Yamaha PSR-220, PSR-230 User Manual

ENGLISH

DEUTSCHFRANÇAISESPAÑOL

OWNER'S MANUAL
BEDIENUNGSANLEITUNG
MODE D'EMPLOI
MANUAL DE INSTRUCCIONES

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT
connect this product to any power supply or adapter other than one described
in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack,
or stand that is recommended by Yamaha. If a cart, etc., is used, please
observe all safety markings and instructions that accompany the accessory
product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of
printing. However, Yamaha reserves the right to change or modify any of the
specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones
or speaker/s, may be capable of producing sound levels that could cause
permanent hearing loss. DO NOT operate for long periods of time at a high
volume level or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function
or effect works (when the unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners responsibility. Please
study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is

approximately five years. When replacement becomes necessary, contact a
qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable type
and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a
different type. Batteries MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries
away from children. Dispose of used batteries promptly and as regulated by the
laws in your area. Note: Check with any retailer of household type batteries in
your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for
some reason its useful life is considered to be at an end, please observe all
local, state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist you,
please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number,
serial number, power requirements, etc., are located on this plate. You should
record the model number, serial number, and the date of purchase in the
spaces provided below and retain this manual as a permanent record of your
purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this
manual, meets FCC requirements. Modifications n ot expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.

IMPORTANT:

When connecting this product to accessories and/or another product use only
high quality shielded cables. Cable/s supplied with this product MUST be
used. Follow all installation instructions. Failure to follow instructions could
void your FCC authorization to use this product in the USA.

NOTE:

This product has been tested and found to comply with the requirements listed
in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of
this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation of other

electronic devices. Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product is found to be the
source of interference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the following
measures:

• Relocate either this product or the device that is being affected by the

interference.

• Utilize power outlets that are on different branch(circuit breaker or fuse)

circuits or install AC line filter/s.

• In the case of radio or TV interference, relocate/reorient the antenna. If

the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co­axial type cable.

If these corrective measures do not produce satisfactory results, please contact
the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America,
Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

• This applies only to products distributed by Yamaha Corporation of America.

Congratulations on your purchase of the Yamaha PortaTone!

You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-of­use in a highly compact package. Its outstanding features also make it a remarkably expressive and
versatile instrument.

Read this Owner’s Manual carefully while playing your new PortaTone in order to take full advantage of its
various features.

CONTENTS

Main Features 1

Precautions — Taking Care of Your PortaTone

2

Setting Up 3

Power Requirements ..........................................3

PHONES/AUX OUT Jack ....................................4

SUSTAIN Jack......................................................4

Music Stand ........................................................4

Getting Started — Playing the Demo Songs

5

Panel Controls and Terminals 6

Basic Display Operations 8

Playing Voices — The Voice Mode 10

Selecting and Playing a Voice — Main Voice Mode....

10

■

Main Voice Sub Menu..............................................11

■

Percussion Kit Voice Chart ........................................12

Playing Two Voices — Dual Voice Mode ........12

■

Dual Voice Sub Menu ..............................................13

Playing Two Voices — Split Voice Mode ........14

■

Split Voice Sub Menu ..............................................15

Other Voice Controls 16

Chorus ..............................................................16

Harmony/Echo ................................................16

■

Harmony/Echo Sub Menu ........................................17

Reverb ..............................................................18

Touch Response ..............................................18

Overall Controls ..............................................19

■

Reverb/Others Sub Menu ........................................19

Playing Auto Accompaniment — The Style Mode

20

Selecting a Style and Playing an Auto Accompaniment

........

20

■

About the METRONOME Icon ..................................21

■

Sync-Stop Function ..................................................24

Changing the Fingering Mode ........................24

■

Fingered ................................................................25

■

Full ........................................................................26

■

Single Finger ..........................................................26

Changing the Accompaniment Split Point ......26

One Touch Setting ............................................27

Playing Songs — Tne Song Mode 28

Selecting and Playing a Song ........................28

Using the Repeat Play Function ......................29

Using the Guide Function (PSR-230 only) ......30

Using the Minus One Function ........................31

■

Selecting individual channels for Minus One ..............31

■

Song Sub Menu ......................................................32

■

Song Volume ..........................................................32

■

One Touch Setting in the Song Mode ........................33

Recording User Songs — Easy Chord Memory

33

Real-time Recording ........................................34

Step Recording..................................................35

Song Clear ........................................................35

User Song Playback ........................................35

Music Cartridge (PSR-230) 36

Inserting a Music Cartridge..............................36

■

Music Cartridge Precautions......................................36

Selecting Styles on a Music Cartridge ............37

Selecting Songs on a Music Cartridge ............37

MIDI Functions 38

MIDI Basics ........................................................38

■

MIDI Sub Menu ......................................................40

Appendix 41

Data Backup and Initialization........................41

■

Initialize Operation..................................................41

Voice List ..........................................................42

■

Voice Polyphony......................................................42

■

Panel Voice List ......................................................42

■

GM Voice List..........................................................43

Troubleshooting ................................................44

Index ................................................................45

MIDI Implementation Chart ............................46

Specifications ....................................................48

1

Main Features

The PortaTone is a sophisticated yet easy-to-use keyboard with the following features and
functions:

■

Exceptionally realistic, high-quality Voices (100 Panel, 129 GM Voices (128 Voices +
1 Percussion Kit)), created with AWM (Advanced Wave Memory) technology, which utilizes
digital recordings of actual instruments.

■

A convenient Voice Set function that automatically calls up the most suitable Voice-related

settings whenever you select a Panel Voice.

■

100 auto accompaniment Styles, each with different Intro, Main A and B, four Fill-ins,
and Ending sections. Each of the 100 Styles also features a special Jam Track section,
providing stylistically appropriate chord progressions and section changes for playing along
with.

■

Large custom LCD gives you easy, at-a-glance confirmation of all important settings.

■

One Touch Setting buttons, for automatically calling up an appropriate Voice (along with
matching effect and other settings) for playing with the Style you select. Each of the 100
Styles features four different One Touch Settings.

■

Touch Response function for natural, expressive control over the Voices.

■

Rich, luscious-sounding effects — including Reverb, Chorus, Harmony and Echo — for
enhancing the Voices.

■

Easy Chord Memory for recording your own chord progressions — letting you create
automatic backing for your original songs.

■

Guide lamps (on PSR-230), and the Minus One and Repeat Play functions provide
convenient, powerful tools for learning new songs and improving your keyboard technique.

■

Music Cartridge slot (on PSR-230) lets you plug in optional Yamaha Music Cartridges for
adding new accompaniment Styles and Songs.

■

Comprehensive MIDI control, including 16-part multi-timbral capacity and full General
MIDI compatibility.

■

Built-in high-quality stereo amplifier/speaker system.

2

Precautions —

Taking Care of Your PortaTone

Your new PortaTone is a fine musical instrument — and should be treated as such. Handle it with care and
common sense, and it will give you years of enjoyment.

Location ------------------------------------------------------------------

• Avoid exposure to direct sunlight or other sources of heat. Never leave it inside a car where it can get
very hot. Also avoid highly humid or dusty places.

Interference From Electromagnetic Fields------------------------

• Do not use your PortaTone close to television sets, radios or similar equipment since this may cause
interference noise in the other appliance.

Handling ----------------------------------------------------------------

• Protect your PortaTone from strong impact. Be careful not to drop it or place heavy objects on it.
Avoid applying excessive force to the controls and keys.

• Always unplug cables by gripping the plug firmly, and not by pulling on the cable.

Turn Power Off When Making Connections --------------------

• To avoid damage to the PortaTone or other equipment, turn off the power of all related equipment —
including the PortaTone — before connecting or disconnecting any cables.

When Not Using the PortaTone ------------------------------------

• After use, always turn off the POWER switch. When not using your PortaTone for long periods, be sure
to remove the batteries to avoid damage through battery leakage. When using the PortaTone with an AC
adaptor, unplug the adaptor from the electrical outlet, if the instrument is not to be used for a long period
of time, or during electrical storms.

Cleaning------------------------------------------------------------------

• Clean the exterior with a soft, dry cloth. To remove stubborn stains, use a slightly moistened cloth.

• Never use alcohol, thinner, or other chemical solvents, since they will damage the finish. Also, do not
leave vinyl chloride material on the PortaTone for a long time, since it may adhere to the exterior.

Service and Modification --------------------------------------------

• Your PortaTone contains no user-serviceable parts. Opening it or tampering with it in any way may
result in damage and even electrical shock. Refer all servicing to qualified Yamaha personnel.

• Yamaha is not responsible for damage caused by improper usage.

NOTE

Setting Up

This section contains information about setting up your PortaTone for playing. Make sure to read this section
carefully before using the instrument.

Power Requirements

Your PortaTone can run either on batteries (sold separately) or on normal household current by using the optional
Yamaha PA-3/3B Power Adaptor (or another adaptor specifically recommended by Yamaha).

■

Using an AC Power Adaptor

To connect your PortaTone to a wall socket, you will need the optionally available Yamaha PA-3/3B
Power Adaptor. Use of other AC adaptors could result in damage to the instrument, so be sure to ask for
the right kind. Plug the adaptor into a convenient wall outlet and its connector into the DC IN 10-12V
jack on the back of your PortaTone.

■

Using Batteries

Inserting Batteries

Turn the instrument upside-down and remove the battery compartment lid. Insert six 1.5-volt size “D”
batteries as shown in the illustration, making sure that the positive and negative terminals are properly
aligned, and replace the lid.

When the Batteries Run Down

When the batteries run low and the battery voltage drops below a certain level, the PortaTone may not
sound or function properly, or it may reset to the default status. As soon as this happens, replace them
with a complete set of six new batteries. Never mix old and new batteries or different types of batteries
(e.g., alkaline and manganese).

• To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for
an extended period of time.

NOTE

DC IN 10-12V

3

4

PHONES/AUX OUT Jack

■

Using Headphones

For private practicing and playing without disturbing others, connect a set of stereo headphones to the
rear panel PHONES/AUX OUT jack. Sound from the built-in speaker system is automatically cut off when
you insert a headphone plug into this jack.

■

Connecting a Keyboard Amplifier or Stereo System

Though the PortaTone is equipped with a built-in speaker system, you can also play it through an
external amplifier/speaker system. First, make sure the PortaTone and any external devices are turned off,
then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and
the other end to the rear panel PHONES/AUX OUT jack on the PortaTone.

SUSTAIN Jack

An optional Yamaha FC4 or FC5 footswitch can be connected to the rear panel SUSTAIN jack for sustain
control. The footswitch functions like the damper switch on a piano: press and hold to sustain the sound,
and release for normal decay.

For normal operation, turn the power off before connecting the footswitch, then turn the PortaTone on
without pressing the footswitch. Also, do not disconnect the switch while the power is on.

• Make sure to turn the power off before connecting or disconnecting the footswitch.

Music Stand

Insert the bottom edge of the included music stand into the slot located at the top rear of the PortaTone control panel.

(PSR-230)

NOTE

SUSTAIN

PHONES /
AUX OUT

Getting Started —

Playing the Demo Songs

The PortaTone has sixteen various Demo Songs, specially recorded to showcase the dynamic sounds and
rhythms and give you an idea of what you can do with the instrument.

1

First, turn on the power.

Press the POWER ON/OFF button. Whenever the power is turned on, the Voice mode is
automatically called up and set to play Voice 01 (GRAND PIANO).

2

Set the Volume.

Initially, turn the VOLUME control about a third of the way up. You can adjust the control for
optimum level once you start playing.

3

Press the DEMO button.

The Demo Songs will play in sequence from Song number 01. You can also play along on the
keyboard with the Songs.

• When Demo Songs that use the internal accompaniment Styles are played back, chord names are indicated in the
display as the chords of the Song change.

To stop playback, press the DEMO button again or press the START/STOP button.

START/STOP

START/STOP

DEMO

NOTE

DEMO

VOLUME

MAXMIN

POWER

5

Panel Controls and Terminals

6

12

PSR-230

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICESTYLE

CART

6 5aug

A

B JAM

CART

43

GrandPno

321 4

PSR-230

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

SONG
CLEAR

REC/
END

EASY

CHORD

MEMORY

NO YES

CARTRIGE

1

4

7

2

5

8

0

3

6

9

VOICE

STYLE

SONG

MAIN MENU

SYNC-START

START/STOP

INTRO MAIN/AUTO FILL ENDING

JAM TRACK

SYNC­STOP

LARGE/
SMALL

MEASURE

BEAT

MINUS ONE

GUIDE

ONE TOUCH SETTING

EASY CHORD MEMORY

START/STOP

REPEAT PLAY

POWER VOLUME

DEMO

MAX

TEMPO

TEMPO

RESET

SUB MENU

SPLIT FINGERING

MIN

ACCOMPANIMENT

SONG

KEYBOARD

VOLUME

VOLUME

TOUCH

RESPONSE

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

INTRO MAIN A MAIN B ENDING JAM TRACK

STYLE

EASY CHORD

MEMORY

RESET

PIANO ORGAN

REED

01 GRAND PIANO
02 HONKY-TONK
03 FUNKY E PNO
04 DX E PIANO
05 MIDI GRAND
06 HYPER E PNO
07 BELL E PNO

09 HARPSI CPL
10 CLAVI
11 CELESTA

12 VIBRAPHONE
13 MARIMBA
14 XYLOPHONE
15 TUBE BELLS

08 HARPSICHORD

22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2

40 DIST GUITAR

25 16+2 ORGAN
26 16+4 ORGAN

19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3

37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR

41 ACC BASS
42 FINGER BASS
43 FRETLESS

47 CHAMBER STR
48 SYNTH STRS

44 SLAP BASS
45 SYNTH BASS

46 STRINGS

49 SLOW STRS16 TIMPANI
17 STEEL DRUMS
18 MUSIC BOX

32 CLASSIC GTR

27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD

33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR

MALLETS

31 BANDONEON

GUITAR

BASS

ENSEMBLE

52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT

58 VIOLIN

73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET

80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA

84 PICCOLO

78 SAX+TRB
79 OBOE

59 CELLO
60 CONTRABASS

63 MUTE TRP

62 TRUMPET
64 TROMBONE

65 TRB SECTION
66 FRENCH HORN

61 HARP

BRASS

69 BRASS+SAX
70 BRASS+TRB

67 TUBA
68 BRASS SECT

71 BRASS+TRP
72 SYNTH BRASS

PIPE

SYNTH LEAD

85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA

91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD

89 SQUARE LEAD
90 SAWTOOTH LD

SYNTH PAD

96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON

00 DRUM KIT

95 FANTASIA

DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS

STRINGS

POP

DANCE CONTEMP JAZZ

C & W

MARCH STYLE

BALLROOM STD

01 8BEAT POP
02 8 UPBT POP
03 LIGHT POP
04 FOLKROCK
05 DETROIT POP
06 UP POP SHFL
07 POP RHUMBA

09 8BEAT LIGHT
10 SLOW BALLAD
11 EPIC BALLAD
12 16BEAT BLD 1
13 PNO BALLAD
14 6

/

8 BALLAD 1

15 6/8 BALLAD 2

08 SHOWTUNE

22 ACID JAZZ
23 70S DISCO
24 DISCO PARTY

36 COOL JAZZ
37 JAZZ BALLAD

38 JAZZ WALTZ
25 DISCO TROP
26 POLKA POP

17 LITE RK BLD
18 LATIN ROCK
19 6/8HVY ROCK
20 6/8 GOSPEL
21 SLOW ROCK

33 B B BALLAD 49 REGGAE 16

34 SWING

35 CHARLESTON

39 FAST BOSSA

40 SLOW BOSSA

41 SAMBA 1

42 JAZZ SAMBA

43 MAMBO

47 BOLERO LNTO

48 REGGAE 12

44 BEGUINE

45 MERENGUE

46 SON

16 ROCK BALLAD 32 BIG BAND

POP BALLAD

ROCK

27 ROCK&ROLL 1
28 ROCK&ROLL 2
29 BOOGIE
30 TWIST

ROCK & ROLL

31 DIXIELAND

TRAD JAZZ

LATIN

50 BLUEGRASS
51 C ROCK 1
52 C ROCK 2
53 COWBOY BOOG
54 C BALLAD
55 C SHUFFLE
56 TWO STEP
57 C WALTZ 1
58 C WALTZ 2

69 TANGO ARGN
70 FOXTROT
71 JIVE
72 QUICKSTEP
73 SLOWFOX

BALLROOM LTN

76 CHA CHA
77 RHUMBA
78 SAMBA 2
79 CONGA
80 PASODOBLE

74 SLOW WALTZ
75 VIEN WALTZ

59 POLKA 1
60 POLKA 2
61 ESPAGNOLE
62 TARANTELLA
63 TRAD WALTZ 1
64 TRAD WALTZ 2

WORLD MUSIC

65 MARCH 1
66 MARCH 2
67 6

/

8 MARCH 1

68 6/8 MARCH 2

81 POP ROCK
82 POP SHUFFLE
83 ROCK POP
84 ROCK SHUFFL
85 16BEAT POP
86 16BEAT BLD 2
87 TECHNO
88 DANCE POP
89 POP RAP
90 EUROBEAT
91 DISCO POP
92 DISCO SOUL
93 R&B
94 SOUL
95 FUNK
96 6/8 BLUES
97 FUSION
98 POP BOSSA
99 SALSA
00 POP RAGGAE

