Harman-Kardon AVR 260 User Manual

AVR 260
AUDIO/VIDEO RECEIVER
OWNER’S MANUAL
2
TABLE OF CONTENTS
3
Safety Information
4
6
Front Panel Controls
8
Rear Panel Connections
1 1
Remote Control Functions
1 3
Installation and Connections
1 3
Audio Equipment Connections
1 3
HDMI Input Connections
1 4
HDMI Output Connections
1 4
Analog and Digital Input Connections
1 5
Video Equipment Connections
1 6
System and Power Connections
1 6
Main Room Remote Control Extension
1 6
Zone 2 IR Link
1 6
Multiroom Audio Connection
1 6
Speaker Selection
1 6
Speaker Placement
1 8
System Configuration
1 8
First Turn On
1 8
Using the On-Screen Display
1 8
System Setup
1 8
Source Selection
1 9
Audio and Video Input Selection
1 9
Set Up Sources
1 9
Audio Effects
1 9
Video Mode
1 9
Surround Mode
1 9
Audio Format From Source
1 9
Video Input From Source
1 9
Audio Input From Source
1 9
Resolution To Display
2 0
Resolution From Source
2 0
Adjust Lip Sync
2 0
Change Source Name
2 0
Zone 2 Audio
2 0
Speaker Setup, EzSet/EQ
2 2
Speaker Setup, Manual
2 6
Operation
2 6
Surround Mode Chart
2 8
Basic Operation
2 8
Mute Function
2 8
Audio Effects
2 8
Video Modes
2 8
Source Selection
2 8
Video Input Selection
2 9
Video Troubleshooting Tips
2 9
Multichannel Disc Players with/without HDMI
2 9
6/8-Channel Direct Input
2 9
Controls and Use of Headphones
3 0
Surround Mode Selection
3 0
Digital Audio Signals
3 2
Surround modes
3 3
Tape Recording
3 3
Multiroom Operation
3 3
Multiroom Setup
3 4
Surround Amplifier Channel Assignment
3 5
Video Adjustments
3 5
Video Modes
3 6
Audio Effects
3 6
Advanced Features
3 6
System Settings
3 6
Front Panel Dimmer
3 7
Volume Units
3 7
Volume Default and Level
3 7
Unit of Measure
3 7
On-Screen Language
3 7
HDMI Audio to TV
3 7
Resolution to Display
3 7
Menu Appearance
3 7
OSD Transparency
3 7
Volume Status Messages
3 7
Menus
3 7
Setup and Slide-In Menus
3 7
Screen Saver
3 7
Default Surround Mode
3 8
Tuner Operation
3 8
To Select the Built-In Tuner
3 8
RDS Functions
4 0
Programming the Remote
4 0
Programming with Codes
4 0
Direct Code Entry
4 0
Auto Search Method
4 1
Code Readout
4 1
Activity Programming (Macros)
4 1
Programmed Device Functions
4 2
Notes on Using the AVR Remote With Other Devices
4 2
Punch-Through Programming
4 2
Resetting the Remote Memory
4 3
Setup Code Tables
4 6
Remote Function List
4 8
Troubleshooting Guide
4 8
Processor Reset
4 9
Technical Specifications
5 0
Appendix - Settings Worksheet
Typographical Conventions
In order to help you use this manual with the remote control, front-panel controls and rear-panel connections, certain conventions have been used.
Example
button, or rear-panel connection jack
Example
panel information display
0
0
A
The appearance of the text or cursor for your receiver’s on-screen menus may vary slightly from the illustrations in this manual. Whether the text appears in all uppercase or upper- and lowercase characters, performance and operation remain the same.
– (bold type) indicates a specific remote control or front-panel
– (OCR type) indicates a message that is visible on the front-
– (number in a square) indicates a specific front-panel control
– (number in a circle) indicates a rear-panel connection
– (letter in a circle) indicates a button or indicator on the remote
3
ENGLISH
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions.
1.
Keep these instructions.
2.
Heed all warnings.
3.
Follow all instructions.
4.
Do not use this apparatus near water.
5.
Clean only with a dry cloth.
6.
Do not block any ventilation openings. Install in accordance with the
7.
manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat registers, stoves or
8.
other apparatus (including amplifiers) that produce heat.
9.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or pinched, particularly at
10.
plugs, convenience receptacles and the point where they exit from the apparatus.
11.
Only use attachments/accessories specified by the manufacturer.
Use only with the cart, stand, tripod, bracket or table specified by the
12.
manufacturer or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
Unplug this apparatus during lightning storms or when unused for long
13.
periods of time.
SAFETY INFORMATION
Refer all servicing to qualified service personnel. Servicing is required when
14.
the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
Do not expose this apparatus to dripping or splashing and ensure that no
15.
objects filled with liquids, such as vases, are placed on the apparatus.
To completely disconnect this apparatus from the AC Mains, disconnect the
16.
power supply cord plug from the AC receptacle.
17.
The mains plug of the power supply cord shall remain readily operable.
Do not expose batteries to excessive heat such as sunshine, fire or the like.
18.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
WARNING
apparatus to rain or moisture.
: To reduce the risk of fire or electric shock, do not expose this
DECLARATION OF CONFORMITY
We, Harman Consumer Group, Inc.
2, Route de Tours 72500 Château-du-Loir, FRANCE
declare in own responsibility, that the product described in this owner’s manual is in compliance with technical standards:
EN55013(2001) & + A2(2006)
EN55020(2002) & + A2(2005)
EN60065:2002
EN61000-3-2(2000)+A2(2005)
EN61000-3-3 (1995)+A1(2001)+A2(2005)
EN61000-4-2(1995) & + A1(1998) & + A2(2001)
EN61000-4-3(2002) & + A1(2002)
EN61000-4-4(2004)
Jurjen Amsterdam
Harman Consumer Group, Inc.
07/09
4
INTRODUCTION
Thank you for choosing Harman Kardon!
With the purchase of a Harman Kardon AVR 260 you are about to begin many years of listening enjoyment. Designed to provide all the excitement and detail of movie soundtracks and every nuance of musical selections, the AVR 260 is truly a multichannel receiver for the new millennium. In addition to the traditional 5.1 digital decoding modes such as Dolby Digital and DTS, they offer the latest advancements in surround technology such as Dolby® True HD and DTS®-HD Master Audio™ and the latest 7.1 channel versions of Harman's own Logic 7 technology.
