Line 6, POD, POD Studio, TonePort, POD Farm, Line 6 Monkey, GuitarPort, FBV, FBV Express, FBV
Shortboard and GearBox are trademarks of Line 6, Inc. All other product names, trademarks, and artists’
names are the property of their respective owners, which are in no way associated or affiliated with Line 6.
Congratulations if you’ve obtained a Line 6 POD Studio™ or TonePort™ UX2, UX8 or KB37,
since you are now equipped not only with a high performance USB audio interface and tone machine,
but also built in power for remote, hands-free control of the Line 6 POD Farm™ 2, POD Farm™ 2
Plug-In & GearBox™ software, as well as 3rd party MIDI/DAW applications! This document will walk
you through setting up and using your Line 6 POD Studio/TonePort* Footswitch, Pedal & controller
features for use with Line 6 and 3rd party software that responds to MIDI control.
To get the most out of your POD Studio or TonePort with these applications, it is recommended you
first read through the very helpful info in their User Manuals. If you cannot find these printed manuals,
then you can download them free from the Line 6 Support site at http://line6.com/support/manuals/.
*Note that the both Line 6 POD Studio and TonePort branded UX2, UX8 and KB37 devices include
the same MIDI control features. The info in this MIDI Setup Guide applies to both POD Studio and
TonePort models, unless otherwise noted.
Updating & Registering with Line 6 Monkey™
OK, so maybe you already read about doing this updating & registration stuff for your POD Studio/
TonePort, but in case you were too excited with your new gear to get to that yet, now is the time to do
it! It’s a simple process really, just run Line 6 Monkey on your computer with an Internet connection.
Line 6 Monkey™ is the intelligent updater software utility that is typically installed with other Line
6 software titles. If you don’t already have it installed, you can get free from the Line 6 site at www.
line6.com/monkey/.
Once you’ve installed the Line 6 Monkey software, connect your POD Studio/TonePort to your
computer’s USB port. Be sure to exit all Line 6 and MIDI/DAW applications that might be running.
With your computer’s Internet connection active, follow these steps to launch Line 6 Monkey:
• On Mac®, go to Applications > Line 6 > Line 6 Monkey
• On Windows®, go to the Start button menu > Programs > Line 6 > Tools > Line 6 Monkey
Login Account
You’ll need to Login so that Line 6 Monkey can communicate with the online Line 6 Server to provide
the specific product updates for your gear. It’s just a few clicks, and it’s free!
• If you have a Line 6 account, type in your User Name and Password at the top of the Monkey
dialog.
• If you have not yet created an account, click the New User button and you’ll be walked right
through the steps.
1•1
MIDI Setup Guide: Start Here
Register Your Line 6 Hardware
Registration of your Line 6 gear may be required for some updates and product authorizations, and
is also important because it ensures that you’re dialed in for warranty service and makes it possible
for us to contact you if new software versions or other cool enhancements are offered - cutting edge
technology and such!
If you have not already done so, you’ll be prompted to Register your connected Line 6 device. Just click
that Register button when prompted and fill in the blanks on the web page. This page will list all your
registered Line 6 gear in one place.
Grab those Updates
Once Line 6 Monkey launches, it will automatically detect your connected Line 6 USB device. Within
the Updates page in Line 6 Monkey, if you see any items indicated with an exclamation symbol
then you should select the item in the list, click on the Update Selection button, and let the little
Monkey fellow walk you through the installation steps. Items in the Updates screen indicated with a
green check , are up-to-date and require no attention.
The columns on the right of the Updates list tell you the version numbers for all currently installed
items and available updates. Click on any item in the Updates list and refer to its description in the
Help and Info pane below. Also, at the left you’ll see your connected Line 6 device shown, along with
its unique ESN (Electronic Serial Number), should you ever need to reference this ID number for
registration or warranty service.
The Updates and Optional Add-Ons screens in Line 6 Monkey are also an easy way to get the Line
6 POD Farm 2 and GearBox software, as well as Add-On Model Packs. POD Farm 2 & POD Farm 2
Plug-In is available for purchase to all POD Studio & TonePort owners, and special upgrade pricing is
available if you’ve already purchased the POD Farm 1 Plug-In Add-On. GearBox is available for free.
