Behringer X2222USB, X1832USB, X2442USB User Manual

User Manual
XENYX X1622USB/X1832USB/X2222USB/ X2442USB
Premium 16/18/22/24-Input 2/2, 3/2, 4/2-Bus Mixer with XENYX Mic Preamps, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface
behringer.com
Table of Contents
Thank you ....................................................................... 2
Important Safety Instructions ...................................... 3
Legal Disclaimer ............................................................. 3
Limited Warranty ........................................................... 3
1. Introduction ...............................................................5
1.1 General mixing console functions ................................ 5
1.2 The user’s manual ............................................................... 6
1.3 Before you get started ...................................................... 6
2. Control Elements and Connectors .......................... 6
2.1 Mono channels .................................................................... 6
2.2 Stereo channels ................................................................... 9
2.3 Interface panel and main section ................................. 9
3. Graphic 9-Band Equalizer (X1832USB only) .......... 14
4. Digital Eects Processor ......................................... 14
5. Rear Panel Connectors ............................................ 15
5.1 Main mix outputs, insert points and
control room outputs.............................................................. 15
5.2 Subgroup outputs ............................................................ 15
5.3 Inserts ................................................................................... 16
5.4 Direct outputs (X2442USB only) .................................. 16
5.5 USB input/output ............................................................. 16
5.6 Voltage supply, phantom power supply
and fuse ........................................................................................ 16
6. Installation ............................................................... 17
6.1 Rack mounting ................................................................... 17
6.2 Cable connections ........................................................... 17
7. Specications ........................................................... 19

Thank you

Congratulations! In purchasing the BEHRINGER XENYX you have acquired a mixer whose small size belies its incredible versatility and audio performance.
The XENYX Series represents a milestone in the development of mixing console technology. With the new XENYX microphone preamps including phantom power as an option, balanced line inputs and a powerful eects section, th xing consoles in the XENYX Series are optimally equipped for live and studio applications. Owing to state-of-the-art circuitry, your XENYX console produces a warm analog sound that is unrivalled. With the addition of the latest digital technology, these best-in-class consoles combine the advantages of both analog and digital technology.
Terminals marked with this symbol carry electrical current of su cient magnitude to
constitute risk of electric shock. Use only high-quality commercially-available speaker cables with ¼" TS plugs pre-installed. All other installation or modi cation should be performed only by quali ed personnel.
This symbol, wherever it appears, alerts you
to the presence of uninsulated dangerous
voltage inside the enclosure - voltage that may be su cient to constitute a risk of shock.
This symbol, wherever it appears, alerts you
to important operating and maintenance
instructions in the accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do not
remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel.
Caution
To reduce the risk of  re or electric shock,
do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects  lled with liquids, such as vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed service personnel.
Read these instructions.1.
Keep these instructions.2.
Heed all warnings.3.
Follow all instructions.4.
Do not use this apparatus near water.5.
Clean only with dry cloth.6.
Do not block any ventilation openings. Install in 7.
accordance with the manufacturer’s instructions.
Do not install near any heat sources such as 8.
radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.
Do not defeat the safety purpose of the polarized 9.
or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not  t into your outlet, consult an electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or 10.
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
Use only attachments/accessories speci ed by 11.
the manufacturer.
Use only with the 12.
cart, stand, tripod, bracket, or table speci ed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
Unplug this apparatus during lightning storms or 13.
when unused for long periods of time.
Refer all servicing to quali ed service personnel. 14.
Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
The apparatus shall be connected to a MAINS socket 15.
outlet with a protective earthing connection.
Where the MAINS plug or an appliance coupler is 16.
used as the disconnect device, the disconnect device shall remain readily operable.
Technical speci cations and appearance are subject to change without notice. The information contained herein is correct at the time of printing. All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss which may be su ered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and speci cations may vary slightly from product. BEHRINGER products are sold through authorized dealers only. Distributors and dealers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of Red Chip Company Ltd.
ALL RIGHTS RESERVED. © 2010 Red Chip Company Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands
Warranty§ 1
This limited warranty is valid only if you purchased [1]
the product from a BEHRINGER authorized dealer in the country of purchase. A list of authorized dealers can be found on BEHRINGER’s website behringer. com under “Where to Buy“, or you can contact the BEHRINGER o ce closest to you.
MUSIC Group* warrants the mechanical and [2]
electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one (1) year from the original date of purchase (see the Limited Warranty terms in § 4 below), unless a longer minimum warranty period is mandated by applicable local laws. If the product shows any defects within the speci ed warranty period and that defect is not excluded under § 4, MUSIC Group shall, at its discretion, either replace or repair the product using suitable new or reconditioned product or parts. In case MUSIC Group decides to replace the entire product, this limited warranty shall apply to the replacement product for the remaining initial warranty period, i.e., one (1) year (or otherwise applicable minimum warranty period) from the date of purchase of the original product.
Upon validation of the warranty claim, the repaired [3]
or replacement product will be returned to the user freight prepaid by MUSIC Group.
Warranty claims other than those indicated above [4]
are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE.
Online registration§ 2
Please do remember to register your new BEHRINGER equipment right after your purchase at behringer. com under “Support” and kindly read the terms and conditions of our limited warranty carefully. Registering your purchase and equipment with us helps us process your repair claims quicker and more e ciently. Thank you for your cooperation!
Return materials authorization§ 3
To obtain warranty service, please contact the [1]
retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may contact the BEHRINGER distributor for your country listed under “Support” at behringer. com. If your country is not listed, please check if your problem can be dealt with by our “Online Support” which may also be found under “Support” at behringer. com. Alternatively, please submit an online warranty claim at behringer. com BEFORE returning the product. All inquiries must be accompanied by a description of the problem and the serial number of the product. After verifying the product’s warranty eligibility with the original sales receipt, MUSIC Group will then issue a Return Materials Authorization (“RMA”) number.
Legal Disclaimer
Limited Warranty