The AVR 260 has been engineered so that it is easy to take advantage of all the power of its digital technology. Full-color, high-definition, multi­language on-screen menus, fully color coded connection jacks and terminals make installation fast and simple. However, to obtain the maximum enjoyment from your new receiver, we urge you to read this manual. A few minutes spent learning the functions of the various controls will enable you to take advantage of all the power the AVR is able to deliver.
If you have any questions about this product, its installation or its operation, please contact your retailer or custom installer. They are your best local sources of information.
Description and Features
The AVR serves as the hub of your home entertainment system, providing a wide range of listening possibilities for almost any audio or video program source, whether it is the broadcast of a movie or sporting event in HDTV or a vintage mono or stereo recording. When playing digital audio sources through the HDMI 1.3a compliant connections, the AVR decodes Dolby True HD, Dolby Digital Plus, DTS-HD Master Audio and DTS-HD data streams. Two­channel stereo and matrix surround sources benefit from all current Dolby Pro Logic IIx modes and DTS Neo:6. The latest version of our proprietary Logic 7® process is on-board to create a wider, more enveloping sound field and more defined surround channel positioning, regardless of the type of source material.
Dolby Virtual Speaker is available to create enveloping sound fields from front left and right speakers, and the latest Dolby Headphone circuitry creates an amazing sense of openness with headphones.
The AVR takes the “video” part of its name seriously. Along with three HDMI inputs and two 100MHz analog component video inputs, the AVR’s video processing allows you to scale the output signal to 1080p loop-through to match the requirements of your specific video display. Thanks to award winning Faroudja® DCDi Cinema™ technology, your video sources never looked better. Tying audio and video together, the AVR provides A/V sync delay so that the lip sync errors – commonly seen when digital video processing is used in a source, program or video display – are eliminated.
An important addition to the AVR’s impressive list of features is EzSet/ EQ™, which automates the configuration process to make it quicker, easier and more precise. Using the special microphone supplied with the unit, EzSet/EQ takes the guesswork out of entering speaker “size” and crossover information, delay times for all channels and output levels. In addition to the configuration settings, EzSet/EQ also includes room equalization so that the signals sent to each speaker are tailored to provide accurate sonic quality with your specific combination of speaker type, room size and other factors that influence room acoustics. With EzSet/EQ, your system is custom­configured in a few minutes with accuracy that previously required expensive and hard-to-use test equipment.
Please register your AVR 260 at www.harmankardon.com.
NOTE
: You’ll need the product’s serial number. At the same time, you can
choose to be notified about new products and/or special promotions.
5
ENGLISH
INTRODUCTION
In tandem with EzSet/EQ, the AVR includes a full set of manual configuration settings for those who wish to custom-trim their system even further. A Quadruple Crossover bass management system makes it possible to enter different crossover settings for each speaker group.
A Stereo-Direct mode bypasses the digital processor to preserve all of the subtleties of older analog, two-channel materials, while bass management, available in the surround and Stereo-Digital modes, improves your ability to tailor the sound to suit your room acoustics or taste.
For the ultimate in flexibility, the AVR’s feature connections for four video devices, all with both composite and S-Video inputs. Two additional audio inputs are available, and a total of six digital inputs and two outputs make the AVR capable of handling all the latest digital audio sources. For compatibility with the latest HDTV video sources and progressive scan DVD players, the AVR also features wide-bandwidth, low-crosstalk component video switching.
Coax and optical digital outputs are available for direct connection to digital recorders. A video recording output and a color-coded eight-channel input make the AVR virtually future-proof, with everything needed to accommodate tomorrow’s new formats right on board.
The AVR’s powerful amplifier uses traditional Harman Kardon high-current design technologies to meet the wide dynamic range of any program selection.
Harman Kardon invented the high- fidelity receiver more then fifty years ago. With state-of-the-art circuitry and time-honored circuit designs, the AVR 260 is the perfect combination of the latest in digital audio technology, a quiet yet powerful analog amplifier in an elegant, easy-to-use package.
Dolby True HD, Dolby Digital Plus, Dolby Digital EX and Dolby Pro Logic* II and IIx Decoding, and the full suite of DTS® modes, including DTS-HD Master Audio, DTS-HD and DTS-ES® 6.1 Discrete & Matrix and Neo:6®
Seven channels of high-current amplification with two channels assignable to either surround back or multiroom applications
Harman Kardon’s exclusive Logic 7® processing, along with a choice of Dolby Virtual Speaker processing for use when only two speakers are available
Dolby Headphone to create spacious, open sound fields when using headphones
Harman Kardon’s advanced EzSet/EQ™ automatically configures speaker settings and sets room equalization for quick, easy and accurate system setup
HDMI with audio/video processing, upscaling to 720p/1080p and repeater for increased cable length without signal degradation
Three HDMI™ 1.3a and two assignable high-bandwidth analog component inputs for compatibility with the latest high-definition video sources
Front panel analog A/V inputs
Front panel digital inputs for easy connection to portable digital devices and the latest video game consoles
Input titling for all input sources (except tuner)
Multiple digital inputs and outputs
Full-color, high-definition, multi-language On-screen menu and display system
Adjustable A/V Sync delay delivers perfect lip sync with digital programs or video displays
6-Channel/8-Channel Direct Input for Use with Future Audio Formats
Extensive bass management options, including four separate crossover groupings
Main Remote with Internal Codes
6
CompositeAnalog
AVR
Info
Resolution Audio Effects
Video Modes
Surround Modes
Back/Exit
Source List
MN
LK
OK
260
B
CD
216789A
E
4
5J
I
G
H3
F
FRONT-PANEL CONTROLS
0
Volume Control
: Turn this knob clockwise to increase the volume, counterclockwise to decrease the volume. If the AVR is muted, adjusting volume control will automatically release the unit from the silenced condition.
1
System Power Control
: When the Main Power Switch on the rear panel is “ON,” press this button to turn on the AVR; press it again to turn the unit off (to Standby). Note that the Power Indicator
2
will turn
white when the unit is on.
2
Power Indicator
: This LED will be illuminated in amber when the unit is in the Standby mode to signal that the unit is ready to be turned on. When the unit is in operation, the indicator will turn white.
3
Headphone Jack
: This jack may be used to listen to the AVR’s output through a pair of headphones. Be certain that the headphones have a standard 6,3 mm stereo phone plug. Note that the speakers will automatically be turned off when the headphones are connected. When configuring your system using EzSet/EQ, the calibration microphone should be plugged into this jack using the supplied adaptor that converts the small mini-plug at the end of the microphone’s cord to a 6,3 mm plug.
4
Navigation
: These buttons are used to navigate the AVR’s menus and
to operate the tuner.
5
OK Button
6
AVR Settings Button
menu.