!" #

$

%

&

'

(

)

*

+

3

5

NAME / SUB MENU MAIN MENU

PSR-220

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICESTYLE

CART

6 5aug

GrandPno

321 4

A

B

JAM

POWER VOLUME

DEMO

SUB MENU

MIN MAX

ACCOMPANIMENT

SONG

KEYBOARD

ONE TOUCH SETTING

EASY CHORD MEMORY

VOLUME

RESET

TEMPO

VOLUME

TEMPO

RESET

SYNC-START

START/STOP

INTRO MAIN/AUTO FILL ENDING

JAM TRACK

START/STOP

SPLIT FINGERING

TOUCH

RESPONSE

MEASURE

REPEAT PLAY

MINUS ONE

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

INTRO MAIN A MAIN B ENDING JAM TRACK

STYLE

EASY CHORD

MEMORY

BEAT

SYNC­STOP

LARGE/
SMALL

VOICE

MAIN MENU

STYLE

SONG

1

4

7

2

5

8

0

3

6

9

NO YES

EASY CHORD MEMORY

General MIDI compatible
Reverb and chorus effects
Touch responsive keys

REC/
END

SONG
CLEAR

PSR-220

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

1234

PIANO ORGAN

REED

01 GRAND PIANO
02 HONKY-TONK
03 FUNKY E PNO
04 DX E PIANO
05 MIDI GRAND
06 HYPER E PNO
07 BELL E PNO

09 HARPSI CPL
10 CLAVI
11 CELESTA

12 VIBRAPHONE
13 MARIMBA
14 XYLOPHONE
15 TUBE BELLS

08 HARPSICHORD

22 FULL ORGAN
23 ROCK ORG 1
24 ROCK ORG 2

40 DIST GUITAR

25 16+2 ORGAN
26 16+4 ORGAN

19 JAZZ ORG 1
20 JAZZ ORG 2
21 JAZZ ORG 3

37 CLEAN GTR
38 MUTE GUITAR
39 OVRDRV GTR

41 ACC BASS
42 FINGER BASS
43 FRETLESS

47 CHAMBER STR
48 SYNTH STRS

44 SLAP BASS
45 SYNTH BASS

46 STRINGS

49 SLOW STRS16 TIMPANI
17 STEEL DRUMS
18 MUSIC BOX

32 CLASSIC GTR

27 CHURCH ORG
28 REED ORGAN
29 MUSETTE
30 TRAD ACCORD

33 FOLK GUITAR
34 12ST GUITAR
35 JAZZ GUITAR
36 OCTAVE GTR

MALLETS

31 BANDONEON

GUITAR

BASS

ENSEMBLE

52 PIZZ STR
53 CHOIR
54 CHOIR AAHS
55 CHOIR OOHS
56 SYNTH CHOIR
57 ORCH HIT

58 VIOLIN

73 SOPRANO SAX
74 ALTO SAX
75 TENOR SAX
76 BARI SAX
77 SAX+CLARNET

80 ENG HORN
81 BASSOON
82 CLARINET
83 HARMONICA

84 PICCOLO

78 SAX+TRB
79 OBOE

59 CELLO
60 CONTRABASS

63 MUTE TRP

62 TRUMPET
64 TROMBONE

65 TRB SECTION
66 FRENCH HORN

61 HARP

BRASS

69 BRASS+SAX
70 BRASS+TRB

67 TUBA
68 BRASS SECT

71 BRASS+TRP
72 SYNTH BRASS

PIPE

SYNTH LEAD

85 FLUTE
86 PAN FLUTE
87 RECORDER
88 OCARINA

91 VOICE LEAD
92 CRYSTAL
93 BRIGHTNESS
94 ANALOG LEAD

89 SQUARE LEAD
90 SAWTOOTH LD

SYNTH PAD

96 BELL PAD
97 XENON PAD
98 ANGELS
99 DARK MOON

00 DRUM KIT

95 FANTASIA

DRUM KIT
50 TREMOLO STR
51 VIOLIN+STRS

STRINGS

POP

DANCE CONTEMP JAZZ

C & W

MARCH STYLE

BALLROOM STD

01 8BEAT POP
02 8 UPBT POP
03 LIGHT POP
04 FOLKROCK
05 DETROIT POP
06 UP POP SHFL
07 POP RHUMBA

09 8BEAT LIGHT
10 SLOW BALLAD
11 EPIC BALLAD
12 16BEAT BLD 1
13 PNO BALLAD
14 6

/

8 BALLAD 1

15 6/8 BALLAD 2

08 SHOWTUNE

22 ACID JAZZ
23 70S DISCO
24 DISCO PARTY

36 COOL JAZZ
37 JAZZ BALLAD

38 JAZZ WALTZ
25 DISCO TROP
26 POLKA POP

17 LITE RK BLD
18 LATIN ROCK
19 6/8HVY ROCK
20 6/8 GOSPEL
21 SLOW ROCK

33 B B BALLAD 49 REGGAE 16

34 SWING

35 CHARLESTON

39 FAST BOSSA

40 SLOW BOSSA

41 SAMBA 1

42 JAZZ SAMBA

43 MAMBO

47 BOLERO LNTO

48 REGGAE 12

44 BEGUINE

45 MERENGUE

46 SON

16 ROCK BALLAD 32 BIG BAND

POP BALLAD

ROCK

27 ROCK&ROLL 1
28 ROCK&ROLL 2
29 BOOGIE
30 TWIST

ROCK & ROLL

31 DIXIELAND

TRAD JAZZ

LATIN

50 BLUEGRASS
51 C ROCK 1
52 C ROCK 2
53 COWBOY BOOG
54 C BALLAD
55 C SHUFFLE
56 TWO STEP
57 C WALTZ 1
58 C WALTZ 2

69 TANGO ARGN
70 FOXTROT
71 JIVE
72 QUICKSTEP
73 SLOWFOX

BALLROOM LTN

76 CHA CHA
77 RHUMBA
78 SAMBA 2
79 CONGA
80 PASODOBLE

74 SLOW WALTZ
75 VIEN WALTZ

59 POLKA 1
60 POLKA 2
61 ESPAGNOLE
62 TARANTELLA
63 TRAD WALTZ 1
64 TRAD WALTZ 2

WORLD MUSIC

65 MARCH 1
66 MARCH 2
67 6

/

8 MARCH 1

68 6/8 MARCH 2

81 POP ROCK
82 POP SHUFFLE
83 ROCK POP
84 ROCK SHUFFL
85 16BEAT POP
86 16BEAT BLD 2
87 TECHNO
88 DANCE POP
89 POP RAP
90 EUROBEAT
91 DISCO POP
92 DISCO SOUL
93 R&B
94 SOUL
95 FUNK
96 6/8 BLUES
97 FUSION
98 POP BOSSA
99 SALSA
00 POP RAGGAE

!" #

%

&

'

(

)

*

+

5

MIDI DC IN 10-12

SUSTAIN

PHONES/
AUX OUT

OUT IN

+  -

9678

Top Panel Controls

! POWER switch ..........................................................................page 5

" VOLUME control ........................................................................page 5

# DEMO button ............................................................................page 5

$ ACCOMPANIMENT/SONG VOLUME controls ................pages 23, 32

% ACCOMPANIMENT/SONG TEMPO controls ........................ page 22

& KEYBOARD controls

• TOUCH RESPONSE button ..................................................page 18

• SPLIT button ........................................................................ page 14

• FINGERING button ..............................................................page 24

' SUB MENU buttons .......................................................... pages 8, 11

( Panel Display .......................................................................... page 8

) MAIN MENU buttons ...................................................... pages 8, 11

* ACCOMPANIMENT controls

• SYNC-START button ............................................................page 21

• START/STOP button ............................................................ page 21

• INTRO button ...................................................................... page 21

• MAIN/AUTO FILL A, B buttons .................................. pages 21, 22

• ENDING button .................................................................. page 24

• JAM TRACK button ............................................................ page 23

• SYNC-STOP button ............................................................ page 24

• LARGE/SMALL button ........................................................ page 23

+ SONG controls

• START/STOP button ............................................................ page 29

• REPEAT PLAY button .......................................................... page 29

• MINUS ONE button ............................................................ page 31

• GUIDE button (PSR-230 only) ............................................ page 30

, VOICE Mode button ................................................................page 10

- STYLE Mode button ................................................................ page 20

. SONG Mode button .............................................................. page 28

/ ONE TOUCH SETTING 1 - 4 buttons ............................ pages 27, 33

(also:) EASY CHORD MEMORY controls ................................ page 35

• MEASURE +/- buttons ........................................................ page 35

• BEAT +/- buttons ................................................................ page 35

0 Numeric keypad .................................................................... page 10

1 -/NO, +/YES buttons ............................................................ page 11

2 CARTRIDGE button (PSR-230) ................................................ page 37

3 Music Cartridge slot (PSR-230) ............................................ page 36

4 EASY CHORD MEMORY (REC/END) button .......................... page 34

5 VOICE EFFECT controls

• DUAL/CHORUS button .............................................. pages 12, 16

(also:) SONG CLEAR button for Easy Chord Memory .................. page 35

• HARMONY/ECHO button .................................................. page 16

• REVERB button .................................................................... page 18

Rear Panel Terminals

6 MIDI IN/OUT terminals .......................................................... page 38

7 SUSTAIN jack .......................................................................... page 4

8 PHONES/AUX OUT jack .......................................................... page 4

9 DC IN 10-12V jack ................................................................ page 3

7

8

Basic Display Operations

The PortaTone features a large multi-function display that shows all important settings for the instrument. The
section below briefly explains the various icons and indications in the display.

A B

FINGERINGSPLITTOUCH

MINUS ONEREPEAT

SYNC
STOP

NAME / SUB

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

CART

Gra

A

21

EASY CHORD MEMSONGVOICESTYLE

MODE

This section indicates which mode is selected — Voice,
Style, Song, or Easy Chord Memory. To select the desired
mode, press the corresponding button: VOICE, STYLE,
SONG, or EASY CHORD MEMORY (REC/END).

ONE TOUCH SETTING

This indicates which of the One Touch Settings have been
called up. To select a One Touch Setting, press one of the
ONE TOUCH SETTING buttons. (See pages 27, 33.)

STYLE SECTION

This indicates playba
rhythm/accompanim
“sections” — Intro, M
and Jam Track — eac
as it plays. These can
appropriate button du
page 22.)

KEYBOARD

This section contains indications for the keyboard-related
functions: Touch Response (page 18), Split mode (page

14), and Fingering (page 24). Pressing the appropriate
button in the KEYBOARD section of the panel turns the
corresponding function on/off. (The display indication
appears or disappears accordingly.)

SPLIT FINGERINGTOUCH

SONG

This section contains indications for the Song-related
functions: Repeat Play (page 29), Minus One (page 31),
and Guide (PSR-230 only) (page 30). Pressing the
appropriate button on the panel turns the corresponding
function on/off. (The display indication appears or
disappears accordingly.)

MINUS ONE

A B

REPEAT GUIDE

•General MIDI

When a GM Voice is se
icon appears.

CART

•CART (Cartridge) (P

When a Music Cartridg
Style is selected, this ic

EASY CHORD MEMORY

This section contains indications for the Easy Chord Memory
function (page 33). These include the current measure and
beat, as well as the chord name entered at the current
position. The chord name is also displayed when playing
chords in the Auto Accompaniment section of the keyboard
(page 22). The current measure and beat are also displayed
during Song playback (page 28).

minMaj7sus4

dim

6 5aug

STYLE

This section contains indications for the Style-related
functions: Sync Stop (page 24), Large/Small (page 23), and
Tempo (page 22). Pressing the SYNC-STOP button turns that
function on/off. Pressing the LARGE/SMALL button switches
between the two accompaniment ensemble “sizes”: Large and
Small. Using the TEMPO controls changes the playback
speed and the TEMPO value in the display. The metronome
icon flashes in time with the current tempo.

TEMPO

SYNC
STOP

LARGE/SMALL

Main Menus and S

• Main Voice (page 11)

— Main Voice Name
— Main Voice Volum
— Main Voice Octave
— Main Voice Pan
— Main Voice Reverb
— GM Voice

MAIN MENU • NAME/SUB MENU

The Main Menu and the Sub Menus give you access to the detailed settings for the PortaTone. These include settings for the
Main, Dual and Split Voices, as well as various settings for the Styles, Songs and effects. They also include MIDI settings and
overall controls. The display indicates the selected Main Menu item, and shows the name and number of the selected Voice,
Style, or Song, or the selected Sub Menu parameter.

Use the MAIN MENU buttons to select a Main Menu item, and the SUB MENU buttons to select a Sub Menu item. The first Sub
Menu item can be directly selected by pressing both SUB MENU buttons simultaneously.

321 4

9

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICESTYLE

6 5aug

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO
MIDI
REVERB/OTHERS

MODE

STYLE SECTION

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

CART

GrandPno

JAM

A

B JAM

321 4

STYLE SECTION

This indicates playback of the Styles, or the
rhythm/accompaniment patterns. Each Style has different
“sections” — Intro, Main A and B, four Fill-ins, Ending,
and Jam Track — each of which is indicated in the display
as it plays. These can be played by pressing the
appropriate button during accompaniment playback. (See
page 22.)

VOLUME

This graphic indication shows the Accompaniment and
Song volume.

VOLUME

EFFECT

This section contains indications for the Voice effect­related functions: Dual mode (page 12), Chorus (page 16),
Harmony/Echo (page 16), and Reverb (page 18). Pressing
the appropriate button in the VOICE EFFECT section of
the panel turns the corresponding function on/off. (The
display indication appears or disappears accordingly.)

REVERB

CHORUS

HARMONY

DUAL

•General MIDI

When a GM Voice is selected, this
icon appears.

CART

•CART (Cartridge) (PSR-230 only)

When a Music Cartridge Song or
Style is selected, this icon appears.

