Lexicon MC-8 Owner's Manual

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MC-8 Digital Controller

User Guide

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IMPORTANT SAFETY INSTRUCTIONS

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or another apparatus (including amplifiers) that produces heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A groundingtype plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when a power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

• Refer to the manufacturer’s operating instructions for power requirements. Be advised that different operating voltages may require the use of different line cord and/or attachment plug.

• Do not install the unit in an unventilated rack, or directly above heat-producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification.

• Never attach audio power amplifier outputs directly to any of the unit’s connectors.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and radiates radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on. The user is encouraged to try to correct the interference by one or more of the following measures:

• Re-orient or relocate the receiving antenna.

• Increase the separation between the equipment and the receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/television technician for help.

WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Do not place objects containing liquid, such as vases, on this apparatus.

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Lexicon Inc. 3 Oak Park Bedford, MA 01730-1413 USA Tel 781-280-0300 Fax 781-280-0490 www.harmanspecialtygroup.com

Manufactured under license from Dolby Laboratories. Dolby®, Pro Logic®, and the double-D symbol are a registered trademarks of Dolby Laboratories. Surround EX is a trademark of Dolby Laboratories.

Manufactured under license from Digital Theater Systems, Inc. U.S. Pat. No’s 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 and other U.S. and world-wide patents issued and pending. DTS, DTS-ES, Neo:6, and DTS 96/24 are trademarks of Digital Theater Systems, Inc. Copyright 1996, 2003 Digital Theater Systems, Inc. All rights reserved.

Manufactured under license from THX Ltd. U.S. patent numbers 5, 043,970; 5,189,703 and/or 5,222,059. European patent number

0323830. Other U.S. and foreign patents pending. Ultra2 and THX are trademarks or registered trademarks of THX Ltd. Surround EX is a trademark of Dolby Laboratories. Used under authorization.

SACD is a trademark of Sony Electronics, Inc.

Customer Service Telephone: 781-280-0300 Sales Fax: 781-280-0495 Service Fax: 781-280-0499

Part No. 070-15481 | Rev 1 | 08/05

SHARC is a Trademark of Analog Devices, Inc.

Lexicon, Logic 7 and the L7 logo are registered trademarks of Harman International Industries, Inc. U.S. Patent Nos. D454,553; D454,860; 5,796,844; 5,870,480 and other worldwide patents issued and pending. Lexicon LIVE is a trademark of Harman International Industries, Inc.

This document should not be construed as a commitment on the part of Harman Specialty Group. The information it contains is subject to change without notice. Harman Specialty Group assumes no responsibility for errors that may appear within this document.

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Introduction Lexicon

DOCUMENTATION CONVENTIONS

This document contains general safety, installation and operation instructions for the MC-8 and MC-8 Balanced Digital Controllers. It is important to read this user guide before attempting to use the product. Pay particular attention to safety instructions.

The following symbols are used in the document:

WARNING

CAUTION!

Note:

Appears on the component to indicate the presence of uninsulated, dangerous voltage inside the enclosu constitute a risk of shock.

Appears on the component to indicate important operating and maintenance instructions in the accompanying literature.

Calls attention to a procedure, practice, condition or the like that, if not correctly performed or adhered to, could result in injury or death.

Calls attention to a procedure, practice, condition or the like that, if not correctly performed or adhered to, could result in damage or destruction to part or all of the product.

Calls attention to information that is essential to highlight.

re – voltage that may be sufficient to

INPUTSSETUP

Represents a menu path. The menu items in gray boxes must be selected with the remote control Menu  arrow to access the menu or menu item in the black box. For example, the SETUP, INPUTS, and DVD1 menu items must be selected to open the DVD1 INPUT SETUP menu.

The DVD1 INPUT SETUP menu is used here as an example and will continue to be used as an example throughout this document. Whenever it appears, any other INPUT SETUP menu may be substituted. Likewise, whenever the DVD1 input appears as a step in a menu path, any other input may be substituted.

DVD1

NAME

EDIT INPUT NAME

This document uses the term MC-8 to refer to both the MC-8 and MC-8 Balanced Digital Controllers unless otherwise specified. This document uses the term DTS-(ES) to indicate that DTS-ES encoding may or may not be present in the input source.

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MC-8 Introduction

Table of Contents

Documentation Conventions........................................................ ii

Getting Started

About the MC-8........................................................................1-2

Highlights ............................................................................. 1-4

Product Registration ..................................................................1-5

Installation Considerations.........................................................1-5

Remote Control Battery Installation ...........................................1-6

Basic Operation

Front-Panel Overview ................................................................2-2

Rear-Panel Overview..................................................................2-6

Remote Control Overview .......................................................2-10

Operation Considerations .................................................... 2-10

MAIN Menu ........................................................................ 2-10

Menu Navigation ................................................................ 2-10

Menu Item Selection ........................................................... 2-11

Command Bank Activation .................................................. 2-13

Command Matrix ............................................................... 2-14

Understanding the Zones ........................................................ 2-18

Two-Line Status.......................................................................2-19

STATUS Menus........................................................................2-19

STATUS Menu Descriptions ................................................. 2-20

STATUS Menu Parameter Descriptions ................................ 2-24

STATUS Menu Level Meters.....................................................2-25

Setup

Setup ........................................................................................3-2

Input Setup ............................................................................... 3-4

Changing Input Names ......................................................... 3-5

Assigning Audio and Video Input Connectors ........................ 3-7

Selecting Preferred Listening Modes .................................... 3-12

Configuring Advanced Input Settings .................................. 3-17

INPUT SELECT Parameter Settings ....................................... 3-19

ZONE2 in Parameter Settings .............................................. 3-21

Speaker Setup .........................................................................3-22

Setting Crossover Points ...................................................... 3-22

Speaker Setup Parameters ................................................... 3-26

Calibrating Speaker Distances and Output Levels .................... 3-33

Speaker Calibration Parameters ........................................... 3-33

Automatic Calibration ......................................................... 3-35

Manual Calibration ............................................................. 3-52

Rear-Panel Configuration......................................................... 3-59

Display Setup .......................................................................... 3-61

Volume Control Setup............................................................. 3-66

Trigger Setup .......................................................................... 3-67

Lock Options........................................................................... 3-69

LIVE! CALIBRATION ................................................................. 3-70

Audio Controls

Audio Controls .......................................................................... 4-2

Mode Adjust

Mode Adjust ............................................................................. 5-2

Listening Mode Activation.........................................................5-2

Preferred Listening Mode Selection ....................................... 5-3

MODE  and  BUTTONS .................................................. 5-3

Listening MODE SELECTION BUTTONS ................................. 5-3

Listening Mode Descriptions ..................................................... 5-4

Listening Mode Menu Option and Parameter Descriptions...... 5-34

Mode – Parameter Relationships.............................................. 5-42

Troubleshooting and Maintenance

Troubleshooting........................................................................ 6-2

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Introduction Lexicon

Routine Maintenance.................................................................6-4

Restoring Factory-Default Settings .............................................6-4

Appendix

Specifications.............................................................................A-2

Declaration of Conformity .........................................................A-4

Menu Tree.................................................................................A-5

Installation Worksheet .............................................................A-20

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Getting Started

About the MC-8 ......................................................................... 1-2

Highlights .................................................................................................1-4

Product Registration................................................................... 1-5

Installation Considerations.......................................................... 1-5

Remote Control Battery Installation ............................................ 1-6

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Getting Started Lexicon

ABOUT THE MC-8

Thank you for purchasing the MC-8 Digital Controller, an 8-channel audio and video control center with independent zone monitoring that provides control of audio and video source selection in two zones at the same time. The MC-8 includes eight configurable inputs, each of which can be assigned to its eight digital audio, eight analog audio, five composite video, five S-Video, or three component video input connectors. The analog connectors can be configured for up to two 5.1-channel sources. In addition, the MC-8 Balanced offers balanced analog audio output connectors for all Main Zone and Zone 2 channels.

Inside and out, the MC-8 is designed for possible future developments. The rear panel houses one RS-232 connector capable of performing configuration downloads and flash memory software upgrades, and another capable of supporting future developments. The rear panel also includes two removable access panels to accommodate connectors for emerging technologies.

More than just an audio and video control center, the MC-8 features the latest version of Lexicon’s critically acclaimed LOGIC 7

decoding, which derives 7.1-channel output from stereo, and 5.1and 6.1-channel sources. Unlike other decoders, LOGIC 7 is compatible with all input sources and requires no special encoding. Because the improvement it provides is clearly audible, LOGIC 7 decoding is widely regarded as the finest available.

The MC-8 also offers LIVE! (Lexicon Intelligent Variable Environment), designed to transform the way your listening room sounds with the live sound that is created within the room by the occupants of the room. LIVE! does not (nor is it meant to) work with prerecorded material. LIVE! provides a realistic illusion of a larger, more reverberant listening space–ideal for musicians wishing to practice or perform with the sound of a larger venue.

LIVE! is a unique, sophisticated reverberation system that uses a combination of microphones and digital signal processing (DSP) to enhance a room’s acoustics and create the illusion of a much larger space. When you engage in normal conversation, it seems as if you are in a large room. When you practice or perform with a musical instrument, it seems as if you are in a concert hall. Choose from one of three customizable presets to create an ambience to liven up a party or amaze your friends.

In addition to LOGIC 7, the MC-8 offers THX Ultra2 certification, which guarantees that the MC-8 meets the highest THX® specifications.

With four floating-point SHARC™ digital signal processing (DSP) engines, the MC-8 boasts enormous processing power. These powerful processors perform custom Lexicon processing such as LOGIC 7 decoding, bass enhancement, dialogue enhancement, auto azimuth, five-speaker enhancement, bass management, highprecision digital crossovers and audio controls. These features are

available at sample rates of up to 96kHz, with 24-bit resolution to retain top performance from all sources. In addition, a fifth DSP engine is dedicated to decoding multichannel compressed audio sources.

The MC-8 is one of the most advanced audio and video control centers available. High-precision 24-bit/96kHz A/D converters can be used to convert stereo analog audio input signals to digital signals, allowing the MC-8 to provide the benefits of precise digital signal processing without sacrificing signal integrity. Alternatively, stereo analog signals can bypass A/D conversion and internal processing, following a pure signal path directly to the output connectors.

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MC-8 Getting Started

Digital audio input signals are processed through a two-stage phase lock loop for extremely low intrinsic jitter and high rejection. Lexicon’s proprietary auto azimuth technology corrects timing and level imbalances in stereo sources, ensuring exceptionally accurate playback of surround-encoded sources. A digital audio pass through output is available for recording digital signals with a CD recorder or a similar component.

Complementing its audio performance, the MC-8 features two broadcast-quality video switchers. An ultrawide-bandwidth component video switcher accepts analog component or RGB video signals, while a composite and S-Video switcher accepts high-

quality NTSC, PAL or SECAM video signals. The component video switcher can pass high-definition TV (HDTV) signals, and standarddefinition (SD) TV signals. Both switchers are designed to pass video signals without alteration or degradation.

Built to professional standards, the MC-8 is designed to serve as the control center in any high-quality home theater. Even the most demanding enthusiast will be impressed with its unique combination of power, performance, flexibility and technological sophistication. With extensive expansion capabilities, the MC-8 represents a solid investment that will retain its value in the face of rapidly emerging technologies.

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Getting Started Lexicon

HIGHLIGHTS

• Eight channels

• Eight configurable inputs

• Two independent zones

• Four S/PDIF coaxial and four S/PDIF optical digital audio input connectors

• Up to two 5.1-channel analog audio input connectors

• Analog bypass option for stereo audio input connectors

• Auto switching between digital and analog audio input connectors

• 24-Bit/192kHz D/A converters for all audio channels

• Automatic and manual calibration of speaker distances and output levels

• Three component video input connectors with full HDTV compatibility

•Five S-Video input connectors

• Five composite video input connectors

• Broadcast-quality video switching

• Four 32-bit DSP engines

• Separate DSP engine for decoding compressed audio sources

• LOGIC 7 decoding

• LIVE! (Lexicon Intelligent Variable Environment)

• Dolby Digital Surround EX, Dolby Pro Logic IIx, and Dolby Pro Logic decoding

• DTS 96/24, DTS NEO:6, and DTS-ES (discrete and matrix) decoding

• THX Ultra2 and THX Surround EX decoding

• THX Ultra2 certification

• RS-232 control

• Digital audio output connector

• Two trigger output connectors

• Rear-panel IR input connector

• Four microphone input connectors

• Two internal expansion slots

• Removable access panel

• Balanced audio output connectors for all Main Zone and Zone 2 channels (MC-8 Balanced only)

• Flash memory software upgrade capabilities

• Optional 19-inch rack-mount kit

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MC-8 Getting Started

PRODUCT REGISTRATION

Please register the MC-8 Digital Controller within 15 days of purchase. Register online at www.lexicon.com or complete and return the product registration card attached to the back cover of this user guide. Retain the sales receipt as proof of warranty coverage.

INSTALLATION CONSIDERATIONS

The MC-8 requires special care during installation to ensure optimal performance. Pay particular attention to instructions below and to other precautions that appear throughout this user guide.

DO install the MC-8 on a solid, flat, level surface such as a table or

shelf. The MC-8 can also be installed in a standard 19-inch equipment rack using an optional rack-mount kit available from an authorized Lexicon dealer.

DO select a dry, well-ventilated location out of direct sunlight.

DO NOT expose the MC-8 to high temperatures, humidity, steam,

smoke, dampness or excessive dust. Avoid installing the MC-8 near radiators and other heat-producing appliances.

DO NOT place the MC-8 on a windowsill or any location exposed

to direct sunlight.

DO NOT obstruct the front-panel IR receiver window. The remote

control must be in line of sight with the IR receiver for proper operation.

DO NOT install the MC-8 on a surface that is unstable or unable to

support all four feet.

DO NOT stack the MC-8 directly above heat-producing equipment

such as a power amplifier.

CAUTION!

Before moving the MC-8, power the unit off using the rear-panel power switch and unplug the power cord from the wall outlet.

DO NOT install the MC-8 near unshielded TV or FM antennas, cable

TV decoders, or other RF-emitting devices that might cause interference.

DO NOT place the MC-8 on a thick rug or carpet, or cover the

MC-8 with a cloth, as this might prevent proper cooling.

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Getting Started Lexicon

REMOTE CONTROL BATTERY INSTALLATION

The remote control requires two AA batteries. The batteries should be replaced as needed. Alkaline batteries, which last longer without leaking, are recommended. When battery power is low, the remote control enters a low-voltage condition, preventing it from operating the MC-8. When this occurs, replace the batteries. Normal operation will resume when new batteries are installed.

To replace the remote control batteries:

1. Locate the battery compartment on the back of the remote control. Press the tab and lift the cover away from the remote control.

2. Remove old batteries (if applicable).

3. Observing the proper polarity, insert two AA batteries.

4. Align the cover over the battery compartment and gently press down until it snaps back into place.

5. Dispose of the old batteries (if applicable).

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Basic Operation

Front Panel Overview ................................................................. 2-2

Rear Panel Overview................................................................... 2-6

Remote Control Overview ........................................................ 2-10

Operation Considerations........................................................................ 2-10

MAIN Menu ............................................................................................ 2-10

Menu Navigation ................................................................................... 2-10

Menu Item Selection ............................................................................... 2-11

Command Bank Activation...................................................................... 2-13

Command Matrix ................................................................................... 2-14

Understanding the Zones ......................................................... 2-18

Two-Line Status........................................................................ 2-19

STATUS Menus......................................................................... 2-19

STATUS Menu Descriptions ..................................................................... 2-20

STATUS Menu Parameter Descriptions .................................................... 2-24

STATUS Menu Level Meters...................................................... 2-25

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Basic Operation Lexicon

FRONT-PANEL OVERVIEW

The MC-8 is shown below. The MC-8 Balanced is shown on page 2-4. The front panels are identical, except the MC-8 Balanced has a larger chassis. The numbers in the front-panel illustrations correspond with the numbered items in the text.

1 STANDBY BUTTON

Use the Standby button to activate or deactivate standby mode. The Standby button performs no function when the MC-8 rearpanel power switch is powered off. When standby mode is deactivated, all MC-8 zones that were active during the last session are reactivated. The red standby button LED lights whenever standby mode is activated.

2 FRONT-PANEL DISPLAY

Use the front-panel display to view the current input, listening mode, input source and volume level. The 2 x 20 character display also functions as a display for messages and menus.

Note:

Power is still supplied to the MC-8 when standby mode is activated.

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MC-8 Basic Operation

3 IR RECEIVER

The IR receiver receives infrared commands from the MC-8 remote control. There are three associated LEDs.

• The amber LED blinks when a remote control command is received.

• The red LED lights when the A/D converters are overloading.

• The blue LED lights when the MC-8 is powered on and activated – even if the FRONT PANEL DISPLAY menu STATUS parameter is set to ALWAYS OFF.

Amber LEDRed LED

Blue LED

4 VOLUME KNOB

Use the volume knob to adjust volume level in the Main Zone or Zone 2.

To adjust the Main Zone volume level:

Rotate the volume knob clockwise to increase or counterclockwise to decrease volume level in 1dB increments. A horizontal bar graph indicating the current Main Zone volume level is displayed in the on-screen and front-panel displays. The Main Zone volume range is –80 to +12dB.

VOLUME -34db

To adjust the Zone 2 volume level:

1. Press and hold the front-panel Zone 2 input selection button that corresponds with the current input source. For instance, if the current input source is using the DVD1 input, press and hold the DVD1 input selection button.

2. While holding the selected Zone 2 input

ZONE 2 VOLUME -34db

selection button, rotate the volume knob clockwise to increase or counterclockwise to decrease volume level in 1dB increments. The corresponding horizontal graph shown here appears in the on-screen and frontpanel displays. This graph illustrates the position at which the current Zone 2 volume level falls within the –80 to +12dB volume range.

3. Release the selected Zone 2 input selection button when Zone 2 volume level has been set.

Note:

Remote control input selection buttons cannot be used to select Zone 2 level adjustment, even if the Zone 2 command bank is activated.

