Line 6, POD, PODxt, POD X3, POD Farm, POD Farm Plug-In, TonePort, GearBox, GearBox Plug-In, Line
6 Monkey, ToneDirect Monitoring, GuitarPort, FBV, Variax, Line 6 Edit and Custom Tone are trademarks of
Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners,
which are in no way associated or affiliated with Line 6.
Before we dive right into the world of recording, here are some helpful tips about getting your Line 6
gear setup, as well as links to other related resources for you...
Installing Line 6 Audio Drivers and POD Farm Software
To use your Line 6 POD Studio, TonePort®, GuitarPort®, POD® X3 or POD®xt with your computer,
you’ll need to install the Line 6 USB audio driver for your device. A “driver” is a software component
that installs on a Mac® or Windows® computer that allows a hardware device to work with the
computer’s operating system. If your Line 6 hardware came included with a POD Farm software CD,
you can simply install POD Farm and it will automatically install the USB device drivers, Line 6
Monkey and POD Farm Standalone and Plug-In software for you. Otherwise, just go to the Line 6
Software Downloads page where you can always download the latest POD Farm installer for free. If you
need some help with the installation process, please check out the additional documentation found on
the POD Farm Online Help page.
Once you have POD Farm installed, it is highly recommended that you launch it with your Line 6 USB
hardware connected and it will sniff out your current hardware and software versions and offer to walk
you through an update if needed (see the following Line 6 Monkey section).
About POD Farm
Line 6 POD Farm is the Mac® and Windows® software companion or all Line 6 POD Studio, TonePort
and GuitarPort devices. With these devices, you can run POD Farm in “Standalone operation” which you can think of as an elaborate “user interface” allowing you to load, customize and save presets
of your Tones, fiddle about with amp & effects knobs and switches on your computer, and manage the
POD Farm signals and levels routed to your Digital Audio Workstation (DAW) software. POD Farm
Plug-In is included with all Studio POD devices, and also available for TonePort, GuitarPort, as well
as POD X3 and PODxt hardware!
POD Farm Plug-In
POD Farm Plug-In comes included with all POD Studio hardware, and is an optional Add-On software
component you can purchase for TonePort, GuitarPort, POD X3 and PODxt devices that allows POD
Farm to function as an audio effects processing Plug-In for all Mac® AU®/VST®/RTAS®, and Windows
VST®/RTAS® DAW host applications. This allows you apply legendary POD® amp, cabinet, mic and
effects Tones to any number of tracks within your recording software, utilize parameter automation,
and enjoy the benefits of non-destructive processing. We’ve covered this in detail in the chapter aptly
titled POD Farm Plug-In. Whether you own POD Farm Plug-In yet or not, you can use Line 6 Monkey
to get it all going in minutes on your Line 6 device - just read up on it in the following section.
Updating & Registering with Line 6 Monkey
Line 6 Monkey is the intelligent updater utility automatically installed with the POD Farm application.
It is highly recommended that you run Line 6 Monkey at the end of your POD Farm installation, and
to do so often to be sure you have all the latest updates for all your Line 6 software and hardware
products. Registering your Line 6 hardware is also very important because it ensures that you’re dialed
in for warranty service and makes it possible for us to contact you if new software versions or other
cool enhancements are offered - cutting edge technology and such! So don’t put this off any longer.
1•1
POD Farm Recording Setup Guide - Getting Started
Connect your Line 6 hardware to your computer and follow these steps to launch Line 6 Monkey...
On Mac•
On Windows•
®
, go to Applications - Line 6.
®
, go to the Start button menu - Programs - Line 6 - Tools.
Login Account
You’ll need to Login so that Line 6 Monkey can communicate with the online Line 6 Server and
provide you with exactly what you need. It’s just a few clicks, and it’s free!
If you have a Line 6 account, then type in your User Name and Password at the top of the •
Monkey dialog.
If you have not yet created an account, click the New User button and you’ll be walked right •
through the steps.
Register Your Hardware
If you have not already done so, you’ll be prompted to Register your connected Line 6 hardware. It’s a
painless process really, so click that Register Now button and fill in the blanks on the Web page. This
page will list all your registered Line 6 gear in one place.
Grab Those Updates
Go to the Updates tab in Line 6 Monkey. If you see any items where a newer, updated version is
available, then you should click on that item and let the little monkey fellow walk you through the
installation steps. This is the easiest way to stay current on the latest POD Farm software updates, as
well as drivers and firmware updates. You can also check the Optional Add-Ons* tab to see what other
goodies might be available for your specific Line 6 device here too!
1•2
POD Farm Recording Setup Guide - Getting Started
*Note - Some Line 6 hardware models already include the POD Farm Plug-In, and/or other Add-Ons for
free! You’ll need to “activate” these items by running Line 6 Monkey - see the following section.
