Behringer 1202FX User Manual 2

ENGLISH

CLIP

SIG

CLIP

SIG

User Manual

XENYX 1002FX/1202FX

Premium 10/12-Input 2-Bus
Mixer with XENYX Mic
Preamps, British EQs and
24-Bit Multi-FX Processor

Thank you

Congratulations! In purchasing our XENYX 1002FX/1202FX

you have acquired a mixing console whose small size belies its

incredible versatility and audio performance.

This manual is available in English, German, French, Spanish, Italian, Russian,

Polish, Dutch, Finnish, Swedish, Danish, Portuguese, Greek, Japanese

and Chinese. There may also be more current versions of this document.

Download them by going to the appropriate product page at:

Table of Contents

Thank you ..................................................................... 1

Important Safety Instructions ................................... 2

1. Introduction ............................................................ 3

1.1 General mixing console functions ........................................3

1.2 The user’s manual .........................................................................4

1.3 Before you get started ................................................................4

2. Control elements and connectors ........................ 5

2.1 Mono Channels .............................................................................5

2.2 Stereo channels .............................................................................6

2.3 Connector array of the main section ...................................7

2.4 Main section ....................................................................................8

2.5 Digital effects processor ............................................................9

3. Applications .......................................................... 10

3.1 Recording studio ........................................................................10

3.2 Live sound .....................................................................................12

4. Installation ............................................................. 13

4.1 Mains Connection .....................................................................13

4.2 Audio connections ....................................................................13

5. Specifications ........................................................14

Limited warranty ....................................................... 16

Legal Disclaimer ........................................................ 17

www.behringer.com

A50-00000-03477

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*

Terminals marked with this symbol carry electrical current of
suffi cient magnitude to constitute risk of electric shock. Use only
high-quality commercially-available speaker cables with ¼" TS
plugs pre-installed. All other installation or modifi cation should be
performed only by qualifi ed personnel.

*

This symbol, wherever it appears, alerts you to the presence of
uninsulated dangerous voltage inside the enclosure - voltage that
may be suffi cient to constitute a risk of shock.

!

This symbol, wherever it appears, alerts you to important operating
and maintenance instructions in the accompanying literature.
Please read the manual.

Caution !

To reduce the risk of electric shock, do not remove the top cover
(or the rear section). No user serviceable parts inside. Refer servicing
to qualifi ed personnel.

Caution !

To reduce the risk of fi re or electric shock, do not expose this
appliance to rain and moisture. The apparatus shall not be exposed
to dripping or splashing liquids and no objects fi lled with liquids,
such as vases, shall be placed on the apparatus.

Caution !

These service instructions are for use by qualifi ed service personnel
only. To reduce the risk of electric shock do not perform any
servicing other than that contained in the operation instructions.
Repairs have to be performed by qualifi ed service personnel.

Read these instructions.

[1]�

Keep these instructions.[2]�

Heed all warnings.[3]�

Follow all instructions.[4]�

Do not use this apparatus near water.[5]�

Clean only with dry cloth.[6]�

Do not block any ventilation openings. Install in accordance [7]�
with the manufacturer’s instructions.

Do not install near any heat sources such as radiators, heat

[8]�

registers, stoves, or other apparatus (including amplifi ers) that
produce heat.

Do not defeat the safety purpose of the polarized or grounding-

[9]�

type plug. A polarized plug has two blades with one wider
than the other. A grounding-type plug has two blades and
a third grounding prong. The wide blade or the third prong
are provided for your safety. If the provided plug does not fi t
into your outlet, consult an electrician for replacement of the
obsolete outlet.

Protect the power cord from being walked on or pinched

{10}�

particularly at plugs, convenience receptacles, and the point
where they exit from the apparatus.

Use only attachments/accessories specifi ed by

{11}�

the manufacturer.

Use only with the cart, stand, tripod, bracket,

{12}�

or table specifi ed by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.

Unplug this apparatus during lightning

{13}�

storms or when unused for long periods of time.