5 MODE  and  BUTTONS

Use the Mode buttons to scroll to the previous () and next () available listening mode. Scrolling occurs in the order shown in the MODE ADJUST menu. Refer to the Listening Mode Activation section that begins on page 5-2 for more information.

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Basic Operation Lexicon

FRONT-PANEL OVERVIEW (continued)

The MC-8 Balanced, shown below, has a larger chassis than the MC-8, shown on page 2-2. Otherwise, they are identical. The numbers in the front-panel illustrations correspond with the numbered items in the text.

6 MUTE BUTTON

742

Mutes or restores the MC-8 Main Zone volume to its original level. Press the Mute button to mute volume level; “MUTE ON” appears in the on-screen and front-panel displays. Press the Mute button again to restore the volume to its original level. The VOLUME CONTROL SETUP and MUTE LEVEL parameter can be used to set mute levels.

2-4

Mute may be activated automatically or manually. For example, the MC-8 briefly activates mute when changing input sources or listening modes. The amber Mute button LED lights whenever mute is activated.

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MC-8 Basic Operation

7 MAIN ZONE INPUT SELECTION BUTTONS

Selects the corresponding input in the Main Zone. When an input is selected, a blue LED lights on the corresponding input selection button. When the Main Zone is deactivated, pressing a Main Zone input selection button activates the Main Zone and selects the corresponding input. Zone 2 remains deactivated until a Zone 2 input is selected.

8 MAIN ZONE OFF BUTTON

Deactivates the Main Zone.

9 ZONE 2 INPUT SELECTION BUTTONS

Selects the corresponding input in Zone 2. When an input is selected, an amber LED lights on the corresponding input selection button. When Zone 2 is deactivated, pressing a Zone 2 input selection button activates Zone 2 and selects the corresponding input. The Main Zone remains deactivated until a Main Zone input is selected.

10 ZONE 2 OFF BUTTON

Deactivates Zone 2.

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Basic Operation Lexicon

REAR-PANEL OVERVIEW

The MC-8 is shown below. The MC-8 Balanced, shown on page 2-8, includes balanced audio output connectors for the Main Zone and Zone

2. Otherwise, both models are identical. The numbers in the rear-panel illustrations correspond with the numbered items in the text.

1314

CAUTION! Never make or break connections to the MC-8 unless the MC-8 and all associated components are powered off.

1 IR IN CONNECTOR

Accepts input of IR signals from infrared distribution equipment. One 3.5mm jack that accepts a stereo plug (Tip/Ring/Sleeve connection) or mono plug (Tip/Sleeve connection) is available.

2 DIGITAL AUDIO INPUT CONNECTORS

(S/PDIF)

Provide digital audio input in the Main Zone and Zone 2. Four S/PDIF coaxial and four S/PDIF optical input connectors are available. Connectors are compatible with PCM (44.1, 48, 88.2 and 96kHz), Dolby Digital and DTS(-ES) sources.

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MC-8 Basic Operation

3 VIDEO INPUT CONNECTORS

Provide video input in the Main Zone and Zone 2. Five composite video connectors labeled Video 1 to 5, five S-Video connectors labeled S-Video 1 to 5, and three component video connectors labeled 1 to 3 are available. The component video connectors are

not available for Zone 2.

4 MAIN ZONE VIDEO OUTPUT CONNECTORS

Provide video output in the Main Zone. One composite video connector, one S-Video connector and one component video connector (RCA) are available.

Note:

• Composite video output connectors are available when a composite or S-Video source is present.

• S-Video output connectors are available when an S-Video source is present.

• Component video output connectors are available when a component video source is present.

5 ZONE 2 VIDEO OUTPUT CONNECTORS

Provide video output in Zone 2. One composite video connector and one S-Video connector are available. Alternatively, these connectors can be used to connect a video recording device.

6 MICROPHONE INPUT CONNECTORS

Provide microphone input for speaker distance and output level calibration. Additionally, inputs 1 (left) and 2 (right) are used when LIVE! is active. Four 3.5mm Tip/Ring/Sleeve connectors are available.

7 POWER SWITCH

Use the Power switch to power the MC-8 on or off. The I and O positions represent “on” and “off” status, respectively. When the MC-8 is powered on, the front-panel Standby button or remote control On button can be used to activate and deactivate standby mode. When the MC-8 is powered off, standby mode is not available.

8 AC INPUT CONNECTOR

Provides power to the MC-8 through the supplied power cord (3-wire, 10-amp, IEC 320).

9 ZONE 2 AUDIO OUTPUT CONNECTORS

Provide analog audio output in Zone 2. Two connectors labeled Audio are available. Alternatively, these connectors can be used to connect a recording device. When the Zone 2 audio output connectors are sent to a recording device, it is recommended that you set the VOLUME CONTROL SETUP menu ZONE PWR ON parameter to +0dB to achieve appropriate recording levels. The Zone 2 audio output connectors provide variable output levels. Adjusting Zone 2 volume level will affect the recording.

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Basic Operation Lexicon

REAR-PANEL OVERVIEW (continued)

The MC-8 is shown on page 2-6. The MC-8 Balanced, shown below, includes balanced analog audio output connectors for the Main Zone and Zone 2. Otherwise, both models are identical. The numbers in the rear-panel illustrations correspond with the numbered items in the text.

13 12

CAUTION! Never make or break connections to the MC-8 unless the MC-8 and all associated components are powered off.

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MC-8 Basic Operation

10 MAIN ZONE AUDIO OUTPUT CONNECTORS

Provide analog audio output in the Main Zone. Eight connectors–labeled

Front L/R, Center, Subwoofer, Side L/R and Rear L/R–are available.

11 ANALOG AUDIO INPUT CONNECTORS

Provide analog audio input in the Main Zone and Zone 2. Eight stereo analog audio input connectors labeled 1 to 8 are available. Connectors labeled 3, 4 and 5, and 6, 7 and 8 can be configured as

5.1-channel connectors.

When a 5.1-channel analog audio source is present in the Main Zone, input signals are sent to the Main Zone audio output connectors, as indicated in the table below. When a 5.1-channel analog source is present in the Main Zone and the INPUT SETUP menu ZONE2 IN parameter is set to DMIX, only the (L) and (R) input signals are sent to the Zone 2 audio output connectors.

Input Connector Output Connector

(L) & (R) Front L/R

(SUB) Subwoofer

(LS) & (RS) Side L/R and Rear L/R

12 RS-232 CONNECTORS

The RS-232 serial connector (1) is used to perform configuration downloads and flash memory software upgrades. The RS-232 connector (2) is capable of supporting future developments.

13 TRIGGER OUTPUT CONNECTORS

Provide 12V DC output to control connected components. Two trigger output connectors are available on a removable terminal block. The PWR connector – the power trigger output connector – is not configurable. It is activated when the MC-8 is activated, and deactivated when the MC-8 is deactivated. The trigger output connector (1) can be configured for remote or program operation.

14 DIGITAL AUDIO OUTPUT CONNECTOR (S/PDIF)

Provides digital audio output in Zone 2. One S/PDIF coaxial connector is available.

15 BALANCED AUDIO OUTPUT CONNECTORS

(MC-8 BALANCED)

Provide balanced analog audio output in the Main Zone and Zone

2. Eight connectors–labeled Front L/R, Center, Subwoofer, Side L/R and Rear L/R–are available in the Main Zone. Two connectors– labeled Zone 2 L/R–are available in Zone 2.

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Basic Operation Lexicon

REMOTE CONTROL OVERVIEW

The MC-8 remote control provides full operation of the MC-8, including commands, such as menu navigation, that are not available from the front panel. The command matrix, beginning on page 2-14, indicates the commands that the remote control buttons perform when each command bank is active. The numbered items in the matrix correspond with the remote control illustrations.

OPERATION CONSIDERATIONS

The following factors can improve or impede remote control operation.

Note the following before operating the MC-8 remote control:

• The remote control must be in line of sight with the front- panel IR receiver. Eliminate obstructions between the remote control and the IR receiver. The remote control may become unreliable if strong sunlight or fluorescent light shines on the IR receiver.

• For optimal performance, position the remote control at a 30-degree angle no more than 17 feet (5m) from the MC-8. Placing the MC-8 inside a smoked glass cabinet will reduce the remote control range.

• Remote controllers for different components can interfere with one another. Avoid using remote controls for different components at the same time.

• Remote control batteries should be replaced as needed.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

The MAIN MENU represents the beginning of the menu structure. Use the MAIN MENU to open the three main menu branches: MODE ADJUST, AUDIO CONTROLS and SETUP.

MENU NAVIGATION

Use the remote control arrow buttons to navigate the extensive menu structure shown in the Appendix. The table on the next page indicates the navigation commands that the remote control buttons perform when the Main Zone command bank is activated.

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MC-8 Basic Operation

MENU ITEM SELECTION

Use the remote control Menu arrows to navigate menus and to select menu items.

Arrow Navigation Functions





 

To select a menu item on the open menu:

1. Press the remote control  and  arrow buttons to highlight the

desired menu item.

2. When the desired menu item is highlighted, press the  arrow

button to select the highlighted item. If an option is selected, another menu opens. If a parameter is selected, a parameter drop-down menu or horizontal graph opens.

• When a menu is open, press the  arrow button to select the highlighted menu item.

• When no menus are open, press the  arrow button to open the MAIN MENU.

• When a menu is open, press the  arrow button to close the menu and, in most cases, open the previous menu. Subsequent presses continue to close the current menu and open the previous menu until the MAIN MENU is closed. When the MAIN MENU is closed, the menu structure is also closed.

• When no menus are open, pressing the  arrow button performs no function.

• When a drop-down menu is open, press the  arrow button to select the current setting and close the drop-down menu.

• When a menu is open, press the  and  arrow buttons to scroll upward and downward through the complete list of menu items. The highlighted menu item appears on the front-panel display. All menu items appear in the on-screen display. A scroll bar appears in the left side of the on-screen display when menu items exceed the on-screen display’s top and bottom margins. The cursor automatically wraps to the next menu item when the first or last menu item is passed.

MENU OPTIONS

Selecting a menu option opens another menu within the menu structure. For example, selecting SETUP from the MAIN MENU opens the SETUP menu.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

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Basic Operation Lexicon

MENU PARAMETERS

Selecting a menu parameter opens a drop-down menu or horizontal bar graph that is used to select the desired setting.

PARAMETER DROP-DOWN MENUS

Selecting some menu parameters opens a drop-down menu that contains a list of available parameter settings. For example, selecting the DISPLAY SETUP menu CUSTOM NAME parameter opens a dropdown menu which is used to select the ON or OFF setting.

DISPLAY SETUP

ON-SCREEN DISPLAY FRONT PANEL DISPLAY A/V SYNC DELAY OFF CUSTOM NAME OFF

EDIT CUSTOM NAME

To select a setting in a parameter drop-down menu:

1. When the drop-down menu opens, press the remote control  and  arrow buttons to scroll upward and downward through the complete list of available settings. The current setting is displayed beneath the parameter name in the on-screen and front-panel displays.

2. When the desired setting appears beneath the parameter name, press the  arrow button to accept the setting and close the drop-down menu.

OFF

HORIZONTAL BAR GRAPHS

Selecting some menu parameters opens a horizontal bar graph. The bar graph indicates the position at which the current parameter setting falls within the entire parameter range. The setting appears to the right of the parameter name in the on-screen and front-panel displays.

For example, selecting the DISPLAY SETUP menu A/V SYNC DELAY parameter opens the horizontal bar graph shown below, which is used to adjust the amount of audio delay.

DISPLAY SETUP

ON-SCREEN DISPLAY FRONT PANEL DISPLAY

A/V SYNC DELAY OFF

CUSTOM NAME OFF

EDIT CUSTOM NAME

To adjust a parameter setting with a horizontal bar graph:

1. When the horizontal bar graph appears, press the remote control  and  arrow buttons to increase or decrease the setting in designated increments. The setting appears to the right of the parameter name in the on-screen and front- panel displays.

2. When the desired adjustments have been made, press the  arrow button to select the setting and close the horizontal bar graph.

OFF, 1 to 60ms

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MC-8 Basic Operation

COMMAND BANK ACTIVATION

Remote control buttons perform different commands, depending on whether the Main Zone, Zone 2 or Shift command bank is activated. The Main Zone command bank does not need to be activated. It remains activated unless the Zone 2 or Shift command bank is activated. Pressing and holding the remote control Zone 2 button activates the Zone 2 command bank, and pressing and holding the remote control Shift button activates the Shift command bank.

The Zone 2 and Shift buttons themselves do not send commands to the MC-8. When pressed and held, these buttons activate the associated command bank. For instance, pressing the remote control Off button deactivates the MC-8. Pressing and holding the Zone 2 button while pressing the Off button deactivates Zone 2. Also, pressing and holding the Shift button while pressing the Off button deactivates the Main Zone.

To activate a command bank:

1. Press and hold a command bank (Zone 2 or Shift) selection

button to activate the desired command bank.

2. While holding the selected button, press a remote control button to send the associated command to the MC-8. The command matrix that begins on the next page indicates the commands that the remote control buttons perform when each command bank is activated.

3. Release the Zone 2 or Shift button to deactivate the associated command bank.

The ON-SCREEN DISPLAY menu REMOTE STATE parameter controls the remote control command bank indicator that appears in the on-screen display. When the REMOTE STATE parameter is set to ON, a command bank indicator appears in the top-right corner of the on-screen display to indicate the last command bank from which the MC-8 received a command. When the REMOTE STATE parameter is set to OFF, no command bank indicator appears in the on-screen display.

A “Z” appears when a command from the Zone 2 command bank was received last. An “S” appears when a command from the Shift command bank was received last. No letter appears when a command from the Main Zone command bank was received last.

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Basic Operation Lexicon

COMMAND MATRIX

The command matrix describes the commands that the remote control buttons perform when

each command bank is active.

Off

Blue

Shift



OSD



Stat

Zone 2



Tuner

7/5





VCR

Aux

2 CH



Light



Mute

DVD1

DVD2 Sat

Music

MC-8 Digital Controller

Button Main Zone Zone 2 Shift

Deactivates standby mode and activates the MC-8.

Activates standby mode and deactivates the MC-8.

Toggles the FRONT PANEL DISPLAY menu STATUS parameter between ALWAYS OFF and its current setting.

Tog g les t h e ON- S CREE N DISPLAY menu BACKGROUND parameter between ON and OFF.

Tog g les t h e ON- S CREE N DISPLAY menu STATUS parameter between ON and OFF.

Displays the Main Zone two-line status for 2 seconds.

Activates an additional bank of commands that control the Main Zone. Refer to the previous page for more information.

Reserved for future possibilities. Reserved for future possibilities.

Deactivates Zone 2. Deactivates the Main Zone.

Centers the AUDIO CONTROLS menu ZONE2 BALANCE parameter.

Sets the AUDIO CONTROLS menu BASS, TREBLE and TILT EQ parameters to +0.0dB.

Reserved for future possibilities. Activate s th e tr i g g e r o u t p u t

Displays the Zone 2 two-line status for 2 seconds.

Centers the AUDIO CONTROLS menu Main Zone BALANCE and FADER parameters.

Deactivates the trigger output connector labeled 1 when the connector is configured for remote operation.

connector labeled 1 when the connector is configured for remote operation.

Toggles between opening and closing the STATUS menu for the current input source.

2-14

Activates an additional bank of commands that control Zone 2. Refer to the previous page for more information.

Page 27

MC-8 Basic Operation

Button Main Zone Zone 2 Shift

Off

Blue

Shift









Light



Mute

OSD

Stat

Zone 2









DVD1

DVD2 Sat

VCR

Aux

Tuner

Music

2 CH

7/5

Scroll upward ( ) and downward () through menu items.

Closes the current menu. Adjusts the AUDIO CONTROLS

Opens the menu structure and selects the highlighted menu item.

Activates the remote control backlight, making remote control buttons more visible in the dark.

Scroll to the previous () and the next () available Main Zone listening mode.

Increases () and decreases ( ) Main Zone volume level in 1dB increments.

Increase () and decrease () the output level of the Main Zone audio output connector labeled Subwoofer as applied to the activated listening mode.

menu ZONE2 BALANCE parameter left.

Adjusts the AUDIO CONTROLS menu ZONE2 BALANCE parameter right.

Sets Zone 2 volume level to –15dB () or –30dB ().

Increases () and decreases () Zone 2 volume level in 1dB increments.

Adjust the AUDIO CONTROLS menu Main Zone FADER parameter forward ( ) and backward ().

Adjusts the AUDIO CONTROLS menu Main Zone BALANCE parameter left.

Adjusts the AUDIO CONTROLS menu Main Zone BALANCE parameter right.

Sets Main Zone volume level to –15dB () or –30dB ().

Increases () and decreases () Main Zone volume level in 3dB increments.

MC-8 Digital Controller

Toggles between lowering Main Zone volume level and restoring Main Zone volume to its original level.

Toggles between fully muting Zone2 volume level and restoring Zone 2 volume to its original level.

Toggles between fully muting Main Zone volume level and restoring Main Zone volume to its original level.

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Basic Operation Lexicon

Button Main Zone Zone 2 Shift

Off

Blue

Shift



OSD







Light



Mute

DVD1

DVD2 Sat

Tuner

Music

MC-8 Digital Controller

Stat

Zone 2

Selects the DVD1 input for the Main Zone.

Selects the DVD2 input for the Main Zone.

Selects the DVD1 input for Zone 2.

Selects the DVD2 input for Zone 2.

Increases the AUDIO CONTROLS menu BASS parameter in 0.5dB increments.

Increases the AUDIO CONTROLS menu TREBLE parameter in 0.5dB increments.





Selects the SAT input for the Main Zone.

Selects the VCR input for the Main Zone.

Selects the SAT input for Zone 2.

Selects the VCR input for Zone 2.

Increases the AUDIO CONTROLS menu TILT EQ parameter in 0.2dB increments.

Sets the AUDIO CONTROLS menu LOUDNESS parameter to ON.

VCR

Aux

Selects the TV input for the Main Zone.

Selects the CD input for the Main Zone.

Selects the TV input for Zone 2. De c r ea s es the A UD I O

CONTROLS menu BASS parameter in 0.5dB increments.