Important Safety Instructions

Legal Disclaimer

Limited Warranty

Subsequently, the product must be returned in [2]
its original shipping carton, together with the return authorization number to the address indicated by MUSIC Group.
Shipments without freight prepaid will not [3]
be accepted.
Warranty Exclusions§ 4
This limited warranty does not cover consumable [1]
parts including, but not limited to, fuses and batteries. Where applicable, MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety (90) days from date of purchase.
This limited warranty does not cover the product [2]
if it has been electronically or mechanically modi ed in any way. If the product needs to be modi ed or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modi cation/adaptation shall not be considered a defect in materials or workmanship. This limited warranty does not cover any such modi cation/adaptation, regardless of whether it was carried out properly or not. Under the terms of this limited warranty, MUSIC Group shall not be held responsible for any cost resulting from such a modi cation/adaptation.
This limited warranty covers only the product [3]
hardware. It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product. Any such software is provided “AS IS” unless expressly provided for in any enclosed software limited warranty.
This limited warranty is invalid if the factory-[4]
applied serial number has been altered or removed from the product.
Free inspections and maintenance/repair work [5]
are expressly excluded from this limited warranty, in particular, if caused by improper handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, guitar strings, illuminants and similar parts.
Damage/defects caused by the following conditions [6]
are not covered by this limited warranty:
improper handling, neglect or failure to operate the • unit in compliance with the instructions given in BEHRINGER user or service manuals;
connection or operation of the unit in any way • that does not comply with the technical or safety regulations applicable in the country where the product is used;
damage/defects caused by acts of God/Nature • (accident,  re,  ood, etc) or any other condition that is beyond the control of MUSIC Group.
Any repair or opening of the unit carried out by [7]
unauthorized personnel (user included) will void the limited warranty.
If an inspection of the product by MUSIC Group [8]
shows that the defect in question is not covered by the limited warranty, the inspection costs are payable by the customer.
Products which do not meet the terms of this [9]
limited warranty will be repaired exclusively at the buyer’s expense. MUSIC Group or its authorized service center will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after noti cation, MUSIC Group will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order.
Authorized BEHRINGER dealers do not sell new [10]
products directly in online auctions. Purchases made through an online auction are on a “buyer beware” basis. Online auction con rmations or sales receipts are not accepted for warranty veri cation and MUSIC Group will not repair or replace any product purchased through an online auction.
Warranty transferability§ 5
This limited warranty is extended exclusively to the original buyer (customer of authorized retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of MUSIC Group.
Claim for damage§ 6
Subject only to the operation of mandatory applicable local laws, MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind. In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product.
Limitation of liability§ 7
This limited warranty is the complete and exclusive warranty between you and MUSIC Group. It supersedes all other written or oral communications related to this product. MUSIC Group provides no other warranties for this product.
Other warranty rights and § 8
national law
This limited warranty does not exclude or limit the [1]
buyer’s statutory rights as a consumer in any way.
The limited warranty regulations mentioned herein [2]
are applicable unless they constitute an infringement of applicable mandatory local laws.
This warranty does not detract from the seller’s [3]
obligations in regard to any lack of conformity of the product and any hidden defect.
Amendment§ 9
Warranty service conditions are subject to change without notice. For the latest warranty terms and conditions and additional information regarding MUSIC Group’s limited warranty, please see complete details online at behringer. com.
* MUSIC Group Macao Commercial Off shore Limited of Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau, including all MUSIC Group companies