Refer all servicing to qualifi ed service personnel. Servicing is

{14}�

required when the apparatus has been damaged in any way,
such as power supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus, the apparatus
has been exposed to rain or moisture, does not operate
normally, or has been dropped.

The apparatus shall be connected to a MAINS socket outlet

{15}�

with a protective earthing connection.

Where the MAINS plug or an appliance coupler is used as the

{16}�

disconnect device, the disconnect device shall remain
readily operable.

EN

Important Safety Instructions

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Introduction1.

The BEHRINGER XENYX mixing console offers you premium­quality microphone preamplifiers with optional phantom
power supply, balanced line inputs and the ability to
connect external effects processors. Because of its extensive
and carefully thought-out routing possibilities, your XENYX
lends itself equally to both live and studio use.

The XENYX Series represents a milestone in the
development of mixing console technology. With the
new XENYX microphone preamps including phantom
power as an option, balanced line inputs and a powerful
effects section, the mixing consoles in the XENYX Series
are optimally equipped for live and studio applications.
Owing to state-of-the-art circuitry your XENYX console
produces a warm analog sound that is unrivalled. With the
addition of the latest digital technology these best-in-class
consoles combine the advantages of both analog and digital
technology.

The microphone channels feature high-end XENYX Mic
Preamps that compare well with costly outboard preamps
in terms of sound quality and dynamics and boast the
following features:

130 dB dynamic range for an incredible amount of •
headroom

A bandwidth ranging from below 10 Hz to over 200 kHz •
for crystal-clear reproduction of even the finest nuances

The extremely low-noise and distortion-free circuitry •
guarantees absolutely natural and transparent signal
reproduction

They are perfectly matched to every conceivable •
microphone with up to 60 dB gain and +48 volt phantom
power supply

They enable you to use the greatly extended dynamic •
range of your 24-bit/192-kHz HD recorder to the full,
thereby maintaining optimal audio quality

“British EQ”

The equalizers used for the XENYX Series are based on
the legendary circuitry of top-notch consoles made in
Britain, which are renowned throughout the world for their
incredibly warm and musical sound character. Even with
extreme gain settings these equalizers ensure outstanding
audio properties.

Multi-effects processor

Additionally, your XENYX mixing console has an effects
processor with 24-bit A/D and D/A converters included,
which gives you 100 presets producing first-class reverb,
delay and modulation effects plus numerous multi-effects
in excellent audio quality.

CAUTION!

We should like to draw your attention to the fact that ◊
extreme volumes may damage your hearing and/
or your headphones or loudspeakers. Turn the MAIN
MIX control and PHONES control in the main section
fully counterclockwise before you switch on the unit.
Always be careful to set appropriate volume levels.

General mixing console functions1.1

A mixing console fulfils three main functions:

Signal processing: •

Preamplification

Microphones convert sound waves into voltage that
has to be amplified several-fold; then, this voltage is
turned into sound that is reproduced in a loudspeaker.
Because micro phone capsules are very delicate in their
construction, output voltage is very low and therefore
susceptible to interference. Therefore, mic signal voltage
is amplified directly at the mixer input to a higher signal
level that is less prone to interference. This higher,
interference-safe signal level has to be achieved through
amplification using an amplifier of the highest quality
in order to amplify the signal and add as little noise to
it as possible. The XENYX Mic Preamp performs this
role beautifully, leaving no traces of noise or sound
coloration. Interference that could take place at the
preamplification level could affect signal quality and
purity, and would then be passed on to all other devices,
resulting in inaccurate sounding program during
recording or playback.

Level-setting

Signals fed into the mixer using a DI-box
(Direct Injection) or the output of a sound card or a
keyboard, often have to be adjusted to the operating
level of your mixing console.

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Frequency response correction

Using the equalizers found in each channel strip, you can
simply, quickly and effectively adjust the way a signal
sounds.