Main Menus and Sub Menus

• Main Voice (page 11)

— Main Voice Name
— Main Voice Volume
— Main Voice Octave
— Main Voice Pan
— Main Voice Reverb Level
— GM Voice

• Dual Voice (page 13)

— Dual Voice Name
— Dual Voice Volume
— Dual Voice Octave
— Dual Voice Pan
— Dual Voice Reverb Level
— GM Voice

• Split Voice (page 15)

— Split Voice Name
— Split Voice Volume
— Split Voice Octave
— Split Voice Pan
— Split Voice Reverb Level
— Split Point 1
— Split Point 2
— GM Voice

• Style (page 20, 26)

— Style Name
— Accompaniment Split Point

• Song (page 32)

— Song Name
— Minus One Part
— Minus One Right Hand Channel
— Minus One Left Hand Channel

• Harmony/Echo (page 17)

— Type Name
— Harmony Volume
— Echo Speed

• MIDI (page 40)

— Remote Channel
— Keyboard Out
— Accompaniment Out
— Receive Channel Select
— Receive Switch
— Local Control
— External Clock

• Reverb/Others (page 19)

— Reverb Type Name
— Transpose
— Tuning
— Voice Set
— Touch Sensitivity
— Guide Lamp (PSR-230 only)
— Metronome

A

B JAM

Playing Voices —The Voice Mode

The PortaTone features a wealth of dynamic, realistic Voices — 100 Panel Voices, or 129 GM Voices (128
Voices + 1 Percussion Kit). (See pages 42, 43.) The Voice mode gives you many powerful and versatile
tools for playing and enhancing these Voices.

The Voice mode is actually divided into three separate modes: Main, Dual and Split. In the Main Voice mode (see
below), you can play a single Voice over the entire range of the keyboard. The Dual Voice mode (page 12) allows
you to “layer” two different Voices together for rich, complex sounds. The Split Voice mode (page 14) lets you set
up two different Voices for playing from separate sections of the keyboard. Moreover, a special Voice Effect
section (page 16 - 18) lets you enhance the sound of the Voice or Voices with Chorus, Harmony, Echo, and Reverb
effects.

Selecting and Playing a Voice — Main Voice Mode

1

Select the Voice mode.

Press the VOICE button. (The VOICE indications appear in the display, indicating that the Voice
mode and Main Voice menu are selected.)

• You can quickly select the first parameter in the Main Voice menu (Main Voice Volume) by pressing and holding
the VOICE button.

• Selecting MAIN VOICE (or DUAL VOICE, SPLIT VOICE) with the Main Menu buttons does not change the selected
mode; the Style or Song mode is still active, but the appropriate Voice menu is called up.

2

Select the desired Voice number.

Use the numeric keypad. Available Voices are listed on the upper right of the panel.

You can either enter the Voice number directly with the number buttons, or step up and down
through the Voices by using the +/- buttons.

Using the number buttons

Be sure to enter a two-digit number, as is printed next to each Voice name on the panel. For
example, to select Voice 09, first press “0” on the numeric keypad, then “9.”

For GM Voices, make sure to enter three-digit numbers.

1

4

7

2

5

8

0

3

6

9

NO YES

1

4

7

2

5

8

0

3

6

9

NO YES

NOTE

VOICE

NAME / SUB MENU MAIN MENU

MAIN VOICE

DUAL VOICE

SPLIT VOICE

MODE

ONE TOUCH SETTING

KEYBOARD

EFFECT

CHORUSDUALFINGERINGSPLITTOUCH

EASY CHORD MEMSONGVOICESTYLE

CART

3214

GrandPno

10

11

Using the +/- buttons

Press the + button to select the next Voice, and press the - button to select the previous Voice.
Holding down either button continuously scrolls up or down through the numbers. The +/- buttons
have a “wrap around” feature. For example, pressing the + button from the last number returns to
Voice 01.

About Panel Voices and GM Voices

Keep in mind that the PortaTone has two separate sets of Voices: 100 Panel Voices and 129 GM
(General MIDI) Voices. The GM Voices can also be used for optimum playback of GM­compatible song data. This means that any GM song data (played from a sequencer or other
MIDI device) will sound just as the composer or programmer intended.

To change between Panel and GM Voices, use the Sub Menu in the Main, Dual, or Split Voice
modes (see pages 11, 13, 15).

3

Play the selected Voice.

To change to another Voice, repeat step 2 above.

• You can also play rhythm Styles in the Voice mode by simply pressing the START/STOP button. The Style last selected
from the Style mode will be played.

4

Change other settings for the Voice — Volume, Octave,

Pan, etc. — if you wish.

Whenever you select a Panel Voice for the Main Voice, the Sub Menu parameters for that Voice are
automatically set to values that best suit the Voice. This is the Voice Set function. (See page 19.)

However, you can change the Voice settings if you wish by using the Sub Menu. First, select the
desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/-
buttons to change the setting.

■ Main Voice Sub Menu

Display Name

—

M.Volume

M.Octave

M.Pan

M.RevLvl

GMvoice

Parameter Name

Main Voice Name

Main Voice Volume

Main Voice Octave

Main Voice Pan

Main Voice Reverb
Level

GM Voice

Range

01 - 00/001 - 129

000 - 127

-2 - +2 octaves

-7 (full left) - +7
(full right)

000 - 127

on, off

Description

This determines the Main Voice. Panel Voices are
from 01 - 00, and GM Voices are from 001 - 129. (To
change between Panel and GM Voices, use the GM
Voice parameter below.)

This determines the volume of the Main Voice, letting
you create the optimum blend with the Dual Voice.

This determines the octave range for the Main Voice.

This determines the pan position of the Main Voice in
the stereo image.

This determines how much of the Main Voice’s signal
is sent to the Reverb effect. Higher values result in a
louder Reverb effect.

This determines whether the Main Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.

SUB MENU

NAME / SUB MENU MAIN MENU

MAIN VOICE

DUAL VOICE
SPLIT VOICE
STYLE
SONG

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDEMINUS ONEREPEAT

REVERB

EASY CHORD MEMSONGVOICESTYLE

CART

3214

M.Volume

NOTE

12

• The Main Voice Volume parameter can be directly selected by pressing and holding down the VOICE button.

• The Main Voice Name parameter can be directly selected by pressing both MAIN MENU buttons simultaneously.

• Reset to default settings

To reset the selected Main Voice parameter to its default settings, simultaneously press the +/- buttons.

• Negative values
To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.

■ Percussion Kit Voice Chart

The PortaTone also has a special Percussion Kit Voice (Panel Voice #00, or GM Voice #129) that lets you
play various drum and percussion sounds from the keyboard. Symbols for the sounds are also printed
above the keyboard, conveniently indicating which sounds are played from which keys.

• The corresponding MIDI note numbers for the notes are actually one octave lower. For example, the MIDI note
number for note



36 (C1) is note 24 (C0).

Playing Two Voices — Dual Voice Mode

The Dual Voice mode lets you create richly textured sounds by “layering” two different Voices together — one
Voice being the Main Voice selected in the normal way (page 10), and the other a Dual Voice selected as described
below.

1

Turn on the Dual Voice mode.

Press the DUAL/CHORUS button (in the VOICE EFFECT section) once, or repeatedly until the Dual
Voice icon appears in the display.

When you play the keyboard, both the currently selected Main and Dual Voices will be heard.

DUAL/CHORUS button DUAL icon in display

SONG

CLEAR

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

DUAL

NOTE

Brush Tap

Brush Slap

Castanet

Sticks

Open Rim Shot

Closed Rim Shot

Hand Clap

Hi-Hat Closed

Hi-Hat Pedal

Hi-Hat Open

Crash Cymbal 1

Ride Cymbal 1

Tambourine

Cowbell

Vibraslap

Bongo L

Conga H Open

Timbale L

Agogo L

Maracas

Guiro Short

Claves

Cuica Mute

Triangle Mute

Shaker

C

lick

B

ru

sh

S

w

irl

B

ru

sh

S

w

irl W

/A

ttack

S

n

are R

o

ll

S

n

are 1

B

ass D

rum

1

B

ass D

ru

m

2

B

ass D

ru

m

3

S

n

are 2

S

n

are 3

F

lo

o

r To

m

L

F

loo

r T

o

m

H

L

o

w

To

m

M

id T

om

L

M

id T

om

H

H

ig

h

T

o

m

C

h

inese C

ym

b

al

R

id

e C

ym

b

al C

u

p

S

p

lash

C

ym

bal

C

rash

C

ym

b

al 2

R

id

e C

ym

b

al 2

B

o

ng

o H

C

o

ng

a H

M

u

te

C

on

ga L

T

im

b

ale H

A

g

o

g

o

H

C

ab

asa

S

am

b

a W

h

istle H

S

am

ba W

h

istle L

G

u

iro L

on

g

W

o

o

d B

lo

ck H

W

o

o

d

B

lo

ck L

C

u

ica O

p

en

T

rian

gle O

p

en

Jin

gle B

ell

B

ell T

ree

NOTE

13

2

Select the desired Dual Voice and make other settings for the Voice,

if desired.

First, use the MAIN MENU buttons to select DUAL VOICE in the display.

Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric
keypad or +/- buttons to change the setting.

■ Dual Voice Sub Menu

• If the Voice Set function (page 19) is on, the Dual Voice parameters will change automatically whenever a different

Panel Voice is selected in the Main Voice menu.

• The Dual Voice Name parameter can be directly selected by pressing and holding down the DUAL/CHORUS button.

• Reset to default settings

To reset the selected Dual Voice parameter to its default settings, simultaneously press the +/- buttons.

• Negative values

To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.

NOTE

Display Name

—

D.Volume

D.Octave

D.Pan

D.RevLvl

GMvoice

Parameter Name

Dual Voice Name

Dual Voice Volume

Dual Voice Octave

Dual Voice Pan

Dual Voice Reverb
Level

GM Voice

Range

01 - 00/001 - 129

000 - 127

-2 - +2 octaves

-7 (full left) - +7
(full right), -­(opposite of
Main Voice)

000 - 127

on, off

Description

This determines the Dual Voice. Panel Voices are
from 01 - 00, and GM Voices are from 001 - 129. (To
change between Panel and GM Voices, use the GM
Voice parameter below.)

This determines the volume of the Dual Voice
(relative to the Main Voice’s volume), letting you
create the optimum blend with the Main Voice.

This determines the octave range for the Dual Voice
(relative to the Main Voice’s octave setting).

This determines the pan position of the Dual Voice in
the stereo image. To set Dual Voice Pan to the
opposite of that of the Main Voice (“--”), press the +
or - button (past +7 or -7).

This determines how much of the Dual Voice’s signal
is sent to the Reverb effect. Higher values result in a
louder Reverb effect for the Dual Voice.

This determines whether the Dual Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.

NAME / SUB MENU MAIN MENU

MAIN VOICE

DUAL VOICE

SPLIT VOICE
STYLE
SONG
HARMONY/ECHO

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

STYLE

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

EASY CHORD MEMSONGVOICESTYLE

CART

3214

D.Volume

SUB MENU

NAME / SUB MENU MAIN MENU

MAIN VOICE

DUAL VOICE
SPLIT VOICE
STYLE
SONG

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDEMINUS ONEREPEAT

REVERB

EASY CHORD MEMSONGVOICESTYLE

CART

3214

ViolinSt

MAIN MENU

14

Playing Two Voices — Split Voice Mode

In the Split Voice mode, you can assign two different Voices to opposite sections of the keyboard, and play one
Voice with your left hand while your right plays another. For example, you could play bass with the left hand and
play piano with the right. The right-hand (or upper) Voice is selected in the Main Voice mode, and the left-hand (or
lower) Voice is selected in the Split Voice mode, as described below.

1

Turn on the Split Voice mode.

Press the SPLIT button (in the KEYBOARD section) so that the Split Voice icon appears in the
display.

When you play the keyboard, both the currently selected Main and Split Voices will be heard.

2

Select the desired Split Voice and make other settings for the Voice, if

desired.

First, use the MAIN MENU buttons to select SPLIT VOICE in the display.

Next, select the desired Sub Menu parameter with the SUB MENU buttons. Then, use the numeric
keypad or +/- buttons to change the setting.

• Dual Voice and Split Voice can be used together. You can have the Split Voice play in the lower section of the
keyboard and play the Main and Dual Voices together in the upper.

NOTE

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE

SPLIT VOICE

STYLE

SONG
HARMONY/ECHO

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

STYLE

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

EASY CHORD MEMSONGVOICESTYLE

CART

3214

S.Volume

A B

SUB MENU

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE

SPLIT VOICE

STYLE

SONG

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDEMINUS ONEREPEAT

REVERB

EASY CHORD MEMSONGVOICESTYLE

CART

3214

FngrBass

A B

MAIN MENU

SPLIT icon in display

KEYBOARD

SPLIT FINGERING

TOUCH

RESPONSE

SPLIT

SPLIT button

15

■ Split Voice Sub Menu

• If the Voice Set function (page 19) is on, the Split Voice parameters (excepting Split Points 1 and 2) will change
automatically whenever a different Panel Voice is selected in the Main Voice menu.

• The Split Voice Name parameter can be directly selected by pressing and holding down the SPLIT button.

• Split Point 2 cannot be set lower than the Accompaniment Split Point. (See page 26.)

• The Split Point 1 and 2 settings are retained in memory when power is turned off, as long as batteries are installed

or an AC adaptor is connected.

• Reset to default settings
To reset the selected Split Voice parameter to its default settings, simultaneously press the +/- buttons.

• Negative values
To directly enter negative values (for Octave and Pan parameters), press the desired number button while holding
down the - button.

NOTE

Display Name

—

S.Volume

S.Octave

S.Pan

S.RevLvl

SpltPnt1

SpltPnt2

GMvoice

Parameter Name

Split Voice Name

Split Voice Volume

Split Voice Octave

Split Voice Pan

Split Voice Reverb
Level

Split Point 1

Split Point 2

GM Voice

Range

01 - 00/001 - 129

000 - 127

-2 - +2 octaves

-7 (full left) - +7
(full right)

000 - 127

36 - 96 (C1 - C6)

37 - 96 (C

#

1 - C6)

on, off

Description

This determines the Split (lower) Voice. Panel Voices
are from 01 - 00, and GM Voices are from 001 - 129.
(To change between Panel and GM Voices, use the
GM Voice parameter below.)

This determines the volume of the Split (lower) Voice,
letting you create the optimum blend with the Main
(upper) Voice.

This determines the octave range for the Split (lower)
Voice.

This determines the pan position of the Split (lower)
Voice in the stereo image.

This determines how much of the Split (lower) Voice’s
signal is sent to the Reverb effect. Higher values
result in a louder Reverb effect for the Split Voice.

This determines the Split Point — i.e., the key that
separates the Split (lower) and Main (upper) Voices
— when the Voice mode or Song mode is active.
(The Split Voice sounds up to and including the Split
Point key.) The default for Split Point 1 is 59 (B2).
Split Point 1 can also be set directly by pressing the
desired key while this parameter is selected.

This determines the Split Point — i.e., the key that
separates the Split (lower) and Main (upper) Voices
— when the Style mode is active. (The Split Voice
sounds up to and including the Split Point key.) The
default for Split Point 2 is 71 (B3). Split Point 2 can
also be set directly by pressing the desired key while
this parameter is selected.

This determines whether the Split Voice is selected
from the Panel Voices (off), or from the GM Voices
(on). When GM Voice is on, the General MIDI icon
will appear at the left of the Voice number in the
display.

Other Voice Controls

Chorus

The Chorus effect lets you enhance the sound of a Voice with chorus modulation. This slightly detunes the Voice
with itself, creating a thicker and warmer sound.

Turn on the Chorus effect.

Press the DUAL/CHORUS button once or twice, or until the CHORUS icon appears in the display.

• The Chorus effect can be applied to the Main Voice.

