16K
+15												15+
10												10
5												5
0													0
5												5
10												10
-15												15-

	U
OO	+10

EFX TO

MON

U

OO

+12dB

MONITOR EQUALIZER	MONITOR
	MASTER

75Hz RUMBLE

REDUCTION

PARAMETERS

NORMAL			NORMAL
0	10		0	10
	TIME	REVERBS	DAMPING
		DELAYS
RATE		CHORUS	DEPTH
		FLANGE
		PHASER

63	125		250		500		1K		2K	4K	8K	16K
+15												15+
10												10
5												5
0													0
5												5
10												10
-15												15-

	U
OO	+10

EFX TO

MAIN

	U
OO	+12dB

MAIN-STEREO/MONO EQUALIZER	MAIN
	MASTER

PHANTOM	BREAK	75Hz RUMBLE
POWER CH 1-8	(MUTES CH 1-6)	REDUCTION

LEVEL

CLIP

5

0

5

10

15

20

30

LEVEL

CLIP

5

0

5

10

15

20

30

LR

	INSERT	INSERT	INSERT	INSERT	INSERT	INSERT	LEFT/MONO		LEFT/MONO
							STEREO		STEREO
	LINE	LINE	LINE	LINE	LINE	LINE	MIC/	RIGHT	MIC/	RIGHT
							LINE		LINE
							HI-Z		HI-Z
	MIC 1	MIC 2	MIC 3	MIC 4	MIC 5	MIC 6	MIC 7		MIC 8

POWER AMP ROUTING
	STEREO MAINS
	LEFT = MAIN
	RIGHT = MONITOR
EFFECTS
(OVERRIDES INTERNAL EFX)
EFX FOOT	SEND
SWITCH
LEFT RETURN	RIGHT RETURN

808S	2 X 600W STEREO

	MAINS	MONITOR
L POWER	R POWER	LINE
AMP IN	AMP IN	OUT
L MIXER OUT	R MIXER OUT	COMPRESSOR
		OUT
		IN

	TAPE IN
	U
	L	R
OO	+15
LEVEL		R
	TAPE OUT

MANUAL OWNER’S

CAUTION AVIS

RISK OF ELECTRIC SHOCK

DO NOT OPEN

RISQUE DE CHOC ELECTRIQUE

NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK

DO NOT REMOVE COVER (OR BACK)

NO USER-SERVICEABLE PARTS INSIDE

REFER SERVICING TO QUALIFIED PERSONNEL

ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE.

AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE A LA PLUIE OU A L'HUMIDITE

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure, that may be

of sufficient magnitude to constitute a risk of electric shock to persons.

Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur suffisante pour constituer un risque d'éléctrocution.

The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé pour alerter les utilisateurs de la présence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accompagnant l'appareil.

SAFETY INSTRUCTIONS

1.Read Instructions — All the safety and operation instructions should be read before this Mackie product is operated.

2.Retain Instructions — The safety and operating instructions should be kept for future reference.

3.Heed Warnings — All warnings on this Mackie product and in these operating instructions should be followed.

4.Follow Instructions — All operating and other instructions should be followed.

5.Water and Moisture — This Mackie product should not be used near water

– for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, near a swimming pool, swamp or salivating St. Bernard dog, etc.

6.Cleaning — Clean only with a dry cloth.

7.Ventilation — This Mackie product should be situated so that its location or position does not interfere with its proper ventilation. For example, the Component should not be situated on a bed, sofa, rug, or similar surface that may block any ventilation openings, or placed in a built-in installation such as a bookcase or cabinet that may impede the flow of air through ventilation openings.

8.Heat — This Mackie product should be situated away from heat sources such as radiators, or other devices which produce heat.

9.Power Sources — This Mackie product should be connected to a power supply only of the type described in these operation instructions or as marked on this Mackie product.

10.Power Cord Protection — Power supply cords should be routed so that they are not likely to be walked upon or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit this Mackie product.

11.Object and Liquid Entry — Care should be taken so that objects do not fall on, and liquids are not spilled into, this Mackie product.

12.Damage Requiring Service — This Mackie product should be serviced only by qualified service personnel when:

A.The power-supply cord or the plug has been damaged; or

B.Objects have fallen, or liquid has spilled into this Mackie product; or

C.This Mackie product has been exposed to rain; or

D.This Mackie product does not appear to operate normally or exhibits a marked change in performance; or

E.This Mackie product has been dropped, or its chassis damaged.

13.Servicing — The user should not attempt to service this Mackie product beyond those means described in this operating manual. All other servicing should be referred to the Mackie Service Department.

14.To prevent electric shock, do not use this polarized plug with an extension cord, receptacle or other outlet unless the blades can be fully inserted to prevent blade exposure.

Pour prévenir les chocs électriques ne pas utiliser cette fiche polariseé avec un prolongateur, un prise de courant ou une autre sortie de courant, sauf si les lames peuvent être insérées à fond sans laisser aucune pariie à découvert.