Purchasing POD Farm Plug-In
POD Farm Plug-In is of course already included with the new POD Studio hardware. But if you own a
Line 6 TonePort, GuitarPort, POD X3 or PODxt device, then you can purchase the POD Farm Plug-In
as an Add-On! Just click on the Optional Add-Ons tab in Line 6 Monkey, select POD Farm Plug-In,
then click on Purchase Add-Ons.
You will be taken to the Line 6 Store, where you can purchase a license for the plug-in. Follow the
instructions on the resulting page to receive your activation key. Or, just head on over to the Line 6
site any time and see what is “in Store” for you.
Product Activation & Authorization
Some features of POD Farm and your Line 6 hardware require “Activation” using Line 6 Monkey and
a live Internet connection. As mentioned above, POD Studio and some other Line 6 devices include
one or more Add-Ons already “installed” on the hardware device itself. When you connect your Line
6 device and launch Line 6 Monkey for the first time, if you are prompted to press the “Activate
Features” button, then go ahead and do so to activate the included Add-On(s).
1•3
POD Farm Recording Setup Guide - Getting Started
If you’ve purchased additional Add-Ons from the Line 6 Online Store - these also need to be activated.
You will have received a License Key for each Add-On purchase. To activate purchased Add-ons,
launch Line 6 Monkey, go to the Optional Add-Ons tab, and then follow these steps...
You can find all Add-On license keys you’ve purchased by logging into the •Line 6 - My Account
online page, and looking in the License Keys page.
Copy the numerical License key code that appears on this page.•
Go back to the Line 6 Monkey screen and click on the •Activate Purchase button. A window
will pop up, prompting you to enter the activation key you just received.
Activation turns the Add-On features “on” in your POD Farm-compatible hardware, so they can •
operate in the POD Farm stand-alone application and/or POD Farm Plug-in.
When using your Line 6 USB hardware on a new computer for the first time, you may also see the
following message at the top of the Add-Ons tab - just click the Authorize button to finish configuring
your computer to use your new hardware and Add-Ons.
1•4
POD Farm Recording Setup Guide - Getting Started
Just remember that for POD Farm Plug-in operation, your Line 6 hardware must always be connected
via USB (even if you’re using a 3rd-party interface). You don’t necessarily need to be using your Line
6 hardware as your active USB audio device - it just needs to be USB-connected (and powered on for
units that have a power switch).
About This Guide…
This guide is intended to provide basic setup information for Line 6 USB hardware and POD Farm
software with the most popular audio recording applications. The following sections provide setup
information for both Mac® and Windows® systems. Use the Table of Contents or the Acrobat® Reader®
Bookmarks to jump directly to the chapter and sections relevant to your setup.
Additional Online Resources
Hungry for more info? We’ve got plenty of helpful resources just a click away...
-Several more Help documents covering the latest POD Farm version:
POD Farm Online Help
-For technical support, choose from the many options listed on the Line 6 Support page:
Line 6 Support
-Join the Club! Registered Line 6 users are welcome join the All Access club, the place to get:
Free iTunes•
Free loops for GarageBand•
Free guitar lessons from LA session pros.•
Free chord and scale practice tools.•
Stay informed of contest and special offers.•
Access to discussion forums, software updates and more.•
All Access Club
®
and MP3 Jam Tracks.
®
, Acid®, Reason® and more.
1•5
POD Farm Recording Setup Guide - Audio Driver Configuration
au d i o dR i v e R co n f i g u R a t i o n
Now that you have your Line 6 USB audio device driver installed, its time to take a look at the
settings and options for using your Line 6 gear in a computer recording setup! Note that there are some
different options available, depending on your specific type of Line 6 device, so be sure to check the
instructions describing your Line 6 hardware model.
Line 6 Audio Driver Configuration
In the world of modern recording, a computer setup for audio recording, editing, mixing, etc. is referred
to as a Digital Audio Workstation or “DAW”. A DAW typically consists of audio recording/editing
software, an audio interface (or sometimes called “sound card”) and some variety of effects plug-ins.
Your USB Line 6 device can, of course, fill the role of the audio interface since its high performance
audio drivers can deliver the performance and quality of the most demanding audio applications!
The audio interface driver is the key element of your audio hardware that you will see referred to by
software applications, control panels and know-it-all computer audio geeks, so it’s a good idea that you
learn a few things about your Line 6 device driver and its options. Things are a bit different on Mac®
versus Windows® systems, and there are some feature differences between the specific Line 6 devices,
so it is recommended that you refer to the POD Farm User Guide, as well as the product manual for
your specific device for the full info. To get you going, we’ll run through the main points here regarding
the audio driver and its settings.
Mac® Driver Settings
You can launch the Line 6 Audio-MIDI Devices dialog from within the Mac® System Preferences, or
from the POD Farm Standalone application’s Preferences > Hardware tab. On Mac® systems, all Line
6 hardware utilizes the Mac® OS X® Core Audio driver format, which means that some of your Line 6
device settings will be in the OS X Audio-MIDI Setup dialog. You can get to this dialog from within
the Line 6 Audio-MIDI Devices dialog (or, from the Finder by going to Applications > Utilities > Audio-MIDI Setup).
