Yamaha PSR-202 User Manual

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SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or speciﬁcally recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the speciﬁcations without notice or obligation to update existing units.

This product, either alone or in combination with an ampliﬁer and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ﬁve years. When replacement becomes necessary, contact a qualiﬁed service

representative to perform the replacement. This product may also use “household” type batteries. Some of these may be

rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.

(standby)

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PRECAUTIONS

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

* The illustrations and LCD screens as shown in this owner’s manual

are for instructional purposes only, and may be different from the ones on your instrument.

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during electrical storms.

• Always make sure all batteries are inserted in conformity with the +/polarity markings. Failure to do so might result in overheating, ﬁre, or battery ﬂuid leakage.

• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, ﬁre, or battery ﬂuid leakage.

• Do not dispose of batteries in ﬁre.

• Do not attempt to recharge batteries that are not intended to be charged.

• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery ﬂuid.

• Keep batteries away from children.

• If the batteries do leak, avoid contact with the leaked ﬂuid. If the battery ﬂuid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery ﬂuid is corrosive and may possibly cause loss of sight or chemical burns.

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disﬁguration or damage to the internal components.

• Do not use the instrument near other electrical products such as televi-

sions, radios, or speakers, since this might cause interference which can

(4)-7

• Use the speciﬁed adaptor (PA-3C, PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a ﬁre.

affect proper operation of the other products.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

• Use only the stand speciﬁed for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Always turn the power off when the instrument is not in use. Make sure to discard used batteries according to local regulations.

● COPYRIGHT NOTICE

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles ﬁles, MIDI ﬁles, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevantlaws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

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Congratulations on your purchase of the Yamaha PSR-202 PortaTone!

You now own a portable keyboard that combines advanced functions, great sound

and exceptional ease-of-use in a highly compact package. Its outstanding features

also make it a remarkably expressive and versatile instrument.

Read this Owner’s Manual carefully while playing your new PSR-202 in order to

take full advantage of its various features.

Main Features

The PSR-202 is a sophisticated yet easy-to-use keyboard with the following features and functions:

■ LATIN ............................. page 22

The LATIN feature is an exciting new addition to the PSR-202, that puts a wealth of contemporary Latin sounds and rhythms at your ﬁngertips. Pressing the [LATIN] button instantly calls up one of the special Latin Styles, Voices and Songs, letting you play Latin percussion and music.

■ Portable Grand ............................. page 20

The PSR-202 also has a Portable Grand function for realistic piano performance. Pressing the [PORTABLE GRAND] button instantly calls up the stunningly authentic “Stereo Sampled Piano” voice and conﬁgures the entire PSR-202 for optimum piano play. Special Pianist styles — with piano-only accompaniment — are also provided.

■ Yamaha Education Suite

The PSR-202 features the new Yamaha Education Suite — a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulﬁlling than ever before!

The Yamaha Education Suite includes:

● Lesson ............................. page 34

The convenient and easy-to-use Lesson feature, guides you through the parts of a song — just like a patient teacher! Select from any one of lesson songs (#025 – #099) on the PSR-202, and learn the left- and right-hand parts independently at ﬁrst, then together. Lesson features four easy steps that help you master each song: Timing, Waiting, Minus One, and Both Hands.

● Grade & Talking ............................. pages 39, 40

The PSR-202 also has the Grade and Talking features. Grade is a virtual “teacher,” evaluating your practice sessions and rating your performance. The convenient Talking function “announces” each Lesson step and your “grades,” among other things.

● Dictionary ............................. page 41

Dictionary is a built-in “chord encyclopedia” that teaches you how to play speciﬁc chords by showing you the appropriate notes in the display — perfect for when you know the name of a chord and want to quickly learn how to play it!

Other powerful features include:

• Exceptionally realistic and dynamic sounds with 112 voices, utilizing digital recordings of actual instruments.

• 141 dynamic auto accompaniment Styles, each with different Intro, Main A and B, and Ending sections. All styles (except for the Piano styles) also have their own two Fill-in patterns.

• Large custom LCD gives you easy, at-a-glance conﬁrmation of all important settings, as well as chord and note indications.

• 99 songs, for your listening enjoyment — or for use with the sophisticated learning tools of the Yamaha Education Suite.

• Convenient control over accompaniment Styles — including Tempo, Tap Tempo and independent Accompaniment Volume.

• Four Multi Pads, for instantly adding special instrumental breaks, ﬁlls, and phrases to your performance.

• One Touch Setting (OTS), for automatically calling up an appropriate voice for playing with the selected Style and Song.

• MIDI terminals for interfacing with other MIDI devices.

• Built-in, high-quality stereo ampliﬁer/speaker system.

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Panel Controls and Terminals ........................ 6

Setting Up......................................................... 8

Power Requirements ............................................8

Turning On the Power...........................................8

Accessory Jacks ...................................................9

Quick Guide 10

Step 1 Voices.....................................................................10

Step 2 Songs......................................................................12

Step 3 Auto Accompaniment...............................................14

Step 4 Lesson ....................................................................16

Getting Started

— Playing the Demo Songs .......................... 18

Panel Display Indications .............................19

Portable Grand............................................... 20

Playing the Portable Grand.................................20

Using the Metronome..........................................20

LATIN .............................................................. 22

Playing the LATIN ...............................................22

Talking............................................................ 40

Dictionary....................................................... 41

Selecting and Playing Styles........................ 42

Selecting a Style ................................................ 42

Playing a Style ................................................... 43

Changing the Tempo.......................................... 46

Style Sections (Main A, Main B) and Fill-ins ...... 46

Adjusting the Accompaniment Volume .............. 47

Using Auto Accompaniment

— Multi Fingering............................................. 48

Multi Pads .......................................................... 51

MIDI................................................................. 52

Troubleshooting ............................................ 53

Index ............................................................... 54

Voice List ....................................................... 56

Drum Kit List.................................................. 58

Style List & Multi pads .................................. 63

MIDI Implementation Chart........................... 64

Specifications ................................................ 66

Selecting and Playing Voices ....................... 23

Selecting and Playing a Voice ............................23

One Touch Setting ..............................................26

Transpose and Tuning ........................................27

Selecting and Playing Songs........................ 29

Selecting and Playing a Song .............................29

Melody Voice Change.........................................30

Changing the Tempo ..........................................31

Adjusting the Song Volume.................................32

Song Controls .....................................................32

A-B Repeat .........................................................33

Song Lesson .................................................. 34

Using the Lesson Feature...................................34

Lesson 1 — Timing .............................................36

Lesson 2 — Waiting............................................37

Lesson 3 — Minus One ......................................37

Lesson 4 — Both Hands .....................................38

Grade ..................................................................39

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Panel Controls and Terminals

■ Front Panel

000

q [MASTER VOLUME] dial

This determines the overall volume of the PSR-202.

w Power switch ([STANDBY/ON])

e LESSON [L] (Left) and [R] (Right) buttons

These call up the Lesson exercises for the corresponding hand (left or right) for the selected song. (See page 35.)

r [Dict.] (DICTIONARY) button

This calls up the Dictionary function (See page 41).

t [OVERALL] button

This is for selecting the various “overall” functions. (See page 21.)

y [SONG] button

This is for enabling song selection. (See page 29.)

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u i

!0 [METRONOME] button

This turns the metronome on and off. (See page 20.)

!1 [LATIN] button

This instantly calls up a special LATIN voice, style and song. (See page 22.)

!2 Numeric keypad, [+/ON] and [-/OFF]

buttons

These are used for selecting songs, voices, and styles. (See page 24.) They are also used for entering values and adjusting or making certain settings.

!3 [ACMP] ([A-B REPEAT]) button

When the Style mode is selected, this turns the auto accompaniment on and off. (See page 43.) When the Song mode is selected, this controls the A-B Repeat function. (See page 33.)

u [VOICE] button

This is for enabling voice selection. (See page 23.) Holding down this button calls up the Melody Voice Change function. (See page 30.)

i [STYLE] button

This is for enabling style selection. (See page 42.)

o [PORTABLE GRAND] button

This instantly calls up the Grand Piano voice, plus a special piano song and style. (See page 20.)

!4 [SYNC START] ([ PAUSE]) button

When the Style mode is selected, this turns the Sync Start function on and off. (See page 44.) When the Song mode is selected, this alternately pauses and starts song playback. (See page 32.)

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Panel Controls and Terminals

!5 [START/STOP] button

When the Style mode is selected, this alternately starts and stops the auto accompaniment. (See page 43.) When the Song mode is selected, this alternately starts and stops song playback. (See page 32.)

!6 [INTRO/ENDING/rit.] ([ REW]) button

When the Style mode is selected, this is used to control the Intro and Ending functions. (See page 45.) When the Song mode is selected, this is used to rewind during song playback. When song playback is stopped, it is used to reverse to speciﬁc measure numbers in the song. (See page 32.)

!7 [MAIN/AUTO FILL] ([ FF]) button

When the Style mode is selected, this is used to change auto accompaniment sections and control the Auto Fill function. (See page 46.) When the Song mode is selected, this is used to fast forward during song playback. When song playback is stopped, it is used to advance to speciﬁc measure numbers in the song. (See page 32.)

!8 [TEMPO/TAP] button

This button allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. (See page 44.) It also is used to call up the Tempo setting, letting you set the Tempo with the numeric keypad or [+]/[-] buttons. (See page 31.)

!9 [DEMO] button

This is used to play the Demo songs. (See page 18.)

@0 [MULTI PAD] buttons

These are used to automatically play pre-programmed musical phrases. (See page 51.)

■ Rear Panel

@1 MIDI IN, OUT terminals

These are for connection to other MIDI instruments and devices. (See pages 9, 52.)

@2 SUSTAIN jack

This is for connection to an optional FC4 or FC5 Footswitch. (See page 9.)

@3 @4

@3 PHONES/OUTPUT jack

This is for connection to a set of stereo headphones or to an external ampliﬁer/speaker system. (See page 9.)

@4 DC IN 12V jack

This is for connection to a PA-3C or PA-3B AC power adaptor. (See page 8.)

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Setting Up

This section contains information about setting up your PSR-202 for playing. Make sure to read this section carefully before using the instrument.

Power Requirements

Although the PSR-202 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.

■ Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • • • • • •

To connect your PSR-202 to a wall socket, you will need the optionally available Yamaha PA-3C or PA-3B Power Adaptor. Use of other AC adaptors could result in damage to the instrument, so be sure to ask for the right kind. Make sure that the [STANDBY/ON] switch of the PSR-202 is set to STANDBY. Connect one end of the adaptor to the DC IN 12V jack on the rear panel of your PSR-202, and the other end to a suitable electrical outlet.

• Use ONLY a Yamaha PA-3C or PA-3B AC Power Adaptor (or other adaptor speciﬁcally recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adap tor and the PSR-202.

• Unplug the AC Power Adaptor when not using the PSR-202, or during electrical storms.

■ Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

● Inserting Batteries

Turn the instrument upside-down and remove the battery compartment lid. Insert six 1.5-volt “D” size, R20P (LR20) or equivalent batteries as shown in the illustration, making sure that the positive and negative terminals are properly aligned, and replace the lid.

● When the Batteries Run Down

When the batteries run low and the battery voltage drops below a certain level, the PSR-202 may not sound or function properly. As soon as this happens, replace them with a complete set of six new batteries.

Turning On the Power

• Never mix old and new batteries or different types of batteries (e.g., alkaline and manganese).

• To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for a long time.

With the AC power adaptor connected or with batteries installed, simply move the STANDBY switch until it is set to the ON position. When the instrument is not in use, be sure to turn the power off.

• Even when the switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the PSR-202 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

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Accessory Jacks

MIDI

instrument

■ Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

For private practicing and playing without disturbing others, connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. Sound from the builtin speaker system is automatically cut off when you insert a headphone plug into this jack.

Setting Up

■ Connecting a Keyboard Ampliﬁer or Stereo System • • • • • • •

Though the PSR-202 is equipped with a built-in speaker system, you can also play it through an external ampliﬁer/speaker system. First, make sure the PSR-202 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the PSR-202.

■ Using a Sustain Footswitch • • • • • • • • • • • • • • • • • • • • • • • • •

This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the keyboard voice. This is used in the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the keyboard to sustain the sound.

• To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and grad ually raise the volume controls while playing the instrument to set the desired listening level.

• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.

• Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.

■ Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • •

The PSR-202 also features MIDI terminals, allowing you to interface the PSR202 with other MIDI instruments and devices. (For more information, see page

52.)

Music Rest

Insert the bottom edge of the included music rest into the slot located at the top rear of the PSR-202 control panel.

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Quick Guide

Step 1 Voices

000

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Playing the Latin music

The exciting new LATIN feature gives you a full variety of Latin music sounds — letting you create your own Latin grooves and rhythms.

Press the [LATIN] button.

Press the [START/STOP] button.

● Panel Voice List

No. Voice Name

PIANO

001 GRAND PIANO 002 HONKY-TONK

PIANO

003

ELECTRIC PIANO 1

004

ELECTRIC PIANO 2

005

ELECTRIC PIANO 3

006

ELECTRIC PIANO 4

007 HARPSICHORD 008 CLAVI 009 CELESTA

ORGAN/ACCORDION

010 VIBRATO OFF 011 VIBRATO ON

No. Voice Name 012 HARMONY OFF 013 HARMONY ON 014 ATTACK OFF 015 ATTACK ON 016 WAVE OFF 017 WAVE ON 018 PIPE ORGAN 019 ACCORDION 1 020 ACCORDION 2 021 BANDONEON 022 HARMONICA

023 SOFT GUITAR 024 FOLK GUITAR

112

GUITAR/BASS

LatinKit

No. Voice Name 025 12STRINGS

026 SMALL GUITAR 027 JAZZ GUITAR 028 ELECTRIC GUITAR 029 DISTORTION

030 WOOD BASS 031 FINGER BASS 032 SLAP BASS 033 FAT BASS

034 STRINGS 035 VIOLIN

GUITAR

STRINGS/MARIMBA

Play the Latin percussion.

When [ACMP] is turned on, you can play along with the accompaniment.

Want to ﬁnd out more? See page 22.

No. Voice Name 036 CELLO 037 HARP 038 SITAR 039 BANJO 040 VIBRAPHONE 041 MARIMBA 042 STEEL DRUMS

TRUMPET

043 TRUMPET 044 TROMBONE 045 MUTE TRUMPET 046 FRENCH HORN 047 BRASS SECTION 048 HIGH BRASS

No. Voice Name 049 TRUMPET &

TROMBONE SECTION

SAX/FLUTE

050 ALTO SAX 051 TENOR SAX 052 OBOE 053 CLARINET 054 FLUTE 1 055 FLUTE 2 056 PAN FLUTE

SYNTHESIZER

057 THICK LEAD 058 SIMPLE LEAD

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Step 1 Voices

Playing the Piano

Simply by pressing the [PORTABLE GRAND] button, you can automatically reset the entire PSR-202 for piano play.

Press the [PORTABLE GRAND] button.

Playing along with the Metronome

Press the [METRONOME] button.

GrandPno

Want to ﬁnd out more? See page 21.

Play the keyboard.

000

Want to ﬁnd out more? See page 20.

Selecting and Playing Other Voices

The PSR-202 has a total of 112 dynamic and realistic instrument voices. Let’s try a few of them out now...

Press the [VOICE] button.

Select a voice.

002

HnkyTonk

000

No. Voice Name 059 THICK

SAWTOOTH

060 SIMPLE

SAWTOOTH

061 SYNTH BASS 062 SYNTH STRINGS 063 SYNTH BRASS 064 SLOW STRINGS 065 CHORUS

VARIATION

066 PIANO TRIO 067 PIANO COUNTRY 068 ELECTRIC

PIANO TRIO

069 HARPSICHORD

TRIO

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No. Voice Name 070 ELECTRIC

071 VIBRAPHONE

072 TRUMPET DUET 073 HORN DUET 074 CLARINET TRIO 075 FLUTE DUET 076 WOOD BASS/

077 STRINGS/PIANO 078 FINGER BASS/

079 HARP/VIOLIN 080 FRENCH HORN/

081 SUSTAIN PIANO

ORGAN TRIO

DUET

PIANO

ELECTRIC PIANO

TRUMPET

Play the keyboard.