: Press this button to select the currently highlighted item.
: Press this button to access the AVR’s main
7
Info Settings Button
Setup Source submenu, which contains the settings for the current source.
8
Resolution
Buttons 576i, 576p, 720p, 1080i or 1080p. The AVR is set to default to 576i when first switched on, or if you reset it later. This resolution has been chosen to ensure that the On Screen Display information is visible on your TV even with analog S-Video or Composite (CVBS) signals. Having selected the best resolution for your system, confirm with the The Front Panel Display now shows "Res Change, Cancel". If you press OK now, or do nothing for 20 seconds, the AVR returns to normal play mode. To confirm the new resolution, press the the Display from "Cancel" to "Accept", then press the new resolution is now in use.
9
Audio Effects
submenu, which allows adjustment of the tone and other controls. See the Initial Setup section for more information.
A
Video Modes
submenu, which contains settings that may be used to improve the picture if necessary after you have adjusted the picture settings using the video display or TV.
B
Remote Sensor Window
infrared signals from the remote control. Aim the remote at this area and do not block or cover it unless an external remote sensor is installed.
C
Main Information Display
status indications to help you operate the receiver.
: Press this button to directly access the AVR’s
: Pressing this Button once and then using the
4
changes the AVR’s video output resolution to these settings:
L
Button 4, which changes
KL
OK
Button 5.
OK
Button 5. The
: Press this button to directly access the Audio Effects
: Press this button for direct access to the Video Modes
: The sensor behind this window receives
: This display delivers messages and
7
ENGLISH
D
Speaker/Channel Input Indicators
multipurpose, indicating either the speaker type selected for each channel or the incoming data-signal configuration. The left, center, right, right surround and left surround speaker indicators are composed of three boxes, while the subwoofer is a single box. The center box lights when a “Small” speaker is selected, and the two outer boxes light when “Large” speakers are selected. When none of the boxes are lit for the center, surround or subwoofer channels, no speaker has been selected for that position. (See page 20 for more information on configuring speakers.) The letters inside each of the center boxes display active input channels. For standard analog inputs, only the L and R will light, indicating a stereo input. When a digital source is playing, the indicators will light to display the channels being received at the digital input. When the letters flash, the digital input has been interrupted. (See page 31 for more information on the Channel Indicators).
NOTE
: When you have reassigned the surround back speakers to the remote zone using the the presence of the surround back speakers will automatically disappear, reflecting the fact that the main listening area is now configured for
5.1-channel operation. (See page 33 for more information on reassigning the surround back speakers for multiroom use.)
MULTI ROOM SETUP
: These indicators are
menu, the boxes that indicate
FRONT-PANEL CONTROLS
E
Surround Modes
(e.g.,multichannel) mode. The Surround Modes menu will appear on screen, and the menu line will appear on the lower line of the front­panel display. Use the front-panel or remote menu line: Auto Select, Virtual Surround, Stereo, Movie, Music or Video Game. Each line represents a type of audio signal, and is set to the surround mode the AVR will automatically select when it detects the audio signal. You may manually select a different mode for each type of audio. Press the
OK
Button when the menu line is highlighted, and the available surround mode options for the current signal will appear. Use the Buttons to select the desired mode, and press the it. Press the Back/Exit Button to exit the Surround Modes menu and display the next higher menu in the hierarchy. See the Advanced Functions section for more information on surround modes.
F
Back/Exit
main AVR menu is displayed, press this button to exit the menu system.
G
Digital Optical Front Input
output of an audio or video product to this jack.
H
Digital Coax Front Input
to the output of portable digital audio devices, video game consoles or other products that have a coax digital jack.
I
Video Front Input Jacks
temporary connection to video games or portable audio/video products such as camcorders and portable audio players.
J
Source List
component where a playback signal originates, e.g., DVD.
: Press this button to return to the previous menu. When the
: Press this button to select a surround sound
KL
Buttons to highlight a different
OK
Button to engage
: Connect the optical digital audio
: This jack is normally used for connection
: These audio/video jacks may be used for
: Press this button to select a source device, which is a
KL
8

 

REAR-PANEL CONNECTIONS
NOTE:
To assist in making the correct connections for multichannel input/output and speaker connections, all connection jacks and terminals have been color coded in conformance with the latest CEA standards as follows:
0
AM Antenna:
receiver to these terminals. If an external AM antenna is used, make connections to the AM and GND terminals in accordance with the instructions supplied with the antenna.
1
FM Antenna:
antenna to this terminal.
2
Analog 2 IN:
audio or video source.
3
Analog 2 OUT:
audio or video source.
4
Subwoofer Output:
powered subwoofer. If an external subwoofer amplifier is used, connect this jack to the subwoofer amplifier input.
5
Analog 5 IN:
audio or video source.
6
Analog 1 IN:
audio or video source.
Connect the AM loop antenna supplied with the
Connect the supplied indoor or an optional external FM
Connect these jacks to the PLAY/OUT audio jacks on any
Connect these jacks to the REC/IN audio jacks on any
Connect this jack to the line-level input of a
Connect these jacks to the PLAY/OUT audio jacks on any
Connect these jacks to the PLAY/OUT audio jacks on any
Front Left:......................White
Front Right: ...................Red
Center: ..........................Green
Surround Left: ...............Blue
Surround Right: ............Gray
Surround Back Left: ......Brown
Surround Back Right: ....Ta n
Subwoofer (LFE): ..........Purple
Digital Audio: ...............Orange
Composite Video: .......... Yellow
7
Analog 4 OUT:
audio or video source.
8
Stereo Jack IN:
connect any device with a stereo mini-jack such as an MP3-player or portable CD player from its headphone output jack or line out jack.
9
8-Channel Direct Inputs:
source devices such as DVD-Audio, Blu-ray, HD-DVD or SACD players with discrete analog outputs. Depending on the source device in use, all eight jacks may be used, though in many cases only connections to the front left/right, center, surround left/right and LFE (subwoofer input) jacks will be used for standard 5.1 audio signals.
A
Digital Audio Output:
input connector on a digital recorder such as a CD-R or MiniDisc recorder.
B
Video Monitor Outputs:
and/or S-Video input of a TV monitor or video projector to view the on-screen menus and the output of any standard Video or S-Video source selected by the receiver’s video switcher.
Connect these jacks to the REC/IN audio jacks on any
This input is an extra Audio Input, where you can
Component Video “Y”: ..Green
Component Video “Pr”: .Red
Component Video “Pb”: . Blue
These jacks are used for connection to
Connect this jack to the matching digital
Connect these jacks to the composite
9
ENGLISH
REAR-PANEL CONNECTIONS
C
RS-232 Reset:
standard processor reset is performed by pressing and holding the front­panel OK Button while the receiver is in Standby.
