Casio CTK-6300IN User Guide

CTK
USER’S GUIDE
Please keep all information for future reference.
Safety Precautions Before trying to use the keyboard, be sure to read the separate “Safety Precautions”.
6300
E
IN
CTK6300IN-E-1A
Important!
Please note the following important information before using this product.
• Before using the optional AC Adaptor to power the unit, be sure to check the AC Adaptor for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously damaged.
• Never attempt to recharge batteries.
• Do not use rechargeable batteries.
• Never mix old batteries with new ones.
• Use recommended batteries or equivalent types.
• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated near the battery compartment.
• Replace batteries as soon as possible after any sign they are getting weak.
• Do not short-circuit the battery terminals.
• The product is not intended for children under 3 years.
• Use only a CASIO AD-A12150LW adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.
This mark applies in EU countries only.
Declaration of Conformity According to EU Directive
Manufacturer: CASIO COMPUTER CO., LTD. 6-2, Hon-machi 1-chome, Shibuya-ku, Tokyo 151-8543, Japan
Responsible within the European Union: CASIO EUROPE GmbH Casio-Platz 1, 22848 Norderstedt, Germany
Any reproduction of the contents of this manual, either in part or its entirety, is prohibited. Except for your own, personal
use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.
IN NO EVENT SHALL CASIO BE LIABLE FOR ANY DAMAGES WHATSOEVER (INCLUDING, WITHOUT LIMITATION,
DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, LOSS OF INFORMATION) ARISING OUT OF THE USE OF OR INABILITY TO USE THIS MANUAL OR PRODUCT, EVEN IF CASIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
The contents of this manual are subject to change without notice.
The actual appearance of the product may be different from that shown in the illustrations in this User’s Guide.
Company and product names used in this manual may be registered trademarks of others.
E-1
Contents
General Guide ............................. E-4
Reading the Display ...........................................E-6
Modes.................................................................E-7
Menus.................................................................E-7
, Precautions while “Please Wait” is
displayed ............................................................E-7
Saving Settings ..................................................E-8
Returning the Digital Keyboard to Its
Factory Default Settings .....................................E-8
Getting Ready to Play ................ E-9
Preparing the Music Stand .................................E-9
Power Supply .....................................................E-9
Connections.............................. E-11
Connecting Headphones ..................................E-11
Connecting a Pedal ..........................................E-11
Connecting Audio Equipment or
an Amplifier ......................................................E-11
Bundled and Optional Accessories ..................E-12
Selecting and
Playing a Tone .......................... E-13
To turn on Digital Keyboard power ...................E-13
Listening to Demo Tunes .................................E-14
Selecting a Tone ..............................................E-14
Layering and Splitting Tones ............................E-15
Raising and Lowering Keyboard Tuning
(Transpose) ......................................................E-18
Using Octave Shift............................................E-18
Using the Metronome .......................................E-19
Using the Pitch Bend Wheel.............................E-20
Selecting a Temperament and
Fine Tuning Its Scale........................................E-21
Playing Arpeggio Phrases Automatically
(Arpeggiator) ....................................................E-23
Using Auto Accompaniment ... E-24
Playing an Auto Accompaniment .....................E-24
Selecting a Chord Fingering Mode...................E-26
Modifying Auto Accompaniment Patterns.........E-27
Using One-Touch Presets ................................E-27
Using Auto Harmonize .....................................E-28
Using the Rhythm Editor ..................................E-29
Applying Effects to a Sound.... E-32
Configuration of Effects....................................E-32
Selecting an Effect ........................................... E-34
Creating a User DSP ....................................... E-36
Using the Mixer ......................... E-38
Mixer Overview ................................................E-38
Mixer Operation ...............................................E-39
Mixer Parameter Settings ................................ E-41
Using the Tone Editor............... E-43
Tone Creation Overview ..................................E-43
Creating a User Tone.......................................E-44
Tone Parameter Settings ................................. E-46
Music Presets............................ E-48
Using Music Presets ........................................E-48
Creating a User Preset .................................... E-52
Editing a Chord Progression ............................ E-56
Saving Keyboard Setups to
Registration Memory ................ E-60
To save a setup to registration memory........... E-61
To recall a setup from registration memory ..... E-61
Using the Song Sequencer ...... E-62
Starting One-touch Recording (EASY REC).... E-62
What you can do with the song sequencer ...... E-64
Recording Individual Tracks.............................E-66
Using Panel Record to Rewrite Song Header
Settings ............................................................ E-70
Playing a Recorded Song ................................E-71
Editing a Song..................................................E-73
Editing a Track .................................................E-77
Editing Events ..................................................E-79
Directly Inputting Note Events (Step Input) ...... E-92
Using the Function Menu ......... E-94
Using the Function Menu ................................. E-94
Function Menu Settings ...................................E-95
E-2
Using a Memory Card............. E-100
Loading and Removing a Memory Card.........E-101
Entering the Card Mode .................................E-101
Formatting a Memory Card.............................E-101
Saving Digital Keyboard Data to a
Memory Card..................................................E-102
Loading Data from a Memory Card ................E-104
To delete a file from a memory card...............E-105
To rename a file on a memory card................E-105
Playing a Music File from a Memory Card......E-106
Connecting to a Computer .... E-109
Minimum Computer System Requirements....E-109
Storing and Loading Digital Keyboard
Memory Data..................................................E-110
Using Rhythm (Auto Accompaniment)
Data from another Model................................E-110
Importing Data from
Various Storage Media ...................................E-111
Contents
Reference ................................ E-112
Error Messages ..............................................E-112
Troubleshooting..............................................E-113
Specifications .................................................E-115
Operating Precautions....................................E-117
DSP Effect List ...............................................E-118
Fingering Guide..............................................E-123
Supported Input Characters ...........................E-123
Assigning a MIDI Channel to Each Part .........E-124
Parameter List ................................................E-125
Chord Example List ........................................E-126
MIDI Implementation Chart
E-3
General Guide
L-1 - L-17 C-1 - C-13
Dial
E-4
S-1
R-1 - R-20T-1 - T-7
Back
General Guide
• In this manual, the term “Digital Keyboard” refers to the CTK-6300IN.
• This manual uses the numbers and names below to refer to buttons and controllers.
• The following explains the meanings of the # and $ symbols that appear on the product console and with the key names below.
#: Indicates a function that is enabled by holding down the R-13 (FUNCTION) button when pressing a button. For example,
SONG SEQUENCER, # EDIT means that the EDIT function is enabled by depressing the R-13 (FUNCTION) button.
$ : Indicates a function that is enabled by holding down the button for some time. For example, METRONOME, BEAT $ means that the BEAT
function is enabled by holding down the button for some time.