Signal distribution: •

Individual, processed signals from the channel strips are
compiled on busses and are fed into the main section
for further processing. Connections for recording
equipment, power amplifiers, headphones as well as
CD/tape connectors are available here. The mix is sent to
the internal FX processors or external effects processors
via aux sends and returns. Similarly, a mix can be created
for the musicians on the stage (monitor mix).

Mix: •

All other mixing console functions fall under this vital
category. Creating a mix means primarily adjusting the
volume levels of individual instruments and voices to
one another as well as giving them the appropriate
weight within the overall frequency spectrum. Likewise,
you’ll have to sensibly spread individual voices across
the stereo image of a signal. At the end of this process,
adjusting the level of the entire mix to other equipment
in the signal path is required (e. g. recorder/crossover/
amplifier).

The interface of BEHRINGER mixing consoles is optimized for
these tasks, enabling you to easily keep track of the signal
path.

The user’s manual1.2

The user’s manual is designed to give you both an
overview of the controls, as well as detailed information on
how to use them. In order to help you understand the links
between the controls, we have arranged them in groups
according to their function. If you need to know more
about specific issues, please visit our website at
http://www.behringer.com. Additional information
and explanations about various music industry/audio
technology terminology can be found on individual product
pages as well as in the glossary area of www.behringer.com.

The block diagram supplied with the mixing console ◊
gives you an overview of the connections between the
inputs and outputs, as well as the associated switches
and controls.

For the moment, just try and trace the signal path from the
microphone input to the FX SEND connector. Don’t be put
off by the huge range of possibilities; it’s easier than you
think! If you look at the overview of the controls at the same
time, you’ll be able to quickly familiarize yourself with your
mixing console and you’ll soon be making the most of all its
many possibilities.

Before you get started1.3

Shipment1.3.1

Your mixing console was carefully packed in the factory to
guarantee safe transport. Nevertheless, we recommend that
you carefully examine the packaging and its contents for
any signs of physical damage that may have occurred during
transit.

If the unit is damaged, please do NOT return it to us, ◊
but notify your dealer and the shipping company
immediately, otherwise claims for damage or
replacement may not be granted.

To assure optimal protection of your XENYX during use ◊
or transport, we recommend utilizing a carrying case.

Please always use the original packaging to avoid ◊
damage due to storage or shipping.

Never let unsupervised children play with the ◊
XENYX or with its packaging.

Please dispose of all packaging materials in an ◊
environmentally-friendly fashion.

Initial operation1.3.2

Be sure that there is enough space around the unit for ◊
cooling purposes and to avoid overheating please do
not place your mixing console on high-temperature
equipment such as radiators or power amps.

Never connect the XENYX to the power supply unit ◊
when the latter is connected to the mains! First
connect the power supply unit to the console, then
connect the power supply unit to the mains.

Please make sure that all units have a proper ground ◊
connection. For your own safety, never remove or
disable the ground conductor from the unit or on the
AC power cord. The unit should always be connected
to a mains socket outlet with a protective earthing
connection.

When installing the product, ensure the appliance ◊
coupler or power cord is easily accessible for
disconnecting the unit from mains.

Online registration1.3.3

Please, do remember to register your new
BEHRINGER equipment right after your purchase by visiting
www.behringer.com (alternatively www.behringer.de)
and kindly read the terms and conditions of our warranty
carefully.

Should your BEHRINGER product malfunction, our goal
is to have it repaired as quickly as possible. To arrange for
warranty service, please contact the retailer from whom the
equipment was purchased. Should your BEHRINGER dealer

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not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information
is included in the original equipment packaging (Global
Contact Information/European Contact Information). Should
your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support
area of our website (www.behringer.com).

Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.

Thank you for your cooperation!

Control elements and 2.

connectors

This chapter describes the various control elements of your
mixing console. All controls, switches and connectors will be
discussed in detail.

Mono Channels2.1

MIC

Each mono input channel offers a balanced microphone
input via the XLR connector and also features switchable
+48 V phantom power supply for condenser microphones.
The XENYX preamps provide undistorted and noise-free gain
as is typically known only from costly outboard preamps.