*Note that the POD Farm version 1 software & Plug-In is also still available using Line 6 Monkey for all
POD Studio and TonePort devices. However, POD Farm 1 does not support MIDI control via external
MIDI controller devices. Most DAW applications will still allow MIDI control of POD Farm 1 Plug-In via
its own MIDI track options - please see your DAW application’s documentation.
Running Line 6 Monkey is the easiest way to stay current on the latest Line 6 software and hardware
updates!
1•2
MIDI Setup Guide: Start Here
The Line 6 Monkey Updates page
Connecting Footswitches and Pedals
The UX2, UX8 and KB37 devices include two 1/4 inch Footswitch jacks for connecting optional
footswitches. Typically, you’ll want the non-latching, “momentary” type footswitch for these
connections (such as those commonly sold as “sustain pedals” for keyboard controllers). You can
connect to either or both of these jacks to utilize the independent Footswitch 1 and Footswitch 2
controls.
The UX8 and KB37 devices include one 1/4-inch Expression jack for connecting an expression pedal.
The Line 6 EX-1 Expression Pedal is designed to work with the POD Studio & TonePort devices for
just this purpose - It utilizes a 10k Ohm pot and connects to Line 6 devices with a 1/4-inch TS plug.
See the next section about calibrating an Expression Pedal. The EX-1 can be purchased directly from
the Line 6 Online Store, or from most Line 6 dealers. Most other 3rd party “expression pedal” products
will work as well.
Connect up to two footswitch pedals
into these Footswitch 1 & 2 jacks
UX2 Footswitch connections
1•3
Connect up to two footswitch pedals
into these Footswitch 1 & 2 jacks
Connect an expression pedal to the
Expression jack
UX8 Footswitch and Expression Pedal connections
Connect an expression pedal
to the Expression jack
MIDI Setup Guide: Start Here
Connect up to two footswitch pedals
into these Footswitch 1 & 2 jacks
KB37 Footswitch & Expression Pedal connections
KB37 Wheel, Knob & Button Controllers
In addition to the Footswitch and Expression Pedal connections, POD Studio/TonePort KB37 offers a
whole set of knobs, wheels, switches and even transport buttons that can be used to control parameters
within POD Farm 2, GearBox or MIDI/DAW software. These controls all transmit MIDI control
messages via the unit’s USB MIDI Out port, allowing remote control of parameters in real-time. These
KB37 controllers are named as follows:
4 5 6 7 8 9 10 11 12 13 14 15
3
2
1
16 17 18 19
1•4
MIDI Setup Guide: Start Here
1Octave Up11Transport - Rewind
2Octave Down12Transport - Forward
3Pitch Bend Wheel13Transport - Stop
4Modulation Wheel14Transport - Play
5Sound Select (Previous)15Transport - Record
6Sound Select (Next)16Button 1
7Knob 117Button 2
8Knob 218Button 3
9Knob 319Button 4
10Knob 4
For information on how to map these controllers to POD Farm 2, GearBox and MIDI/DAW software
parameters, please see “MIDI Control Configuration” on page 2•1.
KB37 Note Keys & Pitch Wheel
KB37’s note keys and pitch wheel automatically transmit MIDI note-on and pitch bend messages
to the KB37 USB MIDI Out port (these do not send any data to GearBox). There is typically no
configuration required for these - once your MIDI/DAW software is configured to receive MIDI from
the KB37 MIDI Out port, it should automatically receive the messages, allowing you to record into
a MIDI track and trigger software instruments. The Octave Select switches allow you to change the
note range up/down that the device’s 37 note keys transmit, as indicated by the Octave Select LEDs.
For some helpful examples on how to configure your MIDI/DAW software for KB37, please see
“Controllers and 3rd Party Applications” on page 4•1.
With the above steps complete you should now be ready to dive into the following chapters with
your Line 6 POD Studio or TonePort gear!