L-1
P (POWER) button. . . . . . . . . . . . . . . . . . . . . . . . . . 13
L-2
VOLUME knob. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
RHYTHM buttons
L-3
[A] POPS/ROCK/DANCE button . . . . . . . . . . 13, 24
L-4
[B] JAZZ/EUROPEAN button . . . . . . . . . . . . . . . 24
L-5
[C] LATIN/WORLD button . . . . . . . . . . . . . . . . . . 24
L-6
[D] INDIAN, MUSIC PRESET button . . . . . . . 24,48
L-7
[E] PIANO RHYTHMS,
ONE TOUCH PRESET button . . . . . . . . . 24, 27, 48
L-8
[F] USER RHYTHMS button . . . . . . . . . . . . . 24, 27
L-9
METRONOME, $BEAT button . . . . . . . . . . . . . . . . 19
L-10
TEMPO w button . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
L-11
TEMPO q, #TAP button . . . . . . . . . . . . . . . . . . 19
RHYTHM/SONG CONTROLLER buttons
L-12
INTRO, REPEAT button . . . . . . . . . . . . . 27, 72, 108
L-13
NORMAL/FILL-IN, sREW button . 14, 27, 71, 106
L-14
VARIATION/FILL-IN, dFF button . 14, 27, 71, 106
L-15
SYNCHRO/ENDING, PAUSE button 24, 27, 71, 106
L-16
START/STOP, PLAY/STOP,
DEMO button . . . . . . . . . . . . . . . . . . 14, 24, 71, 106
L-17
ACCOMP ON/OFF, $CHORDS,
PART SELECT, DEMO button . . . . . 14, 24, 26, 107
C-1
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ☞6
C-2
RECORD button . . . . . . . . . . . . . . . . . . . . . . 62, 66, 67
C-3
SONG SEQUENCER, #EDIT button . . . . . 7, 66, 73
C-4
RHYTHM EDITOR button . . . . . . . . . . . . . . . . . . . . . 29
C-5
MIXER, #EFFECT button . . . . . . . . . . . . . . . . 34, 39
C-6
TONE EDITOR, #SCALE button . . . . . . . . . . 21, 44
C-7
CARD, #LOAD/SAVE button . . . . . 7, 101, 102, 104
Dial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 14, 24
TONE buttons
R-1
[A] PIANO, 5 button. . . . . . . . . . . . . . . . . 14, 57, 86
R-2
[B] E. PIANO, 1 button. . . . . . . . . . . . . . . 14, 57, 86
R-3
[C] ORGAN, 2 button . . . . . . . . . . . . . 14, 57, 86, 87
R-4
[D] GUITAR/BASS, • button . . . . . . . . . . 14, 57, 86
R-5
[E] STRINGS, REST button . . . . . . . . . . . . . . 14, 92
R-6 [F] BRASS button . . . . . . . . . . . . . . . . . . . . . . . . 14
R-7
[G] INDIAN, 6 button. . . . . . . . . . . . . 14, 57, 86, 87
R-8
[H] REED/PIPE, 7 button . . . . . . . . . 14, 57, 86, 87
R-9
[I] SYNTH, 8 button. . . . . . . . . . . . . . . . . 14, 86, 87
R-10
[J] OTHERS, , button . . . . . . . . . . 14, 57, 86, 87
R-11
[K] GM/DRUMS, . button. . . . . . . . . . . 14, 92
R-12
[L] USER TONES button . . . . . . . . . . . . . . . . 14, 44
R-13
FUNCTION button. . . . . . . . . . . . . . . . . . . . . . . . . . . 94
R-14
NO/–, YES/+,
#TRANSPOSE buttons . . . . . . . . . . . . 6, 14, 18, 24
R-15
EXIT button
R-16
ENTER button
R-17
u, t, y, i buttons . . . . . . . . . . . . . . . . . . . . . . . . 7
R-18
AUTO HARMONIZE/ARPEGGIATOR,
$TYPE button. . . . . . . . . . . . . . . . . . . . . . . . . . 23, 28
R-19
SPLIT button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
R-20
LAYER, $OCTAVE button. . . . . . . . . . . . . . . . 14, 18
S-1
PITCH BEND wheel . . . . . . . . . . . . . . . . . . . . . . . . . 20
T-1
SD CARD SLOT . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
T-2
USB jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
T-3
SUSTAIN/ASSIGNABLE JACK . . . . . . . . . . . . . . . . 11
T-4
AUDIO IN jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
T-5
LINE OUT R, L/MONO jacks . . . . . . . . . . . . . . . . . . 11
T-6
PHONES jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
T-7
DC 12V jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
REGISTRATION buttons
C-8
BANK, DELETE button . . . . . . . . . . . 57, 60, 84, 91
C-9
1, INSERT button . . . . . . . . . . . . . . . . 57, 60, 86, 92
C-10
2, COPY button. . . . . . . . . . . . . . . . . . . . . . . . 60, 86
C-11
3, QUANTIZE button . . . . . . . . . . . . . . . . . . . 60, 87
C-12
4, STEP button . . . . . . . . . . . . . . . . . . . . . 58, 60, 92
C-13
STORE, #MENU button . . . . . . . . . . . . . . . 7, 61
E-5
General Guide
21
Reading the Display
This section explains the contents of the Digital Keyboard’s display screen.
Tempo, measure, beat area
6
Tempo is shown as the current setting value, as beats per minute. Auto Accompaniment, the metronome (page E-19), and other playback is performed at the tempo shown here. The MEASURE and BEAT values are counted up as Auto Accompaniment, the metronome, or other playback progresses.
Currently Selected Item Indication
The item that is currently selected on a display screen is indicated by thick brackets (%) and by a large dot (0). The currently selected item is the one that is affected by the R-14 (–, +) buttons or dial operations.
54
3
Detailed information area
1
This area displays a variety of information while the Digital Keyboard is being used. Use this area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations.
Level meter area
2
This level meter shows the volume level of the notes that are sounded when you play something on the keyboard or when Auto Accompaniment is played. There are a total of 32 parts, 16 each in Group A and Group B. The L indicator will be displayed in the lower left corner while Group A parts are being indicated by the level meter, while the M indicator will be displayed in the lower left corner while Group B parts are being indicated. For details about parts, see “How Parts are Organized” (page E-38).
Indicator areas
3
The indicator area shows such information as the current mode (page E-7), the status of settings, the status of Auto Accompaniment, and other information. There are two types of indicators: text type indicators such as :, and pointer (K) type indicators. In the case of pointer type indicators, a setting or status is indicated by the location of the K next to fixed text along the sides of the display. For example, the location of the pointer (K) on the right side of the display in the sample below indicates REVERB.
6
On this screen, “RHYTHM” is selected because it is enclosed by thick brackets. This indicates that the rhythm setting can be changed.
On this screen, “Touch” is selected because the 0 is next to it. This indicates that the value to the right of “Touch”, which is enclosed in thick brackets, can be changed.
Registration bank area
4
This area shows the number of the currently selected registration bank (page E-60).
Chord area
5
This area shows the chord being played when Auto Accompaniment (page E-24) or music preset (page E-48) is being used. It also can display fraction chords by showing the chord root (C, G, etc.) and type (m, 7th, etc.).
