Behringer 16 P16-I Product Information

Product Information Document
In Ear Monitor Systems
POWERPLAY P16-I
16-Channel 19'' Input Module with Analog and ADAT* Optical Inputs
Converts 16 analog inputs into 24-bit
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2 x 8-channel ADAT* optical inputs
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with auto detect and priority select
16 balanced, high-headroom
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TRSaudio inputs
State-of-the-art 24-bit A/D
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converters for premium audioquality
4-position gain switch per channel
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Digital inputs support 44.1 and
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48kHz sample rates
Ultra-low system latency of less than
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1 millisecond
Signal Present and Clip LEDs per
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channel plus ADAT* status LEDs
Standard CAT5e connection
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delivers power and signals for up to 6Personal Mixers
6 ULTRANET expansion network
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connectors (RJ45)
Internal autorange power supply for
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maximum  exibility (100–240V~), noise-free audio, superior transient response plus low power consumption for energy saving
The POWERPLAY P16 system is the
easy and a ordable way to give live
or recording musicians/vocalists what
they really want – “more me!” Part of
the P16 Personal Monitoring System,
the P16-I input module can be used
with any analog source, and convert
up to 16 analog inputs into 24-bit
digital audio to send to your P16-M
Personal Monitoring Mixers. The P16-I
is also equipped with ADAT optical
inputs that auto-detect and give priority to incoming signals.
Fast and easy to set up, a basic system can be installed and con gured in a
matter of minutes – and the system can be expanded to adapt to changing
needs. The POWERPLAY P16 Personal Monitoring System puts total control
of the monitor mix into the artist’s hands, and when they can hear exactly
what they want and need to hear – their best performance is unleashed!
3-Year Warranty Program**
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Conceived and designed by
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BEHRINGER Germany
*All third-pa rty tradema rks are the prop erty of their re spective owne rs. Their use n either constitu tes a claim of the trad emark nor a liation of the tradem ark owners with MU SIC Group. Produc t names are mentio ned solely as a re ference for comp atibility, e ects and/or components.
**Warran ty details can b e found at music-gro up.com.
Product Information Document
In Ear Monitor Systems
POWERPLAY P16-I
16-Channel 19'' Input Module with Analog and ADAT* Optical Inputs
ADAT-Ready
The P16-I includes a 2 x 8-channel ADAT optical input with auto detect and priority select for use with our existing ADAT equipment. Additionally, 16 balanced, high-headroom TRS audio inputs can be employed to send audio from analog outputs to your P16-Ms. You can choose from 4 gain positions per channel via a convenient onboard switch, and visually monitor by means of the status LEDs on each channel. Sample rates of 44.1 or 48 kHz are supported by the digital inputs, providing ultra-low latency of less than 1 millisecond. Standard Cat 5e cabling delivers power and signals for up to 6 P16-M Personal Monitoring Mixers, or you can use the included external supplies with each P16-M. Plus, the P16-I features an internal auto-ranging power supply for maximum  exibility (100–240V~), noise-free audio, superior transient response and low power consumption.
ULTRANET – Seamless Integration
The world-renowned engineers at KLARK TEKNIK, MIDAS, TURBOSOUND and BEHRINGER have all come together to create something truly innovative that will change live and studio work ow forever – ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices – including mixers, I/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated; and ease of setup translates directly into signi cant time saved during installation. ULTRANET e ectuates a powerful digital eco-system that gives you unparalleled control over every element of your audio production environment from one convenient location.
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