1•5
MIDI Setup Guide: MIDI Control Configuration
MIDI ConTrol ConfIguraTIon
In this chapter we’ll show how to configure the specific type of MIDI messages your POD Studio™/
TonePort™ controllers transmit when you access them. This is all accomplished using the Line 6 MIDI Control Settings dialog, where you can view these settings, as well as create and save your own
customized preset control mappings to load any time.
Default MIDI Control Settings
UX2, UX8 & KB37 ship with a default set of MIDI Control Messages assigned to their controllers,
as shown in the handy table below. Your device will send these MIDI commands right “out of the
box”, without any further configuration needed. Note that by default your Line 6 device sends out two
different sets of MIDI messages - one set is transmitted directly to the Line 6 GearBox™ application
(if launched), and the other transmitted to the POD Studio/TonePort USB MIDI Out port. MIDI data
transmitted out the USB MIDI Out port are the ones you’ll be sending to POD Farm™ 2 and other
software.
There are a number of preset “Controller Mappings” available for you to select from within the Line 6
Audio-MIDI Devices dialog. The GearBox & MIDI Default preset is the one initially loaded for your
device. This preset consists of the following settings. Note that the GearBox Parameter column lists
what the specific GearBox action will be, while the MIDI Message column lists what is transmitted to
the USB MIDI Out port:
GearBox & MIDI Default Preset Assignments
POD Studio/
TonePort Model
KB37Modulation wheel(No Assignment)CC 001 Mod Wheel
KB37Sound Select (Previous)Next Tone PresetProgram Change –1
KB37Sound Select (Next)Previous Tone PresetProgram Change +1
In addition to the default GearBox and MIDI Default preset described above, there are also several
presets for specific MIDI/DAW software applications as well. You can select one of these presets from
the Controller Mapping menu within the Line 6 Audio-MIDI Devices dialog:
• Windows® - Control Panel > Line 6 Audio-MIDI Devices > MIDI tab
• Mac® - System Preferences > Line 6 Audio-MIDI Devices > MIDI tab
Please see the following chapters for more information regarding the 3rd party application presets. To
see and edit the individual controller settings, you can launch the MIDI Control Settings dialog, as
explained in the next section.
Note: There is not a preset for POD Farm 2 control, however, we’ve provided a set for you to configure in
“Recommended MIDI Control Settings for POD Farm 2” on page 5•1.
2•2
MIDI Setup Guide: MIDI Control Configuration
Customizing Controller Settings
To customize of any of the individual POD Studio/TonePort settings, launch the MIDI Control
Settings dialog from within the Line 6 Audio-MIDI Settings dialog:
To follow is an example of the MIDI Control Settings dialog, as displayed with a connected KB37
device. Note that if you have a UX2 or UX8, you’ll see only the switches & controllers offered by
those devices (Footswitch 1 & 2 for UX2 and Footswitch 1 &2 and Expression Pedal for UX8). See the
following descriptions for details on the fields within the MIDI Control Settings dialog.
The Switch/Controller column populates with all
assignable controllers for your device (KB37 shown here)
Name and save your custom
mappings as a preset
Choose which GearBox Control
function (if any) to assign to the
respective Switch/Controller
Choose the type of Control, which
CC/Action it will perform, and the
Switch Mode for each respective
Switch/Controller
2•3
Click Apply to commit
the displayed settings to
your device, then OK to
exit the dialog
MIDI Setup Guide: MIDI Control Configuration
Switch/Controller - Lists the physical wheel, button, knob, footswitch or pedal controllers available
on your POD Studio/TonePort device.
GearBox Control - Allows you to select from a menu what action is performed in the GearBox software
when the controller is accessed. Note that you can choose “None” to disable any controller.
To MIDI Out - Allows you to select from a menu the type of MIDI message transmitted to the device’s
USB MIDI Out port to control POD Farm 2 or MIDI/DAW software. The options are as follows (note
that the Mod Wheel, Knobs, and Expression Pedal controllers are limited to MIDI CC or MIDI CC
14 bit options only):
• None: Sends no MIDI data. Basically, this is to disable the selected controller. If you don’t
plan on using some footswitches or pedals within the preset you are creating, it is best to
set these individually to None to avoid unexpectedly triggering functions in your targeted
software!
• Bank Change: A numerical value typically used to switch through Patch or Preset Banks.