Harmony/Echo

Harmony and Echo are two separate effects that can be applied to a Voice. Harmony is used in conjunction with
the auto accompaniment features (page 20), and creates automatic harmonies (for notes played in the upper section
of the keyboard) to match the accompaniment chords. Echo produces delayed repeats of the sound for special
effects. Various settings for the two effects can be changed in the Sub Menus.

To use Harmony or Echo:

1

Turn on the Harmony/Echo effect.

Press the HARMONY/ECHO button. (The HARMONY icon appears in the display.)

When you play the keyboard, the currently selected Harmony or Echo effect will be heard.

HARMONY/ECHO button HARMONY icon in display

SONG
CLEAR

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

HARMONY

NOTE

DUAL/CHORUS button CHORUS icon in display

SONG
CLEAR

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

CHORUS

16

2

Change the Harmony/Echo type and make other settings for the

effect, if desired.

Use the MAIN MENU buttons to select the HARMONY/ECHO menu, and select the desired Sub
Menu parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to
change the setting.

■ Harmony/Echo Sub Menu

• The Harmony effect is not available in the Voice mode, nor when the Auto Accompaniment Chord Cancel function
(page 25) is on.

• If the Voice Set function (page 19) is on, the Harmony/Echo parameters will change automatically whenever a
different Panel Voice is selected in the Main Voice menu.

• The Harmony/Echo Type Name parameter can be directly selected by pressing and holding down the
HARMONY/ECHO button.

• Reset to default settings
To reset the selected Harmony/Echo parameter to its default settings, simultaneously press the +/- buttons.

• Harmony/Echo is not available when the Full Fingering mode (page 26) is on, and will automatically be turned off
when the Full Fingering mode is selected.

NOTE

Display Name

—

HarmVol

EchoSpd

Parameter Name

Type Name

Harmony Volume

Echo Speed

Range

1 - 8 (1-5:
Harmony types;
6-8: Echo types)

000 - 127

1 - 7

Description

This determines the type of effect for Harmony or
Echo. The Harmony types are (1) Duet, (2) Trio, (3)
Block, (4) Country, and (5) Octave. The Echo types
are (6) Trill, (7) Tremolo, and (8) Echo.

This determines the volume of the Harmony effect,
letting you create the optimum blend with the original
note.

This determines the “speed” of the Echo effect, or the
amount of time between the delayed repeats — which
is based on note values. The actual Echo speed
depends on the selected tempo.

Settings:
1 — 04: 1/4 note
2 — 06: 1/4 note triplets
3 — 08: 1/8 note
4 — 12: 1/8 note triplets
5 — 16: 1/16 note
6 — 24: 1/16 note triplets
7 — 32: 1/32 note

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG

HARMONY/ECHO

MIDI

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

FINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

dim

EASY CHORD MEMSONGVOICESTYLE

CART

6 5aug

3214

Duet

CHORUSDUAL

A B

MAIN MENU

17

18

Reverb

The Reverb effect reproduces the natural ambient “wash” that occurs when a sound is heard in a room or concert
hall. Several different Reverb types are available in the Sub Menus.

To use Reverb:

1

Turn on the Reverb effect.

Press the REVERB button. (The REVERB icon appears in the display.)

When you play the keyboard, the currently selected Reverb effect will be heard.

2

Change the Reverb type, if desired.

First, select REVERB/OTHERS in the Main Menu, then select the Reverb Type Name parameter with
the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For
details, see the REVERB/OTHERS Sub Menu chart on page 19.)

• The Reverb Type will change automatically whenever a different Style is selected in the Style menu.

• The Reverb Type Name parameter can be directly selected by pressing and holding down the REVERB button.

• Reverb is turned on whenever the power is turned on.

•

The Reverb Send Level can be ajusted independently for each of the Main, Dual and Split Voice modes. (See pages 11, 13 and 15)

•

If Reverb Type 9 (No Effect) is selected. Reverb will not be applied to the Sound, even when the REVERB button is pressed.

Touch Response

The PortaTone keyboard has a Touch Response feature, letting you expressively play the Voices, controlling the
volume by how soft or hard you strike the keys. Touch Response can be turned on or off, and the Touch Sensitivity
(the degree of Touch Response) can be adjusted.

1

Turn on the Touch Response feature.

Press the TOUCH RESPONSE button. (The TOUCH icon appears in the display.)

2

Change the Touch Sensitivity, if desired.

First, select REVERB/OTHERS in the Main Menu, then select the Touch Sensitivity parameter with
the SUB MENU buttons, and use the numeric keypad or +/- buttons to change the setting. (For
details, see the REVERB/OTHERS Sub Menu chart on page 19.)

• The Touch Sensitivity parameter can be directly selected by pressing and holding down the TOUCH RESPONSE button.

• The Touch Response on/off setting is retained in memory when power is turned off, as long as batteries are installed

or an AC adaptor is connected.

NOTE

TOUCH RESPONSE icon in display

KEYBOARD

SPLIT FINGERING

TOUCH

RESPONSE

TOUCH RESPONSE button

TOUCH

NOTE

REVERB button REVERB icon in display

SONG

CLEAR

VOICE EFFECT

DUAL/

CHORUS

HARMONY/

ECHO

REVERB

REVERB

19

Overall Controls

Various controls related to the overall operation of the PortaTone are contained in the Reverb/Others menu. These
include the Reverb Type parameter as well as the following overall parameters: Transpose, Tuning, Voice Set, Touch
Sensitivity, Guide Lamp (PSR-230 only), and Metronome.

■ Reverb/Others Sub Menu

First, use the MAIN MENU buttons to select the Reverb/Others menu, and select the desired Sub Menu
parameter with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the
setting.

• Reset to default settings

To reset the selected parameter to its default settings, simultaneously press the +/- buttons.

• Negative values

To directly enter negative values (for Transpose and Tuning parameters), press the desired number button while
holding down the - button.

• The following settings are retained in memory when power is turned off, as long as batteries are installed or an AC
adaptor is connected: Tuning, Voice Set, Touch Sensitivity, Guide Lamp (PSR-230 only), and Metronome.

• Transpose cannot be changed during Accompaniment or Song playback, or when the keyboard is being played.

NOTE

Display Name

—

Transpos

Tuning

VoiceSet

TouchSns

Lamp

Metronom

Parameter Name

Reverb Type Name

Transpose

Tuning

Voice Set

Touch Sensitivity

Guide Lamp (PSR­230 only)

Metronome

Range

1 - 9

-12 - +12 semitones
(+/- 1 octave)

-50 - +50 cents (+/­approx. 1 semitone)

on/off

0 - 9

on/off

on/off

Description

This determines the type of Reverb effect. The Reverb types
are (1) Hall 1, (2) Hall 2, (3) Room 1, (4) Room 2, (5) Plate
1, (6) Plate 2, (7) Delay 1, (8) Delay 2, and (9) No Effect.

This determines the overall pitch of the instrument, up
or down in semitone increments.

This determines the overall fine pitch setting of the
instrument.

This determines whether the Voice Set feature is on or
off. When Voice Set is on (default), selecting a Panel
Voice in the Main Voice menu automatically sets the
Voice-related parameters to values that best match the
selected Voice. (Voice Set includes all parameters for
the Main, Dual, and Split Voices — with the exception
of Split Points 1 and 2 — as well as all Harmony/Echo
parameters.)

This determines the degree of touch sensitivity for the
keyboard (when Touch Response is on). (See page

18.) Higher values result in a wider dynamic range
and give you more expressive control over the level of
the Voices. The default Touch Sensitivity setting is 5.

This turns the keyboard guide lamps on or off. Red
lamps correspond to the white keys and green lamps
to the black keys. (See page 30.)

This turns the metronome function on or off. When
set to on, the metronome sounds during Auto
Accompaniment and Song playback.

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE
SONG
HARMONY/ECHO

MIDI

REVERB/OTHERS

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

TEMPOLARGE/SMALL

SYNC
STOP

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICE

A

B

STYLE

JAM

CART

6 5aug

3214

Hall1

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDEMINUS ONEREPEAT

REVERB

MAIN MENU

20

Playing Auto Accompaniment —

The Style Mode

The Style mode provides rhythm/accompaniment patterns for various popular music styles, as listed on the panel.
A total of 100 different Styles are available. Each Style is made up of different “sections” — Intro, Main A and B,
four Fill-ins, Ending, and Jam Track — letting you call different accompaniment patterns as you perform.

Each Style’s Jam Track section features specially programmed chord progressions and section changes that are
ideal for the selected musical Style. If you’re a novice and not familiar with playing chords, the convenient Jam
Track section automatically plays stylistically appropriate chord and section changes for you to “jam” over.

The Auto Accompaniment features that are built into the rhythms add the excitement of instrumental backing to
your performance, letting you control the accompaniment by the chords you play.

• The default split point for the Auto Accompaniment section is 54 (F2). However, this can be changed in the Style
Sub Menu. (See page 26.)

Selecting a Style and Playing an Auto Accompaniment

1

Select the Style mode.

Press the STYLE button. (The STYLE indications appear in the display, indicating that the Style
mode and the Style menu are selected.)

• Selecting STYLE with the Main Menu buttons does not change the selected mode; the Voice or Song mode is still
active, but the Style menu is called up.

2

Select the desired Style number.

Use the numeric keypad. Available Styles are listed on the upper left of the panel.

You can either enter the Style number directly with the number buttons, or step up and down
through the Styles by using the +/- buttons.

1

4

7

2

5

8

0

3

6

9

NO YES

NOTE

STYLE

NAME / SUB MENU

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

CHORUSFINGERINGTOUCH

TEMPOLARGE/SMALL

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICE

A

B

STYLE

JAM

CART

6 5aug

3214

8BeatPop

MAIN VOICE
DUAL VOICE
SPLIT VOICE

STYLE

SONG
HARMONY/ECHO

MIDI

REVERB/OTHERS

MAIN MENU

A B

DUALSPLIT

HARMONYGUIDEMINUS ONEREPEAT

SYNC
STOP

NOTE

21

• Dynamic Style
The Style numbers 81~00 are the Dynamic Styles, which play more complex and interesting accompaniment patterns
than the others since they may contain tension notes and so on. Because the note other than the notes derived from
the chord you designated may be played back, some Dynamic Styles may not match the song you play.

3

Start the selected Style.

You can do this in one of three ways:

Pressing the START/STOP button

The rhythm starts playing immediately without bass and chord accompaniment. The currently
selected Main A or B section will play. (You can select either pattern by pressing the appropriate
button — MAIN/AUTO FILL A or B — before pressing the START/STOP button.)

Using Synchro Start

The PortaTone also has a Synchro Start function that allows you to start the rhythm/accompaniment
by simply playing a chord on the keyboard. To use Synchro Start, first press the SYNC-START
button (the metronome icon flashes to indicate Synchro Start stand-by), then play a chord in the Auto
Accompaniment section of the keyboard.

Using Synchro Start with an Intro pattern

First, press one of the section buttons — MAIN/AUTO FILL A, B, or JAM — to select which pattern
follows the Intro. Next, press the INTRO button, followed by the SYNC-START button. (The INTRO
indication in the display lights, and the metronome icon and the MAIN A /B/JAM indication flashes to
indicate Synchro Start stand-by.) To actually start the Intro pattern and accompaniment, play a chord
in the Auto Accompaniment section of the keyboard.

• Selecting the Style mode by pressing the STYLE button automatically sets Synchro Start to stand-by.

• Pressing the SYNC-START button during accompaniment playback automatically stops the accompaniment and sets

Synchro Start to stand-by.

■ About the METRONOME Icon

The METRONOME icon in the display moves in time with the current tempo during playback of an
accompaniment Style (or Song). The flashing pattern provides a visual indication of both the tempo and
time signature of the Style or Song. The icon flashes at the first beat of each measure.

• The metronome sound can be turned on or off as needed. (See page 19.)

NOTE

NOTE

START/STOP

SYNC-START

START/STOP

START/STOP

NOTE

22

4

Change chords using the Auto Accompaniment feature.

Try playing some chords in the Auto Accompaniment section of the keyboard, and notice how the
bass and chord accompaniment change with each chord you play. (Refer to the section “Changing
the Fingering Mode” on page 24 for more information.) The chord name recognized will be shown
in the display.

• When the Single or Fingered Fingering mode (pages 25, 26) is selected, chords played in the Auto Accompaniment
section of the keyboard are also detected and played when the accompaniment is stopped. In this condition (Stopped
Accompaniment function), the Voices used for the bass and chords are automatically selected.

•

The range of the Auto Accompaniment section can be changed; see “Changing the Accompaniment Split Point” (page 26).

5

Change the tempo of the Style, if you wish.

Use the TEMPO buttons to change the tempo of the Style.

Press TEMPO▲ to increase the speed and TEMPO▼ to decrease it; holding down the appropriate

button continuously increases/decreases the speed. The tempo value appears in the display. Tempo
range is from 32 to 280 bpm (in 1 bpm steps).

To reset the tempo to its original default setting, press both TEMPO buttons simultaneously.

• Default Tempos — Each Song and Style has been given a default or standard tempo. If you change the tempo,
you can set it back to the original default setting, by pressing both TEMPO buttons simultaneously. Also, the tempo
of a Song or Style returns to the default setting when selecting a different Song or Style. If a Style is playing and the
One Touch Setting is off (see page 27), the set tempo remains even when switching Styles. When you turn on the
power of the PortaTone, the tempo is automatically set to the default setting of Style 01.

6

Change the Style section (Main A , Main B, or Jam Track), if you wish.

Main A and Main B

While the Style is playing, you can add variation in the rhythm/accompaniment by pressing the
MAIN/AUTO FILL A or B button. This automatically plays one of four Fill-in patterns, and smoothly
leads into the next section — even if it is the same section.

MAIN/AUTO FILL

MAIN/AUTO FILL A or B buttons A indication in display

A

A

NOTE

TEMPO

TEMPO

RESET

NOTE

23

Jam Track

The Jam Track is a special accompaniment pattern that includes automatic chord progressions and
section changes that match the selected Style. Press the JAM TRACK button during playback, and
the accompaniment will continue, changing chords according to the programmed progression and
sections letting you “jam” or play along with the changes.

Since the Jam Track progression is based on the last chord played, you may want to play the root
chord before pressing JAM TRACK. (For example, if you are playing a song in the key of E, play an
E chord before pressing JAM TRACK.)

• If you press the MAIN A or B button, the Fill-in will begin immediately, and the new section will actually begin
playing from the top of the next measure — unless the MAIN A or B button is pressed during the last beat of the
measure, in which case the Fill-in will begin from the first beat of the next measure.

7

Change the accompaniment ensemble “size”
(LARGE/SMALL), if you wish.

Press the LARGE/SMALL button.

This switches between “large” ensemble and “small” ensemble accompaniment, allowing you change
the instrumental texture and dynamics of the Auto Accompaniment as you play. (The icon shows
four people when set to LARGE, and one person when set to SMALL.)

• LARGE is selected whenever the power is turned on.

8

Change Set the Accompaniment Volume, if you wish.

You may want to adjust the accompaniment volume, separate from the overall instrument volume.
To do this, use the VOLUME buttons in the STYLE mode.

Press VOLUME▲ to increase the accompaniment volume and VOLUME▼ to decrease it; holding

down the appropriate button continuously increases/decreases the accompaniment volume. The level
is shown in the display.

To reset the accompaniment volume to its original default setting, press both VOLUME buttons
simultaneously.

VOLUME

VOLUME

VOLUME

RESET

ACCOMPANIMENT

SONG

NOTE

LARGE/SMALL button LARGE icon SMALL icon

SYNC-

STOP

LARGE/

SMALL

SYNC-

STOP

LARGE/

SMALL

LARGE/SMALL LARGE/SMALL

NOTE

JAM indication in displayJAM TRACK button

JAM TRACK

JAM JAM

24

9

Stop the Style.