Line 6 Audio-MIDI Settings - Driver Tab
POD Studio, TonePort & GuitarPort devices – The following example shows UX2 as the selected
device, with the POD Farm Standalone software running. If you have the UX8 hardware, you’ll have
even more options, so be sure to also read up on the UX8 specific sections where noted.
POD X3 & PODxt devices - You’ll see some differences with a POD X3 or PODxt device selected – as
noted in the following description.
2•1
POD Farm Recording Setup Guide - Audio Driver Configuration
1 2 3 4
5
6
1 – Line 6 Device selector: Allows selection of any supported Line 6 USB audio device that is
connected. Note that if you have more than one supported device connected, each will be selectable
in this list, regardless if it is in use by the POD Farm Standalone application or not. If your device is
not connected and powered on, it will not appear in this list.
2 – Selected Device Icon: An icon for the selected Line 6 Device appears here.
3 – Driver version: Displays the current device’s installed driver version number.
4 - ESN: Displays the current device’s unique Electronic Serial Number.
5 – Run Audio-MIDI Setup button: On Mac® systems, Core Audio sound card driver settings are
configured in the OS X® Audio-MIDI Settings utility. This button launches this dialog for you (see
following OS X Audio-MIDI Settings Dialog section).
6 – Sample Rate Converter Active indicator: POD Studio, TonePort and GuitarPort devices support
44.1 and 48 kHz sample rates natively, and support 88.2 and 96 kHz sample rates by way of an internal
sample rate converter.* This indicator lights up to show you when this converter is active, which can
be any time your audio software is requesting a different sample rate you’re your device “natively”
supports or is “fixed” at. Also see the Force Driver Format checkbox option.
*UX8 and POD X3 hardware supports 44.1, 48, 88.2 and 96 kHz sample rates natively.
2•2
POD Farm Recording Setup Guide - Audio Driver Configuration
Mac® OS X® Audio-MIDI Setup Dialog
Note: For UX8, please see the following UX8 Audio-MIDI Settings section.
5a
5b
5c
5d
5e
5f
5a – System Settings:
The •Default Input and Default Output options allow you to choose the sound card you want
your audio applications to use by default. If you want this to be your Line 6 device, select it
here.
The •System Output option allows you to choose which sound card the Mac System Settings are
played through. You may NOT want to choose this to be your Line 6 device, since it can be rather
annoying to hear those dings, beeps or frogs croaking at blaring volumes in your headphones
or monitors when working in your audio application! Even better, you can turn these system
settings off completely in the System Preferences > Sounds dialog.
5b – Properties For: Choose your Line 6 device here to allow the Audio Input and Audio Output
options display its settings.
5c – Audio Input:
In the top selector, you will be able to choose any Record Send for your Line 6 device to view •
it’s format settings below.
The •Format selectors show you the Sample Rate* and Bit Depth that the Line 6 device is
operating at for recording. The Bit Depth for all Line 6 devices is fixed at 24 bit.
*It is recommended that you do not use the Sample Rate selector here in the Mac Audio-MIDI
Setup dialog to set your sample rate when your recording software is running. Typically, your
recording software will offer a Sample Rate option within its own “Preferences” or “Audio
Setup” settings. It is best to configure the Sample Rate within the recording software, and you
will see the device’s sample rate switch automatically to match it.
5d – Volume sliders (audio input):
These sliders are not functional with the Line 6 hardware - use the POD Farm Standalone - Mixer
View sliders for controlling the levels of Record Sends 1-2 & 3-4 that is fed to your DAW software.
2•3
POD Farm Recording Setup Guide - Audio Driver Configuration
5e – Audio Output:
The •Format selectors show you the Sample Rate* and Bit Depth that the Line 6 device is
operating at for playback. The Bit Depth for all Line 6 devices is fixed at 24 bit.
*It is recommended that you do not use the Sample Rate selector in the Mac Audio-MIDI
Setup dialog to set your sample rate when your recording software is running. Typically, your
recording software will offer a Sample Rate option within its own “Preferences” or “Audio
Setup” settings. It is best to configure the Sample Rate within the recording software for your
project, and you will see the device’s sample rate switch automatically to match it.
5f – Volume sliders (audio output):
These sliders are not functional for Line 6 hardware - use the POD Farm Standalone Monitor Volume
controls (for your POD Farm Monitor level), the output controls in your DAW software (for its playback
levels) or the Volume knobs on your Line 6 hardware (for overall volume) to adjust output levels.
Mac® OS X® Audio-MIDI Settings Dialog (UX8 Only)
5a
5b
5c
5d
5e
5f
2•4
POD Farm Recording Setup Guide - Audio Driver Configuration
5a – System Settings:
The •Default Input and Default Output options allow you to choose the sound card you want
your audio applications to use by default. If you want this to be your Line 6 device, select your
UX8 here.