No. Voice Name 082 SUSTAIN ELEC-

TRIC PIANO 1

083 SUSTAIN ELEC-

TRIC PIANO 2

084 SUSTAIN

VIBRAPHONE

085 SUSTAIN

STRINGS

086 ECHO PIANO 087 ECHO

ELECTRIC PIANO

088 ECHO

HARPSICHORD

089 ECHO CELESTA 090 ECHO

FOLK GUITAR

091 ECHO BANJO

Want to ﬁnd out more? See page 23.

No. Voice Name 092 ECHO

VIBRAPHONE

093 ECHO MARIMBA 094 ECHO

STEEL DRUMS

095 ECHO DRUM KIT 096

PIANO CONCERTO

097 ELECTRIC PIANO

CONCERTO

098 FAIRY LAND 099 MOOD GUITAR 100 RICH GUITAR 101 HOT ORGAN 102 EXCEL VIOLIN 103 CRYSTAL 104 STAR SHIP

No. Voice Name

DRUM KIT

105 DRUM KIT

BRASIL

106 CAVAQUINHO 107 BANDOLIM 108 VIOLA CAIPIRA 109 BRASIL KIT 1 110 BRASIL KIT 2 111 BERIMBAU &

SURDO

LATIN KIT

112 LATIN KIT

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Quick Guide

Step 2 Songs

000

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Playing the Songs

The PSR-202 is packed with 99 songs, including 24 special Demo songs.

Playing the Demo songs

Demo songs (001 - 024) showcase the sophisticated features and stunning sound of the PSR-202. Let’s play the Demo songs now, starting with 001...

Press the [DEMO] button.

Naturally, you can also individually select and play back any of the PSR-202’s songs (001 - 099).

Press the [SONG] button.

Playing a single song

023

Stop the Demo song.

You can also play back songs of other categories. Simply select the appropriate number of the desired song during playback.

SambaRck

001

Select a song.

Start (and stop) the song.

Mariachi

025

Want to ﬁnd out more? See page 29.

FurElise

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● Song List

No.

Song Name (Composer)

DEMONSTRATION

001 MARIACHI 002

NORTEÑO 003 BANDA 004 MERENGUE 1 005 SON 006 TIMBA 007 CHA CHA 008 RUMBA 009 BOLERO 010 MAMBO 011 CONGA 012 MERENGUE 2 013 JOROPO 014 GAITA 015 PARRANDA 016 CUMBIA COLOMBIANA 017 VALLENATO 018 MERENGUE 3 019 TANGO 020 ZAMBA 021 BAILANTA 022 CUARTETO 023 SAMBA ROCK 024 XOTE

PIANO/CLASSICAL

025

Für Elise

(L.v. Beethoven) 026

Menuett

(J.S. Bach) 027

Turkish March

(W.A. Mozart) 028

Marcia Alla Turca

(L.v. Beethoven) 029

Valse op.64-1 “Petit chien”

(F. Chopin)

030

Etude op.10-3 “Chanson

De L’adieu”

(F. Chopin) 031

Jesu, Joy Of Man’s Desiring

(J.S. Bach) 032

Symphonie Nr.9

(L.v. Beethoven) 033

Gavotte

(F.J. Gossec) 034

Fröhlicher Landmann

(R. Schumann) 035

Polonaise

(J.S. Bach) 036

Canon

(J. Pachelbel) 037

Heidenröslein

(F. Schubert) 038

Träumerei

(R. Schumann) 039

From The New World

(A. Dvorák) 040

Frühlingslied

(F. Mendelssohn) 041

Menuett

(J. Krieger) 042

Liebesträume Nr.3

(F. Liszt) 043

Blumenlied

(G. Lange)

044

Valse Des Fleurs

(From “The Nutcracker”)

(P.I. Tchaikovsky) 045

Air On The G String

(J.S. Bach) 046

Die Forelle

(F. Schubert)

047

Marche

(From “The Nutcracker”)

(P.I. Tchaikovsky) 048

Humoreske

(A. Dvorák) 049

Pizzicato Polka

(J. Strauss) 050

Ave Maria

(F. Schubert) 051

Ave Maria

(C. Gounod) 052

Wiegenlied

(B. Flies) 053

Wiegenlied

(F. Schubert) 054

Wiegenlied

(J. Brahms)

WORLD

055

Twinkle Twinkle Little Star

(Traditional)

056

Grandfather’s Clock (H.C. Work)

057

Beautiful Dreamer (S.C. Foster)

058

Greensleeves (Traditional)

059

Believe Me, If All Those Endearing Young Charms (Traditional)

060

I’m Mai (Traditional)

061

Home Sweet Home (H. Bishop)

062

Amazing Grace (Traditional)

063

Aura Lee (G. Poulton)

064

My Old Kentucky Home (S.C. Foster)

065

Aloha Oe (Traditional)

066

Die Lorelei (F. Silcher)

067

Londonderry Air (Traditional)

068

Auld Lang Syne (Traditional)

069

Carry Me Back To Old Virginny (Traditional)

070

The Yellow Rose Of Texas

(C.H. Brown)

071

Long, Long Ago (T.H.Bayly)

072

London Bridge (Traditional)

073

Old Folks At Home (S.C. Foster)

074

O Du Lieber Augustin (Traditional)

075

My Darling Clementine (Traditional)

076

Hamabe No Uta (T. Narita)

077

Furusato (T. Okano)

078

Oh! Susanna (S.C. Foster)

079

Jeanie With The Light Brown Hair (S.C. Foster)

080

I’ve Been Working On The Railroad (Traditional)

081

Loch Lomond (Traditional)

082

My Bonnie (Traditional)

083

Yankee Doodle (Traditional)

084

Turkey In The Straw (Traditional)

085

Annie Laurie (L. Scott)

086

Close Your Hands, Open Your Hands (J.J. Rousseau)

087

Muss I Denn (F. Silcher)

088

The Cuckoo (Traditional)

089

Battle Hymn Of The Republic

(Traditional)

090

Camptown Races (S.C. Foster)

091

Romance De L’amour (Traditional)

092

American Patrol (F.W. Meacham)

093

Little Brown Jug (Traditional)

094

The Entertainer (S. Joplin)

CHRISTMAS

095

Jingle Bells (J.S. Pierpont)

096

Silent Night (F. Gruber)

097

Joy To The World (G.F. Händel)

098

O Christmas Tree (Traditional)

099

Deck The Halls (Traditional)

No.

Song Name (Composer)

Step 2 Songs

This lets you adjust the volume balance between the song and your keyboard performance.

Press the [OVERALL] button, until ACMP/SONG VOLUME is indicated by the dark arrow in the display.

Use the [+]/[-] buttons to adjust the song volume.

You can also use the numeric keypad to directly enter the value.

Changing the volume of the song

110

Want to ﬁnd out more? See page 32.

SONG VOL

120

001

SONG VOL

*For the songs #025 – #099, refer to the included Song Book.

Page 14

Quick

Accompaniment

section

Left hand

Auto accompaniment

(for example, bass + guitar + drums)

Right hand

Melody

Norteno

002

Guide

Step 3 Auto Accompaniment

c v m n

Using the Auto Accompaniment

000

GrandPno

116

The powerful yet easy-to-use Auto Accompaniment features give you professional instrumental backing for your performances. Simply play chords with your left hand — and the PSR-202 automatically produces appropriate bass, chord and rhythm backing. Use your right hand to play melodies, and you’ll sound like an entire band!

• For more infomation on playing proper chords for the auto accompaniment, see “Using Auto Accompaniment — Multi Fingering” on page 48 and “Looking up Chords in the Dictionary” on page 41.

Press the [STYLE] button.

001

Mariachi

TEMPO

168

Select a style.

Turn the auto accompaniment on.

Page 15

Step 3 Auto Accompaniment

Looking up Chords in the Dictionary

The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example below, we’ll learn how to play a GM7 chord...

Keys for entering

the chord type

(A2 – A#3)

Learning how to play a speciﬁc chord

Example:

Root note Chord type

Press the [Dict.] button.

Keys for entering

the chord root

(C4 – B4)

GM7

Specify the chord type of the chord (in this case, M7).

Play the notes of the chord as indicated in the keyboard diagram in the display. The chord name ﬂashes and “congratulation” melody is played when the chord is played properly.

ACMP ON

Dict.

Specify the root note of the chord (in this case, G).

Turn the Sync Start function on.

Chord area

To leave the Dictionary function, press the [Dict.] button again.

Want to ﬁnd out more? See page 41.

Select a section.

The auto accompaniment has four sections: Intro, Main A/B, and Ending.

Play a chord with your left hand.

The auto accompaniment starts as soon as you play the

Accompaniment

section

Stop the auto accompaniment.

keyboard. For more on chords, see “Looking up Chords in the Dictionary” above.

Want to ﬁnd out more? See page 43.

Page 16

Quick Guide

Step 4 Lesson

000

GrandPno

116

Using the Lesson Feature

Lesson songs (#025 – #099) can be used with the educational Lesson feature. Lesson makes it fun and easy to master these songs. You can practice the left- and right-hand parts of each song individually: simply press the appropriate button, [L] (left) or [R] (right). The practice steps below apply to either hand.

Lesson 1 — Timing . . . . . . . . . This lesson step lets you practice just the timing of the notes.

Lesson 2 — Waiting . . . . . . . . In this lesson step, the PSR-202 waits for you to play the correct notes before continuing

playback of the song.

Lesson 3 — Minus One . . . . .This lesson step plays back the song with one part muted — letting you play and master the

missing part yourself.

Lesson 4 — Both Hands . . . . .This lesson step is the same as “Minus One,” except in that both the left- and right-hand

parts are muted — letting you play and master both hands.

Select one of the Lesson songs.

For instructions on selecting songs, see page 29.

Select the part you wish to work on (left or right) and the Lesson step.

If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button.

• Each press of the corresponding button ([L] or [R]) alternately selects Lessons 1 - 3. Pressing both buttons simultaneously calls up Lesson 4, Both Hands.

Timing

Start the Lesson.

When you’re ﬁnished, stop the Lesson.

• You can also exit from the Lesson by pressing one of the LESSON buttons ([L] or [R]) repeatedly until “OFF” is shown in the display.

Page 17

Step 4 Lesson

Lesson 1 — Timing

This step lets you work on the timing of the notes. In Lesson 1, the particular note you play on the keyboard is unimportant. The PSR-202 checks your timing and how rhythmically “tight” your playing is.

Want to ﬁnd out more? See page 36.

Timing

Lesson 2 — Waiting

In Lesson 2, you practice playing the notes correctly as they appear in the display notation. The accompaniment pauses and waits for you to play the notes correctly before it continues.

Waiting

Grade

The PSR-202 has a built-in evaluation function that monitors your practicing and — like a real teacher — tells you how well you did each exercise. Four grades are assigned, depending on your performance: “OK,” “Good,” “Very Good!,” and “Excellent!.”

Want to ﬁnd out more? See page 39.

Talking

This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps.

Want to ﬁnd out more? See page 40.

Changing the Tempo

Naturally, you can change the tempo (speed) of the song to your liking, letting you slow down difﬁcult passages and bring up the tempo gradually until you master them at normal speed.

Want to ﬁnd out more? See page 37.

Lesson 3 — Minus One

In Lesson 3, one of the parts is muted, and you practice the missing part in time with the rhythm.

Want to ﬁnd out more? See page 37.

MinusOne

Lesson 4 — Both Hands

Lesson 4 is just like Lesson 3, except that the parts for both hands are muted, letting you practice the missing parts in time with the rhythm.

Lr4

BothHand

Press the [TEMPO/TAP] button.

116

Use the numeric keypad to set the desired tempo.

• The PSR-202 also has a convenient Tap Tempo function that allows

you to “tap” a new tempo in real time. (See page 44.)

TEMPO

Want to ﬁnd out more? See page 38.

Page 18

Getting Started — Playing the Demo Songs

The PSR-202 has a variety of Demo songs, specially recorded to showcase the dynamic sounds and rhythms and give you an idea of what you can do with the instrument.

1 First, turn on the power.

Set the [STANDBY/ON] switch to ON.

2 Set the Volume.

Initially, turn the [MASTER VOLUME] control about a third of the way up. You can adjust the control for optimum level once the songs start playing.

3 Press the [DEMO] button.

All 24 songs will play back in sequence. You can play along on the keyboard with the songs. You can also play back songs of other categories. Simply select the appropriate number of the desired song during playback.

The current song name and number appear at the top of the display. Notice also that the display indicates both the chords and the melody notes (in the music staves and the keyboard diagram) as they change during the song.

Song number

023

8va

Current chord

SambaRck

MEASURE

011

To stop playback, press the [START/STOP] button.

Song name Melody notation

Keyboard diagram (current note is dark)

• The PSR-202 has a Demo Cancel function that allows you to dis able the Demo feature. To use this, simultaneously hold down the [DEMO] button and turn the power on ([STANDBY/ON] button). While the power is on in this condition, pressing the [DEMO] button has no effect. To turn Demo Cancel off, simply turn the power off and back on again normally.

While the Demo song is playing...

Many features of the PSR-202 can be used while the Demo songs are playing. These include:

• Tempo (page 31)

• Song volume (page 32)

• Tuning (page 27)

• Pause, Rewind, Fast Forward (page 32)

Page 19

Panel Display Indications

• For a few speciﬁc chords (such as BM7), not all notes may be shown in the notation section of the display. This is due to space limitations in the display.

The PSR-202 features a large multi-function display that shows all important settings for the instrument. The section below brieﬂy explains the various icons and indications in the display.

w Overall function bar

indicator

002

y Chord

q Indicator

These bars indicate the operating condition of the PSR-202, as shown below:

u Song/Voice/Style name

and number

q Indicators

Norteno

e Notation

003

t Measure/Tempo

and Beat

r Keyboard

and auto accompaniment are active, the display also shows the speciﬁc notes of the current chord. The indication “8va” appears at the lower or upper part of the notation staff for a note or notes that are respectively an octave lower or higher than notated.

003

Using the numeric keypad selects voice numbers. Pressing the [START/ STOP] button starts song playback.

Using the numeric keypad selects voice numbers. Pressing the [START/ STOP] button starts style playback.

Using the numeric keypad selects song numbers. Pressing the [START/ STOP] button starts song playback.

Using the numeric keypad selects style numbers. Pressing the [START/ STOP] button starts style playback.

w Overall function bar indicator

The PSR-202 has seven Overall functions or controls. The currently selected function is indicated by a dark bar that appears next to its name (printed on the panel).

e Notation / r Keyboard

These two portions of the display conveniently indicate notes currently played on the keyboard. When a song is being played back, they show the single notes of the melody in succession. When the Style mode

t Measure/Tempo and beat

This shows either the current measure (when the Song mode is selected) or the current Tempo value (when the Style mode is selected). The hand clap icons also ﬂash to indicate the beats in the measure during song or style playback. (See page 31.)

y Chord

When a song is being played back, this indicates the current chord root and type. It also indicates chords played in the ACMP section of the keyboard when the Style mode and auto accompaniment are on.

u Song/Voice/Style name and number

This portion of the display indicates the name and number of the currently selected song, voice, or style. When other functions of the PSR-202 are selected, it brieﬂy shows the function name and current value or setting.

Page 20

Portable Grand

This convenient function lets you instantly call up the Grand Piano voice.

Playing the Portable Grand

Press the piano-shaped [PORTABLE GRAND] button.

Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special “Stereo Sampled Piano” Grand Piano voice. It automatically selects the Song mode, calling up song #025, “Für Elise” — which can be played instantly by pressing the [START/STOP] button.

The Portable grand setting is designed also for playing with the special Pianist styles (#122 – #141). When auto accompaniment is turned on, these provide piano-only accompaniment in a variety of music styles.

• When the [PORTABLE GRAND] button is pressed, One Touch Setting (page 26) is automatically turned on, and special Multi Pad sounds for piano are automatically called up as well. (For more on Multi Pads, see page 51.)

Using the Metronome

1 Call up the Tempo setting.

Press the [TEMPO/TAP] button.

Current Tempo value

136

TEMPO

2 Change the value.

Use the numeric keypad to set the desired Tempo value, or use the [+]/[-] buttons to increase or decrease the value.

001

Page 21

3 Turn on the Metronome.

Press the [METRONOME] button.

Portable Grand

To turn the Metronome off, press the [METRONOME] button again.

Setting the Metronome Time Signature

The time signature of the Metronome can be set to various quarter-note based meters.