You can do this in one of two ways:

Pressing the START/STOP button

The rhythm/accompaniment stops playing immediately.

Using an Ending pattern

Press the ENDING button (the ENDING indication in the display flashes). An ending pattern plays
from the next measure, then playback stops.

■ Sync-Stop Function

The Sync-Stop function lets you easily add natural sounding breaks and pauses in the accompaniment as
you play.

To use Sync-Stop:

1

Turn on the Sync-Stop function.

Press the SYNC-STOP button. (The SYNC-STOP icon appears in the display.)

2

While playing the accompaniment, release your fingers from the

keyboard in the Auto Accompaniment section.

This automatically stops the accompaniment, and sets Synchro Start to stand-by. (The SYNC-STOP
icon flashes.) You can resume accompaniment playback of the selected section by playing the
keyboard again.

Changing the Fingering Mode

The PortaTone provides three different fingering modes for controlling the Auto Accompaniment function: Fingered,
Full, and Single Fingered. To select among the three, press the FINGERING button in the KEYBOARD section until
the appropriate mode is called up.

• The Fingering mode setting is retained in memory when power is turned off, as long as batteries are installed or an
AC adaptor is connected.

NOTE

Full

KEYBOARD

SPLIT FINGERING

TOUCH

RESPONSE

FINGERING button

FINGERING FINGERING FINGERING

Single Finger Fingered

SYNC-STOP button SYNC-STOP icon in display

SYNC
STOP

SYNC­STOP

LARGE/

SMALL

SYNC­STOP

LARGE/

SMALL

25

■ Fingered

In the Fingered mode, you can play complete three- or four-note chords yourself in the Auto
Accompaniment section of the keyboard and the PortaTone will produce full accompaniment in the
selected Style.

Using the key of C as an example, the chart below shows the types of chords that can be recognized in
the Fingered mode. (Notes in parentheses may be omitted.)

• If the chord is inverted (i.e., C-E-G is played as G-C-E), the PortaTone will still recognize it as a C chord.

•

Chord fingerings are listed here in “root” position; however, other inversions can be used — with the following exceptions:
* Major 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th.
* Minor 6th chords are recognized only in root position. All other inversions are interpreted as minor 7th flatted 5th.
* One + two + five chords are recognized only in root position. All other inversions are interpreted as suspended 4th.
* If augmented chord is inverted, the lowest note will be recognized as the root.
* For 7th flatted 5th chords, the lowest note played is recognized as the root or the flatted 7th.

• 7th augmented and diminished 7th chords are interpreted as simple augmented and diminished.

• For one+two+five chords, only the root is displayed.

• Chord Cancel function

The PortaTone also has a Chord Cancel function to stop the chord accompaniment but allow the rhythm pattern to
continue playing. To use Chord Cancel, simultaneously press any three consecutive notes in the Auto
Accompaniment section; for example, C, C

#

and D.

NOTE

Diminished [dim]

( Diminished seventh [dim7]

Example for "C" chords Abbreviation

Major [M]

Minor [m]

Normal Voicing

1-3-5

1-



3-5

Major seventh [M7]

Major sixth [6]

1-3-(5)-7

1-(3)-5-6

CM7 C6

Suspended fourth [sus4]

Minor sixth [m6]

1-4-5

1-



3-5-6

Csus4 Cm6

Minor seventh [m7]

Minor seventh flatted fifth [m7]

1-3-(5)-7

1-

3-5-

7

Cm7 Cm7

♭

5

Minor major seventh [mM7]

Seventh [7]

1-



3-(5)-7

1-3-(5)-



7

CmM7 C7

Seventh flatted fifth [75]

Seventh suspended fourth [7sus4]

1-3-

5-

7

1-4-5-



7

C7

♭

5

C7sus4

Caug C7aug

Augmented [aug]

( Seventh augmented [7aug]

1-

3-

5

1-

3-

5-6 )

1-2-5

Cdim Cdim7

C1+2+5

One + Two + Five

C Cm

1-3-5

1-3-

5-

7 )

26

■ Full

In the Full mode, chords played anywhere on the keyboard are recognized for producing Auto
Accompaniment. Here, the PortaTone “intelligently” distinguishes between the playing of your right and
left hands and produces accompaniment. (A single note eleven notes higher than the lowest note of the
chord is recognized as a right-hand or melody note.) Chords recognized are the same as in Fingered
above.

• The Harmony/Echo effect is not available when the Full mode is selected.

■ Single Finger

Single Finger mode makes it easy to produce fully orchestrated accompaniment by simply playing a one-,
two- or three-finger chord indication (in the Auto Accompaniment section), as shown below. The key of C is
used here as an example; other keys follow the same rules. For example, B

b

7 is played as Bband A.

Changing the Accompaniment Split Point

This function allows you to set the highest key in the Auto Accompaniment section of the keyboard. (All keys
below and including this point will be used for Auto Accompaniment.) Accompaniment Split Point is the only
parameter in the Style menu.

1

Call up the Accompaniment Split Point parameter.

Select STYLE in the Main Menu (with the MAIN MENU buttons) and use the SUB MENU buttons to
select Accompaniment Split Point.

You can also directly select the Accompaniment Split Point parameter by pressing and holding either
the STYLE or FINGERING button.

2

Set the parameter.

Set this directly by pressing the desired key on the keyboard. You can also use the numeric keypad
or +/- buttons to enter the key number. The lowest key on the keyboard (C1) is 36, while middle C
(C3) is 60, and the highest key (B5) is 95.

• The default Accompaniment Split Point is F#2 (54) and can be restored by simultaneously pressing the +/- buttons.

• The Accompaniment Split Point cannot be set higher than the Split Point 2 parameter (page 15).

• The Accompaniment Split Point setting is retained in memory when power is turned off, as long as batteries are

installed or an AC adaptor is connected.

NOTE

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE

STYLE

SONG
HARMONY/ECHO

MIDI

REVERB/OTHERS

MODE

ONE TOUCH SETTING

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

FINGERINGTOUCH

HARMONY

TEMPOLARGE/SMALL

SYNC
STOP

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICE

A

B

STYLE

JAM

CART

6 5aug

3214

AccSpPnt

CHORUSDUALSPLIT

A B

GUIDEMINUS ONEREPEAT

Split Point 2

Accompaniment Split Point

Split Point 1

C7

C

Press the root note of the chord.

Major chord: Seventh chord: Minor chord: Minor seventh chord:

Cm

Press the root note together with

any black key to the left of it.

Cm7

Press the root note together with

any white and black key to the
left of it (three keys altogether).

Press the root note together with

any white key to the left of it.

NOTE

27

One Touch Setting

The One Touch Setting function automatically selects an appropriate Voice (or Voices) and other important settings
for playing with the Style you select. In other words, when one of the One Touch Settings is turned on, the Voice
and other settings automatically change when you change the Style. (See list below.)

To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the STYLE mode to select
the desired type. (The selected One Touch Setting is indicated in the display, and other settings may change
accordingly.)

To change to a different One Touch Setting, press a different numbered ONE TOUCH SETTING button.

The following parameters and settings may be changed when selecting a One Touch Setting:

• Main Voice — all settings

• Dual Voice — all settings

• Dual/Chorus — on/off

• Split Voice — all settings (excepting Split Points 1 & 2)

• Harmony/Echo — on/off, all settings

• Reverb — on/off

• Accompaniment Volume

• Accompaniment Large/Small

• Tempo

• Synchro Start — set to on

Changing any of the panel settings while a One Touch Setting is active turns off the selected ONE TOUCH SETTING
indication.

• A “No OTS” indication appears in the display if you have selected a One Touch Setting for an optional Music
Cartridge which has no One Touch Setting data (PSR-230 only).

NOTE

ONE TOUCH SETTING

12 43

ONE TOUCH SETTING button

ONE TOUCH SETTING indication

1

Playing Songs —

The Song Mode

The Song mode features special Songs that have been created using the rich and dynamic sounds of the
PortaTone.

These Songs (#01 - #16) are generally for your listening enjoyment; however, you can also play along with them
on the keyboard. By using the Minus One function, you can “mute” the original melody and play it manually on
the keyboard yourself. The Song mode also features convenient practice tools such as the Repeat Play function
— which lets you repeat playback of any portion of a Song — and the Guide lamps (PSR-230 only) — which
show you which melody notes to play, and waits for you to play them.

The Song mode also lets you create and save your own original Songs. This is done with the four User Songs
(#17 - #20), to which you can record your own chord and section changes by using the Easy Chord Memory
function. (See page 33.)

Selecting and Playing a Song

1

Select the Song mode.

Press the SONG button. The Song mode and the Song menu are selected. (The SONG indications
light in the display.)

2

Select the desired Song number.

Use the numeric keypad.

You can either enter the Song number (two digits) directly with the number buttons, or step up and
down through the Songs by using the +/- buttons. Songs 01 - 16 are the Demo Songs, and Songs 17

- 20 are User Songs. (For more information on User Songs, see page 33.)

1

4

7

2

5

8

0

3

6

9

NO YES

SONG

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE

SONG

HARMONY/ECHO

MIDI

REVERB/OTHERS

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

FINGERINGTOUCH

TEMPOLARGE/SMALL

SYNC
STOP

REVERB

VOLUME

minMaj7sus4

dim

EASY CHORD MEMSONGVOICE

A

B

STYLE

JAM

CART

6 5aug

3214

Piano&EP

CHORUSDUALSPLIT

A B

HARMONYGUIDEMINUS ONEREPEAT

28

29

3

Start the selected Song.

Press the START/STOP button.

• You can play along with the Song using the currently selected Voice, or even select a different Voice for playing
along. Simply select MAIN VOICE in the Main Menu while the Song is playing back and select the desired Voice.

• Pressing the VOICE or STYLE button during Song playback selects the VOICE or STYLE menu but does not change
the mode; the Song mode is still active.

4

If you want to change to another Song, repeat step 2 above.

5

Stop the Song.

Press the START/STOP button. If playback was started by pressing the START/STOP button, the
selected Song stops automatically at the end.

• If you start Song playback with the DEMO button, all Songs play back repeatedly in succession (starting with Song
#01), indefinitely.

Using the Repeat Play Function

The Repeat Play function in the Song mode lets you continuously repeat playback of any portion of a Song. This
comes in particularly handy when practicing a Song with the Minus One and/or Guide (PSR-230 only) functions.
For example, you could have the verse portion of a Song repeatedly play back while you practice with it.

While the Song is playing, press the REPEAT PLAY button twice — once to set the beginning point for the
repeat and a second time to set the end point.

Press the REPEAT PLAY button once at the beginning of the section to be repeated (the REPEAT “A” indication
lights), and a second time at the end of the section (the REPEAT “B” indication lights).

As soon as the end point (B) has been selected, the specified section begins playing back repeatedly. To stop
playback, press the START/STOP button. You can use START/STOP to alternately start and stop Repeat Play of the
specified section. To cancel Repeat Play at any time, press the REPEAT PLAY button again.

• When only the A point is set, playback repeats from the A point to the end of the Song.

• Repeat playback is per measure.

• The end point (B) tempo or your manually adjusted tempo will be used during Repeat playback.

NOTE

REPEAT PLAY "A" and

REPEAT PLAY "A–B" indicators

REPEAT PLAY button

INTRO

REPEAT PLAY

REPEATAREPEAT

A B

NOTE

NOTE

30

Using the Guide Function (PSR-230 only)

The Guide function in the Song mode serves as an automatic music “tutor,” showing you which notes to play on
the keyboard. It even waits for you to play each note, before going on to the next. This lets you learn to play the
Songs of the Song mode at your own pace, and makes practicing the Songs extremely natural (and fun!).

1

Select a Song.

Press the SONG button to enter the Song mode, then use the numeric keypad to select the desired Song.

2

Select the desired “guided” part.

The Guide function lets you choose which part of a Song is to be guided. For example, you can
select the right-hand melody part to be guided — in which case, the guide lamps will light to help
you play the right-hand melody part. Or, you could select the left-hand chord backing part.

With “MinusMod” selected in the Song menu, select the desired Minus One Part (guided part setting).
(See page 32.)

• The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and
holding the GUIDE button.

3

Press the GUIDE button.

The GUIDE icon appears in the display, indicating that the Guide function is on.

4

Start playback.

When you press the START/STOP button to begin playback, the Song introduction will automatically
play up to the first note(s) of the main section of the Song, and pause until you play the next note(s).
The notes to be played are indicated by the Guide lamps above each key (red for the white keys and
green for the black). As you play each correct note, Song playback will continue, pausing until you
play the correct notes each time.

5

If desired, turn on the Minus One function to mute the guided part.

Normally, the guided part also plays back along with your performance. You can mute this part,
however, and play the guided part yourself. To do this, press the MINUS ONE button. (The Minus
One icon appears in the display.)

Song playback stops automatically when the end is reached. To stop the Song manually, press the
START/STOP button.

• Turning off the Guide lamps
If you find the Guide lamps distracting or wish to play the part without them, use the Lamp parameter in the
REVERB/OTHERS Menu (page 19) to turn the Guide lamps off. (Keep in mind that this doesn’t turn off the Guide
function, but only the lamps.)

NOTE

GUIDE button GUIDE icon in display

MAIN/AUTO FILL

GUIDE

GUIDE

NOTE

Using the Minus One Function

Minus One, as its name implies, takes away (or mutes) a part of the Song, allowing you to play that part yourself.
You can turn Minus One on before starting a Song, or do it even while a Song is playing.

1

Select a Song.

2

Select the part of the Song you wish to mute.

Minus One lets you choose which part of a Song is to be muted. For example, you can mute the
right-hand melody part and play it yourself, or do the same for the left-hand chord backing part.

With “MinusMod” selected in the Song menu, select the desired Minus One Part setting: left-hand,
right-hand, or both. (See page 32.)

• The Minus One Part parameter in the Song menu can be directly selected (in Song mode only) by pressing and
holding the GUIDE button (PSR-230).

■ Selecting individual channels for Minus One

Each Song actually has more than just one right-hand and one left-hand part. For example, one Song
may be made up of a melody, a harmony, chord backing, pad, and rhythm parts — each on a different
channel. Also, the right-hand and left-hand parts have different channels. Minus One lets you specify
which channel you wish to mute, for both the right-hand and left-hand parts.

With “MinusChR” or “MinusChL” selected in the Song menu, select an individual channel for the Minus
One right-hand and left-hand parts. Also, set the desired Minus One Part setting: left-hand, right-hand, or
both. (See “SONG Sub Menu” chart below.)

• The “MinusChR” parameter in the Song menu can be directly selected (in Song mode only) by pressing and holding
the MINUS ONE button.

• If the selected Song contains Minus One right- and left-hand channel settings, the channel for the corresponding
parts will be automatically selected.(A “--” indication appears in the display.)

3

Turn on the Minus One function.

Press the MINUS ONE button. (The Minus One icon appears in the display.)

4

Start playback.

Play the appropriate part along with the Song. Song playback stops automatically when the end is
reached. To stop the Song manually, press the START/STOP button.

MINUS ONE button MINUS ONE icon in display

MAIN/AUTO FILL

MINUS ONE

MINUS ONE

NOTE

NOTE

31

32

■ SONG Sub Menu

First, use the MAIN MENU buttons to select the Song menu, and select the desired Sub Menu parameter
with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting.

■ Song Volume

The Song Volume can be adjusted separately from the main instrument volume. This is particularly useful
when using Minus One, since it lets you control the balance between the Song and the Voice you play on
the keyboard. To change the Song Volume, use the VOLUME buttons in the song mode.

Press VOLUME▲ to increase the song volume and VOLUME▼ to decrease it; holding down the

appropriate button continuously increases/decreases the song volume. The level is shown in the display.

To reset the Song Volume to its original default setting, press both VOLUME buttons simultaneously.

