Also Available in Hi-Tech Electrophonic Format at www.line6.com
Rev D
You should read these Important Safety Instructions. Keep them in a safe place.
WARNING:
To reduce the risk of fire or electric shock, do
not expose this appliance to rain or moisture.
To reduce the risk of fire or electric shock, do not remove screws.
CAUTION:
No user-serviceable parts inside. Refer servicing to qualified service personnel.
Before using your Stomp Box Modeler, carefully read applicable items of operating instructions and safety suggestions.
1. Obey all warnings on the Stomp Box Modeler and in the Pilot’s Handbook.
2. Do not perform service operations beyond those described in the Stomp Box Modeler and in the Pilot’s Handbook. In the
following circumstances, repairs should be performed only by qualified service personnel:
• liquid is spilled into the unit
• an object falls into the unit
• the unit does not operate normally or changes in performance in a significant way
• the unit is dropped or the enclosure is damaged
3. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Be sure to practice “safe listening.”
CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of
FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this
device must accept any interference received, including interference that may cause undesired operation.
The Stomp Box Modelers, Modulation Modeler, Delay Modeler, Distortion Modeler,
Line 6, and Line 6 logo are trademarks of Line 6, Inc. All other products, images,
trademarks, and artists’ names are the property of their respective owners, and
are used solely for the purpose of describing certain types of tones produced with
Line 6’s digital modeling technology, which were developed independently by Line
6, without the participation of these respective owners. Use of these products,
images, trademarks, and artist’s names does not imply any cooperation or
endorsement.
Thank you for inviting a Stomp Box Modeler home
with you. (By the way, you filled out the registration
with you. (By the way, you filled out the registration
card at the back of this handbook, or did it on our
card at the back of this handbook, or did it on our
web site – www.line6.com – right? Great. Back to
web site – www.line6.com – right? Great. Back to
our regular program....) These pedals mine the tonal
our regular program....) These pedals mine the tonal
heritage of the past thirty years of stomp box and
heritage of the past thirty years of stomp box and
effects design and match it up with the kind of
effects design and match it up with the kind of
digital signal processing magic that will still be ahead
digital signal processing magic that will still be ahead
of its time ten years from now.
of its time ten years from now.
How did the Stomp Box Modelers get the super
How did the Stomp Box Modelers get the super
processing power to let you create tones that are
processing power to let you create tones that are
out of this world? It all started like this…
out of this world? It all started like this…
The Birth of Line 6 Modeling
The Birth of Line 6 Modeling
Well, as you may know, Line 6 first came on to the
Well, as you may know, Line 6 first came on to the
scene with a new kind of guitar amplifier – the first
scene with a new kind of guitar amplifier – the first
to put digital software modeling technology to work
to put digital software modeling technology to work
in a combo amp for guitarists. In order to pioneer
in a combo amp for guitarists. In order to pioneer
this technology, we had focused our efforts on the
this technology, we had focused our efforts on the
vacuum tube, the little glass wonder that had sat at
vacuum tube, the little glass wonder that had sat at
the heart of most every great guitar amp in history
the heart of most every great guitar amp in history
– plus quite a few stomp boxes, effect processors,
– plus quite a few stomp boxes, effect processors,
and other pieces of great audio gear. The Line 6
and other pieces of great audio gear. The Line 6
crew assembled a dream collection of amplifiers
crew assembled a dream collection of amplifiers
recognized by guitarists the world over as true “tone
recognized by guitarists the world over as true “tone
classics,” and, with a guitar in one hand and modern
classics,” and, with a guitar in one hand and modern
computer measuring gear in the other, put these
computer measuring gear in the other, put these
amps through their paces and got them to give up
amps through their paces and got them to give up
their secrets – a guitar pickup output, after all, is an
their secrets – a guitar pickup output, after all, is an
electronic signal, and tubes and the rest of the guitar
electronic signal, and tubes and the rest of the guitar
amplifier electronics are really just a complex form
amplifier electronics are really just a complex form
of signal processing. These electronic explorers thus
of signal processing. These electronic explorers thus
distilled the noble history of guitar tone heritage
distilled the noble history of guitar tone heritage
into a revolutionary, patented DSP (digital signal
into a revolutionary, patented DSP (digital signal
processing) software-based modeling technology,
processing) software-based modeling technology,
which gave Line 6 the power to create super silicon-
which gave Line 6 the power to create super siliconbased life forms like our history-making amplifiers
based life forms like our history-making amplifiers
and POD.
and POD.