Selects the CD input for Zone 2. D ec r ea s e s th e AU D IO

CONTROLS menu TREBLE parameter in 0.5dB increments.

2 CH

7/5

Tuner

Selects the TUNER input for the Main Zone.

Selects the TUNER input for Zone 2.

Decreases the AUDIO CONTROLS menu TILT EQ parameter in 0.2dB increments.

2-16

Selects the AUX input for the Main Zone.

Selects the AUX input for Zone 2.

Sets the AUDIO CONTROLS menu LOUDNESS parameter to OFF.

Page 29

MC-8 Basic Operation

Button Main Zone Zone 2 Shift

Off

Blue

Shift



OSD







Light



Mute

DVD1

DVD2 Sat

Tuner

Music

MC-8 Digital Controller

Stat

Zone 2

Selects the LOGIC 7 Film mode family for the current input source.

Selects the Dolby mode family for the current input source.

Selects the DTS(-ES) Cin mode





family for the current input source.

Selects the THX mode family for the current input source.

VCR

Aux

Selects the LOGIC 7 Music mode family for the current input source.

Selects the LOGIC 7 TV mode

family for the current input source.

Reserved for future possibilities.

Selects the PANORAMA listening mode.

Refer to the next page.

Selects the L7 MUSIC SURR listening mode.

Selects the MONO LOGIC listening mode for 2-channel input sources and the 5.1 MONO LOGIC listening mode for 5.1-channel input sources.

2 CH

7/5

Toggles between 7 and 5-channel playback.

Reserved for future possibilities.

Adjusts the MAIN ADV menu INPUT SELECT parameter, cycling through the ANALOG, DIGITAL and AUTO settings.

Toggles between the current listening mode and the 2CHANNEL listening mode.

Reserved for future possibilities.

Toggles the MAIN ADV menu 2-CH ANLG BYP parameter between ON and OFF.

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Basic Operation Lexicon

Shift-DOLBY

When the Shift command bank is activated, pressing the remote control DOLBY button while a 5.1-channel Dolby Digital input source is present activates the DOLBY DIGITAL EX or DOLBY DIGITAL listening mode. Subsequent presses toggle the EX DECODING parameter, cycling through the AUTO, ON and OFF settings.

Shift-DTS

When the Shift command bank is activated, pressing the remote control DTS button while a DTS(-ES) input source is present toggles the ES DECODING parameter, cycling through the AUTO, ON and OFF settings.

Shift-THX

When the Shift command bank is activated, pressing the remote control THX button while a 5.1-channel Dolby Digital input source is present activates the THX UL2Cin or THX SurEX listening mode. Subsequent presses toggle the SURROUND EX parameter, cycling through the AUTO, ON and OFF settings.

UNDERSTANDING THE ZONES

The MC-8 features two zones of operation, called the Main Zone and Zone 2. The Main Zone controls audio and video sources in the primary listening space. Zone 2 controls audio and video sources in the secondary listening space.

These zones have separate digital audio receivers and dedicated analog source selectors that allow for independent input selection in each zone. For instance, the MC-8 can play a DVD in the Main Zone and a CD in Zone 2 at the same time.

The following are exceptions to independent zone operation:

1. When a Dolby Digital or DTS-ES source is present in the Main Zone, the same Dolby Digital or DTS-ES source can also be present in Zone 2. However, different Dolby Digital or DTS-ES sources cannot be present in both zones at the same time.

2. Main Zone multichannel audio can be down-mixed in Zone 2 when all of the following conditions are met:

• A Dolby Digital or DTS-ES source is present in the Main Zone.

• The Main Zone input is also selected in Zone 2.

• The INPUT SETUP menu ZONE2 IN parameter is set to

DMIX.

3. When the INPUT SETUP menu ZONE2 IN parameter is set to ANLG, the Zone 2 audio output connectors carry the FRONT L/R speaker audio from the Main Zone. However, it is possible to have a 5.1-channel analog audio source present in the Main Zone and a digital input source present in Zone 2.

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MC-8 Basic Operation

TWO-LINE STATUS

The two-line status opens in the on-screen and front-panel displays whenever the MC-8 detects a change in input source or listening mode. The Main Zone two-line status appears when the MC-8 detects a Main Zone change, and the Zone 2 two-line status appears when a Zone 2 status change is detected.

The ON-SCREEN DISPLAY menu STATUS parameter can be used to control the length of time the two-line status appears in the onscreen display. The ON-SCREEN DISPLAY menu POSITION parameter can be used to control the vertical alignment of the twoline status on the display device screen.

Note:

When the display device is connected to a component video output connector and the MAIN ADV menu COMPONENT OSD parameter is set to OFF, the display device does not show the on-screen display.

MAIN ZONE TWO-LINE STATUS

Opens in the on-screen and front-panel displays whenever the MC-8 detects a Main Zone status change. The Main Zone two-line status indicates the current input, listening mode, input source and volume level selected in the Main Zone.

ZONE 2 TWO-LINE STATUS

Opens in the on-screen and front-panel displays whenever the MC-8 detects a Zone 2 status change. The Zone 2 two-line status indicates the current input, input source and volume level selected in Zone 2.

DVD1 D VOL

FILM

DVD 1 D VOL ZONE 2

-34dB

STATUS MENUS

Activate the Shift command bank and press the remote control Stat button to open the STATUS menu for the current input source. The STATUS menu contains parameters that provide information about the current input source and listening mode. These parameters cannot be adjusted. STATUS menus are available for 2-channel, Dolby Digital, 5.1 analog, LIVE!, DTS and digital input sources.

Unlike most other menus, STATUS menus cannot be opened by selecting menu options. The remote control command sequence outlined below must be performed.

To open and navigate the STATUS menu for the current input source:

1. Press and hold the remote control Shift button.

2. While holding the Shift button, press the remote control Stat

button. The first page of the STATUS menu for the current input source appears in the on-screen and front-panel displays.

If the STATUS menu includes a second page, the PG1 indicator appears in the top-right corner of the menu. While the Shift command bank is activated, press the Stat button to open the second page. If the STATUS menu does not include a second page, pressing the Stat button closes the menu. If this occurs, begin again with step 1.

3. When the desired STATUS menu page has been opened, release the

Shift button to deactivate the Shift command bank. Then, press the remote control  and  arrow buttons to scroll up or down through the list of available parameters. When the Shift command

bank is activated, the Menu arrows cannot be used to scroll through STATUS menu parameters.

4. Press the Stat button or the Menu  arrow to close the STATUS

menu. In some cases, the Stat button or the Menu  arrow must be pressed twice in succession to close the STATUS menu.

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Basic Operation Lexicon

STATUS MENU DESCRIPTIONS

The table beneath each description lists the possible settings for each parameter.

2CH STATUS

Provides information about 2-channel input sources. Features L and R level meters.

Parameter Possible Settings

INPUT The current input

MODE The current listening mode

INPUT TYPE ANLG, PCM

SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

2CH STATUS

INPUT MODE INPUT TYPE

SAMPLE RATE

-6

-15

-30

-45

D STATUS

Provides information about Dolby Digital input sources. Features L, C, R, SL, SR and LFE level meters.

Parameter Possible Settings

INPUT The current input

MODE The current listening mode

CHANNELS 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0

BIT RATE 32 to 640kbps

EX ENCODED YES, NO

SAMPLE RATE 48kHz

2.0 ENCODING MATRIX, NONE

DIALOG OFFSET –27 to +4dB

MIX ROOM SMALL, LARGE

CENTER MIX LVL –3.0dB, –4.5dB, –6.0dB

SURR MIX LVL +0.0dB, –3.0dB, –6.0dB

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

D STATUS

INPUT MODE CHANNELS

BIT RATE EX ENCODED

CSLSRLFE

-6

-15

-30

-45

PG1

D STATUS

SAMPLE RATE

2.0 ENCODING DIALOG OFFSET MIX ROOM CENTER MIX LVL SURR MIX LVL

PG2

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MC-8 Basic Operation

STATUS

Provides information about DTS-ES input sources. Includes L, C, R, SL, SR, SB and LFE level meters. The SB level meter appears when a

6.1-channel input source is present, or when a 5.1-channel input source is present and the ES DECODING parameter is set to ON.

Parameter Possible Settings

INPUT The current input

MODE The current listening mode

CHANNELS 3/3.1, 3/2.1

BIT RATE 754.5 to 1509.7 kbps

ES ENCODING DISCRETE, MATRIX, OFF

WORD LENGTH 16 bits, 20 bits, 24 bits

SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

STATUS

INPUT MODE CHANNELS

BIT RATE ENCODING

CSLSRLFE

-6

-15

-30

-45

PG1

STATUS

WORD LENGTH

SAMPLE RATE

PG2

PG1

5.1a BYPASS STATUS

Provides information about 5.1-channel analog input sources when the MAIN ADV menu ANALOG BYPASS parameter is set to ON.

Parameter Possible Settings

INPUT The current input

MODE 5.1a BYPASS

INPUT TYPE BYPASS

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

5.1a BYPASS STATUS

INPUT MODE INPUT TYPE

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Basic Operation Lexicon

2CH BYPASS STATUS

Provides information about 2-channel analog input sources when the MAIN ADV menu 2-CH ANLG BYP parameter is set to ON.

Parameter Possible Settings

INPUT The current input

MODE 2CH BYPASS

INPUT TYPE BYPASS

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

2CH BYPASS STATUS

INPUT MODE INPUT TYPE

DIGITAL STATUS

Provides information about digital input sources for which a sample rate is detected, but no audio is present in the input signal.

Parameter Possible Settings

INPUT The current input

MODE The current listening mode

INPUT TYPE ---

SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “STATUS Menu Parameter Descriptions” on page 2-24 for detailed information.

DIGITAL STATUS

INPUT MODE INPUT TYPE SAMPLE RATE

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MC-8 Basic Operation

LIVE! STATUS

Provides information about LIVE! input sources. Features L and R level meters.

Parameter Possible Settings

INPUT The current input

MODE The current listening mode

INPUT TYPE MIC

SAMPLE RATE 48kHz

See “STATUS Menu Parameter Descriptions” on page 2-24

2CH STATUS

INPUT MODE INPUT TYPE SAMPLE RATE

-6

-15

-30

-45

DVD1

LIVE! MED

MIC

48kHz

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Basic Operation Lexicon

STATUS MENU PARAMETER DESCRIPTIONS

2.0 ENCODING MATRIX, NONE

Indicates whether or not a matrix-encoded source is detected. When the parameter setting is MATRIX, a matrix-encoded source is detected. When the parameter setting is NONE, a matrix-encoded source is not detected. The MC-8 cannot automatically detect matrix encoding in non-flagged input sources.

BIT RATE 32 to 640 kbps or 754 to 1509.7kbps

Indicates the rate at which the input signal is encoded. A higher bit rate indicates that less compression was used during the encoding process. Possible settings for Dolby Digital sources range from 32 to 640 kbps. Possible settings for DTS-ES sources range from 754 to

1509.7 kbps.

CENTER MIX LVL –3.0dB, –4.5dB, –6.0dB

Indicates the relative level of the center channel that was used during the mixing process.

CHANNELS 3/3.1, 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0

Indicates the number of channels present in the input source. The first digit indicates the number of front channels present. The digit after the slash indicates the number of surround channels present. The digit after the decimal point indicates the presence of LFE (lowfrequency effects) information. For instance, if the parameter setting is 3/2.1, an input source with three front channels, two surround channels and LFE information is present. LFE information is sent to the Main Zone audio output connector labeled Subwoofer.

Possible settings for Dolby Digital input sources include 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0 and 1/0. Possible settings for DTS-ES input sources include 3/3.1 and 3/2.1.

DIALOG OFFSET –27 to +4dB

Indicates the dialog normalization value applied to the input signal. Dolby Digital input sources reproduce dialog at 27 decibels below fullscale (–27dBFS). When the dialog normalization value of the incoming signal is higher or lower, the DIALOG OFFSET parameter indicates the amount of adjustment the MC-8 makes to normalize dialog to –27dBFS.

ES ENCODING DISCRETE, MATRIX, OFF

Indicates whether or not a DTS-ES-encoded source is detected. When the parameter setting is DISCRETE, a discrete 6.1-channel DTS-ES source is detected. When the parameter setting is MATRIX, a 5.1-channel DTS-ES source with a surround-encoded back channel is detected. When the parameter setting is NONE, a standard DTS source with no DTS-ES encoding is detected.

EX ENCODING MATRIX, NONE

Indicates whether or not a Dolby Digital Surround EX-encoded source is detected. When the parameter setting is MATRIX, a 5.1-channel Dolby Digital source recorded with Dolby Digital Surround EX is detected. When the parameter setting is NONE, a standard 5.1channel Dolby Digital source recorded without Dolby Digital Surround EX encoding is detected. The MC-8 cannot automatically detect Dolby Digital Surround EX encoding in non-flagged input sources.

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MC-8 Basic Operation

INPUT

Indicates the selected input (e.g., DVD1).

INPUT TYPE ANLG, BYP, PCM, MIC, ---

Indicates the input source that is present. When the parameter setting is ANLG, a 2-channel analog audio source is present and the MAIN ADV menu 2-CH ANLG BYP parameter is set to OFF. When the parameter setting is BYP (Bypass), a 2-channel analog audio source is present and the 2-CH ANLG BYP parameter is set to ON. When the parameter setting is PCM, a 2-channel digital audio source is present. When the parameter is set to MIC, a microphone source is present. When the parameter setting is ---, an unknown digital audio source is present.

MIX ROOM SMALL, LARGE

Indicates the size of the mixing room that was used during the mixing process. When the parameter setting is LARGE, setting the RE-EQUALIZATION parameter to ON for THX listening modes is recommended.

SURR MIX LVL +0.0dB, –3.0dB, –6.0dB

Indicates the relative surround channel level that was used during the mixing process.

WORD LENGTH 16 bits, 20 bits, 24 bits

Indicates the word length of the audio data present in the input signal.

STATUS MENU LEVEL METERS

Most STATUS menus contain level meters that indicate fluctuating input levels in the front left (L), center (C), front right (R), surround left (SL), surround right (SR), surround back (SB) and subwoofer (SUB) channels. These level meters indicate input levels for both analog and digital input sources. For instance, the level meters indicate digital audio input levels when a digital audio source is present.

Different combinations of level meters appear on each STATUS menu, depending on the source that is present. The SB level meter appears when a 6.1-channel source is present, or when a 5.1-channel source is present and the ES DECODING parameter is set to ON.

MODE

Indicates the activated listening mode (e.g., L7 FILM).

SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

Indicates the sample rate of the input source that is present.

Level meters appear in combinations of green, yellow and red when the on-screen display is configured for a blue-screen background. Green indicates low levels, yellow indicates normal levels, and red indicates high levels and the onset of overload. Level meters appear in white when the on-screen display is not configured for a bluescreen background.

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Page 39

Setup

Setup ..........................................................................................3-2

Input Setup.................................................................................3-4

Changing Input Names............................................................................. 3-5

Assigning Audio and Video Input Connectors ........................................... 3-7

Selecting Preferred Listening Modes........................................................ 3-12

Configuring Advanced Input Settings...................................................... 3-17

INPUT SELECT Parameter Settings........................................................... 3-19

ZONE2 in Parameter Settings.................................................................. 3-21

Speaker Setup ...........................................................................3-22

Setting Crossover Points.......................................................................... 3-22

Speaker Setup Parameters....................................................................... 3-26

Calibrating Speaker Distances and Output Levels ......................3-33

Speaker Calibration Parameters............................................................... 3-33

Automatic Calibration ............................................................................. 3-35

Manual Calibration ................................................................................. 3-52

Rear-Panel Configuration ..........................................................3-59

Display Setup ............................................................................3-61

Volume Control Setup...............................................................3-66

Trigger Setup ............................................................................3-67

Lock Options.............................................................................3-69

LIVE! CALIBRATION ...................................................................3-70

Page 40

Setup Lexicon

SETUP

Selecting SETUP from the MAIN MENU opens the SETUP menu.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUTS

SETUP INPUTS

Prompts the selection of a desired input (e.g., DVD1) and opens the corresponding INPUT SETUP menu, which is used to change input names, assign audio and video input connectors, select preferred listening modes and configure Main Zone and Zone 2 input settings. See “INPUT SETUP” on page 3-4 for more information.

SPEAKERS

SPEAKERSSETUP

Opens the SPEAKER SETUP menu, which is used to configure the Main Zone audio output connectors for the desired speaker setup, set speaker distances and calibrate output levels. See “SPEAKER SETUP” on page 3-22 for more information.

REAR PANEL CONFIG

REAR PANEL CONFIGSETUP

Opens the REAR PANEL CONFIG menu, which is used to configure the analog audio input connectors as eight stereo connectors, one

5.1-channel and five stereo connectors, or two stereo and two

5.1-channel connectors. See “REAR PANEL CONFIG” on page 3-59

for more information.

DISPLAYS

DISPLAYSSETUP

Opens the DISPLAY SETUP menu, which is used to customize the onscreen and front-panel displays, restore audio/video synchronization, and create and activate a custom unit name. See “DISPLAY SETUP” on page 3-61 for more information.

VOLUME CONTROLS

VOLUME CONTROLSSETUP

Opens the VOLUME CONTROL SETUP menu, which is used to configure Main Zone, Zone 2, and Mute volume levels. See “VOLUME CONTROL SETUP” on page 3-66 for more information.

TRIGGER

TRIGGERSETUP

Open the TRIGGER SETUP menu, which is used to configure the trigger output connector labeled 1. See “TRIGGER SETUP” on page 3-67 for more information.

3-2

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MC-8 Setup

LOCK OPTIONS

LOCK OPTIONSSETUP LIVE! CALIBRATIONSETUP

Opens the LOCK OPTIONS menu, which is used to protect MODE ADJUST, AUDIO CONTROLS and SETUP menu branch settings from accidental changes. See “LOCK OPTIONS” on page 3-69 for more information.

LIVE! CALIBRATION

Opens the LIVE! CALIBRATION menu, which is used to perform the necessary calibration before using the LIVE! modes. See “LIVE! CALIBRATION” on page 3-70 for more information.