D
Front Speaker Outputs:
+ or – terminals on your left and right speakers. In conformance with the new CEA color code specification, the White terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on Front Left speaker with the older color coding, while the Red terminal is the positive, or "+" terminal that should be connec ted to the red (+) terminal on Front Right speaker. Connect the black (–) terminals on the AVR to the black (–) terminals on the speakers. See page 15 for more information on speaker polarity.
E
Center Speaker Outputs:
+ and – terminals on your center channel speaker. In conformance with the new CEA color code specification, the Green Terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on speakers with the older color coding. Connect the black (–) terminal on the AVR to the black negative (–) terminal on your speaker. (See page 15 for more information on speaker polarity.)
F
Surround Speaker Outputs:
matching + and – terminals on your surround channel speakers. In conformance with the new CEA color code specification, the Blue terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on the Surround Left speaker with older color coding, while the Gray terminal should be connected to the red (+) terminal on the Surround Right speaker with the older color coding. Connect the black (–) terminal on the AVR to the matching black negative (–) terminals for each surround speaker. (See page 15 for more information on speaker polarity.)
G
Switched AC Accessory Outlet:
any device that you wish to have turn on when the AVR is turned on with the System Power Control switch
H
RS-232 Serial Port:
your personal computer in case Harman Kardon offers a software upgrade for the receiver at some time in the future. Leave the Mode
M
switch upgraded. The Reset switch
I
AC Power Cord:
output.
J
Video 2 Component Video Inputs:
used with any source device equipped with analog Y/Pr/Pb or RGB component video outputs. Do not use these inputs if HDMI connection is possible, use the HDMI inputs instead.
This switch is only used during a software upgrade. A
Connect these outputs to the matching
Connect these outputs to the matching
Connect these outputs to the
This outlet may be used to power
1
.
This specialized connector may be used with
popped out in the Operate position, unless the AVR is being
C
is used only during the upgrade process.
Connect the AC plug to an unswitched AC wall
These inputs may be
K
Monitor Component Video Outputs:
to the component video inputs of a video projector or monitor. When a source connected to one of the two Component Video Inputs selected the signal will be sent to these jacks.
L
Video 1 Component Video Inputs:
used with any source device equipped with analog Y/Pr/Pb or RGB component video outputs Do not use these inputs if HDMI connection is possible, use the HDMI inputs instead.
Note:
All component inputs/outputs can be used for RGB signals too, in the same way as described for the Y/Pr/Pb signals, then connected to the jacks with the corresponding color. RGB connection is not possible if the source outputs a separate sync signal.
M
Update Mode Button:
Operate position, unless the AVR is being upgraded. The Reset switch is used only during the upgrade process.
N
Coaxial Digital Inputs:
player, HDTV receiver, the output of a compatible computer sound card playing MP3 files or streams, LD player, MD player or CD player to these jacks. The signal may be either a Dolby Digital signal, DTS signal, a 2 channel MPEG 1 signal, or a standard PCM digital source. Do not connect the RF digital output of an LD player to these jacks.
O
Surround Back/Multiroom Speaker Outputs:
terminals are normally used to power the surround back left/surround back right speakers in a 7.1 channel system. However, they may also be used to power the speakers in a second zone, which will receive the output selected for a multiroom system. To change the output fed to these terminals from the default of the Surround Back speakers to the Multiroom Output, you must change a setting in the for more information on configuring this speaker output. In normal surround system use, the brown and black terminals are the surround back left channel positive (+) and negative (–) connections and the tan and black terminals are the surround back right positive (+) and negative (–) terminals. For multiroom use, connect the brown and black SBL terminals to the red and black connections on the left remote zone speaker and connect the tan and black SBR terminals to the red and black terminals on the right remote zone speaker.
Multiroom Menu
Leave the Mode switch popped out in the
Connect the coax digital output from a DVD
of the OSD system. See page 33
Connect these outputs
JL
These inputs may be
These speaker
is
C
10
REAR-PANEL CONNECTIONS
P
Video 1 Video Outputs:
composite or S-Video jack on a VCR.
Q
Video 1 Video Inputs:
composite or S-Video jacks on a TV or other video source.
R
Optical Digital Inputs:
DVD player, HDTV receiver, the output of a compatible computer sound card playing MP3 files or streams, LD player, MD player or CD player to these jacks. The signal may be either a Dolby Digital signal, a DTS signal, a 2 channel MPEG 1 signal, or a standard PCM digital source.
S
Analog 4 Audio Inputs:
audio jacks on a TV or other audio or video source.
T
Video 2 Video Inputs:
composite or S-Video jacks on a second VCR or other video source.
U
Remote Input and Output:
blocked due to cabinet doors or other obstructions, an external IR sensor may be used. Connect the output of the sensor to the Remote IN jack. The Output connection permits the IR sensor in the receiver to serve other remote controlled devices. Connect this jack to the “IR IN” jack on Harman Kardon or other compatible equipment.
V
Zone 2 IR Input:
room to this jack to operate the AVR’s multiroom control system.
W
Preamp Outputs:
power amplifier for applications where higher power is desired.
X
HDMI Output:
HDMI-equipped video display.
Connect the output of an IR sensor in a remote
Connect this jack to the HDMI input on a compatible
Connect these jacks to the RECORD/INPUT
Connect these jacks to the PLAY/OUT
Connect the optical digital output from a
Connect these jacks to the PLAY/OUT
Connect these jacks to the PLAY/OUT
If the AVR’s front-panel IR sensor is
Connect these jacks to an optional, external
Y
Video 3 Video Inputs:
composite or S-Video jacks on any video source.
Z
Analog 3 Audio Inputs:
audio jacks on any audio or video source.
a
HDMI Inputs:
DVD player, set-top box or HDTV tuner to either of these jacks.
b
Main Power Switch:
AVR. When the switch is ON, the unit is placed in a Standby mode, as indicated by the amber LED the unit. To turn the unit off completely and prevent the use of the remote control, this switch should be pressed OFF. normally left in the “ON” position.
With the AVR’s powerful processor, you may connect up to three HDMI-equipped source devices to the HDMI inputs using a single-cable connection, while benefiting from superior digital audio and video performance. However, if your video display is not HDMI-compatible, you will need to connect the source device to one of the other source inputs, selecting a coaxial or optical digital audio input and analog video input. See the Connections and Installation sections for more information.