Well, it’s been some years since the first Line 6 amp
Well, it’s been some years since the first Line 6 amp
brought modeling to the combo amp world, followed
brought modeling to the combo amp world, followed
by the Line 6 POD that revolutionized the world
by the Line 6 POD that revolutionized the world
of guitar recording. During that time, our thoughts
of guitar recording. During that time, our thoughts
have often turned from our amps to our feet. We
have often turned from our amps to our feet. We
started thinking about all those great stomp boxes
started thinking about all those great stomp boxes
that have been as much a part of the electric guitar
that have been as much a part of the electric guitar
experience as the amplifier. And thus began the
experience as the amplifier. And thus began the
Stomp Box Modelers, with their lovingly crafted
Stomp Box Modelers, with their lovingly crafted
digital software models of a whole carpet-full of the
digital software models of a whole carpet-full of the
great effects of guitar history.
great effects of guitar history.
1
LINE 6’S COMFY COUCH PLAYING HOST TO SOME OF OUR VINTAGE TREASURES
2
This image is provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development, and does not imply any cooperation or endorsement.
As you get familiar with your new friend on the
floor, we’d like you to join us in thanking the
following people for generously lending their
treasured artifacts and antiques for our modeling
analysis. We’ve done our best to capture the special
character of each of these units in the models that
power your Stomp Box Modeler.
In alphabetical order, the contributors to the cause are:
Tom Ayres, Tony Berg, Joey Brasler, Bill DeLap, Eric
Dover, Mike Drake, Dave Friedman, Tim Godwin, Bob
Hartry, His Intolerably Massive Omnipotence (a.k.a.
Mr. Huge), Jamie Kime, Albert Molinaro, Tim Pierce,
Nigel Redmon, Mike Reiter, Walter G. Rice III,
Marcus Ryle, James Santiago, Jeff Slingluff, Jack Sonni,
Art Thompson, George Van Wagner, Dave Whiston,
Lyle Workman, Zeke Zirngiebel, John Ziegler – and,
of course, the noise-tolerant upstairs neighbors.
And Away We Go
So, now that you’ve seen and heard about the tonal
wonders that lurk within your Stomp Box Modeler,
it’s time to grab your favorite axe, plug in, and flip
to the next page....
This image is provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound model development, and does not imply any cooperation or endorsement.
3
Key Features
Programmable Memories
The Line 6 Stomp Box Modelers let you store your
favorite tones for easy recall at any time. No more
making marks for your favorite settings with your
grease pencil, or getting down on your hands and
knees in between songs to set up your next sound.
With a Stomp Box Modeler, all you have to do
when you find a sound you want to keep is press
and hold one of the memory location stomp switches
for 3 seconds, and the setting of all your knobs is
committed to the stomp box’s memory.
Now you can step on that switch anytime and bring
back that great sound. We’ve already stored a couple
of our favorite tones into the memories to get you
started. The hidden functions section of this
handbook tells you how to restore them if you
decide you want ’em back.
True Bypass & Alternate Bypass
The Stomp Box Modelers include mechanically
switching relays that switch in when you bypass the
pedal (by kicking the stomp switch to turn off the
memory you are using). These relays route your
signal directly from input jack to output jack, around
all the circuitry, for absolutely no processing or
analog-to-digital conversion while in bypass. The
hidden functions section of this handbook tells you
how to choose an alternate bypass mode that keeps
the DSP engaged while bypassed; this can be handy
for delays, for instance, if you want your delays to
trail away when you kick the pedal off.
Battery or AC Power Operation
You can choose to power your Stomp Box Modeler
with 4 C size batteries or via the optional Line 6
AC power supply. We recommend alkaline batteries
for long life; you should get twenty to thirty hours
of use out of a high quality set. Unplugging the
left/mono input turns the pedal off, so be sure to
unplug it when you’re not using the pedal to conserve
battery power. All four lights on your pedal will
flash when your batteries have nearly run out.
EXPRESSION PEDAL
Conceptualizing It
The optional Line 6 expression pedal lets your foot control one or more of the parameters of your effect
while your hands are busy making music. Operation is designed to be simple:
Doing It
Power off your Stomp Box Modeler by unplugging the LEFT/MONO
INPUT. Next, plug in your Expression Pedal, and set the expression pedal
to the full heel-down position (as shown in the illustration at right). Plug
the left/mono input back in (this turns the Stomp Box back on) and dial
up a sound you like. Now press the expression pedal forward to the fully
toe-down position, and set one or more of your knobs to another setting.