Introduction1.

XENYX Mic Preamp
The microphone channels feature high-end XENYX Mic Preamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features:
130 dB dynamic range for an incredible amount of headroom
A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear reproduction of even the finest nuances
The extremely low-noise and distortion-free circuitry guarantees absolutely natural and transparent signal reproduction
They are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply
They enable you to use the greatly extended dynamic range of your 24-bit/192-kHz HD recorder to the full, thereby maintaining optimal audio quality
“British EQ”
The equalizers used for the XENYX Series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their incredibly warm and musical sound character. Even with extreme gain settings these equalizers ensure outstanding audio properties.
Multi-eects processor
Additionally, your XENYX mixing console has an eects processor with 24-bit A/D and D/A converters included, which gives you 16 presets producing rst-class reverb, delay and modulation eec ts plus numerous multi-eects in excellent audio quality.
The XENYX mixing consoles are equipped with a state-of-the-art switched-mode power supply (SMPS). Unlike conventional circuitry
an SMPS provides an optimum supply current regardless of the input voltage. And thanks to its considerably higher eciency a switched-mode power supply uses less energy than conventional power supplies.
FBQ Feedback Detection System
CAUTION! !
We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX faders and phones control in the main sec tion fully down before you switch on the unit. Always be careful to set the appropriate volume.

General mixing console functions1.1

A mixing console fulls three main functions:
Signal processing: • Preamplification
Microphones convert sound waves into voltage that has to be amplied several-fold; then, this voltage is turned into sound that is reproduced in a loudspeaker. Because micro phone capsules are very delicate in their construction, output voltage is very low and therefore susceptible to interference. Therefore, mic signal voltage is amplied directly at the mixer input to a higher signal level that is less prone to interference. This higher, interference-safe signal level has to be achieved through amplication using an amplier of the highest quality in order to amplify the signal and add as little noise to it as possible. The XENYX Mic Preamp performs this role beautifully, leaving no traces of noise or sound coloration. Interference that could take place at the preamplication level could aect signal quality and purity, and would then be passed on to all other devices, resulting in inaccurate sounding program during recording or playback.
Level-setting
Signals fed into the mixer using a DI-box (Direct Injection) or the output of a sound card or a keyboard, often have to be adjusted to the operating level of your mixing console.
Frequency response correction
Using the equalizers found in each channel strip, you can simply, quickly and eectively adjust the way a signal sounds.
The FBQ Feedback Detection System integrated into the graphic EQ of your X1832USB is one of this mixer’s most outstanding features.
This ingenious circuitry lets you immediately recognize and eliminate feedback frequencies. The FBQ Feedback Detection System uses the LEDs in the frequency band faders of the graphic EQ to indicate the critical frequencies. This way, what once used to be a labor-intensive search for feedback frequencies is now an activity that even a child could master.
Voice Canceller
We have added another useful feature to the XENYX X1832USB: the Voice Canceller.
The Voice Canceller is a lter circuitry that lters out vocal portions from a track. Therefore, this mixing console is ideally suited for use as a karaoke machine. This feature is also an optimal solution for singers who need accompanying music for their rehearsals.
Eects mixing
In addition to the eec ts processor contained in your mixer, using the insert connectors on the mono channels and both aux busses lets you insert additional signal processors into your signal path.
Signal distribution: •
Individual signals adjusted at each channel strip are laid out at the aux sends and returns, and are either fed into external eec ts processors or fed back to the internal eects processor. Then, the signals are brought back into the main mix either via the aux return connectors or via direct internal wiring. The mix for the on-stage musicians is also created using the aux sends (monitor mix). Similarly, for example, signals for recording equipment, power ampli ers, headphones and 2-track outputs can also be taken.
X2222USB X2442USB
Mix: •
All other mixing console functions fall under this vital category. Creating a mix means primarily adjusting the volume levels of individual instruments and voices to one another as well as giving them the appropriate weight within the overall frequency spectrum. Likewise, you’ll have to sensibly spread individual voices across the stereo image of a signal. At the end of this process, adjusting the level of the entire mix to other equipment in the signal path is required (e. g. recorder/crossover/amplier). The control surface of BEHRINGER mixing consoles is optimized in such a way that these functions become easy to fulll while the signal path remains simple to follow.