If your video display has an HDMI input, but some of your sources have only analog video outputs, you may still rely on just the HDMI video connection to your display; the AVR will automatically transcode analog video signals to the HDMI format.
NOTE ON VIDEO CONNECTIONS:
product such as a VCR, DVD player, satellite receiver, cable set-top box, personal video recorder or video game to the AVR 260, you may use either a composite or S-video connection, but not both.
Connect the HDMI output of video sources such as a
Connect these jacks to the PLAY/OUT
Connect these jacks to the PLAY/OUT
Press this button ON to apply power to the
2
. This button MUST be ON to operate
NOTE:
This switch is
When connecting a video source
11
ENGLISH
AVR Power On
A
AVR Power Off
B
Source Selectors
C
Audio Effects Button
D
Transport Controls
E
Menu Navigation
F
Sleep Button
G
Main Tuning Buttons
H
Last Button
I
Numeric Keys
J
Video Mode Button
K
Menu Button
L
Activity Button
M
Back/Exit Button
N
Master Volume
O
Disc Menu Button
P
Mute Button
Q
Surround Mode Button
R
Device Power OFF Button
S
Device Power ON Button
T
Transmitter Window
U
OK Button
V
Settings Buttons
W
Zone Select Button
X
Red/Green/Yellow/Blue Color Buttons
Y
LKM N
REMOTE CONTROL FUNCTIONS
Note
: The function names shown here are each button’s feature when used with the AVR. Most buttons have additional functions when used with other devices. See page 46 for a list of these functions.
12
REMOTE CONTROL FUNCTIONS
The remote is capable of operating the AVR 260 and most Harman Kardon CD changers or players, CD Recorders and Blu-ray players, using the control codes that are part of the remote.
AVR Power On:A When the AVR 260 is in the Standby mode, as
indicated by the Power Indicator turn the unit on.
AVR Power Off:B When the AVR 260 is turned on, press this button to
place it in the Standby mode. Note that in this condition, the unit is still connected to AC Power.
Source Selectors:C Press these buttons to select an input source for
the AVR 260.
Audio Effects Button:D Press this button to go directly to the Audio
Effects Menu.
Transport Controls:E These buttons are used to control Play, Play
Forward, Play Reverse, Stop, Pause and Record functions on compatible Harman Kardon compact disc players/changers and cassette tape decks.
Menu Navigation Buttons:F Use these buttons to move Up, Down,
Left or Right when using the Menu system of the AVR 260.
Sleep Button:G Press this button to place the unit in the Sleep mode.
Each press of the button selects the amount of time that will remain before the unit will automatically go into the Standby mode, as shown in the Main Infor mation Display
Holding the button pressed for some seconds will directly turn off the Sleep time selection.
Channel/Page Button:H When the tuner has been selected,
this control selects a preset radio station. Press these buttons while operating a cable, satellite or HDTV set-top box or a television to change channels. The Page control may be available with some DVD players when playing a DVD Audio disc containing pages of images associated with a track.
Last Button:I When the tuner is in use, pressing this button returns
to the last station tuned. When controlling a cable, satellite or HDTV set-top box or a TV, press this button to return to the previous television channel.
Numeric Keys:J These buttons serve as a ten-button numeric keypad
to enter tuner preset positions or track numbers with CD players/ changers or to tune stations directly.
2
glowing amber, press this button to
C
, in the following order:
Video Modes Button:K Press this button to go directly to the Video
Modes Menu.
Menu Button:L When using a H/K DVD player with the receiver, you
can activate the DVD Menu with this button.
Activity Button:M This button may be programmed to transmit a
series of commands with a single press, which is useful for powering on all devices and selecting the correct settings on each device, or for selecting multi-digit channels with a single press. See the section on Pro gram ming the Remote for more information on Activities. Press this button to enter the Activity programming function, or before pressing one of the Buttons that you have programmed with an Activity sequence, to begin transmitting the entire sequence.
Back/Exit Button:N Press this button to go back to the previous Menu
or to exit a Menu.
Master Volume:O Press these buttons to raise or lower the AVR 260’s
volume.
Disc Menu:P Press this button to open the menu of a DVD disc that you
are watching.
Mute Button:Q Press this button to momen tarily silence the AVR 260.
Surround Modes Button:R Press this button to enter the Surround
Modes selection Menu.
Device Power Off:S Turns Off the power of other devices that you
have selected to control with the Source Selector Buttons
Device Power On:T Turns On the power of other devices that you
have selected to control with the Source Selector Buttons
Transmitter Window:U Point this area of the remote toward the
receiver when using the remote.
OK Button:V This button confirms settings and orders in the menus.
Settings Buttons:W Open the AVR, INFO or SOURCE settings with one
press of one of these buttons.
Zone Select:X This button slides sideways to switch the remote control
between controlling Zone 1 or Zone 2 of the AVR.
Color Buttons:Y These four buttons are used as color buttons when
controlling a TV set. They have various functions when controlling other devices. Please refer to the remote control Code Tables page 46.
C
C
.
.
13
ENGLISH
INSTALLATION AND CONNECTIONS
After unpacking the unit, and placing it on a solid surface capable of supporting its weight, you will need to make the connections to your audio and video equipment.
AUDIO EQUIPMENT CONNECTIONS
There are two formats for audio connections: digital and analog. Digital audio signals are of higher quality, and are required for listening to sources encoded with digital surround modes, such as Dolby Digital and DTS. There are three types of digital audio connections: HDMI, coaxial and optical. HD-DVD(R) or Blu-Ray(R) players with Dolby Digital Plus, Dolby True HD, DTS-HD Master Audio and DTS-HD require an HDMI connection for the transfer of digital audio. Any one type of digital audio connection may be used for other source devices, but never more than one for the same source. However, it’s okay to make both analog and digital audio connections at the same time to the same source.
Since the AVR is capable of processing the audio and video portions of an HDMI signal, if your video display device has an HDMI input, you may make a single HDMI connection from your source device (such as a DVD player) to the AVR. In that case no separate digital audio connection is required.
We recommend that you use high-quality interconnect cables when making connections to source equipment and recorders to preserve the integrity of the signals.
When making connections to audio source equipment or speakers it is always a good practice to unplug the unit from the AC wall outlet. This prevents any possibility of accidentally sending audio or transient signals to the speakers that may damage them.