E-6
General Guide
Modes
Your Digital Keyboard has three modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display.
Card mode
C-7 (CARD) or
R-15 (EXIT) button
Rhythm mode
SEQUENCER) button
•Rhythm mode (: indicator displayed)
The rhythm mode is the initial power on default mode. The rhythm mode is the base mode, and it is the mode you should enter when you want to play on the keyboard or use Auto Accompaniment.
• Card mode (; indicator displayed)
Enter the card mode when you want to perform memory card operations. See “Using a Memory Card” (page E-100) for more information. – In the rhythm mode, pressing the C-7 (CARD) button will
– In the card mode, pressing the C-7 (CARD) button or the
• Song sequencer mode (< indicator displayed)
Enter the sequencer mode when you want to record performances using the keyboard and Auto Accompaniment, or to play back song data. For details, see “Using the Song Sequencer” (page E-62). – In the rhythm mode, pressing the C-3 (SONG
– In the song sequencer mode, pressing the C-3 (SONG
C-3 (SONG
enter the card mode.
R-15 (EXIT) button will return to the rhythm mode.
SEQUENCER) button will enter the song sequencer
mode.
SEQUENCER) button or the R-15 (EXIT) button will return to the rhythm mode.
C-7 (CARD) button
C-3 (SONG SEQUENCER) or R-15 (EXIT) button
Song sequencer mode
Menus
You can use the same operations to display mode and function specific menus. To display a menu, hold down the R-13 (FUNCTION) button as you press the C-13 (MENU) button. For example, the “Performance” menu shown below will appear if you perform the above operation while in the rhythm mode. This menu provides instant access to performance functions.
• The currently selected item is the one with the 0 next to it. You can use the R-17 (t, y) buttons to move the 0 up and down. You also can use the R-17 (u, i) buttons to scroll between menu pages.
• To exit a displayed menu, press the R-15 (EXIT) button. You may need to press the R-15 (EXIT) button more than once in some cases.
• The menu items and operations for specific modes and functions are described in each section of this user’s guide.
,
Precautions while “Please
Wait” is displayed
Never try to perform any operation, or insert or remove a memory card while the message “Please Wait” is on the display. Wait until the message disappears.
• “Please Wait” indicates that the Digital Keyboard is performing a data save operation. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted. It also can cause the Digital Keyboard to fail to turn on when the L-1 (P) button is pressed.
• If this happens, refer to “Troubleshooting” (page E-113).
• After entering any mode besides the rhythm mode and performing the operations you want, be sure to return to the rhythm mode. The rhythm mode is the initial power on default mode.
• Unless otherwise specifically noted, all of the operations described in this user’s guide are performed in the rhythm mode.
E-7
General Guide
Saving Settings
Your Digital Keyboard is equipped with a song sequencer and other features that you can use to store data you create. This stored data is retained even when the Digital Keyboard is turned off. However, the tone, rhythm, and other settings you configure on the Digital Keyboard’s console normally are returned to their initial power on defaults whenever you turn off power. You can configure the Digital Keyboard so it remembers its latest setup or to apply a predetermined default setup each time you turn it on. For details, see “AutoResume (Auto Resume)” (page E-98) and “Default (Default Settings)” (page E-98).
* The following data and settings are always retained even
*
when power is turned off. – Registration setup data (page E-60) – Song sequencer data (page E-62) – User rhythm data (page E-29) – User preset data (page E-52) – User tone data (page E-43) – User DSP data (page E-36) – LCD Contrast setting (page E-97) – Auto Resume setting (page E-98)
Returning the Digital Keyboard to Its Factory Default Settings
You can delete all data in keyboard memory and return all keyboard parameters to their initial factory default settings. For details, see “To initialize all data and settings (or parameter settings only)” (page E-99).
E-8
Getting Ready to Play
Preparing the Music Stand
Music stand
Power Supply
Prepare a household power outlet or batteries.
• Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire.
• Always make sure that the product is turned off before plugging in or unplugging the AC adaptor, or before loading or removing batteries.
Using a Household Power Outlet
Make sure that you use only the AC adaptor (JEITA Standard, with unified polarity plug) specified for this product. Use of a different type of AC adaptor can cause malfunction.
Specified AC Adaptor: AD-A12150LW
Use the supplied power cord to connect the AC adaptor as shown in the illustration below.
T-7 (DC 12V) jack
Household power outlet
Power cord
AC adaptor
• Configuration and type depends on your geographic location.
• The AC adaptor will become warm to the touch after very long use. This is normal and does not indicate malfunction.
• To prevent breaking of the wire, take care to avoid putting any type of load on the power cord.
No bending! No winding!
• Never insert metal, pencils, or any other objects into the product’s DC 12V jack. Doing so creates the risk of accident.
E-9
Getting Ready to Play
Using Batteries
You can use six D-size batteries for power.
• Use alkaline or zinc-carbon batteries. Never use oxyride or any other nickel based batteries.
1.
Open the battery cover on the bottom of the Digital Keyboard.
2.
Load six D-size batteries into the battery compartment.
• Make sure the positive + and negative - ends of the
batteries are facing as shown in the illustration.
3.
Insert the tabs of the battery cover into the holes on the side of the battery compartment, and close the cover.
Tabs
Low Battery Indication
The following shows the approximate battery life.
*
4 hours
* The above values are standard battery life at normal
The indicators shown below start to flash to let you know when battery power is low. Replace the batteries with new ones.
on alkaline batteries
temperature, with the volume at medium setting. Temperature extremes or playing at very loud volume settings can shorten battery life.
Low battery indication (flashing)
E-10
Connections
Connecting Headphones
Using headphones cuts off output from the built-in speakers, which means you can practice playing even late at night without disturbing others.
• Be sure to turn down the volume level before connecting headphones.
T-6 (PHONES) jack
• Headphones do not come with the Digital Keyboard.
• Use commercially available headphones.
• Do not listen to very high volume output over headphones for long periods. Doing so creates the risk of hearing damage.
• If you are using headphones that require an adaptor plug, make sure you do not leave the adaptor plugged in when removing the headphones.
Connecting a Pedal
Connecting an optionally available pedal let’s you perform pedal operations that add more versatility to your keyboard play. For information about the types of effects that can be applied by pressing the pedal, see “Ped.Setting (Pedal Setting)” (page E-95).
T-3 (SUSTAIN/ASSIGNABLE) jack
Connecting Audio Equipment or an Amplifier
You can connect audio equipment or a music amplifier to the Digital Keyboard and then play through external speakers for more powerful volume and better sound quality.
• Whenever connecting a device to the Digital Keyboard, first use the L-2 (VOLUME) knob to set the volume to a low level. After connecting, you can adjust the volume to the level you want.
• Whenever you connect any device to the Digital Keyboard, be sure to read the user documentation that comes with the device.
Guitar amplifier
Keyboard amplifier, etc.
INPUT 1
INPUT 2
Standard plug
Audio amplifier AUX IN jack, etc.