• The time signature changes automatically when a style or song is selected.

Hold down the [METRONOME] button (until “TIME SIG” appears in the display), then press the button on the numeric keypad that corresponds to the desired time signature (see chart at right).

Number. button

1 1/4 — Plays only “1” beats (all high clicks) 2 2/4 3 3/4 4 4/4 5 5/4 6 6/4 7 7/4 8 8/4 9 9/4 0 Plays no “1” beats (all low clicks)

Time signature

Indicates the beat number in the tempo/measure.

TIME SIG

Adjusting the Metronome Volume

You can adjust the volume of the Metronome sound independently of the other PSR-202 sounds. The volume range is 000 - 127.

1 Select the Metronome Volume function in the Overall menu.

Press the [OVERALL] button, repeatedly if necessary, until “MTR VOL” appears in the display.

Current Metronome value

100

Indicates Metronome Volume is selected

MTR VOL

TEMPO

116

2 Change the value.

Use the numeric keypad to set the desired Metronome Volume value, or use the [+]/[-] buttons to increase or decrease the value.

Resetting the Metronome Volume Value

To restore the default Metronome Volume value of “100,” press both [+]/[-] buttons simultaneously (when Metronome Volume is selected).

Page 22

LATIN

This exciting feature lets you instantly call up a dynamic Latin voice and style for playing various Latin music styles.

Playing the LATIN

1 Press the [LATIN] button.

112

Doing this automatically resets the entire instrument for playing the specially programmed LATIN voice and Style.

2 Press the [START/STOP] button.

3 Play the percussion sounds.

Maracas Push

Maracas Pull

Guiro Short 1

Hand Cowbell Open

Guiro Short 2

Woodblock

Claves

Bongo Low

Bongo High Heel

LatinKit

001

Bongo High

Cha-Cha-Cha Bell

Mambo Bell Body

Mambo Bell

Shaker

Shaker Soft

Hand Cowbell Body

Guiro Long 1

Guiro Long 2

Guiro Long 3

Quinto Tip

Quinto Heel

Quinto Slap

Quinto Open

4 Press the [ACMP] button.

This lets you play Latin music along with Latin accompaniment.

5 Press the [START/STOP] button to stop the style.

To play the Latin song, press [START/STOP] button in the song mode.

Conga Slap

Conga Open

Timbale Low Paila

Timbale Low

Timbale High

Timbale High Paila

Page 23

Selecting and Playing Voices

The PSR-202 features 112 authentic voices that have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. Many of these voices also have special preset characteristics or embellishments. The voices are divided into various categories depending on their characteristics or the effects used.

Selecting and Playing a Voice

1 Press the [VOICE] button.

Voice name and number

000

GrandPno

2 Select the desired voice number.

Use the numeric keypad. The basic categories of voices and their numbers are shown on the panel.

There are two ways to select voices: 1) directly entering the voice number with the numeric keypad, or 2) using the [+]/[-] buttons to step up and down through the voices.

TEMPO

116

Page 24

Selecting and Playing Voices

■ Using the numeric keypad

Enter the digits of the voice number as printed on the panel. For example, to select voice #042, press “0” on the numeric keypad, then “4.”, “2.” For voice numbers beginning with zeroes (such as #042 or #006), the initial zeroes may be omitted. In this case, there is a short pause before the indication appears.

042

SteelDrm

TEMPO

116

■ Using the [+]/[-] buttons

Press the [+] button to select the next voice number, and press the [-] button to select the previous voice. Holding down either key continuously scrolls up or down through the numbers.

• Each voice is automatically called up with the most suitable octave range setting. Thus, playing middle C with one voice may sound higher or lower than another voice at the same key.

• Four of the Organ voices are effect “pairs.” Switching between each of the paired voices (with the [+]/[-] buttons) turns the effect of the voice on or off. For example, for the Vibrato pair (#010 and #011), selecting #010 turns the vibrato effect off, while selecting #011 turns vibrato on. The same applies to the Harmony, Attack and Wave voices (#012

–

#017).

3 Play the selected voice.

• You can select the One Touch Setting Voice (#000) by pressing both [+]/[-] buttons simultaneously. (See page 26.)

• The PSR-202 is polyphonic up to a maximum of 16 notes. (Depending on the voice selected — such as split voices and dual voices — fewer notes may be available.) This includes not only the notes played from the keyboard, but also the notes in a style pattern, the notes played by a Pad (page 51), and so on. Thus, if you play too many notes at one time, some may not sound and/or others may be cancelled.

Page 25

Selecting and Playing Voices

Harmony voices (#066 – #075) automatically add a one-, two- or three-note harmony to the original voice. Split voices (#076 – #080) feature two separate voices, each playable from opposite sections of the keyboard — the lower voice playable up to B2 and the upper voice from C3 (middle C). Sustain voices (#081 – #085) have a special sustained release for playing slower or legato passages. Echo voices (#086 – #095) provide an echo effect that adds delayed repeats to the original voice.

The PSR-202 also features special Drum Kit voice #105, Brasil Kit voices 1–2 #109

–

#110 and Latin Kit voice #112 — that let you play a variety of drum and

percussion sounds from the keyboard. (Refer to each Kit Voice Chart below.) Icons representing each sound are printed above the keyboard, conveniently indicating which sounds are played from which keys.

Latin Kit Voice Chart (voice #112)

About the Harmony voices

• Since Harmony voices are designed to automatically play two or more notes with the notes you play on the keyboard, only one note can be played on the keyboard at a time. If several notes are played together, only the last note or highest note played will be used for the harmony effect.

Maracas Pull

Shaker

Shaker Soft

Maracas Push

Hand Cowbell Body

Guiro Long 1

Guiro Long 2

Guiro Long 3

Guiro Short 1

Hand Cowbell Open

Guiro Short 2

Quinto Tip

Woodblock

Quinto Heel

Claves

Quinto Slap

Bongo Low

Conga Heel

Quinto Open

Brasil Kit 1 Voice Chart (voice #109) * Brasil Kit 2 (see page 59)

Repinique Baqueta

Repinique Solto

Repinique Keto

Repinique Nylon AG

Repinique Nylon GR

Surdo Solto

Zabumba Aro

Zabumba Abafado

Repinique Agudinho

Surdo Aro

Surdo Ponta

Surdo Abafado

Zabumba Solto

Tamborim Abafado

Caixa Suja Aro

Caixa Suja 1

Tamborim Solto

Tamborim Ponta

Tamborim Nylon Volta

Djambe Keto

Djambe Abafado

Tamborim Nylon Ida

Djimbal Solto

Djambe Solto

Tan Tan Abafado

Djimbal Abafado

Tan Tan Solto

Djimbal Keto

Tan Tan Keto

Pandeiro Nylon Solto

Tan Tan Armacao

Pandeiro Nylon Ponta

Pandeiro Nylon Keto

Pandeiro Nylon Abafado

Reco-Reco

Pandeiro Nylon Tremolo

Pandeiro Nylon Calcanhar

Timbale Aro GR

Chocalho

Caxixi

Bongo High Heel

Conga Slap

Timbale Aro AG

Agogo AG

Timbale AG

Agogo Abafado

Conga Open

Timbale GR

Afoxe Metal

Bongo High

Timbale Low Paila

Agogo Abafado AG

Agogo GR

Ganza

Repique Anel Solto

Repique Anel Armacao

Cha-Cha-Cha Bell

Timbale Low

Repique Anel Abafado 1

Cuica AG 1

Mambo Bell Body

Timbale High

Triangulo Abafado

Cuica AG 2

Repique Anel Abafado 2

Cuica MD

Triangulo Solto

Repique de Mao Solto

Repique de Mao Armacao

Mambo Bell

Timbale High Paila

Repique de Mao Keto

Drum Kit Voice Chart (voice #105)

bal

ass D

rum

ass D

hot

rum

nare D

i-H

rum

nare D

lose

at C

i-H

rum

Floor Tom

at P

Low

edal

i-H

at O

Tom

bal

pen

rash C

plash C

id Tom

igh Tom

Electronic Floor Tom

Electronic Bass Drum

Electronic Snare Drum

bell

Electronic Low Tom

laves

haker

Electronic Mid Tom

Electronic High Tom

Tim

gogo H

bale H

Tim

bale L

gogo L

onga H

ongo H

onga H

ongo L

uiro Short

ute

pen

onga L

uiro Long

Page 26

Selecting and Playing Voices

One Touch Setting

The powerful One Touch Setting (OTS) feature lets you instantly and automatically call up an appropriate voice and other settings when you select a style or song. In other words, when One Touch Setting is active, selecting a desired style or song also automatically selects the best suited voice and Multi Pad bank.

1 Press the [VOICE] button.

000

2 Select the One Touch Setting voice (#000).

Use the numeric keypad or [+]/[-] buttons.

000

To turn One Touch Setting off, select a voice other than #000.

GrandPno

TEMPO

116

GrandPno

TEMPO

116

Page 27

Selecting and Playing Voices

Transpose and Tuning

You can also adjust the tuning and change the transposition (key) of the PSR-202 with the Transpose and Tuning functions.

■ Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Transpose determines the key of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs and the Multi Pads. This allows you to easily match the pitch of the PSR-202 to other instruments or singers, or play in a different key without changing your ﬁngering. The Transpose settings can be adjusted over a range of ± 12 semitones (± 1 octave).

1 Select the Transpose function in the Overall menu.

Press the [OVERALL] button, repeatedly if necessary, until “TRANSPOS” appears in the display.

Current Transpose value

Indicates Transpose is selected

TRANSPOS

TEMPO

116

2 Change the value.

Use the numeric keypad to set the desired Transpose value (-12 – +12). To transpose the pitch down, simultaneously press the [-] button and use the numeric keypad to type in the (negative) value. You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.

• Transpose has no effect on voices #095 (Echo Drum Kit), #105 (Drum Kit), #109, #110 (Brasil Kit), #111 (Berimbau & Surdo), or #112 (Latin Kit). Also, this setting cannot be changed during song playback.

Resetting the Transpose Value

If you’ve changed the Transpose setting, you can instantly restore the default setting of “00” by pressing both [+]/[-] buttons simultaneously (when Transpose is selected).

Page 28

Selecting and Playing Voices

■ Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Tuning determines the ﬁne pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs and the Multi Pads. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of ± 50 (approx. ±

0.5 semitones).

1 Select the Tuning function in the Overall menu.

Press the [OVERALL] button, repeatedly if necessary, until “TUNING” appears in the display.

Current Tuning value

Indicates Tuning is selected

TUNING

2 Change the value.

Use the numeric keypad to set the desired Tuning value (-50 – +50). To tune the pitch down, simultaneously press the [-] button and use the numeric keypad to type in the (negative) value. You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.

TEMPO

116

Resetting the Tuning Value

If you’ve changed the Tuning setting, you can instantly restore the default setting of “00” by pressing both [+]/[-] buttons simultaneously (when Tuning is selected).

Page 29

Selecting and Playing Songs

The Song mode features 99 special songs that have been created using the rich and dynamic sounds of the PSR-202.

The songs are generally for your listening enjoyment; however, you can also play along with them on the keyboard. The songs of the PSR-202 can also be used with the powerful Lesson feature (page 34), a convenient tool that makes learning songs fun and easy.

Selecting and Playing a Song

1 Press the [SONG] button.

Song name and number

001

Mariachi

2 Select the desired song number.

Use the numeric keypad. The basic categories of songs and their numbers are shown at the left of the panel.

Song numbers can be selected in the same way as with the voices (see page

24). You can use the numeric keypad to directly enter the song number, or use the [+]/[-] buttons to step up and down through the songs.

-02

3 Start the selected song.

Press the [START/STOP] button. As the song plays back, the measure number, chords and melody notes are shown in the display.

Current melody note

002

Norteno

MEASURE

002

Current measure number

• You can play along with the song using the currently selected voice, or even select a different voice for playing along. Simply press the [VOICE] button while the song is playing back and select the desired voice. There’s also a Melody Voice Change function (below) that lets you change the song’s melody voice to the one currently selected voice.

• The PSR-202 also has a convenient Tap Tempo function that allows you to "tap" a new tempo in real time. (See page 44.)

Page 30

Selecting and Playing Songs

4 Stop the song.

Press the [START/STOP] button.

Melody Voice Change

The PSR-202 lets you play a melody on the keyboard along with each of the songs, either with the original melody voice or one of your own selection. The convenient Melody Voice Change feature takes this one step further — it lets you replace the original voice used for the melody of the song with the panel voice of your own selection. For example, if the current voice selected on the panel is piano but the song’s melody is being played by a ﬂute voice, using Melody Voice Change will change the ﬂute melody voice to piano.

1 Select the desired song.

Press the [SONG] button, then use the numeric keypad or [+]/[-] buttons to select the desired song.

002

2 Select the desired voice.

Press the [VOICE] button, then use the numeric keypad or [+]/[-] buttons to select the desired voice.

108

3 Press and hold down the [VOICE] button for at least one

second.

“MELODY VOICE CHANGE” appears in the display, indicating that the selected panel voice has replaced the song’s original melody voice.

Norteno

001

Caipira

001

MELODY V

001

Page 31

Selecting and Playing Songs

Changing the Tempo

The tempo of song playback can be adjusted over a range of 40 - 240 bpm (beats per minute).

1 Press the [TEMPO/TAP] button.

Current Tempo value

120

TEMPO

2 Change the value.

Use the numeric keypad to set the desired Tempo value, or use the [+]/[-] buttons to increase or decrease the value.

The PSR-202 also has a convenient Tap Tempo function that allows you to “tap” a new tempo in real time. (See page 44.)

-04

Resetting the Tempo Value

Each song and style has been given a default or standard Tempo setting. You can instantly restore this default Tempo setting by press ing both [+]/[-] buttons simultaneously (when Tempo is selected).

Also, the tempo of a song or style returns to the default setting when selecting a different song or style. (The set tempo remains, however, when switching styles during playback except when OTS is on.) When you turn on the power of the PSR-202, the tempo is automatically set to 168 bpm.

About the Beat Display

Indicates the ﬁrst beat of the measure (downbeat)

URE

002

Indicates an upbeat

This section of the display provides a convenient, easyto-understand indication of the rhythm — for song and style playback. The ﬂashing “handclap” icons indicate both the downbeats and upbeats of a measure as fol-

Indicates a downbeat (other than the ﬁrst beat)

lows:

Page 32

Selecting and Playing Songs

Adjusting the Song Volume

The playback volume of the song can be adjusted. This volume control affects only the song volume. The volume range is 000 - 127.

1 Select the Song Volume function in the Overall menu.

Press the [OVERALL] button, repeatedly if necessary, until “SONG VOL” appears in the display.

Current Song Volume value

110

Indicates Song Volume is selected

SONG VOL

2 Change the value.

Use the numeric keypad to set the desired Song Volume value (000 - 127). You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.

Song Controls

001

Resetting the Song Volume Value

If you’ve changed the Song Volume setting, you can instantly restore the default setting of “110” by pressing both [+]/[-] buttons simultaneously (when Song Volume is selected).

The panel buttons below the display function as song controls.

Pressing this button alternately pauses and resumes song playback.

This controls the A-B Repeat function. (See page 33.)

Pressing this button alternately starts and stops song playback.

This functions as a fast-forward button, stepping in advance through the measure numbers. It can be used during playback (with sound), or when playback is paused or stopped.

This functions as a rewind button, stepping in reverse through the measure numbers. It can be used during playback, or when playback is paused or stopped.

Page 33

Selecting and Playing Songs

A-B Repeat

This useful function is ideal for practicing and learning purposes. It allows you to specify any phrase of a song (between point A and point B) and repeat it — while you play or practice along with it.

1 While playing back a song, set point A (the start point).

Select and play back the desired song. (See page 29.) Then, while the song is playing back, press the [A-B REPEAT] button once at the start point of the phrase to be repeated.

A-

REPEAT

2 Set point B (the end point).

Press the [A-B REPEAT] button once again, at the ending point of the phrase to be repeated. The selected phrase repeats indeﬁnitely until stopped.

A-b

REPEAT

012

3 Pause or stop playback as needed.

Use the [ PAUSE] and [START/STOP] buttons. Stopping playback does not cancel the set A/B points or the A-B Repeat function.