The •System Output option allows you to choose which sound card the Mac System Settings are
played through. You may NOT want to choose this to be your Line 6 device, since it can be rather
annoying to hear those dings, beeps or frogs croaking at blaring volumes in your headphones
or monitors when working in your audio application! Even better, you can turn these system
settings off completely in the System Preferences > Sounds dialog.
5b – Properties For: Choose your UX8 here to allow the Audio Input and Audio Output options
display its settings.
5c – Audio Input:
In the top selector, you will be able to choose your Record Send for UX8 to view its Format •
settings below.
The •Format selectors show you the Sample Rate* and Bit Depth that the Line 6 device is
operating at for recording. The Bit Depth is fixed at 24 bit.
*It is recommended that you do not use the Sample Rate selector in the Mac Audio-MIDI
Setup dialog to set your sample rate when your recording software is running. Typically, your
recording software will offer a Sample Rate option within its own “Preferences” or “Audio
Setup” settings. It is best to configure the Sample Rate within the recording software, and you
will see the device’s sample rate switch automatically to match it.
5d – Volume sliders (audio input):
Sliders 1 - 12 are not functional with UX8 - use the POD Farm Standalone Mixer sliders for controlling
the levels of Record Sends 9-10 & 11-12 that are fed to your DAW software. For Sends 1 through 8,
use the Mic Trim knobs on the front of UX8, or use the output controls of any line device connected
to these UX8 inputs, to adjust your recording levels.
5e – Audio Output:
The •Format selectors show you the Sample Rate* and Bit Depth that UX8 is operating at for
playback. The Bit Depth for all Line 6 devices is fixed at 24 bit.
*It is recommended that you do not use the Sample Rate selector in the Mac Audio-MIDI
Setup dialog to set your sample rate when your recording software is running. Typically, your
recording software will offer a Sample Rate option within its own “Preferences” or “Audio
Setup” settings. It is best to configure the Sample Rate within the recording software, and you
will see the device’s sample rate switch automatically to match it.
5f – Volume sliders (audio output):
These sliders are not functional for Line 6 hardware - use the POD Farm Standalone Monitor Volume
controls (for your POD Farm Monitor level), the output volume controls in your DAW software (for
its playback levels) or the Volume knobs on your Line 6 hardware (for overall volume) to adjust output
levels.
2•5
POD Farm Recording Setup Guide - Audio Driver Configuration
Note - If you are using a UX8 device, please skip to the UX8 Inputs & Recording Tab section.
1
2
1 –Input Select Menu: This allows the user to select which physical input “source” is fed from the Line
6 USB hardware (Mic 1, Instrument, etc.). Note that this menu is ONLY selectable when the POD
Farm Standalone software is not in use by the Line 6 hardware. When POD Farm is in use, it remains
grayed out, but displays the current Source that is selected within POD Farm Standalone.
When POD Farm Standalone is not in use by the selected Line 6 device, this Input Source menu,
like the POD Farm Tone 1 Input Source menu, offers a list of input options. The options will differ
depending on the Line 6 device - UX2 displays the following:
When POD Farm Standalone is not
running, the Input Source Select menu
is available. As shown here, UX2 offers
several input Sources to choose from.
The selected Source is what gets routed
to the Device Sends.
GX, DI and GuitarPort devices are always “fixed” to only route their 1/4-inch input signals. With
one of these devices, this Input Source Select list offers only “Instrument” as the source.
POD X3 and PODxt devices are “fixed” to route their input signals. With one of these devices
there is no Source Select menu displayed in the dialog.
2 – Device Sends info box: One line for each Record Send appears here along with a general description
for each Send.
2•6
POD Farm Recording Setup Guide - Audio Driver Configuration
POD Studio, TonePort & GuitarPort devices (except UX8) show two stereo Sends (1-2 and
3-4):
The Device Sends description shows the
Input Source, and informs you if that signal
is “processed” or not. Since POD Farm
Standalone is not running, the signals are
unprocessed.
POD X3 devices show a list of 5 Record Sends:
Note that the type of signal that is fed to each Send is configured on the POD X3’s on-board Outputs
settings screen. For example, Send 1-2 carries the same signal you hear on POD X3’s Main outputs,
which could be just Tone 1, or some combination of Tone 1 & 2. Your POD X3 Output screen options
allow you to mute, pan or swap Tone 1 and Tone 2, so these options also affect what is fed to the Sends.
Please refer to your POD X3 Pilot’s Handbook for details on the Output screen options and especially
to learn more about the unique POD X3 Dual Tone feature.
POD X3 also offers a Monitor Level slider in this tab as well. Use this to independently adjust your POD
X3 monitor signal while recording (independently of the Send signal level that is being recorded).
2•7
POD Farm Recording Setup Guide - Audio Driver Configuration
PODxt devices show only one Record Send (Record 1-2).