The user’s manual1.2

The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. If you need to know more about specic issues, please visit our website at http://behringer.com. Additional information and explanations about various music industry/audio technology terminology can be found on individual product pages as well as in the glossary.
The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.

Before you get started1.3

Online registration1.3.3
Please do remember to register your new BEHRINGER equipment right after your purchase by visiting behringer.com (alternatively behringer.de) and kindly read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (behringer.com).
Registering your purchase and equipment with us helps us process your repair claims quicker and more eciently.
Thank you for your cooperation!

Control Elements and Connectors 2.

This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.

Mono channels2.1

Shipment1.3.1
Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit.
If the unit is damaged, please do NOT return it to us, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.
Initial operation1.3.2
Be sure that there is enough space around the unit for cooling purposes and to avoid over-heating please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the mains via the supplied cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating.
Please note that all units must be properly grounded. For your own safety, you should never remove any ground connectors from electrical devices or power cables, or render them in operative.
Please ensure that only qualified people install and operate the mixing console. During installation and operation, the user must have sufficient electrical contact to earth, otherwise electrostatic discharges might affect the operation of the unit.
Microphone and line inputs2.1.1
Connectors and controls of mic/line inputsFig. 2.1:
All Models
X1622USB X2442USB
MIC
Each mono input channel oers a balanced microphone input via the XLR connector and also features switchable +48 V phantom power supply for condenser microphones. The XENYX preamps provide undistorted and noise-free gain as is typically known only from costly outboard preamps.
Please mute your monitor system before you switch on phantom power. Otherwise potentially damaging thumps will be sent to your speakers. Please also note the instructions in chapter 5.5 “Voltage supply, phantom power and fuse”.
LINE IN
Each mono input also has a balanced line input on a ¼" jack. You can also connect unbalanced devices using mono jacks to these inputs.
Please remember that you can use either the microphone input or the line input of a channel, but not both at the same time!
INSERT
Insert points enable the processing of a signal with dynamic processors or equalizers. They are sourced pre-fader, pre-EQ and pre-aux send. Detailed information on using insert points can be found in chapter 5.3.
Unlike the X2442USB, the X1622USB, X1832USB and X2222USB have their insert points located on the rear of the console.
GAIN
Use the GAIN control to adjust the input gain. This control should always be turned fully counter-clockwise whenever you connect or disconnect a signal source to one of the inputs.
The scale has 2 dierent value ranges: the rst value range (+10 to +60 dB) refers to the MIC input and shows the amplication for the signals fed in there.
Equalizer2.1.2
All mono input channels have a 3-band equalizer with semi-parametric mid bands. All bands provide boost or cut of up to15 dB. In the central position, the equalizer is o (at).
The circuitry of the British EQs is based on the technology used in the best-known top-of-the-line consoles and providing a warm sound without any unwanted side eects. The result are extremely musical equalizers which, unlike simple equalizers, cause no side eects such as phase shifting or bandwidth limitation, even with extreme gain settings of ±15 dB.
Equalizer of the input channelsFig. 2.2:
The upper (HIGH) and the lower (LOW) bands are shelving lters that increase or decrease all frequencies above or below their cut-o frequency. The cut-o frequencies of the upper and lower bands are 12 kHz and 80 Hz respectively. For the mid range, the console features a semi-parametric equalizer with a lter quality (Q) of 1 octave, tunable from 100 Hz to 8 kHz. Use the MID control to set the amount of boost or cut, and the FREQ control to determine the central frequency.
Monitor and eects busses (Aux sends)2.1.3