For POD Farm 2, Bank Change can be used to navigate through your Setlists in the Presets
View.
• Program Change: A numerical value typically used to switch through Presets within a
selected Bank. For POD Farm 2, Program Change can be used to navigate through the
individual Tone presets within a Setlist.
• MIDI CC (MIDI Continuous Control): A set of Value and Range numbers commonly
used by MIDI software and hardware to provide access to parameters. For POD Farm 2, amp,
preamp and effects models’ parameters utilize MIDI CC messages. Most 3rd party DAW
applications also respond to MIDI CC type messages for their parameters - please check your
application’s documentation.
• MIDI CC 14 bit (Wheel, Knob & Exp. Pedal controllers only): A higher resolution MIDI
CC option - it is best to select this option when controlling a parameter in your software
that requires greater precision so that you can adjust the control more smoothly without
hearing “zippering” or large jumps in incremental settings.
• MMC (MIDI Machine Control): Specific commands commonly used for controlling
transport buttons and mechanical functions (Play, Stop, Record, etc.)
• Mackie Control: Specific commands in the “Mackie Universal Controller” format,
commonly used for transport parameters and mechanical functions (Play, Stop, Record,
etc.), for software that supports the Mackie Control format.
MIDI CC/Action - Sets the Value for the MIDI command type in use. The options differ depending
on the current setting in the “To MIDI Out” field:
• For MIDI CC - Choose the CC value from 0 to 127. You may also choose “Custom” to then
allow the Toggle 1/Up and Toggle 2/Down options to become selectable, so that each successive
Toggle action can be defined with its own separate MIDI CC value.
• For Program Change - Choose Increment to transmit the next higher program number, or
decrement to transmit the next lower Program number.
• For MMC - Choose the MMC command type by name (Play, Stop, Play/Stop toggle, Pause,
Record Punch, Record Punch-Pro Tools, Rew, FF).
• For Mackie Control - Choose the command type by name (Play, Stop, Play/Stop toggle, Pause,
Record Punch, Rew, FF).
2•4
MIDI Setup Guide: MIDI Control Configuration
Switch Mode - Sets the switch behavior. These options are available for some MIDI CC, MMC and
Mackie commands. The three types of switch behaviors are as follows - you may need to check your
MIDI/DAW software’s documentation to see how its parameters are programmed to respond to these
different MIDI switch commands:
• Single - Sends a single MIDI message and value on each press. This option is best when triggering
a software function the same each time, such as the playback of a sample.
• Toggle - Sends two different MIDI CC LSB values (0 and 127 - typically interpreted as “off” and
“on” respectively), alternating between the two on each successive press of the switch. Some
software parameters respond to these toggled MIDI commands to do things such as toggle a
parameter on and off.
• Momentary - Sends a single MIDI message and value (127 - typically interpreted as “on”) only
while switch is held down only, and then sends a single MIDI message and value (0 - typically
interpreted as “off”) when switch is released. A common use for this type of switch behavior is
for a piano/synth Sustain pedal footswitch.
* Note: The Mackie Control protocol uses MIDI note events to activate specific functions. When using
the KB37 as a Mackie Control input device, MIDI note messages may trigger Mackie Control-related
functions within a given host application. In Ableton Live, for example, D5 (MIDI note 74) toggles
between the Arrangement and Session views.
Toggle1/Up Toggle2/Dn CC/Val Columns - These columns become selectable when the MIDI
Command is set to “MIDI CC” and Value is set to “Custom”. MSB + LSB values can be then be
entered here to specify the Toggle 1/Up and Toggle 2/Down switch behaviors. This allows these two
different MIDI CC values to be sent, alternating on each successive press of the switch controller.
Line 6 Device MIDI Ports and MIDI Thru
A feature worth noting for all Line 6 POD Studio & TonePort devices’ MIDI Ports is that all offer a
“MIDI Thru” capability. This means that just about any MIDI software application can send or receive
MIDI data across these Line 6 “virtual” USB MIDI In & MIDI Out ports. For example, if you have
two MIDI software applications that you want to send/receive MIDI communication between, you
can typically configure one application to transmit to the Line 6 USB MIDI In port, and configure the
other application to receive from the Line 6 USB MIDI Out port. With the correct MIDI channels
selected within each application, the Line 6 MIDI ports should allow this MIDI data to run “Thru”
from one application to the other.