4 Turn off the A-B Repeat function.

Press the [A-B REPEAT] button. This can be done either when the song is stopped or during playback.

oFF

REPEAT

013

009

• You can also set the A-B Repeat function while the song is stopped. Simply use the [ REW]/[ FF] buttons to select the measures for the A and B points in the song, then start playback.

• While the song is playing back (but before setting the A/B points), try slowing down the Tempo (page 31). This makes it easier to accurately set the A and B points. Slowing down the Tempo also makes it easier to practice the parts you want to learn.

• To set the A point at the beginning of a song, press the [A-B REPEAT] button before starting song playback.

• Selecting a different song number (or changing to the Style mode) automatically cancels the A-B Repeat function.

Page 34

Song Lesson

The Lesson feature provides an exceptionally fun and easy-to-use way to learn how to read music and play the keyboard. All of the 75 songs of the PSR-202 can be used with these educational features. Lesson lets you practice the left- and right-hand parts of each song independently, step by step, until you’ve mastered them and are ready to practice with both hands together. These practices are divided into four Lesson steps, as described below. Lessons 1 3 apply to each hand; press the appropriate button, L (left) or R (right) to select the desired part for practice.

■ Lesson 1 — Timing

This lesson step lets you practice just the timing of the notes — any note can be used, as long as you play in rhythm.

■ Lesson 2 — Waiting

In this lesson step, the PSR-202 waits for you to play the correct notes before continuing playback of the song.

■ Lesson 3 — Minus One

This lesson step plays back the song with one part muted, letting you play and master the missing part yourself — in rhythm and at the proper tempo.

■ Lesson 4 — Both Hands

Lesson 4 is a “Minus One” practice essentially the same as Lesson 3, except that both the left- and right-hand parts are muted — letting you play and master both hands at the same time.

Using the Lesson Feature

1 Select one of the Lesson songs.

Press the [SONG] button, then use the numeric keypad or [+]/[-] buttons to select the desired song (from #025

Many of the songs are divided into different categories or music genres, including Piano/Classical, World and Christmas songs.

–

#099).

025

FurElise

001

Page 35

2 Select the part you wish to work on (left or right) and the

Lesson step.

If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button. Pressing either button repeatedly cycles through the available Lesson steps in order: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1, etc. The selected Lesson step is indicated in the display.

Song Lesson

025

Timing

Waiting

MinusOne

FurElise

To select Lesson 4, press both [L] and [R] buttons simultaneously.

Lr4

BothHand

3 Start the Lesson.

The Lesson and song playback start automatically (following a lead-in count) as soon as the Lesson step is selected. When the Lesson is ﬁnished, your performance “grade” is shown in the display (if the Grade function is turned on; page 39). After a short pause, the Lesson begins again automatically.

* ** *

001

025

Timing

Waiting

MinusOne

FurElise

• When the Talking function (page

Asterisks appear indicating the timing at which you should play the notes. The line of asterisks represents one full measure. Sixteenth notes are indicated by an alternating asterisk and sharp sign.

(Song Lesson off)(Song Lesson off)

40) is on, the PSR-202 “announces” the current Lesson step.

Indicates that the timing is to be played as two sixteen notes.

4 Press the [START/STOP] button to stop the Lesson.

The PSR-202 exits from the Lesson feature automatically when the [START/ STOP] button is pressed.

Page 36

Song Lesson

Lesson 1 — Timing

This lesson step lets you practice just the timing of the notes — any note can be used, as long as you play in rhythm. Pick a note to play. For the left hand, use a note in the auto accompaniment section or play the appropriate left-hand note; for the right, play a note above F#2. Simply concentrate on playing each note in time with the rhythmic accompaniment.

1 Select one of the songs. 2 Select Lesson 1.

Press the [L] or [R] button (repeatedly, if necessary) until Lesson 1 is indicated.

• The melody note does not sound unless your playing is in time with the rhythm.

Timing

-04

3 Play the appropriate melody or chord with the song.

After the lead-in, the song starts automatically, and the appropriate notes appear in the display. In Lesson 1, simply play one note repeatedly in time with the music.

Regarding chords and the use of the left hand, the PSR-202 actually has two different types of songs: 1) songs with normal left-hand chords, and 2) songs in which the left hand plays arpeggios or melodic ﬁgures in combination with the right.

In the case of the ﬁrst type, play the chords with your left hand in the auto accompaniment section of the keyboard.

Auto accompaniment section

Page 37

Lesson 2 — Waiting

In this lesson step, the PSR-202 waits for you to play the correct notes before continuing playback of the song. This lets you practice reading the music at your own pace. The notes to be played are shown in the display, one after another, as you play them correctly.

1 Select one of the songs. 2 Select Lesson 2.

Press the [L] or [R] button (repeatedly, if necessary) until Lesson 2 is indicated.

Song Lesson

• Depending on the selected song, the rhythm part may be muted for Lesson 2.

Waiting

-04

3 Play the appropriate melody or chord with the song.

After the lead-in, the song starts automatically, and the appropriate notes appear in the display. In Lesson 2, play the correct notes at your own pace, until you can master playing them in rhythm.

Lesson 3 — Minus One

This lesson step lets you practice one part of the song in rhythm at the proper tempo. The PSR-202 plays back the song accompaniment with one part muted (either the left part or the right)— letting you play and master the missing part yourself. The notes you are to play are shown continuously in the display as the song plays back.

1 Select one of the songs. 2 Select Lesson 3.

Press the [L] or [R] button (repeatedly, if necessary) until Lesson 3 is indicated.

MinusOne

-04

Page 38

Song Lesson

3 Play the appropriate part with the song.

After the lead-in, the song starts automatically, and the appropriate notes appear in the display. In Lesson 3, listen carefully to the un-muted part, and play the muted part yourself.

Lesson 4 — Both Hands

Lesson 4 is a “Minus One” practice essentially the same as Lesson 3, except that both the left- and right-hand parts are muted — letting you play and master both hands at the same time. Go on to this lesson step after you’ve mastered each hand’s part in the previous three lesson steps. Practice both hands in time with the rhythm along with the notation in the display.

1 Select one of the songs.

2 Select Lesson 4.

Press the [L] and [R] buttons simultaneously, so that Lesson 4 is indicated.

Lr4

8va

BothHand

-04

3 Play both the left- and right-hand parts with the song.

After the lead-in, the song starts automatically, and the appropriate notes appear in the display. In Lesson 4, both parts (left and right) are muted, letting you play the entire song by yourself.

Page 39

Grade

The Lesson feature has a built-in evaluation function that monitors your practicing of the Lesson songs, and just like a real teacher, it tells you how well you did each exercise. Four grades are assigned, depending on your performance: “OK,” “Good,” “Very Good!,” and “Excellent!.” When the Talking function (page 40) is on, the PSR-202 also “announces” your grade.

Song Lesson

Excellen

1 Select the Grade function.

Press the [OVERALL] button, repeatedly if necessary, until “GRADE” appears in the display.

Current Grade function setting

Indicates Grade function is selected

GRADE

2 Set Grade to on or off as desired.

Use the [+]/[-] buttons to set Grade to on or off.

• Grade is automatically set to on as the default setting.

-04

Grade off Grade on

GRADE

Page 40

Talking

This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps and the names of certain functions.

TALKING

1 Select the Talking function.

Press the left Overall button, repeatedly if necessary, until “TALKING” appears in the display.

Indicates Talking function is selected

2 Set Talking to on or off as desired.

Use the [+]/[-] buttons to set Talking to on or off.

TALKING

-04

• Talking is automatically set to on as the default setting.

Talking onTalking off

The Talking function includes the following “announcements”:

• GOAL!

• LESSON 1

• LESSON 2

• LESSON 3

• LESSON 4

• LESSON OFF

• OK

• Good

• Very Good!

• Excellent!

• Dictionary

TALKING

Page 41

Dictionary

The Dictionary feature is essentially a built-in “chord book” that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

1 Press the [Dict.] button.

Dict.

TEMPO

116

2 Specify the root of the chord.

Press the key on the keyboard that corresponds to the desired chord root (as printed on the panel).

Dict.

TEMPO

Pressing this key selects the root G.

116

3 Specify the type of the chord (major, minor, seventh, etc.).

Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel).

Notation of chord

Dict.

TEMPO

Pressing this key selects the major seventh chord type (M7).

Chord name (root and type)

Individual notes of chord (keyboard)

The display shows the name of the chord, and the individual notes — both in notation and on the keyboard diagram.

116

4 Play the chord.

Play the chord (as indicated in the display) in the ACMP section of the keyboard. The chord name ﬂashes in the display (and a “congratualtions” melody is played) when the correct notes are held down. (Inversions for many of the chords are also recognized.)

Dict.

TEMPO

116

Flashes when correct notes are held.

To leave the Dictionary function, press the [Dict.] button again.

Indicates notes to be played.

Page 42

Selecting and Playing Styles

The PSR-202 provides dynamic rhythm/accompaniment patterns — as well as voice settings appropriate for each pattern — for various popular music styles.

A total of 141 different styles are available, in several different categories. Each style is made up of separate “sections” — Intro, Main A and B (with 2 Fill-ins), and Ending — letting you call up different accompaniment patterns as you perform.

The auto accompaniment features that are built into the rhythms add the excitement of instrumental backing to your performance, letting you control the accompaniment by the chords you play. Auto accompaniment effectively splits the keyboard into two sections: The upper is used for playing a melody line, and the lower (labeled “ACMP” above the keyboard, at F#2) is for the auto accompaniment function.

The PSR-202 also features the convenient Dictionary function. Dictionary provides you with a built-in “chord encyclopedia” that teaches you how to play any chord you specify by showing you the appropriate notes in the display.

Selecting a Style

1 Press the [STYLE] button.

Style name and number

001

Mariachi

2 Select the desired style number.

Use the numeric keypad. Available styles are listed at the center of the panel.

TEMPO

168

Style numbers can be selected in the same way as with the voices (see page

23). You can use the numeric keypad to directly enter the style number, or use the [+]/[-] buttons to step up and down through the style numbers.

Page 43

Selecting and Playing Styles

Playing a Style

When the Style mode is active, the panel buttons below the function as style controls.

Pressing this button switches between the Main A and Main B sections, automatically adding a ﬁll-in pattern before changing the section. (See page 46.)

Pressing this button alternately enables and cancels the bass and chord accompaniment.

Pressing this button alternately enables and cancels the Sync Start function. (See page 44.)

Pressing this button alternately starts and stops style playback.

1 Press the [ACMP] button.

This enables the auto accompaniment.

001

Mariachi

2 Start the accompaniment.

You can do this in one of the following ways:

■ Pressing the [START/STOP] button

The rhythm starts playing immediately without bass and chord accompaniment. The currently selected Main A or B section will play. (You can select either by repeatedly pressing the [MAIN/AUTO FILL] button, before pressing the [START/STOP] button.)

This controls the Intro and Ending sections. (See pages 45, 46.)

TEMPO

116

Indicates that auto accompaniment is on.

• Some styles feature only rhythm patterns and have no bass or chord accompaniment.

Page 44

Selecting and Playing Styles

■ Using Tap Tempo to start

This useful feature lets you tap out the speed (tempo) of the auto accompaniment and automatically start the accompaniment at that tapped speed.

Simply tap the [TEMPO/TAP] button four times (or three times for a 3/4 time style), and the accompaniment starts automatically at the tempo you tapped. You can also change the tempo while the accompaniment is playing by tapping the [TEMPO/ TAP] button twice at the desired tempo.

■ Using Sync Start

The PSR-202 also has a Sync Start function that allows you to start the rhythm/accompaniment by simply pressing a key on the keyboard. To use Sync Start, ﬁrst press the [SYNC START] button (the handclap icon ﬂashes to indicate Sync Start stand-by), then press any key in the ACMP section of the keyboard (or any key when accompaniment is off).

Handclap icon ﬂases

About the Beat Display

The handclap icon in the display ﬂashes in time with the current tempo during playback of a style (or song). The ﬂashing pattern provides a visual indication of both the tempo and time signature of the style or song. (For more information, see page 31.)

Page 45

Selecting and Playing Styles

Starting with an Intro section

First, press the [MAIN/AUTO FILL] button, repeatedly if necessary, to select which section (A or B) is to follow the Intro. Next, press the [INTRO/ENDING/rit.] button to set the Intro to standby.

INTRO

≥A

TEMPO

116

Indicates that Intro is on, and will be followed by the Main A section.

To actually start the Intro section and accompaniment, press the [START/ STOP] button.

Using Sync Start with an Intro section

First, press the [MAIN/AUTO FILL] button, repeatedly if necessary, to select which section (A or B) is to follow the Intro. Next, press the [INTRO/ENDING/rit.] button.

INTRO

≥A

TEMPO

116

Finally, press the [SYNC START] button to enable Sync Start, and start the Intro section and style by playing any key in the ACMP section of the keyboard.

Indicates that Intro will be followed by the Main A section.

Handclap icon ﬂashes

3 Change chords using the auto accompaniment feature.

Try playing a few successive chords with your left hand, and notice how the bass and chord accompaniment change with each chord you play.

• The [ACMP] button can also be used to turn off and on the bass/ chord accompaniment while play ing — allowing you to create dynamic rhythmic breaks in your performance.

• Chords played in the ACMP section of the keyboard are also detected and played when the accompaniment is stopped. In effect, this gives you a “split keyboard,” with bass and chords in the left hand and the normally selected voice in the right.

Page 46

Selecting and Playing Styles

4 Stop the style.

You can do this in one of three ways:

■ Pressing the [START/STOP] button

The rhythm/accompaniment stops playing immediately.

■ Using an Ending section

Press the [INTRO/ENDING/rit.] button. The style stops after the Ending section is ﬁnished.

■ Pressing the [SYNC START] button

This stops the style and automatically enables Sync Start, letting you re-start the style by simply playing a chord or key in the ACMP section of the keyboard (or any key when accompaniment is off).

Changing the Tempo

The Tempo of song (and style) playback can be adjusted over a range of 40 - 240 bpm (beats per minute). For instructions on changing the Tempo, see page 31.

• To have the Ending section gradually slow down (ritardando) as it is playing, press the [INTRO/ ENDING/rit.] button twice quickly.

• Each style has been given a default or standard tempo. When style playback is stopped and a different style is selected, the tempo returns to the default setting of the new style. When switching styles during playback, the last tempo setting is maintained. (This allows you to keep the same tempo, even when changing styles.)

Style Sections (Main A, Main B) and Fill-ins

While the style is playing you can create dynamic variation in the rhythm and accompaniment by pressing the [MAIN/AUTO FILL] button. This switches between the Main A and Main B sections, automatically playing a ﬁll-in pattern to smoothly lead into the next section. For example, if the Main A section is currently playing, pressing this button automatically plays a ﬁll-in pattern, followed by the Main B section. You can also select either the Main A or B section to start by pressing the [MAIN/ AUTO FILL] button before starting the style.

• You can also use the convenient Tap Tempo function to change the tempo by “tapping” a new one in real time. (See page 44.)

• Fill-in patterns are not available when one of the Pianist styles (#122

–

#141) are selected.

Page 47

About the Fill-in Patterns

Selecting and Playing Styles

If you press the [MAIN/AUTO FILL] button before beat

4...

1st measure

1beat 2 3

If you press the [MAIN/AUTO FILL] button here, after beat 4...

...a fill-in pattern plays immediately until the end of the measure...

2nd measure 3rd measure

4 1234123412

...a fill-in pattern plays from here...

...and the Main A or B section begins here.

Adjusting the Accompaniment Volume

The playback volume of the accompaniment can be adjusted. This volume control affects only the style volume. The volume range is 000 - 127.

1 Select the Accompaniment Volume function in the Overall

menu.

Press the [OVERALL] button, repeatedly if necessary, until “ACMP VOL” appears in the display.

Current Accompaniment Volume value

110

Indicates Accompaniment Volume is selected

ACMP VOL

TEMPO

116

2 Change the value.

Use the numeric keypad to set the desired Accompaniment Volume value (000 - 127). You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.

• Accompaniment Volume cannot be changed unless the Style mode is active.

Resetting the Accompaniment Volume Value

If you’ve changed the Accompaniment Volume setting, you can instantly restore the default setting of “110” by pressing both [+]/[-] buttons simultaneously (when Accompaniment Volume is selected).