15.Grounding or Polarization — Precautions should be taken so that the grounding or polarization means of this Mackie product is not defeated.

16.Power Precaution — Unplug this Mackie product during lightning storms or when unused for long periods of time. Note that this Mackie product is not completely disconnected from the AC mains service when the power switch is in the OFF position.

17.This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications.

ATTENTION —Le présent appareil numérique n’émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A/de class B (selon le cas) prescrites dans le règlement sur le brouillage radioélectrique édicté par les ministere des communications du Canada.

18. Exposure to extremely high noise levels may cause permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the permissible noise level exposures shown in the following chart.

According to OSHA, any exposure in excess of these permissible limits could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent a permanent hearing loss if exposure is in excess of the limits set forth here.

Duration Per Day	Sound Level dBA,	Typical
In Hours	Slow Response	Example
8	90	Duo in small club
6	92
4	95	Subway Train
3	97
2	100	Very loud classical music
1.5	102
1	105	Patrice screaming at Ron about deadlines
0.5	110
0.25 or less	115	Loudest parts at a rock concert

WARNING — To reduce the risk of fire or electric shock, do not expose this appliance to rain or moisture.

Lend Me Your Ears

Exposure to extremely high noise levels may cause

permanent hearing loss. Individuals vary considerably in

susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the permissible noise level exposures shown in this chart.

According to OSHA, any exposure in excess of these permissible limits could result in some hearing loss. To ensure against potentially dangerous exposure to high sound-pressure levels, it is recommended that all persons exposed to equipment capable of producing these levels use hearing protectors while this unit is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits set forth here.

Duration Per Day	Sound Level dBA,	Typical
In Hours	Slow Response	Example
8	90	Duo in small club
6	92
4	95	Subway Train
3	97
2	100	Very loud classical music
1.5	102
1	105	Lori screaming at Ron about deadlines
0.5	110
0.25 or less	115	Loudest parts at a rock concert

Part No. 820-077-00 Rev. B 2/02	®
©2002 Mackie Designs Inc. All Rights Reserved.

3

INTRODUCTION

Thank you for choosing a Mackie Designs PPM Series™ Powered Mixer! These powerful, compact mixers are designed to meet the needs of almost any small to medium-sized

club/meeting room/sanctuary/outdoor gathering.

This chart illustrates the differences between the various models at a glance:

PPM Series Features

	406M	408M	808M	408S	808S
6 Mono Channels
2 Mono/Stereo Channels		*	*
Pan Controls
Effects Return(s)	1	1	1	2	2
Tape Inputs	*	*	*
Tape Outputs	**	**	**
Mixer Line Output(s)	1	1	1	2	2
Two 250W Amplifiers
Two 600W Amplifiers
** Summed to Main Bus
** Mono Tape Outputs

In addition, the PPM Series boast solid design features such as:

•Two FR Series™ (Fast Recovery) power amplifiers

808M/808S

1200 total watts (600 watts x 2 into 2 ohms)

406M/408M/408S

500 total watts (250 watts x 2 into 2 ohms)

•Built-in compressor to prevent clipping

•Two built-in graphic equalizers for Mains and Monitors

•Two switchable low-cut Rumble Reduction filters for Mains and Monitors

•EMACTM custom 32-bit precision digital stereo effects processor

•Global phantom power switch

•Exclusive Break switch mutes channels 1-6 while break music is playing

•Power amp routing switch selects main out only or main on one output and monitor on the other output

•3-band EQ on each channel

•Monitor and Effects send on each channel

•Balanced/unbalanced 1/4" and XLR inputs on each channel

•1/4" Insert jacks on channels 1-6

•1/4" Mixer line output(s) and Monitor line output

•1/4" Power Amp line inputs

•Two 1/4" Speaker outputs per side

•RCA stereo Tape In and Tape Out

•Three year warranty

At Mackie, we know what it takes to be roadworthy. After all, our mixers have traveled all over the world under the worst of conditions, and we’ve applied what we’ve learned to the mechanical design of our powered mixers.

Reliability is paramount to sound reinforcement. That’s why our engineers have subjected our powered mixers to the most rigorous and fiendish tests imaginable to fine-tune the design and extend its limits beyond those of ordinary mixers or amplifiers.

Our Fast Recovery (FR) amplifiers used in the Professional Powered Mixer Series perform better than conventional designs when presented with adverse conditions such as clipping. Conventional designs use lots of negative feedback to provide stability and lower distortion. When clipping occurs, this “feedback” causes high-frequency sticking, keeping the amplifier “latched” in the clipping state longer than necessary. This results in painfully audible distortion. The Fast Recovery design eliminates this high-frequency sticking and allows the amplifier to remain stable when powering highly reactive loads at high volume levels.

Please read the “Quick Start” section on page 6. It gives an overview of the powered mixer, and the rest of the manual explains the wealth of features and operating instructions in more detail.