Line 6 GearBox - Control Settings
Here are a few helpful tips in using your POD Studio or TonePort to control the Line 6 GearBox
software.
GearBox Dual-Tone Settings
When using your Line 6 device to control the Line 6 GearBox software - Note that if you have
selected one of the Dual-Tone settings in the GearBox Source Select menu, then the controllers will
affect the parameters for Tone 1 only of your GearBox tone preset. The Dual-Tone settings are the ones
with the “&” in their names.
2•5
MIDI Setup Guide: MIDI Control Configuration
Dual-Tone settings are the ones with
the “&” in their names
For example, if you are currently using Inst & Mic 1 as your Source, then UX2/KB37 will only trigger
the assigned functions for the Instrument tone, which is the “Tone 1” of this Source.
Controlling GearBox Functions via MIDI SysEx
Worth mention here is the fact that some GearBox functions are actually controlled via MIDI System
Exclusive messages (or “SysEx” as the hip MIDI folks like to call it). These GearBox functions include
Monitor and Send levels, Next/Previous Tone, GPO Track levels, etc. These can be controlled
externally if you have a MIDI device or software utility capable of sending MIDI SysEx.
For more information about MIDI SysEx and external control of GearBox, please see the MIDI Continuous Controller Reference document, downloadable from the POD Studio or TonePort
Manuals download page.
GuitarPort™ Online Player Transport Control
In addition, the following MIDI events are recognized for the GuitarPort™ Online (GPO) Player
transport control within the GearBox software. These 3 byte MIDI short messages (not SysEx) are
based on the Mackie control specification.
GPO Transport FunctionMIDI Message
Track Play90 5E 7F
Track Stop90 5D 7F
Track FWD Start90 5C 7F
Track FWD Stop90 5C 00
Track REW Start90 5B 7F
Track REW Stop90 5B 00
2•6
MIDI Setup Guide: Controlling Ableton Live
ConTrollIng ableTon lIve® sofTware
This chapter includes instructions for using your Line 6 POD Studio™ or TonePort™ UX2/UX8/KB37
with the popular Ableton Live DAW software, including the Ableton Live Lite - Line 6 Edition,
which comes included with some Line 6 devices. The special Line 6 Edition of this software offers
a set of pre-defined MIDI controller functions with your Line 6 hardware. We’ve provided examples
here as well for customizing your Line 6 POD Studio/TonePort controller mappings, using the Ableton
Live MIDI Map Mode, controlling effects Plug-In parameters and more. These functions are also
available in other popular DAW applications, and often the configuration steps are similar for their
MIDI control features. Also see the following chapter for more specific instructions on configuring
other popular MIDI/DAW software for use with your Line 6 device.
If you received the Ableton Live Lite - Line 6 Edition with your Line 6 product, you can upgrade to the
latest Live Lite - Line 6 Edition version free at http://www.ableton.com/free-line6-upgrade. If you want
to try the following examples with the latest Ableton Live full version, you can download a free Demo
version at http://www.ableton.com/downloads.
Ableton Live MIDI Input Device Configuration
First, we need to configure the Ableton Live software to receive MIDI from your Line 6 device. In
Ableton Live, as well as in many other DAW applications, there are separate options for choosing
a MIDI keyboard (such as for playing a software instrument & recording MIDI notes into a MIDI
track) and for choosing a MIDI Controller or Control Surface device (for remote control of software
parameters). The following examples will show us configuring KB37, since it can perform both these
types of MIDI functions, but we’ll note where any settings might differ for UX2 and UX8.
With your UX2/UX8/KB37 device connected to your USB port, launch the Ableton Live software,
and go to:
• Mac® - Ableton Live > Preferences > MIDI/Sync page
Here you will see that Live automatically detects your Line 6 device’s MIDI ports. You might see
additional devices’ MIDI Ports appear here as well, depending what other MIDI hardware/software you
have installed on your computer.