Page 48

Selecting and Playing Styles

Using Auto Accompaniment — Multi Fingering

The auto accompaniment function automatically generates bass and chord accompaniment for you to play along with, by using Multi Fingering operation. You can change the chords of the accompaniment by playing keys in the ACMP section of the keyboard using either the “Single Finger” or “Fingered” method. With Single Finger you can simply play a one-, two- or three-ﬁnger chord indication (see Single Finger Chords below). The Fingered technique is that of conventionally playing all the notes of the chord. Whichever method you use, the PSR-202 “understands” what chord you indicate and then automatically generates the accompaniment.

■ Single Finger Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Chords that can be produced in Single Finger operation are major, minor, seventh and minor seventh. The illustration below shows how to produce the four chord types. (The key of C is used here as an example; other keys follow the same rules. For example, Bb7 is played as Bb and A.)

To play a major chord: Press the root note of the chord.

To play a minor chord: Press the root note together with the nearest black key to the left of it.

To play a seventh chord: Press the root note together with the nearest white key to the left of it.

■ Fingered Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Using the key of C as an example, the chart below shows the types of chords that can be recognized in the Fingered mode.

Fingered Chords in the Key of C

If the chord is inverted (i.e., C-E-G is played

Csus

CmM

( )

(9)

Caug

(7aug)

( )

Cdim

(dim7)

( )

C sus

as G-C-E), the PSR-202 will still recognize it as a C chord. The chord recognition system also has the following rules and exceptions:

• Minor 6th chords are recognized only in

• If augmented and diminished 7th chords

• 7th ﬂatted 5th chords may be played with

• Augmented 7th and diminished 7th chords

To play a minor seventh chord: Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

root position, however; all other inversions are interpreted as minor 7th/ﬂatted 5th.

are inverted, the lowest note will be recognized as the root.

the lowest note as the root or the ﬂatted 7th.

are interpreted as simple augmented and diminished.

* Notes enclosed in parentheses are optional; the chords will be

recognized without them.

• The following chords are not recognized : B minor 6, B

minor 6, and B augmented.

Page 49

Selecting and Playing Styles

• • • • • • • • • • • • • • • • • • • • • • • • What is a Chord? • • • • • • • • • • • • • • • • • • • • • • • •

The simple answer: Three or more notes played simultaneously is a chord. (Two notes played together is an “interval” — an interval being the distance between two different notes. This is also referred to as a “harmony.”) Depending on the intervals between the three or more notes, a chord can sound beautiful or muddy and dissonant.

The organization of notes in the example at left — a triad chord — produces a pleasant, harmonious sound. Triads are made up of three notes and are the most basic and common chords in most music.

In this triad, the lowest note is the “root.” The root is the most important note in the chord, because it anchors the sound harmonically by determining its “key” and forms the basis for how we hear the other notes of the chord.

The second note of this chord is four semitones higher than the ﬁrst, and the third is three semitones higher than the second. Keeping our root note ﬁxed and changing these notes by a semitone up or down (sharp or ﬂat), we can create four different chords.

Major chord

(ex. C)

Minor 3rd Major 3rd Major 3rd Minor 3rd Major 3rd Major 3rd Minor 3rd Minor 3rd

Minor chord

(ex. Cm)

Augmented chord

(ex. Caug)

Diminished chord

(ex. Cdim)

Keep in mind that we can also change the “voicing” of a chord — for example, change the order of the notes (called “inversions”), or play the same notes in different octaves — without changing the basic nature of the chord itself.

Inversion examples for the key of C

G E C

C G E

E C G

Beautiful sounding harmonies can be built in this manner. The use of intervals and chords is one of the most important elements in music. A wide variety of emotions and feelings can be created depending on the types of chords used and the order in which they are arranged.

Page 50

Selecting and Playing Styles

• • • • • • • • • • • • • • • • • • • • • • Writing Chord Names • • • • • • • • • • • • • • • • • • • • • • •

Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often written in a kind of shorthand that makes them instantly recognizable (and gives you the freedom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’s very simple to use this shorthand to write out the chords of a song.

First, write the root note of the chord in an uppercase letter. If you need to specify sharp or ﬂat, indicate that to the right of the root. The chord type should be indicated to the right as well. Examples for the key of C are shown below.

Major chord

For simple major chords, the type is omitted.

Minor chord

Augmented chord

Caug

Diminished chord

Cdim

One important point: Chords are made up of notes “stacked” on top of each other, and the stacked notes are indicated in the chord name of the chord type as a number — the number being the distance of the note from the root. (See the keyboard diagram below.) For example, the minor 6th chord includes the 6th note of the scale, the major 7th chord has the 7th note of the scale, etc.

The Intervals of the Scale

Dominant 7th (ﬂatted 7th)

To better understand the intervals and the numbers used to represent them in the chord name, study this diagram of the C major scale:

CDEFGABCD E

Root

2nd

4th

3rd

5th

7th

6th

11th

9th

Octave

Other Chords

Csus4

5th 4th

CM7

7th Major chord

Dominant 7th

Cm7b5

Dominant 7th

Major chord

Diminished chord

Cm7

Dominant 7th

Cm6

Minor chord

6th

C(9)

9th

Page 51

Selecting and Playing Styles

Multi Pads

These convenient pads let you instantly trigger various musical and rhythmic phrases as you play the PSR-202. There are a total of 68 different sounds or phrases (17 banks, with four pad sounds for each bank). The phrases play back at the same speed as the Tempo setting, and they also change harmonically along with the accompaniment chords (both in the Style and Song modes).

1 Select the Pad function in the Overall menu.

Press the [OVERALL] button, repeatedly if necessary, until MULTI PAD is selected in the display.

Current Pad bank number

Indicates Multi Pad function is selected

Claves

TEMPO

116

2 Select the desired bank.

Use the numeric keypad to select the desired bank number (1 - 17). You can also use the [+]/[-] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value. For a complete list of the available banks and their contents, see page 63.

3 Play the Multi Pads.

Press one of the Pads. The phrase plays uninterrupted until it is ﬁnished. Pressing it repeatedly (before the phrase completely plays back) creates a “stutter” effect.

17 banks

In the Style mode, melodic-type sounds correctly follow the chord changes. All sounds play back in perfect time with the current Tempo setting. When One Touch Setting (page 26) is on, appropriate Multi Pad banks for the selected style are automatically called up. This applies to the Latin and Portable Grand features as well.

Page 52

MIDI

The PSR-202 also features MIDI terminals, allowing you to interface the PSR-202 with other MIDI instruments and devices.

Receives MIDI data from the connected sending device.

Transmits MIDI data (keyboard performance) to the connected device.

■ About MIDI• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

MIDI (Musical Instrument Digital Interface) is a worldwide standard that is built into many electronic musical instruments and other digital music related devices, allowing them to be connected and “communicate” with each other.

For two MIDI instruments to communicate, they must be connected by MIDI cables. In a basic example, the MIDI IN and MIDI OUT terminals of the PSR-202 could be connected to the MIDI OUT and MIDI IN terminals of a sequencer, allowing you to record and play back performance data from the PSR-202.

The instruments communicate with each other by sending “messages” or MIDI data. The sending instrument usually assigns the data to one of sixteen MIDI channels, then transmits it over the MIDI cable. The cable itself, however, is not divided up into sixteen channels. Just as with a television set that receives programs on different channels, it is up to the receiving instrument to “tune into” the proper MIDI channel. If the sending and receiving channels on the respective instruments do not match, the receiving instrument may not understand or respond to the one sending.

■ How Can MIDI be Used? • • • • • • • • • • • • • • • • • • • • • • • • • • • •

In the simple, yet powerful MIDI application example below, the Yamaha QY70 Music Sequencer is used to record and play back performance data played on the PSR-202 keyboard.

Before actually recording to the sequencer, press the [ACMP] button once or twice to make sure that the current settings are sent.

000

GrandPno

116

Connect the MIDI OUT of the PSR-202 to the MIDI IN of the QY70

Connect the MIDI IN of the PSR-202 to the MIDI OUT of the QY70

• On the PSR-202, the following channels

• Parts that have been recorded using the

• MIDI data cannot be transmitted during

• Avoid using MIDI cables 15 meters or

Viewing the Notation for MIDI Channel 1

• The PSR-202 has a special function that

(eight total) are enabled for MIDI reception: 1, 2, 3, 4, 5, 6, 7, 10. The MIDI transmit channels are ﬁxed to the following data:

Ch. 1 : Keyboard, harmony Ch. 2 : Bass Ch. 3 : Chord Ch. 4 - 7 : Other Ch. 10 : Rhythm

PSR-202 should also be played back from the PSR-202. Data may not play back as expected when using other sound sources (such as the internal sounds of the QY70). Also, a connected sound source may sound at a different octave from that originally played on the PSR-202.

song playback.

longer, since doing so can result in MIDI errors.

lets you view the notes of the MIDI data (channel 1 only) on the display.

Page 53

Troubleshooting

Problem Possible Cause and Solution

When the PSR-202 is turned on or off, a popping sound is temporarily produced.

When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the PSR-202 may produce interfer-

The sound of the voices or rhythms seems unusual or strange.

There is no sound even when the keyboard is played or when a Song is being played back.

When playing back one of the Pianist styles (#122 #141) or even some of the other styles, the rhythm cannot be heard.

The auto accompaniment doesn’t turn on, even when pressing the [ACMP] button.

Not all notes are heard when playing a number of notes simultaneously.

Playing keys in the right hand section of the keyboard does not produce any sound.

The accompaniment does not sound properly. Make sure that the Accompaniment Volume (page 47) is set to an appropriate lev-

The Multi Pad sound is cut off or sounds unusual. The PSR-202 is polyphonic up to a maximum of 16 notes. If a style or song is

The sound of the voice changes from note to note. The AWM tone generation method uses multiple recordings (samples) of an in-

The notes shown in the music staves and keyboard diagram in the display do not match the keys actually played.

This is normal and indicates that the PSR-202 is receiving electrical power.

ence. To prevent this, turn off the mobile phone or use it further away from the PSR-202.

The battery power is too low. Replace the batteries. (See page 8.)

Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output.

This is normal. The Pianist styles and certain other styles have no drums. The accompaniment of these styles can only be heard when accompaniment is set to ON and keys are played in the auto accompaniment section of the keyboard.

Make sure the Style mode is active before using the auto accompaniment. Press the [STYLE] button to enable style operations.

Too many keys are pressed at the same time. The PSR-202 is polyphonic up to a maximum of 16 notes.

When using the Dictionary function (page 41), the keys in the right hand section are used only for entering the chord root and type.

el.

playing back at the same time a Multi Pad is played, some notes/sounds of the Multi Pad may be omitted (or “stolen”) from the accompaniment or song.

strument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note.

When auto accompaniment is on, the display shows the specific notes of the chords you play in the auto accompaniment section of the keyboard. If you play a single finger chord, or an inversion of a chord, the corresponding chord will be appropriately displayed — even if the display does not exactly match the pressed keys.

Page 54

Index

Misc.

+/- buttons........................................24

A-B Repeat ......................................33

AC Power adaptor..............................8

Accessory Jacks.................................9

Accompaniment Volume .................47

Auto Accompaniment......................48

Batteries.............................................8

Beat Display ....................................31

Both Hand........................................34

chord ................................................49

Chord Names ...................................50

chord type ........................................41

chord, Fingered................................48

chord, Single Finger ........................48

DEMO button ..................................18

Dictionary ........................................41

Display Indications..........................19

Drum Kit..........................................25

Drum Kit List ..................................58

Ending..............................................46

Fill-in ...............................................46

Fingered Chords ..............................48

Harmony voices...............................25

Headphones .......................................9

Indicator...........................................19

Interval.............................................50

Intro .................................................43

inversion ..........................................48

Latin.................................................22

Latin Kit Voice Chart.......................25

Lesson..............................................34

Main A/B......................................... 46

Melody Voice Change ..................... 30

Metronome...................................... 21

MIDI ............................................... 52

MIDI Implementation Chart ........... 64

MIDI, about .................................... 52

Minus One....................................... 34

Multi Fingering ............................... 48

Multi Pads ....................................... 51

Music Rest ........................................ 9

numeric keypad............................... 24

One Touch Setting (OTS)................ 26

Overall button ................................. 21

Overall function bar ........................ 19

PHONES/OUTPUT jack .................. 9

Portable Grand ................................ 20

root ............................................ 41, 48

sections (Style)................................ 46

Single Finger Chords ...................... 48

Song Controls ................................. 32

Song Volume ................................... 32

Songs, selecting and playing........... 29

Speciﬁcations .................................. 66

Split voices...................................... 25

Style List ......................................... 63

Styles, playing................................. 43

Styles, selecting .............................. 42

SUSTAIN.......................................... 9

Sync Start........................................ 44

Talking ............................................ 40

Tap Tempo....................................... 44

Tempo (song) .................................. 31

Tempo (style) .................................. 46

Time Signature................................ 21

Timing............................................. 34

Transpose ........................................ 27

Troubleshooting .............................. 53

Tuning............................................. 28

Voice List......................................... 56

Voices, selecting and playing ..........23

Waiting ............................................34

Page 55

209

Page 56

Voice List/Lista de vozes/ Liste des voix/Lista de voces

The following voices can be selected when the Voice mode is active, or when the Voice Change function is on. They can also be selected by a connected MIDI device; the corresponding bank select messages are: MSB = 00H, LSB = 70H.

When selecting voices via MIDI: * The Harmony voices (#066 - #075) and Echo voices (#086 - #095) are

sounded without the respective harmony and echo effects.

As seguintes vozes podem ser selecionadas quando o modo Voz estiver ativo ou quando a função Voice Change estiver ligada. Elas podem também ser selecionadas por um dispositivo MIDI conectado; as mensagens correspondentes da seleção do banco são: MSB = 00H, LSB = 70H.

Ao selecionar vozes por meio do MIDI: * As vozes Harmony (066 - 075) e Echo (086 - 095) soam sem os respectivos

efeitos de harmonia e eco.

● Panel Voice List/Lista de vozes do painel/

MIDI Program

Voice#

001 0 GRAND PIANO 2 002 1 HONKY-TONK PIANO 2 003 2 ELECTRIC PIANO 1 2 004 3 ELECTRIC PIANO 2 2 005 4 ELECTRIC PIANO 3 1 006 5 ELECTRIC PIANO 4 1 007 6 HARPSICHORD 2 008 7 CLAVI 1 009 8 CELESTA 1

010 9 VIBRATO OFF 2 011 10 VIBRATO ON 2 012 11 HARMONY OFF 2 013 12 HARMONY ON 2 014 13 ATTACK OFF 2 015 14 ATTACK ON 2 016 15 WAVE OFF 2 017 16 WAVE ON 2 018 17 PIPE OGAN 2 019 18 ACCORDION 1 2 020 19 ACCORDION 2 2 021 20 BANDONEON 1 022 21 HARMONICA 1

023 22 SOFT GUITAR 1 024 23 FOLK GUITAR 1 025 24 12STRINGS GUITAR 2 026 25 SMALL GUITAR 1 027 26 JAZZ GUITAR 1 028 27 ELECTRIC GUITAR 2 029 28 DISTORTION GUITAR 2 030 29 WOOD BASS 1 031 30 FINGER BASS 1 032 31 SLAP BASS 1 033 32 FAT BASS 1

034 33 STRINGS 1 035 34 VIOLIN 1 036 35 CELLO 1 037 36 HARP 1 038 37 SITAR 1 039 38 BANJO 1 040 39 VIBRAPHONE 1 041 40 MARIMBA 1 042 41 STEEL DRUMS 1

043 42 TRUMPET 1 044 43 TROMBONE 1 045 44 MUTE TRUMPET 1 046 45 FRENCH HORN 1 047 46 BRASS SECTION 1 048 47 HIGH BRASS 2

Change#

Voice Name

PIANO

ORGAN/ACCORDION

GUITAR/BASS

STRINGS/MARIMBA

TRUMPET

Les voix suivantes peuvent être sélectionnées lorsque le mode Voice est activé ou lorsque la fonction Voice Change est choisie. Elles peuvent aussi être sélectionnées par un périphérique MIDI connecté ; les messages correspondants sélectionnés par la banque sont les suivants : MSB = 00H, LSB = 70H.

Lors de la sélection des voix par le biais du MIDI : * Les voix Harmony (n˚ 066 à 075) et Echo (n˚ 086 à 095) sont reproduites en

l'absence des effets d’écho et d’harmonie correspondants.