LEFT (White) RIGHT (Red)
Pin plug
Outputting Keyboard Notes to Audio Equipment
Use commercially available connecting cords to connect the external audio equipment to the Digital Keyboard’s T-5 (LINE OUT) jacks as shown in Figure right channel sound, while LINE OUT L/MONO jack output is left channel sound. It is up to you to purchase connecting cords like the ones shown in the illustration for connection of audio equipment. Normally in this configuration you must set the audio equipment’s input selector to the setting that specifies the terminal (such as AUX IN) to which the Digital Keyboard is connected. Use the L-2 (VOLUME) knob to adjust the volume level.
1
. LINE OUT R jack output is
1
E-11
Connections
Outputting Keyboard Notes to a Musical Instrument Amplifier
Use a commercially available connecting cord to connect the amplifier to either of the Digital Keyboard’s T-5 (LINE OUT) jacks as shown in Figure jack output is right channel sound, while LINE OUT L/MONO jack output is left channel sound. Connecting to the LINE OUT L/MONO jack only outputs a mixture of both channels. It is up to you to purchase connecting cord like the one shown in the illustration for connection of the amplifier. Use the L-2 (VOLUME) knob to adjust the volume level.
2
. T-3 (SUSTAIN/ASSIGNABLE)
2
Playing an External Device from the Digital Keyboard
Use a commercially available connecting cord to connect the external audio equipment to the Digital Keyboard’s T-4 (AUDIO IN) jack as shown in Figure should have a stereo mini plug on one end and a plug that matches the configuration of the external device on the other end. Use the L-2 (VOLUME) knob to adjust the volume level.
3
. The connecting cord
3
Portable audio player, etc.
Stereo mini plug
Bundled and Optional Accessories
Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury.
• You can get information about accessories that are sold separately for this product from the CASIO catalog available from your retailer, and from the CASIO website at the following URL.
http://world.casio.com/
E-12
Selecting and Playing a Tone
L-1L-1 L-3L-3
L-2L-2
L-13L-13
L-14L-14
L-17L-17
L-16L-16
To turn on Digital Keyboard power
1.
Rotate the L-2 (VOLUME) knob towards MIN to set the volume to a low level.
2.
Referring to “Connections” (page E-11), connect headphones, amplifier, or other device.
3.
Use the L-1 (P) button to turn on power.
• To turn off the Digital Keyboard, press the L-1 (P)
button again.
• Pressing the L-1 (P) button to turn off power actually puts the Digital Keyboard into a standby state. Minute amounts of current continue to flow within the Digital Keyboard in the standby state. If you do not plan to use the Digital Keyboard for a long time or if there is a lightning storm in your area, be sure to unplug the AC adaptor from the power outlet.
• If you press the L-1 (P) button only lightly, the display will light up momentarily but power will not turn on. This does not indicate malfunction. Press the L-1 (P) button firmly and completely to turn on power.
• Under its initial configuration, the Digital Keyboard will return to its default settings whenever you turn it off. You can change the initial configuration to have the Digital Keyboard remember its latest setup or to apply a predetermined setup each time you turn it on. For details, see “AutoResume (Auto Resume)” (page E-98) and “Default (Default Settings)” (page E-98).
• The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted. It also can cause the Digital Keyboard to fail to turn on when the L-1 (P) button is pressed. If this happens, refer to “Troubleshooting” (page E-113).
-
R-12R-1 - R-12
R-1
R-14R-14
R-19R-19
R-20R-20
Auto Power Off
This Digital Keyboard is designed to turn off automatically to avoid wasting power after no operation is performed for a preset amount of time. The Auto Power Off trigger time is six minutes under battery power and four hours under AC adaptor power.
• Auto Power Off is enabled while “on” is selected for “AutoPower (Auto Power Off)” (page E-97). The initial default setting is “on”. To disable Auto Power Off, select “oFF” for “AutoPower” (Auto Power Off).
• You also can use the procedure below to temporarily suspend Auto Power Off while it is enabled.
To disable Auto Power Off
1.
While the Digital Keyboard is turned on, press the L-1 (P) button to turn it off.
2.
While holding down the L-3 ([A] POPS/ROCK/ DANCE) button, press the L-1 (P) button to turn on the Digital Keyboard.
• Auto Power Off will be disabled at this time.
• Turning off the keyboard after performing the above steps will re-enable Auto Power Off.
E-13
Selecting and Playing a Tone
Listening to Demo Tunes Selecting a Tone
1.
While holding down the L-17 (ACCOMP ON/ OFF) button, press the L-16 (PLAY/STOP) button.
• This starts demo tune play.
• The Digital Keyboard has a total of five demo tunes. You also can use the R-14 (–, +) buttons to select a demo tune.
• Pressing the L-14 (dFF) button performs fast forward play of the demo tune, while the L-13 (sREW) button performs fast backward play. Holding down the L-13 (sREW) button until playback reaches the beginning of the current song will stop playback there. Normal playback will resume when you release the L-13 (sREW) button. Holding down the L-14 (dFF) button continues fast forward playback, even after the end of a song is reached.
• You can play along on the keyboard with demo tune play. Note, however, that you cannot change the tone assigned to the keyboard. Only the key operations described above are supported during demo tune playback.
2.
To stop demo tune playback, press the L-16 (PLAY/STOP) button.
The tones of this Digital Keyboard are divided among groups, each of which corresponds to one of the 12 TONE buttons. You can specify a tone by its group and its tone number. Use the following procedure to select a single tone that is applied across the entire keyboard.
To select a tone
1.
Refer to the separate “Appendix” to look up the group and the number of the tone you want to select.
2.
Check to make sure that the @ and A indicators are not on the display.
• If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to clear both indicators from the display.
3.
Use buttons R-1 ([A] PIANO) through R-12 ([L] USER TONES) to select a tone group.
• The R-12 ([L] USER TONES) button selects the user tone group. For details, see “Using the Tone Editor” (page E-43).
4.
Use the dial to scroll through the tone numbers until the one you want is displayed.
Example: Group [C], Number 004
Tone name
Number
Group
E-14
Selecting and Playing a Tone
5.
Now you can play on the keyboard using the tone you selected.
• You also can use the R-14 (–, +) buttons to select a demo tune. Holding down either button will scroll through tone numbers at high speed. Pressing both of the R-14 (–, +) buttons at the same time will select tone 001 in the currently selected group.
Layering and Splitting Tones
You can configure the keyboard to play two different tones at the same time (Layer) or to play different tones in the left and right ranges (Split). You can even use Layer and Split in combination with each other and play three different tones at the same time. The UPPER 1 part is used alone when playing an individual tone on the keyboard. When layering two tones, the UPPER 1 part and UPPER 2 parts are used. When splitting the keyboard between two tones, the low range of the keyboard plays the LOWER part.
• One tone across the entire keyboard (page E-14)
This configuration uses the UPPER 1 part only (Layer: Off, Split: Off).