Select your Line
6 device here so
that Live will
receive MIDI
from it’s USB
MIDI Out port
Click the Track
and Remote
buttons both to
On for your Line
6 device’s MIDI
Input*
3•1
MIDI Setup Guide: Controlling Ableton Live
*It is actually only necessary to turn on the MIDI In “Remote” option to allow Live to receive MIDI
controller data from the selected device. However, to allow Live to receive MIDI into a MIDI track
you do need to turn on the “Track” option. You need MIDI track input to utilize KB37 as a keyboard
controller, and/or to route MIDI control data directly to POD Farm 2 and other Plug-Ins that offer
direct MIDI control.
Close the Preferences dialog - this completes the MIDI input device configuration steps.
Ableton Live Controller Mapping Preset
The easiest way to get started using your UX2/UX8/KB37 as a controller device with Ableton Live
software is to select the Ableton Live preset in the Line 6 Controller Mapping dialog. This preset
loads the following MIDI controller settings (UX2 will display only Footswitch controllers, and UX8
only Footswitch and Expression Pedal controllers):
Note to Line 6 GearBox users... This preset has all the GearBox Control fields set to “None”, which means
your device will not transmit any commands to the GearBox standalone application. You can change the
GearBox column settings to control GearBox and Ableton Live or another DAW software simultaneously
if you like - please see “MIDI Control Configuration” on page 2•1 for details.
If you are using the Live Lite - Line 6 Edition version, the following settings of this preset are “pre-
mapped” already for you in the software. (If you are using a full Ableton Live version, we’ll show you
how to map these controllers yourself in the next sections).
Footswitch Controller Behaviors - With this Ableton Live preset loaded, the Footswitches provide
the following behaviors for hands-free control:
• Footswitch 1: Toggles the Live transport between Play/Stop functions.
• Footswitch 2: Toggles the Live transport Punch Record function.
3•2
MIDI Setup Guide: Controlling Ableton Live
Transport buttons (KB37) - The transport buttons are all mapped to provide the following behaviors:
Metronome On/Off
Play
Loop On/Off
Stop
KB37’s transport buttons - Ableton Live Lite Line 6 Edition “pre-mapped” functions
Global Record
Using Ableton Live’s MIDI Map Mode
All versions of Ableton Live include this “MIDI Map Mode” feature, which makes it simple to map
any switch, knob, wheel or pedal controller to a specific parameter in the software. Note that many
other DAW applications also offer a similar functionality (sometimes referred to as “MIDI Learn”) and
your Line 6 MIDI controllers will work similarly in those applications as well. The first step is always
to configure your device’s controllers to transmit a MIDI command, such as we already did by simply
selecting the Ableton Live preset in the previous steps. Live utilizes MIDI CC commands for most of
its mappings - other DAW software commonly does as well, but might alternatively utilize MMC or
Mackie commands for some functions (please check your DAW software’s documentation details).
As an example, we’ll show you how to set up the Start/Stop and Punch In/Out functions for the
TonePort UX2/UX8/KB37 footswitches manually. In the Line 6 MIDI Control Settings dialog,
configure the MIDI settings shown below for the Footswitch 1 & 2 controllers. Be sure to click the
Apply button after making the settings or they will not be established on your device!
In Ableton Live, follow these steps:
In the upper right corner of the main window,
click on the MIDI button. It should light up
blue, indicating you have entered “MIDI Map
Mode”
Then go over to the Transport and click
once on the Play button
3•3
Press Footswitch 1. The numbers 1/2
appear inside the Play Button. This is
telling you that the button is “mapped”
to respond to MIDI Channel 1, MIDI
CC 2
Click on the Stop button then press
Footswitch 1 again. Since we configured
the Footswitch to toggle between
transmitting CC 2 & CC 3, this button
now receives the CC 3 value
Now click on the Record button, then
press Footswitch 2. This now maps
MIDI CC 6 to toggle Record on/off
Click on the MIDI button when done, to exit
MIDI Map Mode
MIDI Setup Guide: Controlling Ableton Live
You’re done! Give the footswitches a try and you should see Live’s transport trigger accordingly. Using
the same procedure, you can now map any of your POD Studio/TonePort controllers to other Ableton
Live functions. Read on for more examples.