Se pueden seleccionar las siguientes voces cuando el modo Voice o la opción Voice Change están activados. También se pueden seleccionar con un dispositivo MIDI conectado; los mensajes correspondientes de selección de bancos son los siguientes: MSB = 00H, LSB = 70H.

Cuando se seleccionan voces a través de MIDI: * Las voces de armonía (nº 066 a 075) y de eco (nº 086 a 095) suenan sin los

efectos respectivos de armonía y eco.

Liste des voix de panneau/Lista de voces del pane

Used

Notes

MIDI Program

Voice#

049 48 TRUMPET & TROMBONE SECTION 2

Change#

Voice Name

SAX/FLUTE

050 49 ALTO SAX 1 051 50 TENOR SAX 1 052 51 OBOE 1 053 52 CLARINET 1 054 53 FLUTE 1 1 055 54 FLUTE 2 1 056 55 PAN FLUTE 1

SYNTHESIZER

057 56 THICK LEAD 2 058 57 SIMPLE LEAD 1 059 58 THICK SAWTOOTH 2 060 59 SIMPLE SAWTOOTH 1 061 60 SYNTH BASS 1 062 61 SYNTH STRINGS 1 063 62 SYNTH BRASS 2 064 63 SLOW STRINGS 1 065 64 CHORUS 1

VARIATION

066 65 PIANO TRIO 3 067 66 PIANO COUNTRY 2 068 67 ELECTRIC PIANO TRIO 3 069 68 HARPSICHORD TRIO 3 070 69 ELECTRIC ORGAN TRIO 3 071 70 VIBRAPHONE DUET 2 072 71 TRUMPET DUET 2 073 72 HORN DUET 2 074 73 CLARINET TRIO 3 075 74 FLUTE DUET 2 076 75 WOOD BASS / PIANO 1 077 76 STRINGS / PIANO 1 078 77 FINGER BASS / ELECTRIC PIANO 1 079 78 HARP / VIOLIN 1 080 79 FRENCH HORN / TRUMPET 1 081 80 SUSTAIN PIANO 1 082 81 SUSTAIN ELECTRIC PIANO 1 1 083 82 SUSTAIN ELECTRIC PIANO 2 1 084 83 SUS VIBRAPHONE 1 085 84 SUSTAIN STRINGS 1 086 85 ECHO PIANO 1 087 86 ECHO ELECTRIC PIANO 1 088 87 ECHO HARPSICHORD 1 089 88 ECHO CELESTA 1 090 89 ECHO FOLK GUITAR 1 091 90 ECHO BANJO 1 092 91 ECHO VIBRAPHONE 1 093 92 ECHO MARIMBA 1 094 93 ECHO STEEL DRUMS 1 095 *1 ECHO DRUM KIT 1 096 95 PIANO CONCERTO 2 097 96 ELECTRIC PIANO CONCERTO 2 098 97 FAIRY LAND 2

Used

Notes

210

Page 57

Voice List/Lista de vozes/ Liste des voix/Lista de voces

MIDI Program

Voice#

099 98 MOOD GUITAR 2 100 99 RICH GUITAR 2 101 100 HOT ORGAN 2 102 101 EXCEL VIOLIN 2 103 102 CRYSTAL 2 104 103 STAR SHIP 2

Change#

Voice Name

Used

Notes

DRUMKIT

105 *1 DRUM KIT 1

BRASIL

106 105 CAVAQUINHO 1 107 106 BANDOLIM 1

The following voices cannot be directly selected from the panel controls; they are special voices programmed into the songs of the PSR-202 and are selected automatically in song playback. However, they can be selected by a connected MIDI device; the corresponding bank select messages are: MSB = 00H, LSB = 00H.

As seguintes vozes não podem ser selecionadas diretamente nos painéis de controle; são vozes especiais programadas nas músicas do PSR-202 e são selecionadas automaticamente na reprodução de músicas. Contudo, podem ser secionadas por um dispositivo MIDI conectado; as mensagens correspondentes da seleção do banco são: MSB = 00H, LSB = 00H.

MIDI Program

Voice#

108 107 VIOLA CAIPIRA 1 109 *9 BRASIL KIT 1 1 110 *17 BRASIL KIT 2 1 111 110 BERIMBAU & SURDO 1

Change#

Voice Name

Used

Notes

LATINKIT

112 *25 LATIN KIT 1

*1 MSB=7FH, LSB=00H, MIDI Prg Ch#=1 *9 MSB=7FH, LSB=00H, MIDI Prg Ch#=9 *17 MSB=7FH, LSB=00H, MIDI Prg Ch#=17 *25 MSB=7FH, LSB=00H, MIDI Prg Ch#=25

Les voix suivantes ne peuvent être directement sélectionnées à partir des commandes du panneau ; ce sont des voix spéciales, programmées dans les morceaux du PSR-202, qui sont automatiquement sélectionnées lors de la reproduction du morceau. Toutefois, elles peuvent être sélectionnées par un dispositif MIDI connecté. Dans ce cas, les messages correspondants sélectionnés par la banque sont les suivants : MSB = 00H, LSB = 00H.

Las voces que se indican a continuación no se pueden seleccionar directamente desde los controles del panel; son voces especiales programadas en las canciones del PSR-202 y se seleccionan automáticamente en la reproducción de las mismas. No obstante, se pueden seleccionar con un dispositivo MIDI conectado; los mensajes correspondientes de selección de bancos son los siguientes: MSB = 00H, LSB = 00H.

211

MIDI Program

Change#

Voice Name Used Notes

0 Piano 1 3 Honky-tonk Piano 2 4 Electric Piano 1 2 5 Electric Piano 2 2 6 Harpsichord 1 7 Clavi 1

8 Celesta 1 11 Vibraphone 1 12 Marimba 1 16 Electric Organ 1 2 17 Electric Organ 2 2 19 Pipe Organ 2 20 Accordion 1 2 21 Accordion 2 2 22 Harmonica 1 23 Wave Organ 2 24 Soft Guitar 1 25 Folk Guitar 1 26 Jazz Guitar 1 27 Electric Guitar 1 28 12Strings Guitar 2 29 Rich Guitar 2 30 Distortion Guitar 1 32 Wood Bass 1 33 Finger Bass 1 34 Mute Bass 1 35 Fat Bass 1 36 Slap Bass 1 38 Synth Bass 1 40 Violin 1 42 Cello 1 46 Harp 1 49 Strings 1 51 Synth Strings 1 52 Choir 1 56 Trumpet 1 57 Trombone 1 59 Muted Trumpet 1

MIDI Program

Change#

Voice Name Used Notes

60 French Horn 1 61 Brass Section 1 63 Synth Brass 1 64 High Brass 2 65 Alto Sax 1 66 Tenor Sax 1 67

Trumpet & Trombone Section

68 Oboe 1 71 Clarinet 1 73 Flute 2 1 75 Pan Flute 1 80 Lead 1 81 Sawtooth 1 88 Piano Concerto 2 89 Electric Piano Concerto 2 90 Fairy land 2 91 Hot Organ 2 92 Mood Guitar 2 93 Excel Violin 2 94 Star ship 2 95 Slow Strings 1

98 Crystal 2 102 Viola Caipira 1 103 Berimbau & Surdo 1 104 Sitar 1 105 Banjo 1 110 Cavaquinho 1 111 Bandolim 1 112 Small Guitar 1 114 Steel Drums 1 120 Bandoneon 1 121 Flute 1 1 123 Wood Bass / Piano 1 124 Strings / Piano 1 125 Finger Bass / Electric Piano 1 126 Harp / Violin 1 127 Horn / Trumpet 1

Page 58

Drum Kit List/Lista do conjunto de percussão/

Liste des kits de percussion

• Each percussion voice uses one note.

• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in “105: Drum Kit”, the “Low Tom” (Note# 60/Note C3) corresponds to (MIDI Note# 48/Note C2).

• Voices with the same Alternate Note Number (1 … 48) cannot be played simultaneously. (They are designed to be played alternately with each other.)

• Key Off: Keys marked “

• Cada voz de percussão usa uma nota.

• O # de nota e a Nota do MIDI estão, de fato, uma oitava abaixo do # de nota e da Nota do teclado. Por exemplo, em “105: Drum Kit”, o “Low Tom” (# de nota 60/Nota C3) corresponde a (# de nota 48/Nota C2 do MIDI).

• As vozes com o mesmo Número de nota alternada (1 … 48) não podem ser executadas simultaneamente. (Elas foram projetadas para serem executadas alternando uma com a outra.)

• Tecla liberada: Teclas marcadas com “O” interrompem o som quando a tecla é liberada.

• Chaque voix de percussion utilise une note unique.

• Le numéro de note MIDI (Note #) et la note MIDI se situent en réalité à une octave inférieure à celle qui est indiquée dans la liste. Par exemple, dans « 105 : Drum Kit », « Low Tom » (Note# 60/Note C3) correspond à (MIDI Note# 48/Note C2).

• Les voix portant un même numéro de note alternative (1 … 48) ne peuvent pas être jouées simultanément. (Elles sont en effet conçues pour être interprétées en alternance).

• Key Off : pour les touches signalées par « instantanément aussitôt que les touches sont relâchées.

• Cada sonido de percusión utiliza una nota.

• El número de nota MIDI (NOTE #) y la nota son en realidad una octava menos de lo que aparece en la lista. Por ejemplo, en “105: Drum Kit”, el “Low Tom” (Nota# 60/Nota C3) corresponde a (MIDI Nota# 48/Nota C2).

• Los sonidos con el mismo número alterno de nota (1 … 48) no pueden tocarse simultáneamente. (Están diseñados para tocarse alternativamente el uno con el otro.)

• Tecla desactivada: las teclas marcadas con “ momento en que se sueltan.

O” stop sounding the instant they are released.

O », l’émission de sons s’arrête

O” dejan de sonar en el

Lista de juegos de batería

Voice# 105

Bank MSB# 127

Bank LSB# 0

Program Change# 1

Keyboard MIDI

Note# Note Note# Note

36 C 1 24 C 0 37 C# 125C# 0

C#1

38 D 1 26 D 0 39 D# 127D# 0

D#1

40 E 1 28 E 0 41 F 1 29 F 0 42 F# 130F# 0

F#1

43 G 1 31 G 0 44 G# 132G# 0

G#1

45 A 1 33 A 0 46 A# 134A# 0

A#1

47 B 1 35 B 1 48 C 2 36 C 1 49 C# 237C# 1

C#2

50 D 2 38 D 1 51 D# 239D# 1 Rim Shot

D#2

52 E 2 40 E 1 Bass Drum 1 53 F 2 41 F 1 Bass Drum 2 54 F# 242F# 1 1 Hi-Hat Close

F#2

55 G 2 43 G 1 Snare Drum 1 56 G# 244G# 1 1 Hi-Hat Pedal

G#2

57 A 2 45 A 1 Snare Drum 2 58 A# 246A# 1 1 Hi-Hat Open

A#2

59 B 2 47 B 1 Floor Tom 60 C 3 48 C 2 Low Tom 61 C# 349C# 2 Crash Cymbal

C#3

62 D 3 50 D 2 Mid Tom 63 D# 351D# 2 Splash Cymbal

D#3

64 E 3 52 E 2 High Tom 65 F 3 53 F 2 Electronic Bass Drum 66 F# 354F# 2 Cowbell

F#3

67 G 3 55 G 2 Electronic Snare Drum 68 G# 356G# 2 Claves

G#3

69 A 3 57 A 2 Electronic Floor Tom 70 A# 358A# 2 Shaker

A#3

71 B 3 59 B 2 Electronic Low Tom 72 C 4 60 C 3 Electronic Mid Tom 73 C# 461C# 3 Timbale H

C#4

74 D 4 62 D 3 Electronic High Tom 75 D# 463D# 3 Timbale L

D#4

76 E 4 64 E 3 Agogo H 77 F 4 65 F 3 Agogo L 78 F# 466F# 3 Conga H Mute

F#4

79 G 4 67 G 3 Bongo H 80 G# 468G# 3 Conga H Open

G#4

81 A 4 69 A 3 Bongo L 82 A# 470A# 3 Conga L

A#4

83 B 4 71 B 3 Guiro Short 84 C 5 72 C 4 O Guiro Long 85 C# 573C# 4

C#5

86 D 5 74 D 4 87 D# 575D# 4

D#5

88 E 5 76 E 4 89 F 5 77 F 4

F#5

90 F# 578F# 4 91 G 5 79 G 4

G#5

92 G# 580G# 4 93 A 5 81 A 4

A#5

94 A# 582A# 4 95 B 5 83 B 4 96 C 6 84 C 5

Key

off

Alternate

assign

Drum Kit

212

Page 59

Drum Kit List/Lista do conjunto de percussão/

Liste des kits de percussion

Voice# 109 110 111 Bank MSB# 127 127 0 Bank LSB# 0 0 112

Program Change# 9 17 110

Keyboard MIDI

Note# Note Note# Note

36 C 1 24 C 0 Repinique Solto Repinique Solto 19 37 C# 125C# 0 Repinique Baqueta Repinique Baqueta 19

C#1

38 D 1 26 D 0 Repinique Keto Repinique Keto 19 39 D# 127D# 0 Repinique Agudinho Repinique Agudinho 19

D#1

40 E 1 28 E 0 Repinique Nylon AG Repinique Nylon AG 19 41 F 1 29 F 0 Repinique Nylon GR Repinique Nylon GR 19 42 F# 130F# 0 2 Zabumba Abafado 10 Zabumba Abafado 19

F#1

43 G 1 31 G 0 2 Zabumba Solto 10 Zabumba Solto 19 44 G# 132G# 0 Zabumba Aro Zabumba Aro 19

G#1

45 A 1 33 A 0 3 Surdo Abafado 11 Surdo Abafado 19 46 A# 134A# 0 3 Surdo Solto 11 Surdo Solto 19

A#1

47 B 1 35 B 1 3 Surdo Ponta 11 Surdo Ponta 19 48 C 2 36 C 1 Surdo Aro Surdo Aro 19 49 C# 237C# 1 Caixa Suja Aro Caixa Suja Aro 19

C#2

50 D 2 38 D 1 Caixa Suja 1 Caixa Suja 1 19 51 D# 239D# 1 Tamborim Abafado Tamborim Abafado 19

D#2

52 E 2 40 E 1 Tamborim Solto Tamborim Solto 19 53 F 2 41 F 1 Tamborim Ponta Tamborim Ponta 19 54 F# 242F# 1 Tamborim Nylon Ida Tamborim Nylon Ida 19

F#2

55 G 2 43 G 1 Tamborim Nylon Volta Tamborim Nylon Volta 56 G# 244G# 1 4 Djambe Abafado 12 Djambe Abafado

G#2

57 A 2 45 A 1 4 Djambe Solto 12 Djambe Solto 58 A# 246A# 1 4 Djambe Keto 12 Djambe Keto

A#2

59 B 2 47 B 1 5 Djimbal Abafado 13 Djimbal Abafado 60 C 3 48 C 2 5 Djimbal Solto 13 Djimbal Solto 61 C# 349C# 2 5 Djimbal Keto 13 Djimbal Keto

C#3

62 D 3 50 D 2 6 Tan Tan Abafado 14 Timba Abafado 63 D# 351D# 2 6 Tan Tan Solto 14 Timba Solto

D#3

64 E 3 52 E 2 6 Tan Tan Keto 14 Timba Keto 65 F 3 53 F 2 Tan Tan Armacao Timba Armacao 66 F# 354F# 2 Pandeiro Nylon Abafado Pandeiro Couro Abafado

F#3

67 G 3 55 G 2 Pandeiro Nylon Solto Pandeiro Couro Solto 68 G# 356G# 2 Pandeiro Nylon Ponta Pandeiro Couro Ponta

G#3

69 A 3 57 A 2 Pandeiro Nylon Calcanhar Pandeiro Couro Calcanhar 70 A# 358A# 2 Pandeiro Nylon Keto Pandeiro Couro Keto

A#3

71 B 3 59 B 2 O Pandeiro Nylon Tremolo O Pandeiro Couro Tremolo 72 C 4 60 C 3 Reco-Reco Reco-Reco 73 C# 461C# 3 Chocalho Chocalho