3-3

Page 42

Setup Lexicon

INPUT SETUP

INPUTSSETUP DVD1 INPUT SETUP

Selecting the SETUP menu INPUTS option prompts the selection of a desired input (e.g., DVD1). Selecting an input opens the corresponding INPUT SETUP menu, which is used to change the input name, assign audio and video input connectors, select preferred listening modes and configure advanced Main Zone and Zone 2 input settings.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

The DVD1 INPUT SETUP menu is shown here as an example, and will continue to be shown as an example throughout this section. Whenever it appears, any other INPUT SETUP menu can be substituted. Likewise, whenever the DVD1 input appears as a step in a menu path, any other input can be substituted.

All INPUT SETUP menus are shown in the Appendix on page A-6. The parameters on the left side of the INPUT SETUP menus are identical, regardless of which input is selected. The parameter settings on the right side are adjustable. Default parameter settings differ from input to input. The INPUT SETUP menus shown in the Appendix indicate factory-default parameter settings for each input.

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Page 43

MC-8 Setup

CHANGING INPUT NAMES

Selecting the INPUT SETUP menu NAME parameter opens the INPUT NAME menu, which is used to customize or restore the factory-default name of the selected input. Factory-default input names correspond to front-panel and remote control input selection button labels.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

EDIT INPUT NAME

INPUTSSETUP DVD1 NAME EDIT INPUT NAME

Opens the EDIT INPUT NAME drop-down menu, which is used to customize the name of the selected input. Custom input names can include up to eight characters.

To customize the name of the selected input:

1. Follow the EDIT INPUT NAME menu path to open the EDIT INPUT NAME drop-down menu.

2. When the EDIT INPUT NAME menu opens, the current input name appears on the second line. Use the remote control  and  arrow buttons to change the character above the cursor (^).

3. When the desired character has been selected, press the  arrow button to advance to the next character space. The cursor will

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

DVD1 INPUT NAME

EDIT INPUT NAME

RESTORE DEFAULT NAME

EDIT INPUT NAME DVD1

BUTTONS TO EDIT UP TO 8 CHARACTERS BUTTON TO ADVANCE

automatically wrap to the first character space when the last character space is passed.

4. Repeat steps 2 and 3 to enter all characters in the new name.

5. When the desired input name has been entered, press the  arrow button to close the menu and return to the INPUT NAME menu.

The custom input name appears in the on-screen and front-panel displays. Both the custom and factory-default input names appear in the INPUT SETUP menu. The custom input name appears against the left margin of the on-screen display, and the factory-default input name appears in parentheses against the right margin.

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Page 44

Setup Lexicon

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

RESTORE DEFAULT NAME

INPUTSSETUP

DVD1

NAME

Restores the factory-default name of the selected input. Factorydefault input names correspond to front-panel and remote control input selection button labels.

To restore the factory-default name of the selected input:

1. Follow the RESTORE DEFAULT NAME menu path to open the INPUT NAME menu.

2. When the INPUT NAME menu opens, press the remote control  and  arrow buttons to highlight the RESTORE DEFAULT NAME option.

RESTORE DEFAULT NAME

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

DVD1 INPUT NAME

EDIT INPUT NAME RESTORE DEFAULT NAME

PRESS MENU V TO RESTORE INP UT NAME

3. When the RESTORE DEFAULT NAME option is highlighted, press the  arrow button to select this option. The message “PRESS MENU V TO RESTORE INPUT NAME” appears in the on-screen and front-panel displays.

4. When this message appears, press the  arrow button to restore the factory-default name of the selected input and close the message. (Press the  arrow button to close the message without restoring the factory-default name of the selected input.)

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Page 45

MC-8 Setup

ASSIGNING AUDIO and VIDEO INPUT CONNECTORS

The MC-8 has eight configurable inputs, each of which can be assigned to its eight digital audio, eight analog audio, five composite video, five S-Video or three component video input connectors.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

The table below indicates the INPUT SETUP menu parameters that can be used to assign audio and video input connectors. The ANLG IN LVL parameter can be used to adjust 2-channel analog audio input levels for the selected input.

Parameter Possible Settings

DIGITAL IN COAX-1 to 4, OPTICAL-1 to 4, NONE

ANALOG IN ANALOG-1 to 8, 5.1 ANLG (3-5) or (6-8), LIVE!,

NONE

ANLG IN LVL AUTO, –18dB to +12dB

VIDEO IN COMPOSITE-1 to 5, S-VIDEO-1 to 5, NONE

COMPONENT IN COMPONENT-1 to 3, NONE

Note:

The digital audio input connectors are compatible with PCM (44.1, 48,

88.2 and 96kHz), Dolby Digital and DTS-ES sources. The digital audio input connectors are not compatible with MPEG or MP3 sources.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

DVD1 DIGITAL IN

COAX-1 COAX-2 COAX-3 COAX-4 OPTICAL-1 OPTICAL-2 OPTICAL-3 OPTICAL-4 NONE

DIGITAL IN COAX-1 TO 4, OPTICAL-1 TO 4, NONE

INPUTSSETUP

DVD1

Opens the DIGITAL IN menu, which is used to assign a digital audio input connector for the selected input. The MC-8 has eight configurable inputs, each of which can be assigned to any of its eight digital audio input connectors.

Please note the following:

• When no digital audio input connector is assigned, the MC-8 will automatically set the MAIN ADV menu INPUT SELECT parameter to ANALOG (3-17).

• A digital audio input connector must be assigned when no analog audio input connector is assigned. Refer to the next page for information about assigning an analog audio input connector.

DIGITAL IN

3-7

Page 46

Setup Lexicon

ASSIGNING AUDIO and VIDEO INPUT CONNECTORS (continued)

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

MIC MAIN ADVANCED ZONE2 IN DIGITAL

ANALOG IN ANALOG-1 to 8, 5.1 ANLG (3-5) or (6-8), LIVE!, NONE

SETUP

INPUTS

Opens the ANALOG IN menu, which is used to assign an analog audio input connector for the selected input. The MC-8 has eight configurable inputs, each of which can be assigned to any of its eight analog audio input connectors.

The appearance of the ANALOG IN menu depends on the configuration of the analog audio input connectors.

• The ANALOG IN menu (A above) appears when the REAR PANEL CONFIG menu 8 STEREO INPUTS option is selected (3-59).

• The ANALOG IN menu (B above) appears when the REAR PANEL CONFIG menu 5 ST. & 5.1 ANLG option is selected (3-60).

• The ANALOG IN menu labeled (C above) appears when the REAR PANEL CONFIG menu 2 ST. & (2) 5.1 ANLG option is selected (3-60).

DVD1 ANALOG IN

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

DVD1 ANALOG IN

ANALOG-1 ANALOG-2 ANALOG-3 ANALOG-4 ANALOG-5 ANALOG-6 ANALOG-7 ANALOG-8 NONE LIVE!

DVD1 ANALOG IN

ANALOG-1 ANALOG-2 ANALOG-3 ANALOG-4 ANALOG-5

5.1 ANLG (6-8) NONE LIVE!

DVD1 ANALOG IN

ANALOG-1 ANALOG-2

5.1 ANLG (3-5)

5.1 ANLG (6-8) NONE LIVE!

Please note the following:

• When no analog audio input connector is assigned, the MC-8 will automatically set the MAIN ADV menu INPUT SELECT parameter to DIGITAL (3-17).

• An analog audio input connector must be assigned when no digital audio input connector is assigned. Refer to the previous page for information about assigning a digital audio input connector.

• LIVE! cannot be selected until LIVE! CALIBRATION is run. When the ANALOG IN selection is LIVE!, no other analog inputs (1-8) or digital inputs can be selected for that input.

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Page 47

MC-8 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

ANLG IN LVL AUTO, –18dB to +12dB

INPUTSSETUP DVD1 ANLG IN LVL

Opens the ANLG IN LVL menu, which is used to adjust the 2-channel analog audio input levels for the selected input. Despite attempts at standardization, analog audio sources have a wide range of levels. To compensate for this, the MC-8 allows independent input level adjustment for each of its stereo analog audio input connectors.

Input level adjustment is not available for the 5.1-channel analog audio input connectors.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

DVD1 ANLG IN LVL

AUTO MANUAL

AUTO GAIN

-6

-15

-30

-45

+0.dB

+0.0dB

ON OFF

-18 to +12dB

Note:

Adjustments made in the ANLG IN LVL menu are applied to the stereo analog audio input connector assigned for the selected input. When another stereo analog audio input connector is assigned, these adjustments are automatically applied to the new connector.

Parameter Possible Settings

AUTO ON, OFF

MANUAL –18 to +12dB

AUTO GAIN* –18 to +12dB

* This parameter cannot be adjusted.

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Page 48

Setup Lexicon

ASSIGNING AUDIO and VIDEO INPUT CONNECTORS (continued)

AUTO ON, OFF

INPUTSSETUP DVD1 ANLG IN LVL AUTO

Provides automatic adjustment of 2-channel analog audio input levels. When set to ON, the MC-8 automatically monitors and optimizes input levels. When the input signal is too high, the MC-8 quickly decreases input levels to avoid overload. When the input signal is too low, the MC-8 slowly increases input levels to maximize signal-to-noise ratio and dynamic range.

When OFF is selected, the MC-8 does not automatically monitor and optimize 2-channel analog audio input levels. Rather, input levels must be adjusted with the MANUAL parameter (see below).

MANUAL –18dB to +12dB

INPUTSSETUP

DVD1

ANLG IN LVL

Provides manual adjustment of 2-channel analog audio input levels. When manual adjustments are made, the MC-8 automatically sets the ANLG IN LVL menu AUTO parameter to OFF, deactivating automatic input level adjustment. Manual input level adjustments are retained when the AUTO parameter is ON.

MANUAL

AUTO GAIN

INPUTSSETUP

DVD1

ANLG IN LVL

Indicates the current amount of input level adjustment for the selected stereo analog audio input connector. When the ANLG IN LVL menu AUTO parameter is ON, the AUTO GAIN parameter indicates the amount of automatic input level adjustment. When the AUTO parameter is OFF, the AUTO GAIN parameter indicates the amount of manual input level adjustment. (In other words, the AUTO GAIN parameter reflects the setting of the ANLG IN LVL menu MANUAL parameter.)

When the AUTO parameter is ON, the AUTO GAIN parameter continues to indicate the amount of manual input level adjustment until automatic adjustments have been made.

AUTO GAIN

LEVEL METERS

Indicate fluctuating input levels in the front left (L) and front right (R) channels for the selected input. Like the STATUS menu level meters, ANLG IN LVL menu level meters indicate input levels for both analog and digital audio sources. However, ANLG IN LVL menu input level adjustments affect only 2-channel analog audio sources.

Note:

When the AUTO parameter is ON, the MC-8 will not make adjustments that exceed the ANLG IN LVL menu MANUAL parameter setting.

3-10

Level meters appear in combinations of green, yellow and red when the on-screen display is configured for a blue-screen background. Green indicates low levels; yellow indicates normal levels; and red indicates the onset of overload. Level meters appear in white when the on-screen display is not configured for a blue-screen background.

Page 49

MC-8 Setup

VIDEO IN COMPOSITE-1 TO 5, S-VIDEO-1 TO 5, NONE

INPUTSSETUP

DVD1

Opens the VIDEO IN menu, which is used to assign a composite or S-Video input connector for the selected input. The MC-8 has eight configurable inputs, each of which can be assigned to any of its five composite or five S-Video input connectors.

Note:

Composite video output connectors are available when a composite or S-Video source is present.

S-Video output connectors are available when an S-Video source is present.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

VIDEO IN

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR TV CD

TUNER

AUX

COMPONENT IN COMPONENT-1 to 3, NONE

INPUTSSETUP

DVD1

Opens the COMPONENT IN menu, which is used to assign a component video input connector for the selected input. The MC-8 has eight configurable inputs, each of which can be assigned to any of its three component video input connectors.

Note:

Component video output connectors are available only when a component video source is present.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC MAIN ADVANCED ZONE2 IN DIGITAL

DVD1

COAX-1

NONE AUTO

S-Video-1

FILM

5.1 FILM FILM

LIVE! MED

COMPONENT IN

DVD1 VIDEO IN

COMPOSITE-1 COMPOSITE-2 COMPOSITE-3 COMPOSITE-4 COMPOSITE-5 S-VIDEO-1 S-VIDEO-2 S-VIDEO-3 S-VIDEO-4 S-VIDEO-5 NONE

DVD1 COMPONENT IN

COMPONENT-1 COMPONENT-2 COMPONENT-3 NONE

3-11

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Setup Lexicon

SELECTING PREFERRED LISTENING MODES

Preferred listening modes can be pre-selected so that when a particular type of input source is played, the pre-selected listening mode is activated.

The MC-8 allows five preferred listening modes for each Main Zone input: one listening mode each for 2-channel, Dolby Digital, DTS(-ES), and MIC (LIVE!) sources. The table below indicates the INPUT SETUP menu parameters that can be used to select preferred listening modes.

Menus showing DVD1 parameters selected as preferred listening modes.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

DVD1 MODE

FILM MUSIC

2-CHAN

USE LAST

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAP E TUNER AUX

Preferred Listening Mode Selection Parameters

2-CH Selects a preferred listening mode for 2-channel sources

Selects a preferred listening mode for Dolby Digital sources

Selects a preferred listening mode for DTS(-ES) sources

MIC

DVD1 INPUT SETUP

NAME DVD1 HDMI IN HDMI-1 DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC LIVE! MED MAIN ADVANCED ZONE2 IN DIGITAL RECORD IN DIGITAL RECORD ADVANCED

DVD1 MIC MODE

LIVE! SMALL LIVE! MED LIVE! LARGE USE LAST

Selects a preferred listening mode for microphone sources (LIVE!)

HDMI AUDIO

S-VIDEO-1

5.1 FILM

FILM

NONE AUTO

FILM

DVD1 D MODE

FILM

5.1

MUSIC

DIGITAL

5.1 2-CHANNEL

5.1 MONO LOGIC

5.1 MONO SURR

5.1 MONO USE LAST

DVD1 2-CH MODE

FILM TV MUSIC MUSIC SURR PLII + PLII MOVIE PLII MUSIC

PL +

PRO LOGIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL PANORAMA 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO USE LAST

3-12

Page 51

MC-8 Setup

When a preferred listening mode is selected, it is activated whenever a new input is selected or an appropriate input source is present. For example, the following can occur when a preferred listening mode is activated (also refer to the corresponding menus on 3-12):

Dynamic Listening Modes

Dynamic listening modes are only available under certain conditions. For example, many of the dynamic modes are only available when the MC-8 is configured for seven main output channels and source

Dynamic modes

2-Channel Dolby Digital DTS

Dolby PLIIx + THX Dolby Digital or Dolby Digital EX DTS THX or DTS THX UL2Cin or DTS ES THX

Dolby PLIIx MOV THX or THX UL2Cin or THX SurEX DTS or DTS ES MATRIX or DTS ES DISCR Dolby PLIIx MUS THX MUSIC DTS THX MUSIC

DTS NEO:6 + THX 5.1 PLIIx MOV DTS L7 FILM or DTS ES L7 FILM

DTS NEO:6 CIN 5.1 PLIIx MUS DTS L7 MUSIC or DTS ES L7 MUSIC

DTS NEO:6 MUSIC DTS 2-CHAN or DTS ES 2-CHAN

Modes that Do Not Appear in the Input Setup Menu

The MC-8 features the ability to assign preferred listening modes for each input and incoming audio format. However, not all listening modes will appear in the Input Setup Menu. Listening modes that do

If the DVD1 input is selected and a 2-channel source is played, the L7 FILM listening mode is activated. If a Dolby Digital source is played, the 5.1 L7 FILM listening mode is activated. If a DTS(-ES) source is played, the DTS(-ES) L7 FILM listening mode is activated.

material with specific encoding is played. All Dynamic Listening Modes are available through the remote control or front panel Mode

button. The dynamic listening modes are listed in the table below.

not appear in the Input Setup menu as preferred listening modes under any circumstances are listed in the table below.

Modes that do not appear in the Input Setup menu

2-Channel Dolby Digital DTS

Dolby PLIIx + THX THX MUSIC DTS THX MUSIC

Dolby PLIIx MOV 5.1 PLIIx MOV 5.1 MONO LOGIC Dolby PLIIx MUS 5.1 PLIIx MUS 5.1 MONO SURR

DTS NEO:6 + THX 5.1 MONO

DTS NEO:6 CIN

DTS NEO:6 MUSIC

3-13

Page 52

Setup Lexicon

The Use Last Parameter

When the MC-8 is set to use a preferred listening mode for a selected input, selecting another mode from the Mode scroll list replaces the preferred selection. However, this newly selected mode will be lost when switching between inputs.

The USE LAST parameter was designed to allow the MC-8 software to “remember” the last used listening mode for a given input source. Once selected, that mode will always be active on the corresponding input until another listening mode is selected as demonstrated in the following example:

1. Select Main MenuSETUPINPUTSDVD1   USE LAST.

2. Press the MENU button.

3. Press the DVD-1 button.

4. Play a DTS input source.

5. Press the MODE + button until you reach DTS(-ES) 2-CHAN.

6. Press the TV button

The MC-8 switches to the TV input and the on-screen display identifies the preferred listening mode.

7. Press the DVD-1 button.

The on-screen display should identify that the active listening mode for the DVD1 input is still DTS(-ES) 2-CHAN. As the DTS(-ES) 2-CHAN mode is a preferred listening mode, it can also be set in the SETUP menu.

When seven speakers are selected in the SPEAKER SETUP menu, and the appropriate source material is played, the dynamic listening mode (or mode that does not appear in the input setup menu) can always be accessed using the MODE + or MODE - buttons whether or not a preferred mode is set. When a preferred listening mode is set and a dynamic listening mode (or mode that does not appear in the

input setup menu) is active, the selected dynamic mode is lost when switching between inputs.