The type of signal that is routed to the Record Send 1-2 is determined by the PODxt Signal Routing
option within the Audio Signal Routing menu at the left. PODxt also offers a Monitor Level slider in
this tab as well - you can use this to independently adjust your PODxt monitor signal while recording
(independently of the Send signal level that is being recorded).
POD Farm Recording Setup Guide - Audio Driver Configuration
1 – Input Source Select: UX8 offers 8 individual input sources, each with its own selector where you
can choose which physical input is to be used for each. Input source options are as follows:
Input 1: Instrument 1 or XLR 1 or Line 1 or S/PDIF (L)
Input 2: Instrument 2 or XLR 2 or Line 2 or S/PDIF (R)
Input 3: XLR 3 or Line 3
Input 4: XLR 4 or Line 4
Input 5: XLR 5 or Line 5
Input 6: XLR 6 or Line 6
Input 7: XLR 7 or Line 7
Input 8: XLR 8 or Line 8
Using Inputs 1 & 2 with the POD Farm Standalone application
The POD Farm Standalone application works with the UX8 driver to provide ultra-low latency
via ToneDirect™ Monitoring for Inputs 1 & 2 of the UX8, which includes two high-Z Instrument
inputs, two XLR inputs, two Line level inputs and a stereo S/PDIF input. POD Farm’s ToneDirect
Monitoring is ideally suited for recording guitar and bass with amp and effects processing, providing
the instantaneous feel necessary for competent performance while tracking.
When POD Farm Standalone is not running,
the Input 1 & Input 2 selectors are available. As
shown here, UX8 offers several input Sources to
choose from. The selected Source is what gets
routed to the Record Send.
Stereo Paired Inputs
You can also link inputs into stereo pairs. This affects
hardware monitoring controls in the Outputs &
Monitoring tab (see below).
2 – Record Sends info box: This box displays the names of the UX8’s input sources as they appear in
Mac recording applications utilizing the UX8’s Core Audio driver, along with a description of what
each Send is carrying. UX8’s Input Sources 1 through 8 are mapped directly to the corresponding Send
number (i.e. - Inputs 1-2 are fed to Record Send 1-2). Sends 9-10 and 11-12 will carry a different signal
depending on if the POD Farm Standalone application is running...
If the POD Farm Standalone application is not currently running, then you’ll see the list appear as
follows:
2•9
POD Farm Recording Setup Guide - Audio Driver Configuration
When POD Farm Standalone is not running, Sends
9-10 and 11-12 carry the Input 1 (dry, unprocessed)
signal
If the POD Farm Standalone application is currently running, then Sends 9-10 and 11-12 will carry
the type of signal defined within POD Farm’s Mixer view - Record Send Source menus (Processed,
Semi-Processed or Dry).
3 - Clock Source - Set your preferred UX8 clock source with this menu. Select S/PDIF to sync the
UX8 to an external S/PDIF clock source from another device’s digital output. If you are not connecting
anything into UX8’s digital S/PDIF input, then keep this set to Internal to use the UX8’s own clock.
4 - Hardware Meters Show - This selector allows you to choose what the VU meters on the front of
the UX8 are measuring. Note that these hardware meters function even if the POD Farm Standalone
software is not currently running.
5 - Restore Defaults - Click this button to restore all the tab’s settings to their original default
values.
Important: Note that the Outputs & Monitoring tab provides control over monitoring levels,
specifically, what you hear coming out of the UX8 main outs & headphones. These controls do not
affect Send levels (the audio that streams into your recording software). In other words, volume and
pan levels here are purely analog, intended for monitoring live input levels (from instruments, mics,
etc.) and computer output levels, in order to facilitate the recording process.
2•10
POD Farm Recording Setup Guide - Audio Driver Configuration
The Outputs & Monitoring tab provides control over hardware monitoring settings, including input
source volume, pan and mute states. You can specify different mix settings for each pair of UX8 outputs
if you like.
By default, the only sounds that come out of the UX8 are the computer’s output and POD Farm 9-10
signal (fully processed), all through Main Outs 1-2. You can directly monitor other UX8 inputs by unmuting (unchecking the Mute checkbox) the corresponding input source in this tab. UX8 provides
monitoring through the hardware with zero latency, which is ideal for tracking with multiple sources
simultaneously.
Use the drop-down menu at the top
to select the output pair for which you
want to mix. Each output pair can
have different mix settings.
Mix Controls
Inputs 1 - 12 offer the following controls:
2•11
POD Farm Recording Setup Guide - Audio Driver Configuration
Mute (On/Off) Monitor Volume (-100dB to +6dB)
Monitor Pan (100% Left - 100% Right)* Stereo Monitor Meters
* -3dB panning law is applied to the pan control to maintain a constant monitoring level across the
panorama.
Main Monitor Volume
This slider controls the overall monitoring volume for the current output pair. What you hear is
displayed in the adjacent level meter and includes the combination of input sources and computergenerated signals, such as those assigned to the current output from within your recording software.