Please write your serial number here for future reference (i.e., insurance claims, tech support, return authorization, etc.):

Purchased at:

Date of purchase:

4

CONTENTS
Lend Me Your Ears .........................................	3
INTRODUCTION ............................................	4
READ THIS PAGE! ..........................................	6
QUICK START ..........................................	6
APPLICATION DIAGRAMS ..........................	7
FEATURES AND CONTROLS ...........................	14
Channel Strip Description ........................	14
INPUT LEVEL SET .............................	14
VOLUME ........................................	14
PAN ...............................................	14
LOW EQ .........................................	14
MID EQ ..........................................	14
HI EQ .............................................	14
EFX Send ........................................	15
MON Send ......................................	15
EMAC Section Description .......................	15
EFX DRIVE LEVEL .............................	15
EFX CLIP .........................................	15
EFX BYPASS ...................................	15
EFX WIDE .......................................	16
Preset Select ...................................	16
Preset Effects Descriptions .....................	16
TIME/RATE PARAMETER ..................	18
DAMPING/DEPTH PARAMETER .........	18
MASTER OUTPUT SECTION Description ....	18
POWER LED ....................................	18
MONITOR EQUALIZER......................	18
MAIN EQUALIZER ............................	18
75Hz RUMBLE REDUCTION ...............	18
EFX TO MON ..................................	19
MONITOR MASTER ..........................	19
EFX TO MAIN ..................................	19
MAIN MASTER ................................	19
LEVEL Meters ..................................	19
PHANTOM POWER Switch ................	19
BREAK Switch .................................	20
POWER AMP ROUTING ....................	20
COMPRESSOR .................................	20
TAPE IN LEVEL .................................	20
POWER switch ................................	21

MAKING THE CONNECTIONS ............................	21
Front Panel Connections .............................	21
Connecting Microphones and
Line-Level Signals ......................	21
Channel Inserts ....................................	22
EFFECTS SEND and RETURN ...................	23
EFX FOOT SWITCH ...............................	23
POWER AMP IN 1 and 2 ......................	23
MIXER LINE OUT .................................	24
MONITOR LINE OUT ............................	24
TAPE IN and TAPE OUT .........................	24
Rear Panel Connections ..............................	25
SPEAKER OUT .....................................	25
IEC Socket ..........................................	25
GENERAL PRECAUTIONS AND CONSIDERATIONS . 26
Thermal Considerations ..............................	26
AC Power Considerations ...........................	26
APPENDIX A: Service Info ................................	27
Warranty Service ......................................	27
Troubleshooting ........................................	27
Repair .....................................................	28
APPENDIX B: Some Arcane Mysteries Illuminated	29
Balanced Lines ..........................................	29
Unbalancing a Line ....................................	29
Grounding ................................................	30
APPENDIX C: Technical Info ..............................	31
Specifications ...........................................	31
Block Diagrams .........................................	33
NOTES .......................................................	35

®

Don’t forget to visit our website at www.mackie.com

for more information about these and other Mackie products.

5

READ THIS PAGE!

QUICK START

We know you can’t wait to

get your new mixer set up

and working. Who has time

to read the manual? But

please, take a moment to read through this section at least to get the bare essentials.

The Mackie Designs powered mixers are designed to set up and operate quickly and easily. Just follow these simple directions.

Setup

Place the powered mixer in a position where it is easy to reach the controls. All the controls and input connection points are located on the front panel so you can make quick adjustments and connections onstage.

Make sure there is at least 6

inches of airspace behind

the powered mixer for ventilation. There is no fan built into the Mackie PPM

Series. It relies on convection cooling, which means the heatsink on the back is cooled by the natural flow of air through the heatsink fins.

Connections

1.Be sure the POWER switch on the back is OFF before making any connections.

2.Plug a balanced microphone into one of the MIC XLR (3-pin) connectors on the front panel. Or you can connect any linelevel signal (keyboard, guitar preamp, DI box) to the LINE jack using a TS or a TRS 1/4" plug.

3.The INSERT jacks are used to connect an external effects or dynamics processor into the signal chain. See page 21 for more info.

4.Plug the speakers (2 ohms or greater) into the SPEAKER OUT jacks on the rear panel. If you plug two speakers into a side, each speaker must be 4 ohms or greater to maintain a 2-ohm minimum load on the amplifier. Use at least 18 gauge speaker cable with 1/4" TS plugs.

Don’t use guitar cords for speaker cables! They’re not designed to handle speaker-level signals and could overheat.

6

Level Setting

1.Turn down the channel MON, EFX, INPUT LEVEL SET, and VOLUME knobs (fully counterclockwise). Set all the EQ controls to center, including the graphic EQ sliders. Turn down the MAIN MASTER and MONITOR MASTER controls.

2.If your microphone is a condenser mic, push in the PHANTOM POWER switch. If you are using both condenser and dynamic mics, don’t worry. Phantom power will not hurt most dynamic mics. Check the microphone’s user manual if you’re not sure.

3.Leave the POWER AMP ROUTING switch in the OUT position (MAIN/MAIN or STEREO MAINS).