When USE LAST is selected as the preferred listening mode, and a dynamic listening mode (or mode that does not appear in the input setup menu) is active, the selected listening mode is retained when switching between inputs, even when the MC-8 is set to standby as in the following example:

1. Select Main MenuSETUPINPUTSDVD1 2-CH  USE LAST.

2. Press the MENU button.

3. Press the DVD-1 button.

4. Play a 2-channel input source.

5. Press the MODE + button until you reach PLIIx MOV.

PLIIx MOV is a dynamic listening mode.

6. Press the TV button

The MC-8 switches to the TV input and the on-screen display identifies the preferred listening mode.

7. Press the DVD-1 button.

The on-screen display should identify that the active listening mode for the DVD1 input is still PLIIx MOV. This is the only method of

setting up a dynamic mode (or mode that does not appear in the input setup menu) to behave like a preferred listening mode.

Note:

When a dynamic mode (or mode that does not appear in the input setup menu) is set as in the above example, the setting is retained even when the MC-12 is set to standby.

3-14

Page 53

MC-8 Setup

2-CH

INPUTSSETUP

DVD1

Opens the 2-CH MODE menu, which is used to select a preferred listening mode for 2-channel input sources. The MC-8 deactivates the selected listening mode whenever a 2-channel source is present.

When the 2-CH parameter is set to USE LAST:

The MC-8 activates the listening mode that was activated the last time a 2-channel source was present

The remote control 2 CH button toggles between the 2-CHANNEL listening mode and the previous listening mode, and ignores the USE LAST setting. Instead, it uses the listening mode (for example, L7 FILM) that was activated before the 2-CHANNEL listening mode.

The MC-8 activates a DTS NEO:6 listening mode if a DTS NEO:6 listening mode was activated the last time a 2-channel source was present, and a 44.1kHz or 48kHz PCM digital source is present. Since the DTS NEO:6 listening modes are dynamic, they cannot be selected as the preferred listening mode for 2-channel sources.

2-CH

DOLBY D

INPUTSSETUP

DVD1

Opens the DOLBY DIGITAL MODE menu, which is used to select a preferred listening mode for Dolby Digital input sources. The MC-8 activates the selected listening mode whenever a new input is selected or a new Dolby Digital source is present.

When the DOLBY D parameter is set to USE LAST:

The MC-8 activates the listening mode that was activated the last time a Dolby Digital source was present

The MC-8 activates the Dolby PLIIx MOV (Movie) listening mode if this listening mode was activated the last time a Dolby Digital source was present. Since Dolby PLIIx MOV is a dynamic listening mode, it cannot be selected as the preferred listening mode for Dolby Digital sources.

3-15

Page 54

Setup Lexicon

SELECTING PREFERRED LISTENING MODES (continued)

MIC

INPUTSSETUP

DVD1

Opens the DTS-ES MODE menu, which is used to select a preferred listening mode for DTS(-ES) input sources. The MC-8 automatically activates the selected listening mode whenever a new input is selected or a new DTS(-ES) source is present.

When the DTS-ES parameter is set to USE LAST:

• The MC-8 activates the listening mode that was activated the last time a DTS-ES source was present

• The MC-8 activates the DTS THX MUSIC listening mode if it was activated the last time a DTS-ES source was present. Since DTS THX MUSIC is a dynamic listening mode, it cannot be selected as the preferred listening mode for DTS-ES sources.

INPUTSSETUP

DVD1

MIC

Opens the MIC MODE menu, which is used to select a preferred listening mode for the LIVE! source. The MC-8 automatically activates the preferred listening mode when a LIVE! input is selected.

When the MIC parameter is set to USE LAST:

The MC-8 activates the listening mode (LIVE! SMALL, LIVE! MED or LIVE! LARGE) that was activated the last time a MIC source was present.

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Page 55

MC-8 Setup

CONFIGURING ADVANCED INPUT SETTINGS

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 SAT VCR

TUNER

AUX

MAIN ADVANCED

INPUTSSETUP

Selecting the INPUT SETUP menu MAIN ADVANCED option opens the MAIN ADV menu shown above. The parameters on the left side of this menu are identical, regardless of which input is selected. The settings on the right side are adjustable. Default parameter settings

differ from input to input.

Parameter Possible Settings

INPUT SELECT DIGITAL, ANALOG, AUTO 2-CH ANLG BYP ON, OFF S-Video 16:9 AUTO, OFF S-Video OSD 4:3 ON, OFF COMPONENT OSD ON, OFF

DVD1 MAIN ADVANCED

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

MIC MAIN ADVANCED

5.1 FILM

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

DIGITALZONE2 IN

DVD1 MAIN ADV

INPUT SELECT 2-CH ANLG BYP S-VIDEO 16:9 S-VIDEO OSD 4:3

COMPONENT OSD

DIGITAL

OFF

AUTO

OFF

ANGL DMIX

DIGITAL

ANALOG

AUTO

OFF

INPUT SELECT DIGITAL, ANALOG, AUTO

INPUTSSETUP DVD1 MAIN ADVANCED INPUT SELECT

Controls the interaction of the digital and analog audio input connectors assigned to the current Main Zone input. The INPUT SETUP menu is used to assign one digital and one analog audio input connector for the selected input. The table on page 3-19 describes INPUT SELECT parameter settings.

When the Shift command bank is activated, the remote control 7/5 button is used to adjust the INPUT SELECT parameter by cycling through the DIGITAL, ANALOG and AUTO settings.

Note:

When the INPUT SELECT parameter is set to AUTO, the MC-8 will not select the assigned analog audio input connector when a valid digital audio input source is present. Some DVD and CD players output digital signals (data) when the player is paused or stopped or when the player is powered on and the disc drawer is empty. When this occurs, the MC-8 automatically selects the assigned digital audio input connector.

3-17

Page 56

Setup Lexicon

CONFIGURING ADVANCE INPUT SETTINGS (continued)

2-CH ANLG BYP ON, OFF

INPUTSSETUP DVD1 MAIN ADVANCED 2-CH ANLG BYP

Allows 2-channel analog input sources to bypass A/D conversion and internal processing. When ON, the MC-8 passes analog audio input signals directly to the Main Zone audio output connectors. When a

5.1-channel analog audio source is present, the MC-8 passes only (L)

and (R) analog audio input signals to the Main Zone audio output connectors labeled Front L/R. When LIVE! is the selected analog input, the MAIN ADVANCED  INPUT SELECT parameter is forced to ANALOG, and ANALOG BYPASS is disabled. When set to OFF, all analog audio input signals are sent through A/D conversion and internal processing before passing to the Main Zone audio output connectors.

Note:

When the Shift command bank is activated, pressing the 2 CH button toggles the 2-CH ANLG BYP parameter between the ON and OFF settings.

S-VIDEO 16:9 AUTO, OFF

INPUTSSETUP DVD1 MAIN ADVANCED S-VIDEO 16:9

Controls the passage of anamorphic trigger signals present in some video sources. When set to AUTO, the MC-8 allows anamorphic video input signals to pass through the S-Video switcher, enabling compatible display devices to automatically switch between anamorphic and non-anamorphic display modes.

When OFF, the MC-8 prevents anamorphic video input signals from passing through the S-Video switcher, preventing compatible display devices from automatically switching between anamorphic and non-anamorphic display modes.

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Page 57

MC-8 Setup

INPUT SELECT PARAMETER SETTINGS

DIGITAL ANALOG AUTO

The MC-8 sends the assigned digital audio input connector to the Main Zone audio output connectors. The MC-8 ignores the assigned analog audio input connector.

Note the following:

• The digital audio input connectors are compatible with PCM (44.1, 48,

88.2 and 96kHz), Dolby Digital and DTS(-ES) sources. The digital audio input connectors are not compatible with MPEG or MP3 sources.

• The MC-8 automatically sets the INPUT SELECT parameter to DIGITAL when no analog audio input connector is assigned.

•

The INPUT SETUP menu DIGITAL IN

parameter can be used to assign a digital audio input connector for the selected input.

The MC-8 sends the assigned analog audio input connector to the Main Zone audio output connectors. The MC-8 ignores the digital audio input connector.

Note the following:

• The MC-8 automatically sets the INPUT SELECT parameter to ANALOG when no digital audio input connector is assigned.

• The INPUT SETUP menu ANALOG IN parameter can be used to assign an analog audio input connector for the selected input.

The MC-8 toggles between sending the assigned digital and analog audio output input connectors to the Main Zone audio output connectors, based on the input source that is present.

For example:

• When a 2-channel PCM, Dolby Digital or DTS(-ES) source is present, the MC-8 automatically selects the assigned digital audio input connector.

•When an SACD

source is present, the MC-8 automatically selects the assigned analog audio input connector.

Note the following:

• The MC-8 automatically sets the INPUT SELECT parameter to AUTO when both digital and analog audio input connectors are assigned.

• When no compatible digital source is present, the MC-8 automatically selects the assigned analog audio input connector.

• The AUTO setting is recommended for components that generate both digital and analog input signals, such as DVD/SACD players.

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Page 58

Setup Lexicon

CONFIGURING ADVANCE INPUT SETTINGS (continued)

S-VIDEO OSD 4:3 ON, OFF

INPUTSSETUP

DVD1

MAIN ADVANCED

Controls the appearance of the on-screen display when the display device is connected to an S-Video output connector. When set to ON, the display device shows the on-screen display in a 4:3 aspect ratio, regardless of the incoming signal.

When OFF, the display device shows the on-screen display in the same aspect ratio as the incoming video input signal.

Note:

The on-screen display appears horizontally stretched across the display device screen when all of the following conditions are present:

• The S-VIDEO OSD 4:3 parameter is OFF.

• An anamorphic video input signal is present.

• A 16:9 display device (widescreen) is connected to an S-Video output connector.

S-VIDEO OSD 4-3

COMPONENT OSD ON, OFF

INPUTSSETUP

DVD1

MAIN ADVANCED

Controls the appearance of the on-screen display when the display device is connected to the component video output connector. When ON, the display device shows the on-screen display as a 480i video signal on a full blue-screen background. To minimize viewing distractions, the two-line status does not appear in the on-screen display. When OFF, the display device does not show the on-screen display, including the two-line status.

Note:

When the ON-SCREEN DISPLAY menu BACKGROUND parameter is OFF, the display device using the component video output connector will not show the on-screen display.

COMPONENT OSD

ZONE2 IN DIGITAL, ANLG, DMIX

INPUTSSETUP DVD1 ZONE2 IN

Controls the interaction of the digital and analog audio input connectors assigned to the current Zone 2 inputs. The table on the next page describes ZONE2 IN parameter settings.

3-20

Caution!

When the ZONE2 IN parameter is set to DIGITAL or ANLG, the MC-8 recognizes some DTS-encoded sources as audio signals (not data signals) and outputs loud digital noise from the Zone 2 audio output connectors.

Page 59

MC-8 Setup

ZONE2 IN PARAMETER SETTINGS

DIGITAL ANLG (Analog) DMIX (Downmix)

The MC-8 automatically sets the ZONE2 IN parameter to DIGITAL when the ANALOG IN parameter is set to NONE.

• The MC-8 sends the assigned digital audio input connector to the Zone 2 audio output connectors. The MC-8 ignores the assigned analog audio input connector.

• Independent zone monitoring is available.

• The DIGITAL IN parameter (3-

7) can be used to assign a digital audio input connector for the selected input.

The MC-8 automatically sets the ZONE2 IN parameter to ANLG when the DIGITAL IN parameter is set to NONE.

• The MC-8 sends the assigned analog audio input connector to the Zone 2 audio output connectors. The MC-8 ignores the assigned digital audio input connector.

• Independent zone monitoring is available.

• The ANALOG IN parameter (3-8) can be used to assign an analog audio input connector for the selected input.

The MC-8 sends a downmixed version of Main Zone audio to the Zone 2 audio output connectors. Downmixes can be generated for Dolby Digital and DTS(-ES) sources.

• To generate a downmix, the same input must be selected in the Main Zone and Zone 2. Otherwise, the Zone 2 audio output connectors will mute.

• Main Zone listening mode activation affects the Zone 2 audio output connectors. For instance, when the MONO listening mode is activated in the Main Zone, the Zone 2 audio output connectors will generate mono output signals.

• Downmixes cannot be generated when the 5.1a BYPASS listening mode is activated in the Main Zone. However, when the ZONE2 IN parameter is set to DMIX, the signals from the Main Zone audio output connectors labeled Front L/R are sent to Zone 2. Signals from other Main Zone audio output connectors are ignored.

• Independent zone monitoring is NOT available.

• It is recommended that you set the ZONE2 IN parameter to DMIX when recording from a DVD player without built-in Dolby Digital or DTS-ES decoding to a VCR or PVR (i.e., Tivo TV

®).

or Replay

• The MC-8 automatically uses LOGIC 7 encoding to downmix multichannel input sources (except 5.1-channel analog sources) to LOGIC 7-encoded stereo output signals for listening and recording. LOGIC 7-encoded downmixes are compatible with matrix decoders, but will sound best when played back through a LOGIC 7 listening mode.

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Setup Lexicon

SPEAKER SETUP

SPEAKERSSETUP

Select the SPEAKER SETUP menu to configure the Main Zone audio output connectors for the desired speaker setup. The Main Zone includes eight audio output connectors labeled Front L/R, Center, Subwoofer, Side L/R and Rear L/R.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SETTING CROSSOVER POINTS

SPEAKERSSETUP

Selecting the SPEAKER SETUP menu SET CROSSOVERS option opens the CROSSOVER SETUP menu, which configures a custom or THX setup.

SET CROSSOVERS

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

Note:

It is important to set crossover points before calibrating output levels or LIVE!. Setting crossover points afterwards could invalidate calibrated output levels and will invalidate the LIVE! calibration.

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Page 61

MC-8 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SPEAKER SETUPS

Selecting the CROSSOVER SETUP menu CUSTOM SETUP option opens the CUSTOM SETUP menu, which assigns independent crossover points for each Main Zone audio output connector. Possible crossover settings include FULL, FULL + SUB, and 10Hz increments within a 30Hz to 120Hz range. The graphs shown on the next page indicate the frequency response of each crossover point.

To configure a custom speaker setup:

• Select the crossover point closest to the low frequency rating of the associated speakers. For example, set the FRONT L/R parameter to the crossover point closest to the low-frequency rating of the front speakers.

• Select the subwoofer crossover point equal to the lowest crossover point of any of the other speakers. For example, if CUSTOM SETUP menu parameters are set as shown above, set

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

SPEAKERSSETUP

80Hz

SET CROSSOVERS CUSTOM SETUP

CUSTOM SETUP FRONT L/R

CENTER SIDE L/R REAR L/R SUBWOOFER ULTRA2 SUB BGC ASA

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

the SUBWOOFER parameter to 40Hz – the lowest crossover point of the other speakers.

In a custom setup, low frequencies are generally redirected from speakers with the highest crossover points to speakers with the lowest crossover points. Signals lower than the lowest crossover point are redirected to the subwoofer. If the lowest crossover point is FULL, low-frequency signals, excluding LFE information, are not redirected to the subwoofer.

Low frequencies between the Subwoofer and any or all of the other speaker channels can be duplicated. To do this, select the FULL + SUB crossover setting for the front, center, side or rear speakers. Making this selection can result in excessive bass.

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Page 62

Setup Lexicon

SETTING CROSSOVER POINTS (continued)

High-Pass Filter

Low-Pass Filter

High-pass filters attenuate low frequencies at 24dB per octave. The curves in the graph above indicate the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz. The graph above does not show the THX 80Hz crossover point, which is 12dB per octave.

3-24

Low-pass filters attenuate high frequencies at 24dB per octave. The curves in the graph above indicate the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz.

Page 63

MC-8 Setup

CUSTOM SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

THX SPEAKER SETUP

!CAUTION!

PRESSING THE

BUTTON WILL

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

SPEAKER

CONFIGURATION

THX SETUP FRONT L/R*

CENTER* SIDE L/R* REAR L/R SUBWOOFER* ULTRA2 SUB BGC ASA

* These parameters cannot be

adjusted.

THX 80Hz THX 80Hz THX 80Hz THX 80Hz THX 80Hz

OFF

N/A

APART

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

THX SPEAKER SETUPS

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

Selecting CROSSOVER SETUPTHX SETUP opens the THX SPEAKER SETUP screen, which indicates that pressing the arrow button will automatically configure the Main Zone audio output connectors for a THX speaker setup. Use THX-certified speakers in a THX speaker setup.

When the THX SPEAKER SETUP screen opens:

•Press thearrow button to configure the Main Zone audio output connectors for a THX speaker setup. The THX SETUP menu will open on the in-screen display.

•Press thearrow button to close the message without config- uring the Main Zone audio output connectors for a THX speaker setup.

When a THX speaker setup is selected, the MC-8 applies a THX 80Hz crossover point with a 12dB-per-octave filter to the Front L/R, Center, Side L/R and Rear L/R output connectors. The MC-8 applies a THX 80Hz crossover point with a 24dB-per-octave filter to the Subwoofer output connector.

Notes:

• A THX speaker setup is not required to activate THX listening modes.

• In the THX SETUP menu, only the REAR L/R, THX ULTRA2 SUB, BGC and ASA parameters can be changed.

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Page 64

Setup Lexicon

SPEAKER SETUP PARAMETERS

SPEAKERSSETUP SET CROSSOVERS CUSTOM SETUP

The table below indicates the speaker setup parameters for configuring the Main Zone audio output connectors for the desired speaker setup. These parameters are available on the CUSTOM SETUP and THX SETUP menus.

SPEAKERSSETUP

Speaker setup parameters perform the same function regardless of the selected speaker setup. When a parameter setting is adjusted on one menu, the corresponding parameter setting is automatically adjusted on the other menu. For example, when a THX speaker setup

SET CROSSOVERS THX SETUP

is selected, the crossover settings on the CUSTOM SETUP menu are set to THX 80Hz.