• Three tones, two layered tones for the right range and one tone for the left range of the keyboard (page E-17)
This configuration uses the UPPER 1 part, UPPER 2 part, and LOWER part (Layer: On, Split: On).
LOWER
• You can configure the settings described below to adjust each part when using multiple tones in layer and split configurations.
To adjust this setting for
each part:
Octave shift Using Octave Shift
Volume balance Using the Mixer (page E-38)
Stereo position, effect (reverb, chorus) levels, and other detailed settings
UPPER 1 UPPER 2
Go here for more
information:
(page E-18)
UPPER 1
• Two layered tones across the entire keyboard (page E-16)
This configuration uses the UPPER 1 part and UPPER 2 part (Layer: On, Split: Off).
UPPER 1 UPPER 2
• Two tones, one for the left range and one for the right range of the keyboard (page E-17)
This configuration uses the UPPER 1 part and LOWER part (Layer: Off, Split: On).
LOWER UPPER 1
E-15
Selecting and Playing a Tone
C-6C-6
L-9L-9 L-10L-10 L-11L-11
R-19R-19
R-18R-18
R-20R-20
R-15R-15
R-16R-16
R-14R-14
R-17R-17
R-13R-13
To layer two tones To split the keyboard between two tones
1.
Refer to the separate “Appendix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) you want to use.
2.
Check to make sure that the @ and A indicators are not on the display.
• If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to clear both indicators from the display. When neither indicator is displayed, the tone you select will become the UPPER 1 part tone.
1.
Refer to the separate “Appendix” to look up the group(s) and numbers of the tones (UPPER 1 part tone and LOWER part tone) you want to use.
2.
Check to make sure that the @ and A indicators are not on the display.
• If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to clear both indicators from the display. When neither indicator is displayed, the tone you select will become the UPPER 1 part tone
3.
Use the TONE buttons and dial to select the UPPER 1 part tone.
4.
Press the R-20 (LAYER) button.
• This causes the A indicator to appear on the
display. This indicates that the tone you select will become the UPPER 2 part tone.
5.
Use the TONE buttons and dial to select the UPPER 2 part tone.
6.
Play something on the keyboard to check how the tones sound layered together.
7.
To cancel tone layering, press the R-20 (LAYER) button again so the A indicator disappears from the display.
3.
Use the TONE buttons and dial to select the UPPER 1 part tone.
4.
Press the R-19 (SPLIT) button.
• This causes the @ indicator to appear on the display. This indicates that the tone you select will become the LOWER part tone.
5.
Use the TONE buttons and dial to select the LOWER part tone.
6.
Play something on the left and right sides of the keyboard to confirm that the tones are assigned properly.
• You also can specify the keyboard split point, which is the location where the keyboard splits between the left range and right range. For details, see “To specify the keyboard split point” (page E-17).
7.
To cancel keyboard split, press the R-19 (SPLIT) button so the @ indicator disappears from the display.
E-16
Selecting and Playing a Tone
To specify the keyboard split point
1.
While holding down the R-19 (SPLIT) button, press the keyboard key that you want to be the leftmost key in the right side (UPPER 1 part) range.
LOWER part
• The name of the key you press will appear on the display as the new split point key name.
• You also can use the R-14 (–, +) buttons to change the displayed split point key name.
2.
When you are finished, release the R-19 (SPLIT) button.
• The initial default split point is at key F#3.
• During Auto Accompaniment play (page E-24), the keyboard to the left of the split point becomes the chord keyboard.
UPPER 1 part
Key you press
Split point
To use layer and split together
1.
Perform steps 1 through 6 of the procedure under “To layer two tones” (page E-16).
2.
Refer to the separate “Appendix” to look up the group and the number of the tone you want to assign to for the LOWER part.
3.
Press the R-19 (SPLIT) button.
• This causes the @ indicator to appear on the
display. This indicates that the tone you select will become the LOWER part tone.
4.
Use the TONE buttons and dial to select the LOWER part tone.
5.
Play something on the left and right sides of the keyboard to confirm that the tones are assigned properly.
• The right keyboard area plays the UPPER 1 and UPPER 2 tones in a layered configuration, while the left keyboard area plays the LOWER tone.
6.
To cancel keyboard split, press the R-19 (SPLIT) button so the @ indicator disappears from the display.
7.
To cancel tone layering, press the R-20 (LAYER) button again so the A indicator disappears from the display.
E-17
Selecting and Playing a Tone
Raising and Lowering Keyboard Tuning (Transpose)
The transpose feature lets you raise or lower the overall tuning of the keyboard in semitone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc.
1.
While holding down the R-13 (FUNCTION) button, press one of the R-14 (–, +) buttons.
• This displays the transpose screen shown below.
2.
While holding down the R-13 (FUNCTION) button, use the dial or the R-14 (–, +) buttons to change the setting value.
• You can change the tuning of the keyboard within the range of –12 to 00 to +12.
3.
Press the R-13 (FUNCTION) button.
• This exits the transpose screen.
• Setting a transposed value other than 00 will cause the
B indicator to appear on the display.
• The current transpose setting is applied to the notes of all parts (UPPER 1, UPPER 2, LOWER, Auto Accompaniment, etc.) played on the keyboard. The MIDI out note number when a keyboard key is pressed is also shifted in accordance with the transpose setting.
Using Octave Shift
You can use octave shift to individually change the octave of the UPPER 1, UPPER 2, and LOWER parts. You can use octave shift to raise or lower the octave of a song, to assign different octaves to the left side and right side keyboards while the keyboard is split, or to play two notes in different octaves while the keyboard is layered.
1.
Hold down the R-20 (OCTAVE) button until the octave shift screen shown below appears on the display.
Octave shift amount (Octave unit)
Part name
• This indicates you can change the UPPER 1 part octave.
2.
Use the dial or R-14 (–, +) buttons to specify the octave shift amount.
• You can shift the octave within the range of –2 to 0 to +2.
3.
If you want to change the octave of the UPPER 2 part, press the R-20 (OCTAVE) button.
• This will cause “UPPER 2” to appear on the display, indicating that you can change the UPPER 2 part octave. Perform the same operation as in step 3 to specify the octave shift amount.
4.
If you want to change the octave of the LOWER part, press the R-20 (OCTAVE) button.
• This will cause “LOWER” to appear on the display, indicating that you can change the LOWER part octave. Perform the same operation as in step 3 to specify the octave shift amount.
5.
Press the R-20 (OCTAVE) button or the R-15 (EXIT) button.
• This exits the octave shift screen.
E-18
Selecting and Playing a Tone
Using the Metronome
1.
Press the L-9 (METRONOME) button.
• This will start the metronome.
• The display will show the tempo along with a count of the measures and beats since you started the metronome.
Tempo
Measure
2.
Press the L-9 (METRONOME) button again to stop the metronome.
To change the beats per measure
1.
Hold down the L-9 (BEAT) button until the metronome beat screen shown below appears on the display.
Beat
To change the tempo setting
There are two different methods you can use to change the tempo setting: using the TEMPO buttons or tapping a beat with a button.