The second value range (+10 to -40 dB) refers to the line input and shows its sensitivity. The settings for equipment with st andard line-level signals (-10 dBV or +4 dBu) look like this: While the GAIN control is turned all the way down, connect your equipment. Set the GAIN control to the external devices’ standard output level. If that unit has an output signal level display, it should show 0 dB during signal peaks. For +4 dBu, turn up GAIN slightly, for -10 dBV a bit more. Fine-tuning of a signal being fed in is done using the level meter. To route the channel signal to the level meter, you have to press the SOLO switch and set the MODE switch in the main section to PFL (LEVEL SET).
Using the GAIN control, drive the signal to the 0-dB mark. This way you have a vast amount of drive headroom for use with very dynamic signals. The CLIP display should light up only rarely, preferably never. While ne-tuning, the equalizer should be set to neutral.
LOW CUT
Additionally, the mono channels of the mixing consoles have a high-slope LOW CUT lter for eliminating unwanted, low-frequency signal components (75 Hz, 18 dB/octave).
COMPRESSOR
Each mono channel features a built-in compressor which lowers the dynamic range of the signal and increases its perceived loudness. The loud peaks are squashed down and the quiet sections are boosted.
Turn the COMP knob clockwise to add more compression eect. The adjacent LED with light when the eect is engaged.
Aux Send control MON and FX in the channel stripsFig. 2.3:
X2442USB
Monitor and eects busses (AUX sends) source their signals via a control from one or more channels and sum these signals to a so-called bus. This bus signal is sent to an aux send connector (for monitoring applications: MON OUT) and then routed, for example, to an active monitor speaker or external eects device. In the latter case, the eects return can then be brought back into the console via the aux return connectors.
All monitor and eects busses are mono, are tapped into post EQ and oer amplication of up to +15 dB.
Pre-fader/post-fader
When using eects on a channel signal, it is usual to have the aux send post fader so that the balance between eect and dry signal stays constant even when the channel fader is altered. If this were not the case, the eects signal of the channel would remain audible even when the channel fader is turned all the way down. For monitoring, the aux sends are generally pre-fader, i.e. they operate independently of the position of the channel fader.
PRE
When the PRE switch is p ressed down, the associated aux send is taken pre -fader.
FX
The aux send marked FX oers a direct route to the built-in eects processor and is therefore post-fader and post-mute. Please refer to chapter 4 “DIGITAL EFFECTS PROCESSOR” for detailed information.
If you are using the built-in effects processor, make sure that STEREO AUX RETURN 3 has nothing plugged into it (X2442USB and X2222USB), otherwise the internal effects return will be muted. This is not relevant if you use the FX OUT jack to drive an external effects device.
X1622USB and X1832USB: On these consoles, the above note refers to the STEREO AUX RETURN 2 jacks as these models do not have a dedicated effect output.
PAN
The PAN control determines the position of the channel signal within the stereo image. When working with subgroups, you can use the PAN control to assign the signal to just one output, which gives you additional exibility in recording situations. For example, when routing to subgroups 3 and 4, panning hard left will route the signal to group output 3 only, and panning hard right will route to group output 4 only.
MUTE
The MUTE switch breaks the signal path pre-channel fader, hence muting that channel in the main mix. The aux sends which are set to post-fader are likewise muted for that channel, while the pre-fader monitor paths remain active irrespective of whether the channel is muted or not.
MUTE LED
The MUTE LED indicates a muted channel.
CLIP-LED
The CLIP-LED lights up when the input signal is driven too high. If this happens, back o the GAIN control and, if necessary, check the setting of the channel EQ.
SOLO
The SOLO switch is used to route the channel signal to the solo bus (Solo In Place) or to the PFL bus (Pre Fader Listen). This enables you to listen to a channel signal without aecting the main output signal. The signal you hear is taken either before the pan control (PFL, mono) or after the pan and channel fader (Solo, stereo) (cf. chap. 2.3.10 “Level meters and monitoring”).
SUB (1-2 and 3-4)
The SUB switch routes the signal to the corresponding subgroups. The X2442USB has 4 subgroups (1-2 and 3-4).
Routing switch, PAN, SOLO and channel fader2.1.4
MAIN
The MAIN switch routes the signal to the main mix bus.
The channel fader determines the channel’s volume in the main mix (or submix).
The panorama and routing controls and the channel faderFig. 2.4:
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