VOLUME

VOLUME

VOLUME

RESET

ACCOMPANIMENT

SONG

Display Name

—

MinusMod

MinusChR

MinusChL

Parameter Name

Song Name

Minus One Part

Minus One Right 
Hand Channel

Minus One Left
Hand Channel

Range

01 - 20

L, r, L_r

01 - 16

01 - 16

Description

This determines the Song to be played (or edited).
Songs 01 - 16 are the Demo songs, and Songs 17 - 20
are User Songs (for use with Easy Chord Memory).
Music Cartridge Songs can be selected by pressing the
CARTRIDGE button (PSR-230 only). (See page 37)

This determines which part of the Song is to be
turned off for the Minus One function: the left-hand
(L), the right-hand (r), or both (L_r). It also
determines which part is used with the Guide function
(page 30). The default Minus One Part is “r.”

This determines the channel of the right-hand part
which is to be muted with the Minus One function.
To reset to the default channel (01), press the +/­buttons simultaneously.

This determines the channel of the left-hand part
which is to be muted with the Minus One function.
To reset to the default channel (02), press the +/­buttons simultaneously.

33

■ One Touch Setting in the Song Mode

The One Touch Setting function is convenient when used with the Minus One function, and lets you
automatically select an appropriate Voice for playing the Minus One Part along with the Song you select.
Also, if you’ve specified Minus One channels (see page 32), One Touch Setting automatically selects
appropriate Voices for those channels.

To turn on One Touch Setting, press one of the ONE TOUCH SETTING buttons (1 - 4) in the song mode.
(The selected One Touch Setting is indicated in the display.)

To turn the function off, press the same button again.

• Keep in mind that even with the One Touch Setting function on, there are some Songs which change the selected
Voice in the middle of the Song.

• For some Music Cartridge Songs, use of One Touch Setting will call up the piano Voice regardless of the Minus One
Channel settings (PSR-230 only).

Recording User Songs —

Easy Chord Memory

The Easy Chord Memory feature lets you record your own chord progressions (or chord “sequences”) and create
automatic backing tracks for your original songs. Once you’ve recorded and saved your own chord sequences
(to User Songs 17 - 20), you can perform along with them — playing the melody part, for example, over the
custom backing tracks.

You can record Songs in two different ways: Real-time and Step. Real-time recording lets you play the chord
changes normally as the rhythm accompaniment plays back, while Step recording lets you manually enter each
chord at specific positions in the Song. (Each beat can have a different chord.) Generally, Real-time recording is
the basic recording method, while Step recording is used to edit Songs already recorded in real time.

Easy Chord Memory has a capacity up to about 120 measures (total for all four User Songs, in 4/4 time).

Easy Chord Memory records the following data to User Songs (17 - 20):

• Chord changes and timing (per beat)

• Style number* (incl. Cartridge Styles; PSR-230 only)

• Section changes (Fill-ins: per beat; others: per measure)

• Accompaniment Volume setting*

• Tempo setting*

• Large/Small setting*

* Recorded only at the beginning of a Song; changes cannot be made during recording.

• Section changes cannot be entered in Step recording.

• Material recorded in Easy Chord Memory is retained in memory even when power is turned off — as long as an AC

adaptor is connected or a set of batteries is installed. However, if the batteries fail and the AC adaptor is
disconnected, the recorded data will be lost.

NOTE

NOTE

ONE TOUCH SETTING

12 43

ONE TOUCH SETTING button

ONE TOUCH SETTING indication

1

34

Real-time Recording

In Real-time recording, you can record chord changes for a Song by simply playing them along with the rhythm.

1

Select a User Song number.

Select one of the User Song numbers 17 - 20. (See page 28.)

2

Select a Style and set other parameters, if desired.

Select a Style. (See page 20.) Also, make settings for Accompaniment Volume, Tempo, and
Large/Small, if desired.

3

Enter the Easy Chord Memory mode.

Press the EASY CHORD MEMORY (REC/END) button.

• If you press the EASY CHORD MEMORY (REC/END) button when a non-User Song number has been selected, an
“empty “ User Song number (one not containing data) will automatically be selected. If all User Songs contain

data, User Song number 17 will be selected.

4

Record the chord sequence.

Recording begins as soon as you play a chord in the Auto Accompaniment section of the keyboard.
The recognized chord name appears in the display.

• If you wish to record only the rhythm, use the Chord Cancel function.(See page 25)

5

Stop recording.

Press the EASY CHORD MEMORY (REC/END) button. (The display returns to the beginning of the
Song: measure number 01, beat number 1.)

To record an Ending section at the end of the Song, first press the ENDING button, then (after the
Ending has played back) press the EASY CHORD MEMORY (REC/END) button.

Operation automatically returns to the Song mode.

• Easy Chord Memory automatically changes to Step Record Ready mode in the following conditions:
* When an Ending section has been recorded and the accompaniment is stopped.
* When the memory is full. (A “Full” message appears in the display.) In this case, you can use the Song Clear

operation (see below) to delete the Song.

* When the recording is stopped by pressing the START/STOP button.

• Timing is important when stopping Real-time recording. If you press the START/STOP button before the second beat
of the intended final measure, the actual end of the Song will be at the previous measure. However, if you press the
button after the second beat, the Song will end properly at that measure.

NOTE

NOTE

chord indication

dim

6 5aug

minMaj7sus4

NOTE

NAME / SUB MENU MAIN MENU

MAIN VOICE
DUAL VOICE
SPLIT VOICE
STYLE

SONG

HARMONY/ECHO

MIDI

REVERB/OTHERS

MODE

ONE TOUCH SETTING

STYLE SECTION

KEYBOARD

SONG

EFFECT

STYLE

EASY CHORD

MEMORY

A B

CHORUSDUALFINGERINGSPLITTOUCH

HARMONYGUIDE

TEMPOLARGE/SMALL

MINUS ONEREPEAT

SYNC
STOP

REVERB

minMaj7sus4

dim

EASY CHORD MEMSONGVOICE

A

B

STYLE

JAM

CART

6 5aug

3214

ECM1

Easy Chord Memory
mode indication

Record Stand-by indication
(metronome icon flashes at current tempo)

Start of Song indication

EASY

CHORD

MEMORY

REC/

END

(PSR-230)

Step Recording

Step recording allows you to manually enter chord changes to a Song, one by one. As such, it’s convenient for
editing and making precise changes to an existing Song. In general, use Real-time recording to create a Song, and
use Step recording to polish it up and finish it.

1

Enter the Step Record Ready mode.

With the desired Song selected and record stand-by engaged (see Real-time Recording, steps 2 and 3),
press the SYNC-START button.

•

You can also enter the Step Record Ready mode by pressing the START/STOP button during Real-time recording.

2

Specify the desired position in the Song.

Use the MEASURE +/- and BEAT +/- buttons to specify the exact place in the Song to which the
desired chord is to be entered. Press the appropriate button to step through the values, or hold
down the button to continuously advance or reverse through the values.

3

Enter a chord.

Play a chord in the Auto Accompaniment section of the keyboard. The recognized chord name
appears in the display and is entered at the selected measure/beat.

4

Stop recording.

Press the EASY CHORD MEMORY (REC/END) button. (Operation automatically returns to the Song mode.)

• Section changes cannot be entered in Step recording.

• You can play back the User Song within Step recording by pressing the START/STOP button.

Song Clear

The Song Clear operation lets you delete selected User Song data.

To clear data of a Song:

1

Select the User Song to be cleared.

2

Enter the Easy Chord Memory mode.

Press the EASY CHORD MEMORY (REC/END) button. Make sure to disengage recording stand-by
by pressing the SYNC-START button.

3

Press the SONG CLEAR button.

A “Clear ?” message appears, prompting you for confirmation. Press the +/YES button to clear the
selected Song, or press the -/NO button to cancel.

• Song Clear cannot be executed during Real-time recording and recording stand-by states. Also, Song Clear is
available only in Easy Chord Memory mode.

User Song Playback

Playback of User Songs is exactly the same as with other Songs. (See page 28.) Remember, that you can play along
on the keyboard with your original chord accompaniment — making your performances more dynamic and
enjoyable.

NOTE

NOTE

MEASURE

BEAT

12 43

NOTE

35

36

Music Cartridge (PSR-230)

The PSR-230 features a cartridge slot for use with special Yamaha Music Cartridges containing accompaniment
Style and Song data. These Cartridges give you instant access to an ever-expanding library of new Styles and
Songs. The PSR-230 includes a sample Music Cartridge. To obtain other Cartridges, see your Yamaha dealer.

Inserting a Music Cartridge

With the power off, insert the Music Cartridge into the cartridge slot as shown, and press down firmly until the
Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot
one way - don’t try to force it in the wrong way. Turn the power back on again after inserting.

■ Music Cartridge Precautions

• Do not leave Music Cartridges in locations which are subject to excessive heat or humidity.

• Do not drop Music Cartridges or subject them to strong shock.

• Do not disassemble Music Cartridges.

• Do not directly touch the Music Cartridge’s electrical contacts. Static electricity can cause loss of data

and unreliable operation.

• Do not insert objects or cartridges other than Yamaha Music Cartridges in the cartridge slot. Doing so
can result in serious damage to the instrument.

• Do not insert Music Cartridges in other instruments or devices. Doing so can result in serious damage
to the Cartridges.

• Never attempt to insert or remove a Music Cartridge when the power is on. Doing so may result in
loss of data or unreliable operation.

• Dust or foreign particles on the electrical contacts of the Music Cartridge may prevent proper selection
or playback of Cartridge data. If this occurs, insert and remove the Cartridge several times, and try the
operation again. If the problem persists, clean the electrical contacts with a soft, dry cloth.

• Make sure that the Music Cartridge is properly inserted when playing back a Song based on Cartridge data.
Otherwise, the Song may not play back, and a “No Cart” or “WrongCrt” message may appear.

NOTE



The triangular mark on the front of the
Cartridge should be completely below the panel
edge when the Cartridge is properly seated.

For Cartridges without the mark, the bottom of the
serrated edges of the Cartridge should be even with the
panel edge (not above it).

37

Selecting Styles on a Music Cartridge

1

Select the Style mode.

Press the STYLE button. (The Style mode and Style menu are selected.)

2

Select a Style from the Cartridge.

First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the
upper left of the display.) Then, enter the Cartridge Style number directly with the number buttons,
or step up and down through the Styles by using the +/- buttons.

Cartridge Styles are used in exactly the same way as the internal accompaniment Styles. (See page 20.)

• The cartridge styles can be selected by using the +/- buttons to go beyond the highest or lowest internal style numbers
—e.g. pressing the + button while internal style number 00 is selected will select cartridge style number 01.

• The cartridge styles have no Jam Track Sections.

• A “No OTS” message appears in the display if the selected Cartridge Styles have no One Touch Setting data.

Selecting Songs on a Music Cartridge

1

Select the Song mode.

Press the SONG button. (The Song mode and Song menu are selected.)

2

Select a Song from the Cartridge.

First, press the CARTRIDGE button below the numeric keypad. (The Cartridge icon appears at the
upper left of the display.) Then, enter the Cartridge Song number directly with the number buttons,
or step up and down through the Songs by using the +/- buttons.

Cartridge Songs are used in exactly the same way as the internal Songs. (See page 28.)

• For Cartridge Songs created with Cartridge accompaniment Styles:
* Chord names are indicated in the display as the chords of the Cartridge Song change.
* The Harmony effect can be applied when playing along with the chord progression of the Song.

• The Minus One, Repeat Play, and Guide (PSR-230 only) functions can be used with Cartridge Songs.

NOTE

Cartridge icon in displayCARTRIDGE button

CARTRIGE

CART

NOTE

Cartridge icon in displayCARTRIDGE button

CARTRIGE

CART

38

MIDI Functions

The PortaTone is MIDI-compatible and provides a variety of MIDI-related controls. What is MIDI? MIDI —
Musical Instrument Digital Interface — is a worldwide standard that makes it possible for various electronic
musical instruments and other devices to “communicate” with each other. For example, you could connect a
computer or sequencer to the PortaTone and play back a song on the sequencer using the PortaTone’s
Voices.

The PortaTone is also compatible with the GM (General MIDI System Level 1) format. One of the most
important features of General MIDI is in the standardization of Voices. This means that a song recorded in
GM format can be played back on any GM-compatible instrument and sound just as the composer intended.
With the GM-compatible PortaTone and a computer or sequencer, you can take advantage of the vast wealth
of musical material recorded in that format.

MIDI Basics

MIDI is a huge, complex subject, and it would be impossible to cover all its aspects here. However, this short
section will introduce you to some MIDI basics, and help you use this powerful tool in your own system.

MIDI Terminals

The MIDI terminals are located on the rear panel of the PortaTone. MIDI IN receives MIDI data from an
external device, and MIDI OUT transmits MIDI data from the PortaTone — which includes, for example,
performance data when you play the keyboard.

MIDI Channels

MIDI data is usually sent and received over one of sixteen MIDI channels. In order to get two devices to
properly communicate with each other, you should set them to the same MIDI channel. On the
PortaTone, the relevant parameters are Keyboard Out and Receive Channel Select in the MIDI Sub Menu
(page 40).

You can also use the PortaTone as a sixteen-channel multi-timbral sound source. This means that you can
play song data on a connected MIDI sequencer (see “Using with a Computer or Sequencer” below) and
have up to sixteen different instrument Voices sound simultaneously. To do this, make sure that the MIDI
Receive Switch is set to “on” (see MIDI Sub Menu page 40), and set Remote Channel (also MIDI Sub
Menu) to “off.”

MIDI

OUT IN

39

Using with a MIDI Tone Generator or Second Keyboard

In the simple MIDI connection shown below, the PortaTone is used to play sounds on a tone generator
(essentially a synthesizer without a keyboard). This lets you play both instruments at once, giving you
thick multi-instrument sounds. Depending on how the other device is set up, this system also lets you
change sounds on the tone generator from the PortaTone’s panel (via program change messages).

In a similar example, the PortaTone is connected to a second MIDI keyboard. This allows you to play
and control the PortaTone from the other keyboard. In this application, first make sure that the MIDI
Receive Switch is set to “on” (see MIDI Sub Menu below), then set the Remote Channel (also MIDI Sub
Menu below) and the MIDI Send Channel on the other keyboard to the same value.

Using with a Computer or Sequencer

If you have a sequencer or a computer with a MIDI interface, you can easily and instantly integrate the
PortaTone into your system. And with its GM-compatibility, the PortaTone is a natural for
multimedia/computer music applications, letting you playback any GM song data with the high-quality
Voices.

• To avoid a MIDI feedback loop, check that the MIDI Thru (or MIDI Echo) setting on the external device and the Local
Control setting on the PortaTone are set appropriately. If both are set to ON, MIDI feedback may occur.

NOTE

PortaTone PSR-230/220

MIDI IN MIDI OUT

MIDI OUT MIDI IN

MUSIC

Computer

PortaTone PSR-230/220 MIDI KEYBOARD

MIDI IN MIDI OUT

PortaTone PSR-230/220

TONE GENERATOR

MIDI OUT MIDI IN

40

■ MIDI Sub Menu

First, use the MAIN MENU buttons to select the MIDI menu, and select the desired Sub Menu parameter
with the SUB MENU buttons. Then, use the numeric keypad or +/- buttons to change the setting.

• Whenever using a MIDI device to control the PortaTone, make sure that the Receive Switch is set to “on” for the
appropriate channel or channels.

• For the Keyboard Out parameter, performance data of the Main Voice can be sent over the specified MIDI channel,
but the other Voices are fixed as follows:

Dual Voice — channel 11
Split Voice — channel 2
Auto Accompaniment — channels 3 - 10

• To reset any parameter to its default setting, press the +/- buttons simultaneously.