HDMI Connections
HDMI™ is the abbreviation for High-Definition Multimedia Interface, which is quickly becoming the standard connection point between advanced video/ audio source products and displays, particularly for high-definition video signals. HDMI is a digital connection, eliminating the need to convert signals back and forth from digital to analog to deliver a higher quality signal when used with digital sources. The signals carried on HDMI may, but do not always, include audio, offering the possibility of a complete one-wire connection from a source to the AVR. However, it is impor tant to note that there are a number of different versions of the HDMI standard in use. Before connecting any HDMI products to your AVR, it is helpful to find out in advance their level of HDMI connectivity.
Some source or display components in your system may use DVI (Digital Video Interface) for digital video connections. DVI carries the same digital video signals as HDMI but uses a larger connector and does not transport audio or control signals. In most cases, you may mix and match DVI and HDMI digital video connections by using optional connector adapters. Note, however, that some DVI-equipped video displays are not compatible with the HDCP copy protection coding that is increasingly carried with signals connected via HDMI. If you have an HDMI source and a DVI-equipped display, you may occasionally be unable to view a program if the display does not include HDCP. This is not the fault of the AVR or your source; it simply indicates that the video display is not compatible.
HDMI Input Connections
The different “Version” levels of HDMI define which type of audio signals it is compatible with. Based on the lowest level of HDMI among your sources, the connections to the AVR should be made as follows:
HDMI 1.0
sources carry digital video and multichannel or 2-channel PCM audio signals only. Connect the HDMI output of a 1.0 source to either of the HDMI Inputs other source that has multichannel analog audio outputs, connect them to the 8-Channel Direct Inputs a DVD player, make certain that the menus in the source device are set to “Bitstream Out” or “Original” so that 5.1 digital audio is available. If you find that 5.1 Dolby Digital or DTS audio is not available on the HDMI connection, it will be necessary to make an additional connection between the source and the AVR 260 to either the Coaxial
R
Digital Inputs.
H
HDMI 1.1
sources carry the multichannel digital audio output from DVD-Audio players in addition to the digital video. If you have an HDMI
1.1-equipped product, the only connection needed for listening in the main room is from the HDMI output of the source to either of the HDMI Inputs capability, you will need to connect the analog outputs of the source to the 8-Channel Direct Inputs
HDMI 1.2
(and higher) sources should be connected as shown above for HDMI 1.1, except that a separate analog connection is not needed for SACD players.
HDMI 1.3
sources should be connected as shown above for HDMI 1.1, except that a separate analog connection is not needed for SACD, HD-DVD or Blu-ray players.
In addition, the AVR will convert analog video signals to the HDMI format, upscaling to high-definition 720p or 1080p resolution. You may view the AVR’s own on-screen display menus using the HDMI output.
HDMI cable runs are usually limited to about 3 meters. The AVR incorporates a repeater, which allows an additional 3 meters of cable between the source device and the video display.
If your video display or source device is not HDMI-capable, you will need to use either a coaxial or optical digital audio connection and one of the analog video connections (composite, S- or component video), if available, as described in the next paragraphs.
It is not possible to feed an analog composite or S-video signal to a recorder when an HDMI input is in use. If an HDMI-equipped source also has analog audio and video outputs, connect them to the Video 2 or Video
TY
3 Video
In some instances, HDMI-equipped sources will not permit more than one video output at a time, and thus you cannot use the same source in the main listening room and with the recorder or remote zone at the same time. This is not a fault of the AVR, but rather a function of the content protection systems that are part of the HDMI standard.
a
on the AVR. If the product is a DVD-Audio player or
9
. With an HDMI 1.0 source, particularly
N
J
a
on the AVR. If the player has SACD, HD-DVD or Blu-ray
9
.
and Audio MS on the AVR.
or Optical
14
INSTALLATION AND CONNECTIONS
HDMI Output Connections
Connect the HDMI Output X to an HDMI input on your video display. Thanks to the AVR 260’s video processing system, all video input signals are converted to an HDMI output, so only one connection is required between the AVR and your display.
Referring to drawing of the remote control on page 11,there is a section of 7 buttons marked Selectors”: Cable/Sat, DVD, Media Server, Radio, TV, Game and AUX. Each of these buttons corresponds to a “source input”. The AVR’s flexible design allows you to use almost any combination of audio and video connections for each source device. The goal of the installation is to match up each of your source devices, e.g., DVD player and cable television box, with the correct connectors on the AVR.
You may connect a source device to any appropriate input connectors.Note which audio and video inputs are used for each device in Table A5 in the appendix. Table A1 indicates the default input-connection assignments, any of which may be changed to match the actual connections in your system.
The precise connections to be made depend on the capabilities of the source device and your video display (TV). Select the best audio and video connections for each source.
C
, near the top of the remote designated “Source
Analog and Digital Input Connections
Connect the analog output of a CD player to any of the analog audio 1. inputs.
NOTE:
When the CD player has both fixed and variable audio outputs it is best to use the fixed output unless you find that the input to the receiver is so low that the sound is noisy, or so high that the signal is distorted.
Connect the analog Play/Out jacks of a cassette deck, MD, CD-R or other 2. audio recorder to the analog audio input jacks Record/In jacks on the recorder to the audio output jacks
Connect the digital output of any digital sources such as a CD or DVD 3. changer or player, advanced video game, a digital satellite receiver, HDTV tuner or digital cable set-top box or the output of a compatible computer sound card to the Optical and Coaxial Digital Inputs We recommend connecting the coaxial digital audio output of your DVD player to the Coax 1 Digital Audio Input assigned to the DVD source by default.
If your DVD player has HDMI connection, use HDMI connection instead. Although there is no official source on the AVR named CD, Phono or Audio, you may assign the audio device to an available source, such as TV (if the Cable/Sat source is in use for broadcast television), Game or AUX.
2
. Connect the analog
3
on the AVR.
RN
GH
N
, since that digital input is
.
You can then add the name of the unit to the name of the assigned input, to make it read for example: "AUX - CD". (Please note that the AVR does not have a Phono input with RIAA for direct hook-up to a record player. You must use a separate RIAA preamplifier between a record player and the AVR)
NOTE:
If you wish for your digital source device to be available for use by the multiroom system, you will need to connect its analog audio outputs to the appropriate inputs on the AVR 260, as the multiroom system is not capable of distributing digital signals to the remote zone.
Connect the Coaxial or Optical Digital Outputs 4. the AVR to the matching digital input connections on a CD-R or MiniDisc recorder.
Assemble the AM Loop Antenna supplied with the unit as shown below. 5. Connect it to the AM and GND screw terminals
Connect the supplied FM antenna to the FM (75 ohm) connection 6. The FM antenna may be an external roof antenna, an inside powered or wire lead antenna or a connection from a cable system. Note that if the antenna or connection uses 300-ohm twin-lead cable, you should use a 300-ohm-to-75-ohm adapter to make the connection.