CUSTOM SETUP Menu THX SETUP Menu

Parameter

Default Setting Possible Settings Default Setting Possible Settings

FRONT L/R* 40Hz FULL, FULL + SUB, 30 to 120Hz, THX 80Hz THX 80Hz THX 80Hz

CENTER* 60Hz FULL, FULL + SUB, 30 to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz

SIDE L/R* 60Hz FULL, FULL + SUB, 30 to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz

REAR L/R 60Hz FULL, FULL + SUB, 30 to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz, NONE

SUBWOOFER* 40Hz FULL, 30 to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz

THX ULTRA2 SUB OFF ON, OFF OFF ON, OFF

BGC N/A† ON, OFF N/A† ON, OFF

ASA APART APART, CLOSE, TOGETHER APART APART, CLOSE, TOGETHER

* These parameters cannot be adjusted on the THX SETUP menu. † When the THX ULTRA2 SUB parameter is set to OFF, the BGC parameter is not available (N/A).

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MC-8 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SUBWOOFER

FULL 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

REAR L/R SPEAKERS

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 8 0 Hz 90Hz 100Hz 110Hz 120Hz NONE

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

40 Hz 60 Hz 60 Hz 60 Hz

R SR RR

40 Hz

80Hz

SUB

80Hz

SIDE L/R SPEAKERS FRONT L/R SPEAKERS

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

OFF

APART

L SL RL

80Hz

N/A

80Hz

CENTER SPEAKER

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

CUSTOM SETUP FRONT L/R

CENTER SIDE L/R REAR L/R SUBWOOFER ULTRA2 SUB BGC ASA

40Hz 60Hz 60Hz 60Hz 40Hz

OFF

N/A

APART

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz

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Page 66

Setup Lexicon

SPEAKER SETUP PARAMETERS (continued)

FRONT L/R FULL, FULL + SUB, 30 to 120HZ, THX 80HZ

SPEAKERSSETUP CUSTOM SETUP FRONT L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connectors labeled Front L/R when a custom speaker setup is selected. Opens the FRONT L/R SPEAKERS menu to select a crossover point for the Front L/R output connectors.

•Select FULL to send a full-range signal to the front speakers.

Otherwise, select the crossover point closest to the lowfrequency rating of the front speakers.

•Select FULL + SUB to send a full-range signal to the front

speakers and duplicate bass frequencies to the SUB output. (The set crossover point of the SUB parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

SPEAKERSSETUP

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the Front L/R output connectors, and the FRONT L/R parameter cannot be adjusted.

SET CROSSOVERS THX SETUP

CENTER FULL, FULL + SUB, 30 to 120HZ, THX 80HZ, NONE

SPEAKERSSETUP CUSTOM SETUP CENTERSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connector labeled CENTER when a custom speaker setup is selected. Opens the CENTER SPEAKER menu to select a crossover point for the CENTER output connector.

• Select FULL to send a full-range signal to the center speaker.

Otherwise, select the crossover point closest to the lowfrequency rating of the center speaker.

• Select FULL + SUB to send a full-range signal to the center

speaker and duplicate bass frequencies to the SUB output. (The set crossover point of the SUB parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

• When the speaker setup does not include a center speaker, select

NONE to redirect center channel signals to the Front L/R output connectors – unless the 5.1a BYPASS listening mode is activated. In this case, configure the speaker setup with the associated DVD-A/ SACD player to redirect center channel signals.

SPEAKERSSETUP

SET CROSSOVERS

THX SETUP

3-28

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the Center output connector, and the CENTER parameter cannot be adjusted.

Page 67

MC-8 Setup

SIDE L/R FULL, FULL + SUB, 30 to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP SIDE L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connectors labeled SIDE L/R when a custom speaker setup is selected.

•Select FULL to send a full-range signal to the side speakers.

Otherwise, select the crossover point closest to the lowfrequency rating of the side speakers.

•Select FULL + SUB to send a full-range signal to the side

• When the speaker setup does not include side speakers, select

NONE to redirect side channel signals to the Rear L/R output connectors. If the REAR L/R parameter is also set to NONE, the MC-8 will redirect surround channel signals to the Front L/R output connectors.

Note:

When the SIDE L/R parameter is set to NONE, Dolby Digital Surround EX, THX Ultra2, THX Surround EX, DTS(-ES) decoding, the ASA parameter and PLIIx modes are not available.

REAR L/R FULL, FULL + SUB, 30 to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP REAR L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connectors labeled REAR L/R when a custom speaker setup is selected.

• Select FULL to send a full-range signal to the rear speakers. Otherwise, select the crossover point closest to the lowfrequency rating of the rear speakers.

• Select FULL + SUB to send a full-range signal to the rear speakers and duplicate bass frequencies to the SUB output. (The set crossover point of the SUB parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

• When the speaker setup does not include rear speakers, select to redirect rear channel signals to the Side L/R output connectors. If the SIDE L/R parameter is also set to NONE, the MC-8 redirects surround channel signals to the Front L/R output connectors.

Note:

When the REAR L/R parameter is set to NONE, Dolby Digital Surround EX, THX Ultra2, THX Surround EX, PLIIx modes, DTS(-ES) decoding and the ASA parameter are not available.

NONE

SPEAKERSSETUP

SET CROSSOVERS

THX SETUP

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the SIDE L/R output connectors, and the SIDE L/R parameter cannot be adjusted.

SPEAKERSSETUP THX SETUPSET CROSSOVERS

When a THX speaker setup is selected, the REAR L/R parameter opens the THX REAR SPEAKERS menu which is used to activate or deactivate the REAR L/R output connectors.

To activate and configure the Rear L/R output connectors for a

7.1-channel THX speaker, setup select THX 80Hz. To deactivate the

Rear L/R output connectors and configure the Main Zone audio output connectors for a 5.1-channel THX speaker setup, select NONE.

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Page 68

Setup Lexicon

SPEAKER SETUP PARAMETERS (continued)

CUSTOM SETUP

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

SUB

40Hz

SUBWOOFER FULL, 30 TO 120 Hz, THX 80Hz, NONE

SPEAKERSSETUP THX SETUP SUBWOOFERSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connector labeled Subwoofer. When set to FULL, the MC-8 sends a full-range audio output signal to this connector. Otherwise, the MC-8 activates a crossover point at the selected setting. Choose the setting equal to the lowest setting of the other speakers.

R SR RR

40Hz

60Hz

L SL RL

40Hz

SUBWOOFER

FULL 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 8 0 Hz 90Hz 100Hz 110Hz 120Hz NONE

60Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

CUSTOM SETUP

FRONT L/R CENTER SIDE L/R REAR L/R

60Hz

SUBWOOFER ULTRA2 SUB BGC ASA

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

Note:

When the SUBWOOFER parameter is set to NONE, subwoofer signals will not be redirected if the 5.1a BYPASS listening mode is activated. To redirect subwoofer signals, configure the speaker setup with the associated DVD-A/SACD player.

SETUP

3-30

MAIN MENU

MODE ADJUST

AUDIO CONTROLS

SETUP

INPUTS

Page 69

MC-8 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

THX SPEAKER SETUP

SPEAKER CONFIGURATION

!CAUTION!

PRESSING THE

BUTTON WILL

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

THX SETUP

FRONT L/R* CENTER* SIDE L/R* REAR L/R SUBWOOFER* ULTRA2 SUB BGC ASA

* These parameters cannot be

adjusted.

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

BEFORE CALIBRATING

THX 80Hz THX 80Hz THX 80Hz THX 80Hz THX 80Hz

OFF

N/A

APART

THX ULTRA2 SUB ON, OFF

SET CROSSOVERS

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

80Hz

SUB

80Hz

OFF

APART CLOSE

TOGETHER

R SR RR

80Hz

L SL RL

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

CUSTOM SETUP

FRONT L/R CENTER SIDE L/R REAR L/R SUBWOOFER ULTRA2 SUB BGC ASA

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF N/A

APART

SPEAKERSSETUP CUSTOM SETUP

SET CROSSOVERS SPEAKERSSETUP THX SETUP

ULTRA2 SUB

Indicates whether or not the subwoofer connected to the Main Zone audio output connector labeled Subwoofer is Ultra2-certified. Select the ON setting if the connected subwoofer is Ultra2-certified and the OFF setting if the connected subwoofer is not Ultra2-certified. When set to ON, the CUSTOM and THX SETUP menu BGC parameter can

SET CROSSOVERS

be used to adjust boundary gain compensation. When set to OFF, the BGC parameter is not available (N/A).

ULTRA2 SUB

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Page 70

Setup Lexicon

SPEAKER SETUP PARAMETERS (continued)

BGC (BOUNDARY GAIN COMPENSATION) ON, OFF

SPEAKERSSETUP CUSTOM SETUP

SPEAKERSSETUP

SET CROSSOVERS

THX SETUP

Adjusts boundary gain compensation when the CUSTOM and THX SETUP menu THX ULTRA2 SUB parameter is set to ON. When the BGC parameter is set to ON, a highpass 55Hz filter is applied to all audio output connectors for all Main Zone listening modes. When set to OFF, no filter is applied to Main Zone listening modes and audio output connectors. When the parameter setting is N/A, the THX ULTRA2 SUB parameter is set to OFF, and boundary gain compensation cannot be adjusted.

Note:

BGC compensates for increased bass energy that is caused by the proximity of the speakers to the listening room walls.

BGC

ASA (ADVANCED SPEAKER ARRAY) APART, CLOSE, TOGETHER

SPEAKERSSETUP CUSTOM SETUP

SPEAKERSSETUP

SET CROSSOVERS

THX SETUP

A proprietary THX technology that processes signals sent to the rear speakers, optimizing the listening experience for THX Ultra2 listening modes. To maximize the effectiveness of ASA processing, it is recommended that you configure a 7-channel speaker setup in which the rear speakers are placed close together facing the center of the listening space. The ASA parameter is not available unless the 5.1

THX ULTRA2, 5.1 THX MUSIC, DTS THX ULTRA2 or DTS THX MUSIC listening mode is activated.

Select the TOGETHER setting if the distance between the rear speakers is less than 1 foot (0.3m). Select the CLOSE setting if the distance between the rear speakers is greater than 1 foot (0.3m), but less than 4 feet (1.2m). Select the APART setting if the distance between the rear speakers is greater than 4 feet (1.2m).

Note:

ASA processing is only available when both side and rear speakers are present.

ASA

3-32

When the remote control 7/5 button is used to toggle between 7 and 5-channel playback:

• ASA processing is not available during 5-channel playback.

• The MC-8 automatically switches between the 5.1 THX ULTRA2 and 5.1 THX or DTS THX ULTRA2 and DTS THX listening modes.

Page 71

MC-8 Setup

CALIBRATING SPEAKER DISTANCES and OUTPUT LEVELS

The MC-8 offers both automatic and manual calibration of speaker distances and output levels. Calibration helps to ensure accurate output signal arrival time and level at the primary listening position. However, it is not a substitute for proper speaker placement.

Before calibrating speaker distances and output levels:

• Set crossover points for the Main Zone audio output connectors. Setting crossover points afterwards could invalidate calibrated output levels. (The CUSTOM or THX SETUP menu can be used to set crossover points.)

• Eliminate extraneous noise in the listening space, including conversation, air conditioners and sounds that filter in through open doors and windows.

• Move or remove objects – in addition to people – blocking the line of sight path between the microphones or SPL meter and the speakers.

Note:

If Power is lost during automatic calibration of speaker levels or speaker distances, recalibration of speaker levels and speaker distances is required.

SPEAKER CALIBRATION PARAMETERS

The table on the next page indicates the speaker calibration parameters that can be used to set speaker distances and output levels for the speakers connected to the corresponding Main Zone audio output connectors. These parameters are available on the speaker distance and output level menus shown throughout this section. All parameters perform the same function, whether automatic or manual calibration is selected.

SPEAKER DISTANCE PARAMETERS +0.0 to 30.0 ft or 12.0m

Determine the distance between the primary listening position and the speaker connected to the corresponding Main Zone audio output connector.

OUTPUT LEVEL PARAMETERS –18.0db to +12.0dB

Determine the output level of signals sent to the speaker connected to the corresponding Main Zone audio output connector.

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Page 72

Setup Lexicon

UNITS FEET, METERS

SPEAKERSSETUP SPEAKER DISTANCES UNITSMANUAL

Determines the unit of measurement in which speaker distances are calculated on ALL speaker distance menus. When FEET is selected, the MC-8 calculates speaker distances in feet. When METERS is selected, the MC-8 calculates speaker distances in meters. When the UNITS parameter setting is adjusted, the MC-8 automatically adjusts speaker distances to the closest available value in the selected unit of measurement.

Speaker Distance Settings Output Level Settings

Parameter

FRONT LEFT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

CENTER +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

FRONT RIGHT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

SIDE RIGHT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

REAR RIGHT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

REAR LEFT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

SIDE LEFT +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

SUBWOOFER +0.0 ft +0.0 to 30.0 ft or 12.0m +0.0dB –18.0 to +12.0dB

UNITS FEET FEET, METERS

When a speaker is not included in the speaker setup, the corresponding speaker distance or output level parameter is not available (N/A).

Default Setting Possible Setting Default Setting Possible Setting

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Page 73

MC-8 Setup

AUTOMATIC CALIBRATION

The MC-8 offers automatic calibration of speaker distances, output level, or both. The table below indicates available automatic calibration options.

A successful microphone check is required before automatic calibration can be performed.

Automatic Options Details

MICROPHONE CHECK • Confirms that the microphones are properly connected and functioning.

• Calculates an average level for the microphones connected to the microphone input connectors, allowing the MC-8 to compensate for individual microphone sensitivities during automatic calibration.

• Ensures that microphone levels are consistent, eliminating automatic calibration errors from individual microphone levels.

DISTANCES & LEVELS • Activates automatic calibration of speaker distances and output levels.

• Offers accurate calibration with minimal interaction, automatically applying calibrated speaker distances and output levels.

• Calibrates speaker distances within 0.5 foot (.15m) of the physical distance between the primary listening position and the speaker.

• Calibrates individual speaker output levels within +/–0.5dB of each other and overall speaker output levels within +/–3.0dB of THX reference levels (75dB).

DISTANCES • Activates automatic calibration of speaker distances.

• Provides a comparison between original and calibrated speaker distances, allowing selection of the desired values.

• Calibrates speaker distances within 0.5 foot (.15m) of the physical distance between the primary listening position and the speaker.

LEVELS • Activates automatic calibration of output levels.

• Provides a comparison between original and calibrated output levels, allowing selection of the desired values.

• Calibrates individual speaker output levels within +/–0.5dB of each other and overall speaker output levels within +/–3.0dB of THX reference levels (75dB).

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Page 74

Setup Lexicon

CONNECTING THE MICROPHONES

CAUTION!

• The microphones included in the Lexicon Microphone Kit require careful handling. Dropping or otherwise physically abusing the microphones might cause errors during use or irreparable damage to the microphones.

• The microphone wires also require careful handling. Do not sharply bend the wires or place objects on them.

• Never make or break microphone input connections unless the MC-8 is powered off with the rear-panel power switch, OR standby mode is activated with the front-panel or remote control standby button.

Note the following:

• Automatic calibration requires the microphones included in the Lexicon Microphone Kit, available at authorized Lexicon dealers. Performing automatic calibration with microphones other than those in the kit will produce unpredictable results. A separate kit includes a microphone board assembly which is installed in one of the available card slots.

• Proper microphone placement is essential to achieving the desired automatic calibration results. Pay particular attention to the microphone placement instructions and illustrations included in this section.

• It is important to read and observe the care and handling documentation included with the Lexicon Microphone Kit to ensure optimal microphone performance.

• If power is lost during automatic calibration of speaker levels or speaker distances, previous settings may be lost and recalibration of speaker levels and speaker distances is required.

MC-8 rear panel with optional microphone board location

1. Make sure the MC-8 is powered off OR in standby mode.

2. Connect the microphones included in the Lexicon Microphone Kit to the microphone input connectors on the MC-8 rear panel, as shown above. Make sure the microphone cable plug is fully inserted for a solid connection.

During the microphone check, the microphones will be referred to as 1, 2, 3 and 4, based on the input connector to which the microphone is connected. You should label the microphones for troubleshooting purposes.

3. Power on the MC-8 or deactivate standby mode.

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Page 75

MC-8 Setup

POSITIONING THE MICROPHONES FOR THE MICROPHONE CHECK

Refer to the microphone placement examples that begin below to position the microphones for the microphone check.

PROPER microphone positioning for the microphone check

During the microphone check, position the microphones:

3 As close together as possible

3 Relatively centered between and equidistant from

the front left and right speakers

Rear

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and other

fixtures, where echoes will not obscure calibration noise signals

Rear

Right

Left

Side

Left

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers

The illustration to the right provides an example of proper microphone placement during the microphone check. All of the microphones are positioned as close together as possible in an unobstructed location that is equidistant from the front left and right speakers.

Microphone

Side

Right

Front Right

Subwoofer

Center

Front

Left

3-37

Page 76

Setup Lexicon

IMPROPER

During the microphone check, DO NOT:

7 Separate the microphones

7 Scatter the microphones throughout the listening

space

7 Obstruct the line-of-sight path between the micro-

phones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

microphone positioning for the microphone check

Rear

Right

Rear

Left

Side Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are scattered throughout the listening space rather than positioned as close together as possible in a location that is equidistant from the front left and right speakers.

3-38

Microphone

Side

Right

Front Right

Subwoofer

Center

Front

Left

Page 77

MC-8 Setup

CHECKING THE MICROPHONES

CUSTOM SETUP

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CHECK MICROPHONES

40 Hz

GROUP MICROPHONES

60 Hz

INTO A BUNDLE IN THE

60 Hz

MIDDLE OF THE ROOM

60 Hz 40 Hz

PRESS TO BEGIN

OFF

MIC CHECK

N/A

APART

Note the following:

• The MC-8 outputs calibration noise signals between 55dB and 95dB, beginning with 55dB and increasing in 5dB increments until the microphones detect the required level. If the calibration noise signal becomes too loud, press the  arrow button to cancel the microphone check.

• Although the calibration noise signal is output at a fixed volume level, you should set all volume controls for associated components (i.e., speakers, subwoofers and power amplifiers) to a reasonable level before performing automatic calibration. When the procedure is finished, the MC-8 automatically reverts to the last volume level that was selected before automatic calibration began.

• During automatic calibration, you should refer to the on-screen display instead of the front-panel display, as additional information and instructions are available in the on-screen display.