To change the tempo using the TEMPO buttons
1.
Press the L-10 (TEMPO w) (slower) or L-11 (TEMPO q) (faster) button.
• This displays the tempo screen shown below.
• If you do not perform any operation for a few seconds, the display will return to previous screen automatically.
2.
Use the L-10 (TEMPO w) and L-11 (TEMPO q) buttons to change the tempo (beats per minute).
• Holding down either button will scroll the setting values at high speed.
• You can specify a tempo value in the range of 30 to
255.
3.
Press the R-15 (EXIT) button.
• This exits the tempo screen.
2.
Use the dial or R-14 (–, +) buttons to select a beat setting.
• You can select 0, or a value within the range of 2 to 6. Specifying 0 for this setting will cause each beat to be indicated by the same sound (no chime at the beginning of each measure).
3.
Press the L-9 (BEAT) or R-15 (EXIT) button.
• This exits the metronome beat screen.
E-19
Selecting and Playing a Tone
To adjust the tempo by tapping a beat
1.
While holding down the R-13 (FUNCTION) button, tap the L-11 (TAP) button four times at the speed (tempo) you want to set.
• The first tap of the L-11 (TAP) button will cause the display shown below to appear.
• The tempo setting will change in accordance with your tapping speed as soon as you tap the fourth time.
• The setting will be canceled if you release the R-13 (FUNCTION) button before tapping the L-11 (TAP) button four times.
Using the Pitch Bend Wheel
The PITCH BEND wheel (S-1) lets you change the pitch of notes you are playing by rotating the wheel forward or back. Rotating the wheel away from you raises the pitch, while rotating it towards you lowers it. Releasing the wheel causes the pitch of the notes to return to normal automatically.
• Do not have the pitch bend wheel rotated as you turn on the keyboard.
• You also can change the range of the pitch bend wheel (bend range) globally or for a specific part. For details, see “BendRange (Bend Range)” (page E-95) and “Part Parameters” (page E-42).
2.
After setting the tempo by tapping, you then can use the procedure under “To change the tempo using the TEMPO buttons” (page E-19) to make fine adjustments.
E-20
Selecting a Temperament and Fine Tuning Its Scale
Use the scale function to select one of the 17 preset temperaments (tunings) for the built-in sound source. You also can fine tune each note of a scale (from C to B) in one-cent units. After selecting one of the preset temperaments, you can edit it to suit your particular needs. You also can specify whether the current scale settings (temperament setting and fine tuning adjustment) should be applied to Auto Accompaniment (Accomp Scale).
• The settings you configure with the scale function are retained even when the Digital Keyboard is turned off.
To select a preset scale
1.
While holding down the R-13 (FUNCTION) button, press the C-6 (SCALE) button to display the scale screen, with the 0 located at “Preset”.
Selecting and Playing a Tone
3.
Use the dial or the R-14 (–, +) buttons to select a temperament.
• Selecting a temperament other than 01: Equal will
cause the C indicator to appear on the display.
• The following shows the temperament numbers and names that appear on the display.
Number Screen Name Preset Temperament
01 Equal Equal temperament
02 Pure Major Just major intonation
03 Pure Minor Just minor intonation
04 Pythagorean Pythagorean system
05 Kirnberger 3 Kirnberger III
06 Werckmeister Werckmeister 1-3 (III)
07 Mean-Tone Mean tone
08 Rast Rast
09 Bayati Bayati
10 Hijaz Hijaz
11 Saba Saba
12 Dashti Dashti
13 Chahargah Chahargah
14 Segah Segah
15 Gurjari Todi Gurjari Todi
16 Chandrakauns Chandrakauns
17 Charukeshi Charukeshi
2.
Press the R-16 (ENTER) button.
• This displays a preset temperament selection screen like the one shown below.
4.
Perform the following steps to specify the root note of a temperament.
(1) Press the R-17 (i) button.
• This displays root note setting screen.
(2) Use the dial or the R-14 (–, +) buttons to change the
root note (C to B).
• You can also use the keyboard to specify the root note.
E-21
Selecting and Playing a Tone
5.
When you are finished, press the R-15 (EXIT) button twice.
• This will return to the screen that was displayed before you displayed the scale screen.
• The root note setting you specify here is retained, even if you later change to a different preset temperament.
5.
When you are finished making adjustments, press the R-15 (EXIT) button twice.
• This will return to the screen that was displayed before you displayed the scale screen.
Specifying whether the Current Scale Settings Should be Applied to Auto Accompaniment (Accomp Scale)
Fine Tuning a Scale
1.
If required, perform the procedure under “To select a preset scale” (page E-21) to select a preset temperament.
2.
While holding down the R-13 (FUNCTION) button, press the C-6 (SCALE) button to display the scale screen.
3.
Use the R-17 (y) button to move the 0 to “FineTune” and then press the R-16 (ENTER) button.
• This displays the scale fine tuning screen like the one shown below.
1.
While holding down the R-13 (FUNCTION) button, press the C-6 (SCALE) button to display the scale screen.
2.
Use the R-17 (i) button to move the 0 to “AcmpScale”.
3.
Use the dial or the R-14 (–, +) buttons to change the setting value.
To do this: Select this setting:
Not apply scale settings to Auto Accompaniment
Apply scale settings to Auto Accompaniment
4.
When the setting is the way you want, press the
oFF
on
R-15 (EXIT) button.
• This will return to the screen that was displayed before you displayed the scale screen.
4.
You can adjust the tuning of each individual note in the scale.
(1) Use the R-17 (t) button to move the 0 to “Note”, and
then use the dial or R-14 (–, +) buttons to select the name of the note you want to fine tune.
• You can also press a keyboard key to specify a note.
(2) Use the R-17 (y) button to move the 0 to “Cent”, and
then use the dial or R-14 (–, +) buttons to fine tune the selected note. You can fine tune a note within the range of –99 through +99 cents.
• Adjusting all of the notes in the scale to 0 changes the selected tuning to equal temperament. The C indicator will be on the display when any note in the scale has a value other than 0.
E-22
• The above scale on/off setting affects the Auto Accompaniment bass part and Chord 1 through Chord 5 parts (A11 through A16). You also can turn scales settings on or off for each individual part using the Part Parameter (page E-42) “Scale (Part Scale Enable)” setting.
Playing Arpeggio Phrases Automatically (Arpeggiator)
With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including playing arpeggios from a chord, playing various phrases automatically, and more.
1.
Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button until the type selection screen shown below appears on the display.
Type number Type name
2.
Use the dial or R-14 (–, +) buttons to select the arpeggiator type you want to use.
• You can select one of the arpeggiator types (013 through 162). Refer to the separate “Appendix” for detailed information about supported arpeggiator types.
• When selecting the arpeggiator type, you can assign the recommended tone for the currently displayed type as the keyboard tone, by holding down the R-18 (AUTO HARMONIZE/ARPEGGIATOR) button until a pointer indicator starts to flash on the display next to ARPEG.