4.Push the linecord securely into the IEC connector on the rear panel, and plug it into a 3-prong AC outlet properly configured for the type of plug supplied with your powered mixer. Turn on the POWER switch, which is located on the rear panel.

5.Play something into the selected input. This could be an instrument, a singing or speaking voice, or a line input such as a CD player or tape recorder output. Be sure that the volume of the input signal is the same as it would be during normal use. If it isn’t, you might have to readjust these levels during the middle of the set.

6.Turn up the INPUT LEVEL SET control until the LED next to it begins to blink.

7.Turn up the channel VOLUME control to unity (center).

8.Slowly turn up the MAIN MASTER control until you can hear the signal in the speakers.

9.Repeat steps 5, 6, and 7 for the remaining channels.

10.Now you’re ready to rock and roll!

Things You Must Remember:

•Never plug amplifier outputs into anything except speakers (unless you have an outboard box specifically designed to handle high-power speakerlevel signals).

•Before making connections to an external amp or reconfiguring an amp’s routing, turn the amp’s level (gain) controls down, turn the power off, make the changes, turn the power back on, and then turn the level controls back up.

•When you shut down your equipment, turn off any external amplifiers first. When powering up, turn on the amplifiers last.

•Save the shipping box and packing material! You may need them someday, and you probably don’t want to have to pay for them again.

7

FOH Speaker

	Gig Club Small — 408M	From MAIN
	ausing
		SPEAKER OUT
	Mono	From MONITOR
	System PA	SPEAKER OUT

Monitor

Speaker

This is how to power the Main Front of House (FOH) speakers and the monitor speakers with the built-in amplifiers. Note: Since each amplifier is driving two speakers in parallel, each speaker must be 4 ohms or greater.

POWER AMP ROUTING Button Pushed IN (MAIN/MONITOR)

	U	1		U	2
		MON			MON
OO	+15		OO	+15

UU

	EFX		EFX
OO	+10	OO	+10
	U		U
	HI		HI
	12kHz		12kHz
-15	+15	-15	+15
	U		U
	MID		MID
	2.5kHz		2.5kHz
-12	+12	-12	+12
	U		U
	LOW		LOW
	80Hz		80Hz
-15	+15	-15	+15

NORMAL INPUT	NORMAL	INPUT
LEVEL		LEVEL
SET		SET

LOW	HI	LOW	HI
	U		U
OO	+20dB	OO	+20dB

VOLUME CH.1

VOLUME CH.2

U3

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH.3

U4

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH.4

U5

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH.5

U6

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH.6

U7

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH.7

	U	8
		MON
OO	+15
	U
		EFX
OO	+10
	U
		HI
		12kHz
-15	+15
	U
		MID
		2.5kHz
-12	+12
	U
		LOW
		80Hz
-15	+15

NORMAL INPUT LEVEL SET

LOW	HI
	U
OO	+20dB

VOLUME CH. 8

CUSTOM 32-BIT PRECISION

DIGITAL STEREO EFFECTS PROCESSING

NORMAL
		EFX	EFX BYPASS
0	12	CLIP
EFX DRIVE
LEVEL

	EFX WIDE
REVERSE	DELAY 1
GATED	DELAY 2
CATHEDRAL	DELAY 3
LG. HALL	DELAY 4
MD. HALL	CHORUS
LG. PLATE	FLANGE
MD. PLATE	PHASER
SM. ROOM	SPRING

		PARAMETERS
NORMAL			NORMAL
0	10		0	10
	TIME	REVERBS	DAMPING
		DELAYS
RATE		CHORUS	DEPTH
		FLANGE
		PHASER

PHANTOM	BREAK
POWER CH 1-8	(MUTES CH 1-6)

POWER

MASTER OUTPUT SECTION

63	125	250	500	1K	2K	4K	8K	16K			U	LEVEL
+15									15+			CLIP
10									10			5
										OO	+10
5									5	EFX TO		0
0									0	MON		5
											U
												10

55

	10	10	15
			20
	-15	15-
			30
		OO	+12dB

MONITOR EQUALIZER	MONITOR
	MASTER
75Hz RUMBLE
REDUCTION

63	125	250	500	1K	2K	4K	8K	16K			U	LEVEL
+15									15+			CLIP
10									10			5
										OO	+10
												0
5									5	EFX TO
0									0	MAIN		5
											U
5									5			10
10									10			15
												20
-15									15-
												30
										OO	+12dB

MAIN EQUALIZER	MAIN
	MASTER

75Hz RUMBLE

REDUCTION

INSERT	INSERT	INSERT	INSERT	INSERT	INSERT		LEFT		LEFT	POWER AMP ROUTING
										AMP 1	AMP 2
										MAIN	MAIN
										MAIN	MONITOR
						SUM		SUM
						MONO		MONO
LINE	LINE	LINE	LINE	LINE	LINE	MIC/	RIGHT	MIC/	RIGHT	EFFECTS
						LINE		LINE
						HI-Z		HI-Z		(OVERRIDES INTERNAL EFX)
										EFX FOOT	SEND
										SWITCH
MIC 1	MIC 2	MIC 3	MIC 4	MIC 5	MIC 6	MIC 7			MIC 8