1. Select the SPEAKER SETUP menu CHECK MICROPHONES option, as shown above.

2. The first CHECK MICROPHONES screen opens in the on-screen display, indicating the importance of proper microphone placement to achieve accurate automatic calibration results.

3. Press the  arrow button to begin the microphone check. The following screens appears in the on-screen display as the microphone check is performed:

CHECKING FOR SILENCE

Appears in the on-screen display while the MC-8 determines the relative noise level of the listening space and the internal noise level of the microphones.

CUSTOM SETUP

CHECK MICROPHONES

CHECKING FOR SILENCE

PLEASE WAIT

After eliminating microphones that are not detected or not functioning, the MC-8 calculates an average level for all microphones.

CHECKING MICROPHONES

Appears in the on-screen display while the MC-8 confirms the microphone level calculated during the silence check. To do this, the MC-8 sends alter-

CUSTOM SETUP

CHECK MICROPHONES

CHECKING MICROPHONES

PLEASE WAIT

nating calibration noise signals to the front left and right speakers. These signals are output between 55dB and 95dB, beginning with 55dB and increasing in 5dB increments until the microphones detect the required

3-39

Page 78

Setup Lexicon

CHECKING THE MICROPHONES (continued)

level. If the signal becomes too loud, press the  arrow button to cancel the microphone check.

The MC-8 uses the calibration noise signal to eliminate microphones that register the signal at a level that is too low or too high. Then, the MC-8 determines the appropriate output level for the calibration noise signal used during automatic calibration.

CHECK MICROPHONES Results

Appears in the on-screen display when the MC-8 is finished checking the microphones. This display indicates the individual check results for each microphone.

• An OK result indicates that the microphone passed the microphone check.

• An ERROR result indicates that the microphone did not pass the microphone check.

CHECK MICROPHONES

MIC 1 MIC 2 MIC 3 MIC 4

PRESS TO VIEW

DETAILS

OK OK

ERROR

(MICROPHONE) OK

5. Press the  arrow button to view more detailed results for the selected microphone. A message similar to the one shown at the bottom of the previous column opens in the on-screen display. Refer to the table on the next page for information about all possible microphone check messages.

Note the following:

• The MC-8 retains the calculated microphone level until the SPEAKER SETUP menu is closed. Once this menu is closed, another microphone check is required before automatic calibration can be performed.

• Optional microphone kits that include two or four microphones are available. If using the four microphone kit, perform automatic calibration with four microphones that have passed the microphone check. If using the two microphone kit, perform automatic calibration with two microphones that have passed the microphone check.

However, the MC-8 will perform automatic calibration as long as at least one microphone passes the microphone check. In this circumstance, place the successfully checked microphone in the primary listening position.

• If a microphone check was successful, do not disconnect the microphones from the microphone input connectors. If the microphones are disconnected, you should perform the microphone check again before proceeding to automatic calibration.

4. Press the  and  arrow buttons to highlight the desired microphone parameter. The MC-8 refers to the microphones according to the input connector to which the microphone is connected.

3-40

Page 79

MC-8 Setup

Message Description Tro u bleshooting

(MICROPHONE) OK

(MICROPHONE) NOT DETECTED

(MICROPHONE) SIGNAL TOO LOW

(MICROPHONE) OUT OF RANGE

(MICROPHONE) TOO MUCH ROOM NOISE

The microphone detected the calibration noise signal without error.

The MC-8 did not detect the microphone during the silence check.

The MC-8 detected the microphone during the silence check. However, the microphone level determined during the silence check was not confirmed during the microphone check.

The microphone level is more than 20dB below the highest microphone level.

The microphone level could not be determined because of excessive room noise in the listening space.

•N/A

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-8 and that microphone cable plugs are fully inserted for a solid connection.

• The microphone may be damaged. Contact an authorized Lexicon dealer for assistance.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-8 and that microphone cable plugs are fully inserted for a solid connection.

• The microphones may be positioned too far from the front speakers. Refer to the microphone placement examples that begin on page 3-37 to confirm that the microphones are appropriately positioned for the microphone check.

• The microphone may be damaged. Contact an authorized Lexicon dealer for assistance.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-8 and that microphone cable plugs are fully inserted for a solid connection.

• The microphones might be positioned too far from the front speakers. Refer to the microphone placement examples that begin on page 3-37 to confirm that the microphones are appropriately positioned for the microphone check.

• The microphone may be damaged. Contact an authorized Lexicon dealer for assistance.

• Eliminate extraneous noises in the listening space, including conversations, air conditioners and sounds that filter in through open doors and windows.

• The microphone may be damaged. Contact an authorized Lexicon dealer for assistance.

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION

Proper microphone placement is essential to achieving the desired automatic calibration results. Microphone placement determines whether the MC-8 calibrates optimal speaker distances and output levels for a single listening position, several listening positions in a single row, or several listening positions in the listening space.

• Refer to the microphone placement examples that begin on the next page to position the microphones for automatic calibration. Select the microphone placement that best meets the needs of the listening space.

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Page 80

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

PROPER microphone placement to achieve the best results for a single listening position

When calibrating for a single listening position, place the microphones:

3 As close together as possible in a single listening

position (the primary listening position)

3 At the approximate spot where the listener’s head

will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and other

fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers

The illustration to the right provides an example of proper microphone placement when calibrating for a single listening position. The microphones are positioned as close together as possible in a single listening position, allowing the MC-8 to calibrate optimal speaker distances and output levels for that position.

Rear

Right

Microphone

Side

Right

Rear

Left

Front Right

Side

Left

Subwoofer

Center

Front

Left

3-42

Page 81

MC-8 Setup

PROPER microphone placement to achieve the best results for multiple listening positions in a single row

When calibrating for multiple listening positions in a single row, position the microphones:

3 At the approximate spot where the listener’s head

will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and other

fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers

The illustration to the right provides an example of proper microphone placement when calibrating for multiple listening positions in a single row. Each microphone is positioned in a single listening position within a single row, allowing the MC-8 to calibrate optimal speaker distances and output levels for that row at the expense of a single listening position.

Rear

Right

Microphone

Side

Right

Rear

Left

Front Right

Side Left

Subwoofer

Center

Front

Left

3-43

Page 82

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

PROPER microphone placement to achieve the best results for multiple listening positions in multiple rows

When calibrating for multiple listening positions in multiple rows, position the microphones:

3 At the approximate spot where the listener’s head

will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and other

fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers

The illustration to the right provides an example of proper microphone placement when calibrating for multiple listening positions in multiple rows. Each microphone is positioned in a single listening position within a row, allowing the MC-8 to calibrate optimal speaker distances and output levels for a larger listening area at the expense of a single listening position.

3-44

Rear

Right

Microphone

Side

Right

Rear Left

Front Right

Side

Left

Subwoofer

Center

Front

Left

Page 83

MC-8 Setup

IMPROPER microphone positioning for automatic calibration

During the automatic calibration, do not:

7 Arrange the microphones along the perimeter of

the listening positions or space

7 Position the microphones in spots where the

listeners’ heads will not be during listening

7 Obstruct the line-of-sight path between the

microphones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

Rear

Right

Side Right

Rear Left

Side

Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are positioned on the floor along the perimeter of the listening space, making it difficult for the MC-8 to calibrate optimal speaker distances and output levels for the actual listening positions.

Microphone

Front Right

Subwoofer

Center

Front

Left

3-45

Page 84

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

IMPROPER microphone positioning for automatic calibration

During the automatic calibration, do not:

7 Arrange the microphones along the perimeter of

the listening positions or space

7 Position the microphones at spots where the

listeners’ heads will not be during listening

7 Obstruct the line-of-sight path between the

microphones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

Rear

Right

Side

Right

Rear

Left

Side

Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are positioned on seat cushions rather than in spots where the listener’s heads will be during listening.

3-46

Microphone

Front Right

Subwoofer

Center

Front

Left

Page 85

MC-8 Setup

PERFORMING AUTOMATIC CALIBRATION

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

AUTO SPEAKER SETUP

40 Hz

DISTANCES & LEVELS

60 Hz

DISTANCES

60 Hz

OUTPUT LEVELS

60 Hz

PLACE MICROPHONES

40 Hz

IN PRIMARY LISTENING

OFF

POSITIONS

N/A

APART

CUSTOM SETUP

AUTO SPEAKER SETUP

40 Hz

!CAUTION!

60 Hz

HIGH AUDIO LEVELS

60 Hz 60 Hz

YOU WILL HAVE 10 SEC

40 Hz

TO LEAVE THE ROOM OR

OFF

SIT QUIETLY

N/A

APART

PRESS TO BEGIN

COUNTDOWN

CUSTOM SETUP

Follow the procedures in the appropriate table column for the desired type of automatic calibration.

STEP DISTANCES DISTANCES & LEVELS LEVELS

Select the SPEAKER SETUP menu AUTOMATIC option, as shown in the menu illustration above.

• If a microphone check is successful, the AUTO SPEAKER SETUP menu appears in the on-screen display. Press the  or  arrow button to highlight the automatic calibration option you want. Then press the  arrow button to select

this option. Refer to the table on page 3-35 for more information about automatic calibration options.

• If a microphone check is unsuccessful, one of the error messages shown to the right appears in the on-screen display, indicating that a successful microphone check is required before automatic calibration, and also the reason the previous check failed. If this occurs, go back to “Connecting the Microphones” on page 3-36 and work your way back to this page.

The following AUTO SPEAKER SETUP messages are displayed before automatic calibration begins:

• The !CAUTION! HIGH AUDIO LEVELS message indicates that the MC-8 generates loud calibration noise signals during automatic calibration. If the signals become too loud, press the

 arrow button to cancel automatic calibration. Press the  arrow button to open the next AUTO SPEAKER SETUP

menu.

• The countdown display notifies you that automatic calibration will begin in 10 seconds. The primary reason for the 10 second delay is to give you time to leave the listening space before automatic calibration begins. If you choose to remain in the room, your movements could affect the calibration

results. If you leave the room, you can return in about 10 minutes (the calibration procedure should be completed). Press the skip the countdown and begin automatic calibration. The MC-8 automatically activates automatic calibration when the countdown ends.

AUTO SPEAKER SETUPSPEAKER SETUP

TEST WILL BEGIN IN

PRESS TO SKIP

COUNTDOWN

MIC CHECK REQUIRED

FOR AUTO CALIBRATION

NO MICROPHONE

DETECTED

 arrow button to

3-47

Page 86

Setup Lexicon

PERFORMING AUTOMATIC CALIBRATION (continued)

SETTING DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

0.0ft

SETTING DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A

SETTING LEVELS

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

0.0dB

SETTING LEVELS

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

-2.0dB ERROR

-2.0dB

-4.5dB

-3.0dB

-4.5dB N/A

STEP DISTANCES DISTANCES & LEVELS LEVELS

The SETTING DISTANCES menu is displayed when the MC-8 calibrates speaker distances.

• During speaker distance calibration, the MC-8 sends calibration noise signals to the Main Zone audio output connectors in the order shown on the SETTING DISTANCES menu. The cursor automatically scrolls downward through speaker calibration parameters, highlighting each parameter while the MC-8 calculates a distance for the corresponding speaker. As it finishes each parameter, the MC-8 enters the calibrated value or an ERROR message to the right of the parameter label.

• Because of the way low-frequency signals propagate in most listening spaces, automatic speaker distance calibration often produces unreliable results for subwoofers. For this reason, the MC-8 does not send calibration noise signals to the Subwoofer connector during speaker distance calibration. Instead, the MC-8 automatically calibrates the subwoofer distance to the shortest distance of the other speakers. These distances can be manually adjusted. See “PERFORMING MANUAL SPEAKER DISTANCE CALIBRATION” on page 3-53.

This step does not occur when the AUTO SPEAKER SETUP menu LEVELS option is selected.

3-48

This step does not occur when the AUTO SPE AKER SETUP menu DISTANCES option is selected.

The SETTING LEVELS menu is displayed when the MC-8 calibrates output levels.

• During speaker levels calibration, the MC-8 sends calibration noise signals to the Main Zone audio output connectors in the order shown on the SETTING LEVELS menu. The cursor automatically scrolls downward through speaker calibration parameters, highlighting each parameter while the MC-8 calculates an output level for the corresponding speaker. As it finishes each parameter, the MC-8 enters the calibrated value or an ERROR message to the right of the parameter label.

Page 87

MC-8 Setup

STEP

DISTANCES

AUTO DISTANCES

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A

When the MC-8 is finished calibrating speaker distances, the AUTO DISTANCES screen is displayed, indicating the results for each individual speaker.

• A value indicates that no errors occurred during the calibration procedure.

• An ERROR message indicates that a value was calculated, but at least one error occurred during the calibration procedure.

• Press the  or  arrow button to highlight the speaker calibration parameter you want. Then press the  button to view more detailed results for the selected speaker. A message similar to the one shown above will display.

• Refer to the table on page 3-50 for information about all possible speaker calibration messages.

FRONT LEFT



Refer to the table on page 3-50 for information about all possible speaker calibration messages.

DISTANCES & LEVELS LEVELS

AUTO SPEAKER SETUP

DISTANCES LEVELS

AUTO VALUES APPLIED

PRESS TO VIEW

DETAILS

ERROR

When the MC-8 is finished calibrating speaker distances and output levels, the AUTO SPEAKER SETUP screen is displayed,

indicating the results for each calibration procedure.

• An OK message indicates that no errors occurred during the calibration procedure.

• An ERROR message indicates that values were calculated, but at least one error occurred during calibration.

• Press the  or  arrow button to highlight the desired calibration procedure.

DISTANCES displays the AUTO DISTANCES screen shown in the left column of this table.

LEVELS displays the AUTO LEVELS screen shown in the right column of this table.

• Press the  arrow button to select this procedure.

• Refer to the instructions in the appropriate column to view more detailed results for each individual speaker.

AUTO LEVELS

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

-2.0dB

-4.5dB

-3.0dB

-4.5dB

When the MC-8 is finished calibrating output levels, the AUTO LEVELS screen is displayed, indicating the results for each individual speaker.

• A value indicates that no errors occurred during the calibration procedure.

• An ERROR message indicates that a value was calculated, but at least one error occurred during the calibration procedure.

•Press the or  arrow button to high- light the desired speaker calibration parameter. Then, press the  arrow button to view more detailed results for the selected speaker. A message similar to the one shown above will display.

• Refer to the table on page 3-50 for information about all possible speaker calibration messages.

ERROR

N/A

FRONT LEFT



Refer to the table on page 3-50 for information about all possible speaker calibration messages.

3-49

Page 88

Setup Lexicon

PERFORMING AUTOMATIC CALIBRATION (continued)

STEP DISTANCES DISTANCES & LEVELS LEVELS



AUTO DISTANCES*

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A

SET LEVELS

AUTO LEVELS ORIGINAL LEVELS

R SR RR

0.0dB

L SL RL

SUB

0.0dB



AUTO LEVELS

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

-2.0dB ERROR

-2.0dB

-4.5dB

-3.0dB

-4.5dB

Use the SET LEVELS menu to select the desired speaker levels.

1 Press the  arrow button to return to

the SET LEVELS menu.

•Press the and  arrow buttons to toggle between calibrated output levels (AUTO) and original output levels. The speaker graphics at the bottom of the menu update to indicate the selected values.

•Press the

 arrow button to apply the

selected values. A confirmation message is displayed to indicate the applied values.

• Press the  arrow button twice in succession to return to the SPEAKER SETUP menu.

N/A

SET DISTANCES

AUTO DISTANCES ORIGINAL DISTANCES

0.0ft

SUB

R SR RR

0.0ft

L SL RL

0.0ft

Use the SET DISTANCES menu to select the desired speaker distances.

1 Press the  arrow button to return to

the SET DISTANCES menu.

2 Press the  or  arrow button to tog-

gle between calibrated speaker distances (AUTO) and original speaker distances. The speaker graphics at the bottom of the menu update to indicate the selected values.

3 Press the

selected values. A confirmation message is displayed to indicate the applied values.

4 Press the  button twice in succession

to return to the SPEAKER SETUP menu.

 button to apply the



AUTO DISTANCES

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A

AUTO SPEAKER SETUP

DISTANCES LEVELS

AUTO VALUES APPLIED

PRESS TO VIEW

DETAILS

ERROR

Use the AUTO SPEAKER SETUP menu to select speaker distances or levels.

1 Press the  arrow button to return to the

AUTO SPEAKER SETUP results screen.

2 To select the other calibration procedure,

follow the instructions in Step 5. Otherwise, press the  button to return to the SPEAKER SETUP menu.

*Note: The AUTO DISTANCES screen is shown

above as an example. The AUTO LEVELS screen can be substituted.

3-50

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MC-8 Setup

Message Description Trouble shooti ng

(SPEAKER) OK

(SPEAKER) SPEAKER IS NOT ENABLED

(SPEAKER) SPEAKER OUT OF PHASE

(SPEAKER) SIGNAL TOO LOW

(SPEAKER) UNABLE TO CALCULATE

(SPEAKER) MAY NOT BE ACCURATE

(SPEAKER) SPKR OUTPUT TOO HIGH

The MC-8 successfully calibrated the value for the selected speaker without error.

The selected speaker is not present in the speaker setup.

The microphones detected out-of-phase calibration noise signals, but the calibrated value is still accurate.

The microphones detected calibration noise signals at an unusually low level.

The microphones did not detect calibration noise signals or the MC-8 could not calculate a value.

One or more microphones did not detect calibration noise signals at a reasonable level. The calibrated value could be inaccurate.

The microphones detected calibration noise signals at an unusually high level.

•N/A

• Set the corresponding CUSTOM or THX SETUP menu parameter to include the selected speaker in the speaker setup. (The MC-8 only calibrates values for speakers that are included in the speaker setup.)

• Examine speaker/associated amplifier connections to ensure that speaker wires are not crossed.

•Dipolar speakers could cause this error. However, the MC-8 does not report this error unless at least half of the microphones detect out-of-phase calibration noise signals.

• Reflections from room objects could cause this error.

• Drivers intentionally wired out-of-phase could cause this error.