Rock back and forth on your expression pedal, and you’ll hear your sound
blend between the two sound settings you just made. Store this sound
into one of your pedal’s memories, and both the toe-down and heeldown “snapshots” of the sound will be saved. Use as many and
whichever knobs you like with the expression pedal, except the
model selector. Recalling a stored memory later without the
expression pedal connected gives you the heel-down setting only.
Getting It
Customers in the USA and Canada can order the expression
pedal (or an AC power supply) from their Line 6 dealer,
directly from www.line6.com, or by calling Line 6 Sales at
(805) 379-8900. Outside the USA and Canada, please
contact your Line 6 dealer or distributor.
547
In/Out
REAR PANEL – HOOKUP INSTRUCTIONS
Just follow the labels and plug in the inputs and outputs. If you’re running with batteries, you can unplug the
left input to conserve power when you’re not using the pedal. (Please note: the DM4 Distortion Modeler is
Mono In and Mono Out.)
Power Requirements:
MONO L
- INPUT - R
MONO L
-OUTPUT - REXPRESSION PEDAL
9VAC 1200 mA minimum
N222
THIS EQUIPMENT HAS BEEN TESTED AND FOUND TO COMPLY WITH THE LIMITS FOR A CLASS B DIGITAL DEVICE PURSUANT TO PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO
CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRABLE OPERATION.
Serial Number
Connect Optional
Line 6 Power Supply Here
Expression Pedal
See the following section for complete details on the use of the optional Line 6
expression pedal, which gives you the ability to smoothly blend between effect settings.
Power Supply
Your Stomp Box Modeler comes with a set of four C size
batteries. You can also purchase an optional Line 6 AC
power supply to run your pedal.
Getting an Expression Pedal or Power Supply
Customers in the USA and Canada can order the expression pedal and power supply from their Line 6 dealer,
directly from www.line6.com, or by calling Line 6 Sales at (805) 379-8900. Outside the USA and Canada, please
contact your Line 6 dealer or distributor (see list on the Line 6 web site and at the back of this handbook).
6
DISTORTION MODELER – FRONT PANEL
Model Selector
This is where you pick the model you want to use;
it comes up preset to a great sound, ready to use.
Turn the other knobs to adjust the sound; their
Volume
This knob is always used to set the output volume
of the effect Turn counterclockwise for less output.
Turn clockwise for more processed signal.
functions are described in the model details section.
COLOR DRIVE
HEAVY DISTORTION
CLASSIC DISTORTION
OVERDRIVE
SCREAMER
TUBE DRIVE
BUZZ SAW
FACIAL FUZZ
BOOST/ COMP
JUMBO FUZZ
FUZZ PI
JET FUZZ
LINE 6 DRIVE
LINE 6 DISTORTION
SUB OCTAVE FUZZ
OCTAVE FUZZ
DM4 Distortion Modeler
DRIVEVOLUMEBASSMIDTREBLE
PROGRAMMABLE OVERDRIVE & DISTORTION
sub
jet
fdbk
comp
/
jet
rate
gate
Stomp Switches
Step on one of these switches to choose one of the four programmable memories (Delay Modeler has 3
memories plus Tap Tempo). The chosen memory’s light is lit, and you hear the effect processing. Step on
the switch again to turn the memory off and bypass the effect. To store a sound in memory, step on one of
the switches to turn its light on, turn the knobs to the sound you like, and then press and hold any foot
switch for 3 seconds to store the knob settings into that memory location.
This is where you pick the model you want to use;
it comes up preset to a great sound, ready to use.
Turn the other knobs to adjust the sound; their
functions are described in the model details section.
ROTARY DRUM
U -VIBE
PANNED PHASER
DUAL PHASER
PHASER
BIAS TREMOLO
OPTO TREMOLO
ROTARY DRUM & HORN
PANNING
ANALOG FLANGER
JET FLANGER
ANALOG CHORUS
TRI CHORUS
PITCH VIBRATO
RING MODULATOR
DIMENSION
MM4 Modulation Modeler
SPEED
Mix
This knob is always used to set the mix between
the dry/direct/unprocessed signal and the processed
signal. Turn counterclockwise for more dry signal.
Turn clockwise for more processed signal.