Note that computer-generated signals are unaffected by the volume slider. The level meter’s clip LED
graphics light up when the signal reaches 0 dB.
Main Mix vs. Talent Mix
The UX8’s two front panel headphone outputs mirror Outs 1-2 and 3-4 respectively. You can use the
monitor controls, for example, to create a “main mix (1-2)” that captures the overall image of the
recording project, while a separate “talent mix (3-4)” can be provided for the musician who is currently
adding a new part (you know, the guy asking for “more me” in his phones), and may need a click track
and an ample level of themselves above the rest of the mix. Additional output pairs 5-6 and 7-8 are
available for headphone mixers or sending to a mixer, other monitors, etc.
Stereo Pairs
When the “Stereo” checkbox is active in the Inputs & Recording tab for a pair of Inputs, the
representative Inputs in the Outputs and Monitoring tab will display them as “locked” as a stereo
pair.
The lock icon represents two sources linked as a stereo pair.
The Pan sliders for a “locked” stereo pair are automatically set to 100% Left and Right.
2•12
POD Farm Recording Setup Guide - Audio Driver Configuration
Using tool tips
You can obtain precise value readings for output levels, volume sliders and pan sliders. Do this by
hovering the mouse cursor over the meter or slider you wish to read.
2•13
POD Farm Recording Setup Guide - Audio Driver Configuration
Mac® OS X® System Preferences Settings
There are a few System Preferences that you should configure when using your Mac for audio recording.
Launch the Mac OS X System Preferences dialog to make the following settings.
System Sounds and Alerts
When using your Line 6 USB hardware as your audio device, you likely will not want to hear these
system sounds, and you certainly don’t want to end up recording them by mistake! You can adjust the
volume independently for these system sounds and alerts by going to the Sound page.
Choose Sound in your Mac’s
System Preferences dialog
In the Sound Effects page, adjust
the Alert volume slider down,
and uncheck the Play user
interface sound effects and Play
user interface sound effects
checkboxes
2•14
POD Farm Recording Setup Guide - Audio Driver Configuration
Energy Settings
It is also a good idea to configure your Energy settings so that critical computer components do not go
to “sleep” or run at less than full.
Choose Energy Saver in the
System Preferences dialog
Choose Power Adapter
You can also select Battery if you
have a laptop and repeat all the steps
in this section, but you may want
your settings to conserve battery
power - just keep these settings in
mind if recording when running on
battery power.
Set the top slider all the way to
Never so that the computer is not
allowed to enter “sleep” mode
Uncheck the box so that your
hard disk does not go to sleep
2•15
POD Farm Recording Setup Guide - Audio Driver Configuration
Configuration as an Aggregate Device (Mac® only)
Combine your Line 6 POD Studio, TonePort, GuitarPort, POD X3 or PODxt with other Core Audio
devices using the Mac® OS X® Aggregate Device feature.
Note - The OS X Aggregate Devices functionality is not fully supported by Line 6 or most audio hardware
manufacturers since, of course, it is not feasible to test the great number of combinations of devices possible.
However, it is possible to combine one Line 6 USB device with another (non-Line 6) audio device for the
combined functionality as described here - your exact performance may vary with different hardware.
Starting in Mac® OS X® version 10.4.x (Tiger), this Mac features allows you to configure two or
more Core Audio sound card devices into one Aggregate Device. As the name suggests, this makes
it possible to combine multiple connected audio devices allowing audio applications to utilize all
inputs and outputs as one virtual Core Audio device. The Aggregate Device feature also provides the
ability to sync the devices, and resample, if needed, to allow them to work together with your audio
application. This can be quite useful if you have another Core Audio sound card and want to use your
Line 6 hardware along with it to provide additional inputs for recording, or additional outputs for
sending multiple playback or monitoring mixes.
In this section, we’ll be showing you how to create a simple Aggregate Device using your Line 6
hardware and your Mac’s Built-in Audio device Inputs and Outputs. The steps are similar for combining
Line 6 hardware with other models of audio devices, as long as they offer a Core Audio driver that
supports this OS X feature.
Be sure to connect the USB cable from your Line 6 hardware into your computer’s USB port, and then
proceed with the following steps…
Creating an Aggregate Device
First, connect your Line 6 hardware to your Mac USB port (a USB 2.0 port is required for UX8 and
POD X3 devices, all other Line 6 devices can use a USB 1.1 or USB 2.0 port). All the required settings
you need to create an “Aggregate” device are made within the Aggregate Device Editor window,
which is found in the Mac Audio MIDI Setup dialog.
Go into the Mac System Preferences, select the Line 6 Audio-MIDI Devices (in the Other category),
and in the Driver tab of the Line 6 dialog, click on the Run Audio MIDI Setup button.