RETURN

Processor

BoxDirect

ProcessorStereo

408M 2 X 250 WATTS
	MAINS	MONITOR
POWER	POWER	LINE	TAPE IN
AMP 1 IN	AMP 2 IN	OUT

		U
		L	R
	OO	+15
MIXER LINE OUT	LEVEL

COMPRESSOR	R
OUT
IN	TAPE OUT

Vocal

Mics

FOH Speaker

From MAIN

SPEAKER OUT

From MONITOR

SPEAKER OUT

Monitor

Speaker

DIAGRAMS APPLICATION

8

System PA Stereo a using Gig Club Small — 408S

	Left FOH Speaker	POWER AMP ROUTING	Right FOH Speaker
		Button OUT

From LEFT

SPEAKER OUT

This is a typical setup using both built-in amplifiers for the main Front of House (FOH) speakers and an external amplifier for the monitor speakers. Note: If you have a 406M, 408M, or 808M, there is no stereo output because these are mono versions. The Main Mix bus is routed to both internal amplifiers in these models.

U1

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.1

U2

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.2

U3

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.3

U4

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.4

U5

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.5

U6

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U
OO	+20dB
VOLUME CH.6

U7

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15
	PAN

LR

NORMAL	INPUT
	LEVEL
	SET

LOW	HI
	U
OO	+20dB
VOLUME CH.7

	U	8
		MON		CUSTOM 32-BIT PRECISION
			DIGITAL STEREO EFFECTS PROCESSING
OO	+15
	U		NORMAL
		EFX
OO	+10				EFX	EFX BYPASS
			0	12	CLIP
	U
			EFX DRIVE
		HI	LEVEL
		12kHz				EFX WIDE
-15	+15
	U		REVERSE			DELAY 1
		MID	GATED			DELAY 2
		2.5kHz	CATHEDRAL			DELAY 3
-12	+12		LG.	HALL		DELAY 4
	U		MD. HALL			CHORUS
		LOW	LG. PLATE			FLANGE
		80Hz	MD. PLATE			PHASER
-15	+15		SM. ROOM			SPRING
				PARAMETERS
		PAN	NORMAL			NORMAL
L	R
NORMAL		INPUT
		LEVEL	0	10		0	10
		SET
				TIME	REVERBS	DAMPING
					DELAYS
LOW	HI		RATE		CHORUS	DEPTH
	U				FLANGE
					PHASER
	OO	+20dB	PHANTOM			BREAK
VOLUME CH.8
			POWER CH 1-8			(MUTES CH 1-6)

INSERT	INSERT	INSERT	INSERT	INSERT	INSERT	LEFT/MONO	LEFT/MONO	POWER AMP ROUTING
									STEREO MAINS
									LEFT = MAIN
						STEREO	STEREO		RIGHT = MONITOR
						MIC/	MIC/
LINE	LINE	LINE	LINE	LINE	LINE	LINE RIGHT	LINE RIGHT	EFFECTS
						HI-Z	HI-Z	(OVERRIDES INTERNAL EFX)
								EFX FOOT	SEND
								SWITCH
MIC 1	MIC 2	MIC 3	MIC 4	MIC 5	MIC 6	MIC 7	MIC 8
								LEFT RETURN	RIGHT RETURN

Processor

BoxDirect

ProcessorStereo

Vocal

Mics

POWER

MASTER OUTPUT SECTION

63	125	250	500	1K	2K	4K	8K	16K			U	LEVEL
+15									15+			CLIP
10									10			5
										OO	+10
												0
5									5	EFX TO
0									0	MON		5
											U
												10

55

	10	10	15
			20
	-15	15-
			30
		OO	+12dB

MONITOR EQUALIZER	MONITOR
	MASTER
75Hz RUMBLE
REDUCTION

63	125	250	500	1K	2K	4K	8K	16K		U		LEVEL
+15									15+			CLIP
10									10			5
										OO	+10
												0
5									5	EFX TO
0									0	MAIN		5
										U
5									5			10
10									10			15
-15									15-			20
										OO	+12dB	30

MAIN-STEREO/MONO EQUALIZER	MAIN	L R
	MASTER

75Hz RUMBLE

REDUCTION

408S	2 X 250W STEREO
MAINS		MONITOR
L POWER	R POWER	LINE	TAPE IN
AMP IN	AMP IN	OUT

				U
				L	R
			OO	+15
L MIXER OUT	R MIXER OUT	COMPRESSOR	LEVEL

OUT	R
IN

TAPE OUT

From RIGHT

SPEAKER OUT

From MONITOR LINE OUT

Monitor

Amplifier

Monitor

Speakers

FOH Speaker

Button OUT

POWER AMP ROUTING

FOH Speaker

OUTPUTMASTERPOWERSECTION

From

POWER

AMP2

SPEAKER

EQUALIZERMONITOR MONITOR

OUT

8K4K2K1K50025012563 16K U

+15 15+

0 0 U

5 5

15 10 10

1515-

EQUALIZER MAIN

808M2X600WATTS

Note:TurndowntheTAPEIN

LEVELcontrol(orbetteryet,

disconnecttheTAPEINjacks

atthemixer)whenthe

cassettedeckisinrecord

modetoavoidcreatinga

feedbackloop.