Step on one of these switches to choose one of the four programmable memories (Delay Modeler has 3
memories plus Tap Tempo). The chosen memory’s light is lit, and you hear the effect processing. Step on
the switch again to turn the memory off and bypass the effect. To store a sound in memory, step on one of
the switches to turn its light on, turn the knobs to the sound you like, and then press and hold any foot
switch for 3 seconds to store the knob settings into that memory location.
8
DELAY MODELER – FRONT PANEL
Model Selector
This is where you pick the model you want to use;
it comes up preset to a great sound, ready to use.
Turn the other knobs to adjust the sound; their
functions are described in the model details section.
LO RES DELAY
ANALOG W/ MOD
ANALOG ECHO
SWEEP ECHO
MULTI-HEAD
TAPE ECHO
TUBE ECHO
LOOP SAMPLER
DIGITAL DELAY
DIGITAL W/ MOD
RHYTHMIC DELAY
STEREO DELAYS
PING PONG
REVERSE
DYNAMIC DELAY
AUTO-VOLUME ECHO
DL4 Delay Modeler
DELAY TIMEMIXREPEATSTWEAKTWEEZ
Mix
This knob is always used to set the mix between
the dry/direct/unprocessed signal and the processed
signal. Turn counterclockwise for more dry signal.
Turn clockwise for more processed signal.
P
ROGRAMMABLE DELAY &
14 S
ECOND LOOP SAMPLER
Stomp Switches
For all models except LOOP SAMPLER, these switches choose one of the
3 memories. To set what’s stored in the memory, step on one of the switches
to turn its light on, turn the knobs to the sound you like, and then press and
hold a switch for 3 seconds to store the knob settings into a memory.
TAP TEMPOCBA
Tap Tempo
Tap to set delay time.
Loop Sampler
See Loop Sampler details.
9
Special Hidden Functions
Alternate Bypass
The Stomp Box Modelers include mechanically
switching relays that route your signal directly from
input jack to output jack and around all circuitry while
in bypass.
There’s also an alternate bypass mode available that
keeps the DSP engaged while bypassed, so with the
Delay modeler, for instance, your delays can trail
away when you kick the pedal off. If you want this
Alternate Bypass mode, hold the first and third
(from the left) stomp switches while plugging in the
left/mono guitar input. (When the left/mono input
is unplugged, your pedal is powered off.) Your pedal
will remember to stay in this Alternate Bypass mode
until you re-enable True Bypass.
Restoring Factory Presets
The Stomp Box Modelers come pre-programmed with
a set of great tones in their memories. The sounds that
you save replace these factory settings. If you ever want
to recall the factory sounds – and erase the soundsyou might have saved– press the far left and far right
switches while plugging in the left/mono guitar input.
(When the left/mono input is not plugged in, the
pedal is powered off.)
10
Using the Optional Noise Gate (DM4 only)
While developing the models for the Distortion
Modeler, we thought, “wouldn’t it be cool and oh-
so-21st century to add a noise gate to tame any
annoying single-coil hum, and/or unwanted
non-fuzz noise?” So we did. (But it’s only there if
you really want it.) Follow these steps to enable the
gate on a per preset basis:
1. Starting from bypass mode (= all LEDs OFF),
choose a preset switch (A, B, C or D) and press
it to turn it on and hold the switch to enter the
noise gate select mode.
2. While still holding down the preset switch turn
the Volume knob to set the status of the noise gate
on the preset. (Above 12 o’clock, the noise gate
is On; below 12 o’clock the noise gate is Off.)
3. The LED of the currently selected preset indicates
the status of the noise gate:
• LED lit = noise gate on
• LED unlit = noise gate off
Customer Service
If you have a question about your Stomp Box Modeler and you are in the USA or Canada, you can contact
Line 6 at (805) 379-8900, 8AM to 5:30 PM Monday through Friday (Pacific Time) and request the Product
Support department (or email them at support@line6.com).
You may also find helpful information on the Support page of the Line 6 web site (www.line6.com). Before
contacting Product Support, please take the time to read through this handbook to see if it can answer your
questions. If you do need to contact Product Support, you will need to tell them your serial number (which
is on a sticker on the back of the your pedal). It might also help to take some notes for yourself before you
call, to insure that you remember everything you want to ask about.
Details of your Stomp Box Modeler’s warranty are at the end of this handbook.
If you are outside the USA and Canada, please contact your Line 6 dealer or distributor directly to arrange
for service.
11
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