2•16
POD Farm Recording Setup Guide - Audio Driver Configuration
Click on the “+” button to create a
new Aggregate Device - it will then
appear in the above pane
All detected Core Audio devices are
then listed in the Structure pane
Click on the Use boxes for all Audio
Devices to activate them. (Click your
Line 6 device’s Use box first to make it
the first device in the list). Check the
boxes for both the Built-in Input and
Output so they can be used for both
recording and playback.
Select Open Aggregate Device
Editor from the Audio menu
IMPORTANT! Always set your Line
6 hardware to be the assigned Clock
device
When creating an Aggregate Device, only one audio device can be designated as the “Clock”. This
means that the designated device acts as the “master” and all other devices follow its digital clock,
thus keeping all your audio in sync. Even though the Aggregate Device dialog allows you to set any
individual Audio Device as the Clock, be sure that your Line 6 hardware is set as the clock, as shown
above, to ensure proper sync.
*The Aggregate Device Resample function - When combining audio devices, the sample rates must
match to allow them to be used together. But if you run into sync problems when using some devices
together, or in the case where you need to choose a sample rate not commonly supported by all audio
devices, you can check the Resample checkbox for the device. This instructs the Aggregator to
automatically perform a sample rate conversion to allow the audio devices to sync.
Once above settings are made, click the Done button to return to the Audio MIDI Setup dialog…
Keep the Resample checkboxes
unchecked unless necessary *
2•17
POD Farm Recording Setup Guide - Audio Driver Configuration
You are now able to choose this new “Aggregate Device” in the menus of the
System Settings. Choose your new Aggregate Device as the Properties For device
Now you will be able
to access settings for
all combined inputs
and outputs!
For the device we
created, this totals 6
Audio Inputs and 4
Audio Outputs.
The Audio Input and Audio Output sections each have a selector to allow you to choose each Stereo
device, and then make settings for each with the set of controls below.
You will now see all devices’ inputs
in the Audio Input selector.
Likewise, you will see all outputs in
the Audio Output selector
Note the order in which these Inputs and Outputs appear in the Audio-MIDI Setup dialog. In our
example, Line 6 device “Record Send” inputs are listed first because we made it the first device in the
Aggregate Device Editor dialog. The “Stream 3” input is from the Built-in Audio device, and appears
last. These input and output ports will also appear in this same order within your audio recording
software, but likely will not have any other identifying name other than their order number.
2•18
POD Farm Recording Setup Guide - Audio Driver Configuration
Using an Aggregate Device with Audio Recording Software
Once an Aggregate Device is created on your Mac, you should then be able to access it in your
recording software. As an example, we’ll be showing you how it appears in the included Ableton Live
software…
Launch the Ableton Live software and open the Preferences dialog to configure the audio device.
Go to the Live menu
and choose Preferences
Go to the Audio tab
Choose CoreAudio as the driver type…
Then choose the Aggregate Device that
was just created for both the Input and
Output Audio Device. Note that this
appears along with the individual audio
devices in these menus as an additional
selectable device.
Set a Sample Rate – preferably this
should be one supported by all the audio
devices that make up your Aggregate
Device. Once all other settings are
complete, click the Input Config button
Just as with most Multitrack recording software, in Live you also need to
configure the individual inputs and outputs once a Multi-in/out device is
selected. Click on the Input Config button to access the Inputs.
By default, Live will usually have only the first
device enabled. Activate the desired devices
here to allow them be available as recording
inputs in the Live software. Note that each
additional active devices utilizes more CPU, so
only activate the ones you need!
Click OK when done
As noted earlier, you’ll need to refer to the order of the devices in the Audio MIDI Setup dialog to
know which are Line 6 hardware ins, and which are from the other device since Live does not show the
individual device names.
Next, click the Output Config button in the Live Preferences dialog to similarly activate multiple
outputs…
2•19
POD Farm Recording Setup Guide - Audio Driver Configuration
Click on additional output devices to make
them available as playback outputs in Live if
desired.* Here again, activate only the ones you
need to avoid excess CPU usage.
Click OK when done
* Note - The Ableton Live Lite, Line 6 version has a restriction that allows only one stereo output to be
used at a time. To be able to choose two or more different output devices in a Live Set, you must switch
into Demo mode, or upgrade to a full version of Ableton Live
You can now continue to use Ableton Live and all inputs and outputs will appear within the audio
track menus, just as if all exist on one sound card!
All inputs appear in the Live
audio track input menu
For more information regarding the Aggregate Device feature, check your Mac® OS X documentation.
2•20
POD Farm Recording Setup Guide - Audio Driver Configuration
Windows® Driver Settings
Be sure to first connect your Line 6 hardware directly to your computer’s USB port and then launch the
Line 6 Audio-MIDI Devices dialog from within the Windows® Control Panel (Start button > Settings
> Control Panel). This is the place where you can access the audio driver settings for your connected
device to see and configure things such as the current Sample Rate, Bit Depth, Buffer settings,
Record Sends, etc. For the Windows recording software applications covered in this document, it is
always recommended that you use the ASIO audio driver. When prompted for ASIO driver settings,
this is where you will make them. This dialog offers controls specifically for your connected Line 6
hardware.