CassetteDeck LINEOUT

Monitor

Amplifier

Monitor

Speakers

8K4K2K1K 16K U

15+

10 10

5 5 EFX TO MON 0 0 U

5

15

10

20

1515-

30

+12dBOO

MASTER

RUMBLE75Hz

REDUCTION

10

5 EFX TO MAIN

20

30+12dBOO

MASTER

RUMBLE75Hz

REDUCTION

MONITOR

LINE TAPE IN

U

L R

+15OO

LEVEL

COMPRESSOR

OUT

IN

FromMONITOR

R

LEVEL

CLIP

5

0

5

10

LEVEL

CLIP

5

0

5

10

OUT TAPE

L

CUSTOM32-BIT PRECISION

STEREODIGITALEFFECTS PROCESSING

NORMAL 63 125 250 500

+15

EFX

120

DRIVEEFX LEVEL

5

EFX WIDE

10

REVERSE DELAY 1

GATED DELAY 2

CATHEDRAL DELAY 3

HALLLG. DELAY 4

HALLMD. CHORUS

PLATELG. FLANGE

PLATEMD. PHASER

ROOMSM. SPRING

PARAMETERS

NORMAL NORMAL

10

5

100 0 10

TIMEREVERBS DAMPING

DELAYS

RATECHORUS DEPTH

FLANGE PHASER

MAIN

PHANTOM BREAK

8-1CHPOWER (MUTES CH 1-6)

POWERAMP ROUTING AMP 1 AMP 2 MAIN MAIN

MAIN MONITOR

EFFECTS

(OVERRIDESINTERNAL EFX) MAINS

FOOTEFX POWER POWER

EffectsProcessor

BYPASS EFX

CLIP

U 8

MON

+15OO

U

EFX

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

NORMAL INPUT

LEVEL

SET

LOW HI

U

+20dBOO

8VOLUMECH.

SUM MONO MIC/ LINE

HI-

8MIC

U 6 U 7

MON MON

+15+15OOOO

U U

EFX EFX

U U

HI HI 12kHz 12kHz

-15 +15 -15 +15

U U

MID MID 2.5kHz 2.5kHz

-12 +12 -12 +12

U U

LOW LOW 80Hz 80Hz

-15 +15 -15 +15

NORMAL INPUT NORMAL INPUT

LEVEL LEVEL

SET SET

LOW HI LOW HI

U U

+20dB+20dBOOOO

67VOLUMECH.VOLUMECH.

SUM MONO MIC/ LINE

HI-

67MICMIC

Player

U 5

MON

+15OO

U

EFX

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

NORMAL INPUT

LEVEL

SET

LOW HI

U

+20dBOO

5VOLUMECH.

5MIC

CD

U 4

MON

+15OO

U

EFX

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

NORMAL INPUT

LEVEL

SET

LOW HI

U

+20dBOO

4VOLUMECH.

4MIC

U 3

MON

+15OO

U

EFX

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

NORMAL INPUT

LEVEL

SET

LOW HI

U

+20dBOO

3VOLUMECH.

3MIC

U 1 U 2

MON MON

+15+15OOOO

U U

EFX EFX

U U

HI HI 12kHz 12kHz

-15 +15 -15 +15

U U

MID MID 2.5kHz 2.5kHz

-12 +12 -12 +12

U U

LOW LOW 80Hz 80Hz

-15 +15 -15 +15

NORMAL INPUT NORMAL INPUT

LEVEL LEVEL

SET SET

LOW HI LOW HI

U U

+20dB+20dBOOOO

12VOLUMECH.VOLUMECH.

12MICMIC

Vocal

Mics

From POWER AMP1 SPEAKER OUT		VocalEnhancer	Thissystemusesthehigherpowered 808M(600Wperside)withtwo speakerspersidetoprovidemore powerandcoverageforalargerclub, hall,orauditorium,andanexternal amplifierforthemonitorspeakers.It alsodemonstrateshowtoconnecta serialprocessortothechannel INSERTjack,anexternal(parallel) processorusingtheEFFECTSSEND andRETURNjacks,andacassette decktotheTAPEINandOUTjacks. Note:Sinceeachamplifierisdriving twospeakersinparallel,each speakermustbe4ohmsorgreater.