Selecting and Playing a Tone
4.
Press the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button.
• This causes a pointer indicator to appear on the display next to ARPEG.
Lit
5.
Configure arpeggiator settings as required.
• The settings you can configure are described in the table below. For information about how to configure settings, see “To change the setting of a function menu item” (page E-94).
For information about this setting: Go here:
Whether arpeggio should be played while keyboard keys are depressed or after the keys are released
The number of times arpeggio is played within one beat
When the keyboard is split between two tones, whether arpeggio should be played when UPPER keyboard or LOWER keyboard keys are pressed
6.
On the keyboard, play a chord or a single note.
• Arpeggio is played in accordance with the currently selected arpeggiator type and the note(s) you play.
7.
To turn off the arpeggiator, press the R-18
ArpegHold (Arpeggiator Hold) (page E-96)
ArpegSpeed (Arpeggiator Speed) (page E-96)
ArpegPart (Arpeggiator Part) (page E-96)
(AUTO HARMONIZE/ARPEGGIATOR) button again.
• This causes the pointer indicator next to ARPEG. to disappear from the display.
Flashing
• For information about type number 001 through 012, see “Using Auto Harmonize” (page E-28).
3.
Press the R-15 (EXIT) button.
• This exits the type selection screen.
E-23
Using Auto Accompaniment
C-5C-5 C-4C-4
L-13L-13
L-3 - L-8L-3 - L-8
L-15L-15
L-14L-14
L-17L-17
L-16L-16
L-1L-1
L-10L-10 L-11L-11
L-12L-12
With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatically when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go. This Digital Keyboard has 210 built-in Auto Accompaniment patterns, which are divided into five groups. You can edit built-in rhythms to create your own original rhythms (called “user rhythms”), which you can save in a sixth group. For more information, see the separate “Appendix”.
Playing an Auto Accompaniment
R-15R-15
R-16R-16
R-14R-14
C-13C-13
3.
Use the dial to scroll through the rhythm numbers until the one you want is displayed.
Example: Group B, Number 005
R-18R-18
R-17R-17
R-13R-13
1.
Refer to the separate “Appendix” to look up the group and the number of the rhythm you want to use.
2.
Use the buttons from L-3 ([A] POPS/ROCK/ DANCE) to L-8 ([F] USER RHYTHMS) to select a rhythm group.
• The L-8 ([F] USER RHYTHMS) button is for the user rhythm group. For details, see “Using the Rhythm Editor” (page E-29).
Rhythm name
• You can also use the R-14 (–, +) buttons to select a rhythm number. Holding down either button will scroll through rhythm numbers at high speed. Pressing both of the R-14 (–, +) buttons at the same time will select 001 in the currently selected group.
4.
Use the L-10 (TEMPO w) and L-11 (TEMPO q) buttons to adjust the tempo setting.
5.
Press the L-17 (ACCOMP ON/OFF) button so the D indicator is on the display.
• Each press of the button toggles accompaniment between on (D indicator displayed) and off (indicator not displayed).
• All accompaniment instrument parts sound while accompaniment is on (D indicator displayed), while only percussion instrument parts (drums, etc.) sound while accompaniment is off (indicator not displayed).
Group
Number
E-24
6.
Press the L-15 (SYNCHRO/ENDING) button.
• This enters synchro standby (Auto Accompaniment
waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by.
7.
You also can use the buttons described below to change to intro or variation pattern standby.
To enter synchro
standby for this
pattern:
Intro L-12 (INTRO) button E
Variation L-14 (VARIATION/
For details about intro and variation patterns, see “Modifying Auto Accompaniment Patterns” (page E-27).
8.
Play the chord you want on the chord keyboard
Press this key:
FILL-IN) button
Display
Indicator:
flashing
H flashing
(left keyboard keys).
• Auto Accompaniment will start playing when you play the chord.
• To start percussion part play without playing a chord, press the L-16 (START/STOP) button.
Example: To play a C chord
Chord keyboard
Melody keyboard
Using Auto Accompaniment
10.
When you are finished, press the L-16 (START/ STOP) button again to stop Auto Accompaniment.
• Pressing the L-15 (SYNCHRO/ENDING) button instead of the L-16 (START/STOP) button will play an ending pattern before stopping Auto Accompaniment play. For details about ending patterns, see “Modifying Auto Accompaniment Patterns” (page E-27).
• You can use the following procedure to adjust the volume level of the Auto Accompaniment, without affecting the volume of Digital Keyboard output. For details, see “AccompVol. (Auto Accompaniment Volume)” (page E-97).
• You can change the size of the chord keyboard by using the split feature to move the split point (page E-17). The keyboard keys to the left of the split point make up the chord keyboard.
• The chord root and type that corresponds to the keys you press appear in the chord area of the display.
9.
Play other chords with your left hand as you play the melody with your right hand.
• You can use “CASIO Chord” or other simplified chord fingering modes to play chords. For details, see “Selecting a Chord Fingering Mode” in the following section.
• You can use the L-13 (NORMAL/FILL-IN) and L-14 (VARIATION/FILL-IN) buttons to modify accompaniment patterns. For details, see “Modifying Auto Accompaniment Patterns” (page E-27).
E-25
Using Auto Accompaniment
Selecting a Chord Fingering Mode
While Auto Accompaniment is playing, you use the chord keyboard to specify the chord root and type. The area of the keyboard to the left of the split point (page E-17) is the chord keyboard.
Chord keyboard
Melody Keyboard
You can select from among the following five chord fingering modes.
1: Fingered 1 2: Fingered 2 3: Fingered 3 4: CASIO Chord 5: Full Range
To select a chord fingering mode
1.
Hold down the L-17 (ACCOMP ON/OFF) button until the chord fingering mode selection screen shown below appears on the display.
CASIO Chord
With “CASIO Chord”, you can use simplified fingerings to play the four types of chords described below.
Chord Type Example
Major Chords
Press one key, whose note corresponds to the chord name.
• To play C Major, press any C key in the chord keyboard. The octave of the note does not matter.
Minor Chords
Press the chord keyboard key that corresponds to the major chord, while also pressing one other chord keyboard key to the right.
Seventh Chords
Press the chord keyboard key that corresponds to the major chord, while also pressing two other chord keyboard keys to the right.
Minor Seventh Chords
Press the chord keyboard key that corresponds to the major chord, while also pressing three other chord keyboard keys to the right.
When pressing more than one chord keyboard key, it makes no difference whether the additional keys are white or black.
C (C Major)
Note
b
b
b
#
#
DE F
C
C
#
E
G
A
A
DE F
F
C
B
C
B
name
Cm (C minor)
C7 (C seventh)
b
b
b
#
#
DE F
C
C
#
DE F
C
C
#
E
G
A
DE F
A
F
C
B
C
B
b
b
b
#
#
E
G
A
A
DE F
F
C
B
C
B
Cm7 (C minor seventh)
b
b
b
#
#
DE F
C
C
#
E
G
A
A
DE F
F
C
B
C
B
b
E
b
E
b
E
b
E
Chord fingering mode
2.