• All settings in the MIDI Sub Menu are retained in memory when the power is turned off, as long as batteries are

installed or an AC adaptor is connected.

• In the Song or Easy Chord Memory mode, MIDI data cannot be transmitted or received, and none of the MIDI menu
settings have any effect.

NOTE

Display Name

RemoteCh

KeybdOut

AcompOut

RcvChSel

Rcv SW

Local

ExtClock

Parameter Name

Remote Channel

Keyboard Out

Accompaniment
Out

Receive Channel
Select

Receive Switch

Local Control

External Clock

Range

off, 01 - 16

off, 01 - 16

on/off

01-16

on/off

on/off

on/off

Description

This determines how the PortaTone is controlled by a
“remote” (external) MIDI keyboard. Set this to one of
the 16 channels (01 - 16) for using an external
keyboard to remotely control the PortaTone functions
over the selected channel. (The remaining 15
channels can be used for multi-timbral operation.)
When this is set to “off,” the PortaTone can be used as
a full 16-channel multi-timbral sound source. The
default setting is “off.”

This determines over which channel keyboard data
for the Main Voice is transmitted. The default setting
is channel 01.

This determines whether Auto Accompaniment data is
transmitted via MIDI OUT or not. When set to “on,”
Auto Accompaniment data is transmitted over
channels 3 - 10. The default setting is “off.”

This determines over which channel MIDI data is
received. The default setting is channel 01 .

This determines whether MIDI data is received over
the selected MIDI channel or not, set in Receive
Channel Select above. (This parameter works in
tandem with Receive Channel Select.)

This determines whether the keyboard is “connected”
to the internal Voices of the PortaTone. When set to
“on,” the Voices respond to notes played from the
keyboard. When set to “off,” the Voices respond only
to incoming MIDI data (via MIDI IN). The default
setting is “on.” If you are routing the MIDI OUT on
the PortaTone to a sequencer and back to the MIDI
IN, you may want to set this to “off” to avoid MIDI
“feedback.”

This determines whether the Style and Song playback
functions are controlled by the PortaTone’s internal
clock (off) or by MIDI clock data from an external
sequencer or computer (on). This should be set to
“on” when you want to have Style or Song playback
follow the external device. The default setting is “off.”

Appendix

Data Backup and Initialization

Except for the settings listed below, all PortaTone panel settings are reset to their initial settings whenever the power
is turned on. The parameter settings listed below are retained in memory as long as an AC adaptor is connected or
a set of “live” batteries is installed.

• Touch Response on/off

• Touch Sensitivity

• Fingering mode

• Split Points 1 and 2, Auto Accompaniment Split Point

• Easy Chord Memory (User Song)

• All MIDI Sub Menu settings

• Tuning

• Voice Set on/off

• Guide Lamp on/off (PSR-230 only)

• Metronome on/off

■ Initialize Operation

All data can be initialized and restored to the factory preset condition by simultaneously holding the +\­buttons and turning on the power. (A “Clr All!” message appears briefly in the display.)

• If operation of the PortaTone “hangs up” or “freezes” due to static electricity or other causes, turn the power off and
execute the Initialize operation.

NOTE

41

Voice List

■ Voice Polyphony

The PortaTone has a maximum polyphony of 28 — in other words, it can play up to 28 individual notes
at the same time. This includes all Voices used: Dual, Split, Auto Accompaniment, and Song. If the
maximum polyphony is exceeded, some notes and sounds may be cut off.

Another feature affecting polyphony is the fact that some Voices are actually made up of two Voices (as
indicated in the list below). Using these Voices correspondingly reduces the available polyphony.

■ Panel Voice List

42

* The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an

external MIDI device.

Voice

Number

MIDI

Bank Select

MSB LSB

*Program

Number

Voice Name of Notes Bank Select

PIANO

01 0 0 0 Grand Piano 1
02 0 0 1 Honky-tonk Piano 2
03 0 0 2 Funky Electric Piano 2
04 0 0 3 DX Electric Piano 2
05 0 0 4 MIDI Grand Piano 2
06 0 0 5 Hyper Electric Piano 2
07 0 0 6 Bell Electric Piano 2
08 0 0 7 Harpsichord 1
09 0 0 8 Harpsichord Coupled 2
10 0 0 9 Clavi 1
11 0 0 10 Celesta 1

MALLETS

12 0 0 11 Vibraphone 1
13 0 0 12 Marimba 1
14 0 0 13 Xylophone 1
15 0 0 14 Tubular Bells 1
16 0 0 15 Timpani 1
17 0 0 16 Steel Drums 2
18 0 0 17 Music Box 2

ORGAN

19 0 0 18 Jazz Organ 1 2
20 0 0 19 Jazz Organ 2 2
21 0 0 20 Jazz Organ 3 2
22 0 0 21 Full Organ 2
23 0 0 22 Rock Organ 1 2
24 0 0 23 Rock Organ 2 2
25 0 0 24 16'+2' Organ 2
26 0 0 25 16'+4' Organ 2
27 0 0 26 Church Organ 2
28 0 0 27 Reed Organ 2
29 0 0 28 Musette Accordion 2
30 0 0 29 Traditional Accordion 2
31 0 0 30 Bandoneon 2

GUITAR

32 0 0 31 Classical Guitar 1
33 0 0 32 Folk Guitar 1
34 0 0 33 12Strings Guitar 2
35 0 0 34 Jazz Guitar 2
36 0 0 35 Octave Guitar 2
37 0 0 36 Clean Guitar 2
38 0 0 37 Muted Guitar 1
39 0 0 38 Overdriven Guitar 2
40 0 0 39 Distortion Guitar 2

BASS

41 0 0 40 Acoustic Bass 1
42 0 0 41 Finger Bass 1
43 0 0 42 Fretless Bass 1
44 0 0 43 Slap Bass 1
45 0 0 44 Synth Bass 2

ENSEMBLE

46 0 0 45 Strings 2
47 0 0 46 Chamber Strings 2
48 0 0 47 Synth Strings 2
49 0 0 48 Slow Strings 2
50 0 0 49 Tremolo Strings 2
51 0 0 50 Violin+Strings 2
52 0 0 51 Pizzicato Strings 1
53 0 0 52 Choir 2
54 0 0 53 Choir Aahs 2
55 0 0 54 Choir Oohs 2
56 0 0 55 Synth Choir 2
57 0 0 56 Orchestra Hit 2

Number

Used

Voice

Number

58 0 0 57 Violin 1
59 0 0 58 Cello 1
60 0 0 59 Contrabass 1
61 0 0 60 Harp 2

62 0 0 61 Trumpet 1
63 0 0 62 Muted Trumpet 1
64 0 0 63 Trombone 1
65 0 0 64 Trombone Section 2
66 0 0 65 French Horn 1
67 0 0 66 Tuba 1
68 0 0 67 Brass Section 2
69 0 0 68 Brass+Sax 2
70 0 0 69 Brass+Trombone 2
71 0 0 70 Brass+Trumpet 2
72 0 0 71 Synth Brass 2

73 0 0 72 Soprano Sax 1
74 0 0 73 Alto Sax 1
75 0 0 74 Tenor Sax 1
76 0 0 75 Baritone Sax 1
77 0 0 76 Sax+Clarinet 2
78 0 0 77 Sax+Trombone 2
79 0 0 78 Oboe 1
80 0 0 79 English Horn 1
81 0 0 80 Bassoon 1
82 0 0 81 Clarinet 1
83 0 0 82 Harmonica 1

84 0 0 83 Piccolo 1
85 0 0 84 Flute 1
86 0 0 85 Pan Flute 1
87 0 0 86 Recorder 1
88 0 0 87 Ocarina 1

89 0 0 88 Square Lead 2
90 0 0 89 Sawtooth Lead 2
91 0 0 90 Voice Lead 2
92 0 0 91 Crystal 2
93 0 0 92 Brightness 2
94 0 0 93 Analog Lead 2

95 0 0 94 Fantasia 2
96 0 0 95 Bell Pad 2
97 0 0 96 Xenon Pad 2
98 0 0 97 Angels 2
99 0 0 98 Dark Moon 2

00 0 0 99 Drum Kit 1

MIDI

MSB LSB

*Program

Number

STRINGS

BRASS

REED

PIPE

SYNTH LEAD

SYNTH PAD

DRUM KIT

Voice Name of Notes

Number

Used

43

■ GM Voice List

Voice

MIDI

Voice

MIDI

Bank Select

*Program

Voice Name Bank Select

*Program

Voice Name

Number

MSB LSB

Number

Number

MSB LSB

Number

Piano Reed

001 0 0 0 Acoustic Grand Piano 1 065 0 0 64 Soprano Sax 1
002 0 0 1 Bright Acoustic Piano 1 066 0 0 65 Alto Sax 1
003 0 0 2 Electric Grand Piano 2 067 0 0 66 Tenor Sax 1
004 0 0 3 Honky-tonk Piano 2 068 0 0 67 Baritone Sax 1
005 0 0 4 Electric Piano 1 2 069 0 0 68 Oboe 1
006 0 0 5 Electric Piano 2 2 070 0 0 69 English Horn 1
007 0 0 6 Harpsichord 1 071 0 0 70 Bassoon 1
008 0 0 7 Clavi 1 072 0 0 71 Clarinet 1

Chromatic Percussion Pipe

009 0 0 8 Celesta 1 073 0 0 72 Piccolo 1
010 0 0 9 Glockenspiel 1 074 0 0 73 Flute 1
011 0 0 10 Music Box 2 075 0 0 74 Recorder 1
012 0 0 11 Vibraphone 1 076 0 0 75 Pan Flute 1
013 0 0 12 Marimba 1 077 0 0 76 Blown Bottle 2
014 0 0 13 Xylophone 1 078 0 0 77 Shakuhachi 1
015 0 0 14 Tubular Bells 1 079 0 0 78 Whistle 1
016 0 0 15 Dulcimer 2 080 0 0 79 Ocarina 1

Organ Synth Lead

017 0 0 16 Drawbar Organ 2 081 0 0 80 Lead 1 (square) 2
018 0 0 17 Percussive Organ 2 082 0 0 81 Lead 2 (sawtooth) 2
019 0 0 18 Rock Organ 2 083 0 0 82 Lead 3 (calliope) 2
020 0 0 19 Church Organ 2 084 0 0 83 Lead 4 (chiff) 2
021 0 0 20 Reed Organ 1 085 0 0 84 Lead 5 (charang) 2
022 0 0 21 Accordion 2 086 0 0 85 Lead 6 (voice) 2
023 0 0 22 Harmonica 1 087 0 0 86 Lead 7 (fifth) 2
024 0 0 23 Bandoneon 2 088 0 0 87 Lead 8 (bass+Lead ) 2

Guitar Synth Pad

025 0 0 24 Acoustic Guitar (nylon) 1 089 0 0 88 Pad 1 (new age) 2
026 0 0 25 Acoustic Guitar (steel) 1 090 0 0 89 Pad 2 (warm) 2
027 0 0 26 Electric Guitar (jazz) 1 091 0 0 90 Pad 3 (polysynth) 2
028 0 0 27 Electric Guitar (clean) 2 092 0 0 91 Pad 4 (choir) 2
029 0 0 28 Electric Guitar (muted) 1 093 0 0 92 Pad 5 (bowed) 2
030 0 0 29 Overdriven Guitar 1 094 0 0 93 Pad 6 (metallic) 2
031 0 0 30 Distortion Guitar 1 095 0 0 94 Pad 7 (halo) 2
032 0 0 31 Guitar Harmonics 1 096 0 0 95 Pad 8 (sweep) 2

Bass Synth Effects

033 0 0 32 Acoustic Bass 1 097 0 0 96 FX 1 (rain) 2
034 0 0 33 Electric Bass (finger) 1 098 0 0 97 FX 2 (soundtrack) 2
035 0 0 34 Electric Bass (pick) 1 099 0 0 98 FX 3 (crystal) 2
036 0 0 35 Fretless Bass 1 100 0 0 99 FX 4 (atmosphere) 2
037 0 0 36 Slap Bass 1 1 101 0 0 100 FX 5 (brightness) 2
038 0 0 37 Slap Bass 2 1 102 0 0 101 FX 6 (goblins) 2
039 0 0 38 Synth Bass 1 1 103 0 0 102 FX 7 (echoes) 2
040 0 0 39 Synth Bass 2 1 104 0 0 103 FX 8 (sci-fi) 2

Strings Ethnic

041 0 0 40 Violin 1 105 0 0 104 Sitar 1
042 0 0 41 Viola 1 106 0 0 105 Banjo 1
043 0 0 42 Cello 1 107 0 0 106 Shamisen 1
044 0 0 43 Contrabass 1 108 0 0 107 Koto 1
045 0 0 44 Tremolo Strings 2 109 0 0 108 Kalimba 1
046 0 0 45 Pizzicato Strings 2 110 0 0 109 Bagpipe 2
047 0 0 46 Orchestral Harp 1 111 0 0 110 Fiddle 1
048 0 0 47 Timpani 1 112 0 0 111 Shanai 1

Ensemble Percussive

049 48 Strings Ensemble 1 1 113 0 0 112 Tinkle Bell 2
050 49 Strings Ensemble 2 1 114 0 0 113 Agogo 1
051 50 Synth Strings 1 2 115 0 0 114 Steel Drums 2
052 51 Synth Strings 2 2 116 0 0 115 Woodblock 1
053 52 Choir Aahs 1 117 0 0 116 Taiko Drum 1
054 53 Voice Oohs 1 118 0 0 117 Melodic Tom 1
055 54 Synth Voice 1 119 0 0 118 Synth Drum 1
056 55 Orchestra Hit 1 120 0 0 119 Reverse Cymbal 1

Brass Sound Effects

057 56 Trumpet 1 121 0 0 120 Guitar Fret Noise 1
058 57 Trombone 1 122 0 0 121 Breath Noise 1
059 58 Tuba 1 123 0 0 122 Seashore 2
060 59 Muted Trumpet 1 124 0 0 123 Bird Tweet 2
061 60 French Horn 1 125 0 0 124 Telephone Ring 1
062 61 Brass Section 1 126 0 0 125 Helicopter 2
063 62 Synth Brass 1 2 127 0 0 126 Applause 2
064 63 Synth Brass 2 2 128 0 0 127 Gunshot 1

Percussion Kit

129 127 0 0 Standard Kit 1

Number
of Notes

Used

Number

of Notes

Used

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0

* The MIDI Program Number column indicates the numbers that are used to select the corresponding voices from an

external MIDI device.

* The following voices use only one voice in the indicated ranges : 46 (Pizzicato Strings) : all notes below C#2 and

above F5, 110 (Bagpipe) : all notes above A#2.

44

Troubleshooting

Problem

When the PortaTone is turned on or off, a buzzing or popping
sound is temporarily produced.

The sound of the Voices or rhythms seems unusual or strange.
The display has gone out and the panel settings have been
returned to default.

Not all notes are heard when playing a number of notes
simultaneously.

There is no sound when the keyboard is played.

The Auto Accompaniment does not function properly. Chords
played in the lower section of the keyboard do not sound or
sound different than expected.

There is no sound even when the keyboard is played or when
a Song is being played back.

The selected Voice does not sound properly.

The selected Accompaniment Style or Song does not sound
properly.

Split Point 2 cannot be entered, or the
Accompaniment Split Point cannot be entered.

The footswitch operation is reversed; releasing the footswitch
causes sustain.

Cartridge data cannot be selected or properly played back.

The Harmony effect cannot be heard properly.

The Harmony or Echo effect cannot be used.

The PortaTone does not respond to or work with a connected
MIDI device.

MIDI data cannot be transmitted or received.

The mode cannot be changed.

Possible Cause and Solution

This is normal and indicates that the PortaTone is receiving electrical
power.