C#4

74 D 4 62 D 3 Caxixi Caxixi 75 D# 463D# 3 Timbale Aro AG Timbale Aro AG

D#4

76 E 4 64 E 3 Timbale Aro GR Timbale Aro GR 77 F 4 65 F 3 Timbale AG Timbale AG 78 F# 466F# 3 Timbale GR Timbale GR

F#4

79 G 4 67 G 3 Agogo AG 15 Chequere Escorregada 80 G# 468G# 3 Agogo GR 15 Chequere Puxada

G#4

81 A 4 69 A 3 Agogo Abafado Caixinha 82 A# 470A# 3 Agogo Abafado AG Afoxe Coco

A#4

83 B 4 71 B 3 Afoxe Metal Afoxe Metal 84 C 5 72 C 4 Ganza Ganza 85 C# 573C# 4 7 Repique Anel Abafado 1 16 Repique Anel Abafado 1

C#5

86 D 5 74 D 4 7 Repique Anel Solto 16 Repique Anel Solto 87 D# 575D# 4 7 Repique Anel Abafado 2 16 Repique Anel Abafado 2

D#5

88 E 5 76 E 4 Repique Anel Armacao Repique Anel Armacao 89 F 5 77 F 4 Cuica AG 1 Cuica AG 1 90 F# 578F# 4 Cuica AG 2 Cuica AG 2

F#5

91 G 5 79 G 4 Cuica MD Cuica MD 92 G# 580G# 4 8 Triangulo Abafado 17 Triangulo Abafado

G#5

93 A 5 81 A 4 8 Triangulo Solto 17 Triangulo Solto 94 A# 582A# 4 9 Repique de Mao Keto 18 Repique de Mao Keto

A#5

95 B 5 83 B 4 9 Repique de Mao Solto 18 Repique de Mao Solto 96 C 6 84 C 5 Repique de Mao Armacao Repique de Mao Armacao

Key

off

Alternate

assign

Brasil Kit 1

Key

off

Alternate

assign

Brasil Kit 2

Lista de juegos de batería

Key

off

Alternate

assign

Berimbau & Surdo

Surdo Abafado

Surdo Solto

Surdo Ponta

Surdo Aro

Solto 1

Pedra 1

Abafado 1

Solto 2

Pedra 2

Abafado 2

213

Page 60

Drum Kit List/Lista do conjunto de percussão/

Liste des kits de percussion

Voice# 112

Bank MSB# 127

Bank LSB# 0

Program Change# 25

Keyboard MIDI

Note# Note Note# Note

36 C 1 24 C 0 Shaker 37 C# 1 25 C# 0 Maracas Pull

C#1

38 D 1 26 D 0 Shaker Shaker Maracas 39 D# 1 27 D# 0 Maracas Push

D#1

40 E 1 28 E 0 Shaker Soft 41 F 1 29 F 0 Hand Cowbell Body 42 F# 1 30 F# 0 Hand Cowbell Open

F#1

43 G 1 31 G 0 Hand Cowbell Body 44 G# 1 32 G# 0 Hand Cowbell Open Body Open

G#1

45 A 1 33 A 0 Hand Cowbell Body 46 A# 1 34 A# 0 Hand Cowbell Open

A#1

47 B 1 35 B 1 Hand Cowbell Body 48 C 2 36 C 1 O Guiro Long 1 49 C# 2 37 C# 1 Guiro Short 1

C#2

50 D 2 38 D 1 O Guiro Long 2 Long Short 51 D# 2 39 D# 1 Guiro Short 2

D#2

52 E 2 40 E 1 O Guiro Long 3 53 F 2 41 F 1 Quinto Tip 54 F# 2 42 F# 1 Woodblock

F#2

55 G 2 43 G 1 Quinto Tip 56 G# 2 44 G# 1 Woodblock Quinto Tip Woodblock

G#2

57 A 2 45 A 1 Quinto Tip 58 A# 2 46 A# 1 Woodblock

A#2

59 B 2 47 B 1 Quinto Tip 60 C 3 48 C 2 Quinto Heel 61 C# 3 49 C# 2 Claves Quinto Heel

C#3

62 D 3 50 D 2 Quinto Heel Claves 63 D# 3 51 D# 2 Claves

D#3

64 E 3 52 E 2 Quinto Slap 65 F 3 53 F 2 Quinto Slap

F#3

66 F# 3 54 F# 2 Bongo Low 67 G 3 55 G 2 Quinto Slap

G#3

68 G# 3 56 G# 2 Bongo Low 69 A 3 57 A 2 Quinto Open

A#3

70 A# 3 58 A# 2 Bongo Low Quinto Open 71 B 3 59 B 2 Quinto Open 72 C 4 60 C 3 Conga Heel

C#4

73 C# 4 61 C# 3 Bongo High Heel Conga Heel 74 D 4 62 D 3 Conga Heel Bongo High Heel

D#4

75 D# 4 63 D# 3 Bongo High Heel 76 E 4 64 E 3 Conga Slap 77 F 4 65 F 3 Conga Slap

F#4

78 F# 4 66 F# 3 Bongo High 79 G 4 67 G 3 Conga Slap

G#4

80 G# 4 68 G# 3 Bongo High Bongo High 81 A 4 69 A 3 Conga Open

A#4

82 A# 4 70 A# 3 Bongo High Conga Open 83 B 4 71 B 3 Conga Open 84 C 5 72 C 4 Timbale Low Paila Low Paila

C#5

85 C# 5 73 C# 4 Cha-Cha-Cha Bell 86 D 5 74 D 4 Timbale Low Cha-Cha-Cha Bell

D#5

87 D# 5 75 D# 4 Cha-Cha-Cha Bell Low 88 E 5 76 E 4 Timbale Low 89 F 5 77 F 4 Timbale Low

F#5

90 F# 5 78 F# 4 Mambo Bell Body Mambo Bell Body 91 G 5 79 G 4 Timbale High

G#5

92 G# 5 80 G# 4 Mambo Bell 93 A 5 81 A 4 Timbale High Mambo Bell

A#5

94 A# 5 82 A# 4 Mambo Bell 95 B 5 83 B 4 Timbale High 96 C 6 84 C 5 Timbale High Paila High Paila

Lista de juegos de batería

Key

off

Alternate

assign

Latin Kit

Quinto Slap

Bongo Low

Conga Slap

High

214

Page 61

Drum Kit List/Lista do conjunto de percussão/

Liste des kits de percussion

Bank MSB# 127 127 127 Bank LSB# 0 0 0

Program Change# 0 8 16

Keyboard MIDI

Note# Note Note# Note

12 C -1 0 C -2 Repinique Solto Repinique Solto 13 C# -11C# -2 Repinique Baqueta Repinique Baqueta 14 D -1 2 D -2 Repinique Keto Repinique Keto 15 D# -13D# -2 Hi Q Repinique Agudinho Repinique Agudinho 16 E -1 4 E -2 Repinique Nylon AG Repinique Nylon AG 17 F -1 5 F -2 Scratch H Repinique Nylon GR Repinique Nylon GR 18 F# -16F# -2 Scratch L 22 Zabumba Abafado 31 Zabumba Abafado 19 G -1 7 G -2 22 Zabumba Solto 31 Zabumba Solto 20 G# -18G# -2 Zabumba Aro Zabumba Aro 21 A -1 9 A -2 23 Surdo Abafado 32 Surdo Abafado 22 A# -1 10 A# -2 23 Surdo Solto 32 Surdo Solto 23 B -1 11 B -2 23 Surdo Ponta 32 Surdo Ponta 24 C 0 12 C -1 Surdo Aro Surdo Aro 25 C# 013C# -1 Caixa Suja Aro Caixa Suja Aro 26 D 0 14 D -1 Caixa Suja 1 Caixa Suja 1 27 D# 015D# -1 Brush Slap Tamborim Abafado Tamborim Abafado 28 E 0 16 E -1 Reverse Cymbal Tamborim Solto Tamborim Solto 29 F 0 17 F -1 Tamborim Ponta Tamborim Ponta 30 F# 018F# -1 Electronic Bass Drum SynthBass Drum SynthBass Drum 31 G 0 19 G -1 Tamborim Nylon Ida Tamborim Nylon Ida 32 G# 020G# -1 Electronic Snare Drum SynthSnare Drum SynthSnare Drum 33 A 0 21 A -1 Tamborim Nylon Volta Tamborim Nylon Volta 34 A# 022A# -1 Reco-Reco Reco-Reco 35 B 0 23 B -1 Bass Drum 1 Bass Drum 1 Bass Drum 1 36 C 1 24 C 0 Bass Drum 2 Bass Drum 2 Bass Drum 2 37 C# 125C# 0 Rim Shot Rim Shot Rim Shot 38 D 1 26 D 0 Snare Drum 1 Snare Drum 2 Snare Drum 2 39 D# 127D# 0 Electronic Floor Tom Synth Tom Bass Synth Tom Bass 40 E 1 28 E 0 Snare Drum 2 Snare Drum 3 Snare Drum 3 41 F 1 29 F 0 Floor Tom Tom Bass Tom Bass 42 F# 130F# 0 20 Hi-hat Closed 24 Hi-hat Close 33 Hi-hat Close 43 G 1 31 G 0 Electronic Low Tom Synth Tom Low Synth Tom Low 44 G# 132G# 0 20 Hi-Hat Pedal 24 Hi-hat Pedal 33 Hi-hat Pedal 45 A 1 33 A 0 Low Tom Tom Low Tom Low 46 A# 134A# 0 20 Hi-Hat Open 24 Hi-hat Open 33 Hi-hat Open 47 B 1 35 B 1 Electronic Mid Tom Synth Tom Mid Synth Tom Mid 48 C 2 36 C 1 Mid Tom Tom Mid Tom Mid 49 C# 237C# 1 Crash Cymbal Crash Cymbal Crash Cymbal 50 D 2 38 D 1 High Tom Tom High Tom High 51 D# 239D# 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 52 E 2 40 E 1 Electronic High Tom Synth Tom High Synth Tom High 53 F 2 41 F 1 Ride Cymbal Cup Chocalho Chocalho 54 F# 242F# 1 Tambourine Caxixi Caxixi 55 G 2 43 G 1 Splash Cymbal Splash Cymbal Splash Cymbal 56 G# 244G# 1 Cowbell Cowbell Cowbell 57 A 2 45 A 1 Afoxe Metal Afoxe Metal 58 A# 246A# 1 Ganza Ganza 59 B 2 47 B 1 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2 60 C 3 48 C 2 Bongo H Bongo H Bongo H 61 C# 349C# 2 Bongo L Bongo L Bongo L 62 D 3 50 D 2 Conga H Mute Conga H Mute Conga H Mute 63 D# 351D# 2 Conga H Open Conga H Open Conga H Open 64 E 3 52 E 2 Conga L Conga L Conga L 65 F 3 53 F 2 Timbale H Brush Snare Brush Snare 66 F# 354F# 2 Timbale L Brush Tom L Brush Tom L 67 G 3 55 G 2 Agogo H Brush Tom H Brush Tom H 68 G# 356G# 2 Agogo L O Apito O Apito 69 A 3 57 A 2 Timbale Aro AG Timbale Aro AG 70 A# 358A# 2 Timbale Aro GR Timbale Aro GR 71 B 3 59 B 2 O Apito H Timbale AG Timbale AG 72 C 4 60 C 3 O Apito L Timbale GR Timbale GR 73 C# 461C# 3 Guiro Short Guiro Short Guiro Short 74 D 4 62 D 3 O Guiro Long O Guiro Long O Guiro Long 75 D# 463D# 3 Claves Claves Claves 76 E 4 64 E 3 Agogo AG 34 77 F 4 65 F 3 Agogo GR 34 78 F# 466F# 3 Agogo Abafado 79 G 4 67 G 3 Agogo Abafado AG 80 G# 468G# 3 21 Triangle Mute 25 Triangulo Abafado 35 Triangulo Abafado 81 A 4 69 A 3 21 Triangle Open 25 Triangulo Solto 35 Triangulo Solto 82 A# 470A# 3 Shaker Shaker Shaker 83 B 4 71 B 3 26 Djambe Abafado 36 Djambe Abafado 84 C 5 72 C 4 Bell Tree 26 Djambe Solto 36 Djambe Solto 85 C# 573C# 4 Electronic Bass Drum A 26 Djambe Keto 36 Djambe Keto 86 D 5 74 D 4 Electronic Bass Drum B 27 Djimbal Abafado 37 Djimbal Abafado 87 D# 575D# 4 Electronic Bass Drum C 27 Djimbal Solto 37 Djimbal Solto 88 E 5 76 E 4 Electronic Snare Drum A 27 Djimbal Keto 37 Djimbal Keto 89 F 5 77 F 4 Electronic Snare Drum B 28 Tan Tan Abafado 38 90 F# 578F# 4 Electronic Rim Shot 28 Tan Tan Solto 38 91 G 5 79 G 4 Reverse Pulse 28 Tan Tan Keto 38 92 G# 580G# 4 Hand Clap Tan Tan Armacao 93 A 5 81 A 4 Orchestra Hit Pandeiro Nylon Abafado 94 A# 582A# 4 Scratch 1 Pandeiro Nylon Solto 95 B 5 83 B 4 Scratch 2 Pandeiro Nylon Ponta 96 C 6 84 C 5 Scratch 3 Pandeiro Nylon Calcanhar 97 C# 685C# 5 Pandeiro Nylon Keto 98 D 6 86 D 5 O Pandeiro Nylon Tremolo O

99 D# 687D# 5 29 Repique Anel Abafado 1 39 Repique Anel Abafado 1 100 E 6 88 E 5 29 Repique Anel Solto 39 Repique Anel Solto 101 F 6 89 F 5 29 Repique Anel Abafado 2 39 Repique Anel Abafado 2 102 F# 690F# 5 Repique Anel Armacao Repique Anel Armacao 103 G 6 91 G 5 Cuica AG 1 Cuica AG 1 104 G# 692G# 5 Cuica AG 2 Cuica AG 2 105 A 6 93 A 5 Cuica MD Cuica MD 106 A# 694A# 5 30 Repique de Mao Keto 40 Repique de Mao Keto 107 B 6 95 B 5 30 Repique de Mao Solto 40 Repique de Mao Solto 108 C 7 96 C 6 Repique de Mao Armacao Repique de Mao Armacao

Key

off

Alternate

assign

Style Drum Kit

Key

off

Alternate

assign

Style Drum Kit BR1

Lista de juegos de batería

Key

off

Alternate

assign

Style Drum Kit BR2

Chequere Escorregada Chequere Puxada Caixinha Afoxe Coco

Timba Abafado Timba Solto Timba Keto Timba Armacao Pandeiro Couro Abafado Pandeiro Couro Solto Pandeiro Couro Ponta Pandeiro Couro Calcanhar Pandeiro Couro Keto Pandeiro Couro Tremolo