808M — Large Club or Auditorium using a Mono PA System

9

10

House of Front Reinforce to Amplifier Auxiliary with 808S

	POWER AMP ROUTING
From	Button OUT
	From
LEFT	RIGHT
SPEAKER	SPEAKER

OUT

Left FOH Speakers

U1

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.1

U2

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.2

U3

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.3

U4

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.4

U5

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.5

U6

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.6

U7

MON

OO	+15
	U

	EFX
OO	+10
	U
	HI
	12kHz
-15	+15
	U
	MID
	2.5kHz
-12	+12
	U
	LOW
	80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH.7

	U	8
		MON
OO	+15
	U
		EFX
OO	+10
	U
		HI
		12kHz
-15	+15
	U
		MID
		2.5kHz
-12	+12
	U
		LOW
		80Hz
-15	+15

PAN

L	R
NORMAL		INPUT
		LEVEL
		SET

LOW	HI
	U

OO +20dB

VOLUME CH. 8

CUSTOM 32-BIT PRECISION	POWER	MASTER OUTPUT SECTION
DIGITAL STEREO EFFECTS PROCESSING

NORMAL					63	125	250	500	1K	2K	4K	8K	16K		U	LEVEL
				+15									15+			CLIP
				10									10			5
		EFX	EFX BYPASS											OO	+10	0
0	12	CLIP		5									5	EFX TO
EFX DRIVE				0									0	MON		5
LEVEL															U	10

55

		EFX WIDE	10	10	15
	REVERSE	DELAY 1			20
			-15	15-
	GATED	DELAY 2			30
	CATHEDRAL	DELAY 3		OO	+12dB
	LG. HALL	DELAY 4	MONITOR EQUALIZER	MONITOR
	MD. HALL	CHORUS		MASTER
	LG. PLATE	FLANGE
			75Hz RUMBLE
	MD. PLATE	PHASER	REDUCTION
	SM. ROOM	SPRING

		PARAMETERS				63	125	250	500	1K	2K	4K	8K	16K		U	LEVEL
NORMAL			NORMAL		+15									15+			CLIP
					10									10			5
															OO	+10	0
					5									5	EFX TO
0	10		0	10	0									0	MAIN		5
																U
	TIME	REVERBS	DAMPING		5									5			10
																	15
		DELAYS			10									10
	RATE	CHORUS	DEPTH
					-15									15-			20
		FLANGE															30
		PHASER													OO	+12dB

MAIN-STEREO/MONO EQUALIZER	MAIN	L R
	MASTER

PHANTOM	BREAK	75Hz RUMBLE
POWER CH 1-8	(MUTES CH 1-6)	REDUCTION

INSERT	INSERT	INSERT	INSERT	INSERT	INSERT		LEFT/MONO		LEFT/MONO	POWER AMP ROUTING
											STEREO MAINS
											LEFT = MAIN
						STEREO		STEREO			RIGHT = MONITOR
LINE	LINE	LINE	LINE	LINE	LINE	MIC/	RIGHT	MIC/	RIGHT
						LINE		LINE		EFFECTS
						HI-Z		HI-Z		(OVERRIDES INTERNAL EFX)
										EFX FOOT	SEND
										SWITCH
MIC 1	MIC 2	MIC 3	MIC 4	MIC 5	MIC 6		MIC 7		MIC 8
										LEFT RETURN	RIGHT RETURN

808S	2 X 600W STEREO
MAINS		MONITOR
L POWER	R POWER	LINE	TAPE IN
AMP IN	AMP IN	OUT

				U
				L	R
			OO	+15
L MIXER OUT	R MIXER OUT	COMPRESSOR	LEVEL

OUT	R
IN

TAPE OUT

OUT

Right FOH Speakers

This shows how to connect an auxiliary FOH amplifier, which allows you to add additional speakers to your PA system and increase the overall power. Note: If you have a 406M, 408M, or 808M, there is no stereo output because these are mono versions. The Main Mix bus is routed to both internal amplifiers and there is just one MIXER LINE OUT in these models.

Vocal

Mics

Processor

BoxDirect

ProcessorStereo

	From MONITOR LINE OUT
From		Monitor
MIXER OUT	Auxiliary FOH
		Amplifier
	Amplifier

Monitor

Speakers

Right FOH Speaker

From RIGHT

SPEAKER

OUT

			MASTER OUTPUT SECTION
			POWER
ROUTING	OUT		CUSTOM 32-BIT PRECISION DIGITAL STEREO EFFECTS PROCESSING
POWERAMP	Button	6 U 7 U 8	MON MON MON
		U
		5	MON
		U
		4	MON
		U
		3	MON
		U
		2	MON
		U
		1	MON
		U