The battery power is too low. Replace all batteries with new ones of
the same type. (See page 3.)

Too many keys are pressed at the same time. The PortaTone is
polyphonic up to a maximum of 28 notes. (See page 42.)

The Local Control setting could be off. Make sure Local Control is
turned on. (See page 40.)

Make sure that you’re playing in the Auto Accompaniment section of
the keyboard. (See page 22.)
Also, make sure that you’re using the proper Fingering mode and that
you’re playing “legal” chords that the PortaTone can recognize. For
example, when playing Single Finger chords, make sure that the Single
Finger mode is selected. (See page 26.)

Check that nothing is connected to the PHONES/AUX OUT jack on the
rear panel. When a set of headphones is plugged into this jack, no
sound is output.

Make sure that the following settings are appropriate: Main Voice
Volume (page 11), Dual Voice Volume (page 13), and Split Voice
Volume (page 15)

Make sure that the Accompaniment Volume or Song Volume is set to
an appropriate level. (See pages 23, 32.)

Split Point 2 (page 15) cannot be set lower than the Accompaniment
Split Point (page 26). Also, the Accompaniment Split Point cannot be
set higher than Split Point 2.

Connecting the footswitch after power is on reverses the footswitch
operation (polarity). For normal operation, turn off the power,
connect the footswitch, then turn the power back on (without pressing
the footswitch).

Make sure that an appropriate Yamaha Music Cartridge is properly
inserted into the Cartridge slot. Also, make sure that the electrical
contacts on the Cartridge are clean and free from foreign particles.
Insert and remove the Cartridge several times, and try the operation
again. If the problem persists, clean the contacts with a soft, dry cloth.

Make sure that the Harmony Volume is set to an appropriate level.
(See page 17.)

Harmony/Echo is not available when the Full Fingering mode (page

26) is on, and will automatically be turned off when the Full Fingering
mode is selected.

Whenever using a MIDI device to control the PortaTone, make sure
that the Receive Switch is set to “on” for the appropriate channel or
channels. (See page 40.)

When the Song or Easy Chord Memory mode is selected, MIDI data
cannot be transmitted or received, and none of the MIDI menu settings
have any effect. Select another mode (Voice or Style).

While a Song or Rhythm/Accompaniment are being played back, the
mode cannot be changed. Stop the Song or Rhythm/Accompanyment
and press the VOICE, STYLE, SONG, or EASY CHORD MEMORY
(REC/END) button.

45

A

AC power adaptor ................................3

Accompaniment Out ..........................40

Accompaniment Split Point................26

Accompaniment Volume ............... 9, 23

Auto Accompaniment ........................20

B

batteries ..............................................3

C

Cartridge ..................................... 9, 36

Chorus................................................16

D

data backup .......................................41

data initialization ...............................41

Demo....................................................5

Demo Songs.........................................5

Dual Voice GM Voice ..........................13

Dual Voice menu ................................13

Dual Voice mode ................................12

Dual Voice Octave .............................13

Dual Voice Pan ...................................13

Dual Voice Reverb Level ....................13

Dual Voice Volume .............................13

E

Easy Chord Memory ....................... 8, 33

Echo Speed ........................................17

Effect controls .....................................9

Ending section ...................................24

External Clock ....................................40

F

Fill-in section ......................................22

Fingered .............................................25

Fingering modes ................................24

Full (Fingering mode) .........................26

G

GM Voice, Dual Voice .........................13

GM Voice, Main Voice ........................11

GM Voice, Split Voice .........................15

Guide Lamps (PSR-230 only) .............30

H

Harmony Volume ...............................17

Harmony/Echo ...................................16

Harmony/Echo type...........................16

Harmony/Echo menu .........................17

headphones..........................................4

I

Intro section ......................................21

J

Jam Track section..............................23

K

Keyboard controls ................................8

Keyboard Out.....................................40

L

Large/Small .......................................23

Local Control .....................................40

M

Main A and B sections ..................... 21, 22

Main Voice GM Voice .........................11

Main Voice menu................................11

Main Voice Octave .............................11

Main Voice Pan ...................................11

Main Voice Reverb Level ....................11

Main Voice Volume ............................11

Metronome...................................... 19, 21

MIDI ....................................................38

MIDI Implementation Chart.................46

MIDI menu ..........................................40

Minus One ..........................................31

Minus One Channel

Settings (Left, Right) ..................... 31, 32

Minus One Part Setting ................... 31, 32

Music Cartridge (PSR-230 only) ........36

Music Stand ..........................................4

N

numeric keypad .................................10

O

Octave, Dual Voice ............................13

Octave, Main Voice ............................11

Octave, Split Voice ............................15

One Touch Setting, Song ...................33

One Touch Setting, Style ...................27

P

Pan, Dual Voice ..................................13

Pan, Main Voice ..................................11

Pan, Split Voice ..................................15

Percussion Kit Voice ..........................12

PHONES/AUX OUT................................4

Power switch ........................................5

R

Real-time recording ............................34

REC/END (Easy Chord Memory).........34

Receive Channel Select ......................40

Receive Switch ...................................40

Recording, Real-time ..........................34

Recording, Step .................................35

Remote Channel .................................40

Repeat Play ........................................29

Reverb................................................18

Reverb Level, Dual Voice ...................13

Reverb Level, Main Voice ...................11

Reverb Level, Split Voice ...................15

Reverb Type.......................................19

Reverb/Others menu .........................19

S

sections ......................................... 9, 22

Single Finger ......................................26

Song Clear..........................................35

Song menu.........................................32

Song Volume ................................. 9, 32

Songs, Demo ........................................5

Songs, selecting .................................28

Songs, User ........................................33

Split Point 1, 2 ...................................15

Split Voice GM Voice ..........................15

Split Voice menu ................................15

Split Voice mode ................................14

Split Voice Octave .............................15

Split Voice Pan ...................................15

Split Voice Reverb Level ....................15

Split Voice Volume ............................15

Start/Stop ............................ 21, 24, 29

Step recording ...................................35

Stopped Accompaniment function ....22

Style menu .........................................26

Style mode.........................................20

Styles, selecting ................................20

Sustain .................................................4

Sync-Stop ..........................................24

Synchro Start .....................................21

T

Tempo................................................22

Touch Response.................................18

Touch Sensitivity ...............................19

Transpose ..........................................19

Troubleshoooting ...............................44

Tuning ................................................19

U

User Songs .........................................33

V

Voice List ...........................................42

Voice Polyphony ................................42

Voice Set ...........................................19

Voices, selecting ................................10

Volume control ....................................5

Volume, Accompaniment .............. 9, 23

Volume, Dual Voice ............................13

Volume, Main Voice ...........................11

Volume, Song ................................ 9, 32

Volume, Split Voice ...........................15

Index

46

MIDI Implementation Chart / Implementierungstablle / Table d

〇0-127
＊＊＊＊＊＊＊

〇(*4)

×
×
×

〇
〇(*6)

×
×
〇
×

〇0-127
 0-127

〇(*4)

×
×
×

〇(*5)
〇(*6)

×
〇
〇
×

: True number

: Song Position
: Song Select
: Tune

: Clock
: Commands

: Local On/Off
: All Notes Off
: Active Sense
: Reset

Program
Change

System Exclusive
System

Common

System
Real Time

Aux
Messages

Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO

Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY

〇:Yes
×:No

0,32

1

6,38

7

10

11
64
66
84
90
91
96
97

100, 101

120
121

Control Change

〇(*1)
〇
〇
〇
〇
〇
〇
×
〇
×
〇
×
×
〇(*2)
〇
〇

〇(*1)
〇
〇
〇
〇
〇
〇
〇
〇
×
〇
〇
〇
〇(*2)
〇
〇(*3)

Bank select MSB, LSB
Modulation depth
Data entry MSB, LSB
Volume
Pan
Expression
Sustain
Sostenuto
Portament control
Dry send level
Reverb depth
RPN data increment
RPN data decrement
RPN LSB, MSB
All sound off
Reset All Controllers

Default
Changed

Default
Messages
Altered

: True voice
Note on

Note off
Key's

Ch's

Basic
Channel

Mode

Note
Number

Velocity

After
Touch

Pitch Bender

Function Transmitted Recognized Remarks

1-16(*0)
1-16(*0)

(*0)
×
×

0-127
0-127

〇9nH,v=1-127
×9nH,v=0or8nH

×
×

〇

1-16
1-16

Mode3
×
＊＊＊＊＊＊＊

0-127
＊＊＊＊＊＊＊

〇9nH,v=1-127
×9nH,v=0

×
×

〇

YAMAHA [ Portable Keyboard ]
Model : PSR-220 / 230

Date: 14-Feb-1996
Version: 1.0

47

*0 PSR-220/230 function as 16 MIDI channel multi-timbral

tone generator.
The Remote Keyboard channel can be set by the panel
settings.
The designated channels on the PSR-220/230 can be
controlled by an external device and receive the
following data:

• Note Off

• Note On

• Contorl Chanage:
Bank select MSB, LSB
Volume
Pan
Sustain
Reverb depth
All sounds off
Reset all controllers

• Program Change

• Exclusive ( Panel voice / GM voice select )

*1 Bank select transmission: The LSB is fixed at 00H.

Bank select reception: The bank select MSB is used for
melody voice and rhythm voice switching.

MSB 00H: Melody voice.
MSB 7FH: Rhythm voice.

The bank select LSB is ignored.
The bank select on the channel 10 is ignored.
No voice change will occur when only a bank select is
received.
When a program change is received, the latest bank
select value is used.

*2 RPN transmits and receives the following data:

Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H
Fine tuning: BnH, 64H, 01H, 65H, 00H
Coarse tuning: BnH, 64H, 02H, 65H, 00H
Null: BnH, 64H, 7FH, 65H, 7FH

*3 Reset all controllers.

Pitch bend, modulation, expression, sustain, sostenuto,
and registered parameter number are returned to their
default values.
Portamento is reset.

*4 Exclusive.

< GM1 System On >

F0H, 7EH, 7FH, 09H, 01H, F7H
All parameters except MIDI Master Tuning are reset to
their default values.

< DISK ORCHESTRA ON >

F0H, 43H, 73H, 01H, 14H, F7H
< DISK ORCHESTRA OFF >

F0H, 43H, 73H, 01H, 13H, F7H
< MIDI Master Volume >

F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
Allows the volume of all channels to be changed
simultaneously (universal system exclusive).
“mm” is used as the MIDI Master Volume value (“ll” is
ignored).
The relation between MIDI Master Volume value and the
actual volume is the same as the one between control
change master volume value and the actual volume.
The default value for “mm” is 7FH.
This value is reset by a GM1 System On message.

< MIDI Master Tuning >

F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H
Allows the pitch of all channels to be changed
simultaneously.
“mm, ll” is used as the MIDI Master Tuning value, and
the actual tuning value is represented as follows:

T = M x 200 / 256 - 100
Where T is the actual tuning value in cents. M is decimal

value represented by 1-byte using bits 0..3 of “mm” as
the MSB and bits 0..3 of “ll” as the LSB.
The default values of “mm” and “ll” are 07H and 0FH,
respectively.

“n” and “cc” are also recognized.
This value is not reset by a GM1 System On or Reset All
Controllers message.

< Panel Voice >

F0H, 43H, 76H, 1BH, cc, vv, F7H
This message alternately selects Panel voice or GM
voice.

cc: MIDI channel

vv: 00 = GM voice mode, 01 = Panel voice mode
*5 Internal / External clock selectable.
*6 Start / Stop message is transmitted.

Start / Stop message is received as a message for
“STYLE”.

GM System Level 1

The existing MIDI protocol allows performance and other data to be transferred between different instruments, even
if they are from different manufacturers. This means, for example, that sequence data that was originally created to
control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer
B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate
program change data must be transmitted to select the right voices.

The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing
software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in
which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current
standard recognized by the International MIDI Association is known as “GM System Level 1.” The PSR-230/220 voice
allocation complies with the GM System Level 1 standard.

48

Keyboard:

61 standard-size keys (C1-C6) with touch response
(with Touch Sensitivity parameter).

Display:

Large multi-function display

Voice:

AWM 100 (Panel) / 128 + 1 Percussion Kit (GM)
Maximum Polyphony: 28 notes
Modes: Main, Dual, Split
Parameters: Volume, Octave, Pan,

Reverb Send Level, GM on/off, Split Points 1 & 2

Effect:

•Chorus

•Harmony/Echo: 5 types Harmony, 3 types Echo
(with Harmony Volume, Echo Speed parameters)

•9 types Reverb

Style

100 Styles
Auto Accompaniment
Fingering Modes: Fingered, Full, Single Finger
Sections: Intro, Main A, Main B, Fill-in x 4, Ending
100 Jam Track (1 per Style)
Other Controls: Tempo (32 - 280), Large/Small,

Accompaniment Volume, Accompaniment Split Point

400 One Touch Setting (4 per Style)

Song

Song: 16 Preset, 4 User
Minus One
Repeat
Guide (PSR-230 only)
Song Volume
One Touch Setting

Easy Chord Memory

4 User Songs: Real-time Recording, Step Recording,
Song Clear

Overall Controls

Transpose
Tuning
Metronome

Music Cartridge

PSR-230: Yes
PSR-220: No

Guide Lamps

PSR-230: Yes
PSR-220: No

Controls

POWER, VOLUME, DEMO, SUB MENU, MAIN
MENU, TOUCH RESPONSE, SPLIT, FINGERING,
VOLUME, TEMPO, SYNC-START, START/STOP,
INTRO/REPEAT PLAY, MAIN/AUTO FILL A and B
[also MINUS ONE, GUIDE (PSR-230 only)],
ENDING, JAM TRACK, SYNC-STOP,
LARGE/SMALL, ONE TOUCH SETTING 1 - 4
(MEASURE +/-, BEAT +/-), VOICE, STYLE, SONG,
Numeric Keypad, CARTRIDGE (PSR-230 only),
EASY CHORD MEMORY (REC/END),
DUAL/CHORUS, HARMONY/ECHO, REVERB

Other Terminals & Fittings

Music Cartridge slot (PSR-230 only)
DC IN 10-12V jack
PHONES/AUX OUT jack
SUSTAIN jack
MIDI IN/OUT terminals
Music Stand slot

Amplifier

Stereo: 3.0 W + 3.0 W (with PA-3B adaptor);

6.0 W+6.0 W (with batteries)

PHONES/AUX OUT Output

48 Ω impedance ±5%

Speakers

10 cm x 2

Power Consumption

12 W (with PA-3B adaptor)

Rated Power Supply

DC 10-12 V: 6 “D” size / R-20 / SUM-1 (1.5 V) batteries,
or PA-3/3B Power Adaptor

Dimensions (W x D x H)

933 x 372 x 126mm (36-3/4" x 14-5/8" x 5")

Weight

PSR-230: 7.1 Kg (15.7 lbs.) excluding batteries
PSR-220: 7.0 Kg (15.4 lbs.) excluding batteries

Supplied Accessories

• Music Stand

• Owner’s Manual

• Music Cartridge (PSR-230 only)

Optional Accessories

Headphones: HPE-3 or HPE-150
AC Power Adaptor: PA-3 or PA-3B
Keyboard Stand: L-2L or L-2C

* Specifications are subject to change without notice.
* Änderungen ohne Vorankündigung vorbehalten,
* Sous toute réserve de modification des caractéristiques sans préavis.
* Especificaciones sujetas a cambios sin previo aviso.

Specifications / Technische Daten / Spécifications /
Especificaciones

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:

PSR SERIES OF PORTASOUND ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in
material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to
the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED
WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANTABILITY IS LIMITED TO THE DURATION OF THE
EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of
the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under
warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service shold be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will

be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system
if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to

follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures
and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extermes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an

authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and

Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!