• The microphones might be positioned more than 30 feet (9.14m) from the selected speaker or in a location where echoes obscure calibration noise signals. Refer to the placement examples on pages 3-40 to 3-44 to confirm that the microphones are appropriately positioned for automatic calibration.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-8 and that microphone cable plugs are fully inserted for a solid connection.

• Refer to the microphone placement examples on pages 3-41 to 3-45 to confirm that the microphones are appropriately positioned for automatic calibration.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-8 and that microphone cable plugs are fully inserted for a solid connection.

• Refer to the microphone placement examples on pages 3-41 to 3-45 to confirm that the microphones are appropriately positioned for automatic calibration.

• Decrease associated amplifier volume levels – including (if applicable) powered subwoofer amplifiers.

• The microphones may be positioned too close (within 2 feet [0.61m]) of the selected speaker. Refer to the microphone placement examples on pages 3-41 to 3-45 to confirm that the microphones are appropriately positioned for automatic calibration.

(SPEAKER) SPKR OUTPUT TOO LOW

The microphones detected calibration noise signals at an unusually low level.

• Increase associated amplifier volume levels – including (if applicable) powered subwoofer amplifiers.

• The microphones may be positioned too far away (more than 30 feet [9.14m]) from the selected speaker. See the microphone placement examples on pages 3-41 to 3-45 to confirm that the microphones are appropriately positioned for automatic calibration.

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Setup Lexicon

MANUAL CALIBRATION

SPEAKERSSETUP MANUAL

Selecting the SPEAKER SETUP menu MANUAL option displays the MANUAL SPEAKER SETUP menu, to manually calibrate speaker distances and output levels. The table below indicates available manual calibration options.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SETUP

MANUAL SPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0dB

APART

0.0dB

L SL RL

0.0dB

SUB

0.0dB

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

Manual Options Details

SPEAKER DISTANCES • Provides manual calibration and individual adjustment of speaker distances.

INTERNAL NOISE TEST • Provides manual calibration and individual adjustment of output levels.

• Automatically sends an internal calibration noise signal to each Main Zone audio output connector, allowing for simultaneous output level adjustment.

EXTERNAL NOISE TEST • Provides manual calibration and individual adjustment of output levels.

• Requires an external calibration source such as an audio calibration disc.

• Activates an appropriate listening mode based on the current Main Zone input source.

OFF

N/A

0.0dB

BASS PEAK LIMITERS • Provides amplitude limits for low-frequency signals sent to the Main Zone audio output connector

labeled Subwoofer, and low-frequency signals redirected to other Main Zone audio output connectors.

• Protects speakers against input sources that produce low-frequency signal peaks.

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MC-8 Setup

PERFORMING MANUAL SPEAKER DISTANCE CALIBRATION

SPEAKERSSETUP MANUAL SPEAKER DISTANCES

Selecting the MANUAL SPEAKER SETUP menu SPEAKER DISTANCES option displays the SPEAKER DISTANCES menu, to manually calibrate speaker distances.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

To manually calibrate speaker distances:

1. Follow the menu path shown above to select MANUAL SPEAKER SETUP  SPEAKER DISTANCES. The SPEAKER DISTANCES menu shown above will open in the on-screen display.

2. Press the  or  arrow buttons to highlight the desired speaker distance parameter. Then, press the  arrow button to select the highlighted speaker distance parameter.

MANUAL SPEAKER SETUPSPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0ft

L SL RL

SUB

0.0ft

SPEAKER DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER UNITS

0.0ft

0.0ft FEET

0.0 to 30.0ft or 12.0m

METERS

FEET

3. To determine the appropriate speaker distance, measure the distance between the primary listening position and the front of the speaker.

For example, when the FRONT LEFT parameter is selected, measure the distance between the primary listening position and the front of the front left speaker (connected to the Main Zone audio output connector labeled Front L).

4. When the speaker distance has been measured, press the  and  arrow buttons to set the parameter to the closest available value.

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Setup Lexicon

PERFORMING MANUAL OUTPUT LEVEL CALIBRATION

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

Selecting the MANUAL SPEAKER SETUP menu LEVELS CALIBRATION option displays the LEVELS CALIBRATION menu shown below, to manually calibrate output levels.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

Note the following:

• Use a Sound Pressure Level (SPL) meter to manually calibrate output levels. A SPL meter is a device that measures the relative loudness of the speakers to ensure accurate output level calibration. SPL meters are available from electronic retailers such as Radio Shack.

• Output levels should be calibrated from the primary listening position, placing the SPL meter at the approximate location where the listener’s head will be during listening.

MANUAL SPEAKER SETUPSPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0dB

L SL RL

0.0dB

SUB

0.0dB

LEVELS CALIBRATION

CUSTOM SETUP

INTERNAL NOISE TEST

EXTERNAL NOISE TEST

BASS PEAK LIMITERS

INTERNAL NOISE

!CAUTION!

HIGH AUDIO LEVELS

SPEAKER LEVEL ADJUST

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT SUBWOOFER

-18.0 to +12.0dB

+0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB

• Output levels for speakers that are not included in the speaker setup cannot be adjusted during the internal noise test. These output levels can be adjusted during the external noise test, but there is no need to do so.

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MC-8 Setup

INTERNAL NOISE TEST

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

INTERNAL NOISE TEST

Opens the INTERNAL NOISE message shown on the previous page, which indicates that the internal noise test generates loud calibration noise signals.

When the INTERNAL NOISE message opens:

•Press the arrow button to open the SPEAKER LEVEL ADJUST menu shown on the previous page. When the SPEAKER LEVEL ADJUST menu opens, the internal noise test automatically begins.

•Press the button to skip the internal noise test.

During the internal noise test, the MC-8 sends calibration noise signals to each speaker in the order shown on the SPEAKER LEVEL ADJUST menu. The cursor automatically scrolls through output level parameters, highlighting each parameter as the MC-8 sends the calibration noise signal to the corresponding speaker. The calibration noise signal is sent to each speaker for about 4 seconds.

Note:

When the internal noise test begins, the MC-8 automatically sets volume level to +0dB. Avoid adjusting the master volume level while the test is in progress, to achieve THX reference levels (75dB).

INTERNAL NOISE TEST LEVELS CALIBRATION MANUAL SPEAKERS SETUP

To manually calibrate output levels during the internal noise test:

1. Set the SPL meter to “C” weighting and “SLOW” response.

2. Place the SPL meter at the primary listening position.

3. Press the  or  arrow button to highlight the desired output level parameter. Then, quickly press the  button to select this output level parameter. The horizontal bar graph shown on the previous page will open in the on-screen display and automatic scrolling will stop.

Note:

During the internal noise test, it is possible to select an output level parameter just as the cursor is about to automatically scroll to the next parameter, causing the MC-8 to send the calibration noise signal to both speakers. If this occurs, reselect the desired speaker.

4. When the horizontal bar graph opens, press the  or  button to select the output level that achieves a 75dB SPL meter reading from the primary listening position.

5. Press  to close the parameter. The internal noise test will continue and automatic scrolling will resume.

6. Repeat steps 2, 3, 4 and 5 until all desired output levels have been set.

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Setup Lexicon

EXTERNAL NOISE TEST

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

EXTERNAL NOISE TEST

Selecting the LEVELS CALIBRATION menu EXTERNAL NOISE TEST option opens the SPEAKER LEVEL ADJUST menu shown on page 3-54, which manually calibrates output levels.

The external noise test requires an external calibration source such as an audio calibration disc. When the external noise test is conducted, the MC-8 activates a listening mode based on the current Main Zone input source. Refer to the table below for more information about external noise test listening mode activation.

When a listening mode is activated during the external noise test, all custom listening mode menu parameter settings are ignored. The listening mode is applied to the current Main Zone input source in its factory-default condition. When the external noise test is finished, the listening mode returns to its custom condition.

EXTERNAL NOISE TEST LEVELS CALIBRATION MANUAL SPEAKERS SETUP

INPUT SOURCE LISTENING MODE

2-Channel

Dolby Digital

DTS(-ES)

PLII MOVIE, PLIIx MOVIE*

DIGITAL**

Note:

When the external noise test begins, the MC-8 automatically sets volume level to +0dB. Avoid adjusting the master volume level while the test is in progress, to achieve THX reference levels (75dB).

To manually calibrate output levels during the external noise test:

1. Set the SPL meter to “C” weighting and “SLOW” response.

2. Place the SPL meter at the primary listening position.

3. Press the  or  arrow button to highlight the output level parameter you want. Then press the  button to select this output level parameter.

The horizontal bar graph shown on page 3-54 is displayed.

4. Begin playback of the external calibration source and press the  or  arrow button to select the output level that achieves a 75dB SPL Meter reading.

5. After selecting the output level, press the  arrow button to close the horizontal bar graph.

6. Repeat steps 3, 4 and 5 until you have set all the output levels you want.

5.1-Channel Analog 5.1a BYPASS

* These listening modes depend on the speaker configuration. Dolby Pro Logic IIx MOVIE

will only load when side and rear speakers are present.

**These listening mode names differ depending on the current input source, speaker

setup and parameter settings. Refer to the Listening Mode Descriptions section beginning on page 5-4 for more information.

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MC-8 Setup

SETTING BASS PEAK LIMITERS

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

BASS PEAK LIMITERS

The BASS PEAK LIMITERS option displays the BASS PEAK LIMITERS menu, to set amplitude limits on low-frequency signals sent to the Main Zone audio output connectors, including the Subwoofer. The MC-8 is equipped with an internal limiter to prevent low-frequency signals from exceeding a designated output level. This is essential for Dolby Digital and DTS(-ES) sources that produce low-frequency signal peaks at much higher output levels than 2-channel sources. In home theaters, there is a danger of the subwoofers and their associated amplifiers overloading when attempting to reproduce low-frequency signals.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

MANUAL SPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0dB

L SL RL

0.0dB

SUB

0.0dB

LEVELS CALIBRATION

INTERNAL NOISE TEST EXTERNAL NOISE TEST BASS PEAK LIMITERS

0.0dB

BASS PEAK LIMITER

CAL NOISE SUB LIMITER LIMIT ADJ

!CAUTION!

HIGH AUDIO LEVELS

100dB

75 to 120dB

OFF

ON ON

CAL NOISE ON, OFF

Parameter Default Setting Possible Setting

CAL NOISE ON ON, OFF

SUB LIMITER ON ON, OFF

LIMIT ADJ 100dB 75 to 120dB

CAL NOISE

Determines whether bass peak limiters are set with an internal or external calibration source.

SPEAKERSSETUP MANUAL LEVELS CALIBRATION BASS PEAK LIMITERS

Note:

Configure BASS PEAK LIMITERS menu parameter settings whether output levels are automatically or manually calibrated.

To set the CAL NOISE parameter:

• Select ON to activate an internal calibration noise signal to set

bass peak limiters.

• Select OFF to deactivate the internal calibration noise signal.

Setting bass peak limiters with the calibration noise set to OFF requires an external calibration source such as an audio calibration disc.

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Setup Lexicon

SETTING BASS PEAK LIMITERS (contined)

SUB LIMITER ON, OFF

SPEAKERSSETUP MANUAL LEVELS CALIBRATION BASS PEAK LIMITERS

SUB LIMITER

Limits low-frequency signals sent to the subwoofer or redirected to other speakers.

To set the SUB LIMITER parameter:

•Select ON to restrict the output level of the low-frequency

signals to the LIMIT ADJ parameter setting.

•Select OFF to allow an unrestricted signal output level,

regardless of the LIMIT ADJ parameter setting.

LIMIT ADJ 75 to 120dB

SPEAKERSSETUP MANUAL LEVELS CALIBRATION BASS PEAK LIMITERS

LIMITER ADJ

Sets amplitude limits applied to the Subwoofer output connector, and to other Main Zone audio output connectors to which lowfrequency signals are redirected.

To set the LIMIT ADJ parameter:

1. Select the LIMIT ADJ parameter.

The parameter initially sets to 75dB.

2. Press the  and  arrow buttons to change the parameter value.

The selected amplitude is applied when the SUB LIMITER parameter is set to ON.

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MC-8 Setup

REAR-PANEL CONFIGURATION

REAR PANEL CONFIGSETUP

The REAR PANEL CONFIG option is used to configure the analog audio input connectors as eight (Left/Right) stereo connectors, five (Left/Right) stereo connectors and one 5.1-channel configuration (Front L/R, Center, Subwoofer, Side L/R), or as two stereo connectors and two 5.1-channel configurations.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

8 STEREO INPUTS

REAR PANEL CONFIGSETUP 8 STEREO INPUTS

Select the 8 STEREO INPUTS option to configure the analog audio input connectors as eight stereo connectors.

REAR PANEL CONFIG

8 STEREO INPUTS

5 ST. & 5.1 ANLG

2 ST. & (2) 5.1 ANLG

When 8 STEREO INPUTS is selected:

• All analog audio input connectors are configured as stereo

connectors.

• The 5.1-channel connector is not available.

• Input sources that were assigned to the 5.1 ANLG (3-5) and 5.1

ANLG (6-8) are reassigned to the stereo connectors labeled 3 and 6, respectively.

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Setup Lexicon

5 ST. & 5.1 ANLG

REAR PANEL CONFIGSETUP 5 ST. & 5.1 ANLG

Configures the analog audio input connectors as five stereo connectors and one 5.1-channel configuration.

When the analog audio input connectors are configured as five stereo and one 5.1-channel configuration:

• The connectors labeled 1, 2, 3, 4 and 5 are configured as stereo connectors.

• The connectors labeled 6, 7 and 8 are configured as a 5.1-channel connector. This connector is sent to the Main Zone audio output connectors, as indicated in the table at the bottom of the next column.

• Two-channel sources that were assigned to the stereo connectors labeled 6, 7 and 8 are reassigned to the 5.1-channel connector labeled 5.1 ANLG (6-8). The 5.1-channel connectors should only be used with 5.1-channel analog sources such as DVD-As and SACDs.

2 ST. & (2) 5.1 ANLG

REAR PANEL CONFIGSETUP 2 ST. & (2) 5.1 ANLG

Configures the analog audio input connectors as two stereo connectors and two 5.1-channel configurations.

When the analog audio input connectors are configured as two stereo and two 5.1-channel connectors:

• The connectors labeled 1 and 2 are configured as stereo connectors.

• The connectors labeled 3, 4 and 5 are configured as a 5.1channel connector, and the connectors labeled 6, 7 and 8 are configured as a 5.1-channel connector. These connectors are sent to the Main Zone audio output connectors as indicated in the table at the bottom of this column.

• 2-channel sources that were assigned to the stereo connectors labeled 3, 4 and 5 are reassigned to the 5.1-channel connector labeled 5.1 ANLG (3-5). Two-channel sources that were assigned to the stereo connectors labeled 6, 7 and 8 are reassigned to the

5.1-channel connector labeled 5.1 ANLG (6-8). The 5.1-channel connectors should only be used with 5.1-channel analog sources such as DVD-As and SACDs.

The 5.1-channel analog audio input connectors are sent to the Main Zone analog audio output connectors, as shown in the table below.

3-60

Input Connector Output Connector

(L) Front L

(R) Front R

(SUB) Subwoofer

(LS) Side L and Rear L

(RS) Side R and Rear R

Page 99

MC-8 Setup

DISPLAY SETUP

DISPLAYSSETUP

Selecting the SETUP menu DISPLAYS option opens the DISPLAY SETUP menu, which is used to customize the on-screen and front-panel displays, restore audio/video synchronization, and activate and create a custom unit name.

Parameter

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

Default Setting

Possible Setting

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

ON-SCREEN DISPLAY Refer to page 3-63

FRONT PANEL DISPLAY Refer to page 3-65

A/V SYNC DELAY OFF OFF, 1 to 60ms

CUSTOM NAME OFF ON, OFF

EDIT CUSTOM NAME N/A N/A

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY A/V SYNC DELAY CUSTOM NAME EDIT CUSTOM NAME

OFF OFF

OFF, 1 to 60ms

A/V SYNC DELAY OFF, 1 to 60ms

DISPLAYSSETUP

Restores audio/video synchronization when using products such as video processors that introduce a video signal delay. This parameter can be used to set an audio signal delay to compensate for the video signal delay.

A/V SYNC DELAY

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Setup Lexicon

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

CUSTOM NAME ON, OFF

DISPLAYSSETUP

Activates the display of a custom unit name, which appears when the MC-8 is activated. When set to ON, the custom name scrolls across the on-screen and front-panel displays when the MC-8 is activated. When set to OFF, the custom name does not appear when the MC-8 is activated. The custom name can be entered in the DISPLAY SETUP menu EDIT CUSTOM NAME menu.

CUSTOM NAME

EDIT CUSTOM NAME

DISPLAYSSETUP

Opens the EDIT CUSTOM NAME menu shown below, which can be used to create a custom unit name. When the CUSTOM parameter is set to ON, the custom unit name appears in the on-screen and frontpanel displays when the MC-8 is activated.

EDIT CUSTOM NAME

DISPLAY SETUP

ON-SCREEN DISPLAY FRONT PANEL DISPLAY A/V SYNC DELAY CUSTOM NAME EDIT CUSTOM NAME

OFF OFF

OFF

To customize the name of the MC-8:

1. Follow the EDIT CUSTOM NAME menu path to open the EDIT CUSTOM NAME drop-down menu shown below.

2. When the EDIT CUSTOM NAME drop-down menu opens, press the remote control  and  arrow buttons to change the character above the cursor (^).

3. When the desired character has been selected, press the  arrow button to advance to the next character space. The cursor will automatically wrap to the first character space when the last character space is passed.

4. Repeat steps 2 and 3 to enter the desired custom unit name.

5. When the desired custom unit name has been entered, press the  arrow button to close the EDIT CUSTOM NAME drop-down menu and return to the DISPLAY SETUP menu.

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MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY A/V SYNC DELAY CUSTOM NAME EDIT CUSTOM NAME

OFF OFF

EDIT CUSTOM NAME MC-8

∧

BUTTONS TO EDIT

UP TO 20 CHARACTERS

BUTTON TO ADVANCE

Lexicon MC-8 Owner's Manual

Specifications and Main Features

Frequently Asked Questions

User Manual