Connect the front, center and surround speaker outputs 7. the respective speakers.
To assure that all the audio signals are carried to your speakers without loss of clarity or resolution, we suggest that you use high-quality speaker cable. Many brands of cable are available and the choice of cable may be influen ced by the distance between your speakers and the receiver, the type of speakers you use, personal preferences and other factors. Your dealer or installer is a valuable resource to consult in selecting the proper cable.
Regardless of the brand of cable selected, we recommend that you use a cable constructed of fine, multistrand copper with a cross-section greater than 2 mm².
Cable with a cross-section of 1.5 mm² may be used for short runs of less than 4 m. We do not recommend that you use cables with a cross-section less than 1 mm² due to the power loss and degradation in per for mance that will occur.
Cables that are run inside walls should have the appropriate markings to indicate listing with any appropriate testing agency standards. Questions about running cables inside walls should be referred to your installer or a licensed electrician who is familiar with the applicable local building codes in your area.
A
on the rear panel of
0
.
DEFO
1
.
to
15
ENGLISH
INSTALLATION AND CONNECTIONS
When connecting wires to the speakers, be certain to observe proper polarity. Note that the positive (+) terminal of each speaker connection now carries a specific color code as noted on page 8. However, most speakers will still use a red terminal for the postive (+) connection. Connect the “negative” or “black” wire to the same terminal on both the receiver and the speaker.
NOTE
: While most speaker manufacturers adhere to an industry convention of using black terminals for negative and red ones for positive, some manufacturers may vary from this configuration. To assure proper phase and optimal performance, consult the identification plate on your speaker or the speaker’s manual to verify polarity. If you do not know the polarity of your speaker, ask your dealer for advice before proceeding, or consult the speaker’s manufacturer.
We also recommend that the length of cable used to connect speaker pairs be identical. For example, use the same length piece of cable to connect the front-left and front-right or surround-left and surround-right speakers, even if the speakers are a different distance from the AVR.
Connections to a subwoofer are normally made via a line level audio 8. connection from the Subwoofer Output subwoofer with a built-in amplifier. When a passive subwoofer is used, the connection first goes to a power amplifier, which will be connected to one or more subwoofer speakers. If you are using a powered subwoofer that does not have line-level input connections, follow the instructions furnished with the speaker for connection information.
If an external multi-channel audio source with 5.1 outputs such as an 9. external digital processor/decoder, DVD-Audio, SACD, Blu-ray or HD-DVD player is used, connect the outputs of that device to the 8-Channel Direct
9
Inputs and the AVR, or both.
, or, more easy, use the HDMI connection between such a device
4
to the line-level input of a
VIDEO EQUIPMENT CONNECTIONS
Video equipment is connected in the same manner as audio components. Again, the use of high-quality interconnect cables is recommended to preserve signal quality. To ensure best video performance S-Video sources should be connected to the AVR only with their S-Video In/Outputs, not with their composite video connectors too.
If you have already connected a source device to one of the HDMI inputs as explained in the Audio Equipment section, then you have automatically made a video connection at the same time, as the HDMI signal includes both digital audio and video components.
If your video display or source device is not HDMI-capable, you will need to use one of the analog video connections (composite, S- or component video), if available, as described below.
If the source device is not capable of transmitting its digital audio signal through the HDMI connection, then use one of the coaxial or optical digital audio inputs for the source.
If a multichannel analog audio connection is required for certain lossless formats (e.g. DVD-Audio, SACD, HD-DVD or Blu-ray Disc), you may make both connections. To listen to the multichannel disc, first select the HDMI source input, then select the 6-/8-channel analog audio inputs, and the AVR will retain the last video source you selected.
Connect a VCR’s audio and video Play/Out jacks to the Video 2 and Analog 1. 4 In jacks the VCR should be connected to the Video 2 and Analog 4 Out jacks on the AVR.
Connect the digital audio outputs of a CD, MD or DVD player, satellite 2. receiver, cable box or HDTV converter to the appropriate Optical or Coaxial Digital Inputs
NOTE
tuner product with a digital audio output, we recommend that you connect both the digital and analog outputs of the product to your AVR. The audio input polling feature of the AVR will then be able to make certain that you have a constant audio feed, since it will automatically switch the audio input to the analog jacks if the digital feed is interrupted or not available for a particular channel.
Connect the Composite and S-Video (if S-Video device is in use) Monitor 3. Output your television monitor or video projector.
If your DVD player and monitor both have component video connections, 4. connect the component outputs of the DVD player to the Video 1 Component Video Inputs connections are used the audio connections must still be made to either one of the analog audio inputs or any of the Optical or Coaxial Digital Input jacks
If another component video device is available, connect it to the Video 2 5. or Video 3 Component Video Input jacks device should be made to either one of the audio input jacks or any of the Optical or Coaxial Digital Input jacks
If the component video inputs are used, connect the Component Video 6. Output device.
If you have a camcorder, video game or other audio/video device that 7. is connected to the AVR on a temporary, rather than permanent basis, connect the audio, video and digital audio outputs of that device to the Front Panel Inputs
ST
on the rear panel. The Audio and Video Record/In jacks on
P7
RN
: When connecting a device such as a digital cable box or other set-top
B
jacks on the receiver to the composite and S-Video input of
RN
.
K
to the component video inputs of your TV, projector or display
.
GH
L
. Note that even when component video
J
. The audio connections for this
RN
.
GHI
.
16
INSTALLATION AND CONNECTIONS
SYSTEM AND POWER CONNECTIONS
The AVR is designed for flexible use with multiroom systems, external control components and power amplifiers.
Main Room Remote Control Extension
If the receiver is placed behind a solid or smoked glass cabinet door, the obstruction may prevent the remote sensor from receiving commands. In this event, the remote sensor of any Harman Kardon or other compatible device, not covered by the door, or an optional remote sensor may be used. Connect the Remote IR Output of that device or the output of the remote sensor to the Remote IR Input jack
If other components are also prevented from receiving remote commands, only one sensor is needed. Simply use this unit’s sensor or a remote eye by running a connection from the Remote IR Output jack Input jack on Harman Kardon or other compatible equipment.
Zone II IR Link
The key to remote room operation is to link the remote room to the AVR’s location with wire for an infrared receiver and speakers or an amplifier. The remote room IR receiver (this can be an optional IR receiver or any other remotable Harman Kardon device in the remote room with IR sensor integrated) should be connected to the AVR via standard coaxial cable. Connect the Remote IR Output of the device or of the optional sensor with the Zone II IR Input jack
If other Harman Kardon compatible source equipment is part of the main room installation, the Remote IR Output jack connected to the IR IN jack on that source device. This will enable the remote room location to control source equipment functions.