Please mute your playback system before you activate ◊
the phantom power supply to prevent switch-on
thumps being directed to your loudspeakers. Please
also note the instructions in chapter 2.4 “Main section”.

LINE IN

Each mono input also features a balanced line input on a ¼"
connector. Unbalanced devices (mono connectors) can also
be connected to these inputs.

Please remember that you can only use either the ◊
microphone or the line input of a channel at any one
time. You can never use both simultaneously!

GAIN

Use the GAIN control to adjust the input gain. This control
should always be turned fully counterclockwise whenever
you connect or disconnect a signal source to one of the
inputs.

The scale has 2 different value ranges: the first value range
(+10 to +60 dB) refers to the MIC input and shows the
amplification for the signals fed in there.

The second value range (+10 to -40 dBu) refers to the line
input and shows its sensitivity. The settings for equipment
with standard line-level signals (-10 dBV or +4 dBu) look
like this: While the GAIN control is turned all the way down,
connect your equipment. Set the GAIN control to the
external devices’ standard output level. If that unit has an
output signal level display, it should show 0 dB during signal
peaks. For +4 dBu, turn up GAIN slightly, for -10 dBV a bit
more. Tweaking is done using the CLIP LED.

Fig. 2.1: Connectors and controls on the mono channels

EQ

All mono input channels include a 3-band equalizer. All
bands provide boost or cut of up to 15 dB. In the central
position, the equalizer is inactive.

The circuitry of the British EQs is based on the technology
used in the best-known top-of-the-line consoles and
providing a warm sound without any unwanted side effects.
The result are extremely musical equalizers which, unlike
simple equalizers, cause no side effects such as phase
shifting or bandwidth limitation, even with extreme gain
settings of ±15 dB.

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The upper (HIGH) and the lower band (LOW) are shelving
filters that increase or decrease all frequencies above or
below their cut-off frequency. The cut-off frequencies of the
upper and lower band are 12 kHz and 80 Hz respectively.
The mid band is configured as a peak filter with a center
frequency of 2.5 kHz. Unlike shelving filters, the peak filter
processes a frequency range that extends upwards and
downwards around its middle frequency.

LOW CUT

In addition, the mono channels are equipped with a steep
LOW CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz) designed
to eliminate unwanted low-frequency signal components.
These can be noises created by hand-held microphones,
subsonic noise or plosive sounds created by highly sensitive
microphones.

FX

FX sends enable you to feed signals via a variable control
from one or more channels and sum these signals to a bus.
The bus appears at the console’s FX send output and can be
fed from there to an external effects device. The return from
the effects unit is then brought back into the console on the
stereo channels. Each FX send is mono and features up to
+15 dB gain.

As the name suggests, the FX sends of the XENYX mixing
consoles are intended to drive effects devices (reverb,
delay, etc.) and are therefore configured post-fader. This
means that the mix between dry signal and effect remains
at the level determined by the channel’s aux send,
irrespective of the channel fader setting. If this were not the
case, the effects signal of the channel would remain audible
even when the fader is lowered to zero. With XENYX mixing
consoles, the channel fader is called LEVEL control.

In the 1002FX/1202FX, the FX send is routed directly to
the built-in effects processor. To make sure that the effects
processor receives an input signal, you shouldn’t turn this
control all the way to the left (-oo).

LEVEL

The LEVEL control determines the level of the channel signal
in the main mix.

Attention: Since the FX path for the effect processor ◊
is connected post-fader, the LEVEL control has to be
turned up in order to get this channel’s signal to the
effects processor!

CLIP

The CLIP-LED’s of the mono channels illuminate when the
input signal is driven too high, which could cause distortion.
If this happens, use the GAIN control to reduce the preamp
level until the LED does not light anymore.

Stereo channels2.2

PAN

The PAN control determines the position of the channel
signal within the stereo image. This control features a
constant-power characteristic, which means the signal is
always maintained at a constant level, irrespective of position
in the stereo panorama.

Fig. 2.2: Connectors and controls on the stereo channels