Mapping the Expression Pedal Controller
Next, we’ll map the Expression Pedal to one of Live’s software parameters so that we can control
it hands-free! The Expression Pedal transmits a stream of MIDI CC values, so you can map to any
available Live parameter that has an adjustable range, such as an effect knob or slider. We’ll first map
the pedal to Live’s Chorus effect - Dry/Wet parameter. This will allow us to change the Dry/Wet mix of
Live’s Chorus effect in real-time. Note that this also makes it possible to “write” parameter automation
in real-time using the Expression Pedal - more on that later.
• Connect an Expression Pedal into the Expression jack on your UX2/UX8/KB37, and launch the
Line 6 MIDI Control Settings and configure the Expression Pedal controller to send a MIDI CC
- we’ll use CC 5. Your settings should look like this (and remember to click the Apply button
when done):
• In Ableton Live, first record or load an audio file in an audio track so that you have something
to play and hear your effect in action.
• Load the Chorus as an insert effect on this audio track. You can do this by selecting
Effects>Chorus>Chorus in the Live Devices panel and then drag this Chorus effect on top of
your audio track to insert it.
3•4
MIDI Setup Guide: Controlling Ableton Live
Drag the Chorus effect to your
Audio track to insert it
• You’ll then see the Chorus effect module appear in Live’s lower effects panel. Now place Live
into MIDI Map Mode (see the instructions in the previous section). Once in Map Mode, you
will see the Chorus effect’s “map-able” parameters highlighted.
• We’re going to map to the Chorus Dry/Wet knob. Just click on the knob and Live will then wait
to receive a MIDI Control command. Move your Pedal until you see the text at the bottom of
Live’s screen indicate that the Dry/Wet parameter was successfully mapped:
Click on the Dry/Wet knob.
The text at the bottom field of Live indicates
it is waiting for you to press a Controller on
your MIDI device to map it.
The newly mapped MIDI Channel 1/CC 5 is
now displayed.
• Since we configured the Pedal controller to send MIDI CC 5, you should see that Live’s Chorus
Mix knob is mapped to Channel 1, CC 5.
The text shows mapping details.
3•5
MIDI Setup Guide: Controlling Ableton Live
Exit Live’s MIDI Map Mode and give it a try - You should see the Chorus Dry/Wet knob respond to
your Expression Pedal’s movement. You can repeat the above steps and map the pedal to any other
Live effects’ knobs or even the Live Mixer faders & knobs. Or, if you have a KB37, you can map KB37’s
knob or Mod Wheel controllers following the above steps as well.
Mapping to an AU/VST® Effect Parameter
As with most DAW software, with Ableton Live you are not just limited to mapping your controllers
to Live’s parameters. Once a 3rd party AU or VST® Plug-In is loaded in the software, it is also possible
to map to the Plug-In’s parameters. In this example we’ll show you how to map the Expression Pedal
controller to the Line 6 POD Farm™ Plug-In’s Wah Position parameter. This allows you work the pedal
and control the POD Farm Wah effect in real-time! These steps also work for the Line 6 POD Farm
2* & GearBox Plug-Ins, or most any 3rd party AU or VST Plug-In effect you might have installed.
*Note that for POD Farm 2 Plug-In, it is also possible to use the POD Farm 2 MIDI Learn function to
map your MIDI controller directly to the Plug-In parameters. See the POD Farm 2 chapter for details.
• In the Line 6 MIDI Control Settings dialog, configure your Expression Pedal controller to send a
MIDI CC - we’ll again use CC 5. Your settings should look like this (and remember to click the
Apply button when done):
• In Ableton Live, record or load an audio file in an audio track. A recorded clean rhythm guitar
would work nicely here. We’re working in Live’s “Arrangement View” here.
• In the Live Plug-In Devices Browser panel, select your Plug-In and drag it on top of your audio
track.
• You’ll see the effect module load into Live’s lower panel. If you click on the little arrow at the
top of this effect module, you’ll see it expands to expose a Configure option. This allows you to
add parameters from the Plug-In’s edit window so that it is accessible within the effect module
display.
3•6
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