NOTE
: All remotely controlled components must be linked together in a “daisy chain”. Connect the IR OUT jack of one unit to the IR IN of the next to establish this chain.
Multiroom Audio Connections
Taking advantage of the AVR’s built-in seven-channel amplifier, it is possible to use two of the amplifier channels to power speakers in the remote room. When using this option you will not be able to use the full 7.1-channel capabilities of the AVR in the main listening room, but you will be able to add another listening room without additional external power amplifiers. To use the internal amplifiers to power a remote zone, connect the speakers for the remote room location to the Surround Back/Multiroom Speaker Outputs Before using the remote room you will need to configure the amplifiers for surround operation by changing a setting in the Multiroom menu, following the instructions shown on page 16.
NOTE
: You may connect an optional IR sensor (Harman Kardon He 1000) in the remote room to the AVR via an appropriate cable. Connect the sensor’s cable to the Zone 2 IR Input the room volume. Alternatively, you may install an optional volume control between the output of the amplifiers and the speakers.
U
.
V
on the AVR’s rear panel.
V
on the AVR and use the remote to control
U
to the Remote IR
U
on the rear panel should be
O
.
AC Power Connections
This unit is equipped with one accessory AC outlet. It may be used to power accessory devices, but should not be used with high-current draw equipment such as power amplifiers. The total power draw to the Switched Outlet should not exceed 50 watts.
G
The Switched completely. This is recommended for devices that have no power switch or a mechanical power switch that may be left in the “ON” position.
NOTE
: Many audio and video products go into Standby mode when they are used with switched outlets, and cannot be fully turned on using the outlet alone without a remote control command.
outlet will receive power only when the unit is on
G
Speaker Selection
No matter which type or brand of speakers is used, the same model or brand of speaker should be used for the front-left, center and front-right speakers. This creates a seamless front soundstage and eliminates the possibility of distracting sonic disturbances that occur when a sound moves across mismatched front-channel speakers.
Speaker Placement
The placement of speakers in a multichannel home-theater system can have a noticeable impact on the quality of sound reproduced.
Depending on the type of center-channel speaker in use and your viewing device, place the center speaker either directly above or below your TV, or in the center behind a perforated front-projection screen.
Once the center-channel speaker is installed, position the left-front and right-front speakers so that they are as far away from one another as the center-channel speaker is from the preferred listening position. Ideally, the front-channel speakers should be placed so that their tweeters are no more than 60 cm above or below the tweeter in the center-channel speaker.
They should also be at least 0.5 meter from your TV set unless the speakers are magnetically shielded to avoid colourings on the TV screen. Note that most speakers are not shielded, even with complete surround sets only the Center speaker may be.
Depending on the specifics of your room acoustics and the type of speakers in use, you may find that imaging is improved by moving the front-left and front-right speakers slightly forward of the center-channel speaker. If possible, adjust all front loudspeakers so that they are aimed at ear height when you are seated in the listening position.
Using these guidelines, you’ll find that it takes some experimentation to find the correct location for the front speakers in your particular installation. Don’t be afraid to move things around until the system sounds correct. Optimize your speakers so that audio transitions across the front of the room sound smooth.
17
ENGLISH
INSTALLATION AND CONNECTIONS
At least 15 cm from celling
At least 60 cm
Front Left Speaker
Side Surround Left Speaker
6.1-Channel System
Center Front Speaker
No more
than 60 cm
Front Left Speaker
A) Front Channel Speaker Installation with Direct-View TV Sets or Rear-Screen Projectors.
Center Speaker
Side Surround Left Speaker
Front Right
Speaker
Front Left Speaker
5.1-Channel System
Side Surround
Right Speaker
Center Speaker
Back Surround
Speaker
Front Right
Speaker
Front Right
Side Surround Right Speaker
Speaker
When the AVR is used in 5.1-channel operation, the preferred location for surround speakers is on the side walls of the room, at or slightly behind the listening position. In a 6.1-channel system, a back surround speaker is required, ideally placed at the center of the room's rear wall, pointing directly towards the front center channel speaker. The center of the speaker should face you (see below).
In a 7.1-channel system, both side surround and back surround speakers are required. The center of the speaker should face you (see below).
Rear surround speakers are required when a full 7.1-channel system is installed, and they may also be used in 5.1 channel mode as an alternative mounting position when it is not practical to place the main surround speakers at the sides of the room. Speakers may be placed on a rear wall, behind the listening position. As with the side speakers, the center of the rear surrounds should face you. The speakers should be no more than 2 meters behind the rear of the seating area.
It is appropriate to configure the AVR 260 for either 5.1- or 7.1-channel operation, but not for 6.1 channels. When 6.1-channel program material or a
6.1-channel processing mode is in use, material for the surround back channel will be outputted simultaneously through both the Surround Back Left and Right Speaker Outputs
O
. Connecting only one loudspeaker to these speaker terminals will not only deprive you of the benefits of 7.1-channel surround modes, such as Logic 7, but will also interfere with the functioning of EzSet/ EQ speaker setup and calibration, as described on page 20. It may also put undesirable strain on the surround back amplifier circuits and power supplies.
Subwoofers produce largely nondirectional sound, so they may be placed almost anywhere in a room. Actual placement should be based on room size and shape and the type of subwoofer used. One method of finding the optimal location for a subwoofer is to begin by placing it in the front of the room, about 15 cm from a wall, or near the front corner of the room. Another method is to temporarily place the subwoofer in the spot where you will normally sit, and then walk around the room until you find a spot where the subwoofer sounds best. Place the subwoofer in that spot. You should also follow the instructions of the subwoofer’s manufacturer, or you may wish to experiment with the best location for a subwoofer in your listening room.
Once the speakers have been placed in the room and connected, the remaining steps are to program the system configuration memories.
Although it is necessary to assign input/output settings and surround mode choices manually, we recommend that you take advantage of the power and precision of EzSet/EQ to automatically select and enter the settings for all other audio parameters. This will not only save you time; it will ensure that your room is calibrated and equalized with an accuracy not possible when these settings are made manually. You are now ready to power up the AVR 260 to begin these final adjustments.
Side Surround Left Speaker
Front Left Speaker
Back Surround Left Speaker
Center Speaker
Front Right
Speaker
Back Surround
Right Speaker
7.1-Channel System
Side Surround Right Speaker
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