Line 6 Audio-MIDI Devices Dialog - Driver Tab
POD Studio, TonePort & GuitarPort - This example shows UX2 as the selected device, with POD
Farm running in Standalone mode. You’ll see some differences with a POD device selected, which are
noted in the following diagram - click on a number to go to its description. If you have a UX8 device,
you’ll have even more options, so be sure to also read up on the UX8 specific sections...
2 3
1
9
10
11
4
5
6
7
8
1 – Line 6 Device selector: Allows selection of any supported Line 6 USB audio device that is
connected. Note that if you have more than one supported device connected, each will be selectable
in this list, regardless if it is in use by the POD Farm Standalone application or not. If your device is
not connected and powered on, it will not appear in this list.
2 – Selected Device icon: An icon for the selected Line 6 Device appears here.
2•21
POD Farm Recording Setup Guide - Audio Driver Configuration
3 – Driver version: Displays the current device’s installed driver version number.
4 – ESN: Displays the current device’s unique Electronic Serial Number.
5 – ASIO Client indicator: If you are running audio software that is using this Line 6 device as its
ASIO sound card, the name of the software will appear here. If not in use by an ASIO software, “none”
is displayed here, as shown in the above example.
6 – Buffer Size: The ASIO buffer size in use. Note this field is only active when in use by an ASIO
application. As your DAW software documentation will likely tell you, the ASIO Buffer Size will affect
the “responsiveness” and “latency” of the DAW software. The lower the setting, the faster the response,
but with the trade-off of higher processor usage and the risk of audio dropouts. Raise the value if you
are getting inconsistent playback or recording in the audio software. Basically, 512 is generally a good
average setting.*
*Note that POD Studio, TonePort and GuitarPort devices also offer ToneDirect™ Monitoring,
which is a separate audio path with its own Buffer setting. This allows you to keep the above
ASIO Buffer Size at a high “stable” value, yet still benefit from low latency monitoring of your
input signal while recording. Similarly, POD devices offer a USB audio buffer which provides
an independent, direct monitor signal with its own buffer adjustment as well.
7 – Bit Depth: The ASIO bit depth in use. Note this field is only active when in use by an ASIO
application. It is recommended to use the 24-bit option here as well as the 24-bit option within your
ASIO recording software. (If your ASIO audio software only supports or is set to 16-bit, then it is
recommended to set your Line 6 hardware’s Bit Depth setting here also to 16-bit to match).
8 – Sample Rate Converter Active indicator: POD Studio, TonePort & GuitarPort devices support
44.1 and 48 kHz sample rates natively, and also support 88.2 and 96 kHz sample rates by way of an
internal sample rate converter. This indicator lights up to show you when this converter is active,
which can be any time your ASIO software is requesting a different sample rate than what your device
“natively” supports. UX8 and POD X3 family devices support 44.1, 48, 88.2 and 96 kHz sample rates
natively.
9 – Driver Operation indicator:
POD Studio, TonePort & GuitarPort devices - Displays what sample rate and bit depth the current
device is operating at (or with no text if not in use).
10 – Lock Driver Format: When checked, this forces the Line 6 audio driver to operate at the Sample
Rate and Bit Depth settings entered in the two fields below (as opposed to following the sample rate
requested by a Windows audio application).
Note – This checkbox will remain grayed-out while the current Line 6 device is in use by the
POD Farm Standalone application and/or any 3rd party audio application. To access the Force
Driver Format feature, you will need to exit POD Farm, as well as any audio software that
might be using the currently selected Line 6 device as its audio device. This checkbox will then
be selectable.
Windows Vista users... you won’t see these options in this portion of the dialog since these driver
format options are handled by Vista itself. You will instead see a Sound Control Panel button:
2•22
POD Farm Recording Setup Guide - Audio Driver Configuration
Pressing this button (not surprisingly) launches the Vista Control Panel’s Sound dialog. Here in the
Playback tab you can designate your Line 6 USB device as the “Default” audio device if you want all
your Vista programs such as Win Media Player, Flash Player, iTunes, Internet video players, etc., to
send their playback to it. However, if you are going to set your Line 6 device as the default, it is a good
idea to also go to the Sounds tab and set it to the No Sounds sound scheme to avoid also getting blasts
of all those Vista system alerts, beeps and dings blaring through your monitors or headphones!
The Vista Sound Control Panel dialog - Playback tab
You can also click on the Properties button and access the default format setting for the Sample Rate
and Bit Depth for your Line 6 device when used with Vista audio applications. (Note that if you are
using an audio application that is set to utilize the ASIO driver for your Line 6 device, then ASIO
communicates directly with the device, and these Vista “default format” settings do not apply).
2•23
Loading...
+ 204 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.