From LEFT

SPEAKER

OUT

Left FOH Speaker

Subwoofer

Monitor

Amplifier

Monitor

Speakers

LEVEL	CLIP	5	0		5	10	15	20	30							LEVEL	CLIP	5		0	5	10	15	20		30	R
																											L
U			+10OO	EFX TO MON		U				+12dBOO	MONITOR	MASTER				U			+10OO	EFX TO MAIN		U				+12dBOO	MAIN	MASTER
	15+	10		5	0	5	10	15-									15+	10		5	0	5	10		15-
250 500 1K 2K 4K 8K 16K											MONITOR EQUALIZER					250 500 1K 2K 4K 8K 16K											-STEREO/MONO EQUALIZER
125																125											MAIN
63	+15	10		5	0	5	10	-15	GATED DELAY 2	CATHEDRALDELAY 3	HALLLG. DELAY 4	HALLMD. CHORUS	PLATELG. FLANGE	75Hz RUMBLE REDUCTION	ROOMSM. SPRING	63	+15	10		5	0	5	10	CHORUSRATE DEPTH	-15			75Hz RUMBLE	REDUCTION
NORMAL		EFX		120	DRIVEEFX LEVEL		EFX WIDE	REVERSE DELAY 1						PLATEMD. PHASER		PARAMETERS	NORMAL NORMAL				100 0 10	REVERBSTIME DAMPING	DELAYS		FLANGE	PHASER		PHANTOM BREAK	8-1CHPOWER (MUTES CH 1-6)
				BYPASSEFX
				CLIP

						R	R
				IN			TAPE OUT
				TAPE		L
					U	+15OO	LEVEL
	STEREO	MIXER	MONITOR	LINE	OUT		COMPRESSOR OUT IN
808S2X400W		PROFESSIONALPOWERED	MAINS	POWERL R POWER INAMP AMP IN			OUTMIXERL R MIXER OUT
							From
POWER AMP ROUTING	STEREO MAINS	LEFT = MAIN RIGHT = MONITOR	EFFECTS (OVERRIDES INTERNAL EFX)	EFX FOOT	SWITCH SEND		LEFT RETURN RIGHT RETURN

Electronic Crossover						Subwoofer Amplifier
Right	HF	Out	Right	LF	Out
MIXER OUT
Left		Out	Left	LF	Out
	HF

+15OO

U

EFX

+10OO

U

HI 12kHz

+1515-

U

MID 2.5kHz

+1212-

U

LOW 80Hz

+1515-

PAN

LR

NORMALINPUT LEVEL SET

LOWHI

U

+20dBOO8VOLUMECH.

LEFT/MONO

STEREO MIC/ LINE

Z-HI

MIC8

RIGHT

+15OO

U

EFX

+10OO

U

HI 12kHz

+1515-

U

MID 2.5kHz

+1212-

U

LOW 80Hz

+1515-

PAN

LR

NORMALINPUT LEVEL SET

LOWHI

U

+20dBOO7VOLUMECH.

LEFT/MONO

STEREO MIC/ LINE

Z-HI

MIC7

RIGHT

+15OO

U

EFX

+10OO

U

HI 12kHz

15- +15

U

MID 2.5kHz

12- +12

U

LOW 80Hz

15- +15

PAN

L R

NORMAL INPUT LEVEL SET

LOW HI

U

+20dBOO6VOLUMECH.

INSERT

LINE

MIC 6

EFX

HI 12kHz

MID 2.5kHz

LOW 80Hz

PAN

NORMAL INPUT LEVEL SET

+20dBOO5VOLUMECH.

Direct Box

+15OO

U

+10OO

U

-15 +15

U

-12 +12

U

-15 +15

L R

LOW HI

U

INSERT

LINE

MIC 5

+15OO

U

EFX

+10OO

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

PAN

L R

NORMAL INPUT LEVEL SET

LOW HI

U

+20dBOO4VOLUMECH.

INSERT

LINE

MIC 4

+15OO

U

EFX

+10OO

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

PAN

L R

NORMAL INPUT LEVEL SET

LOW HI

U

+20dBOO3VOLUMECH.

INSERT

LINE

MIC 3

+15OO

U

EFX

+10OO

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

PAN

L R

NORMAL INPUT

LEVEL SET

LOW HI

U

+20dBOO2VOLUMECH.

INSERT

LINE

MIC 2

+15OO

U

EFX

+10OO

U

HI 12kHz

-15 +15

U

MID 2.5kHz

-12 +12

U

LOW 80Hz

-15 +15

PAN

L R

NORMAL INPUT

LEVEL SET

LOW HI

U

+20dBOO1VOLUMECH.

INSERT

LINE

MIC 1

Subwoofer

Processor	VocalconnectedtothePOWER AMPINjacksonthe	lowThemixer.powered areoutputs(LF)frequency externalantoconnected thepowersthatamplifier subwooofers. 408M,406M,ahaveyouIfNote:or808M,thereisno thesebecauseoutputstereoaremonoversions.TheMain internalbothtoroutedisbusMix amplifiersandthereis inOUTLINEMIXERonejustthesemodels.UseaY-cordto thefromOutHFtheconnectcrossovertobothPOWER poweredtheonjacksINAMPmixer.
usetohowshowsThis thewithsubwoofers MIXERThemixer.powered antoroutedisOUTLINE whichcrossover,electronic highsintosignalthesplits highThelows.and outputs(HF)frequency arecrossoverthefrom
	Mics

808S with Electronic Crossover and Subwoofers

11