215

Page 62

Drum Kit List/Lista do conjunto de percussão/

Liste des kits de percussion

Bank MSB# 127 Bank LSB# 0

Program Change# 24

Keyboard MIDI

Note# Note Note# Note

12 C -1 0 C -2

13 C# -11C# -2 41 Surdo Ponta

14 D -1 2 D -2 41 Surdo Solto

15 D# -13D# -2 Hi Q

16 E -1 4 E -2

17 F -1 5 F -2 Scratch H

18 F# -16F# -2 Scratch L

19 G -1 7 G -2

20 G# -18G# -2

21 A -1 9 A -2

22 A# -1 10 A# -2

23B -111B -2

24 C 0 12 C -1

25 C# 013C# -1

26 D 0 14 D -1

27 D# 015D# -1 Brush Slap

28 E 0 16 E -1 Reverse Cymbal

29 F 0 17 F -1

30 F# 018F# -1 Electronic Bass Drum

31 G 0 19 G -1

32 G# 020G# -1 Electronic Snare Drum

33 A 0 21 A -1

34 A# 022A# -1

35 B 0 23 B -1 Bass Drum 1

36 C 1 24 C 0 Bass Drum 2

37 C# 125C# 0 Rim Shot

38 D 1 26 D 0 Snare Drum 1

39 D# 127D# 0 Electronic Floor Tom

40 E 1 28 E 0 Snare Drum 2

41 F 1 29 F 0 Floor Tom

42 F# 130F# 0 42 Hi-hat Closed

43 G 1 31 G 0 Electronic Low Tom

44 G# 132G# 0 42 Hi-Hat Pedal

45 A 1 33 A 0 Low Tom

46 A# 134A# 0 42 Hi-Hat Open

47 B 1 35 B 1 Electronic Mid Tom

48 C 2 36 C 1 Mid Tom

49 C# 237C# 1 Crash Cymbal

50 D 2 38 D 1 High Tom

51 D# 239D# 1 Ride Cymbal 1

52 E 2 40 E 1 Electronic High Tom

53 F 2 41 F 1 Ride Cymbal Cup

54 F# 242F# 1 Tambourine

55 G 2 43 G 1 Splash Cymbal

56 G# 244G# 1 Cowbell

57 A 2 45 A 1

58 A# 246A# 1

59 B 2 47 B 1 Ride Cymbal 2

60 C 3 48 C 2 Bongo H

61 C# 349C# 2 Bongo L

62 D 3 50 D 2 Conga H Mute

63 D# 351D# 2 Conga H Open

64 E 3 52 E 2 Conga L

65 F 3 53 F 2 Timbale H

66 F# 354F# 2 Timbale L

67 G 3 55 G 2 Agogo H

68 G# 356G# 2 Agogo L

69 A 3 57 A 2

70 A# 358A# 2

71 B 3 59 B 2 O Apito H

72 C 4 60 C 3 O Apito L

73 C# 461C# 3 Guiro Short

74 D 4 62 D 3 O Guiro Long

75 D# 463D# 3 Claves

76 E 4 64 E 3 Woodblock

77 F 4 65 F 3

78 F# 466F# 3

79 G 4 67 G 3

80 G# 468G# 3 43 Triangle Mute

81 A 4 69 A 3 43 Triangle Open

82 A# 470A# 3 Shaker

83 B 4 71 B 3

84 C 5 72 C 4 Bell Tree

85 C# 573C# 4 Maracas Push

86 D 5 74 D 4 Maracas Pull

87 D# 575D# 4 Shaker

88 E 5 76 E 4 Shaker Soft

89 F 5 77 F 4 44 Hand Cowbell Body

90 F# 578F# 4 44 Hand Cowbell Open

91 G 5 79 G 4 45 Quinto Tip

92 G# 580G# 4 45 Quinto Heel

93 A 5 81 A 4 45 Quinto Slap

94 A# 582A# 4 45 Quinto Open

95 B 5 83 B 4 46 Conga Heel

96 C 6 84 C 5 46 Conga Slap

97 C# 685C# 5 46 Conga Open

98 D 6 86 D 5 Bongo Low

99 D# 687D# 5 47 Bongo High Heel 100 E 6 88 E 5 47 Bongo High 101 F 6 89 F 5 Timbale Low Paila 102 F# 690F# 5 Timbale Low 103 G 6 91 G 5 Timbale High Paila 104 G# 692G# 5 Timbale High 105 A 6 93 A 5 Cha-Cha-Cha Bell 106 A# 694A# 5 48 Mambo Bell Body 107 B 6 95 B 5 48 Mambo Bell

108 C 7 96 C 6

Key

off

Alternate

assign

Lista de juegos de batería

Style Drum Kit LATIN

216

Page 63

Style List & Multi pads

/Lista de estilos & Multi pads/

Liste des styles et Multi pads/Lista de estilos y Multi pads

● Style List/Lista de estilos/Liste des styles/Lista de estilos

No. Style Name

LATIN

001 MARIACHI 002 NORTEÑO 003 BANDA 004 MERENGUE 1 005 SON 006 TIMBA 007 CHA CHA 008 RUMBA 009 BOLERO 010 MAMBO 011 CONGA 012 MERENGUE 2 013 Beguine 014 Reggae 1 015 Reggae 2 016 JOROPO 017 GAITA 018 PARRANDA

CUMBIA

019

COLOMBIANA 020 VALLENATO 021 MERENGUE 3 022 TANGO 023 ZAMBA 024 BAILANTA 025 CUARTETO 026 SAMBA 027 SAMBA ENREDO 028 SAMBA CANÇÃO 029 SAMBA DE RODA 030 SAMBA FUNK 031 SAMBA REGGAE 032 SAMBA ROCK 033 PAGODE 034 PARTIDO ALTO 035 BALANÇO 036 BOSSA 1 037 BOSSA 2 038 AXÉ 039 SKA

No. Style Name

040 CARNAVAL 041 FREVO 042 FORRÓ 1 043 FORRÓ 2 044 XOTE 1 045 XOTE 2 046 BAIÃO 047 CHORO 048 CHORINHO 049 GUARÂNIA 050 RASQUEADO 051 POLCA 052 VANERÃO 053 TOADA 054 CURURU 055 SERTANEJO 1 056 SERTANEJO 2

POP/ROCK

057 8Beat Pop 058 8Beat Uptempo 059 8Beat Standard 060 8Beat Shuffle 061 Folkrock 062 Pop Rock 063 Crystal Pop 064 8Beat Medium 065 16Beat Shuffle 066 16Beat Pop 067 8Beat Ballad 068 Epic Ballad 069 Piano Ballad 070 Soul Ballad 071 Slow Rock 072 6/8 Ballad 073 Harp Arpeggio 1 074 Harp Arpeggio 2 075 Harp Arpeggio 3 076 Music Box 077 Dance Pop 078 Techno 079 Eurobeat

No. Style Name

080 Hip Hop 081 70s Disco 082 8Beat Rock Ballad 083 16Beat Rock Ballad 084 Hard Rock 085 Rock Shuffle 086 6/8 Heavy Rock 087 US Rock 088 Rock & Roll 089 Boogie 090 Twist

JAZZ/COUNTRY

091 R&B 092 Funk 093 Soul 094 Gospel Shuffle 095 6/8 Gospel 096 4/4 Blues 097 Jazz Ballad 098 Jazz Waltz 099 Fusion 100 Big Band Swing 101 Big Band Ballad 102 Jazz Quartet 103 Dixieland 104 Bluegrass 105 2/4 Country 106 Country Ballad 107 Country Shuffle

BALLROOM/WORLD

108 Tango Continental 109 Jive 110 March 111 6/8 March 112 Light March 113 Crystal March 114 Polka 115 Standard Waltz 116 German Waltz 117 Viennese Waltz 118 Crystal Waltz

No. Style Name

119 Orchestra Waltz 1 120 Orchestra Waltz 2 121 Music Box Waltz

PIANIST

122 2beat 123 Stride 124 Concerto 125 8beat 126 Honky-Tonk 127 Piano Ballad 128 Pop Ballad 129 Arpeggio 1 130 Arpeggio 2 131 Dance Pop 132 Rock & Roll 133 Tight Rock 134 Swing 135 Jazz Waltz 136 Ragtime 137 Beguine 138 Cha Cha 139 March 140 6/8 March 141 Galop

217

●Multi pads/Multi pads/Multi pads/Multi pads

Category Bank No. Bank Name

1 Claves 2 Surdo

Strings & Brass

Latin Guitar Play

LATIN

4 Accordion 1 5 Accordion 2 6 Bandolim

8 Guitar & Piano

Category Bank No. Bank Name

NORMAL

9 Pianist 10 Twinkle 11 Organ Play 12 Guitar Play 13 Percussion 14 Drums 15 Techno 16 1234 17 GOAL!

Page 64

MIDI Implementation Chart/Tabela de execução de MIDI/ Feuille d'implémentation MIDI/Gráﬁca de implementación MIDI

Transmitted Recognized Remarks

Bank Select LSB,MSB

9nH,v=0 or 8nH

Data Entry

Model PSR-202 MIDI Implementation Chart Version : 1.0

Function...

YAMAHA [ Portable Keyboard ] Date:22-MAY-2002

Basic Default 1 - 7,10 1 - 7,10

Default 3 3

Channel Changed x x

Altered ************** x

Mode Messages x x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Note OFF x 9nH,v=0 x

Velocity Note ON o 9nH,v=1-127 *1 o 9nH,v=1-127

After Key's x x

Touch Ch's x x

Pitch Bend x x

7o o Volume

0,32 o *2 o *2

10 o o Pan

6,38 x x

71-74 x x

Control 64 o o Sustain

96-97 x x RPN Inc,Dec

98,99 x x NRPN LSB,MSB

91,93,94 x x

Change 84 o o Portamento Cntrl

100-101 x x RPN LSB,MSB

218

Page 65

MIDI Implementation Chart/Tabela de execução de MIDI/

Feuille d'implémentation MIDI

NOTE:

*1 Depending on the selected voice, the transmitted velocity value may differ.

*2 MSB can be used to change the voice for the Melody or Rhythm.

*3 For program change values, refer to the voice list.

Program change and other like channel messages received will not affect the PSR-202 panel settings or what is being played on the keyboard.

*4 < GM System on > F0H,7EH,7FH, 09H, 01H, F7H

All data is restored to the default values.

*5 MIDI does not function (transmit/receive) in the Song mode.

OBSERVAÇÃO:

*1 Dependendo da voz selecionada, o valor da velocidade transmitida pode

variar.

*2 Pode-se utilizar MSB para modiﬁcar a voz nos recursos Melody (melodia)

ou Rhythm (ritmo).

*3 Para valores de modiﬁcação de programa, consulte a lista de vozes.

A modiﬁcação do programa e outras, como as mensagens de canal recebidas, não afetarão as conﬁgurações do painel PSR-202 ou o que estiver sendo executado no teclado.

*4 < Sistema GM em > F0H,7EH,7FH, 09H, 01H, F7H

Todos os dados são restaurados aos valores padrão.

*5 MIDI não funciona (transmitir/receber) no modo Song.

Gráﬁca de implementación MIDI

MSB=00H :Melody Voice MSB=7FH : Rhythm Voice LSB: Refer to Voice list.

MSB=00H :Melody Voice MSB=7FH : Rhythm Voice LSB: Consulte a Lista de vozes

Prog o 0 - 127 *3 o 0 - 127 *3

Change : True # ************** *3

System Exclusive o *4 o *4

NOTE :

*1 En fonction de la voix sélectionnée, la valeur de la vitesse transmise peut

varier.

*2 MSB peut être utilisé pour modiﬁer la voix de la Melody ou du Rhythm.

MSB=00H : Voix de la mélodie (Melody) MSB=7FH : Voix du rythme (Rythm) LSB : Reportez-vous à la liste des voix.

*3 Pour obtenir des informations sur les valeurs de modiﬁcation du

programme, consultez la liste des voix. La modiﬁcation du programme ainsi que les autres messages des canaux n’affectent en rien les paramètres du panneau du PSR-202, ni ce qui est joué sur le clavier.

*4 < Activation du GM System > F0H,7EH,7FH, 09H, 01H, F7H

Les valeurs par défaut de toutes les données sont restaurées.

*5 La communication MIDI (transmission / réception) ne fonctionne pas en

mode Song.

NOTA:

*1 En función de la voz seleccionada, el valor de la velocidad transmitida

puede variar.

*2 Se puede utilizar MSB para cambiar la voz de la melodía o el ritmo.

MSB=00H: voz de la melodía MSB=7FH: voz del ritmo LSB: consulte la lista de voces.

*3 Para los valores de cambio del programa, consulte la lista de voces.

Los cambios de programa y otros mensajes de canal similares recibidos no

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock x x

Real Time: Commands x x

Aux :All Sound OFF x x

:Reset All Cntrls x x

:Local ON/OFF x x

:All Notes OFF x x

Mes- :Active Sense o o

sages:Reset x x

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

afectarán a los ajustes del panel del PSR-202 ni a lo que se toca en el teclado.

*4 < Sistema GM activado > F0H,7EH,7FH, 09H, 01H, F7H

Todos los datos se reponen a los ajustes iniciales.

*5 MIDI no funciona (no transmite ni recibe) en el modo Song.

219

Page 66

Speciﬁcations/Especiﬁcações/

Spéciﬁcations

Keyboard

61 standard-size keys (C1 - C6)

Display

Large multi-function LCD display (backlit)

Setup

STANDBY/ON MASTER VOLUME : MINI-MAX

Panel controls

Overall, SONG, VOICE, STYLE, DEMO, POTABLE GRAND, LATIN, METRONOME, Dict., L, R, TEMPO/TAP numeric keypad (0 - 9, +,-)

Voices

112 panel voices (max. polyphony: 16)

Effects

Harmony/Echo (Included in Voice), Split (Included in Voice), Sustain

Auto Accompaniment

141 styles

Fingering:Multi Fingering

Sections:Intro, Main A, B, Ending, Fill

Overall controls

Multi Pad, Grade, Talking, Transpose, Tuning, Accompaniment Volume, Song Volume, Metronome Volume

Style controls

Acmp, Sync-Start, Start, Stop, Intro/Ending/rit., Main A, B (Auto Fill)

Song controls

Start, Stop, Pause, A-B Repeat, Fast Forward, Rewind, Melody Voice Change

One Touch Setting

1/style, 1/song

Especiﬁcaciones

Dimensions

931 x 348.8 x 127.9 mm (36-2/3" x 13-3/4" x 5-1/16")

Weight

4.4kg (9 Ibs., 11 oz.)

Supplied accessories

Music Rest, Owner’s Manual, Song Book

Optional accessories

Headphones: HPE-150 AC power adaptor: PA-3C or PA-3B Keyboard stand: L-2L, L-2C

* Speciﬁcations and descriptions in this owner’s manual are for information

purposes only. Yamaha Corp. reserves the right to change or modify products or speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

* As especiﬁcações e descrições neste manual do proprietário têm somente

ﬁm informativo. A Yamaha Corp. reserva-se o direito de alterar ou modiﬁcar produtos ou especiﬁcações a qualquer momento, sem notiﬁcação prévia. Uma vez que as especiﬁcações, os equipamentos ou opções podem não ser os mesmos em cada locação, veriﬁque esses dados com o seu fornecedor Yamaha.

* Les caractéristiques techniques et les descriptions du mode d’emploi ne

sont données que pour information. Yamaha Cor p. se réserve le droit de changer ou modiﬁer les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressezvous au distributeur Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen

sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cualquier momento sin previo aviso. Puesto que las especiﬁcaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.

Multi Pads

4 pads x 17 banks

Yamaha Education Suite

Dictionary, Lesson 1-4

Preset songs

99 songs

Amplifier

2.0W + 2.0W

MIDI

IN/OUT

Auxiliary jacks

PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN

Speakers

12cm x 2

Power consumption

UL/CSA 6.8W, CE 7.5W (when using PA-3B power adaptor)

Power supply

Adaptor: Yamaha PA-3C or PA-3B AC power adaptor Batteries: Six “D” size, R20P(LR20) or equivalent

batteries

220

Page 67

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Para obter detalhes de produtos, entre em contato com o distribuidor Yamaha mais próximo ou o distribuidor autorizado da lista abaixo.

Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V., Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377

ARGENTINA

Yamaha de Panamá S.A. Sucursal de Argentina

Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha de Panamá S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: 507-269-5311

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220

FRANCE

Yamaha Musique France, Division Claviers

BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid) Spain Tel: 91-201-0700

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AFRICA

Yamaha Corporation, Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-881-5868

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0661

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation, Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

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HEAD OFFICE Yamaha Corporation, Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

Page 68

Yamaha PSR-202 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

PRECAUTIONS

Contents

Panel Controls and Terminals

Setting Up

Power Requirements

Turning On the Power

Accessory Jacks

Quick Guide

Step 1 Voices

Step 2 Songs

Step 3 Auto Accompaniment

Step 4 Lesson

Getting Started — Playing the Demo Songs

Panel Display Indications

Portable Grand

Playing the Portable Grand

Using the Metronome

LATIN

Playing the LATIN

Selecting and Playing Voices

Selecting and Playing a Voice

One Touch Setting

Transpose and Tuning

Selecting and Playing Songs

Selecting and Playing a Song

Melody Voice Change

Changing the Tempo

Adjusting the Song Volume

Song Controls

A-B Repeat

Song Lesson

Using the Lesson Feature

Lesson 1 — Timing

Lesson 2 — Waiting

Lesson 3 — Minus One

Lesson 4 — Both Hands

Grade

Talking

Dictionary

Selecting and Playing Styles

Selecting a Style

Playing a Style

Changing the Tempo

Style Sections (Main A, Main B) and Fill-ins

Adjusting the Accompaniment Volume

Using Auto Accompaniment — Multi Fingering

Multi Pads

MIDI

Troubleshooting

Index

Style List & Multi pads