Use the dial or R-14 (–, +) buttons to select a chord fingering mode.
3.
Press the L-17 (ACCOMP ON/OFF) button or the R-15 (EXIT) button.
• This exits the chord fingering mode selection screen.
Fingered 1, 2, 3
With these three chord fingering modes, you play chords on the chord keyboard using their normal chord fingerings. Some chord forms are abbreviated, and can be fingered with one or two keys. For information about the types of chords you can finger and their fingerings, see the “Fingering Guide” (page E-123).
Fingered 1 : Play the component notes of the chord on the
keyboard.
Fingered 2 : Unlike Fingered 1, 6th input is not possible with
Fingered 3 : Unlike Fingered 1, this mode allows input of
this mode.
fraction chords with the lowest keyboard note as the bass note.
Full Range Chord
With this chord fingering mode, you can use the full range of the keyboard to play chords and the melody. For information about the types of chords you can finger and their fingerings, see the “Fingering Guide” (page E-123).
E-26
Using Auto Accompaniment
Modifying Auto Accompaniment Patterns
There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns. Use buttons L-12 through L-15 to select the pattern you want.
L-12L-12 L-13L-13 L-14L-14 L-15L-15
1
Intro *
*1 Press at the beginning of a song. Accompaniment play
proceeds with the normal pattern after the intro pattern is complete. Pressing the L-14 (VARIATION/FILL-IN) button before pressing this button will proceed with the variation pattern after the intro pattern is complete.
*2 Press while a normal pattern is playing to insert a fill-in
pattern.
*3 Press while a variation pattern is playing to insert a fill-in
variation pattern.
*4 Press at the end of a song. This will play an ending pattern
and then stop Auto Accompaniment.
Normal Variation Ending *
Normal fill-in *2Variation fill-in *
3
4
Using One-Touch Presets
One-Touch Preset gives you one-touch access to tone and tempo settings that go well with the currently selected Auto Accompaniment rhythm pattern.
To perform using a one-touch preset
1.
If rhythm is playing, press the L-16 (START/ STOP) button to stop it.
2.
Select the rhythm (excluding user rhythms) you want to use.
3.
While holding down the L-7 ([E] PIANO RHYTHMS) button, press the L-8 ([F] USER RHYTHMS) button.
• Settings for the following items are configured appropriately for the rhythm you selected in step 1. – Tones for the UPPER 1, UPPER 2, and LOWER
parts
– Octave shift for the UPPER 1, UPPER 2, and
LOWER parts – Layer and split on/off – Accompaniment on/off – Reverb on/off and type – Chorus type – Auto harmonize or Arpeggiator on/off and type – Tempo
• Also, the F indicator flashes on the display to
indicate that the normal Auto Accompaniment pattern is standing by.
4.
Start playing something on the keyboard.
• Perform the procedure starting from step 7 under “Playing an Auto Accompaniment” on page E-24 and E-27.
• One-Touch Presets are not supported for user rhythms (F:001 through F:010).
• You can recall one-touch preset settings even if a rhythm is already playing when you perform step 3 of the above procedure. In this case, rhythm play will continue without going into synchro standby.
E-27
Using Auto Accompaniment
Using Auto Harmonize
Auto harmonize lets you add harmony to melody notes you play with your right hand. You can select any one of 12 Auto harmonize settings.
To play using auto harmonize
1.
Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button until the type selection screen shown below appears on the display.
Type number Type name
2.
Use the dial or R-14 (–, +) buttons to select the auto harmonize type you want to use.
• You can select one of the type numbers (001 through
012) described in the table below.
Type
Number
001 Duet 1
002 Duet 2
003 Country Adds country style harmony.
004 Octave
005 5th Adds the fifth degree note.
006 3WayOpen
007 3WayClos
008 Strings
009 4WayOpen
010 4WayClos
011 Block Adds block chord notes.
012 Big Band Adds big band style harmony.
• For information about type numbers greater than 012, see “Playing Arpeggio Phrases Automatically (Arpeggiator)” (page E-23).
Type
Name
Description
Adds close (separated by two to four degrees) one-note harmony below the melody note.
Adds open (separated by more than 4 to 6 degrees) 1-note harmony below the melody note.
Adds the note from the next lower octave.
Adds 2-note open harmony, for a total of three notes.
Adds 2-note close harmony, for a total of three notes.
Adds harmony that is optimal for strings.
Adds 3-note open harmony, for a total of four notes.
Adds 3-note close harmony, for a total of four notes.
E-28
3.
Press the R-15 (EXIT) button.
• This exits the type selection screen.
4.
Press the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button.
• This causes a pointer indicator to appear on the display next to A.HAR.
Lit
5.
Play chords and the melody on the keyboard.
• Harmony will be added to your melody notes based on the chords you play.
6.
To turn off auto harmonize, press the R-18 (AUTO HARMONIZE/ARPEGGIATOR) button again.
• This causes the pointer indicator next to A.HAR. to disappear.
Using the Rhythm Editor
You can use the rhythm editor to modify a built-in Auto Accompaniment rhythm and create an original “user rhythm” of your own. You can select a part (drum, bass, etc.) of a normal, intro, or other pattern (page E-27) and turn it on or off, adjust its volume level, and perform other operations.
User Rhythm Numbers
Rhythm areas numbered F:001 through F:010 are for storage of user rhythms. You can have up to 10 user rhythms stored in memory at one time. You can recall a stored user rhythm by pressing the L-8 ([F] USER RHYTHMS) button. See “Playing an Auto Accompaniment” (page E-24) for more information.
To create and save a user rhythm
1.
Select the rhythm you want to edit in order to create your user rhythm.
2.
Press the C-4 (RHYTHM EDITOR) button.
Using Auto Accompaniment
3.
Use buttons L-12 (INTRO) through L-15 (SYNCHRO/ENDING) to select the accompaniment pattern you want to edit. If you want to edit the intro accompaniment pattern, for example, press the L-12 (INTRO) button.
• Each press of the L-13 (NORMAL/FILL-IN) button toggles between normal and normal fill-in, and each press of the L-14 (VARIATION/FILL-IN) button toggles between variation and variation fill-in.
• The indicator for the currently selected accompaniment pattern will flash on the display.
Selecting this
accompaniment pattern:
Intro E Normal F
Normal fill-in F G Variation H Variation fill-in G H
Ending J
Causes this indicator to
flash:
• This displays the rhythm editor screen.
Instrument part being edited
Accompaniment pattern being edited
Rhythm number and rhythm name assigned to the instrument part of the accompaniment pattern being edited (Default: Number and name selected in step 1)
4.
Use the R-17 (u, i) buttons to select the instrument part you want to edit.
• The name of the instrument part you select will appear on the display.
Selecting this instrument
part:
Percussion PERC
Drums DRUM
Bass BASS
Chord 1 to Chord 5 CHORD1 to CHORD5
Causes this name to
appear on the display:
E-29
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